#typing this out made me feel better

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[drawnfamiliarfaces]

recovering

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[strryhaze]

bobby & david kennedy

“There was some level on which David tapped his father’s sensitivity. You would find him walking with David or with his arm around David. David just seemed to need it.”

— chuck mcdermott.

“If his father’s death hit David harder than the others, it was because there had been a special bond between them—both were the runts of the litter, sandwiched into the middle of a large family. He was the only one in the family who hadn’t been enthusiastic about the run for the presidency. For weeks after his father’s announcement, David had been plagued by recurring nightmares about Bobby’s death. Distraught over episodes that seemed premonitory, and missing the special attention his father had given him, David had gotten in trouble for throwing rocks at cars passing by Hickory Hill. The day of the California primary, he had joined his father in Los Angeles. The two of them had been swimming and he had felt himself being carried out by the undertow when his father grabbed him, scraping his own head on the ocean floor as he reached for David’s slippery arm. With a teenager’s melodrama, David had decided that he owed his father a life and would look for an opportunity to pay him back in the years ahead. That night as he sat in front of the television set in his room in the Ambassador Hotel and watched [his father] bleeding on the floor downstairs, one of the thoughts he had was that the debt would be forever undischarged.”

“As the worst year of their young lives came to a close, they decided to surprise their mother at Christmas with a book comprised of letters about their father. David’s said: ‘Daddy was very funny in church because he would embarrass all of us by singing very loud. Daddy did not have a very good voice. There will be no more football with Daddy, no more swimming with him, no more riding and no more camping with him. But he was the best father there ever was and I would rather have him for a father for the length of time I did than any other father for a million years.”

— the kennedy’s, peter collier & david horowitz.

“David looked at himself in those pictures like they were a strange sort of mirror. He looked at them half a dozen times at least, mesmerized by them, and he kept asking me questions. There was a tremendous desire to know his father, to really know him.”

— john seigenthaler.

“David and Bobby were so close. They were inseparable. David was small, a runt like Bobby had been.” Ethel then explained to Noelle (her secretary) that David had always been a very sensitive youngster, very introverted, "not like the other boys. He and I would go and pick flowers while his brothers were killing each other with their crazy games", Ethel recalled with a smile.

— ethel kennedy.

“I think about death a lot. Time hasn’t erased the death of my father from my mind. My family thinks I’m no good and that I’ll never beat my problem. They’ve written me off. I’m trying to get it together, but it’s so difficult. I’m having a terrible time at it. And the thing I want most in the world is the approval of my family, but they want nothing to do with me. All I want is to be with my father.”

— david kennedy, april 1984.

“Like his family, his friends had all wondered at one time or another if he would kill himself; but when it finally came his death was nonetheless shocking. ‘I keep asking myself why. Why David? Why now? All I can come up with is that maybe his father was looking down from heaven and saw all the hell these people were putting him through and said, ‘Come on, You’ve suffered enough. It’s time you were up here with me.’”

— nancy narleski.

Years after David Kennedy’s death, his cousin, Patrick Kennedy recalled a haunting and heartbreaking recollection he had with his father, Teddy, sitting beside his cousin’s casket: “My father remembered Bobby telling him that, as a father, he needed to spend more time with David. He also recounted a story Uncle Bobby had told him just before his own death. On the day before the California primary, the Robert Kennedys had gone swimming in Malibu, to relax together. David had been knocked over by a wave and got caught in the undertow, and his father had come to his rescue. When Uncle Bobby told my father this story, he talked about ‘the undertow’ in broader terms, how there was an undertow in life and David, who was only then thirteen, already seemed vulnerable to it. And then, just hours later, Uncle Bobby was murdered as David watched the TV coverage in their hotel room upstairs. It was unbelievably poignant to hear my father tell this story. David was in the casket next to us. And I wasn’t that much older than David when his father worried whether he could survive the undertow.”

[cali]

darkraiiiiii

[bronzebluemind]

It’s been 0 weeks since the World Cup finale, 17 weeks to go until sgp and 34 weeks to go until next season.

