#tw factory farming

[jinjeriffic]

ARTE uploaded a haunting documentary on factory farming. Audio is French or German, subtitles are available in English, Spanish, Italian.

[sopranoentravesti]

I bought kosher lamb for Pesach (and it was pricey 🤦🏻) and made a tagine with it (sadly no couscous, because Pesach) and oh my word did I miss eating lamb, it was so fucking good.

I haven’t had lamb in roughly 5 years (I spent a couple as vegetarian, and was a pescatarian until last year). Part of this was under the recommendation of my healthcare providers to consume red meat (I apparently have a metabolic disorder not uncommon in autistic people, where I don’t metabolise nonheme iron— Temple Grandin actually also shares that) and I cannot digest beef, and the kosher thing makes pork out of the question lmao. It took even longer to ensure the place I was getting said lamb treated their animals humanely.

I really wish I could afford lamb more often, but I am glad I can probably stretch my RPC salary to it on occasion.

[voidingintotheshout]

Some things to know: this article describes new technology in mega dairies be responsible for 18,000 cows dying in a single fire, because they were trapped in cages and couldn’t leave. Also, technology involved in improving air circulation to avoid methane buildup caused the fans to blow the fire around the building and make the entire problem worse. 

Frustratingly, this article tries to paint the people who put the cows in this condition as victims of circumstances “beyond their control“ and almost implying that the people who lost so much “property“ in the forms of dead animals are the real victims, not the cows.

It is also worth knowing that in the last quarter of the article you do see a photo of a pile of cow corpses. If that is something you don’t want to see, then do not read this article or have someone read it to you if you want the information but don’t wanna see the pictures.

[pathetichimbos]

childhood best friends AU but every out of towner sees the reader and Thomas and assumes that Thomas is the one they should be scared of when in reality almost everyone in town has gotten their ass beat by the reader for being mean to him aka Thomas has scary dog privileges

>>>tw: canon typical insults; aka use of r-slur - also not a tw but f!reader ok thank ily bye<<<

---

It's secret to no one. It's no surprise, no new revelation.

It's common knowledge, something no one even bothers to mention, like how the Browns got their money from a hospital scandal, or the Miller's daughter is on drugs. Just another unspoken rule, like how you shouldn't go to the desolate dirt road just outside of town after 9 o'clock, or into the woods around the farm land when the thing no one sees starts screaming into the night.

Or at least, it's common knowledge in town. So, it really couldn't be his fault, could it?

He was new, just some common Joe that had transferred over from a couple towns over to work at the slaughterhouse when demands got high.

He managed to make friendly with the older generation still running the factory and got along with almost all of the younger men that had joined straight out of high school.

He caught on quick to the unspoken social hierarchy around town, already having a similar one in his own hometown.

He knew who to stick with, and he knew who to avoid, but the one thing he didn't know, the one unspoken rule he didn't catch onto, is that no one bullies Thomas Hewitt.

He had never met him, not formally. He heard his name in passing, and it only took one look at the towering masked man to figure out who he was, and even less time to realize that he didn't want to meet him.

No one spoke to him, and he didn't speak to anyone. He was avoided, and feared. It was easy to see why.

Not only did Thomas look like he could snap a grown man in half with his bare hands, but he was quiet, and weird, nobody seemed to like him. And what better way to get on everyone's good side than by targeting the person no one liked?

So, he starts talking about Thomas behind his back. It's easy, and most people will join in after checking the corners and making sure he's no where in sight.

Damn, He thinks, People must really be afraid of him.

And that leads to another thought. Another very stupid, soon to be regretted, thought.

Let's see how tough this guy really is.

So, one day, in the late afternoon of the scorching Texas Summer, while everyone from the first shift is heading out, back to their respective houses, he sees an opportunity.

There sits Thomas, all alone, on a bench in front of the factory. He seems to be lost in thought, staring at the ground while he apparently waits. For what, the man doesn't care enough to think about.

He stops in his tracks, tapping the arm of one of his buddies, and gestures to Thomas, who either hasn't noticed them, or simply hasn't acknowledged the group.

"Look at this guy," He smirks, his voice well loud enough for Thomas to hear, "He waitin' on his Mommy to come pick him up or some shit?"

The other guy doesn't really react, seemingly uncomfortable with his joke.

"Don't tell me that retard done gave whatever the hell he has." He comments on the man's silence, failing to read the room completely.

Thomas shifts in his seat, letting out a discouraged sigh as he continues looking at the ground, this time looking farther away from the group, his fists clenching in his lap, flexing in frustration.

"What? Cat got your tongue?" He shoves his friend in the arm a bit, looking between him and Thomas, "Or you afraid that freak's gonna get a hold of it?"

"Drop it, man..." He waves him off.

"Why should I? He ain't gonna do shit--"

"Tommy!" He hears you before he sees you, looking over just in time to catch glimpse of you happily jogging over to Thomas, "You waited for me!"

Thomas seems to relax at your presence, nodding as he stands to his full height.

"How was your day?" You ask, standing on your toes to wrap your arms around his neck.

He meets you halfway, leaning down and wrapping his arms around your waist, burying his face in your neck and letting out a sigh of relief.

"Oh, Tommy you stink." There's a playfulness in your voice as you scrunch your face, hit with the stench of the slaughterhouse that will most definitely linger on your clothes.

He lets out a small chuckle as the two of you pull away, looking down at you.

The man is stunned, completely caught off guard by the sight of someone like you even associating with a man like Thomas.

"Holy shit," He looks back to his buddies, "Who the hell is that?"

"That's Thomas'." His friend simply replies, already knowing what's going through the man's head. He doesn't seem to catch the underlying warning that came with those words.

"What is someone like her doing with something like him?"

"I'm tellin' you man, drop it. She ain't worth the trouble."

"Oh, yea? What's that big freak gonna do? Stop me?"

Finally having enough with his antics, the other men dismiss him, heading back to their own vehicles to head home after a hard day's work.

He, however, takes it upon himself to saunter his way over to your side.

"Well, hey there, Missy..." He starts, clearly ignoring the way Thomas' hands are currently resting on your hips, and yours on his chest, "What's got you so far out this way?"

You blink for a few seconds, looking at the guy is disbelief. Was he really asking why you're here?

"...To walk home with my husband." You deadpan, not missing the way Thomas' grip tightens on you, or the small growl that escapes him.

"Husband?" He raises an eyebrow, looking between the two of you, "Come on, girl, you don't really expect me to believe you actually married a thing like him." He paints his last word with disgust.

It's your turn to raise your eyebrows, tilting your head as you look at him, "A 'thing'?"

"Well, yea..." He seems caught off guard by your reaction, "Don't tell me you actually like him?"

You let out a sigh, your hand tapping Thomas' chest once as you look back up at him, "Thomas, baby, can you go inside and call Charlie? I think I'd like to get a ride today instead of walking."

He gives you a knowing look, shaking his head a bit.

"No, no, it'll be fine, I promise. Just go call him for me please?"

Thomas looks between you and the man, and pulls away with a sigh, walking back into the slaughterhouse.

Now even more confused, the man watches Thomas walk away, completely bewildered by what just happened. Was he missing something, or did he just get really, really lucky?

"Let me ask you something," You catch his attention, your hand coming up to brush over his hair briefly, "...Did your Mama ever teach you manners?"

Thomas isn't even surprised when he comes back outside to find the man sprawled on the ground, crying out as you stand bent over him, his ear caught between your fingers.

"Don't you know it's rude to call people names?" You ask him sternly, "Do you want me to call you names? Is that what you want? Do you want me to start calling you names too?"

"Let me go, you stupid bitch!" He yells, gripping at your wrist, each move he makes only twisting his ear harder in your grip.

You push down a little more, rubbing his face in the dirt, "That's not what I asked."

"No, no, I don't want you to call me names--!"

"Exactly! So what made you think it was okay to start calling him names? Did you think it was funny?"

"Y-Yes, I thought it was funny--!

"Do you think this is funny?"

"No!"

"Say you're sorry."

"I'm sorry, I'm sorry, just let me go--!"

"Like you mean it."

"I'm sorry--!"

A hand on your shoulder catches your attention as you look up, seeing Thomas giving you a deadpan look.

"Okay..." You sigh, letting the man's ear go and standing up straight.

"Oh, you fucking bitch..." He clings to his burning ear, pushing himself up.

"Did you call Charlie?" You ignore him, turning back to Thomas.

He nods, looking back to the man still seething on the ground.

"Ok, let's walk up the road til we see him." You take his hand, pulling his attention back to you.

He nods again, giving your hand a squeeze as you start walking away, continuing on with your day as if nothing had happened.

After all, it's common knowledge, right?

[possum-quesadilla]

Hey all! Here is Cyrus’ backstory, including his human life and then his time as a demon up until his first appearance in Time’s Arrow!

Note: this is not meant to sympathize him, he sucks. Just wanted to share some backstory that’ll never come up in the fic!

TW: He grew up in the 1800s, where plenty of nasty stuff happened. Warnings for child labor, work incidents, mentions of homophobia and sexism, blood and violence, rampant substance abuse (including alcohol and drugs), gambling, murder, manipulation, emotional and physical abuse mentions. He’s a nasty dude.

Cyrus is a younger demon, having lived in America in the 1800’s. His real demonic name is “Sirius”, which is the brightest star in the night sky, also known as the “dog star”, and part of the constellation Canis Major. Canis Major is meant to be the hunting dog of Orion the hunter.

His human name was Jack Patrick Howard, and he was born and raised in Maine. His father was an immigrant from England, and his mother was a Maine native. He has a strong drifting accent (either Maine farming or cockney) that he does his best to cover up.

Jack grew up on a sheep farm with his folks, and was sent off to do small odd jobs for neighbors and local businesses by his father to make a quick penny for his poor family.

At the ripe young age of eight, he started pocketing half the money he earned from his odd jobs and just told his parents that people were paying him less.

At the age of thirteen, he took on a full time job in a factory and moved away from his parent’s farm.

He met a boy at age fifteen, and the two were seen as the best of friends by everyone around them. Really, he and that boy were dating, but that obviously was an issue back in 18-whatever.

That boy died mysteriously in a factory accident, purposefully caused by Jack when he realized people were starting to get suspicious of their close relationship.

Jack fled the factory shortly after, moving from job to job, drifting between towns. He became a grifter.

He worked a lot of odd jobs; factory worker, farm hand, logger, bartender, etc. He stole often and loved to spend the money on drinking and smoking and gambling, and he would just flee the town when he was caught.

Eventually, when he was 25, Jack got a letter: his aging parents needed help caring for themselves and the farm. So he traveled there, treated them all nice and sweet whenever company was over.

But once he’d settled in, he killed his parents and blamed it on their age/poor health. He inherited the farm and all their money, which wasn’t much.

Not able to hold down a farm by himself, Jack let his family farm go to ruin and then sold it for much less than it was worth within a year.

Jack continued to be a grifter, drinking and smoking his money away and stealing whenever he could, until he was about 33 years old.

That is when his crimes caught up with him.

A furious woman whose husband was driven to drink himself to death after their business went under due to Jack’s stealing their money and driving customers away came after him with a flintlock pistol while he was asleep.

He managed to escape, but not without grievous injuries.

Jack was going to die.

“I’d sell my soul for one last drink,” he said, as he hobbled along into the woods.

