#was not sure which tag to use for him lmao

[arcanewhoosh]

Could you right a story where jinx’s S/O is scared of bombs or loud things in general and one of jinx bombs went off scaring S/O and jinx comforts them.

So I forgot that the inbox was a thing and found this two years after you asked for it. Sorry lmao.

I think I completely failed this cause I chose season 1 Jinx and hooboy Season 2 Jinx would've been a better choice.

Also this went over 2k words I realize I may be a yapper.

The Monsters We Allow

2k words (Jesus this wasn't supposed to be this long)

Proofread? Y/N

TW: Descriptions of injuries

You're no stranger to the hazards of working for the Eye of Zaun. Even the more hardened residents of the Undercity oftentimes couldn't stomach some of the work the job entailed, more so the people involved in those jobs.

So now here you were, helping build an explosive device of some sort. Fishbones Jinx had called it. You guess that you should add assistant weapons maker to the long list of jobs you've held working for Silco over the years. It wasn't always like this, though.

You started out as cleanup crew, showing up after fights. You didn't want to at first, but if you crossed Silco, you'd most definitely cross his daughter, Jinx. If you crossed his daughter, then it was almost a certainty that you would end up in pieces and puddles on the walls and floors. You'd rather be the one cleaning than be the one being cleaned up. So you put your head down and went along with it.

It was messy work, but it turns out even with all the fucked up things tolerated in the Undercity, rotting body parts weren't one of them. It wasn't pretty, and your first few days you had to include your vomit in the list of things you had to clean up. Eventually, though, you got over it, got better. Well enough that Silco would only trust you to do cleanups of whichever unfortunate soul was on the receiving end of Jinx's chompers. You could figure out which weapon was used to do what, what the direction of the splatter on the wall or floor meant. You could look at a scene once and replay how the entire fight went.

The job wasn't pretty, not at all, but it put money in your pockets, good money. It put food on your table and clothes on your back. Most importantly, it gave you security. A blanket of protection that ensured people would think twice to cross you. Silco only kept a select few on constant contract. Sure, you didn't run around beating the shit out of people during collections, or blowing them up. You didn't have a robot arm or guns-choice of weapon was bucket and shovel-- but hey, you were deeper in his inner circle than most people.

Eventually, he started bringing you along to meetings. After those meetings, he'd ask you, What's the quickest, and cleanest way we can get rid of this person?

It was jarring at first, being asked how to kill someone. But whatever reservations you had about becoming a murder consultant was heavily outweighed by your fear of being the one consulted about. So you'd answer diligently, if a little hesitantly. The first time you answered, he had looked pleasantly surprised. As if getting recommendations on assassination was pleasant. You remembered thinking.

It didn't take long for people of the Undercity to associate your presence in these tag-alongs with the sudden death of whoever you and Silco were visiting. Whispers about how you wouldn't even talk during the meetings, how you'd sit and simply look around. If you were addressed by the person you were meeting with, Silco would politely redirect their attention back to him. Sometimes, sometimes, that person wouldn't die. Silco once credited it to you, that people suddenly became more pliable once he brought you along. Another blanket of security. People started treating you differently, more respect, fear maybe. It was a little funny, how typically aggressive brutes would become the politest people towards someone who had just barely reached the age of eighteen.

One day, Silco had asked you to his office. You thought it would just be regular stop before another meeting, standard procedure by then, really. But that day he had another guest in his office. The blue braids were already a dead giveaway, but you still politely introduced yourself.  She laughed, and identified you as The one who ruins my fun because she had to follow your instructions when Silco needed her to get rid of people.

You knew back then that she was dangerous. Quite frankly, she scared the shit out of you. You didn't have a problem with seeing dead bodies and parts, sure. But she was younger than you, and already had no qualms about taking lives. She was the one leaving behind entrails that you had to clean up. And apparently, she was now to be occasionally under your watch. Silco thought you'd be a good fit for a companion. Around the same age, he had said.

You kept a respectful distance from her, but she unfortunately grew fond of you and decided to keep you around more often than not. Silco didn't see anything wrong with it, if anything it made the both of you more notorious. His Loose Cannon and his Harbinger of Death. A deadly combination in theory, but in practice, it was mostly you having to accompany Jinx for her less dangerous - there were still casualties - pranks, and bailing her out of sticky situations.

And now here you were, two years later, making a launcher with her- making was a generous word, more handing her stuff - and getting ready to probably blow more people up.

You feel your stomach begin to unsettle again. You were used to seeing dead bodies, parts of bodies, what was left of bodies. But never in the stretch of time that you had worked for Silco, had you ever had to see dying. You always showed up after. It had only been two days since the explosion at the bridge, but somehow Jinx was walking around as if nothing had even happened to her. As if she didn't blow herself up the last time you had seen her. If you were making an educated guess based off of her eyes, you'd say she was hurt and got pumped full of shimmer; or maybe she was just living off of pure mania at this point.

You've cared for her, but now you also care about her. It seems that no matter how much respectful distance you put between yourself and her, propinquity eventually came into play, and affection followed. And the only sense you had was to go along with it.

