#very similar to bison

[nnnn99999]

I want to share my interpretation of FadelStyle's sex scenes in the storage room, but before I get to the actual scene I need to establish FadelStyle's relationship arc so far. I won't go into detail about their attitude towards each other in episode 1 and 2 because @airenyah did such a great job of explaining Style's journey in this post and I wholeheartedly agree with everything she said.

To summarize, by the end of episode 2 Style is starting to sense something is off about Fadel and he is starting to want to connect to him, whereas Style manages to make past Fadel's defenses and enter his mind, albeit as a sexual fantasy. At this point neither of the two actively dislike each other as they used to before. Fadel still finds Style very annoying, but he is already starting to get used to it. Style still thinks Fadel is grumpy and rude, but he is intrigued by what lays under Fadel's mask. They don't really like each other, but they don't exactly hate each other either.

This dynamics continue in episode 3. As they meet each other more and more, Fadel softens up to Style as sees more of him. It's hard for Fadel to completely ignore the genuine care, concern and sincerity Style throws at him again and again. Style also starts to become even more intrigued by Fadel as he realizes just how deep the man is hiding himself. Not to mention the physical attraction between the two that very much exists and makes its presence known in the form of sexual fantasies.

When they actually hook up for the first time, there is only physical attraction that is driving their actions. As I mentioned before, they don't dislike each other, but they don't really like each other either. There is an emotional disconnect between the two. And I believe this is the reason this experience was not very fulfilling for either of them. Both of them seem to be the type to believe in having proper relationships instead of casual hookups, so sex without any sort of meaningful connection might be pleasant because of the physical attraction, but it's far from being able to make either of them feel content.

Comparing FadelStyle's first time to KantBison's first time makes this more evident. KantBison didn't even know each other's names when they jumped into bed together. But that didn't stop them from having a great time. They have no problems in finding sexual satisfaction without any emotional attachment. FadelStyle on the other hand seem to be unable to do that. It's a matter of preference, neither is right or wrong. The lighting choices in the two scenes also reflect the mood of the couples. For KantBison, it's a bright red-glaring, intense and passionate. The lighting is not warm, it's burning hot actually. Whereas for FadelStyle, the lighting is a cold blue, with no hint of warmth to be found.

In Fadel's fantasy, Fadel thinks about Style's interest in himself (his name and his tattoo). In Style's fantasy, Style imagines Fadel serving him with direct eye contact maintained at all times. Both of these fantasies further indicate to me that both of them crave a deeper connection with the other. And it's only when they find that connection that they can truly find sexual contentment.

I don't think Fadel meant to be that tender and worshipful with Style. I think he just couldn't help himself. Now that Style has had a taste of what it could feel like being with Fadel, he is not going to give up trying to make Fadel his. And Fadel has no way to defend against that kind of Style.

[airenyah]

hello~ i was rewatching the THK trailer again and noticed something interesting: FadelStyle go from using formal/polite khun/pom pronouns -> informal/rude meung/guu later in the series.

In the trailer, I think I hear Fadel using them in the "I don't like being pursued" line and Style uses them when he says "Whenever I'm with you, you either make me feel so scared, or so damn safe".

I was wondering if you had any Thoughts about that? I was surprised they use rude pronouns when it looks like KantBison keep using khun/pom throughout. Do you think the rude pronouns a sign that FadelStyle are closer or more a feature of their personality/dynamics?

I'm still very confused about how any of the pronoun stuff works, so I apologies if this doesn't make any sense. ^^;;

ah, it's funny you should send me this ask because only last night before i went to sleep did i ramble in a group chat about the pronoun use in ep1 😂

disclaimer: i'm not a thai native speaker and i actually get kinda anxious talking about the thai language publicly out of fear of getting something embarrassing wrong lmao. calling fellow language nerd @visualtaehyun as well as Known Native Speakers™ @recentadultburnout and @happypotato48 for double checks and potential corrections in case i'm blabbering bullshit at any point <3

yeah, in the trailer it seemed to me that fadel and style were consistently using guu/mueng for each other except for when style was trying to flirt with fadel on purpose (as in, when he's flirting for kant and the car, not when he's saying flirty or romantic shit bc he genuinely likes fadel now. or at least that's what i thought was going on upon watching the trailer for the first time kfkdkfdkjkjfd)

so when i watched ep1 i was actually kinda surprised bc i hadn't expected them to consistently start out using phom/khun with each other at first! which probably also comes from the fact that i hadn't expected them to meet on their own before kant hires style to hit on fadel hahaha (like, i didn't think the "my nipples are sensitive" scene would happen before kant sets style onto fadel. i thought at that point he was already very purposefully flirting with fadel for the sake of the mission, but instead it's all style himself just to get on fadel's nerves 😂)

anyway, in ep1 fadel and style use pretty much only phom/khun with each other EXCEPT for style at three very specific points:

he uses "guu" to refer to himself at the very end of the scene of their first meeting when fadel drives off and style shouts something about fadel scolding him like a dad when fadel has left already. i'm like 90% sure i hear him say "guu" in that specific sentence

you probably caught him call fadel "nong" to be an extra little shit when he sat down and made fadel get him those beers

when fadel manoeuvers style out of the restaurant and style is raging he uses phom/khun until the very last sentence where the subs say "i'm gonna take you out!". unfortunately i can't understand the entire sentence that well but he starts the sentence with "guu" and i'm fairly sure i hear the words "เป็นแฟนกู" [bpen faen guu] which translate to "be my boyfriend" and so i'm guessing he's saying something along the lines of "i'll make you my boyfriend" or "you will be my boyfriend" (calling a native speaker to pls transcribe that sentence for me thank youuu 🙏🏻🙏🏻🙏🏻)

so we see that style uses the rude pronoun set guu/mueng when he's annoyed (no. 1) and when he's seriously pissed (no. 3). other than that he sticks to formal/polite pronouns throughout the first episode

however, we know that they're gonna be using guu/mueng for each other regularly at some point from the trailer and there's also that scene in the promo for next episode where fadel asks style who sent him: they're both using guu/mueng in the "who sent you?" "i like you" exchange

so now the question is when and why do they switch from polite to rude pronouns? personally i'm speculating that fadel is gonna start using guu/mueng with style once he's seriously fed up and annoyed by style. bc rude pronouns aren't just used to show closeness/intimacy but also when, you know, you're actively trying to be rude. and i could see fadel switch to the rude pronouns for the exact reason of being rude on purpose in order to emphasize his disdain for style and to give him a hint to fuck off. and i could see style going along with the pronoun switch bc he sure ain't intimidated by fadel and won't go away that easily hahaha

and if that really does happen then i could see them just sticking to the rude pronouns from that moment on, since these pronouns can be used in an informal way too and it does fit their dynamic

also, i just went and rewatched the trailer bc i wanted to see if there were any scenes in which fadel and style use phom/khun for each other that we haven't seen yet and yeah, all the scenes from the trailer in which they do use the polite pronouns are scenes that we in fact all got to see in ep1 already. then we have the "good morning krub" scene happening next episode, which i'm guessing is gonna happen before fadel corners style in the locker room. and i'm guessing at that point they (or at least style) will still be using phom/khun since that's what they've established as their pronouns they use to their face (note how in the above list, style is never standing right in front of fadel, yelling directly into fadel's face when he uses "guu", so fadel likely isn't even aware of it). and i'm also guessing that then when fadel is eventually seriously fed up and suspicious of style, he changes to guu/mueng in order to show his anger and to basically declare a war with style. and style switches to guu/mueng too in order to fight back bc he sure as hell won't let fadel intimidate him