“That can be arranged,” a voice answered.

A demon named Canis came to him, offering up one last drink in exchange for his soul.

Jack thought quickly. He was always very clever.

He asked, instead, for the demon to retrieve an apple from a nearby orchard. He was too weak from blood loss to climb up and get one, and he would certainly exchange his soul if he could have just one last refreshing bite of an apple.

The demon grumbled but acquiesced, scaling the tree to get Jack an apple.

The man carved a crucifix into the bark of the tree with his pocket knife before the demon could come down.

Furious and trapped, the demon demanded he scratch off the cross and let him down.

Nope, not unless Jack got to drink and smoke and do as he pleased forever.

After much growling and grumbling, the demon agreed.

They shook on it, and Jack allowed the demon down.

Still quite angry, Canis said he would make him a demon, so that he could trick and scheme and lie for eternity. Sure, he wouldn’t “live” forever, but it was close enough. Jack hadn’t thought it through and set out the proper parameters of the Deal.

Canis had another stipulation: Jack would not get hellfire in his chest like every other demon. He would get only embers, and forever feel the chill of death unlike every other demon.

With that, Canis granted him his new name and led him down to the Netherworld.

Sirius.

He was fuming. He wanted to live forever, and now he was stuck in the Netherworld for eternity?

Now going by ‘Cyrus’, he immediately sought a way to scheme and climb the ladder.

Being on the bottom rung of the demon social ladder was horrendous. (May elaborate on that in another post if desired)

Being born a human was looked down upon among demonkind, despite the majority of them being born as humans.

He heard whispers of the Shoggoth spawn, and the power they wielded.

He then heard about a Shoggoth demon named Beetlejuice, and how he was unhappily married to a cruel demon named Rigel.

How he sought after attention and any crumb of affection by almost any means necessary.

He found his mark.

While Cyrus charmed and manipulated Beetlejuice, he searched for other ways to help him grow his power.

As he was schmoozing up a newly-dead in one of the waiting rooms, trying to strike up a Deal, Cyrus discovered something interesting growing from the carpet and the moldy corners of the ceiling: a strange little blue-leafed plant, with an alluring aroma.

It was called the ‘Tears of Prometheus’, and it grew in places where human despair was in great abundance.

Cyrus learned it had a wonderful warming affect on him when consumed, even more so when ground up and smoked.

It had other effects on the rest of demonkind.

It was highly addictive, but in very short supply.

Cyrus decided to seize control of that supply, plucking all of the plants and storing them away to grow himself.

His power and influence in the Depths grew rapidly overnight.

He was a nobody, a demon without even a building to his name.

Suddenly, he was rivaling the other higher level demons.

He had the power and influence he always wanted.

But he wanted more.

Cyrus convinced the members of his Cult to set up an exorcism ritual, and convinced Beetlejuice to lure his terrible husband at the time to it.

They watched him be Extinguished together.

Cyrus gained all of the Cult members that had belonged to Rigel.

(Cyrus does not have a Coven, only a Cult. He is hella sexist.)

Unfortunately for him, his little stunt got Beetlejuice in serious trouble with Juno, and he was cursed and banished to the surface.

So Cyrus waited for his return, all the while searching for another Shoggoth to steal power from, but he found none.

So he waited.

[aloeverawrites]

Tw smoking mention and generally giving up on humanity-

I really don’t know how to get people to go vegan anymore. I’m just a bit dead inside about the whole thing.

I think I just like arguing the logic and facts of it, pointing out the cognitive dissonance of it all and letting them make their own choice, because trying to make an emotional argument to people who don’t care makes me want to take up smoking. I can’t afford that.

Being vegan is cool but it killed a lot of my faith in humanity lol.

Anyway non vegans. You probably would not pay someone to kill a dog for five minutes of idk wearing a dog fur hat or whatever. You would do that to a pig. If you saw the pig irl and before they dragged him off for a bacon sandwich you probably would not want to get the bacon sandwich as much. So you’ve probably not seen the slaughter process or the factory farming because neither you or the business want that. You likely don’t feel that way about spinach.

Discuss or whatever idk

[gunkbaby]

Top 5 books ^_^

Horrendous bookish rambling ahead! Also fair warning some of the stuff I read has a tw.

Annihilation by Jeff Vandermeer - I love this book. The whole SR series. Altered my brain chemistry. It’s a biological cosmic horror written in the most wonderful way. I have so much love in my heart for the protagonist - it was reading a book from my own perspective, I related to her so badly. I felt so seen by her. She’s second to Shuu for me. I love Jeff Vandermeer, I think he’s a truly a remarkably underrated artist especially in the horror genre. There was a film made of the book, but whilst both the book and the film deal with the same theme and have the same premise, they are different stories with different characters. Both worth looking into.

by Chandler Morrison - a very raw depiction of eating disorders. I was genuinely shocked to see this was written by a cis man, because it was such a raw, real showcase of what having an eating disorder is like. All the ugly parts, the genuine horror of it as a concept. It is the best representation of eating disorders I’ve yet to read. It pains me to not have this in print. I have Dead Inside by Chandler Morrison too, which I also really liked - but TW it’s a satirical extreme horror novel and there’s lots of gross stuff in it. But thighgap is very dear to me. Obviously huge TW if you check this one out. <3

Tender Is The Flesh by Augustina Bazterrica - Tokyo Ghouls fans might like this! Maybe. This is about a dystopian world where a ‘disease’ has spread to most of the animals of the world, crucially farm animals, which ultimately leads to the farming and breeding of the only safe meat left - human.. The protagonist is someone that basically manages several of the farms/factories (i can’t exactly remember), and he is gifted one of the farmed humans, which he keeps as a pet. It’s a very twisted novel, and so full of depth and moral questioning - all the characters in this book have great depth, and I really enjoy that. It’s never written as a simple ‘thing bad’, and I really find that valuable, especially these days. A lot of people pass this book off as vegan propaganda (very interesting take it u read certain parts of the book btw), and I’m not going to say the take is invalid, but I do think it is quite a reductive, surface-level analysis of the book. Really worth sinking ur teeth into. :)

Earthlings by Sayaka Murata - either this one or Convience Store Woman are excellent novels. Murata is one of my favourite authors. I have all three of her current releases. Earthlings is really hard to explain, but just bc the material is sensitive - tw for CSA and i guess incest? There’s cannibalism but we’re tg fans im not tagging that lmao. This book very much deals with childhood trauma and its effects, sadly very relatable. It’s a painful read, but I found it so dreadfully validating. Sayaka Murata as an author does that. One thing to note about Murata, is that she really does write about neurodivergence and asexuality in a very interesting way, I think especially for a Japanese author. Convience Store Woman is also wonderful, again dealing with neurodivergence, asexuality, being aromantic, and living a happy ‘unsuccessful’ life that the general world deems disappointing. Convience Store Woman is probably a better started than Earthlings, though I love them both. I highly rate her as an author.

The Idiot by Fyodor Dostoyevsky - Okay, so it’s Dostoyevsky, i don’t need to explain why it’s good. This is one of the more underrated of his works, I feel. I love Dostoyevsky generally as an author, I like Crime & Punishment, Notes From Underground is on my tbr, so is Demons, I’ve read parts of The Brothers Karamazov , but this book specifically is very beautiful to me. I feel like sometimes people understate the optimism that can be found in works by authors like Dostoyevsky, and this book is paramount to that optimism. My God, do I need to reread it.

Sorry 4 rambling! Some other books I like a lot are Watership Down, Battle Royale, Fifteen Dogs, Social Creature, and Hot Milk. I like too many books to list, my god! This is why Goodreads is a godsend! I’m planning on making a Tokyo Ghoul reading list at some point, maybe!

[firespirited]

There's a tumblr ad with a maker's "cute puppy" pic and it's the one dog (ok ok I do rant about brachycephalic dogs too - this one is a twofer) that'll send me infodumping in full gruesomeness:

(tw: dog illnesses)

6 ancestors total for the breed. Drops dead before 8 from a genetic heart defect. If they're lucky enough to not get 'brain grows too big for your skull' agony disease. Among other defects. Only 12% die of old age.

I don't want to ruin a thousand strangers' days but what we've done to dogs for aesthetics is disgusting. Doesn't matter that the dog is lovely - breeding is not just unethical but outright cruel.

Factory farming happens behind closed doors, disabled abuse is veiled in sympathy for the 'suffering' parents, but if you've got yourself a deliberately inbred dog or cat we know will probably suffer because of your choice to buy one, it's nothing but love and light and cuteness aww.

To the tumblr staffer's mom who choose a kind friendly creature that's also a ticking time bomb: put some of that merch money aside to neuter your dog, emergency euthanasia if it starts hallucinating and a place in your house where it can breathe cool air as its own cooling systems are messed up under that kyoot wittle nose. From the look of it you have less than two years to save for what will be heavy vet fees and meds for joints and eyes to give them relief from distress and pain. You're probably going to have to cut out all luxuries except the dog. No delivery, cheap cosmetics, no vacations, no subscriptions.

And for the love of dogs, people, google breeds and look at the wikipedia health section, then choose a breed that will fit well with your lifestyle (aesthetic preferences mean nothing if you and your dog are miserable together) before you buy.

[boeingboingboing]

Tw: Contains bit of information of war prisoners/soldiers after ww2 (Just incaseeee)

So i was reading about the warship, Prinz Eugen, which was the ship who was with Bismarck during his last stand. I wanted to know what happened to Prinz Eugen and then I got this:- Prinz Eugen was "sold" as a "war prize" to the U.S after WW2. And was then sunk during an atomic test. But how would this have ended in WoC?

And for all those ships and aircraft from WWII's defeated countries. I expect those land vehicles which fought to go through what real-time soldiers went through (They worked as laborers or higher officials were sentenced to death.) But again, it also depended on which country these soldiers were sent too. Not getting into dept though, but those sent to America and Britain were who I think were most humanely treated. Most of them who were sent to work as laborers be-friended the civilians in these 2 countries, and worked on farms and factories. But in WoC, i don't see how ships can work like that. Or Aircraft, those ones in bigger sizes. and such. What do you guys think happened to these ships and aircraft? Such as Prinz Eugen himself, who was brought to America after the war

[aloeverawrites]

There’s a lot to discuss but I’ll start with the eggs. It’s very beneficial for the egg industry for us to believe that we’re just taking things that the chicken doesn’t care about. Regardless of the psychological effect of eggs on chickens and how broody they get, that’s not what the egg industry is. Tw for animal abuse.

Male chicks can’t lay eggs so they’re thrown into a blender on their first day of life.

When female chickens are spent they’re killed as low grade meat.

I’ve seen this myself.

Egg laying chickens are bred to produce more eggs then they naturally would and this puts strain on their bodies. They’re like pugs, unethically bred for our purposes. I’ve seen horrible complications from this. Why would they eat their own eggs? Because they need the nutrients back it took to produce them. I don’t eat eggs, even from backyards hens, because they shouldn’t be producing these eggs. If I had chickens I would get a vet to stop their egg production to prolong their life and improve their welfare. I wouldn’t know if any other backyard hens are being abused and will be killed after they’re spent.

There are numerous welfare issues with the egg industry not least the fact that most farm animals are factory farmed. Even free range ones.

Not given enough space or health care these animals are suffering. For a product that most of us don’t need.