It took you a while to get used to being around her. She was temperamental, to say the least. But you eventually learned not to ask any questions about her family, not to bring up the dolls she kept at her place, and avoid asking any questions at all about her past. If she wanted to, she'd tell you. The only time she wasn't unpredictable was when she was tinkering away at her little station, blasting her music.

She was calm, placated, almost normal. If you had never met her before and had seen her then, you would have thought she was beautiful. Not that she isn't, it's just that her reputation tended to precede all her other perceivable qualities. More than all of this, she was vulnerable. Her back turned to you, not a care in the world if you wandered around touching things. You realize now that it was in those moments probably that your affection for the girl grew. All of a sudden, getting her out of unideal predicaments included treating her wounds; then nursing her back to health if she was sick; staying over when she had nightmares. And yet you were still cautious, careful not to trip on some invisible wire that would trigger her temper.

"Whoops-"

A bang, a clattering of tools, and you're back at the bridge. Back at looking at screaming people, crawling on the ground because their legs had been blown clean off, some with limbs partially attached, some falling off, someone trying to feel where half of their face had gone. All moving, breathing, alive.

"Easy there, jelly legs." You look up to meet Jinx's eyes. Once a soft powder blue, now striking orbs of red violet. She's holding onto you. At some point you had lost your balance and was now kneeling on the floor, one hand on the side of Jinx's desk for support. "You sick or somethin'?" She asks.

"Sorry," You breathe out. "I think… I think I'm still reeling from what happened at the bridge."

She lets out a laugh. Loud, boisterous, manic.

"The bridge? The little ol' light show? You didn't like it?" Her smile falls, and she cocks her head to the side. Fuck.

Now you're on thin ice. "No, no. It was nice." You quickly say, shaking your head. "It's just, I'm not- I'm not used to seeing the before part, you know?"

She guffaws. "Wait, wait, wait." She stands, walking over to her desk littered with metal scraps and remnants of her previous projects, picking up one of the butterfly robots she had made. "You're telling me-" She plucks off a wing, the remaining one flapping aimlessly. "You" Points it at you. "Who's in charge of cleaning up exploded bodies, and telling Silco - who tells me - how to kill someone without a mess," Plucks off the other wing and throws the body away. "Gets queasy over a few blue bellies kicking the bucket?"

You take a breath to steady yourself. "I don't know. I never- I never thought about that part. I've never had to see it."  You unconsciously start clenching and unclenching you hand not holding onto the desk. A nervous habit, one that you tried to shake off. A habit that Jinx had taken note of the first few months of her dragging you along with her escapades.

"I'm sorry." You say after a few beats of silence.

In one quick flash - too quick, inhumanly quick - Jinx is kneeling again in front of you, cupping your face in her hands.  "Hey now, it's alright." Her tone is soft, caring, tragically comforting to you. "We all got our little quirks. I sure do."

She frees up one of her hands to brush your hair back. "Come to think of it, I think that was the first time you had to see something like that, huh?"

It always astounds you how quickly she can disarm the guard you put up for her. You know she's dangerous, you know you should be cautious. But a few sweet words from her and you're putty in her hands, completely at her mercy. You wonder if it's normal to love and fear someone at the same time.

"We'll be okay." She presses her forehead against yours. "I've got you, like you've got me." You nod.

"You can handle helping me with one more thing, right?" There it is. "We just need to do this one teeny thing, and then we can chill out."

You put in active effort to keep your breathing steady. Your stomach still in knots. "What thing?"

She grins. "A dinner party. You're my co-host." She pulls you up with her as she stands, leading you over to where she was working, where Fishbones was seemingly complete. "Wanna see something cool?"

You nod, and she fishes out the HexTech gemstone she had stolen during Progress Day. She opens up a slot near the handle and inserts the gemstone, Fishbones immediately lighting up, a blue hue illuminating her dark room. You contemplate asking her about her new weapon, weighing out the pros and cons. But the fact that her hand was still holding yours, her thumb idly grazing your knuckles was enough to encourage you.

"What are you gonna do with this?"

She runs her free hand above the clear panel where the gemstone is. "We're gonna go make a point."

The rational part of your brain is telling you to stay behind, that whatever this was, being in the vicinity of a HexTech-powered weapon was not a good idea. But this was Jinx, and she had already decided that you were coming with her. Incurring her wrath now, also in the vicinity of the HexTech-powered weapon, was not a good idea either.

So you do what you do best, and go along with it.

[tubatwo]

once more to see you - huening kai

summary: where meeting TXT Bank’s new intern makes y/n come up with any excuse to see him

pairing: gn reader x huening kai

genre: fluff; 2.1k words

a/n: I don’t even know what this bank thing is for yet I just saw this pic and immediately had to write. also this is literally not how bank visits go but LMAO. aren’t silly stories just perfect!!! nothing makes sense!!!

working in food service in one of the busiest cities meant that each night would end in tips galore. thankfully, your regular checks were enough to pay the bills, so you usually stuck with depositing cash tips at least once a month.

this was a regular routine that worked for you. walk into TXT Bank, talk to the strict bankteller whose name was apparently taehyun, show your ID, hand money over, boom. done.

but one day, this routine ended up falling apart. you walked in, and instead of taehyun, you were met with the face of the adorable new intern.

kai was deeply focused on the computer in front of him, desperately trying to figure out the client case taehyun showed him earlier. his cat-like manager’s instructions kinda went in one ear and out of the other, so it was crucial to figure things out as soon as possible if he wanted to secure his full-time position. that is, until he noticed your figure approaching with his peripheral vision.

the two of you locked eyes, eyes sparkling as if you each had just spotted an adorable puppy. kai’s cheeks grew red and your ears started to feel hot as you walked closer to him.