idk what language you have as a first/native language, but mine is german and in german we also differentiate between formal and informal pronouns. although for us it's by far (by FAR) not as nuanced as thai pronouns since we differentiate only two pronouns for the 2nd person: formal "you" (Sie - pronounced "see") vs informal "you" (du - pronounced "doo"). and in german it is absolutely considered rude if you use "du" to address a person you should be using "Sie" for. and you can absolutely show your negative emotions (like anger, annoyance, etc) towards your conversational partner who you should be addressing with "Sie" by suddenly switching to "du", esp when you're trying to start a fight. and yeah i can see fadel switching to rude/informal pronounce in this way, to kind of start a fight with style so style will finally fuck off

and in german, usually once you're on a "du" level of addressing each other (esp if you do it regularly and it wasn't just a one-off sentence in an argument or something) then you usually wouldn't go back to using the formal "Sie" for each other. of course in thai everything is muuuuch more complicated and complex than in german when it comes to pronouns, so this is kinda like comparing apples with oranges. but yeah, i can totally see fadel and style sticking to the rude/informal pronouns since they've already crossed that line. since they've already established that they can use this level (register) of language with each other, so why bother going back to a more formal/polite register?

we'll have to wait and see if i'm right with my speculation about the pronoun switch, though. of course it could happen totally differently than what i think (who knows, maybe they'll hop between guu/mueng and khun/phom for a while depending on their moods, like, whether they're being civil to each other bc the given situation calls for it or whether style is actively hitting on fadel or whether they're annoyed/pissed at each other and basically challenging each other to a fight)

and i don't find it surprising that kant and bison would be using different pronouns for each other. they did meet under completely different circumstances and they have a completely different relationship to each other than fadel and style do

one thing thai and german pronouns have in common is that their usage depends heavily on who is talking to whom and also what situation/context the conversation is happening in. german speaking kids are taught that they have to address adults with the formal "Sie" pronoun unless they're given explicit permission by the adult to use the informal "du". german learners who take it up as a second language are taught that they need to use the formal "Sie" when talking to strangers. however, that doesn't reflect the reality at all. there are situation where you can immediately jump to the informal "du" without asking for permission first even when you don't know the person while if you met this very same person for the first time in a different situation you might have to call them "Sie" or else they'd be offended because using "du" would be very rude in this context

now if we look at bison and kant's first meeting... kant is trying to hit on bison. a rude pronoun that you'd use out of negative feelings or with peers/close friends seems a little inappropriate in this situation, don't you think? it would definitely have made the unsolicited advice sound even worse and more invasive, imo 😂

and also throughout the entire episode their goal is to be polite and friendly to the other person, since, you know, they're trying to get on the other person's good side in order to get something out of it. and even when (and after) they get to know each other, well, intimately, they don't really have a reason to be rude to each other or use more vulgar language, i feel like? UNLIKE fadel and style, who are actively trying to piss each other off

i'm not surprised that fadelstyle and kantbison use different sets of pronouns for each other since the couples have very different starting points with very different goals that require very different strategies in order to successfully get there

i hope i managed to explain it in a way that makes sense to you <3

[draconym]

Tell us more about the Spricket Dungeon? I'm admittedly morbidly curious now

A lot of people have a spricket dungeon in their basement. Sprickets, or "spider crickets," commonly called cave crickets or camel crickets, are cave adapted (trogloxene) fauna and have been living alongside humans (also trogloxenes) for probably tens of thousands of years. The oldest known illustration of an insect is of a cave cricket, carved into a bison bone in France somewhere between twelve and seventeen thousand years ago.

While harmless, a cave cricket is like if a water buffalo were the size of a blueberry and could subsist entirely on mold and autocannibalism. So any dark and humid place where you might find a hint of mildew or dust seems sufficient to sustain a breeding population, and if they somehow end up in a sterile environment, cave crickets can live for months without any food at all. Roaches get all the credit for being nature's most indestructible vermin, but I think cave crickets are equally likely to withstand nuclear apocalypse, especially considering their tendency to live deep underground.

My old house's spricket dungeon was a crawl space under the stairs where we kept snow shovels, paint cans, and bicycles. There was a lot of debris in the closet when we first moved in, and I suspect us cleaning it out was what started the crickets' slow population decline. My housemates and I occasionally caught them or laid down duct tape traps, but mostly the crickets stayed in their artificial cave and only one or two would venture out into the rest of the basement each day.

Stomping on them was out of the question. Not only did it seem too violent, it was also deeply unpleasant to imagine popping them like grapes underfoot. Additionally, those fuckers are fast. I mentioned this in my last post, but their primary defense mechanism really is launching themselves at your face, and it's very effective. Imagine if the water buffalo the size of a blueberry could jump three feet in the air, and it was pissed.

It didn't usually disturb the crickets if you opened the door to pull out a bike. They were mostly carpeting the far wall of unpainted cinderblocks. But if you turned on the closet light bulb, they often started hopping in every direction, and their fat bodies thumping against the linoleum made a hollow 'pop' sound similar to a popcorn kernel in a paper bag. Now imagine dozens of them doing that at once in your direction.

Over the thirteen years we lived in that house, my housemates and I saw the population of sprickets dwindle to about a dozen, but we rarely went more than a week without seeing one. They're much less common in the house we moved to a year and a half ago. We see perhaps one small one a month, rarely any bigger than a skittle, and significantly more timid when not surrounded by an entire cricket metropolis.

I don't particularly want to share my house with them. But they are kind of an inevitability in most human homes, as they have been since we were living in caves. So I do try to regard them as fellow cave dwellers with as much awe and kindness as I can muster, whether I see them in my basement or in the Appalachian karst.

[serpentface]

The god Od depicted in a symbolic representation of the word's creation as a docile bull awaiting sacrifice at the altar.

It carries the foundations of the world in its horns (via a very old cross and wheel motif representing cyclical totality, now mostly used as a visual shorthand for the world). It has three sets of horns in the form of the lunar crown, a mostly obsolete symbol of Wardi royalty. The altar is decked with an orange lily motif, after a hardy native water lily capable of regrowth in waters that dry seasonally. This symbol of rebirth and fertility in a sacrificial scene evokes the sacrifice-rebirth cycle initiated by Od's primordial slaying, which is fundamental to the world's functioning.

This is a rundown on interpretations of the god Od, a deity that has a long history in the lands surrounding the Mouth of the eastern inner seaway, and the impact (or lack thereof) of its primordial sacrificial nature in religious practice.

The god Od appears in religious practices throughout the region, having the utmost significance to the Imperial Wardi faith and lesser or separate significance elsewhere. The five religious practices wherein variants of Od has longstanding historical significance are the Burri Faith, the (Imperial) Wardi faith, the Old or 'Heathen' Wardi faith, the faiths of the Hill Tribes, and the Wogan faith.