You know the people being exploited to produce crops? If we didn’t farm chickens we would have to grow less plant based food. And the exploitation of slaughterhouse workers are horrific, especially because undocumented workers are disproportionately chosen for these jobs. Killing animals all day isn’t something most people want to do. The people employed to do it often don’t have a choice and face mental and physical harm.

https://www.ciwf.com/farmed-animals/chickens/egg-laying-hens/

90% of farm animals worldwide are factory farmed. If you’re defending the egg industry you’re defending factory farm because it is functionally the same thing.

anti-egg vegans are always a hoot. like, she’s not using it. it’s not fertilized. it’s going to rot and attract predators. you want me to just throw it in the trash??

[marginmaster87]

Weird-ass take so feel free to ignore it

(Tw animal death/gore)

Humans are easily the best predator to get eaten by. We make it quick most of the time- no chewing your guts out while you kick, no paralysis, no drowning/suffocation (except for fish, sorry fish). Heck, under the best circumstances we even do our best to give you food and stuff and keep your babies safe before we kill you.

Obviously this doesn’t apply to like, factory farming and stuff. I’m talking about individual humans hunting/farming. Basically what I’m saying is if I was a deer and I notice something is stalking me, and it turns out to be a funky ape with an instant death blaster, I’d be like ‘oh thank fuck’

[xxxprogamer69xxx]

i wanna get some worldbuilding practice, im not great at this yet but i just wanted to post a short little thing so here:

oh yeah hang on: TW SPIDERS TW ARACHNOPHOBIA CW SPIDERS CW ARACHNOPHOBIA

So i had this idea for some sort of society that have domesticated giant tarantulas (cat sized), and they fill the role of both pet and useful creature. The webs are farmed (sustainably i'm not thinking like factory farming here) for use in traps, and maybe if there's a way to like destickify webs, they're used in textiles too. They're kept as pets because they're cute (i mean like always not everyone agrees on what is cute but generally they are considered cute). They don't really bite humans that often but when they do it's about as bad as like a cat bite, but in a different way, because instead of getting bacterial cocktail, you get poisoned.

[aloeverawrites]

There’s a lot to say abt this and I hope I’m making sense with this. There are two main points to this the ethical stance of harming or exploiting animals for resources and the sustainability of animal products. I think this is mainly about sustainability so I’ll focus on that for now. Animal agriculture is one of the most polluting industries. 90% of farm animals are factory farmed. https://ourworldindata.org/how-many-animals-are-factory-farmed

Animal agriculture is mostly an extremely polluting industry. Imported veg is more sustainable then local meat https://theconversation.com/why-imported-veg-is-still-more-sustainable-than-local-meat-159943 It’s a fact that the best way to reduce climate impact from diet is to go plant based or as plant based as you can. Studies show it’s the “single biggest” way for us to help and we could “pause” climate change for 15 yrs if we all did it.

https://sustainability.stanford.edu/news/could-going-vegan-help-reduce-greenhouse-gas-emissions#:~:text=“If%20animal%20agriculture%20were%20phased,the%20end%20of%20the%20century. I understand the other points but denying the negative impact that most of animal products cause and the benefits of veganism isn’t helpful. We have the power to make an actual difference by changing our diets.

As for the other arguments, hunting for survival can be sustainable and justified. It doesn’t really justify us farming animals (on stolen land) when we have other options. https://mercyforanimals.org/blog/indigenous-scholar-shares-how-factory-farms/

Lastly, scavenging an already dead animal for survival is different to killing an alive one that we raised for this purpose. The animal abuse that is innate to local and factory farming (eg medical intervention without painkiller) is part of why it’s unethical and would take a massive reform to eliminate. Taking sentient life needlessly is also a problem. Scavenging doesn’t cause these forms of harm that make it a moral issue. I would watch Dominion or earthlings for more info, tw though

(I was replying to another post but i thought this would be a good collection of resources. I’ll edit this into something coherent in a bit lol)

[al1x00]

⚠️CHAP. 10 SPOILERS⚠️

THE WAY I SCREAMED WHEN I SAW THIS OMFG I'M NOT READY FOR OPIN TO END😭😭

EXCUSE ME "TW SUICIDAL THOUGHTS"?!?! WHO TF IS TRYING TO BLOW THEIR BRAINS OUT MY GOODNESS.

Love how I'm totally chill on the blood and gore part like yeah that's usual Katy™ stuff, you get used to it after reading TF🥰🥰

DAMNN HOBIE'S ON FIRE HE'S GOT NO MERCY ANYMORE. Also I love how you described the factory and the way Hick's office/balcony is placed very high up because he own the place and all that jazz because it just makes him the picture perfect image of the asshole he is LMAO

YAYY WE GOT KARL TOO THE WHOLE GANG IS HEREEE

WHOA WAIT A BAG OF TNT?? That's not gonna go well, is it..? Even if they do manage to bomb the factory, TNT is a very effective and quick explosive so if they aren't fast enough to get away someone might get hurt yknow

Hicks and his shit aim strike once again and fail😌 that man cannot land a single bullet on anyone, not even a couple of horses.

WTF HOW DID HE NOT DIE? ISTG IF HOBIE DOESN'T GET TO KILL HIM

Honestly if R was to look at Hobie and see him kill men so effortlessly while balancing only on one side of his horse they're gonna get married on the spot, like RIGHT FUCKING NOW.

Hobie lost his last whip and said "Fuck it, let's make an instrument of torture out of the new one" And I bet that shit hurt like hell.

"Everyone thinks he should be dead by now" ONE OF THE REALEST THINGS YOU WROTE YEAHH TERMINATE THAT ASSHOLE

YESS HE GOT THE DEATH HE DESERVED NO MERCY FOR HICKS

I always make sure there aren't any symbolism or anything in the paragraphs before I continue reading the chapters so I googled what do alligators symbolize and there many different versions of it. One said they symbolize inner strenght and power so I gues that could work with the power Hobie held in that moment right before he decided not to spare Hicks and let him suffer but it also says they symbolize finding solace in the present which I don't think Hicks got while he was getting eaten alive and ripped apart💀

WAIT IT'S BEEN A MONTH SINCE THE WHOLE THING HAPPENED? A WHOLE MONTH PASSED FROM THE DAY HICKS AND CROSS FOUND THEIR FARM?

OKAY WHAT THE ACTUAL FUCK HAS HAPPENED. HICKS TRIED TO KILL R BY THROWING HER DOWN THE WELL? IT'S WORSE THAN ANYTHING THEY'VE DONE TO HER BEFORE WTF HE DESERVED THAT HORRIBLE DEATH.

"A graveyard full of Cross’ ancestors lies just a few ways away from the gazebo." He's gonna join them soon if he doesn't stop with that attitude🥰🥰

R thinking about Hobie everytime someone does something that he would do just hurts so much because R doesn't even know if he's alive or not at this point. She has no way of escaping or getting any source of information about him or Riri and the others and it's so fucking sad. It's hurting me so much I just need to see them happy and healthy once more😭😭

R IS BEING A GIRLBOSS I LOVE ITT

“Look at me just like how you look at him.” Okay just one more thing to add to the list of reasons of why I hate Cross so much🥰🥰 Out of all the things he's done and said this is probably one of the most disgusting EVER.

KATYY WDYM BOTH HIT THEIR TARGET?!?!?! IS R DEAD? NONONONO I CAN'T TAKE ANOTHER SAD ENDING AFTER TF THIS BETTER BE A FUCKING JOKE

DAMN R GOT SOME AIM THAT BULLET LEFT A BIG ASS HOLE THROUGHT HIS STOMACH

...Katy I swear to god if R dies I'm gonna sue you. DON'T GIVE HOBIE ANY MORE TRAUMA HE ALREADY HAS PLENTLY AND EVEN MORE TO SPARE.

“A life lived without you isn't a life well lived, remember?” Bye don't talk to me for five business days.

KATY YOU HAD ME FOR A SECOND I THOUGHT THEY BOTH DIED IN THE FIRE OH MY GOODNESS I WAS ABOUT TO THROW A FIT I WAS ALREADY SOBBING MY EYES OUT BUT THEN I WENT ON AND I WAS LIKE "WAIT A DAMN MINUTE-"

THEY GOTH DUCKIESS AND BUCKY AND CHERRY HAVE LITTLE KIDS NOW I'M SOBBING OMFG

AND COWS TOO

AND CLOVER HAS HER PUPPIES TOO OH MY GOD IT'S SO CUTEEE

God really must have favourites because how the fuck did R survive that bullet right under her ribcage? Like sure there was a possibility but holy shit R got lucky. NOT THAT I'M COMPLAINING OFC

HELLO?? BILLIE AND MONA CANON IN OPIN?? AAAA I'M LOSING MY SHIT I'M SO HAPPY THAT THEY'RE ALRIGHT AND CONTENT IN THEIR HOUSE AGAIN.

God this has been so bittersweet. Words cannot describe the utter whirlwind of emotions that I had throughtout this chapter and story overall. It has made me cry, laugh, cheer for the characters and have loads of sympathy for them, so much that sometimes I felt it to the very soul. I can safely say that this fic goes onto the podium with BDAS because the sheer amount of effort you put into this has not gone unnoticed, you've outdone yourself again like you always continue to do and I'm SO SO proud of you for writing something as beautiful as OPIN. I am not ready to say goodbye to our favourite outlaw and cowboy😭😭 (I will not say goodbye to him yet, he'll have me in a chokehold until the end of time)Honestly I could go on and yap about this for hours and hours (and I probably will because OPIN deserves it) but like- the intricacy of the storyline, the well done backstories and the way you gave each character a different moral and point of view is just 🤌* chefs kiss * YKWIM?? I will never, EVER, shut up about how R and Hobie were like complete strangers all over again when they found eachother after all those years, how they feared of the consequences of loving somebody, but in the end the only thing that mattered the most was to get back into eachother's arms and stay with the other until the end, no matter if the flames got to them or not; the fact that they were gonna die together in that fire and they were totally fine with that just because they had eachother will always cling with me. They way they both learned to love the other despite all their flaws and the how the horrible things that happened shaped them, but their love was stronger than anything else, stronger than a man and his whole bullet factory that went against two people who just truly loved eachother in the purest and most genuine way ever. They fought with claws and teeth, because they had both everything and nothing to lose, just to see the other one last time before everything caught up.

Alright I won't write more on this but I will return with another yapping session soon so expect a huge message in your inbox LMAO but thanks again for everything Katy!! LY LY LY❤️❤️❤️

Dead Man's Hand

Pairing: Cowboy! Hobie Brown x fem! Reader

Word count: 11.5k

Tags: Use of Y/N, sparsely, no specific physical description of the reader (except for clothing), Cowboy AU, wild west AU, CW food mention, CW vomit mention, CW blood and gore, CW guns, TW violence, TW abuse, TW suicidal thoughts, TW death.

A/N: if there are any warnings that I've missed please tell me so I could add it in.

This chapter tackles dark themes, read at your own discretion.

Our Place in the Middle of Nowhere Masterlist

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CHAPTER 10 >>>

The pungent, acrid and hot air of metal and gunpowder brings Hobie back in time as he slams open the steel doors to the factory with a harsh kick. Machinery whirs, and twists, sharp steel dancing to the beat of the flames as it turns molten iron into instruments of death.