“hi, excuse me? i’m here to deposit cash to one of my accounts.” you look down and start to play with the zipper of the bag holding your tips, the eye contact from before making you overwhelmed as your brain practically malfunctions. where the hell is taehyun? and did he have to leave someone so cute in charge?

kai clears his throat before putting on his best customer service voice, “of course! i’d be more than happy to help you, ma’am.”

you look up and see his name tag: ‘KAI HUENING - INTERN’ the word ‘intern’ snapping you out of your temporary trance from before.

“oh um, is this the right desk? i noticed your tag says intern…” the furrow of your brows and confusion all over your face makes it near impossible for kai to hold back his smile as he responds. “no worries! i’m in the midst of receiving a full-time position here. i may be an intern, but i can assure you that i’m approved to work on deposits. we’re just a bit short-staffed at the moment.”

kai’s warm, gentle gaze washes over you, so much that even if he was straight up lying, you wouldn’t even blink an eye. his brown eyes were slightly hidden by the strands of hair falling over his face, which also happened to be decorated with soft moles all around. his mullet-like haircut also complimented his button-up, making him look like the lead singer of an old pop-rock band.

“ma’am?” kai’s voice pulls you out of your thoughts, making you flinch a little. “oh, i’m sorry, I didn’t mean to scare you!”

you wave your hands and apologize, “i’m sorry! i suppose i started drifting off a bit. here is everything you need.” you pull your ID and the cash out of your pouch, handing it to the intern and trying to calm your heart after your fingers brush against each other. after everything is finalized, kai hands your ID back to you. “alright, everything is set!”

you look at his nametag once again, “thank you um… kai?, i really appreciate it.” kai’s cheeks grow red again at your voice saying his name so sweetly. he chuckles nervously and scratches his head. “yep, that’s me! well, did you need anything else?”

you try to rack your brain for any possible thing that could extend your stay, but nothing comes to mind. “no, that’s all! thank you again.” you say, slightly disappointed. kai smiles. “it was my pleasure, make sure to visit us again!”

and you did. many times. like waaaay too many times.

after meeting kai, you couldn’t help but want to see him more. your usual monthly trips to the bank turned into weekly, and then almost daily. every time you collected your tips for the night, you made sure to visit the bank again in the morning.

as you visit more frequently, you and kai’s interactions start to become playful, and you become a bit more closer. you both still get shy as you lock eyes, but jokes are often thrown in here and there. kai found himself taking extra time to count your money when you came in, desperate trying to hold onto every second of your presence.

“hey!” you try to hold in your laugh, “as the intern, shouldn’t you be learning to count faster not slower?” you joke. kai’s hearty laugh fills the room before he pretends to look offended. “excuse me? it’s only natural that I get a little distracted when a pretty person enters the room”. his words make your entire body grow warm, and you can’t help but try to shift the focus away from you. “o-oh? I don’t think that line was part of your training.” you giggle.

kai giggles with you before thinking of a rebuttal, “you’re right actually. our handbook specifically says to not flirt with customers... buuut i’ve never been great with remembering the rules.”

“well, if you’re gonna be a bankteller then you should probably start studying before you end up in jail for fraud or something.”

the two of you burst out laughing, failing miserably when it comes to keeping quiet. you let out a few giggles again before you’re left in a comfortable silence. “I guess you got me there, but seriously y/n, i’m happy I can always help you.”

after a few months of visiting kai (and seeing the bank more than your own family), you wake up one day to head over before realizing that you don’t have any tips to deposit. “shit.” you whisper to yourself, closing your eyes in frustration. you had the day off yesterday and don’t go back to work until tomorrow. you were left with a completely free day to do whatever you wanted.

any normal person would have taken the chance to relax, maybe get some chores done, even some shopping? but the only thing you cared about was hearing kai’s laugh again. there had to be more reasons to visit the bank, right? yeah! you could come up with something…

after cleaning yourself up and getting ready, you felt slightly embarrassed at how much effort you put into your appearance. were you trying too hard? would kai get the wrong idea and think you were meeting with someone? by the time you had answered your own questions, you were already at the front door of the building. you took a deep breath and headed inside, expecting brown eyes to meet yours again.

well, they did. but they weren’t the ones you were looking for.

“how can I help you?” kang taehyun asks after seeing you walk in. his eyes go back to his computer, and he begins typing something up. you’re so caught off guard that you can’t even come up with a response. you already didn’t know what to come here for, and now that taehyun is in front of you, you feel stupid for even showing up.