—

The name Od and most significant elements of this god have origins in the Burri faith, which was transferred across the sea to the Wardi, Wogan, and Hill Tribes in the time of its second and third empire.

The Burri Od is described as having been the first being. The universe began as a cosmic sea and empty, eternal sky, loosely representative of a primordial and fundamental female and male dualism. Od appeared at their borders as a result of their interfacing, in the form of a giant aurochs or bison whose hooves touched the seafloor and horns touched the sky. He dipped his head down to the silt and lifted it out of the sea in his horns, thus forming the foundations of the world. His semen spilled into the cosmic sea and created the first seven gods, who then killed and divided their father, giving the world its form with his body.

While significant to the creation story, Od is of relatively little importance in everyday practice of the Burri faith and is not commonly worshiped (rather his seven children are, as they were the original and most powerful group of gods and created life).

Though the Burri Od takes on a sacrificial role in creation, animal sacrifice is not central to the Burri faith and is only performed in specific contexts (some festivals and holidays, in times of great strife, and to a few specific gods within a wide pantheon). The Burri faith does not involve a sacrifice-rebirth cycle as foundational to the world's functioning and god's health, and offerings are instead mostly gifts to please and rightly venerate the gods (or avert the malice of less savory deities). Offerings of food, drink, and precious materials are preferred by most gods. When animal sacrifice does occur, bulls ARE generally favored, as a reflection of their primordial counterpart.

—

The modern/Imperial Wardi Od is partly an import of the Burri tradition, which fused with both native monotheistic/animist worldviews and animal cults during the reign of the 2nd Burri Empire and developed into a new faith, which has presently become the state religion of the Wardi Empire.

‘Od’ in the Imperial Wardi context is best translated as capital G ‘God’ (anyone saying 'God' is, in-universe, saying the word 'Od'). Its creation of the world plays out in a very similar fashion, but the first human life (rather than other gods) is created by Its semen mingling with the cosmic sea. It willingly sacrificed Its body at the hands of the first people, who formed the world with its remains. Its shed blood spattered the earth and can be found today as meteoric iron, and animal life emerged from the mingling of the blood and the soil. Its death initiated the eternal cycle of sacrifice/death and rebirth, with each begetting the other and necessary for the world to function.

Od's body is dead and the world is Its corpse, but Its spirit survives in seven 'faces' which govern specific functions of reality and society. The connection of Its spirit to Its body is maintained by right practice, right prayer, and right sacrifice (in the form of food/drink offerings, bloodletting, common sacrifices of animals and occasional sacrifices of people).

The Imperial Wardi Od is generally regarded as genderless and dual-sexed, and referred to with a unique deified pronoun most effectively translated as capital I 'It'. Its sex is of relatively little significance to everyday religious practice, and discussions of Its dualism are more likely to occur in scholarly and philosophical contexts (like debates on the minutia of how Its semen, milk, and menstrual blood are all mentioned in old accounts of creation, and how the implications of this should translate to body politics and taboo).

—

The Old Wardi or ‘Heathen’ Wardi faith is a separate branch of old ethnic Wardi religion with significantly less Burri influence. This is a minority practice that only survives intact in isolation. Its practitioners are often hostile to all foreign influence and the Imperial Wardi faith, and suffer minority status and religious suppression.

Its version of Od is a more intact surviving remnant of ancient Wardi monotheism, as an androgynous creator god who lost physical form in the act of creation, and lives on as innumerable spirit aspects of its whole. This deity is referred to as Od in describing its primordial form, but is mostly referred to as a unique word for spirit, which is 'the Koya'. Practitioners of the old faith often identify the seven-faced Od as a twisted, foreign misinterpretation of the Koya. 

This practice is somewhat animistic in nature and involves veneration of individual spirits that form a larger whole. Every aspect of the world has a spirit (plants, animals, minerals, bodies of water, etc) that exist in an ideal balance and as strands of an interconnected death-rebirth cycle. Each spirit is referred to as 'the [noun]-koya'. All discrete forms of life/matter have at least one attached Koya, while living beings also have a soul (which is separate from the Koya and reincarnated upon death).

Each Koya exists as a quintessential essence (ex: the lion-koya, the maize-koya, the iron-koya, the salt-koya) rather than separate individual objects having separate individual Koya, though unique landmarks do have their own (the Brilla River-koya is separate from the Yellowtail River-koya, though both share the freshwater-koya). Each individual may have multiple spirits (geese have the goose-koya, but also the bird-koya, the freshwater-koya, etc), a system that categorizes the world by intrinsic natures and precisely dictates how each physical body has unique metaphysical significance.

Animal sacrifice plays a somewhat similar role in Old Wardi religion to Imperial Wardi religion in the sense that it intends to maintain the stability and oneness of the divine spirit and a death-rebirth cycle. In this case, in freeing part of the spirit, balance can be brought to the Koya totality and restore the death-rebirth cycle. (Ex- in times of drought, the sacrificial release of the migratory goose-koya can encourage the return of the rains). This is far from the only way to re-balance the Koya. The most significant rites come in the form of songs that summon, release, or expel individual Koya as needed.

—

The Od of the Hill Tribes is a mingling of the Burri/Wardi Od and a much older goddess of fertility and agriculture, and is strongly associated with cattle and barley. This version of Od did not create the world and is only one of many gods, though she is said to have been born from the sea and carried up fertile soils with her (which is likely a direct result of Burri/Wardi influence). A few tribes venerate Od as a chief or patron god, though none are fully monotheistic (outside of converts on individual or clan levels).

She has a distant common ancestor with the Finn goddess Morgren (as the various Hill Tribes are descendants of a single proto-Finn population who migrated across the Viper seaway in prehistory), who is also a goddess of agriculture associated with fertility and barley (though in Morgren’s case, she is THE god of the staple crop barley and lacks the cattle association, and has no direct influence from the Burri/Wardi Od whatsoever)

Most of the tribes of Greathill do not practice animal sacrifice but offer grain and fruit to Od, and create a sanctified mix of crushed barley and oil that is anointed on livestock and people to confer Od's blessings of fertility. In some cases, the dominant cow in each herd is considered to belong to Od and will not be milked or slaughtered, and is buried with full rites upon its death.

—

The Od of the Wogan religion is distant to the rest of her counterparts, though has absorbed some Burri and modern Wardi elements over time and is referred to by the same name (a definite foreign import). She shares the fertility aspect ubiquitous to other Od variants, and is occasionally depicted as a cow.

She is a goddess of the earth and sea, who was wed to Iapedi, the god of the sky. The ocean is functionally her womb (which may be trace Burri/Imperial Wardi influence, or merely coincidental) and all life emerged from within. 

These are the only two true gods to the Wogan, though there is an additional element wherein the mating of Od and Iapedi also created innumerable spirits found throughout nature that act as an animating life-force. The concept is very similar to the Old Wardi '-Koya' (as the two faiths had close common ancestry), though this one lacks the sort of taxonomical system of its counterpart, and only ascribes spirits to living things. Each spirit in the Wogan religion is distinct (rather than each type of animal, plant, etc potentially having multiple spirits), and the spirits existing in each body are part of a greater whole that exists as a sentient consciousness that can be communed with (ex: each lion has A lion spirit, all part of The lion spirit, the latter of which can be engaged with).

