#to see an art based on something i've created

[dipplinduo]

Happy 1 Year Anniversary to Sweet & Sour Dipplins!!! CHAPTER 24 IS HERE ❤️

Fun fact: did you know the anniversary date of this fic is Christmas Day? :) It's true! And as of today, Sweet & Sour Dipplins is officially a year old. 🥳

This fic initially started as a fun little idea - an enemies to lovers romance retelling of the Indigo Disk DLC with a toxic chain theory twist. It was a fanatical whim based on what is now my favorite pokemon game, and it was a blind attempt at creating something bigger than what I could initially picture. I loved romance and writing, but I was no writer - and certainty no fiction writer at that. I fully expected what I was doing to be a phase, where I quietly threw out a couple of half-baked chapters of into an empty void before it inevitably fizzed out with me moving on.

But then you all came along. The love that I have received and felt has been indescribable. I have been completely and utterly blown away by all of it: the number of readers, the playful and thought-provoking comments, the fun back and forth and theorizing in my ask box, the ART and the suggestions and the headcanons and the feedback?! It kept growing, and growing, and growing. And a year later, even as the fandom is a little quieter, it's all still here. You’re all still here.

My little ideas became a whole "au" (see, I've learned! xD). My “writing activity” that I was too modest to claim as a “hobby” became an identity that you all reinforced. I went on to not only write over a book’s worth for this story, but multiple books’ worth for others. In a very demanding, tumultuous, and tiring year in my personal life. Before writing this current chapter, I actually went back and re-read the entirety that is Sweet & Sour Dipplins. As the writer, there were a lot of ups and downs for me, and I don't speak as much about the downs. I could tell which chapters I wrote with pride and which ones felt rushed. Slowly but surely, I worried more and more about it being "interesting enough" as my audience grew. I worried about my motifs becoming “lost” in the inflation. I asked myself: Does it deserve the hits? Do people still care about this story the more the Earth rotates? And then I wondered: What is the true heart that is Sweet & Sour Dipplins? What actually pulls people to read this story?  What compelled ME to write this story?

And as I experienced it all as a reader myself, I think I began to see its soul in yet another light.

I remembered the visions I had as I was writing. I saw some things I didn’t see before, too, and even had moments where I went “Hey, you know what, I could probably write that even better now”, and it’s all thanks to you all for encouraging me to keep going.

But above all: I got the spark back. And I am excited to keep expanding the heart of this story as I share more of it with you.  

So without further ado, here’s Chapter 24 of Sweet & Sour Dipplins.

Merry Christmas & Happy Holidays!

With love,

dipplinduo

[scarycranegame]

oh on the topic of chappell roan i wanna talk about how i think the discourse about mlm ship content featuring "good luck babe" is dumb.

yes the song itself is about a lesbian whose ex girlfriend is in a compulsory heterosexual relationship, and as such wlw relationships and womanhood and femininity will always be intrinsically relevant and crucial to the song's meaning and importance (especially concerning the phrase, "you're nothing more than his wife", as the status of being "just his wife" is much different from the status of being "just her husband" in a cultural & social sense), but mlm also experience compulsory heterosexuality and thus may heavily relate to the song; and personally, i don't think it's such a bad thing that they relate to it.

i feel like i should also mention that i'm not specifically only talking about cisgay men either; trans men (both binary and nonbinary) also experience the social pressure of feeling as if they need to "prove" they're "real men", which is often equated with being in a heterosexual relationship, and from what i've seen in my own experience online it's become normal for others to mock and belittle men for "never having felt a woman's touch" or getting "no bitches" (among other vaguely comphet & misogynistic "haha funny meme" statements). additionally, men are still relentlessly bullied for being gay. for as many allies and fictional mlm enjoyers there are, there's 10 more school bullies that harass their peers for their sexuality, 10 more parents who kick their sons out for trusting that their family will accept them for who they are, and 10 more dudebros that regularly make homophobic jokes to the discomfort of their closeted friends. even men in mlm relationships are forced into traditional heterosexual roles by others' expectations; i.e., the "who's the man in the relationship" question, the expected/"ideal" mlm couple being a feminine twink and a masculine "real" man (especially when one of the men in the relationship is trans)

in my opinion, i think that while chappell roan's music is heavily based off of being a lesbian and being in relationships with other women (since she is one herself), it's also representative of the general queer experience, and thus relating to it and making art dedicated to it shouldn't be reserved for just one group of people. no amount of animatics or edits posted on twitter or tiktok or anywhere can erase the original context of the song.

additionally if you don't like when people make such content featuring the song, you can just opt to ignore it or block the person who created the content rather than calling them "misogynistic" or "lesbophobic" for relating to a song. it takes much less time and effort.