“I want to… um…” you trail off, causing taehyun to pause his work and stare at you, waiting for an answer. you look around nervously before quicking spewing out, “open a bank account! yes! I um, want to open a new account.”

taehyun goes back to type some things into his computer. “ID?”

“huh?”

“ID. I need your ID to confirm your identity, ma’am.”

you suddenly realize what you’re doing and awkwardly feel around in your purse, looking for your wallet.

well shit.

“s-sorry, it’s uh… it’s gotta be in here somewhere.” you stall. as taehyun pinches the bridge of his eyebrows, a familiar figure exits from one of the staff rooms.

“hey taehyu-” kai notices you in front of him, a worried look etched across your face as you dig through your bag. taehyun motions kai over, “come watch, kai. you can see how we deal with customers who clearly show up unprepared.”

kai’s voice and the mention of his name immediately make your head shoot up. you look at him embarrassed, desperately wishing you could go back in time to when you were still in your bed. you feel frozen as the two men stare at you, waiting for you to do something.

“hey,” kai reaches out to lightly touch your arm, “are you okay? do you need help?”

you brush him off, not wanting to worry him. “no, i’m okay hyuka, i’m sorry.”

before kai could react to you apologizing to him (for what seemed like no reason), taehyun eyes the two of you suspiciously. “do you two know each other?” he asks. kai looks over and nods before speaking, “yeah, we’re uh… friends…?” he looks over at you with a mix of hope and hesitation in his eyes, not sure if you felt the same way.

“oh!” your eyes widen, “yes! we’re friends. i’m sorry, i’m just so used to running into him here now.”

kai feels relieved hearing you agree, and his heart beats faster at the thought of being somewhat of a constant in your life, even if it’s just to deposit cash into a bank account. he quickly brushes off his thoughts before coming to your defense. “see? everything’s okay. they’re just a regular customer, that’s all. you don’t have to scare them to death.” he jokes.

“no! it’s my fault,” you admit, “I don’t need to do anything actually… I even forgot my ID on the way here, i’m really sorry for bothering you guys.”

kai looks at you confused. he doesn’t know why you keep apologizing, and he really doesn’t know why you showed up if you didn’t have any requests to make. taehyun, however, is able to read between the lines. “i’ll leave the two of you alone.”

kai doesn’t even glance at taehyun as he walks off. his only focus is you and making sure that you’re okay in this moment. “you’re never bothering us, but is something wrong? what’s the matter?”

you let out a deep breath and decide to be brave. you can do it. just tell him. if nothing works out, you can always just deposit in the future through an ATM or something…or maybe get a new bank.

“okay well, this is super embarrassing but I didn’t have a reason to visit today, kai,” you pause, looking him in the eyes, “I just really wanted to see you...” you trail off, feeling even more embarrassed than you did before.

kai laughs softly at this while you continue to ramble, “which technically is a reason! y’know?”, he takes your hands in his, causing your brain to malfunction like the first time you ever saw him.

“did you really come all the way for me? even without needing a deposit?”

you laugh to yourself and how lame the two of you sound, probably something straight out of a nerd fantasy book. “yeah, even without the deposit.” you smile, squeezing his hands lightly. kai blushes and smiles to himself, trying to come up with a joke to mask his sudden shyness. “are you sure it was worth it? i mean, taehyun’s pretty scary.”

you smile and nod your head, “you’re here in front of me, right? i’d say it was pretty worth it.” you and kai both look around the building only to find that there’s no one else here. just the two of you.

you look back at each other, eyes drifting down to each other’s lips as you gravitate closer. before your lips meet, kai whispers.

“can I kiss you?”

you nod and press your lips against his. one of his hands come up to hold your cheek as if it were made of glass, and you allow your arms to wrap around his waist. as the kiss continues, you chuckle, making him pull away, wanting to see your smile once more.

“can I take you on a date? after I get off of work?” he asks, lips suddenly feeling cold after pulling away. “I would love that, kai.” you smile as you hug him. “it’s a date then! I promise i’ll finish work as fast as I can.”

“oh, no you won’t, I need you to focus instead of rushing.” a certain voice interrupts the two of you.

you look over to see taehyun smirking with his arms folded, almost as if he was silently taking credit for getting the two of you together. kai rolls his eyes playfully at taehyun, “yeah, yeah, I didn’t mean it literally!”

taehyun looks over at you with an apologetic look in his eyes. “i’m sorry for my bluntness earlier. it gets pretty stressful around here, but i shouldn’t have taken it out on a regular customer. I don’t know how kai keeps his composure sometimes.”

“I get to see y/n almost every day, how could I not love every second of it?