Wogan religion strongly retains ancient animal cult practices common across the ancient Wardi-Wogan sphere, some of which have been translated into the faces of God in the Imperial Wardi context (both religions share commonalities of lions, snakes, albatross, migratory ducks, and cattle being significant sacred animals). The function of animal worship to the Wogan is communication and interface with the greater spirit of each animal (which can range anywhere from gaining personal blessing and protection, to dispelling plague, to 'lay off on eating our crops').

The Wogan faith does not involve animal sacrifice (though ancient variants almost certainly did). This is connected to traditional vegetarianism among the Wogan (as a means to avoid offending animal spirits), which some view as a point of pride and a mark of distinction against their Imperial Wardi majority.

[leth-writes]

wolf pack x reader who shifts into a large herbivore? Like a moose or an elk, or a bison? :3

🌌 anon

Wow, Galaxy anon! This idea is so cool!

Sam

You’re a caribou shifter. This limits where you can live heavily, as you need plenty of dense forest and lots of rain to hide your massive form.

Sam meets you when he spots a large caribou stomping through the pack’s grounds, and immediately notices how weird it is to spot a caribou so far out of their natural habitat.

When you spot the wolf the size of an SUV, you shift back to your human form, hoping and praying it’s a shifter as well. Your family is a lot more involved in the shifter community than the pack is.

Once he knows you’re a shifter, the dynamic is completely changed.

As a caribou, you have a calm, stern disposition. Sam really enjoys how your personality serves as a nice undertone to the loud chaos that makes up the pack

Loves going on runs together; you’re one of the only people he knows who can keep up, and definitely the only one he’s romantically attracted to.

Paul

You’re a bison shifter, representing your larger than life and easily riled personality. Similar to Sam, Paul notices you in the forest. Unlike Sam, he attempts to attack you to prevent you from harming his pack, thinking you’re just a rabid animal.

You immediately peg him as a shifter and charge, knocking him down and pinning him with your full weight before shifting back, telling him to yield.

Paul is IN LOVE. he adores you. He thinks you’re the best person he’s ever met. Please marry him.

Loves play wrestling, loves it even more when you kick his ass. He loves a strong partner.

Jacob

You’re a deer. He notices you while hunting. Unfortunately, he is able to sink his teeth into your flank, the pain causing you to shift back. Immediately horrified he’s gravely injured his imprint, he rushes you to the hospital, where Carlisle stitches you up.

As a deer, you’re quite flighty, easily scared. You have trouble trusting.

This combines into a perfect storm to mean Jacob needs to really make it up for you. He even becomes vegetarian for a couple of months to prove his dedication. When you finally forgive him, he feels the strongest sense of relief he’s ever felt.

Quil

You’re a reindeer, representing your regal and fun-loving nature. You actually introduce yourself to Sam first, well aware of the necessity to tell the local wolf shifters there’s a herbivorous shifter in the area. This is what allows you to be introduced to Quil, who loves your mischievous and playful nature, enjoying your penchant of giving personalized gifts and regaling them with the stories of your family.

Embry

You’re a moose. You absolutely tower over even the tallest of the wolves, your shifted form massive with large, thick antlers.

You have a calm, imperious personality, putting on a tough act. Embry slowly and methodically breaks through your walls to reach the sweeter, vulnerable personality hidden deep within.

You have plenty of experience fighting with normal wolves, and Embry gently play fights to help you break your antlers, helping them shed (you have antlers regardless of gender in this scenario, as your shifter species isn’t exactly like the actual animal). The rivers of blood pouring from your head do scare him quite badly at first, so he needs plenty of comfort.

Seth

They aren’t very large, but you’re a mountain goat. You have a superiority complex a mile wide, which Seth is able to disarm through his calm, kind nature. 

He helps bring you back down to earth when you can be a bit spacey, busy thinking about and longing for the mountainous ranges you enjoy climbing

It scares him so badly when he sees you just. Halfway up a mountain and sitting on a ledge. 

Loves hiking with you, making up for the fact you can go where he can’t follow when the two of you are shifted.

[aokozaki]

So the Lunatic Magician in Dungeon Meshi had their name revealed for the anime. It's still Sissel, and the post got community note'd on Twitter:

And like, that's technically true, but it's also deeply annoying because like, it doesn't go into why the mistake was made.

The character's name in Japanese is シスル (Shi-se-ru), and when a translator sees that and knows "this is a character's name", they're going to guess Sissel - a real, Norwegian, name, one you might as well see in a Fantasy Manga with a clear European influence in naming scheme.

It took until the Adventurer's Bible, well after his name had been stated in the manga, for it to be explained "he was named Thistle for the green color of his eyes".

By that point, several volumes of the manga had been released where his name was given as Sissel. Sometimes, when translating something as it comes, volume by volume, or game by game, the most realistic choice is to throw your hands up and go "yeah, this mistake is just canon now".

Like, what, do you want them to reprint half the manga to fix one name?

Mistakes like this are shockingly common, but when Street Fighter actually shuffles the names of several characters around, nobody rages that he's not called M. Bison, stop that, call him Vega like he's supposed to!

Even after having a similar name shuffling pointed out, most Fire Emblem fans will continue to call the Tellius Black Knight's sword as Alondite, instead of the Japanese name Ettard.

Maybe, in the internet age, you could justify saying "they should go back and fix it", but just calling it "a mistake" that happened with no cause, out of the ether, is very misleading about how localization works, and how mistakes like this happen in the first place.

It's only gonna give ammunition to the worst, most bad-faith anti-localization idiots out there.

[bird-inacage]

The Heart Killers EP4: Is Bison Playing Dumb?

Before the series aired, I did wonder if we were going to get a Mr and Mrs Smith type scenario at some point. The 'I know that you know that I know' type mind game which goes both ways, where both parties are pretending to be none the wiser until the time is right.

Up until Episode 4, Bison had some reservations but there was some ambiguity in regards to how much he bought into Kant's attentions and believed his own words in Kant's defence. Since being poisoned, Bison's gut instinct is louder than ever before. Paired with Fadel's reproachful reasoning and the evidence against Kant is mounting up so fast that Bison's excuses cannot deter the warning signs anymore.

So when Bison goes to 'confront' Kant with a pocketknife in hand, he's on a mission of his own. Despite what this implies, he not going on the immediate offence. He plans to put Kant on trial. He's going to do this his way, not how Fadel expects him to.

Now Kant is a pretty terrible liar as far as liars go. When Bison closely scrutinises his every move under an accusatory gaze rather than one of just slight suspicion, Kant visibly buckles under the pressure. It requires him to lie in a much more overt, blatant and upfront manner, which he stumbles through under Bison's unrelenting spotlight. Later on Bison directly asks him, "You're not hiding anything else from me, are you?" You could read this as Bison re-assessing whether he can afford to give Kant another chance, but to me it felt like Bison was almost tempting Kant to lie to his face. He already knows Kant has not been completely truthful. What he may be re-affirming is the extent to which Kant is choosing to continue lying to him. 'You must know that I'm onto you, why are you still keeping up the pretence?'