Hobie roams his fury-filled eyes around the factory, green flames flicker in those eyes, finding grime coated faces of strangers staring back at him and his posse. One glances their dark eyes towards the upper level of the factory where a balcony is placed. Where Hicks would look down with contempt, and would scream at the overworked employees to hurry production. Hobie knows it all too well, the factory mirrors the one back home. In the middle of the balcony sits an office with frosted windows that bear Hicks’ name. But the man is nowhere to be found within the crowd.

“If you're not Hicks, get the fuck out.” He doesn't need to yell the command, for everyone turns to run outside towards the back exit where half of Miguel's gang lies in wait; and Hicks' lackeys lay dead on the soft muddy ground.

One running and hiding away amidst the crowd catches his eye with the same face as one of the men who buried him all those years ago. “‘cept you.” With one swift raise of his six shooter, smoke billowing out, a hole now sits on the man's torso where his heart should be. “Hicks, better get down ‘ere or my people will blow this place to the ground.” Hobie steps over the bloody body, crimson coating the sole of his boots. “Rainin’ bullets don't mix well with a room full of explosives.”

There's no movement nor a whisper in the entire factory save for the fading sounds of the machines slowly shutting off. He catches a glimpse of a shadow behind a closed frosty door in the upper level of the factory. It was quick and sudden, if not for Riri's gentle nudge towards the movement, he'd think he was seeing you again for a brief cruel moment.

“Ri, Karl, come with me.” Hobie emerges behind the blackened air from the large machines. Three sets of boots thumping silently as they bound upstairs.

He reaches the door, back on the solid wall and away from the glass. Riri stays on his right, shotgun cocked and ready while Karl checks his bag of TNT on Hobie's left. As he moves to open the door, a bullet pierces the glass, shattering it into sharp tiny pieces. A shard nicks Hobie's cheek, but he ignores the throbbing pain as blood trickles out.

“You're still alive, you little shit?!” Hicks yells, shooting blindly at the door.

The trio stays still and waits for the opening. A click echoes in the quiet, and clouds of gunpowder float through the air. Hobie and the others take their opportunity. Karl lights a stick of dynamite, chucking it inside the room and then ducking down to cover his ears. Hobie doesn't waste time, leaving the safety of the cover, he twists to face the door, shooting at the flying TNT— effectively blowing it near Hicks while Hobie holds onto his hat so that it doesn't get blown away.

The explosion causes Hobie to stagger backwards, if not for Riri pulling him back to the side, he would've fallen off the railings. Sulfur fills the air as they cough, puffs of grey smoke clouds the entire office space.

His ears ring, a sharp high pitched sound that he's awfully familiar with. He gives Riri a thankful nod, which she replies with a smug smile and a raise of her eyebrow. Hobie takes the lead, flicking his eyes towards Karl, who gives him a thumbs up, and with his hair all messed up from the explosion. Satisfied that his group is alright, he enters the fray. Smoke giving way to him and his raised gun. Shards of glass crunch at his feet, singed papers lay burned on the floorboards as embers flicker out in the air.

As the smoke clears out and the hot air of the south enters through the broken windows— Hobie finds no one inside the room.

“Fuck!” As he yells into the emptiness, a horse neighs outside, hooves running frantically away while bullets fly and ricochet. He immediately looks down, finding Hicks half burnt and riding away. “Like a fuckin’ roach.” Without thinking ahead, Hobie vaults from the window, softening his fall with a roll. Landing, knees aching but intact, he whistles for Bucky.

“Hobie, what the fuck?!” Riri and Karl simultaneously scream out, but Hobie's already running while Bucky follows right behind him.

Once Buckeye trots next to him, Hobie grabs hold of the saddle's horn to swiftly lift himself up on the saddle with a quick pull. No one's going to stop him, Miguel already considers Hicks dead just from the look of determination behind those green eyes.

Hobie leaves everyone in the dust. Bucky neighs wildly, huffing and puffing as he tries to catch up. “Hicks!” Said man turns on his saddle a few ways ahead, arm raising to aim and to shoot his gun. Bullets whizz past, hot air passing by as Hicks misses every single bullet.

Hicks’ scalding flesh makes him keel over in pain as his blood drenches his horse. “Shit!” He kicks roughly, his horse whines before speeding off.

Bucky gains speed, catching up to Hicks whilst he reloads. But of course, his hired guns finally catch wind. A handful of them appear from the side, trudging from the muddy swamp with alligators lurking underneath, and riding towards the bumpy road where the main chase is happening.

The rival posse hollars and hoots, sneering smiles and guns aimed at Hobie. Riri and the others are still catching up to him, so he's left alone to defend himself and Bucky. With fury fuelling him, he has everything to lose so he'll shoot through all of them like a hot knife through butter.

While the mercenaries leave the line of trees, Hobie enters the thicket, swerving to the side, using the large and sturdy trees for cover. The ground may be soft and muddy, but Hobie and his loyal horse have been in dozens of situations like this. The swamp might've slowed them down but it doesn't stop them as splintered wood flicks and flies while his enemies continue to shoot at his swift horse.

A bullet comes too close to his head, piercing a hole in the brim of his hat. He clicks his tongue, annoyed at the damage. Patting Bucky, he takes his foot off one of the stirrups to bring it to the safer side where no bullets could come at him. With two legs on one side, hand holding on to the saddle horn and reins, Hobie rides sideways, hiding his body while peeking over and shooting with calculated aim as Bucky runs back towards the path. One by one, the mercenaries fall off their horses with his bullets pierced through their bodies. The road is coated with their blood, leaving trails of rubies for his posse to follow.

Miguel trots closer, shooting at what remains of Hicks' men. The gang hoots at the sight, adrenaline rushing through their veins, and blood heating up from the violence.

While Riri and Karl have their eyes on Hobie, who now sits upright on Bucky, they kick on their horses and off they go, riding side by side with Him. Hicks panics from the sheer volume of horses running after him, with his last bullets, he aims at Bucky's leg.

Hobie beats him to the punch, quickly thrashing his whip made out of jagged metal wires, tearing the skin off of Hicks' arm apart when Hobie pulls hard at it. Hicks screams in sheer agony, tumbling and falling off his horse into the moist ground, soil entering his burns and mouth. When the dust settles, he looks up to only see the end of Hobie's gun.

It's silent in the marsh as the sun shines on his gun; frogs hum in the distance, gators trill when they smell meat while Hicks' labored breathing quickens. Hobie has his gun digging into Hicks’ skull, skin red and angry from his burns. Half of his face has melted into a mess of meat and bones, left eye barely opening from his melted eyelid. A pungent smell permeates from his oozing wounds, clothes torn and burned to ash, and ankle twisted at an angle. Hicks’ hands are buried halfway into the ground as he sinks down to the muddy plains.

Everyone thinks he should be dead by now, even Hicks himself, but death won't grant him the sweet release just yet— not until Hobie takes what he is owed.

“My, don't you look pretty, Hicks.” Hobie doesn't smile nor smirk at the sight of the man who buried him alive five years ago. A man who now kneels before him, disfigured beyond recognition, feeding the soil under him with his own suffering.

“F-fuck y-y-you.” Hicks' lips tremble from the unimaginable pain. “I w-will not b-beg.” He manages to curl half of his melted lips into one final sneer. “Not l-like how you did.”

“I don't want you to beg, Hicks.” Hobie digs the metal harshly, skin ripping and tearing like paper from under the gun. “I need to know where she is. You're dyin' anyway, your last words might as well be somethin' useful.”

Hobie's cold words makes the man scoff that quickly turns into a painful cough. “No. Didn't your old man tell you that revenge is a f-fool's game?”

“This isn't revenge, this is retribution.” Hobie tilts his head, looking behind Hicks where a pack of gators trill and show themselves under the green swamp. “If you tell me, I won't let the gators eat you alive.”

“Wha–?” Hicks' slowly turns his trembling head, skin painfully tugging with every movement. One of the gators snaps its maw, warning with its sharp teeth. The entire gang hears this grown man whimper from fear.

“They look mighty hungry, Hicks. Better hurry up.”

“You'd t-take me away from them?”

“No, I'd put you out of your misery before they get to you. Something you didn't give me back then.”

Hobie can practically see the rusty cogs in Hicks' head turning. “...alright, just don't let them eat m-me.” His burns flares up as he doubles in pain.

Hobie makes the man raise his head with the barrel pushing his chin up. “Sure.”

“She's at the big white house near Blackwater, just west of the r-road. You can't miss it.”

“You lyin’” Hobie doubts the information when he gave it to him too fast. Jaw tightening at the thought of you being so close yet so far from his reach.

“No, I'm not.” Hicks hears the unmistakable sound of the reptile crawling closer. “It's the truth.”

Riri flicks her eyes towards Hobie, leaning close, whispering lowly at his ear. “I know the place.” Hobie doesn't miss the hard look in her eyes. “He's not local, that place is well hidden, he wouldn't know that only the locals know about it.” She glares at the sniveling man, “It's ways away from the road he's talking about. Fucking far from it. Easily missed if you're not familiar with the place.”

Hicks figures out what she's whispering when Hobie's anger flares, hand tightening around his gun. “I'm telling the truth, Hobie. It's there and she's waiting for you! I promise! She's the one lying!” He points a crooked finger at Riri.

“Thought you wouldn't beg.” His fate is sealed with the gators. “Technically you did lie.” Hobie drops his arm, gun aimed away from Hicks. “Off you go with the gators, boss.”

“No, no, Hobie! Please, I'm sorry!” Hicks tries to grab at Hobie's leg, but Hobie kicks him down on the ground and on his back. He tilts his head back, meeting face to face with a ten foot alligator that seems to smile at him.

His screams echo around the marsh while Hobie and the others get on their horses. He watches the gator death roll the flailing Hicks on the muddied ground until the wailing stops completely.

Hobie leads the pack away while he leaves behind the sound of tearing skin and bones cracking under sharp teeth. And all he could think about is you, and how he could've had a good life with you.

—

Draped in chiffon and stab silk, iridescent blues and purples dance along the fabric as light hits it. Expensive fabric that hides all the aching blemishes on your flesh by the same men who claim that they are doing it for your sake, that it's the only way you would obey.

Your hands are tied behind your back with Cross' hand wrapped around your wrists in a sickening grip; preventing you from moving. You shine under the southern sun, all gold and frills but none of the happiness behind your sullen and dull eyes.

For a fleeting moment in those months you were with Hobie, you had peace. You'd stay there forever if you could, if only the world had granted it to you, instead of the pain that it brought down upon you.

You could've had a good life together.

It's been a whole month since the last time you saw Hobie alive. A whole month without hearing his voice, without his loving touch; and a whole month with the same family who has hurt you in every possible way they could. The image of Hobie buried under the rubble of your shared home spirals you over the edge once again. You've cried, wept and sobbed some more, but nothing has helped. You feel like you've died right next to him. You wish you had.

Meanwhile you have a wound that was never meant to be healed inside you. A wound that was momentarily healed, until you were brought back to the reality of your dreaded life.

You instinctively run your finger around the gold band around your finger, finding the unfamiliar diamond instead of the simple gold band that turns your face even more sour at the scalding heat that turns your heavy dress into an oven. You had the foresight to hide Hobie's ring the second you had a chance. It now lays underneath your floorboards waiting for you.