[imorphemi]

affection of some sort

[the-kipsabian]

[odysseys-blood]

im never getting over how belphie just...yoinked beleth's halo. like the artifact says "given" but he very much did not give it 😭

i lowkey think it was to take some of the heat off of beleth for being a fallen angel and to keep others from being too loud about it but still he did it in the most goofy manner possible. (and smthn smthn a crown symbolizing protection for his people and its from the first person he wanted to keep safe personally)

[idontwanttospoiltheparty]

I found a transcript of the Jan 98 Q interview but it won’t let me post a link

https:// groups.google .com/g/rec.music.beatles/c/7clhNbsz3jE/m/stFmXJnzJSMJ

Maybe see if you can view it by removing the space between google and .com. If not I can screenshot and send you pictures

Oh wow, amazing!! thank you so much! this is an old usenet post from December 1997 and the user named Alison Fiddler kindly typed it up 27 years ago :)

I'll post the full transcript (and a bit reformated for legibility) below the cut for everyone.

Paul McCartney Interview for Q Magazine, January 1998 edition

Q. When you first wrote a song with John Lennon, did you realise you would play one of the biggest parts in rock 'n' roll?

(Michael McConnell, Crawley, West Sussex)

Q. If John Lennon could come back for a day, how would you spend it with him?

A. Obviously not. But even with all the so-called "historical" events that followed, you're just too inside it all, too busy doing it to realise anything's "historical". You just get on with it. I'm not a great ponderer. Some people would say that's a mistake but it's just the way I am. It's quite cool not to always get the overall picture because it leaves something to be found out. The musicologists get paid to discover the differences between me and John. I'm only just beginning to see it now, based probably on their analysis. So John is often one note, I'm often more melodic. (McCartney is thinking especially of Ian McDonald's book Revolution in the Head, where he describes the ace partnership in contrasts: Lennon's method is "harmonic, dissonant", McCartney's that of the "natural melodist".) It might sound amazing but we never spotted that when we were writing. We just did our thing. But it is kind of apparent when you bother to analyse it.

(Mark Wilson, Deeside, Flintshire)

A. In bed.

Q. Were you ever envious that Brian Epstein didn't fancy you?

(Nick Gibson, London)

Q. What were the last records you bought?

A. No, I didn't mind. We just used to go to these clubs at night and wonder why there were so many men. It was OK. Brian was very cool about his side to things. I think the nearest any of us got to it was the John-going-to-Spain thing (it inspired the movie, The Hours And The Times) and I'm not sure what the strength of all that was. I think it was power play on John's part. But Brian kept his private life aside. He kept it out of our faces (pause, possibly for effect). He kept it out of mine, anyway.

(Chris Timms, Harrogate)

A. The Prodigy's The Fat Of The Land, Radiohead's OK Computer and Chopin's Nocturnes.

Q. How do you feel about all the animosity between you and Oasis right now?

(Christina Vellano, Syracuse, New York, USA)

A. There is none as far as I'm concerned. What happened was I'd said, Good group, good singer, good songwriters. But people asked me about it so much that one time I decided to take it further and say that they don't mean anything to me. I am not related to Oasis. I wish them good luck and everything. But my kids mean something to me, John Lennon means something to me, but Oasis ....

Q. Who would you pick to play with in your dream six-piece band?

(Alan Thatcher, Essex)

A. Dream? So we're into fantasy, aren't we? Ringo, John, George, that's three. Me. Jimi Hendrix. That makes lots of guitarists, so Little Richard on keyboards.

Q. With Wings, did you feel pressurised to live up to The Beatles?

(Andrew Williams, Neath)

A. Yes, it was a case of "follow that!". Impossible to do. Looking back on it, it's a lot better than I thought, though some of it is just not PLAYED as well as The Beatles. My son (James, co-worker on McCartney's last pop album, Flaming Pie) plays a lot of Wings, so I'm re-listening, and there's good shit that I'd forgotten about. A lot of the lyrics were off the wall, drug stimulated. Things like "Soily - the cat in the satin trousers says its oily". What was I on? I think the answer is stimulants.

Q. Do you still support the legislation of cannabis?

(Grahame Woods, Northwood, Middlesex)

A. I would make a distinction between legalising and decriminalising. I'm in favour of the latter. The problem is that jails are stuffed full of kids doing what a lot of people do. Why stuff the jails with young kids? Plus it's one of the best places to score. I remember when I got busted in Japan, nobody made the slightest effort to rehabilitate me (laughs). Just stuck me in a box for nine days. Obviously you come out and you are fairly resentful.

Q. Do you roll a wicked joint?

(Steve Kline, Bury)

A. I have nothing to say in answer to that question, m'lud. I wasn't even at the venue.

Q. The critics have been harsh on your solo work. Did this ever

discourageyou?

(Robert Hemauer, Madison, Wisconsin, USA)

A. Yeah, sure, but you don't let it kill you. It's a difficult one, because it's never cool for someone to tell you you're shit. Many people through history were damned by the critics of their own time - Cezanne, Van Gogh, Stravinsky, all great painters! Ha ha!

Q. We'd like to see your paintings but can't get to the exhibition in

Germany (McCartney unveils his work for the first time in Siegen, Germany, next year). Any thoughts about putting your paintings on "tour", or publishing a book of them?

