#victor hugo

[leofromsomewhere]

re: names,

reminder that of all the (well over 50) characters in les miserables, only four* of the men have first names, 2 are named (french equivalent of) John, and one of those Johns, the mainest character, is named (french equivalent of) John McJohn. do not worry about your characters' names

*technically five, but we see felix tholomyes all of once, long before anything happens.

Every writer needs to go and read some fairly decent scifi with inconsistencies and plot holes in it and calm down. Nothing takes the stress out of writing like watching KA Applegate completely forget major plot threads mid-series, of Andy Weir have someone detach the gloves of the space suit that he specified doesn't have detachable gloves last chapter, or CJ Cherryh change the laws of the Assassin's Guild once every three books, and go "these guys rule I loved those books so much." Instant stress relief, every writer should do it.

Also if you're having trouble with character names then you need to read Snow Crash and have your brain remolded by two characters named Hiro Protagonist and Yours Truly, and stop taking names so seriously.

[dis-astre]

OK A BREAKDOWN OF LES MISERABLES IN FRANCE

- they changed a lot of the lyrics (including my fav/funniest lyrics unfortunately) which was pretty interesting ; honestly i think it's a great thing bc it was last re-written in 1991 and they made the songs more textual, more like real talking and i think way more accessible for a lot of people (bc in france we have this habit of writing pretty words, with a lot of images and lyrical phrases but it's not always helping to understand the plot yknow)

- the new lyrics for do you hear the people sing/à la volonté du peuple are SO GOOD ! originally it says :

à la volonté du peuple/et à la santé du progrès/rempli ton cœur d'un vin rebelle/et à demain ami fidèle

(to the will of the people/and cheers to progress/fill your heart with a rebel wine/and see you tomorrow, faithful friend)

and now it's:

à la volonté du peuple/qui crie les mots de sa colère/le chant de ceux qui ne veulent plus/être les damnés de la terre

à la volonté du peuple/dont on étouffe jamais la voix/et dont le chant renaît toujours/et dont le chant renait déjà

(to the will of the people/screaming the words of its anger/the song of those who don't want to be/the damned on earth anymore

to the will of the people/which you can never choke the voice/and whose song always revive/and whose song's revive already)

and idk i think it's pretty freaking cool; but i'll do a big breakdown of the new lyrics of do you hear the people sing bc it's the song they changed the most and i think it's way better for our times and more hopeful and giving the will to fight

- the stage: honestly real cool and clever! it's a smaller stage, way smaller than the west end one if my memories are not mistaken, and we obvisouly don't have the rotating stage; but they played a lot with moving structures and transparent curtains to make special effect like buildings, rain, etc... and it's way real cool !

- idk who the sound guy was but props to him cause the sound was SO GOOD like it sounded so clean and like listening to an album, truly perfect on this aspect

- the actors were GREAT, you could see they rlly took the roles and made them their own (i think enjolras' actor loves his role bc ive seen some of his tiktok and he looks like he loves it a lot so that's cool af)

- also i bough this

which is a conversation with boublil and schonberg retracing the story of the musical so yay

Anyway i'll do another big post to tell y'all act by act what was happening !

[quoth-the-goblin-nevermore]

At the barricades of freedom *vague sizzling of cooked meats*

[finchknits]

My boyfriend and I are watching Ratatouille and he made a comment about the complexity of the sewers at the beginning.

So I, a nerd, go "oh boy do I have a book for you!"

Amd he goes "oh? What book goes that in depth about the Parisienne sewers system?"

And my friends, he was shocked at my answer.

[ueinra]

Some low ratings for Les Misérables that I liked on Goodreads.

[maggie44paint]

"I wish to write bl about parisian sewer system," victor hugo (1862), probably

[johnadamsbignaturals]

the end of les mis is so fucking good. like, yeah we just turned this whole ending around from a feeling of tragedy and profound loss to one of hope, interconnectedness, and an understanding that the bounds of human love and the innate bonds in the rich tapestry that our lives are woven together into exceed even death. that loss will not stop the future, because the memories of those who dreamed of change will always live on. and this all is achieved in like 20 seconds before credits roll.

[mellosdrawings]

When you need to declare your love to your wife but it is so strong you can't help but revert back to french.

You know the perk of being french ? I can write Rook rambling haha !

(Though I am incapable of writing poetry, so here is the poem I used and its approximate translation:

Je respire où tu palpites,

Tu sais ; à quoi bon, hélas !

Rester là si tu me quittes,

Et vivre si tu t'en vas ?

(I breathe where you throb, you know ;

What for, alas! stay here if you leave me, and live if you go away?)

A quoi bon vivre, étant l'ombre

De cet ange qui s'enfuit ?

A quoi bon, sous le ciel sombre,

N'être plus que de la nuit ?

(What good is living, being the shadow of this fleeing angel?

What for, under the dark sky, being from the night only?)

