#victor au

[mellxncollie]

CHARLES ROWLAND in there's nothing sweeter than my baby (so full of love I could barely eat) by @aletterinthenameofsanity

[aletterinthenameofsanity]

Monty Finch, Dead Boy Detectives | Richard Siken, Dirty Valentine

@deadboy-edwin @icecreambrownies @anonymousbooknerd-universe @ashildrs

@tragedy-machine @just-existing-as-you-do-blog @orpheusetude @mj-irvine-selby

@pappelsiin @itsbitmxdinhere @rexrevri @sweet-like-h0ney-lavender @saffirez

@the-ipre @sunnylemonss @days-light @agentearthling @helltechnicality

@tiredghostby @sethlost @catboy-cabin @secretlyafiveheadeddragon @vyther15

@anything-thats-rock-and-roll @queen-of-hobgobblers @every-moment-a-different-sound

@nix-nihili @holvivum

[lena-in-a-red-dress]

I have a hunger games au on here somewhere where Lena and Kara are both Victors, but I can't find all the posts. But I was thinking more about it today, and I have some more ideas. Like how Lena was the youngest victor in Panem's history, while Kara was the oldest tribute ever selected-- her Reaping was the day before she officially aged out. So when they meet in the Capitol after Kara's games are over and she's on the Victory Tour, Lena is about her age yet seems far older from her years being exploited and victimized as the most loathed Victor (remember, she's the black widow victor who did the whole poisonous berries pact with Jack except Jack actually ate them).

I was also wondering how the whole assassin thing would have worked. Like-- if Lena's poison was in her kiss (lipstick), then how did she keep from poisoning herself on accident? A barrier coat would protect her lips and skin, but the risk of accidentally licking her lips would be too great a risk, right?

Well, the solution my stupid brain came up with is that Snow turned her into a kind of Mutt, in a way, by introducing various poisons into her system and somehow using the exposure to make her immune to them. Which of course wouldnt have been a painless procedure for Lena, and in the process may have even made her blood poisonous to others or something?

Which would be a cool factor to play with when it comes to the quarter quell. Lena gets split off from her and Kara's alliance, taken by an enemy alliance for awfulness, only for Kara and the others to find her in the enemy camp surrounded dead bodies, her own blood dripping from her hand.

Also, I headcanon that during the quarter quell Lena immediately heads off to generate a poison for her lips and nails as well, except no one in the alliance knows what she's doing. Which means that when she and Kara have a quiet moment on the shore of the arena, and Kara finally leans in for a kiss, Lena pulls away at the last minute.

Does she explain herself when she sees Kara crestfallen? Not really. "My kiss is deadly, Kara. You've heard the rumors."

"I've never cared about the rumors," Kara confesses. "I just... want to be with you."

In lieu of a kiss, Kara reaches for Lena's hand, but Lena recoils from that as well, conscious of the poison on her fingertips.

It's not until later, when she finds Lena in the enemy camp, that she understands exactly what Lena means.

[aletterinthenameofsanity]

@pappelsiin gracias for your work you did this EXACT thing

Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.

I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.

2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)

3. He sent the artwork to all his friends and people he knows because he was so excited

Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.

Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).

Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.

Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.

[pignk]

I had a lot of fun with this work😖

[bullsfish]

Wizard Victor looking for his "Sophie"✨.

[is-dannn]

[aletterinthenameofsanity]

@agentearthling

@mothercain

[moonlightcycle571]

Wouldn’t it be funny if Billy could only give powers to one person at a time, so the Vasquez kids take turns being Captain Marvel Junior (as they still look like kids) and they make everyone thinks it’s one shape shifting child.

Reporter: Captain Marvel, who is this new protoge worth you?

Marvel: you’ve met Junior though?

Mary, who wanted to take over: yeah we talked last week.

Reporter: ah what

At first it’s just Mary and Freddy (mostly Freddy cause he’s really into being a superhero) so everyone thinks Captain Marvel Junior is a shape shifting gender fluid kid and Marvel is a supportive dad.

But then the other Vasquez’s join in the fun

Reporter: Captain, new protoge?

Eugene, in it for shots and giggles: Claire, it’s me, Junior

Reporter: … you’re Asian now?

Eugene: woooooowww

Marvel: that’s low even for you

Reportee: but I-

Eugene: Both Captain and I have lived lives of many genders, colours and have been in many cultures. And yet you shame me for feeling nostalgic and reverting to an ancient form of mine.

Reporter: I- w h a t

It’s sparks a lot of debate of cultural appropriation for shapeshifters in general, with a lot of people invoking Martian Manhunter, fae and other shapeshifters. So naturally Pedro steps up

Captain Marvel and Junior both volunteering at a homeless shelter.

Reporter: … junior?

Pedro: yes?

Reporter: what are you doing

Pedro, making an ancient Mexican recipe he got from the Library in the Rock: making a dish I learned a couple of centuries ago from my then family.

Reporter, really doesn’t want to get cancelled: ok

Naturally this takes a lot of coordination, and a lot of people test them by giving info to one kid, and different info to the other. Solomon sees right through them cause the divine group chat is connected to Billy and the chosen Junior. Things were starting to chill for a bit. Then Darla joined in.

Darla, visibly younger than the other forms: Hi :D

Reporter: why do you keep getting younger and younger???