Every time he questions Kant, it's an invitation to come clean; to drop the act, to fess up or slip up. When he presses, he's testing to see if Kant will forfeit the information himself, but he continues to dodge, swerve and deflect. And actually, it's no coincidence that their first ever interaction plays out on very similar footing. Kant initially flirts with Bison under a guise of bravado. When Bison doesn't buy into it because he dislikes the façade, Kant changes tack and goes for a candid approach. That's when Bison gives him a chance, and his smile says 'See, why didn't you just start with that to begin with?'

Unsurprisingly, it's when Kant 'drops the act' that Bison wavers because he detects genuine sincerity. Even if Bison is harbouring anger, he's also acknowledging that Kant hasn't lied about absolutely everything. And that's enough to maintain a small concession. Based on next week's preview, I wonder if Bison intends to play into Kant's guilt to see whether that prompts him to redeem himself.

After all, Kant is also a prisoner of his circumstances (though Bison doesn't yet know the full context). "I saw it with my own eyes. Kant was just trying to get away from his bad past." On an unconscious level, he feels a kinship with such a predicament, which is why he's biding his time. He's decided to continue the charade and call Kant's bluff by agreeing to be his boyfriend, to see just how far Kant plans to take this by giving him what he wants. A 'keep your friends close and your enemies closer' strategy, mirroring how Kant is equally digging for intel on him by getting up close. Why are you doing this? What's in it for you? What exactly is your motive? Where do the lies start and end? How much of what you feel for me is true, if any of it?

Bison's undecided. He's human after all and not immune to Kant's charms (which funnily enough is the same problem Fadel's currently having with Style). Every time Kant refers to him as his boyfriend, you can see Bison's heart flutter. The attraction between the two is undeniably there and that will still colour his judgement.

In the meantime, Bison appears to be mentally cataloguing every transgression and forming his judgement slowly on whether Kant will deserve punishment or vindication.

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.

[joelalorian]

Lost Cause

Joel Miller x f!reader

Summary: Joel thinks you shouldn’t waste your time on him. You disagree.

Warnings: Explicit MDNI; Jackson-era Joel; canon-ish but also not; drinking; mentions of cigarettes, drugs, dark thoughts, and death; unprotected p in v; oral (m and f receiving); interesting use of red wine; unspecified age gap; despair and hope.

Inspired by the song Save Me by Jelly Roll. Some of the lyrics have been woven into the story.

Word count: 2,594 oneshot

The hits just kept coming. Time after time, year after year, life just beat Joel Miller down. It started when he was young, always taken down a peg by someone who was supposed to love him unconditionally, no matter how hard he tried to build himself up. There was a brief respite when he had Sarah – those fourteen years were the happiest of his life, despite the sudden and unexpected nature of becoming a father so young, until it was all ripped away in the blink of an eye on that one horrific day.

Since then, he’d given up hoping for more. Life had completely shattered his hopes and dreams. He couldn’t even put himself out of his own misery, for fuck’s sake. Life hated him that much it wouldn’t even release its grasp on him. He was so damaged beyond repair, and he could do fuck all about it.

His latest hit was a sucker punch to the gut, though.

Just when he finally opened up his heart again, when he allowed himself to feel something other than misery again, that’s precisely when the hit came.

Ellie – sweet, feral child that she was – wanted nothing to do with him after finding out the truth of what happened to the Fireflies in Salt Lake City.

The fracture in his relationship with Ellie sent him spiraling out of control, resorting to old behaviors and vices – drinking too much at the Tipsy Bison, smoking pilfered cigarettes out back behind the bar, taking pills on the rare occasions he could get his hands on them. The nightmares returned no matter how blasted he got to chase them away and he was often moody from lack of sleep.

Joel still contributed to society in Jackson, but he did it in ways that he could keep to himself. Fixing things around town, building stuff in his workshop, taking the odd patrol shift with his brother. He avoided everyone but Tommy and Maria, and Ellie, if she didn’t flee from the very sight of him.

“Jesus Christ, Joel. What the fuck? Were you trying to get yourself killed? Because it almost worked!” Tommy was worked up, laying into Joel at the tail end of their patrol shift. He didn’t know if his older brother had a death wish or was just too hungover to pay proper attention, but Joel was nearly taken out by a clicker while they cleared their route. A clicker that he normally would have dispatched without much effort or thought. Joel cut it way too close this time.

Joel gazed at his brother with baleful eyes. He had nothing to say for himself. He did have a death wish, but how could he tell Tommy that?

Tommy knew Joel was struggling – his behavior was similar to what it had been after Sarah died, when he became a fraction of the man he had been. “Come on, let’s grab a drink at the Bison,” Tommy sighed. At a loss on how else to help him, Tommy often accompanied Joel to the bar despite already thinking his brother drank too much.  At least he could keep an eye on him that way.

They made small talk on the way, Joel’s responses little more that grumbles and grunts. Something needed to give, but what? Tommy didn’t know, but he sent up silent prayers for a miracle to save his brother.

Once they were seated at one end of the bar, Tommy ordered a round. “Joel, brother, what is going on, really? Is it just the thing with Ellie or something more?”

Two sets of deep brown eyes stared at each other for long moments, each waiting for the other to flinch or look away. Joel gave in first, clearing his throat, unable to meet his brother’s eyes as he spoke. “It’s… everythin’, Tommy. It feels like somethin’ inside me is broken, somethin’ that was just starting to repair itself until this thing with Ellie shattered it again.”

Tommy’s heart clenched. Life had done Joel dirty, even before the outbreak, and it seemed like it finally broke him beyond repair. “I know it ain’t been easy, not with… well, everything. Do you… would you ever consider talking to someone about it all? Like a professional, I mean. I know we got someone here who used to be a counselor.”

Brows pinched together, Joel’s stormy eyes glared at the bar top, avoiding Tommy’s searching gaze. “Fuck, no! I don’t want a stranger diggin’ into my psyche or whatever the hell they do, just so they can tell me I have daddy issues or some such shit. And talkin’ ‘bout it don’t help none, either. I’m talking to you and it ain’t doing shit but pissin’ me the hell off!”

“Damn, alright! Don’t gotta get all caveman on me.” Tommy held his hands up with a blatant roll of his eyes. His brother never did like the touchy feely shit and he should have known better than to bring it up. “Maybe you just need a sweet lil’ thing to take your mind off shit.”

That got Joel to laugh for the first time in a long while. “Oh yeah? You think getting my dick wet will solve everythin’?”

Tommy smirked. “Well, not everything. You’ll still be you afterwards. I’d pity whatever poor girl got stuck with you, honestly. But it couldn’t hurt none, right?” It was good to see his brother grin, nose and corners of eyes crinkling with the broadness of it, and they fell into a comfortable silence while people watching. Sudden movement at the entrance caught Tommy’s attention and Joel followed his eyeline.

You walked in with Maria, the pair of you had your heads tilted toward each other giggling madly about something. While Tommy only had eyes for Maria, Joel drank in the sight of you. New to Jackson, you arrived with a small group a few weeks ago and, while you were still settling in, you were eager to meet people and get involved in helping around town. Maria took an instant liking to you, and you spent a lot of time with her, quickly becoming part of the Miller group.

Catching a glimpse of his brother staring at you, Tommy slapped Joel’s back. “Speaking of a sweet lil’ thing. Maybe this is your chance, brother.” Joel scoffed in return. Girls like you don’t go for guys like him, at least not the guy he was now. It was the law of nature or some shit.