[kevindavidday]

literally cannot stop thinking about the foxes growing up to be helpful adults especially the monsters because like with the upperclassmen and even with nicky its slightly more expected as compared to the twinyards, kevin and neil

not by my own definition but by the perception people have of them in canon - the selfish, hotheaded or largely indifferent to everyone except their own affairs type of people

but aaron chose to become a doctor and i think of him seeing mothers give up their kids at birth and of people constantly loving and losing and how possible it is for him to be known as a kind doctor - someone who would sit with a man who lost his wife or a mother who's lost her child, someone who would do coffee runs for his colleagues and give flowers to recovering patients (and maybe katelyn bought them the first time but he could repeat the gesture, yknow? he's got a good learning curve)

im thinking of kevin making sure that a portion of his hefty income goes to actual genuine charities and for work against human trafficking and child abuse because what's he going to do with this much money? particularly after amalia is born he would be so much more careful if he ever sees kids or teenagers in parking lots and senses some imminent danger

not just that but kevin keeping an eye out for his fans or any signing events he has where he sees something unfair happen and steps in or asks security to step in immediately i feel like for him its still difficult to put himself on the forefront of a threatening situation unlike andreil but he does his best to try and to listen to the kids that come and rant to him about exy to entertain them with his genuine smiles

idk just the idea of the monsters being so very human and recognizing humanity in others is something that can be so personal

[moe-broey]

Back to. What I do best. Which is low to no effort comics. I still feel like I should redesign my teatime Moe BUT... the mental image of this playing out was so powerful.

I've said in the past that a focal part of the dynamic is both of them managing to be extremely affectionate with each other while hesitating to act on their feelings -- however, I also think it's just as important. The fuck around and find out factor. The way Alfonse will just choose violence, sometimes. The way Moe can be really forward (jokingly or just completely forthcoming about it), but gets skiddish and jumpy when that affection is returned. AND. AND. The way Alfonse will just. Do The Most. MORE than The Most. He is returning the energy tenfold. One thing I believe in my heart is that if you think you're weird for something, Alfonse can and WILL prove to you that he can get Weirder about it. This here is a tame example all things considered, but it is an example!

Some close ups of my fave panels/sequences, hopefully less grainy 🧍

Realizing I probably could have taken close ups of all of them tbh..... too late now! It's dark outside. 😔💔

[lilacerull0]

i would call my dad to apologise, but knowing him it would just hurt him unnecessarily to be reminded of that because he's not really good with bluntness which is what caused this whole thing and the other issue is that i know i will impulsively act like this many times in the future, so i guess the best thing i can do is continue to be as kind to him as i can be

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[wulfhalls]

.

[icelogged]

Sacred Heart of Jesus, Ukrainian Catholic Parish of Tolstoi, Manitoba

[loserelf]

maybe i do need to go to therapy bc its probably not good that ive been living on autopilot and the last 7 years went by so fast but also bc i was deliberatly Wanting the time to go by to put as much space between me and the events of 2017-2020 as possible all while somewhat knowing my young adulthood was slipping me by and now both my teenage years and my early 20s are gone and i still feel like my 19th birthday was yesterday yeesh!!

[masonsbf]

.

[bmpmp3]

another one

[shikai-the-storyteller]

TBH the best case scenarios in my mind for Fit's lore ending on Thursday are either:

Madagio has mercy. They know what it's like to lose everyone they love, and seeing what's happening on Quesadilla Island is just a reminder of everything they loved and lost. Madagio releases Fit, and he reunites with Pac e Mike and Richarlyson, and they're all able to leave Quesadilla Island.

Or:

Madagio and Fit destroy the Federation together. Fit goes full 2B2T mode and there's nothing left of the Federation once they're finished. Madagio and Fit finally have their revenge. (And then maybe Fit can reunite with Pac + all his loved ones and they escape the Island, or reclaim the island for their own since the Federation no longer has any power over them).

Bonus: A very unlikely but "Wouldn't it be fun?" scenario would be Pac and Mike flying down on a fully-grown dragon Richas and rescuing Fit from Vacuus Island and they fly away and live happily ever after.