There's a heavy feeling in your chest, grief running along your heart, plunging your very being into darkness. It was like that day five years ago, you have no knowledge of him alive, no way of knowing if Hicks ended him. It's an awful case of déjà vu.

Both men stand beside you, as if they're meant to guard you. The estate stands behind you, its large shadow looming over you. All Its white marble and columns stand tall, doors that don't creak, windows pristine and gleaming— but you'd rather have the pile of ashes you once called home.

This place lacks a heartbeat.

You flick your tired eyes over to the well beside the estate, your body shivers from how cold it was inside, when you sank into it like stone the first time Hicks threw you inside. It's a miracle you didn't break your neck, in that moment, you wished it had.

A carriage arrives from a distance, horses galloping along the road towards the estate. Wispy cypress trees sit around the path, parting way for the dirt road leading to the house. Its soft leaves dance in the wind, leaves fluttering by as you watch the carriage get closer and closer.

“Remember to smile, we can't lose their money.” Hicks grabs the back of your dress, yanking your neck down for emphasis. “Don't be a bitch like last time or you'll get the well tonight. And I heard it'll be cold tonight.”

“I'll be in my best behavior, uncle.” Your glare towards the rich couple exiting the carriage says otherwise.

Hicks only gives you a stern look before letting you go. Cross loosens his grip for a moment and you immediately take your hands in front of you so he couldn't hold you again. You haven't spoken a word to the man you call husband since you arrived at the estate. Your defiance got your bedroom door locked from the outside for now but was taken apart for the first week of your stay. Showing you bare to the entire world, revealing to the world that you're his.

The woman clad in gold and gemstones huffs, flinging away a fly from her painted face. “God, I hate this humidity.”

“This better be good this time, Hicks.” Her husband takes his tophat off, wrinkling his nose at the scent of heat and damp marsh.

“You won't regret traveling for this, Mr. Burnell.” Hicks sucks up to the man. “My, don't you look lovely, Mrs. Burnell.”

She giggles, hiding the blush dusting her cheeks with a fan. “Oh don't be such a gentleman, Hicks.”

“Stop sucking up to my wife, Hicks.” Even though his smile tells you that it's a joke, his tone says that he's completely irked by your uncle. Perhaps this has happened before.

You roll your eyes subtly, Cross’ jaw tightens as he shakes hands with both guests. “It's a pleasure to have you both today.” He says flatly.

“An honour.” Your tone is tight, lips turned into a strained smile.

“I remember you,” the male Burnell smiles faintly at you. “And you too,” he points at Cross. “I was at your wedding, what a wonderful ceremony.” You clench your fists tightly around your lace gloves, almost tearing the fabric.

“Oh I also remember!” His wife claps, “your gown was lovely, and the deviled eggs were to die for!”

You laugh, a sound more akin to a scoff. “I should've had some back then.”

Mr. Burnell reaches for both of your hands, holding you gently as you make a face at him that doesn't quite reach the man's full understanding. “I'm sorry about your aunt, we sent flowers to the funeral. I hope it was to your liking.”

“I wouldn't know, I wasn't there.” You swallow thickly.

“Oh poor dear,” The woman touches your cheek, and you flinch away. She coos as if you're a child. “You couldn't even bear saying goodbye.”

“Sure,” you slide your hands away from the man's hold, and then you take her hand away from your skin. “That's why.”

Hicks inhales deeply, “why don't we go to the gazebo? Tea is being served there.” He takes their attention away from you.

“We came all this way and you don't even have lunch for us?” Mr. Burnell raises a thick brow, his wife agrees with a nod.

“We did.” Cross finally speaks through gritted teeth. “It got cold.” The couple flares their nostrils in annoyance.

“This place was hard to find.”

“You had us waiting for two hours. Hardly an excuse, Mr. Burnell.” Cross doesn't back down from the older man's stare.

“W-what my associate was trying to say was that— we didn't want to serve you all cold beef! No one likes cold beef, correct?” Hicks tries to save the day, but they don't respond. “There's deviled eggs in the gazebo.” That seemed to work as they followed Hicks towards the blue gazebo behind the house.

Cross yanks you back to his side before you could get far. Your chest tightens, threatening to stop your breathing as he whispers towards one of the estate workers to prepare a batch of deviled eggs immediately. The second they leave, you glare at Cross, refusing to touch him even though his fingers dig into your arm.

“Don’t run, Y/N.” He says for the umpteenth time. You would run, and you had a few times while you're with him. But you were only met with your cheeks burning into the shape of his palm, and his hired guns dragging you back inside the mansion with their lassos tied around your ankles.

“I can't even breathe in this dress, moreso run in it.” You try to take your arm back but he stops you with his nails dragging along your sleeves.

“Be good, be fucking obedient. Don't be impossible like you always were.” His green eyes remind you so much of Hobie that it taints his image in your mind. You refuse to let it fog his image.

“I am not a dog, Cross.” You fight back, why shouldn't you? You have nothing to lose now.

He comes close to your face, jade eyes reflecting the fear in your expression, breath wafting over your face. “Then don't act like one.” His eyes pass over your face, finding fear laced in between the creases of your expression. His tone softens, one that sends shivers down your spine. “Why don't you call me by my real name? Cross is our last name, Y/N. Can you call me—”

“No.” You yank yourself away even if it means that his fingers drag along your arm in a manner that makes your skin run cold.

The next thing you know you're sitting next to Mrs. Burnell, who swallows down deviled eggs like its water. The entire table is set all prettily, blue laces sitting under white porcelain, utensils draped in silver, and chairs soft whilst the gazebo with lilacs growing on the roof acts as your shade. A graveyard full of Cross’ ancestors lies just a few ways away from the gazebo. Withering gravestones left unattended, and overgrown grass drowning each of the carved names. It leaves a heavy presence in the back of your mind.

The fork in your hand shakes, silver shining in the sunlight bearing down behind you just as when a pair of red cardinals fly next to the gazebo. The murmurs of the marsh echoes around the estate, gators trilling a few ways away, birds chirping and cawing right next to croaking bullfrogs. You're surrounded by green with a dash of greed as Hicks continues to suck up to the rich prospective partners.

A hand cups your own, and for a flicker, you thought it was Hobie's calloused hand gently holding onto you until his nails jab into your palm. Cross gives you a hard look, gesturing for you to eat instead of staring blankly at the cakes in front of you. With a mocking smile, you take a glass of cold orange juice on your right, condensation drenching your ungloved hand. You don't break eye contact as you gulp down the entire glass, making the Burnells look at you with pinched brows. For the final touch, you exhale loudly as if you were thirsty beyond belief.

Hicks chuckles nervously, eyes darting from you to the rich couple. Cross is fuming silently, letting your hand go limp on the table. An employee comes to your side, refilling your glass as everyone at the table stays in awkward silence. You can't help but puff out your chest with pride. Hobie would've loved to see that. Their faces would be worth it for the wrath you're about to face.

Mr. Burnell clears his throat, “as I was saying, we can't give twenty thousand for only ten percent shares. It's daylight robbery, Hicks.”

“Oh come on, Quentin, you've known me for a long time!” Hicks plays the ‘old friend’ card, a trick you've seen one too many times. “You know I can be trusted, and that ten percent will go higher once we've had our foothold here in America.”

“I do know you, that's why you can't be trusted. Even her aunt knew better when she gave the company to her.” Burnell pauses, bespectacled eyes staring at you briefly. Your lips curl up into a smirk. You probably don't have to work too hard in sabotaging this one. “Besides, that was back when you were the leading manufacturer in the UK. There was a guarantee, now you're here in a country that is practically shitting bullets by the buckets.” He leans back in his seat, “face it, you old dog, there's no profit here for you.”

“He's right,” His wife enters the conversation, dabbing her mouth daintily with a handkerchief. “Why did you even move here in the first place? I heard the company was doing badly back home but not that bad, right?”

Hicks coughs, drinking from his glass, stalling from answering. Cross has had enough, he leans on the table, elbows right next to his untouched plate, white suit unblemished.

“Because I'm here.” He takes your hand, making a show of it for the Burnells. He's using the ‘I love my wife’ card. Surprisingly, it's only the second time he has used it on the rich and stupid. “And my wife deserves to be with her husband, yes?” The couple looks at each other, then returns their attention to you as you try incredibly hard not to vomit all over the table. “I've…ignored her for far too long while I'm always here tending to my own business.” He clasps the back of your hand with his free hand. “We were deeply saddened by her aunt's passing, but I saw a silver lining. Taking the tragedy and turning it into something better by bringing her and her family business here to my home so we could finally start having our own family here without the dark cloud looming over us.” He was right about one thing, your aunt was a dark cloud looming over everyone. Cross leaned close, pecking your hand chastely. “Right, love?”

You close your eyes to prevent yourself from heaving out what little you've eaten. “Right.” Tone small and disgusted, you have the sudden urge to stab his eyes out with a fork. For a second, your mind gives you that exact image. Seeing his blood spurt out from his sockets and spraying on the deviled eggs.

For some reason, even with the disgusted look on your face, the Burnells' hard exterior softens. The missus clutches the pearls on her chest as if she just heard the most romantic story, and the male Burnell nods along with a fond smile. “You two remind me of my first marriage.” His wife chuckles, you frown, eyebrows knitted together as Cross plays along to his concocted story.

They continue their negotiation with more enthusiasm. Hicks pats Cross gladly on the shoulder, already drafting up a contract on a piece of parchment. Thankfully, Cross has let you go. Free to wipe your hand on your dress. You replay the last minute in your mind, like you're stuck in the moment he touched you with his dry lips upon the same hand you used to cradle Hobie's face with.

The conversation fades into the background, a thought passes you by, one that you're too grief stricken to see until now. Why is Cross even helping Hicks? He has the money to fund whatever the factory needs, he doesn't even need to be in the conversation. He has nothing to gain from this. He already has you, so why does he seem so desperate to get this partnership?

Then it hits you, he's as bankrupt as Hicks. Hicks, who drove the company to the ground with his moronic decisions the second your great aunt was in the ground. And Cross, there was never a day in your short marriage with him that he wasn't out gambling his family fortune away, or going to exotic places you've only read in books. When he doesn't have his hands on you, he's at the nearest pub or the derby races, betting everything in his pockets. You always just thought he had that much money to lose. But you were wrong. And the only reason you're here is because of the money your parents have set aside for you, money that is tied up with the company or what is left of it— the company that you own and have the last say in. Until your name isn't written in that contract that Hicks shoves in your face every morning, they have nothing.

“You have nothing.” You blurt out, you don't regret it immediately.

“Excuse me?” Mr. Burnell says, offended.

“Not you, I know you have money.” You place your elbows on the table, chin propped up on your scarred palm. “I was talking about my dear uncle and beloved husband.” Your words drip with venom and sarcasm.

“What are you saying?” Mrs. Burnell asks, concerned, either for your well being with the two men or for the money she almost lost.

“Shut it, Y/N.” Hicks says through gritted teeth, eyes warning you.

“Don't tell a woman to shut up, Hicks.” Surprisingly, Mr. Burnell defends you. “Speak, girl.” And there goes your respect.

“They don't have anything.” Cross tries to yank your hand back but you quickly tug yourself away. “Hicks is lying, the company is losing money, not gaining it. Production has been down since they moved here, probably because Hicks doesn't know how to run a company.”