“Hey boys,” Maria greeted, taking a seat next to Tommy. With a knowing glint in her eye and an exaggerated wink, she gestured for you to sit next to Joel. You never should have mentioned to her how handsome you found Joel. She was becoming a menace with her not-so-subtle methods of teasing and pushing the two of you closer at every opportunity.

“Hi Joel.” You slipped onto the stool next to him, one hand placed on his shoulder for balance as you did so.

“Hey darlin’. Whatcha drinking?” he grunted, fighting to ignore the burning heat of your touch. When was the last time a woman touched him? It must have been Tess and that was… a long time ago.

“I’ll take a red wine. Cabernet or pinot noir, whichever kind is available, please.”

After relaying your request to the bartender, and with his brother’s attention focused solely on Maria, Joel turned his attention back to you. He was a miserable sod, but you were a beautiful woman – he’d be a fool to ignore the attention you paid him. “How are you settlin’ in?”

“Pretty good. This is some community.” You launched into a few stories about mishaps and people you’ve met so far, drawing a few chuckles from Joel with your interpretation of some of the townsfolk. You had a way about you that drew him out of shell of melancholy.

One drink quickly became two, then three, and before either of you knew it, Maria and Tommy left and the two of you were alone at the bar. The wine buzz left you feeling bold and brave, making a move you would not have normally.

“Do you want to go back to my place for a nightcap?”

“Darlin’,” Joel sighed, brows pinched, at once drifting back under the dark cloud of hopelessness and unable to meet your heated gaze. “You don’t want to waste your time on me. I’m a lost cause.”

“Why don’t you let me decide what and who I waste my time on,” you challenged.

Joel’s eyebrows lifted in surprise at your tenacity. You were a beautiful young woman and for some unfathomable reason you were interested in him. He had absolutely nothing to offer someone like you, except for a one-night stand, at best. He was good at those – they didn’t require deep connections or feelings, two things he was avoiding like the plague. Maybe Tommy was on to something though – sex would take his mind off his miserable existence for a bit.

“Okay then. Let’s get outta here,” he replied, downing the last of the amber liquid in his glass, and leading you out of the bar with a large, warm hand at your lower back.

The journey to your house was cold and quiet and you began to wonder if you’d made a huge error in judgement. You weren’t a one-night stand kind of girl, preferring the comfort and security of relationships instead, but something told you that this would be the only way you’d get to have Joel. There was a darkness about him, a deep residing mass of regret and remorse, and you felt a burning need to fix him, to be his sunshine, even if only for a little bit.

Your hands fumbled with the latch when you finally reached your house. The warmth of Joel’s large hands suddenly overwhelmed your senses as he helped you, and you were flinging yourself at him before the door even closed behind you.

His kisses were anything but tender, all harsh presses of his lips, teeth, and tongue, like he was a man starved. There would be marks left on your tender skin come morning, but you didn’t mind, giving him the same treatment as you sucked at his neck, soothing your tongue over the spots you just sunk your teeth into.

“I have a bottle of wine. Do you want some?” you breathed against his lips, taking a moment to slow the momentum before the pair of you spontaneously combusted.

A smirk crossed Joel’s lips as an idea struck him. “Sure, why not.” He watched you open the bottle and pour two glasses before returning to him. Accepting one of the stemless glasses, he clinked it against yours before taking a sip. The momentum picked right back up after that first taste of the dark liquid.

Fingers frantically working to undo the buttons on Joel’s flannel with one hand, you walked backwards up the stairs to your bedroom, pulling him along with you without a spare thought about the wine spilled on the wood flooring as you went. Patience wearing thin, he tore your clothes from your body with his free hand, leaving you naked and yearning as you continued working on his shirt. Placing his glass of wine on the nightstand, his hands were everywhere, he could not get enough of your smooth, soft skin.

You were the antithesis of him, bright and bubbly where he was dark and brooding, soft where he was hard, adaptable and happy where he was rigid and sad. You were ripe like fresh fruit ready for plucking. You were everything he wish he could still be. Perhaps he could get just a brief taste of happiness being with you, inside you.

Once his jeans and boots were shed, Joel tossed you onto the bed, watching with hungry eyes as your tits bounced with the movement. He was on you in a flash, hands and mouth exploring every inch of your body. Sharp teeth scraped against your puckered nipples, making them impossibly harder, and the sensation shot a bolt of pleasure right down to your core, where the weight of his hardened cock rested, twitching for attention.

Nails scraped down his chest and belly until you reached his cock, slipping your slender hand around the heft of him. He was huge – both long and thick, a combination you’d not experienced before, and your mouth watered with the desire to taste him. If you only had one night together, you wanted to make it a memorable experience.

It took great effort to get Joel to detach his lips from your breasts, the whine that emanated from him as you did so had you downright aching for him.

“What are you doin’, darlin’?” his deep voice rumbled, dark eyes rolling back in his head when you moved down his body and slipped your plush lips around the head of his cock. “Oh, fuck!”

After spending so long living in hell, your mouth felt like heaven as you licked and sucked on his length.

“Wait, doll, I wanna try somethin’.”

Sitting up against the aged headboard, Joel grasped the wine glass and brought it down to rest on his belly. Two thick fingers dipped into the dark red liquid and swirled, coating every bit of surface area from fingertip to second knuckle before he brought his drenched fingers down towards you. His hand hovered over his cock and you both watched as droplets of translucent ruby red liquid dripped onto his hardened flesh.

Your mouth watered as you watched him repeat the process, eager to taste the heady mix of the bitter tang of wine and his salty pre-cum. Ravenous, you slurped at the liquid trails running down the length of his cock before lapping at the bulbous head, leaving no hint of wine behind as you wrapped your lips around him.

Joel was a panting mess when you took him as far as you could, his weeping head hitting the back of your throat. The glass of wine was forgotten, slipping from his hand to stain the hardwood floor next to the bed. That was a tomorrow problem as you focused on devouring his beautiful cock. He was close to the edge within minutes, the sensations too much, and he pushed you off him none too gently, flipping you onto your back like you weighed nothing.

“My turn, darlin’,” Joel murmured, nestling his face between your legs. He’d been told that his current lifestyle was bad for his health, that all the drinking and smoking was hopeless. They weren’t wrong, but it felt like that was all he needed, the only thing that set him free from his sorrows. Now that he’d tasted you, he knew that was utter bullshit. You could so easily set him free if he got to have you, taste you every day. You were enough to change a man like him.

“Joel,” you mewled his name between long moans as his tongue teased at your clit, thick fingers exploring your folds before dipping inside you. He drew an orgasm from you effortlessly and you clawed at his back as the blinding flash of pleasure washed over you. “I need you inside me. Now. Please.”

He could refuse you nothing, shifting to hover over you. “Save me from myself,” he murmured against your lips as he sheathed himself inside your tight warmth. “You’re the only one who can.”

“Always,” you replied breathlessly, rocking your hips against his. Your mouths met in a kiss full of promise.

[a-twistedheartslonging]

Do any of the boys go through ruts?

