#to show me how much these things have affected me and how much it hurts me

[ennn]

Unpacking the Deals of Ep 8: Why and What They Mean

So episode 8 is... let's say a bit of a mess. I know there's some confusion around why Agatha proposes her terms for the first deal, why Rio flipped into cackling villain mode, why Rio makes another deal, etc.

Here's my read that hopefully helps draw a line from point A to B to C.

Let's consider the context of the first deal: Agatha's not having a good day. Two coven members who Agatha never expected to care about have died trying to protect her – a thing that has never happened before. And Death happens to be a person she can blame.

Death, who is pressing on that bruise ("Your coven is shrinking") and making her shitty day worse because she wants the kid Agatha is hardcore projecting on (and also didn't plan to care about) to die. Just like Nicky.

But Agatha then realises she has leverage on Rio. For the first time in forever, she has an advantage she can exploit. She can be in control.

And it's almost instinctive for Agatha at this point: finding the best buttons to push, the best terms for her given the opportunity.

Agatha: If I deliver Billy, you let me go. Rio: You will eventually die, Agatha. Agatha: But I want you to stop pursuing me. I want you to stop making my life hell. And when I die, a long, long, long, long, long time from now, I don't want to see your face. Rio: ... Okay.

The terms that Agatha sets out seem cruel because they are. She says what she does because she wants it to hurt. Agatha's not only rejecting Rio's continued presence in her life, she's denying all the love that Rio's given her, building on what she's said before ("You gave me nothing.")

From Rio's POV, Agatha's cutting words aside, this entire deal sucks. Because the options are:

(a) Agatha doesn't hold up her end, which Rio knows might happen: Rio knows Agatha cares about Billy ("I know how you feel about him"). Rio's constantly reminding her he's not Nicky. She was already doubting Agatha would deliver her usual number of corpses. She saw how affected Agatha was after Alice's death.

If Agatha doesn't help, she'd be choosing a boy over everything Rio's done again – and this time another woman's.

And if Rio somehow manages to take Billy anyway, Agatha will end up hating her twice forever.

(b) Agatha does hold up her end, which might also happen: Rio knows Agatha's manipulative and smart and capable. More than that, she's well aware Agatha hates her. That Agatha still doesn't see what she's done for her ("No one in history has had special treatment like you").

That she knows Agatha does care about Billy but maybe hates her so much that she's willing to go through with this to cut her out from her life. Billy would be a dear price but one Agatha's maybe willing to pay.

Even if it was a 50:50 chance for these options, I think Rio realises her relationship with Agatha is doomed either way.

Either way she does her job, with or without Agatha's help, she's going to be rejected and lose. One's just a slower path than the other.

I think that's why Rio gives in to her rage and bitterness and spite. Agatha thinks Rio's been making her life hell? She'll show her hell.

And Agatha, well I think there's some merit to the thinking that she didn't expect Rio to fold that quickly and completely.

Now for the context of the second deal, it's not clear whether Rio knows what happened with Tommy. I assume Rio doesn't – not yet anyway – as she doesn't mention it at all and seems focused on squaring that one life Billy stole.

Now here's where it gets a little squirrely, to borrow Schaeffer's language. Because if you don't look too closely, it seems to make sense: Billy stole a life so to maintain the natural balance, Rio needs to take a life, the one Billy has now.

But how does Agatha's life work as a substitute for this imbalance (“This means you’re coming with me”)? Would any other person’s life work? Could Rio have swapped someone else's life to save Nicky then? Agatha would have been all too happy to arrange for that murder.

I doubt the show is ever going to explain this so I offer few possible theories to deal with this weirdness:

Billy Maximoff is a product of chaos magic, so his existence and everything he affects already throws off the natural order, just to different orders of magnitude. Agatha’s life works as a substitute because his life is now intertwined with hers e.g. his hex probably saved her life from the Salem Seven and has the potential for greater imbalance

Rio is aware of Agatha’s tendency towards chaos and defiance of the natural order. Rio bent the rules of the universe only for Agatha. Taking her life would protect the balance in the larger scheme of things – if only so Rio won’t be further tempted to give her special treatment.

When Rio’s torturing Agatha it’s before she presents the second deal. So she’s still intending to go after Billy, she’s just removing Agatha as an obstacle while lashing out in rage and heartbreak.

In this moment Rio probably thinks Billy's in the wind. She saw how upset Billy was with Agatha at the end of episode 5. And Rio knows the reputation Agatha keeps ("Why do you let them believe those things about you?"), Rio probably thinks Agatha deliberately drove him off to keep him safe.

Then Billy pops up and Rio sees that Billy and Agatha care about each other and they're both aware they care about each other.

Fuckin’ great. Rio's not bitter at all.

Looks like you two are finally on the same page. So I'll let you decide. One of you stays with me. The other walks free.

Agatha proposed a deal designed to hurt her? Now it’s her turn.

From Rio's POV, I think here are the possible outcomes:

(a) Agatha sacrifices herself for Billy: Not impossible I think. Rio knows Agatha cares about the boy but she also knows Agatha will do anything to survive. She thinks she's above death. But again, I think Rio also knows Agatha would have sacrificed herself for Nicky if she had that choice.

What did Lorna want from the Road? To save her daughter.

This isn't an ideal outcome for Rio but she’s already resigned herself to losing Agatha I think, one way or another. This way if Agatha wants Billy to live so badly, this is the price she has to pay. The high cost of living.