You continue your tirade without missing a beat. “He was a manager before marrying my aunt, but he was a shit manager. If not for Peter—” you inhale and clear your mind. “All I'm saying is, he's asking for a scapegoat for the debt collectors, not a business partner.” You flick your eyes mockingly towards the seething Hicks. Meanwhile, Cross sits quietly, you're afraid but you have to continue. “I retract my previous words.” Hicks inhales with relief. “It's not probably, it's definitely.” He stutters, trying to save face but you continue. “He's overworking the workers and because of that there's more mistakes. More mistakes means more bullets that come out a little crooked. That's good, if your targets swerve to the left.”

“She's lying!” Hicks laughs shakily, fists slamming down on the table. “You know how women are? She's hysterical because of her aunt's passing.”

You scoff. “You said it yourself, Mr. Burnell, you don't trust Hicks.” All eyes are on you. Your words fill you with pride, Hobie would be proud. “As for Cross, I wouldn't even trust him with my coin pouch.”

The Burnells seemingly believe you, heads turned slowly towards Cross and Hicks, eyes boring holes in their foreheads. “Looks like we wasted our time. You're right, honey, we should've gone for the Winchester instead of this clown show.”

“You believe me?” You ask, bewildered. “That quick?”

“We passed by the factory on our way here, that's why we were late.” Burnell answers back. Already taking his belongings to leave. “We saw the horrid conditions. We were naive to believe that it was like that because you're still getting used to the transition.” He helps his wife up as Hicks follows behind the couple. Cross stays behind silently while you stay with the Burnells in hopes that they'd take you with them. “Thank you, girl.”

“You're welcome, c-can I—” The couple gets in their carriage, eyes blinking at you. “Can I come with you?” You sound like a child, voice trembling in hope that they'll say yes. “Please.”

Hicks chuckles incredulously right next to them, but his eyes grow dark at your request, a warning. Cross appears behind you, green eyes hidden by the shadow of his hat, lips clamped into a fine line.

“What for, girl?” Mr. Burnell asks, “We don't need any more bootlicking. We're not giving you the money for the factory.”

You flex your fists on your sides, eyes darting in between Hicks and Cross. Heart thumping, you have to try. “I don't— it's not that. I don't need the money. I—”

“So you do have the money for the company then? Why bother asking us?” The older man cuts you off, scoffing while his wife rolls her eyes. “Kids these days, so greedy.” He gets in the carriage, following his wife.

“Wait! Please!” It's too late as they run off in the distance. In your desperation, you start to run after them. But before you could go far, Cross stops you with his arms embracing you from behind. “No! Please come back! They're hurting me here—!” Your flailing stops when Hicks steps in front of you with his gun raised.

“Do you have any idea what you've done?” He clicks the hammer down, finger right on the trigger. “You've doomed us.”

With tears in your eyes, Cross holds you against him tighter. Chest aching, breath stolen from you. “No, just you!” Yet, you continue to fight. You might've lost hope a long time ago if not for Hobie. Hope that you'll get out like last time, hope that Hobie will be there waiting for you. But there's a part of you that just wants to let go. Looking over your shoulder, you're met with familiar green eyes that used to fill you with calm. “And you.”

“I should shoot you right here.”

“Do it then. But you can't because without my signature you're fucking broke!” With a cackle, Hicks yanks the back of your head, taking you from Cross' arms, dragging you towards the well. Body scraping against soil, you try to scratch at his hands but it doesn't deter him as his anger fuels him.

“Fucking bitch, you keep ruining shit!” He yanks you to your feet, and then pressing your front to the mouth of the well while pushing you down harshly, making you look down at the depths.

You yelp, sharp rocks digging into your stomach, eyes forced to look down at the deep dark well. It's cold down there, you wonder if this is what it felt like for Hobie back at the farm. Staying quiet, your hands grip the sides to keep your balance, a bead of sweat falling down and leaving ripples as it hits the stagnant water.

“What, no begging or screaming and crying this time?” Hicks latches on your hair tightly, scalp burning from his hold.

“I've gotten used to the dark. You won't hear me begging ever again.” Your voice echoes down to the bottom. “You can't hurt me anymore, not in the way that matters.” Releasing your hold on the sides, you lean closer to the edge. Expecting the cold embrace and the familiar weightlessness, it doesn't come.

There's a scoff above before you're let go. “I have to correct your fuck up.” He seethes, giving your leg a swift kick as you lay your head on the stone. “Deal with her.”

“I'm not one of your employees, Hicks.” Cross challenges him.

“She's your fucking wife. You discipline her while I go to the factory. As for you,” he flicks the shell of your ear. “Your name better be on that contract when I get back.” You hear their continued bickering whilst you even out your breathing. Just like what Hobie would tell you.

After a rustle of clothing and dress shoes thumping on the ground, you fall on your knees, still clutching the well. Face hidden from Cross, he sighs, hand reaching towards you. Feeling the sickening familiarity of his hand wrapped around your arm, you instinctively flinch away.

“Why couldn't you just obey, just this once?”

You heave, furrows knitted in anger. Looking over your arm, your glare sends goosebumps up his arms. “I'm not one of your hounds.”

“Then why do you kneel like one?” The sun behind him engulfs his entire form, turning him into a breathing shadow.

“Go fuck yourself, Cross.” You shakily stand up while avoiding his gaze. Walking towards the house, you clench your fists until you feel your blunt nails leave pin pricks of crimson

“I'm trying here, Y/N. You're making it impossible.” He yanks you back, neck craned to the side to look at you. “I'm holding back but you're not making this easy.”

“You sound like this is all my fault.” You still avoid his eyes, forgoing to look at the tree behind him. “I'm not the one who gambled all your money away. And I didn't force you to marry me.” His fingers pull you closer.

“Look at me.”

“Fuck you—” you try to escape but he's stronger.

“Look at me just like how you look at him.” He forcefully turns your head with his hand burrowing into your chin.

With apprehension, you chuckle, a cracked dry laughter. Your eyes slowly move to the green eyes in front of you. “I'll never look at you like that. Nothing you do will make me look at you with the same love I give to him.”

Cross swallows thickly, jaw tightening. “Why him?”

“It felt right. We share the same heart.” It's the first truth you've said in a month, and for once you smile genuinely. “I'll always love him, remember that.”

He inhales, and you wait for the impact.

“Sir?” The housekeeper asks from the side, hands wringing in front of her. “Is everything alright?” Her brown hair shimmers in the sun like copper, lips turned into a fine line.

She reminds you of the former housekeeper that tried to help you by taking your letter addressed to Hobie. Cross found out about it, you haven't seen her since then.

“We're alright, Belinda.” Cross lets you go, leaving a mark on your arm. “Fetch me my hunting rifle.”

You leave with haste, hands shaking as you hitch your skirt up. You can feel his sickly green eyes on you, like a shadow that envelops you whole.

You've crossed the line, and you fear that this is the end for you.

—

Pacing around your room, you walk around and hold your breath. It's like waiting for the gallows, waiting for the bullet to hit you. Hobie's ring is back on your finger instead of what Cross gave you on your wedding day, which is the exact same one you left on the bedside table when you escaped. You twist it around your finger as the room shifts and twirls in your vision.

The room is finely decorated with daffodils painted on the walls, gold fixtures on the ceiling with painted deers trotting overhead on fields of green on the ceiling. The room looks like it used to be a child's room. A pale blue bed sits in the middle of the room, draped in a satin canopy. It's a stark contrast to the room back at the farm, all wood and none of the gilded walls. But you'd choose that a hundred times over if given the chance. Especially if Hobie's there waiting for you.

You feel like you're slowly disappearing into the walls.

Your eyes have been glued to the door as you chew your nails. You'd lock the doors from the inside if the locks weren't instead bolted from the outside. Tears brim at your eyes, but you refuse to let it go as you sniff. You miss your home, you miss the smell of dew in the morning. You miss Clover and how she cuddles on your side. You miss Cherry and Bucky and your afternoon rides with them. You miss him, you miss Hobie and how he holds you gently, how he talks to you about things. It's him talking so you'd listen and speak with him until the sun decides to sleep. You miss his voice telling you that everything will be alright.

You wonder if everything will still be alright when you hear heavy footsteps outside your door.

Cross doesn't knock, and you wait at the foot of your bed, standing straight, eyes forward and daunting despite your fear. If he shoots you through the door now, would Hobie be there to greet you on the other side as darkness engulfs you one last time?

This house will be a tomb. Your tomb.

The door doesn't creek as Cross opens it. “Hunt with me, just like old times.” He has a rifle strapped to his back, suit traded in for his haunting gear, still clad in white leather. Your eyes flick over to the two guns on his belt. If only you could take it from him. Or at least one.

“Giving me a gun? Do you think that's wise?” You cross your arms over your chest, clearing your throat so he doesn't notice the shaking of your voice.

“Why? You'd shoot me in the back?” He asks chidingly.

“In a heartbeat.” You say without even a hint of a joke. “What's even out there, Cross? What are we hunting down?”

“A deer.”

“I don't think there are any deer out here.” A dangerous silence hangs in the air, choking you as he stares deeply at you. You inhale, swallowing down your fear as best as you can. “If you give me a knife instead, I will stab your eye out. Killing other things won't keep us from killing each other.”

He clicks his tongue, hand on the gun like he's mocking you. “Take the dog instead.” Taking the leash off his belt he holds it out for you. “A dog for a hound. At least this one is loyal.”

“Which end of the leash is the hound?”

“What do you want, Y/N, hm?” Tossing the leash harshly, he stalks closer, and you flinch back. A doe caught in the coyote's eye. “I broke your heart, I get it. Do you want me to apologize to you?”

“My heart? That's the only thing you haven't broken yet.” He stops a few feet away from you, yet still too close to you. “You broke my body until I could barely recognize myself anymore. My arms bear the shape of your nails, my scalp remembers the sharp tugs of your hands.” You exhale as a tear falls down your cheek. “Hobie broke my heart, but he pieced it together, piece by tiny piece.” You point at him repeatedly. “You, you broke everything else.”

“If this is about your aunt—”

“Fuck you! This isn't about her.” If this is really your end, you don't want to leave without saying the words you've been meaning to say out loud. You tremble for a second before grinning with tears in your eyes. "I'm glad she's gone. Her hold on me is gone.” You chuckle breathlessly, sighing loudly. “There I said it. It's like a boulder has been lifted off my shoulders.”

“Y/N,” there it is, the patronizing tone he uses on you. He's about to guilt you into something you haven't had a hand in, or chastise you like a child.

“Stop being so fucking delusional, take the blinders off for one fucking minute.” The fire in you latches on you. “This is about you and how you hurt me the second you brought me home after the wedding. You knew that I never wanted to marry anyone else, and that my aunt and Hicks hurt me back home. And instead of helping me, taking me away from them, you joined them.”

“I got you out of there. I married you.”

You laugh without an ounce of humour, clapping wildly. “Well thank you very much, Cross!”

“I tried for a little while, Y/N. But I'm your husband, and you continued to disobey so I had to go to them, ask them for advice.” He walks closer, you stop him with a hand in front of you, as if it will shield you from him. You've tried that once, it didn't work.

“Nothing you do will make me forgive you. I hope you drown in your guilt if you even have an ounce of it. I hope you lay awake at night thinking of how much you hurt me. I'd rather die than forgive you.” Cross steps forward with an unreadable expression, and the back of your knees hits the bed as you try to get away. You eye the gun, you fear that you won't keep your promise to Hobie.