Je suis la fleur des murailles

Dont avril est le seul bien.

Il suffit que tu t'en ailles

Pour qu'il ne reste plus rien.

(I am the flower of your walls for which April is the only good.

You only need to leave for me to be left with nothing.)

Tu m'entoures d'Auréoles;

Te voir est mon seul souci.

Il suffit que tu t'envoles

Pour que je m'envole aussi.

(You surround me with Halos;

I care only about seeing you.

You need only to take flight for me to fly too.)

Si tu pars, mon front se penche ;

Mon âme au ciel, son berceau,

Fuira, dans ta main blanche

Tu tiens ce sauvage oiseau.

(Should you leave, my front/forehead shall lean ;

My soul in the sky, its cradle, will flee,

In your white hand you hold this wild bird.)

Que veux-tu que je devienne

Si je n'entends plus ton pas ?

Est-ce ta vie ou la mienne

Qui s'en va ? Je ne sais pas.

(What would I become, should I not hear your steps anymore?

Is it your life or mine that is fleeing ?

I cannot tell?)

Quand mon orage succombe,

J'en reprends dans ton coeur pur ;

Je suis comme la colombe

Qui vient boire au lac d'azur.

(When my thunder dies down, I take some from your pure heart ;

I am like the dove that just drank in the azur lake.)

L'amour fait comprendre à l'âme

L'univers, salubre et béni ;

Et cette petite flamme

Seule éclaire l'infini

(Love makes the soul understand the universe, healthful and blessed ;

And this lonely little flame shines upon the endless)

Sans toi, toute la nature

N'est plus qu'un cachot fermé,

Où je vais à l'aventure,

Pâle et n'étant plus aimé.

(Without you, all of nature is only a closed cell where I go on an adventure,

Pale and no longer beloved.)

Sans toi, tout s'effeuille et tombe ;

L'ombre emplit mon noir sourcil ;

Une fête est une tombe,

La patrie est un exil.

(Without you, everything falls apart ;

Shadows fill my dark eyebrow ;

A feast/party is a tomb,

The homeland is an exile.)

Je t'implore et réclame ;

Ne fuis pas loin de mes maux,

O fauvette de mon âme

Qui chantes dans mes rameaux !

(I beg and demand ;

Do not flee any longer from my pain,

O warbler of my soul who sings in my twigs!)

De quoi puis-je avoir envie,

De quoi puis-je avoir effroi,

Que ferai-je de la vie

Si tu n'es plus près de moi ?

(What could I want?

What could I be afraid of?

What would I do of life without you by my side?)

Tu portes dans la lumière,

Tu portes dans les buissons,

Sur une aile ma prière,

Et sur l'autre mes chansons.

(You carry in the light,

You carry in the bushes,

On a wing my prayers,

On the other my songs.)

Que dirai-je aux champs que voile

L'inconsolable douleur ?

Que ferai-je de l'étoile ?

Que ferai-je de la fleur ?

(What will I tell to the fields that hide my inconsolable pain?

What would I do of the star?

What would I do of the flower?)

Que dirai-je au bois morose

Qu'illuminait ta douceur ?

Que répondrai-je à la rose

Disant : " Où donc est ma soeur ?"

(What will I tell to the morose forest that illuminated your softness?

What will I answer at the rose asking "Where is my sister?")

J'en mourrai ; fuis, si tu l'oses.

A quoi bon, jours révolus !

Regarder toutes ces choses

Qu'elle ne regarde plus ?

(I would die ;

Flee if you dare.

What is the point, days gone! of looking at all those she no longer looks at?)

Que ferai-je de la lyre,

De la vertu, du destin ?

Hélas ! et, sans ton sourire,

Que ferai-je du matin ?

(What would I do of the lyre, of virtue, of destiny?

Alas! And, without your smile,

What would I do of the morning?)

Que ferai-je, seul, farouche,

Sans toi, du jour et des cieux,

De mes baisers sans ta bouche,

Et de mes pleurs sans tes yeux !

(What would I do, alone, wild, without you, of days and heavens,

Of my kisses without your lips,

And of my tears without your eyes!)

Il suffit que tu t'envoles pour que je m'envoles aussi - Victor Hugo

(You need only take flight for me to fly too))

[fulladeroure]

It's always "spill the tea" and never "tell me quickly what's the story, who saw what and why and where, let him give a full description, let him answer to Javert!"

[hayzeydayzey]

Barricade Day 2024

"Dawn does not illuminate whom, but that which they left behind."