(b) Billy steps up and sacrifices himself: Very possible given that Billy’s a young heroic sort and already showed up, risking his life to power up Agatha. Rio gets to do her job. Agatha will probably hate her more given the Nicky trauma but Rio’s already resigned to this on some level already, which is why she's raging.

Either way Agatha's going to hurt, and Rio's going to hurt.

It's interesting that when Billy does volunteer himself and Agatha seizes the opportunity to remind Rio of their earlier deal, Rio just shakes her head and looks amused.

You can also see for a brief moment Agatha looking almost remorseful about doing this before slipping her theatrical villainous mask on, overcompensating for her true feelings.

Do you remember pain? It kinda tickles doesn't it?

By the letter (not the spirit or intent) of the first deal, Agatha did ultimately fulfil her part:

I can arrange that. I can get him to the finish line and deliver him to you.

This is an opportunity that's almost impossible to resist for someone as calculating and ruthless and selfish like Agatha. She has power (chaos magic no less), she can have Rio leave her alone forever (she knows Rio honours her word), she knows Billy cares about her but can she really trust him?

But Agatha ultimately decides to take a risk. A calculated one sure, but still a risk.

I think the beauty in the kiss and her sacrifice is how – despite her calculating the odds – Agatha is choosing to give in to what she feels and wants in that moment.

Because she does want to protect the boy in a way no one did for her when she was young. She wants to save Billy like she couldn't with Nicky. And she does want Rio so much despite everything that's happened.

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[lee-laurent]

Together Again - Luke Hughes

Summary: Luke and Tori rekindle their relationship

content: angst, fighting, fluff, lots of fluff, oc x ex!john marino

wc: 3.3k

notes: PART 9! ONE MORE!!! i think the resolution between luke and john is kinda abrupt, but i didn't want to drag it on anymore and i think john would come to his senses. so... also this ends on a conversation that's gonna be the plot of the next part!!

Showing up at Luke's door made her feel like she was in a rom-com. Would've been even better if she was soaked in rain, but... she wasn't. Instead, she was awkwardly standing outside Luke and Jack's apartment, her hand raised to knock when it flew open, revealing a very put-together looking Jack.

"Tori?"

"Jack?"

"Yeah? I live here. What're you doing here? Luke doesn't want to see you."

"Oh, um, he doesn't?"

"No, he--"

"Who're you talking to?" A groggy Luke joined his brother at the door, his sweatpants hanging low on his hips, his hair a mess. "Tori?"

"I was just telling her to go. I--"

"No, no. It's fine, Jack. Come on in," Luke yawned, pushing his older brother out of the way.

"Whatever. I was just leaving anyway," Jack rolled his eyes, shutting the door loudly behind him.

"Where, um, where's he headed?" Tori asked, awkwardly rubbing her arm.

"Huh? Bar, probably. Not sure."

"You're not joining him?"

"Not really in the mood. More focused on the fact that the girl I'm supposed to be on a break from is standing in my apartment."

Tori let out a shaky breath. "I know I probably should've texted first. But... I wanted to tell you in person."

Luke sighed, leaning against the wall, his eyes studying her. "Wanted to tell me what?"

The words came out sharper than he'd intended, and he sighed again, pinching the bridge of his nose. "Sorry, I just... I don't know what you could possibly have to say to me, Tori."

She stepped closer, her voice barely audible. "Can I start with 'I'm sorry?' Because I am sorry, Luke. I thought that taking a step back, would help things. But I just pushed myself back to John. Which... which isn't where I belong. I belong with you. And I-"

"Yeah? Sleeping with your ex-boyfriend really did wonders for your self-discovery, didn't it?" he bit out, his voice dripping with hurt. "Not the fact that he's your ex for a reason?"

"Luke. Let me finish. I know what I did feels unforgivable. But it really did make me realize that John isn't who I want. He's not who I need. Not even close. And honestly, he never was, even when we were together. It's you, Luke. It's been you for a while now."

Luke looked down at her, his jaw clenched, his hands flexing at his sides as he processed her words. Finally, he murmured, "How am I supposed to believe that? You don't know what's it like... thinking that I wasn't good enough. Like I was just a... a place-holder."

"You were never that to me, Luke," she whispered. "I didn't leave because of you. I left because I was afraid of how much I felt for you and how it was going to affect my family. And I know how backwards that sounds. I know. But I didn't know what to do with it. I thought I'd figure it out and come back to us more... solid. More sure."

"Yeah, well, I didn't need you to be 'more sure,'" he replied, his voice thick. "I just needed you."

Tori's hand reached out, her fingers brushing his bicep. "Luke... I know I messed up. And I'm not asking you to just forget it all. But I'm asking you to hear me. Because walking away from us was the biggest mistake I could've made."

"I just... it made me feel..." He trailed off, struggling with his words, his fingers nervously brushing through his hair.

Tori stepped even closer, until there were only inches between them. "I know. I'm sorry. I thought I needed clarity, but I just need you. Luke, you're where I belong and I'm sorry it took me this long to realize."

He swallowed. "And what if I don't know if I can just... let it go, Tori? I refuse to go through that again."

"Again, I'm not asking you to let it go," her hand found his, removing it from his hair before he made himself go bald. "But I'm asking you to let me try. Let me show you that I want to be here. I know I made a royal mess of things, but I'm willing to put in whatever it takes to make things right. If you'll let me."

Luke's gaze softened as he looked down at their intertwined fingeres, and his thumb began to trace gentle circles on her knuckles. "I've missed you, you know that?"