The world already ended for you when Hicks killed him.

Cross tries again. You think it'll be the last time he will the second he walks closer to you, so close that you can see yourself in his eyes. “Sign the papers, Y/N, and everything will be over.”

“You know the second I sign it, Hicks will kill me.” Your eyes wander towards his unlatched gun.

“I won't let that happen.”

You laugh in his face, “Sure, but you'll let him hurt me. Might as well sign my death warrant instead.” Standing back up, you inch towards him bravely despite your instincts telling you to shield yourself. You have to get that gun. “I–I tried to love you at first, and remained optimistic in this marriage.” His eyes are on your face, irises darting over your lips while you sneak your hand towards his gun belt slowly. “Even indulging my idiotic childish whims of what a marriage could be like. But I couldn't, not when you hurt me just like they did. Only because I didn't love you like how you thought I would.” Your hand finds the cold metal, fingers wrapping around the handle. “For a second there I thought you'd be my saviour, when in fact it was the opposite. You joined them instead. You were just as bad as them.”

You stand toe to toe with him. You hear a glass breaking downstairs, and then the smell of something familiar. Snatching the gun quickly, you aim it at his stomach, steel meeting flesh. You feel the same sensation against your chest.

“I love you.” Cross utters, finger right on the trigger.

“I've seen love, this isn't it.” With your cold words, you shoot.

Both guns go off.

Both hitting their targets.

—

The sun is just beginning to set, orange peeking from the horizon, hues of pink and orange blanketing the three men. Each inhale from the cigarette perched in each of their lips has grey smoke filtering through their lungs. They should be guarding the front door like they were hired to do, instead they chainsmoke their way out into an early grave while hiding behind the estate, facing the vast green marsh that hides their debauchery from the rest of the world.

“You hear any cryin’ last night?” The one with an auburn beard asks, his rifle leaning against the wall right next to him instead of in his hand like it was supposed to be in.

A dark haired man answers, belching out smoke while crouched on the ground, eyes narrowed at the whispering willows. “Yeah, i think the stable boy wasn't lying, there's a fuckin' ghost here.”

“You two think it's a fucking ghoul or some shit?” The third one replies with a scoff, blonde hair peeking out from his hat as he takes a swig of moonshine.

“Yeah,” The first two responds, spine tingling when a cold breeze passes through them.

“It's the boss’ wife, not a ghost, you morons.” As the yellowed haired man responds, a bright flicker of light appears in between the willow trees. “What the fuck?” The two men next to him follows his terrified gaze, cigarettes falling off their lips.

The light moves, as if it dances in the wind. It flickers, brightening up into an orange glow before turning yellow once again. The three outlaws move from the wall, eyes glued on the mesmerizing ball of light.

“Fuck, it's a swamp ghost—” the one with the red beard gasps, choking on his own blood, frantically trying to stop his neck from gushing out ichor with a knife stuck to his throat.

The other two only had a split second to react before a sharp knife slashes at their exposed necks. They mirror each other, shirts stained with red, palms coated in warmth and crimson while they frantically try to stop the bleeding. They croak and creak out, eyes managing to fall upon hazel eyes, and one with his face covered in soot. They both hold a glinting knife, blood still trickling down from the steel.

Miguel leaves from his hiding place in the thicket, eyes flicking briefly towards their twitching forms before returning his gaze at the ball of light. He nods to Riri and Karl, who stand above the corpses. And then he gestures with his gloved hand, giving the warm light a small nod.

The light comes closer, footsteps echoing as boots sink in moist soil— appearing behind the darkness of the trees and into the fading light of the sun. Hobie's face is revealed behind the light with a lit cigarette in between his lips, shadows dancing around the fury behind his green eyes hidden by the brim of his hat. He inhales before flicking the cigarette away, falling into a puddle. More appear behind him, trees and bushes parting before the dozen men and women following in his steps.

“Karl, light the oleander for me will you?” Hobie tosses the bag of pink flowers in Karl's waiting hands. And then he takes his knife back from the auburn haired corpse, wiping it on the grass before sheathing it back on his belt.

“D’you think that'll work? What if she gets caught in it?” Riri whispers, gesturing for the gang to crouch down and hide beside the wall where the trio were last seen smoking.

Hobie drags one of the bodies, hiding it behind the bushes while the rest of the gang help with the other two. He follows Riri, blood rushing in his ears, adrenaline pumping through his veins at how close you are from him. It's only a matter of time before you're back safe and sound.

“She knows the smell, she'll cover her nose.” His voice doesn't waver, but his insides are turning and twisting inside him. He can't fail. “As for everyone, cover your damn noses, and protect your eyes as much as you can.”

“This won't kill us right?” Karl weighs the bag in his hands.

Miguel checks his bullets beside him, giving Hobie and Riri a once over if their weapons are lacking. “At most it'll make us sick and itch. Right, Hobie?”

“Just don't inhale it directly.” Hobie yanks his bandana up to his nose, fitting it snugly. He notices his hands shaking, closing his fists tightly, he cannot fail. A month of tracking you down can't end with him failing to save you, he can't lose you. “You know what to do, Karl. Ri go with him.”

“Hobie,” she clasps the back of his fist. “Be careful, alright? If you get hurt, call Roberto, he'll treat you.” Inhaling sharply, she pats his cheek. “Get her back but don't die on us, alright?”

Hobie couldn't look directly at Riri, “She goes first, Ri.”

“I know, that's why we brought Roberto with us, remember? He's the doctor, he knows what to do and…what to expect, if need be.”

Hobie nods, staring at his family. “Thank you for backing me up, I owe you. All of you.”

“Don't die and we're even, Hobie.” Miguel pats Hobie's bicep before heading to his designated position.

“What he said,” Karl smiles brightly, fist connecting to Hobie's clenched one gently. “Also if I don't return from this, Robbie's gonna fucking kill you, man.”

Hobie cracks a smile. “Yeah, I know. Try to stay alive for the both of us then.” Karl makes his way towards the front while Riri staggers behind, still holding onto Hobie's hand. “Just like Valentine, right?” Riri smiles, hiding her trepidation behind her bandana. He fixes the cloth over her face carefully, tugging it over her nose and ears. “Keep that snug.” She could only nod, eyes brimming with tears. “Don't die on us too, Ri.” With a quick embrace, she leaves, following behind Karl who was waiting for her.

Hobie takes a second to breathe. He has done things like this a hundred times before, but never with you on the line. He can't leave without you like last time. He won't cower behind wooden walls like last time, he's not gonna stand here and tremble and rot and bleed. He's going to get you back. He knows he will.

There's a gunshot echoing inside the estate just as when a glass window breaks, signaling the beginning of the end.

—

The house falls and chaos reigns. They tried to stick to their plan of using stealth, but of course someone saw them and alerted everyone in their presence. Karl got the oleander thrown inside the halls, puffs of pinkish fumes swell out from the bag. Hobie sees the result of it as black smoke turns the estate into the pits of hell. Hobie's eyes waters but he continues to strike anyone who wasn't on his side. He throws his spiked whip towards someone who tried to shoot at Karl, the barbed whip rakes and breaks skin as he tugs and pulls until the man falls down next to his shredded flesh.

Screams echo around the estate, his posse lets go of the innocent unarmed employees while the others aren't so lucky the second they aim back.

They try to fight their way inside, finally thinning the outlaws outside as flames trickle from the burning bag towards the velvet curtains. Embers climb up until they hit the ceiling, fire licking at the once white walls, leaving burn marks in its wake.

A few of the hired guns surrender after recognising Miguel's gang, some were fools who tried to shoot them down but his allies were in greater numbers. More experienced, more bloodthirsty than the hired guns.

All the winning cards are in his hand, all he needs to do is play them right.

“Miguel!” Hobie yells while he and three others try to push through the main doors that refuse to budge open.

Miguel, who was currently brawling with a man taller than him, grunts when a fists harshly connects at his jaw. Hobie curses under his breath, without wasting a second, he aims and shoots. Gunpowder fills his lungs once more as the burly man falls on top of Miguel in a thud.

Hobie stalks towards Miguel, he shoots someone who was aiming at him on his left, his bullet doesn't miss even without him looking at the target. He grabs the body by its vest, yanking it off Miguel.

“Get up,” he reaches for the breathless gang leader, hazel eyes smiling at his old friend.

“I had that, Hobie!” Despite his broken nose, Miguel is back on his feet the moment he takes Hobie's helping hand. “Retirement, huh?”

Hobie shakes his head with a ghost of a smile on his lips. “Fuckin' retirement.” Reloading his gun, he goes back to the locked doors with Miguel now in tow. “On three!” His shoulders meet with the oak, “one!” Miguel nods next to him, bracing himself on the door. “Two!” A few more join in, ready to push the moment he says, “three!”

The doors burst open, splintering wood scattering, smoke coming out into the fray. Hobie meets with Sheriff Lee's eyes before a bullet hits him directly on his shoulder.

“Fuck!” He falls on his knees, clutching his wound as blood seeps through his fingers.

“Should've left when you had the chance, Mr. Brown!” Lee taunts, reloading his hunting rifle, giving Miguel enough time to drag Hobie back outside and placed behind the wall. “Come back here, murderer!”

A few shots ring out, both parties exchanging bullets. Your face appears in front of him before it’s replaced by the doctor's face. He needs to get you out quickly before the oleander takes hold. Hands tie a bandana around his wound, Hobie stands up the second that the cloth is tightened.

“Keep that on!” Roberto yells above the booming gunfire. “I’ll fix you properly right after this!”

Hobie nods, blinking the haze away. Miguel shakes him awake while avoiding his injury. “Lee's down! We'll handle the rest down here, we heard that she's upstairs.”

“Okay,” Hobie inhales and exhales, I'm almost there, love.

When the bullets stop flying inside the now bullet ridden manor, he steps foot inside. Glass crunches at his feet, eyes darting and alert from any surprises. He sees bodies littered on the marble floors, both from his side and Lee's. The sheriff lays under a pile of broken vase, eyes wide open, fingers still enclosed around his gun. The smoke thickens, and he hears blasts reverberating around the house.

Miguel's posse storms the place, pocketing whatever shines inside the house. A few more bullets are shot from deep inside the walls, but it's clear who's the winner. Hobie just wants you back.

Just as when he's about to climb the winding stairs with his throbbing shoulder, he sees a man stagger out from a room. “Is that—?” The bloodied man in the hunting gear trips and falls off the railing, plunging down right next to where Hobie's standing.

Cross lays on his own puddle of rubies, a gaping hole in his stomach instead of his insides. “H-help me,” Begging, he looks at Hobie with his bloodshot eyes, reaching towards Hobie's leg with his broken hand. “She's upstairs. Y-you can have her.”

“Is that him?” Miguel asks, and Riri appears from the side. Eyes watching the wounded man. Hobie nods, eyes never leaving Cross.

Hobie aims at Cross' head, seething. “She is not a thing to be had.” His aim stays true, but he shakes his head, lowering his gun down. “Nah, I'll let her bullet kill you.”

Miguel smirks, while Riri and him have a silent communication. “Don't worry, Hobie, we got rich boy.” He takes out his lasso from his waist, crossing the distance towards the dying Cross.