[weirdlookindog]

Louis Boulanger (1806–1867) - La Ronde du Sabbat, 1828

illustration from Victor Hugo’s 'Odes et Ballades', XIV Ballad

[dis-astre]

BREAKDOWN OF LES MISÉRABLES IN FRANCE : ACT I

- they use the almost same costumes as the west end which... great bc sometimes france tends to make....... weird choices concerning their costume department for musical shows

- lots of projections for the decor, the set was very sleek, but they used it well

- javert was on point, props to the actor honestly he was one of the best thing of the show

- the actors in general were hitting those notes like craaaaazy, they were all so good

- the thenardier got me laughing uncontrollably, they were perfect and master of the house was *chief kiss*, people dancing on the tables, a lot of things were going on in the background which added to the chaos which was perfect

- master of the house is disgustingly perfect in french

- they were little kids in the audience and i don't think the parents were rlly aware of the show bc... well first the language is rlly crude (even more than the last french version), and they have sex on stage at some point in lovely ladies???? (honestly don't remember if this was in the west end version circa 2019 pls if u know enlighten me)

- the kids playing eponine, cosette and gavroche were so great they got a standing ovation and all

- for the confrontation, javert has a rifle and they basically play hide and seek like valjean hides from javert in the hospital and javert hunt him and the nurses are trying to help valjean (at some point one hides the gun under the bed of a patient and it's was funny)

- THEY MADE MONTPARNASSE SO GAY?????? LIKE????? bro was this big tall twink behaving like 💅💅🌈✨✨💃💅🌈💃✨✨💅 guuuuuurl, he was so coquette i stg, so that was fun

- les amis were >>> amazing, loved them sm ! it was really less gay and enjoltaire than the english production and overall the choices made were real different from what i had seen before and i loved that; i think it comes from the fact that french ppl tend to stay more "true" to the original work especially with such an important book as Les Mis but i'll explain myself more in act II

- in the beginning of abc cafe, R is drinking from a bottle and Enj just casually pass by him and grab the bottle before physically sitting him down

- R proceeded to try and grab the bottle from everyone and they were all exchanging the bottle to get it away from him

- he also was ALWAYS talking and laughing with les amis and making jokes like trying to shake hands with one of them and then retracting his hand last moment, childish plays and so cute to watch them laugh and interact like that

- when enjolras started talking, R stopped everything and put his chin in his hands and started looking at him with stars in his eyes and the biggest smile (he was so hot pls help) and that was so cute

- "marius you're late" was said in the most annoyed french tone and i love it

- after R verse and "it is better than an opera", everyone was clapping and enjolras was sulking in a corner, and one of the amis (presumably combeferre) went "OH SHUSH" in the most Dad Voice ever to shut everyone up and proceed to motion to enjolras to come back and talk

- R casually jumping on chairs

- R never got his bottle back so he proceed to open a book, read it and tried to show everyone what he was reading and talked about the book; and idk i loved that yes show how much of a yapper and actually a smart man my guy is

- i finally got to hear what they say for the "general lamarque is dead" part bc it's never on any album and it's really so close to the english version, except instead of saying to R "do we have the guns we need?", enj say something along the line of "R put the bottle down and chose a weapon" and R goes basically like "oh no needs my breathe will kill two in one blow" so pretty close to the english verse and i love it

- do you hear the people sing was amazing with the new lyrics

- they changed a lyric in one day more and i'm so SO glad they did bc i HATED it, so basically in french we have "you" meaning "tu/toi" as like a singular individual or you say "tu/toi" to a close person; and "you" as "vous" as like more than one person or you say "vous" to someone you don't know/respect. and in the original version for "my place is here, i fight with you" marius say "ma place est là, auprès de toi" and now he says "auprès de vous" and that's SO MUCH BETTER bc the original lyric is like... who tf is "toi" bc it's not a plural so is it cosette ?? which is inaccurate, or is it enjolras ?? which doesn't make any sense at all bc he fight with all of les amis, not just one ??????? so yeah, one of the best lyric change they've made

anyway here's some pro shots and i'll make a part II later for act II byeeee

[mithykster]

I saw this line in the book and it actually made me giggle so hard. "Sublime stupidity', 'a host of ambushes' 'he ingenously answered 'yes'".

(See:

https://hiis.isti.cnr.it/demo/eread/Libri/sad/LesMiserables.pdf

page 1041).

So I thought to myself "What if Jean Valjean laid a bunch of Looney Tunes traps for Marius, I think he has the right to!"

and then, being in a silly mood myself I decided to sketch it...

MONSIEUR PONTMERCY WATCH OUT!!!!

[gwydpolls]

Time Travel Question 67: Assorted Performances VI

These Questions are the result of suggestions from the previous iteration.

This category may include suggestions made too late to fall into the correct grouping.

Please add new suggestions below if you have them for future consideration.

[butchered-icarian]

"A phenomenon often seen. A sceptic adhering to a believer; that is as simple as the law of the complementary colours. What we lack attracts us. Nobody loves the light like the blind man."

- Victor Hugo.

[lost-wandering-historian]

It's that time of the year again! Remember to leave out bread and absinthe for Victor Hugo and he will leave you 50 pages on a subject that is off-topic but that he is vaguely interested in. Be safe out there!