Tori's heart leapt, but she kept herself steady. "I've missed you too. So much, Luke."

His lips quirked into a faint smile as he looked at her, the distance between them closing even more. "Alright. Maybe we can try again. But this time... no second-guessing, okay?"

She nodded, tears pricking her eyes as relief washed over her. "No second-guessing," she echoed. "I'm all in this time. For real."

And as he pulled her into a tight hug, Tori let the tears finally fall. They were finally starting over--together.

~~

"Are you sure you guys are going to be okay?" Tori asked Ally for the tenth time.

"We're gonna be fine, V. Relax. Go have fun with Luke. Ri-Ri and I are gonna have a blast," her best friend laughed, placing her hands on both of Tori's shoulders. "Breathe."

Tori let out a long breath, closing her eyes as she tried to relax. It wasn't the first time she was leaving Riley with a sitter, especially Ally, but the nerves of going on a date with Luke again were getting to her. Her instincts were kicking in and she felt the need to protect herself and her son.

She took one more deep breath, giving Ally a grateful smile. "Okay... okay. I'm fine. Thanks for helping out."

"You deserve this, Tori. You'll come home, and Ri will be fast asleep."

With one final hug to Riley, who was happily playing Paw Patrol in the corner, Tori headed to meet Luke. Why was she so nervous to see the man she loved? Maybe she was worried about ruining everything again.

When she arrived at the quaint pho restaurant, she spotted Luke right away. He looked more put together than when she'd showed up at his apartment, and he broke into a smile the moment he saw her.

"You made it," he stood up to greet her.

"Almost didn't, but Ally wouldn't let me dip on you."

Luke laughed. "Remind me to thank her." His voice softened as he looked down at her. "I'm glad you're here."

They settled into their seats and Luke gestured to the menu. "This place is a hidden gem."

"It's perfect. I haven't had pho in ages. Eating out with a toddler usually only consists of Chick-fil-A and pasta. So this is a treat."

Tori was worried that the conversation would be awkward, that they'd sit there in silence between topics, but it wasn't. It was just like it was before. The conversation stayed light, talking about Riley, hockey, and funny things they'd seen recently. But as the bowls grew emptier, the conversation grew deeper, more reflective.

"Luke, y'know that I don't take any of this for granted, right? Being here, with you... it's everything to me."

Luke reached across the table, his fingers brushing hers. "I'm glad you feel that way, Tori. Because I don't want half of you. I want all of this--all of you."

"You have all of me, Luke," she whispered. "I'm here."

Luke's smile grew, his eyes warm. "Tori, I don't think I can even put into words how much I missed you... and Riley."

"Riley will be thrilled to see you. He never shuts up about you and hockey."

"Future NHL player."

"Hmm... not sure about that one."

"I'll train him. He'll be skating in no time."

Tori shook her head, failing to hide her smile. "Whatever you say, Luke. Whatever you say."

~~

"Ri-Ri, look who's here," Tori grinned, pulling her son's attention away from his Duplo.

"'Uke!" he screeched, running to the door. He wrapped his arms around Luke's leg, hugging as tight as he could.

Luke chuckled, leaning down to ruffle Riley's curls. "What's up, buddy?" he asked, grinning as Riley clung to him like he'd never let go.

"'Uke! Play 'ego!" Riley said, tugging on Luke's hand, leading him eagerly to the pile of brightly coloured blocks on the carpet.

Luke shot Tori a smile over his shoulder, clearly happy to be back. She couldn't help the warm feeling that spread through her as they interacted. It was a different feeling than the one she got watching John and Riley. She wasn't sure how to explain it, but the feelings were too different to compare.

She settled onto the couch, watching as Luke dove into building towers and playing Bob the Builder with Riley. The two of them fell easily into their rhythm, Luke making exaggerated sound effects that had Riley giggling uncontrollably. Tori had never seen him so at ease with anyone except maybe his dad.

"You've got quite the builder here, Tori," Luke smiled, helping Riley to rebuild Scoop, the yellow digger. "Forget hockey. You've got a future architect."

Tori laughed, loving how natural it was having Luke there. She could picture their life together with Riley--a little family unit. He fit seamlessly into their lives. Why had she ever had doubts about him? Why had she let herself get in her head and sabotage something that clearly made Riley and her happy?

"Should we see how high of a tower we can build, Ri?" Luke whispered, earning a very enthusiastic nod.

"'uper tall!" Riley squeaked, handing Luke another brick. He balanced it easily, but then, with a grin, reached for Riley's nose.

"Boop! Oh no, the nose monster got you!" Luke declared, making Riley shriek. "We better protect our noses!"

Riley threw his hands over his face, giggling as Luke chased him around the room. When he finally caught him, he scooped him up, spinning him in the air as Riley erupted into laughter. Tori had never heard him laugh so hard in his life.

"'Gain! 'Gain!"

Luke raised his eyebrows, pretending to consider it. "Hmm... I don't know. I might be too tired. Unless..." He gave Tori a playful glance. "Unless Mama helps us with our super-duper high tower!"

"'Elp us, Mama! 'Elp us!"

Tori laughed, sliding down next to them, joining in the building with mock-seriousness. "Alright, team. Let's make the tallest tower ever."

They spent the next half-hour building, laughing, and toppling their creation over and over. Eventually Riley snuggled up to Luke, yawning with a sleeply smile, clearly ready for a nap.