(Kathy Goodman, San Diego, CA, USA)

Q. You've done so many things - classical, films, music, art, drugs - is there anything left you might have a go at?

A. A difficult one. If you're a so-called celebrity - like Bowie, Anthony Quinn, Tony Curtis - and you exhibit any art, inevitably, people are not going to think of you as a real painter. Gallery owners come up to me and offer to give me exhibitions. I say, You haven't seen my pictures, and they say, It doesn't matter. Well, it does to me. Otherwise, it's just trading on the name. However, this guy from Germany came over, looked at all my paintings, seems to like them. He's telling me what they're all about.

(Tim Bowler, Swansea)

A. The thing is how reluctant I've often been to have a go. I think we were brought up pretty repressed. Brought up to be seen and not heard, to stay in your place, particularly a working class thing. And I think - I hope - with The Beatles, we got rid of a lot of that. With the painting, for instance, it was Willem de Kooning who liberated me. I used to go to his studio, took in one of my paintings, said, Hey Bill, I hope you don't mind but can you tell me what it is? (Affects American drawl) "Oh, looks "like a couch." Well it looked like a purple mountain to me. And he says, "Well, whatever." Here's one of the greats, his works go for one million, and it was great to see how little bullshit he was bringing to it all. It's really important to explode these myths that surround the arts, music, painting. It's Wizard of Oz time - so many myths, and it's often just a little man behind the screen. The paraphernalia that surrounds them gets in the way. Often you meet leaders in their field and they have none of that. I remember asking a great painter - Peter Blake, maybe - for some advice once, and he said "Just paint a lot". Similar to my approach to music.

Q. How do you know when a song's finished?

(Joyce Slavik, Palatine, Illinois)

A. It's full up. You've answered all of your questions. Normally, I start following a thread: "Eleanor Rigby picks up the rice ... " The thread might come out of nowhere, and I follow it and complete it, like crossword puzzle. When the crossword is full up, the song is finished.

Q. What's more embarrassing: writing Hi Hi Hi or Say Say Say?

(Tien Vu, Costa Mesa, California)

A. (Weighs up pros and cons). Say Say Say.

Q. Why did you give such extensive interviews for an authorised biography (Paul McCartney: Many Years From Now) instead of writing an autobiography?

(Deena Hochberg, Southampton, Pennsylvania)

Q. I'd like to know if Sir Paul sings in the shower, and if so, what does he sing?

A. I don't think I'm a writer. I've never been moved to do it. You have to have a pretty big fire in the belly to do something as big as that. I fancy music more. I'm happier writing in songs rather than in prose, or poetry. Though I wrote something that was never published about the time I got busted in Japan - for my kids. Because I knew one day they'd say, "Hey dad, what was it like, nine days in a Tokyo jail?". So I had a mate of mind, who did all our printing, knock up a few copies, one for each of the kids.

(Jennifer Nash, Bursville, Minnesota)

Q. As a kid you used to play pranks at school by throwing balloons filled with something "worse than water". If you had one of those balloons right now who would you like to hit with it?

A. It's normally the bath. I prefer a good bath. And the answer's Firestarter - "I'm a firestarter, de-de-de-de-dera."

(Brett Yuskiewicz, Leipzig, Germany)

A. Jonathan King. He's a prat from way back.

Q. Which football team did/does each Beatle support?

(WC Chan, Maryland, USA)

A. None of us were big footie types. We weren't very sporty, unlike other groups who were always having knock-arounds. My dad was an Everton fan, which I was most of my life. But then Liverpool started playing well, and Everton didn't, so I took the unprecedented move of supporting them both. It's not allowed, I know, but there you go.

Q. For years, you've claimed it's you in the Walrus costume in the Magical Mystery Tour film. But watching the footage shows that for it to be you, you and John would have had to exchange all your clothes. Are you winding us up, or have you not watched the film in 30 years?

(Dorothy Northcutt, Tucker, Georgia)

Q. What is the quality of each of the other Beatles that you like(d) the best about?

A. The big one. Very good question. I tell you what it was. In the stills we had taken, I was the one with the Walrus head on – in the film it's different. So John then immortalised it in Glass Onion, "I've got news for you all, the walrus was Paul". Obviously at the time you don't care, it's just a Walrus head. You don't realise years later people like our friend from Georgia will analyse it.

(S. Breggles, Richmond)

A. All of them – musical talent. All of them – honesty. Ringo – funny, and kind-hearted. George – straightforward and open. John – witty with a soft centre, or maybe hard with a soft centre.

Q. Do the copulating beetles on the sleeve of Ram (1970) stand for F**k The Beatles?

(Luc Van de Wiele, Wemmel, Belgium)

A. It happened to be a picture Linda had taken. We couldn't resist it just because of the way it looked. She'd caught these two beetles f**king, and then the significance hit us. We saw that pun, yeah, thought why not?

Q. Was there ever a third Lennon song for Anthology 3?

(Jake Lennington, Rush City, MN, USA)

A. There was, but George didn't like it. The Beatles being a democracy, we didn't do it.

Q. I have a Beatles t-shirt which I bought from The Grapes (celebrated Liverpool pub). I was told the band are pictured in their favourite seats - adjacent to the Ladies where you would often catch a glimpse of the girls changing for an evening at The Cavern. True?

(Alan Tomkins, Goring, West Sussex)

A. I hope so. It SOUNDS true. Had there been an opportunity to spot the girls changing, I'm sure we would have sat there.