Darla: :3

At this point the reporter is so done. Are you a child with a lightning emblem on you? You are Captain Marvel Junior. And it seems to work most of the time.

Billy: *gets deaged as Cap*

Reporter: oh junior! New form? This one looks closer to Cap!

Billy: I’m not Junior???

Reporter: *bluescreens*

Bonus:

In a Justice League Meeting

Flash: So is Junior like a mantle? If so why is it only one kid at a time?

Hal: yeah, what do the others do when you take one at a time?

Billy, an absolute troll at heart: what do you mean, it’s the one kid?

Superman: what???

Billy: yeah so Junior hasn’t settled into which form they like the best and switch it up. I think they like it better that way.

Martian Manhunter, troll n2: *nods along* finding ones main form is an important part of self discovery. On Mars, many like to alternate between forms as they could not be tied down to one.

JL: ah

Bonus 2:

Batman: *slowly puts away the ‘Not An Adoption Problem’ Support Group invite*

Bonus 3:

Dudley: please please please please

Billy, fed up: WHY

Dudley: it’ll be so funny.

Billy: you know what, fine!

Later Dudley is given some powers but decides to only let the Reporter see him.

Reporter: … Junior????

Dudley: no one will ever believe you *flies off*

[aroace-madness]

Decided to try something new

Please ignore the mistakes i only noticed them after i posted it :'(

Part 2

[ibunyang]

more of my idv fairy au

[mellxncollie]

Bird-Understander by Craig Arnold inspired by oh, sinners come down (I must be good for something) — @aletterinthenameofsanity

(Dead Boy Detectives (2024) — Season 1)

[aletterinthenameofsanity]

me, rapidly flipping between the different aus i'm writing for Dead Boy Detectives with insanely different tones/worlds/ships:

[joicecubes]

hey guess who’s absolutely losing it over the stan twins again (spoiler alert its me)

so i was innocently scrolling tiktok when i was introduced to this DIABOLICAL au idea: firstly, what if ford really had shot stan with his crossbow when stan first showed up at the shack? and secondly, what if ford tried to bring him back to life frankenstein-style? (full credit to tiktok user @44boora for this idea, go check their account for some gut-wrenching art) (also… full post below the cut this got long)

but like i was thinking about this, ford bringing stan back to life specifically, and how dependent the concept is on this specific time in his life. i just feel like any other time and under any other circumstance, ford would have been able to, eventually, accept stan’s death. we see it at the end of weirdmageddon, where ford is ready to accept that the stan they all know and love is gone now that his memory has been erased. he tells mabel as much, and only realizes there’s hope for him when mabel is determined enough to push back against ford’s logic. ford believes very intensely in his own perception of the world. he believes in science. theoretically, he believes death is death, and there’s nothing he can do to change that.

but then, think of ford after he’s been betrayed by bill. this ford is at his absolute lowest. he can’t trust his own perception of the world anymore. he’s seen the truth of what their relationship was and the horrors he was so close to unleashing on their universe. he is desperate to right his wrongs. he’s losing sleep, his body is abused every time he closes his eyes, and the end of the world as he knows it is iminent if he doesn’t succeed in making the portal as secure and unusable as possible without dismantling it entirely. the only person he believes he can trust after everything that’s happened is stan. so he contacts him for help, and in his time waiting for him to arrive, cannot stop thinking of the worst-case scenario: that bill could still be coming for him. so when he opens the door to stan, his high-strung, paranoid brain doesn’t see stan, and he shoots.

he shoots his own brother with a crossbow and kills him.

ford is not usually one to blatantly ignore a scientific fact. again, death is death, and there’s nothing he can do about that. and yet, in a state of such intense grief, when his entire world is already close to crumbling around him and he’s holding his dead brother in his arms, there’s nothing else he can feasibly do but deny. so he does.

he lives in denial of a lot of things. that stan’s death is final, obviously, but also his reasonings for attempting to do the impossible and revive him. ford likes to believe he operates purely on logic, so he tells himself he’s doing this because he has to. without stan, he can’t prevent bill from entering their universe. he’s still the only person ford can trust, so reviving him is another step in his ultimate goal of stopping bill and saving the world. it doesn’t matter that its never been done before, ford will do it anyway. and he believes that he can, because as much as he thinks he’s moved on from his hubris, he’s still acting off the assumption that he’s special. he’s so far ahead of everybody else, so naturally, if anybody could accomplish the impossible and bring stan back from the dead, its ford.

and so he denies that the real reason he’s trying to save stan is not a logical one. he denies that he’s running entirely on emotions. it would be foolish to try something so risky and impossible and time-consuming if he were only doing it because of his crushing guilt and decade-long yearning, so he tells himself there’s so much more to it than that. he can’t just be doing this because he loves him, right? he’s not that shallow. he’s not that desperate.

and yet, he is. because as much as ford wants to deny it, he can’t live without stan. he can’t live with the knowledge that he was responsible for stan’s death. if he didn’t succeed, his grief would surely kill him.

[ijlii]

Art school AU again 🔨

[icarusredwings]

Cherik fic where Logan and Victor only know Charles by 'Dearest' and Erik by 'Darling' just how Lady only knows her owners by 'Darling' and 'Jim, dear'

And the first time they hear him call him 'Erik', Dearest is very... not himself. He's angry. And he's crying. And now the cats are confused. Who's Erik??