"Nap time, Ri?" Tori asked, standing up and brushing off her jeans.

"No 'tank 'oo."

"Wasn't really a question, bubba. It's nap time."

"I don' know," he shrugged, snuggling closer to Luke.

Luke chuckled, looking up at Tori. "Someone's found a new nap spot."

Tori shook her head, smiling as she crouched back down beside them. "This is maybe the second ever time he's not wanted a nap," she teased.

Riley grinned sleepily, his eyeslids drooping. "Nap 'Uke," he mumbled, pressing his face into Luke's shoulder.

"Looks like you've become the favourite... again."

"What can I say? I build a mean tower," Luke said, gently adjusting Riley. "He's a special kid."

"He is," she whispered. "Thanks for being here... with us."

He reached out, giving her hand a loving squeeze. "Wouldn't have it any other way."

~~

Tori was on the phone with John, pacing around the living room while Luke and Riley happily played with his toys on the floor. Luke's laugh echoed through the room as Riley squealed, but her attention was on listening to John's request.

"Look, Tori, I know it's last minute, but I need to switch weekends with Riley. My brother can't come another time, but I'll take Ri next week to make up for it. I promise."

Tori bit her lip, looking at Luke who was obliviously helping Riley with his game. Next weekend was the first free weekend that Luke had and they were planning an outing to the aquarium. Riley hadn't been since he was one and Tori wanted to see if he'd still love it as much as he did then.

"John, next weekend's... kind of important," she said, hoping he'd understand without pushing. "We have plans."

"I get it, Tori, but I wanna spend time with my brother, it'd be hard with--"

"Maybe you should've thought of that before we had a child, John. I--"

"I'm asking you to switch one weekend, Tori. It's not that deep."

After a long pause, Tori sighed. "Fine. We'll work it out."

She ended the call and sat down, watching Riley climb into Luke's lap, his face lit up as he explained the latest addition to his Playmobil pirate-ship. Luke looked up, noticing Tori spacing-out.

"What's up?" he asked, setting Riley on the floor next to him, the toddler still babbling away.

"John needs to switch weekends," Tori said, trying to keep her tone neutral. "I... it would mean Riley would go to his next weekend instead of this one."

Luke's face fell, though he quickly masked it. "Ah, okay. I know you were looking forward to next weekend, but shit happens, V," he said with a small smile, though there was disappointment in his eyes. "It's gonna be fine. I mean, I can cancel shit with Z and Jack this w--"

"You're not cancelling on hanging out with your friend for us. We'll reschedule. I... I want you to be there with us. A little family outing, but you didn't sign up to cancel shit with Jack."

"Tori, I know what I signed up for. And I'm here for both of you. Z and Jack will understand."

"Nope. No way. You're not cancelling. John--"

Luke sighed.

"What?" Tori's brow furrowed.

"Just... sometimes it's hard knowing that because John's in Riley's life... he'll always be in yours too."

"I know it's not ideal, but... you're not a second choice. I promise."

"I know, V. I know. I--"

"Mama! 'Uke! Pirate! Arrr!!! 'Uke, 'oo play now?"

"One second, bud. Just let me finish talking to Mama."

"Everything is gonna be fine, Tori. We'll figure this out. Don't let it stress you out. I love you."

"I love you too, Luke."

"'Uke!"

"I'm coming, Ri! Let's see your pirates!"

Tori sighed, running a hand through her greasy hair. She had been looking forward to John's weekend. She was going to take a nice shower, clean the house, binge some TV and drink a few glasses of wine. Now... she was gonna have to take a babywipe shower and pray she didn't fall asleep in the middle of the day.

~~

Luke was packing up his gear when he noticed John lingering by his stall. It was unusual for them to end up alone together, but everyone else had already cleared out. Luke hesitated, but nodded in John's direction, signaling he was ready for whatever conversation John wanted to start.

John approached, hands tucked in his pockets. "Hey, Luke. Got a minute?"

"Sure," he replied, setting down his bag. He straightened, unsure of where this was going.

John shifted, looking uncomfortable but determined. "I just... I wanted to say that I appreciate how you've been with Riley. He talks about you a lot, and Tori said he's clearly happy when you're around. I can see it too."

"Thanks, John. Means a lot. Riley's a great kid, and I care a lot about him."

John nodded. "Look, I'll admit, it hasn't really been easy watching another guy take on such an important role in my son's life. But it's obvious Riley looks up to you. And I don't want him to feel like he has to choose between us, y'know?"

"Trust me, I don't want that either," Luke said sincerely. "You're his dad. I'm never gonna try to take your place. But I also want to be there... for both of them."

A silence hung between them, a final mutual understanding. Finally, John cleared his throat. "I think as long as we're both on the same page... for good, that's what matters. Riley deserves to have people that care about him. And I see that you really do."

"Absolutely. I'm here for both of them, but I respect your role in his life."

John extended his hand, and Luke firmly grasped it, both of them nodding. This was it. Peace at last. They finally had made peace. And Luke felt a renewed sense of purpose. Riley and Tori were his family. And he'd support and protect them, no matter what.

~~

Tori was scrolling through her phone, her half-eaten bowl of cereal forgotten in front of her. Riley was at John's and she was finally getting a moment to hereslf.

"Hey," Luke said, sliding in the room, looking... oddly calm.

Hey," she placed her phone down. "What's up?"

"I had a chat with John the other day," he began.

Tori swore her heart stopped beating for a second. "Oh?"