Q. If you hadn't been a musician, what do you think you would have been?

(Tony Carter, Manchester)

A. The only thing I could have probably qualified for was teaching. So I might have been an English teacher.

Q. Does it do your head in - stuff like the handwritten lyrics to Getting Better selling for $249,000 at Sothebys?

(Peggy Robinson, Trinant, Gwent)

A. It's the price of fame - literally. You scribble them on the back of an envelope, and it gets to be famous. People want it, so it becomes a desirable object. Like Mozart's bog paper, which is another highly desirable object, apparently. More valuable obviously if it's been used.

Q. What is the inscription on the ID bracelet you wear?

(Rachel Hyland, West Harford, Connecticut)

A. It says Paul - for when I forget who I am.

Q. How does it feel to have a star named after you (the christening courtesy of American astronomy fans)?

(John Sales, Barry, Glamorgan)

A. Really cool. The good thing is that as you get on, your fans get on too. And some of them are pretty swotty. Like the people who started Apple, they were just Beatles fans, hence the name. You don't sit around looking at the sky, trying to find it, but it's like getting a very nice birthday present. I'm not religious, I don't believe in any one system - I sort fo think the universe is basically benevolent and we f**k it up - but I am spiritual. I saw Stephen Hawking on TV the other night, and he was saying that we are made of the same stuff as the stars. Which is great. We are all stardust, luv.

Q. What do you want written on your gravestone?

(Tom Mangold, Exeter)

A. Here lies Gracie Fields. Anything to keep people away.

[popsicle-stick]

foolish though it may be i am once again thinking a lot about self-sacrificial character arcs resulting in memory loss.........bring out the gin

[crows-of-buckets]

Threw his ass in the water today it's okay he deserved it

[dreamsy990]

i drew silly gijinkas of my dogs

the dogs in question

[mordremrose]

I’m just gonna write a little thing! A little thought for Bloom, nothing too intense, just so I don’t forget it!

1000 words later? Whoops

Writing below the cut, major spoilers for the end of Heart of Thorns and implied End of Dragons spoilers but nothing explicit from EoD :]

Bloom

“Kill me, Commander.” Trahearne could hear his own voice tremble, as horror overtook his dear friend’s face. Around them all, their friends— Rytlock, Caithe, Canach, Marjory, Braham— were exhausted. Worn thin by the fight against the jungle dragon, both physical and within the Dream.

“What? No! Mordremoth is dead. We destroyed its mind from the inside.” The commander protested, their fingers curled around the hilt of Caladbolg.

“But I still hear its voice.” Trahearne looked down at his hands, twisted and blighted as they were. His body was not his— he was corrupted. It was only cruel fate that he had kept his mind this long. Or perhaps something more sinister.

“Mordremoth is alive. One last hateful vestige… a terrible seed, planted deep in my mind.”

Trahearne’s hands curled into fist, as he took a deep steadying breath.

“You must kill me, Commander, before that seed grows. Before… before Mordremoth reclaims what it has lost.”

He reached out now, hands on his friend’s shoulders. The tears streaming down their face broke his heart. He did not want this. He didn’t want to hurt them, to see them suffer so.

Trahearne wished there was another way.

“What is left of me can’t survive on its own, my friend.” He croaked, and felt the Commander tremble beneath his hands. Were they always so small?

“Strike now or—“

Against his will, a rage rose up. A sick bile that boiled in his stomach and burned through his chest as his mind lurched.

Through his mouth, Mordremoth spoke.

“I am the future! I am this world! You cannot destroy me!” The dragon roared, hands tightening around the commander.

“Run while you can!” It took everything he had left to force his fingers to uncurl, to release the commander even as the dragon wanted to tear them to shreds to be remade anew.

Caladbolg flashed in the corner of his eye.

“No!” The commander yelled. Strike true my friend! Trahearne wanted to yell. But he couldn’t, and his mind went dark.

There was no great explosion. There was no dying scream.

If you asked those present what happened, none of them gave any concrete answer.

Canach hesitated to answer, but would confirm that Mordremoth was no longer hounding his mind, or any of the sylvari.

All Rytlock would say was that the confrontation wasn’t pretty.

Caithe mourned Trahearne, in her quiet and melancholic manner, and asked not to push the matter further.

Braham would scowl, shake his head, and shove his way past, unwilling or perhaps unable to describe that final blow.

Marjory Delaqua, normally so elegant and clever with her words, who could see the twists of a plot before anyone else— when she was asked, she could only shake her head and reply ‘I don’t know’.

The Commander didn’t answer at all, because no one was able to find them to ask.

Eventually, researchers at the newly established lab of Rata Novus confirmed what the entire world held its breath to hear.

Mordremoth was dead. He had to be, to explain the slow steady trickle of magic escaping the jungle, supposedly as the dragon… decayed wasn’t the right word, but it conveyed the idea well enough. It was a slow death, they said, not quite the explosive reaction from Zhaitan, who had gorged itself on magic before its death, but a gradual decay. It changed things, about magic, about how the people of Tyria and the soon to be established Dragon’s Watch understood the flow of magic around and through the Elder Dragons. But it was dead.