Some do but it depends on the animal, I know deer, sheep, camels, goats, pronghorns, moose, boar, bison, giraffes, and antelopes, and others such as skunks and elephants do.

It makes the animal...go kind of stupid because of that surge of testosterone. Get more aggressive with males but less cautious of other things, it's why the actual animals are more likely to get hit by cars at that time of year.

For the beastmen that go into ruts, they do end up getting into scuffles more, vocal displays like bellowing and roars to attract mates and intimidate rivals and scent marking...but the guys have enough sense not to go around pissing on things, except like a tree or something, it's mostly them rubbing their scent glands on things and people that they deem theirs.

Some males undergo physical transformations during the rut, such as growing thicker manes or developing more vibrant fur coloration, enhancing their visual appeal to females/whatever gender they're into.

Then there's the whole going into season thing which is similar but not quite.

Either way, it can make school life awkward when you're the only female/not a male/or someone deemed desirable, in what is very much a boy's school full of hormonal beasts.

Now, it's not like you have to worry about getting... assaulted but if you want to be left alone and not bothered by other stinky boys, it's best to stick around a particular guy and make sure he scents you often or stick to a group of friends. The more intimidating the better since others might try challenging him/someone in the group. However, said challenge may differ depending on the type of animal they're based on.

[ephe-y]

bc i was curious, i started compiling a list of probable daydream batchmates, using the fact that "batchmates have similar masks"

i skimmed through the novel and picked out characters whose masks are known. i definitely missed a few after ch 153, but i think i got most of them. surprisingly, theres not a lot, but it makes sense given that every mask seems to be suited to the character's actions, and theres only so many ways you can call someone fodder using animal symbolism.

minor spoilers for up to around ch 170

kse and his fellow rookies. the trend seems to be "vaguely equestrian animals," or "long-legged and hoofed land mammals"

roe deer (kim soleum)

goral (go youngeun)

goat (baek saheon)

bison (jang heowoon)

pony (kang yihak)

zebra (c11, tuesday quiz show)

birds. i was wondering whether to put the a-squad leader with eun haje or with lee seonghae, since she's mentioned to be older than many of the older employees, but she makes sense being with eun haje, since otherwise, lee seonghae probably wouldnt be top of her batch. eun haje is also implied to have been with the company for a while.

falcon (eun haje)

teal duck (a-squad leader, c18, theme park)

short-legged mammalian, grassy field omnivores. i wasn't too sure whether to put park minseong with the mole and field rat, since badgers are very different from moles and field rats. they do share similarities though, like habitats and face shapes. also, kse's batch has a lot of inconsistencies, so i figured this much inconsistency is probably fine.

badger (park minseong)

mole (c12, Tuesday quiz show)

field rat (c170, theme park)

aquatic animals. as i mentioned before, i thought about moving teal duck to here, but lee seonghae is mentioned to be top rookie of her batch, so she got kicked out. i don't feel great about this classification either, since jellyfish and dolphins are very different, but theres not much else you can spin off jellyfish.

dolphin (lee seonghae)

jellyfish (c12, Tuesday quiz show)

insects. pretty self-explanatory. i think it's cool that jin nasol and praying mantis ended up in the same squad together.

butterfly (jin nasol)

praying mantis (a-squad, c18, theme park)

ladybug (c170, theme park)

misc. these guys don't seem to have mentioned batchmates since nobody else has similar masks to them. in the case of lee jaheon however, i wouldn't be surprised if his mask is "specially issued" given his lizard head.

lizard (lee jaheon)

leopard (c-squad, c68, ghost imposter)

while skimming, it seems like kse is one of the few characters that acknowledges his fellow batchmates. it's probably because they're all rookies, but it would've been cool if we got throwaway lines about senior characters being batchmates with other senior characters. i can't really blame baek deoksoo for not doing that though. maintaining a web of relationships for minor characters would probably be a headache. also, something something, growing attached is bad.

[seatherne]

Among all the four main characters, In my opinion Bison is the my most favourite and the reason is how he's so multifaceted and intriguing. Like if we notice how his demeanor often presents a facade of harmless cuteness that effectively disarms others. However he's so unpredictable by is nature which makes it so interesting and it is impossible to anticipate his next move. Going by the scenes specially in this episode where both he and Fadel learn of their parents demise. The subtle shift in his expression, from raw grief to a simmering desire for vengeance, is so powerful you can literally feel it in your bones !!

He also has empathy which is very evident in his astute observation of Babe's bruises and his forceful confrontation of the teacher who he confronted for damaging the child's life which also makes me realise how he not only was concerned for babe but also the other boy, which also reflects his self-reference hinting at a past where he himself have suffered similar injustices.And the final scene, where he displayed a surge of jealousy and literally issued an ultimatum to Kant regarding the ex-UFF Beauty, further underscored his unpredictable and layered personality.

Khaotung's portrayal of Bison is truly remarkable how he's able to capture the character's multifaceted nature with exceptional nuance and depth 🤌🙌

[akkpipitphattana]

i think this episode marked a turning point not just for the two romantic relationships, but for all of the characters personally and even their other relationships with each other which is SO fascinating.

for kant, this was the episode where he really realized that bison is a real person and you can see the weight of that hit him when he sees the pictures of the northern lights. i think up until now he was able to push away the feelings he did have for bison and just use them to build the facade he had on, but now he can't turn away from the fact that he cares about bison.

for bison, he fully gave himself over to kant in this episode. he got the control he's been wanting when it comes to their bdsm dynamic, but in having kant "submit" himself to bison, it allowed bison to really trust him and for him to submit to kant. his walls are going to come crashing down now.

and for fadel it's very similar, because while he isn't giving himself over to style in the same way that bison is to kant, they still had sex. he still pushed that line, let down a wall and style is gonna come in with a hammer swinging to knock down the rest

and with style, we know he's starting to suspect fadel, but at the same time, you can see how much he's actually, genuinely starting to like fadel and want to help him, and he says that explicitly when he's talking to kant. he's not doing this for the car or for kant anymore - he's doing it for himself.

as for their relationships, well obviously kant and bison engaging in this bdsm dynamic changed things for them, and the fact that fadel and style actually slept together changed things for them. and then we have fadel agreeing to talk to their mom and even allowing kant and bison to spend time together this episode, on top of style fully guessing the truth and kant having to lie to him to keep him off the trail - so many things changed in their relationships this ep

this episode set so much in motion and changed so much for the characters and i cannot fucking wait to see where we go from here

[scrumptiousstuffs]

I’ve always thought Kant and Fadel are similar in so many ways and that Style and Bison are also very similar (both chaotic gremlins that I truly believe can burn the world if they become besties and Kant/Fadel should fear if that does happen)

And we have heard of phrases where “people often fall (in love) to someone that resembles a person dearest to our heart”

Thus, it’s not at all surprising Bison fell in love with Kant while Fadel is captivated by Style - because at the crux of it, their loved ones are reflection of the only other person whom they trust in the world.

I think about this often 😂 but I’m not sure whether it make sense now that I have typed it out 🤣

[tristepinguino]

Mario Kart World Detail Observations

I'm normal.

There has been more than one instance in which the game's Courses have been shown on the World map. I've only recently learned to count, but it looks like there's 29 of them. An odd number, in more ways than one. But it didn't escape notice that there was no sight or word of Rainbow Road. ...Until the "Direct".