"Yeah. It was... it was good. We talked about Riley, about us. And we, uh, we finally seem to be on the same page."

"Wait? Really?" She couldn't believe that John had been so mature about it. "That's amazing, Luke! I'm so happy to hear that."

"I know. It feels good. Like the weight has been lifted off us."

Tori nodded, returning to her cereal. "Thanks for doing that, Lu. For all of us."

"Anytime, V. Anytime."

~~

Luke wasn't used to activities that involved lots and lots of excited children, so he couldn't help but feel a little out of place at the aquarium. He watched as kids ran around, their voices echoing through the dimly lit rooms, poiting at fish and pressing their faces against the glass.

Riley, who was practically vibrating with excitement, darted ahead, running as quickly as his little feet would take him. "'Ook! 'Uke, 'ishies!" he squealed, his face lighting up at the sight of a massive tank full of colourful, tropical fish.

Luke laughed, crouching down beside him. "Ya see that big one over there, Ri? I think it's giving you the stink-eye," he whispered conspiratorially, making Riley giggle. They stayed there, noses pressed to the glass, Riley's hand clutching Luke's while Tori trailed behind, smiling at how perfectly they fit together.

Riley pointed at an orange clownfish. "Nemo!" he declared proudly, looking up at Luke for confirmation.

"Yep, that's Nemo! And what about that one?" he pointed to a tiny, darting blue fish.

"Dowy!"

Tori joined them, her hand brushing Luke's shoulder as she knelt beside them. "Expert fish spotter Riley Marino. I like the sound of that. What about you, Ri-Ri?"

"Wiley Mawino!"

"Yes! That's you!"

They moved through the exhibits, Riley darting between tanks, his awe palpable. Luke and Tori held hands, exchanging smiles as they watched Riley live his best life.

"We should do this more often," Luke suggested, squeezing Tori's hand.

"You think?"

"Duh! This is so much better than sitting around and playing 'chel with Jack all day."

Tori cackled, "Luke!"

"Just telling the truth. Love you, V," he turned, pressing a kiss to the side of her head.

"Love you more, Lu."

~~

"You want me to meet your family?" Tori asked, trying to make sure she had heard Luke correctly.

"That's what I said."

"Luke..."

"I know, I know. It's a big step, but I know everyone would love you and Riley. It's a good chance for him to hang with new people."

"Meeting you family is... big. Like life-changing big."

"I know it's a big deal, but I wouldn't ask if I wasn't sure. Plus it's just a few days at the lake, nothing intense. My mom will eat up the time with a toddler. I think she's been secretly waiting for a grandchild."

Tori laughed, adjusting the sleeping toddler on her lap. "I... can I have some time to think about it? It'd be our first vacation together and my first time with your family. That's..."

"You've got all the time you need, Tori. Jack, Q, and I spend like most of the summer there, so any weekend that works for you... we'll make it happen."

"Deal."

[sillyhahasilly]

Can we plz have some headcanons for Cal/Andre comforting the other one after a bad day? :) 💗

caldre hurt/comfort hcs!!

such a good idea bro.

when andre has had a bad day it's usually bc smth (bullying) happened at school or he got overwhelmed with emotional anger from whatever. he becomes more snappy and erratic. he has quiet panic attacks where he doesn't cry or shake or anything and all of it happens in his head. others don't notice, but cal isn't others. andre isn't happy that cal can read him like a book bc he doesn't like being emotionally vulnerable, but there is not much he can do abt that.

to comfort andre cal:

let's him angerly rant abt wtv is bothering him. he watches andre get embrassingly mad abt it, but doesn't say anything, letting andre express his emotions w out even jokingly making fun of him because andre rarely opens up anyway.

brings up the upcoming zd and how they are going to show everyone, saying how none of the shit people do to andre means anything bc andre is sm better than them. cal knows how andre views zd as sort of childlike justice and destruction, and letting him fall back on that belief makes andre feel better.

joking around w andre abt unrelated shit to wtv is bothering him. making him smile and laugh and momentarily forget abt life is smth cal is very good at.

planning smth for them to do that he knows andre would go along w without question. he will tell him, pick me up at this time, and when he's picked up he says, let's go here. he leads them to places or things that andre will enjoy.

grounding touch when andre let's him. a hand on his shoulder or back, rubbing circles into his arm or wrist, a hug that's a little awkward.

grounding touch when they cross the line into becoming more of a romantic/sexual unlabeled relationship is different tho. cal will spoon andre and put his arms around him. play with the hair on the back of his neck. kiss his neck non sexually. (nsfw warning) distract him w consensual sexual favors, like blowing him.

when cal is upset it's usually bc of his derealization and dissociation and/or desire to die, sometimes happening for no decernable reason while other times bc smth at school triggered it. he zones out and his conversations and actions are disjointed from reality. think the last scene in the car before the shooting where cal took a while to respond to anything andre said as an example.

to comfort cal, andre:

invites him to do some mindless tasks w him, like play video games. he sometimes w drive them somewhere but tell cal he needs his help w directions from a map or smth bc that keeps cal's mind in the forefront.