Riri gestures for Hobie to continue up the stairs. “Go! We'll be waiting.”

With a grateful nod, Hobie runs up the stairs towards his fire and his light. His heavy footsteps echo, breathing staggered as he thinks of you. What if he finds you in the same condition as Cross? What would he do if he sees you bleeding out? So he runs despite his own injuries, to see you again, to hold you again.

He follows the blood trail once he gets close enough, instead of your smiling face greeting him back, he stares at your body covered in crimson. Soft blue bed sheets stained with dark rubies. Arms spread on the bed as you lay on the soft mattress with your eyes unblinking towards the ceiling.

Hobie calls for you, air sucked from his lungs with every step he takes. He reaches for you, tears turning you into a watercolor painting in his vision. Red and blues blending into a watery picture.

You feel like you're in the bottom of a well, staring up at your aunt's sneering face. Your breathing is labored while the bullet is stuck in your chest, right below your ribcage. There's no pain, no feeling in your fingers as you see Hobie's face appear from above. Head perfectly lined up with the deer antlers painted on the ceiling.

“Found the deer, Cross.” You murmur, eyes hazy, lips barely opening.

“Stay awake, love.” Hobie's hand trembles as he rips his bandana off to stave off the bleeding by plugging the wound. You cry from the sudden pain, hands flying towards his wrists. “‘m sorry, ‘m sorry.” His tears flow down your cheek. “This'll be over, I need to carry you.”

“Hobie?” Your eyes focus on his face, meeting with his viridescent eyes. “Are you real?” Nails dig into his flesh, you sob, fingers shaking whilst you reach for his face. The pads of your fingers brush along his jaw, stubble returning you back to reality. “I'm so s-sorry, I should've told you.”

“None of that.” He holds onto the back of your hand, letting your palm rest on his cheek, lips brushing along your wrist. The matching rings reflect the growing fire ebbing towards the room.

“It h-hurts, Hobie.”

Sniffing, burning wood enters his lungs, sobs threatening to pull him down to you. “I know, I know.” He wipes the tears and the sweat off your forehead. “But we need to move, love, there's a fire and I need to carry you down.”

You gaze at his green eyes, sorrow and grief twisting and turning behind them. They remind you of home, of Clover, of Cherry and Bucky. And you remember your promise to him, an impossible promise that you will try to keep. But if it means that it's his end too, you have to break it. For his sake.

You grip his shoulders, Hobie notices how weak your hold on him is. “Okay, okay, carry m-me down.” There's a taste of copper in your mouth, lips coated in the bitter taste.

He nods, wiping his tears with his sleeves before sliding his hand behind your back, finding your warm blood sticking to the bedsheets. “I got you.” Whispering against your crown, he lifts you up mere inches away from the bed before you scream in agony. “‘m sorry!” He cries into your hair, your grip weakening even more.

“W-we can try again.” You slide your palm to his nape, “try again, Hobie.”

Hobie flicks his eyes towards you, the light behind your eyes is starting to dim. “Help!” He yells in desperation at the door, in hopes that someone comes bounding up the stairs. “Riri! Miguel! Anyone!”

Your heart breaks, “Hobie, Hobs.” Patting his chest, it's getting harder to breathe. “L-leave. Leave me here.” Hobie's already shaking his head. You smile softly at him, the best you could do despite your body dying. “You have to, you can't die here.”

“And you do?” He cups your face, “we still have forever to go, remember?”

He doesn't want you to come back as a dream anymore, or a shadow embracing him from behind; or a pain in his chest when he hears your name in his mind. He doesn't want your ghostly kiss to taste like ashes on his lips.

He doesn't want you to go.

“I'm sorry, I can't keep my promise. B-but you still can.” You weakly push down at his nape to feel his forehead against yours one last time. Your eyes are starting to close. “Live for me, would you?”

“No, please.” His palm slides right above your heart, feeling your heartbeat slow down. One last time, he yells for help. His throat burns as the ceiling above is engulfed in flames. No one comes to help. “I have to break my promise too, love.”

“Don't, please.”

“A life lived without you isn't a life well lived, remember?”

You accept death in his warm embrace. “I'll see you in a bit then.”

Flames engulf the room in its fiery destruction. Paint melting off the walls, wood and glass cracking under the pressure. And yet, he still holds on to you, lips pressed on your cold lips in a fleeting goodbye.

“Hobie!”

—

In the middle of nowhere sits the remnants of a farm with clovers growing all around it. Vines snaking along what remains of the farm house, and in those vines, pink hydrangeas grow and thrive amidst the cinders. And behind those darkened wood sits two graves with clovers growing on top of the soil. Two names are etched on simple limestone graves, they bear the same last name and same date of death.

Many travelers pass through the place without ever knowing the story behind the two graves. Seasons come and go, flowers bloom and wither. But only a few ever knew what used to stand on the emerald farm. What used to grow, what colour the house was, and who used to live in it. Stories were whispered and told but only a few truly knew the story behind it, few who came and visited and placed flowers on each of the graves.

And in those few, only three of them know that the once abundant farm where two graves were dug right under an oak tree, are empty.

The stories and the graves were enough to fool anyone left that wants to hurt either one of you to turn back and lament.

The true story lies behind the northern border, where pine trees grow up to the skies. Where snow and ice envelops the whole place. Where the two names etched on the gravestones in the empty farm now live.

“Stop bullyin’ your brother.” The dappled foal yelps, trotting away from his much bigger older brother. The dark horse with white splotches turns his bright blue eyes towards Hobie, huffing and puffing like an annoyed teenager. “Don't huff at me,” great, now he's the one talking to horses. “Go tell your dad not to have any more kids. Not my problem, junior.” The young horse rears, running towards the barn where Buckeye and Cherry sleeps.

Hobie leans on the fence, watching the sunrise on his expansive land. Horses and foals run around freely, feeling the cold gust of wind in their manes. A few sheep roam the grounds, while a pair of cows chew their way towards the fences. Snow-capped mountains rise up high in the background, white snow dusted along the rocks like sugar. While the trees dotted along the mountainside makes for the perfect scenic view. He pulls at his jacket closer to himself, fur tickling his nose as he breathes out puffs of smoke from the cold temperature. Winter’s coming, he can feel it in his joints as another breeze rolls in. He smiles in contentment when the air carries the sound of ducks quacking from their coop, and the smell of morning dew passing by. No more does the smell of fiery gunpowder graze his senses, and no sounds of bullets firing ringing in his ears.

He keeps his hat snug on his head, Clover runs by with her litter of puppies tugging along. And he feels you before you arrive by his side. A smile tugs on his lips, hand already reaching for your waist.

“What are you thinking about, cowboy?” You flutter your eyelashes, chin placed in his shoulder.

“That I have it good, too good.”

You give him a tender smile, leaning to kiss his jaw. “None of that. This isn't too good for you, you deserve all of this.”

“Too early to wallow, huh?” Hobie wraps his arm around your waist to pull you closer, and then he twists around to face you fully, back leaning on the fence, admiring you in the bitter blue of dawn.

You find penchants on his sternum, nose nuzzling his scar. “So fucking early.” He laughs, music to your ears.

“Hard to get used to, huh?”

“Kind of, it's a good feeling though, waking up.”

“You feel okay, right?” His palm pats your chest gently where a scar lies. “No breathlessness? Nothin'?”

You sniff at the cool wind, “nothing, I'm fine, Hobie.” You cup his cheek, jaw rounded at the edges, scruff tickling you, he looks as if time hasn't passed. “Nothing to worry about.” He leans towards your touch, fingers bracelet around your wrist gently, lips meeting your skin. “You okay?”

“Never better, love.” His green eyes twinkle, free arm pulling you impossibly closer. “Especially today.”

You tilt your head playfully. “What's today exactly?”

“Cheeky,” he pokes your side. “You know what day it is.”

You feign realization. “Ah! I remember now, Riri and the gang are coming over.”

“Yes, and?” He grins, biting his lower lip, jade eyes crinkling at the corners. Seeing the matching rings on your finger and his own makes him smile wider.

You suck in your teeth, acting like you're thinking. “It's Bucky's birthday?” Hobie rolls his eyes with a chuckle, and you finally relent. “I know what day it is.” You lean away, taking out a letter addressed to Hobie from your pocket. It's filled with affectionate words, loving thoughts and everything in between. It's a love letter just for him. “Happy anniversary, Hobs.”

Hobie's chest fills with a sense of belonging, heart full with his love for you. He keeps the letter in his coat pocket, right above his heart. “Happy anniversary, lovie.” He pulls you back, you giggle as your palm hits his chest, fingers snaking up to his nape to guide him towards your waiting lips.

“Forgot something, cowboy?” You say against his lips, and he nudges your nose with his own.

You feel something grazing against your chin, and when you flick your eyes down, you see a letter written in his hand, addressed to you. You tamp down your excitement, snatching the envelope, giving it a peck and tucking it inside your jean pocket.

“Never, read it together like always?” He pecks your warm lips once, then twice before indulging himself in your warmth.

“Yes,” you utter, breathlessly. “But inside, your tea, and the girls are waiting.”

Hobie chortles, kissing you again before reluctantly pulling away. “They're awake?”

“They smelt breakfast.” You inhale, letting his sandalwood and mint scent waft over you with ease. “If you hurry, there might still be some left for you.” You begin to walk away, hand grasping his palm.

“Alright, just one more then we'll go.” He pulls you back to his chest gently as you giggle atop his lips. He kisses you like he did all those years ago.

In the middle of nowhere, his story begins. And in the middle of nowhere, his story ends with you.

A/N: Thank you so much for sticking around this long! Our beloved cowboy is finally happy and at peace 🥺 If you loved reading OPIN please consider reblogging ❤️

[xxvi0lent-vahlkampfiidaexx]

personal opinion but instead of campaigning to end factory farming and freeing all the animals and telling everyone to go vegan we need to submit strict legislation with harsh consequences where we force companies to be humane. Unfortunately a lot of people need meat to be healthy (I am one of them) and/or cannot financially afford to be vegan. And going vegan doesn't save any animal lives, we need to push for humane treatment of animals in factories and slaughterhouses. Give these animals good, healthy lives before the inevitable end. The thought of how we just allow animals to be abused to such a massive extent sickens me.

[duckduckgrem]

I dunno about you, but I personally enjoy seeing the height differences between characters. So here’s a lil’ group photo with Elluna + the first four relationship candidates that have been posted for Witch of the Greenwood >:3

From left to right, we’ve got Velia (she/her), Sunshine (he/him), Elluna (she/her: player character), Grimalkin (he/him), and Ildri (she/her). By my count, that’s about 1/5th of the total relationship options in the game! 

I think I’m gonna post about 80% of the relationship options in total, because I think it’s gonna be fun to have a few character surprised that aren’t revealed until I get the game into y’all’s hands. So far that list of surprise ROs is 4 characters long... and counting lmao

Honestly the character list in general is just continuing to expand, because I am a fool, and like to create extra work for myself. 

And for @dovelydraws! Who is the artist behind these amazing characters :) Go check them out if you haven’t already! 

Last but not least, a reminder:  Witch of the Greenwood is a queer, polyam life/dating/farming sim set in a magic forest and following Elluna, a young Witch finding her place in the world. 

If that sounds like your cup of tea, follow along to see my progress as I stumble through solo indie game development :)