It had to be.

He woke up. His body ached, as it always did, as he woke. A consequence of being too bigsmall. He stirred slowly, limbs stretching out and tail dragging behind. He had buried himself beneath massive vines this time, the weight of them both familiar and restricting. These conflicting sensations, the constant disagreement with himself… it was the only thing he could rely on. Even his name escaped his memory, although he could hear whispers of it on the edges of his mind.

Traherdremaneth.

It didn’t matter, really.

He moved slowly, not truly wanting to rise, but knowing he must.

He was something in between, and there was no stillness for him. No place of his own.

His one companion, if you could call it that, would be upon him soon. A dogged purserer, both a thorn in his side and a trusted ally, trailed behind him. For a time he thought they left him— and the feelings that had wrought left him stationary in a deep cave for nearly a week before they had reappeared.

He didn’t want them close, he knew that much, but they were one of the few things he had, a consistency. He couldn’t see them well, not with the distance between them, but he could always make out the broken blade at their hip. The one that made the scar across his chest ache.

He wondered what would happen if he let them get closer. Would they strike? Would they know him?

They were his enemyfriend. What would they make of him? Caution kept him at a distance from them.

The longer he was awake, the more memories he could half-remember.

The Orrian landscape stretches out before him and it reeks of his sibling, twisting beneath the dirt. The undead don’t notice him, not yet, and he can take a moment to look closer at the coral. It was neither alive nor dead. Not unlike himself and yet so different to him or anything he had ever encountered before.

He missed his siblings, their quiet talks among the then empty roots, among safe coils with their constant presence around him. They were too distant to feel or simply gone now and it unnerved him. This was wrong. Perhaps they could help him make it right.

There was one other thing, other than his sort-of companion and his unsteady roiling mind, that remained constant. And this was the true constant. A steady beacon, that he could not see or hear, but simply felt in a way that he could not describe. A magnetic sort of pull that had him orbiting closer and closer.

It drew him in, out of the depths and dark underbelly of the jungle and the cave systems, towards the strange golden stones, the elegant walls meant to keep out creatures that wished to destroy the beacon. He was not welcome there, not yet, even though he meant no harm. He just needed to be closer.

He didn’t know how he knew that. He just knew it.

[sunscall]

i find dennis' toxic love for the gang sooo interesting. the lengths he goes through to ensure that their group dynamic never changes. the amount of planning he puts in implies that this is one of his fears– how they might one day change and abandon him.

an example of this would be in "frank retires" where he had formed the franquito plan seven years before he needed to use it, which felt devious (towards frank) to charlie, dee and mac, but dennis had justified it by saying he just didn't want them to change. the ending had dennis acting like he didn't mean a word he said, but i doubt it, because just a few episodes before (the gang misses the boat) he concluded that he just wanted things to stay normal in the gang after a minor freakout about how they're all gradually getting more and more insane staying in the bar together.

dennis resisting change is a consistent theme for his character. he does not want the gang to live in virtual realities, charlie to get smart, mac and dee to leave, mac's mom to stay with them, mac to connect with his dad, dee to actually be successful, mac to be so forward in his advances, frank to retire, etc etc. because he already likes the gang so much the way it is.

that is, unless he personally seeks the change. he could get married in a day, because he wanted to. he could kick mac out. he could leave the gang and start a family. he could change his car to a more modern one. but each time he tries to change and leave, he comes back to the gang... and his range rover.

and this is why he seems to hate them too, because most of his hatred comes from his resentment from loving them too much and being unable to leave. and the love he has for them is toxic, because he wants to drag them down together with him. the s13 narrative wants us to know that he's the main reason the gang stays the same for 16 seasons.

it's what makes dennis takes a mental health day so notable to me though. the commentary on systems throughout the episode, and how dennis is sick of it. dennis' rejection of technology when it takes away real life interactions, parallels the episode "charlie rules the world" in s6 which was the major turning point for dennis developing a god complex (where british dennis tells him that 'you create your own reality'). i believe dtamhd will also be a turning point for dennis, perhaps where he starts letting things go without putting as much control (systems) because he wants to live in a reality where he doesn't need to do these things anymore.

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[unproduciblesmackdown]

fun connection on this archived kickstarter update from the 2011 production/s of "the bus" as found by @broadway-heere-i-come ft. many pics from their trip to wichita, kansas for several performances there, including this one

fantastic stuff & was noticing that it seems like partly legible lyrics back there, which sent me over to consult that q&a sincerely me vlog again like hang on lol. and sure enough

lo, behold

[waywardsalt]

my recording of the mohg fight, very glad to say that his fight is extremely fun :)

[snow-and-saltea]

yesterday i spent 45 minutes of my life watching a video essay criticising the use of cheap shock values and crossing of taboos for a video game and i went from "he has a point even if he's explaining it in a really inflammatory way" to "oh umm... i can see how he thinks that way even if i don't agree" to "oh this guy's just straight up using people on tumblr as material for an audience to get mad at like other outdated people on the internet. nvm he's just an asshole"