Even so, 30 isn't divisible by 4.

Crown City appears in both the Mushroom Cup and the Shell Cup.

The accompanying thumbnails are different, so they may be different Courses through the same area. The route to Crown City will be different, at least. That said, Crown City may not be the only Course to appear in more than one Cup.

The segment of the Direct hinting at Rainbow Road shows a shot of an object rising into the sky. The position of the camera in this shot seems to be in the opening of the bay south of Peach Stadium, facing south. The rising object in question appears to be a trophy.

In the Support Features segment of the Direct, we get a view of a rather paltry vehicle selection menu. It consists of a single page of 11 vehicles and 1 ? space. Could this be the starting selection? And if so, could the preceding menu be the starting character selection? It seems to consist of 4 pages of 12 characters (at most) and we are only shown the first page. But where are Daisy and Rosalina? Obviously, they could very well be on a subsequent page, but the character order shown here is odd.

This also confirms that vehicles (at the very least) are unlocked by collecting coins again. It's worth mentioning that World features a 20 coin maximum and new coin-focused items.

One thing that has not been very demonstrated is the addition of cosmetic unlockables that have been spotted in gameplay. On the vehicle selection screen, the "+" button can be pressed to, presumably, change this cosmetic. Going forward, I will be referring to these as "decals".

The purpose these serve is unclear, but may simply be a matter of customization. They often appear wherever your character or player information is indicated. Many of the decals seem to be based on the game's diegetic sponsors.

The option to select a decal was not available to those who played a demo of the game. As such, examples of decals other than the default in use are few. In addition, some vehicles do not seem to feature space(s) for a decal (including the Biddybuggy and that blue snowmobile-like vehicle).

When an outfit is obtained via Dash Food for the first time, an accompanying pop-up is displayed. Something similar appears when the player is transformed into a character for the first time via Kamek.

There is a prevailing idea that characters who appear as audience members or course hazards are also likely to become available as playable characters. That said, who might we potentially see join the ranks?

And why stop at Cow? Why not Zebra, Giraffe, Elephant, Ostrich, Camel, Bison, Moose, Armadillo, Dinosaur, etc.?

Miscellaneous

Other little things, some of which I don't have images of, and some of which I have no commentary for:

Binoculars appear, resembling their appearance in Odyssey

The way DK strikes the ? Block item resembles his upward punch in Bananza

Looks like most Yoshi's locations have signage displaying the Dash Food they offer

Tires change visually when driving off-road, increasing in size

The way characters throw Spiny Shells is really funny; Blue Shells are thrown with intent to kill

An item's remaining uses/time is now represented by a "fluid" in your item slot

Landing on another driver grants you a bounce from which you can perform tricks

Getting rear-ended seems to grand you a boost?

Explosions create waves in bodies of water that can tricked off of

The star score/ranking for Cups returns

One aspect of the game I am very excited for is the music, but I wonder how it will work. Courses likely each have their own dedicated music tracks (like in the previous entry), but what about everywhere else? And there's a lot of everywhere else. This might account for the assortment of music heard so far.

I decided against speaking on the Courses others have spotted that have yet to be officially presented (in part 'cuz this post is long enough already). Additional info may be found in image descriptions.

If you have any evidence you'd like to share, please feel free!

[serpentface]

@ruby-seadragon

Khait are part of a larger antelope genus and have several wild relatives closely related enough to breed with (though not all produce fertile young, and parturition does not occur in some otherwise viable pregnancies). HOWEVER I haven't really established that many of these relatives yet.

There's one Viable hybrid cross I already established ages ago (though didn't say it explicitly besides lampshading it with the mention of 'wildtype markings' since I wasn't sure if I'd commit to it).

Burri animal husbandry is one of few contexts in which anything close to the modern concept of 'breeds' exists (with a few select working animals being bred very intentionally and to maintain specific desired aesthetic along with functional traits), and has noted the phenomena of hybrid vigor when domestic animals produce young with similar wild species. Their main hybrid stock is a cattle/bison mix, but there's also one hybrid khait 'breed' that developed when captive khait mares would occasionally mate with wild antelope bulls.

These encounters resulted in pregnancies that could be carried to term and successfully delivered, female offspring would be fertile and male would be sterile. When these hybrid females mated with khait, offspring of both sexes wound up fertile. These hybrid breedings and back crossings began to be intentionally orchestrated, and established a breed of khait that was actively maintained and selected over generations to make good riding stock. They're a notably strong, fast, heat-tolerant stock with good dehydration tolerance. Absurdly expensive.

This is what Gantoche is. You can kind of tell with his design that he's supposed to look hartebeest-y (hartebeest and wildebeest Probably? could not reproduce but I can stretch it a little)

I don't have anything else solid established on this front. The one other premise I had in mind is that a) genus Connochaetes is a little more diverse than irl Because I Like Them, and also that there's a Rusingoryx analogue out there somewhere as a close relative to khait. Here's a rough sketch I've had for a while

Hybrids between these guys and domestic khait could occur through Occasional matings and produce sterile offspring, maybe?

[respectthepetty]

I'm patiently waiting for your next thirst post on Fadel update on the colours in The Heart Killers...but in the meantime I keep thinking about Style and Fadel's clothes at the end of ep 7 alongside Kant and the whole blue/yellow/green question.

Because if not green (or yellow), then why the green (and yellow) on Bison's shirt (along with his own red) at the beginning when he's all lovey-dovey with Kant and when he's burning the trophy, as well as the green lights behind him? (Alright, I accept there is also blue in the shirt).

And if not green (or yellow), then why the green light in Kant's bedroom? (the gif isn't from ep 7 but it's the same light)

And someone else pointed out (sorry I don't remember where I saw it) that Fadel's red shirt at the end is similar to Bison's red at the beginning of the series, when Fadel admonishes Bison for wearing such a flashy colour when they need to be lying low...and therefore why is Fadel now wearing a flashy colour when he definitely needs to be lying low?...

And so, if Bison is red and Fadel is wearing red at the end when he's worried about his brother and where he is...then why would Style be wearing green when he's worried about his bestie and where he is if Kant is not green? (Again, I'm ignoring the blue on Style's shirt).

Why, Pet, why?

I lusted too hard for Fadel this week, so every time I go to write my thirst colors post, I get stuck looking at him.

But I'm also lost in his eyes the colors.

Because I know Fadel is getting lighter because of love, but even if I accepted that Style really is a Blue Boy, why the red?

The shirt that Fadel took from Style was red.

And that could mean the red Fadel wears at the end would be for his love for Style, who I think is a Red Rascal.

Because next week, Style wears black, possibly because he is wearing Fadel's clothes, but also because he actually loves his Black Brooder.

Which is why he is making it clear that he likes the darker aspects of Fadel.

The same way Kant is wearing red now that he confessed he loves his murderous Red Rascal.

And I feel a Green Guy would be far cooler with "Be Gay, Do Crime" than a Blue Boy.

So I'm struggling writing the post because although I have been very confident that Fadel is a Black Brooder and Bison is a Red Rascal, I just don't trust that Style and Kant are Blue Boys.

But maybe that's where the "taming" comes in?

Gotta test their loyalty for the blue to emerge.