I think andre would be very aware of cal's emotional state all the time, even tho it's not obv. cal doesn't think andre can tell at all. andre js doesn't know what to do to help and he gets in his head about it, not wanting to make things worse bc he silently cares sm.

he learned quick that talking abt zd can make things worse for cal when he is in those states, so he avoids it.

he invites cal to stay the night at his house so he can be away from his busy family of whom he would need to mask around.

he js let's cal talk slow and dissociate, whether it's good for him of not. cal appreciates it tho bc he feels like someone is always trying to get him to be normal, so it's nice to js be.

cal likes hugs, so andre hugs him even tho he is weird abt physical affection at times.

when things have been really bad w cal for a while, andre will buy a new video game or cd for them to share together to try and cheer him up. it sometimes works.

there ya go!! if anyone wants to to elaborate on any of this lmk I'd be happy to :]

[hey-august]

Saw the cuteness aggression post you reblogged and would feel blessed if you ever wrote whump fic with Buggy because I would ALSO love to try and comfort a man who just staggered into the room bloody, beaten and bruised, clearly just thumbling over the threshold of “show no weakness” to “in so much pain he doesn’t even care anymore that he’s hiccuping and sobbing like a child while clinging to you” hurt comfort with heavy emphasis on the hurt? Yes pls

Anon, I'm so so sorry for how long it took me to get to this. I love me some angst and whump, and while I had ideas, the motivation to write was not working with me.

I don't want to keep holding onto this and leave you hanging for even longer, so I wrote out my idea in bullet point format.

I hope this still hits the spot!

WC: ~550 Warnings: buggy x gn!reader, mentions of blood and burn wounds

You and Buggy have an unspoken thing. A mutual pining. There's respect and some affection. A closeness, but still distance and a barrier that neither of you acknowledge.

You're the ship's doctor and the crew was in a rough fight. Lots of injuries, ranging from minor scuffs, to teeth knocked out, stitches, broken noses and broken bones, blood and tears - it's a lot in a short period of time.

You're doing what you can, and those who are less injured are helping where they can.

Once you get through those involved, the captain is the last one left needing your attention.

Maybe he's been sitting nearby the whole time, waving away anyone coming to triage or check on him, snapping that he's fine. Get the hell away from him.

But when the room empties, Buggy crumbles. It starts small, bit by bit as you assess him.

His busted lip is split and bleeding, the color mixing with his smeared lipstick. His right eye is swelling. His beautiful hair is singed. The affected tips are stuck in terrified curls from trying to run from the heat. The smell is clinging everywhere.

But the worst are the burns. You're not sure what happened - some of the other crewmembers had burns and scorch marks, but not like this.

Your captain has some rough wounds on his arms and torso, where the heat ate away at the fabric before feeding on his skin and flesh.

He's wet and sticky. Swaths of skin are weeping. Buggy's feeling exposed, tender, and hurt. Pain is radiating out while regret and fear are falling inwards.

All it takes is one soft comment from you. "You must be in so much pain." You were talking to yourself, but it's the acknowledgement that Buggy must have needed.

The eyes that had been avoiding yours, stopped holding back tears. His clenched jaw and tight lips quiver. He nods.

You can't fathom how much it hurts to move, but Buggy has his arms wrapped tightly around your midsection. His hands are clutching your clothes, pulling them taut. It's like he's a cracked vessel, losing liquid and life, but maybe you can keep him together. Maybe you could fix him. And if not, he wouldn't be alone as he breaks.

Hurting more is often part of getting better. You know this, and you let it happen.

You let Buggy cry against you. You let his tears, snot, spittle, and worries seep into your clothes. You hold the back of his head and put a hand on his back, and rub. You let your own stinging tears fall.

Noises get caught in his throat and Buggy fixes his hold, as if he's trying to wrap himself around you even more. As if he's trying to squeeze every drop of comfort and care from you.

His hands are detached, fingers stretched and probably barely connected, all so he can hold more of you. Even his feet are shuffling, seeking contact against yours. His knees knocking against your legs.

Buggy continues until he's hiccupping and coughing. Until he has a headache and his eyes are bleary.

You should have stopped him sooner. Some of the oozing wounds started to crust and are clinging to the fabric of your clothes.

Buggy whines and grunts as he literally peels himself away.

You still need to clean and dress the wounds, so another round of pain. One could argue that you should have gone ahead and done that right away, but no.

Despite the visible injuries, there's invisible damage that needed to be soothed.

You can almost see Buggy picking up his broken pieces and putting them back together. Recreating a wall, a mask, a barrier.

You know what's on the other side, though. And you will be there whenever he needs you.

[youmakethelight]

I felt every word of this in my soul. Shalaka always has the best and most thoughtful takes.

I really want to talk about the ash and carol scene where ash shouts at her. And I really want to thank Shalaka for speaking about this bc it helped me understand why I felt so uneasy about it and why I've been dreading rewatching it.

(To clarify, I have absolutely no complaints about Manish Dayal or Melissa McBride. I think they are both incredible actors, and I think they absolutely smashed their performances. My issue here is with the showrunner and the writing.)

Before I watched it myself, all I heard people say about this scene was how nice it is that Carol told the truth to Ash, and how nice it is that Daryl told her to tell him..

Well, when I watched it myself, when Ash started shouting - I wasn't okay. Carol's reaction made me feel uncomfortable in ways I really didn't understand. To be honest, I sort of zoned out while it was happening because it felt so unsettling to me. I guess my fight or flight reaction was freeze.

And I realise now that it felt so unsettling because I've spent years with Carol, knowing that she has a history of abuse, but being able to feel how far she's come. It felt like armour to know that in spite of having that history inside of her, she's built layers that feel powerful and strong in the best way.

This scene felt like it stripped and peeled all of that back, and she was raw. It hurt. But the thing is, it hurt because it felt like the men creating the show were making this happen to her. And for what payoff? For that reason, it felt humiliating actually. It felt like disrespect. And actually, it felt like men behind the camera getting to feel gratified at seeing a woman "brought down a peg or two". These are the feelings I felt, even though I couldn't articulate why it felt that way. But it did feel that way.

As for Ash shouting as he did, this shocked me. Although this is a zombie horror show, it genuinely felt more scary to me that such a kind man, who I'd spent all this time beginning to trust, reacted in such a volatile way. It reminded me of how someone you trust to never hurt you just might.

Although his words were hurtful, I could barely hear them, because I was too preoccupied by how much the shouting put me in my fight or flight (or freeze) mode. For me, without doubt, the words would have had more emotional impact without the shouting. And honestly, it just seemed out of nowhere. It seemed out of character for Ash, excessive, and there was nothing in the script that helped me understand a reason for why he reacted quite so violently. And then we just move on as if it was okay.

What did the re-creation of carol's domestic abuse even achieve? Was the showrunner just saying "see, look, I did watch parts of your stupid show, I know about the abuse, I can show you I know". It felt gratuitous because it didn't seem to achieve anything.

In "Look at the Flowers" in season 10, when carol hallucinated alpha and she hurled verbal insults at carol, we saw a glimpse of how carol's history of abuse affects her. I found that to be much more of a sensitive exploration of this topic. Within that scene, carol was given space to respond in a way that didn't regress her. It felt more like getting to learn a bit more about her and how it feels to be inside her head.

My takeaway is that men like david zabel should not be allowed to write stories about women who have been abused.

Nine Lives Two Mics (Caryl Podcast) | New Episode

🎙️Deep Dive into 204 & 205 of #TheBookofCarol🎙️

A comprehensive review of Daryl & Carol’s arc in episodes 4 & 5 of The Book of Carol.

Spotify | Youtube

This podcast was recorded before the new teaser was released, and David Zabel decided to share his "vision" again. The next podcast episode will cover all of the above and a breakdown of some of the most talked-about scenes from the TBOC finale. Keep an eye out for updates.

[nomlioart]

i was supposed to do it earlier but i was really lazy lol, but here you go

my pepstavo hcs in a nutshell

a lil more in the tags 👁️ 

[bowtiestash]

one of the things i find funny now with my past shitty dnd experience is the fact that the problem player only seemed to really care about their own character, and whenever they drew dnd art it would look like this:

[jonsnowunemploymentera]

Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.

[bunnihearted]

🥡

[anti-transphobia]

I really REALLY wish people would start saying "have some sympathy/compassion" instead of "have some empathy". Feelings do often impact actions but....they don't have to. And a lot of problems arise when actions are taken solely based on emotions. The type of empathy I'm best at is cognitive empathy - recognizing and understanding how someone might be feeling - and that's a skill that's shaky at best. Emotional empathy I nearly completely lack. I can count the amount of times someone had made me feel their emotions on one hand (I think about three times in my entire life).

But then there's compassion. Compassion you can do regardless of empathy level. Compassion you can do regardless of how something makes you feel. People can have extreme levels of empathy and choose not to try to help someone that they could. Likewise, people can have zero empathy and choose to help someone. Emotions can influence actions but it's not the only thing that matters

I am technically not no empathy, but I'm so low and so bad at empathy and trying to apply it that I'm virtually no empathy. Moments of true empathy are mostly flukes for me. But I'm a very compassionate person! An example is when someone vents or is sad in a discord server that's really not about that/doesn't have a vent channel for a reason. Do you know how that makes me FEEL? Irritated. Irked. If it's a small line or two, fine, it slips out, especially when your reality sucks. Entire unprompted rants? Trauma dumping in the middle of other people's normal conversations? That pisses me off. But you know what I'll often do? I'll say a few words. Generally my policy is that I'm not going to devote a ton of my own energy at my own detriment for a stranger (had an issue with that online as a teen), but if it doesn't hurt me physically or emotionally to give a few kind words to someone hurting, then I see no reason not to do it. It doesn't take much time from me and it makes someone clearly struggling feel a little bit better. There's zero empathy or any kind of "I feel so bad for you" emotions there, and yet, because I generally believe in trying to make things better if you can, I comfort them. I acknowledge that someone is hurting and play my part to remedy the situation

This is why people need to decouple actions from emotions. You don't have to feel ANYTHING to do the right thing. Something isn't "less good" because their heart wasn't in it. If someone drops their wallet and you return it to them solely out of social obligation, guess what? A wallet has still been returned. Someone's money, debit/credit cards, and entire identity, was not lost. Someone was just saved a ton of grief by a simple act carried out by a person who doesn't give a fuck. The results of your actions is, for most every day circumstances, more important than how you actually feel doing them

[theloveinc]

oh my fucking god I've never sent in an ask before or anything but I just had to to say I'm so fucking sorry your therapist said that shit to you and treated you that way! thats so uncalled for and unprofessional of him and I'm so sorry you had to go through that. like who tf would ever make that comparison with you and the baby in general- let alone while in therapy? I know its not possible for everyone and its definitely a privilege but I highly recommend you get a different therapist (again ik it might not be possible for you though and sorry if thats the case). but either way you don't deserve to be treated like that especially while in therapy. I hope you're able to heal and feel better soon 💙

you are very sweet to say so🖤

I guess it didn’t come across very well in my initial expression of what happened, but I think a lot of his anger came from him trying to get across to me just how bad the circumstances that I’ve put myself in are. He’s normally a great therapist whom I like and trust but the conversation ended up extremely heavy and difficult for me to … respond to in a way that… helped alter my thinking to something better.

He himself also actually suggested that maybe he’s not the right doctor to address the things I need to heal, but he also said it seems like I’m someone who shouldn’t be coddled bc … I don’t make any improvements that way (which 😭). Plus, tho the Auschwitz thing was weird… I think it was meant to be a comparison of the treatment I experienced as a baby to how the babies were treated there, but… ???

But anyway, in good faith, I’m gonna keep at it with him, at least for a couple more weeks to see if things improve. Normally our meetings aren’t as emotionally intense and hard for me to get through, but I do think they’re helping and because help is what I want… that’s a good thing.

However, your concern and wishes (and the opportunity you’ve given me to explore this in conversation) is super appreciated. It’s gonna take some work but I’m hoping it won’t be like this every time🌹

[insanechayne]

~ ~ ~

[always-a-slut-4-ghouls]

For the last couple days I’ve had a variation of the “take ibuprofen with me” meme that instead says “commit arson with me” and I don’t think I’ve ever seen a meme that actually said that, it’s just been haunting me and I don’t know where it comes from

[fortunately-bi]

...... If I went on a hiatus for who knows how long again would y'all hate me....... 👉👈

[fatal-blow]

growing up, my mum always told me, whenever i went to the doctors or any sort of health professional, that it was important that i told them that i was hypermobile. she'd done the tests with me (herself being hypermobile and disabled in large part because of it) and though she didn't know the details, she knew that hypermobility was important to have in my health record.

so it was to my great surprise and displeasure that, whenever i told doctors i was hypermobile, it was skipped over. never addressed, never touched on, not even a comment to belie what that meant for me. i myself didn't know the impact hypermobility could have on a person, but my mother had been insistent about that fact. it was important, so why did no one else seem to think so?

i grew up with kids in school who were on the extreme ends of hypermobility. i knew a boy in middle school who could put both feet behind his head. i knew a girl in high school with long, spindly fingers who showed me how far backwards her arm could bend.

both of them had health problems, which became more profound as they aged. i never knew the details, but it stuck out that they were hypermobile, and so was i, and with my own health declining there HAD to be a connection.

common knowledge gives the vague definition of hypermobility as extra stretchy muscles, of being double-jointed. it comes with warnings not to push your hypermobile body into the extremes. don't overextend, you will hurt yourself.

the warnings are warranted. the importance isn't overplayed. these things i knew, but i didn't know why. and without knowing why, they were warnings that i could never truly obey, despite how conservative i became with my movements in a vain attempt to protect what little ability i had left.

hypermobility is NOT stretchy muscles. muscles are supposed to stretch. in fact, it's important to their health (those conservative movements prolly hurt more than helped!). hypermobility affects connectives tissues, and lands under the umbrella of Ehlers-Danlos Sydromes (there are a few) which can range in severity from affecting skin and tendons to affecting blood vessels and organs.

severity is rare, and much easier to catch. this post is for the people who are "a little hypermobile" so that they can understand what makes their body different.

a muscle and its associated tendons are like a hammock. the muscle is the fabric you lie in, stretching to accomodate the load. tendons are the rope that attaches the fabric to the trees, providing a secure anchor for the muscle to operate.

so, what happens when the ropes on the hammock are also stretchy? well, you sit in the hammock and your ass hits the ground.

now imagine that the fabric of the hammock has the ability to clench like a muscle. a normal hammock doesn't need to work that hard to stop ass from meeting ground, because it has sturdy anchors. a hammock with stretchy rope, however, must exert several times more effort, because the more the muscle pulls, the more the tendons stretch.

in short, hypermobility forces your muscles to work harder, because they must first pass the threshold of stretch the tendons are capable of before it can actually do the task it's meant to do. the stretchier the tendons, the harder the muscle needs to clench, the easier it is to overwork.

this info reframed everything i was doing with my body. small tasks of strength required the effort of much larger tasks, and larger tasks ranged from extremely difficult to impossible. holding my arms up so i could work above my head required monumental effort. with an anatomical peculiarity of the feet, i needed to use several muscles in my calves and hips just to stand without losing balance.

so no fucking wonder i crashed and burned in my 20s, when everything i did took all of my strength to accomplish. no wonder i would contort myself out of shape, so flexible that i could anchor myself into extreme poses just to give my muscles a moment of relief, overstretching myself without ever realizing why, and what damage i could be doing.

so, some things to remember:

overextending isn't good for you, but it shouldn't be your biggest concern. instead, be aware of overexertion, both how LONG you are using a muscle without breaks and how HARD you are using it.

small, frequent breaks are your best friend if you need to do something for awhile.

when you take breaks, stretch the muscles you'd been using.

if you need to exert effort to maintain a pose (whether it's sitting, standing, etc) examine whether you need to be clenching those muscles, and why.

actually whenever you are using muscles, try to train yourself to use as few as possible. you can practice by sitting or standing, and relaxing as many muscles as you can before you tip over. finding a sense of balance can make your life so much easier.

become acquainted with what relaxed muscles feel like. chronic tension can distort your perception of this, and result in habitual tension.

so yeah. if you're hypermobile, that's important. don't let a doctor's dismissal make you think otherwise. take care of yourself and know what you are and aren't capable of.