[sysig]

Oh getting very close now, villainy feels right around the corner (Patreon)

[batfluffs]

🍰[WAITLIST] 3D PIXEL COMMISSIONS!🍰

currently closed since i'll be on vacation until february 2025! send me a message if you would like to be put on the waitlist and i'll notify you when these are open again :)

i have comms open for little low poly 3d models!! i can do humanoids and anthros, whether its fanart or your own characters/OCs! feel free to message me with any questions 💗

if you would like a model of something that doesn't fall under the basic humanoid/anthro shape, message me and we'll see if it's something I'm able to do! :D

the base price for a character model is £45 !

to order, you can message me on tumblr or order through vgen ~

my prices are in GBP, but your payment method will be able to convert it from the currency you use :)

more info/full order form below "keep reading/read more" !!

[ keep reading / read more . . . ]

💗 please make sure that you have read and agree to my terms of service before ordering! i know it's a bit lengthy, but these are always to protect me as the artist and you as the client. even if you choose not to read it, these terms will still apply to you.💗

IMPORTANT: since these are low-res models, i may have to simplify designs/omit minor details, but i'll let you know if that may be the case!~

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ORDER FORM

when you're ready to order, please copy/paste the headings with the heart bullets, fill out your answers, then message the finished form to me!

under each heading i've included some information to provide more context to help you answer the form! you don't need to copy/paste those chunks of text.

if you have any questions about anything at all, feel free to message me first!~

❥ CHARACTER(S) (£45 each):

please include images/art of your character(s) for me to reference, and a description of their personality if you'd like!

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i can do various simple looping animations such as idle, walk/run, sit, spin, dance, float, etc.

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kofi: i'll ask you to send the payment as a one-time donation after we've discussed the commission info!

[please avoid ordering through the commission page with kofi if you can! it takes payment instantly after you fill out the form without letting us discuss the commission details first. i prefer to review the finished order form & answer/ask any questions before payment since sometimes that affects the estimated pricing, and just ordering straight through kofi might make you pay less or more than what the actual total is. thank you for your understanding! <3]

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i take payment upfront via paypal or kofi before i will begin working!

estimated turnaround time will be 1 month, though it tends to be shorter than that! however, i'll update you with delays or if it's expected to take any longer than that <3

thanks so much for reading this and for all your support!! 💗

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> you can find more examples of my pixel models/animations here! <

[parkersgnome]

⭐️Mima Rants⭐️

I remember coming across slideshow on tik tok this about a year ago, and even *I* (as someone who used to be grossed out by proshipping) thought was ridiculous…

This is the title of the slideshow.

Just a heads up guys, just like our favorite ships, None of these stories are real.

And if they were based on actual events, wouldn’t it make more sense to make a video about that instead of making up shit that never happened?

But, Let’s go through each of these as if they were real stories, shall we?

First one

“Caleb uses the internet to deal with his trauma”, Alright, I’m gonna stop you right there.

Isn’t “Staying off the internet is beneficial for your mental health” something we learned in, idk, fucking grade school? Cyber safety PSAs in middle school? Something that dozens of people have screeched from the top of their lungs since social media was invented?

Who the heck told him that being on the internet was going to help with his trauma and improve his mental health???

His feelings are valid, I get that. He has every right to be disturbed by Sage’s writings and fantasies. However, it seems that Sage isn't encouraging these actions in real life and keeps them strictly within fiction. As long as it’s in text or art, Sage has every right to express his fantasies.

Anyways, Caleb should seek a better therapist who can teach him better coping mechanisms like going out for walks, yoga, baking, or some other fourth thing instead of browsing social media where there’s a good chance he can run into something that makes him uncomfortable.

Next one…

“Jackie is 10-”

Yeah no no no no no no.. no… NO.

10-years-old. That’s, like, what? 4th grade? Shouldn’t Jackie be watching cartoons, playing with toys, or better yet, playing outside? Why did her parents give her internet access? Why aren’t they monitoring what their elementary schooled daughter is watching online?

If Charlie was going out of her way to promote this to minors then I would say she’s in the wrong, but this story never implies whether her content was specifically targeted to and/or letting minors come on to her account.

I've never seen proshippers create accounts specifically targeting children. If Charlie makes it clear her content isn't for kids, then it's not her fault if some random little girl she doesn’t know ends up consuming it.

If Jackie started to think this was normal, then it is her parent’s fault for neglecting her online safety and allowing her to access adult-targeted content at an age when media literacy is at an all time low.

The last one

“dEGenErates LiKE hiM 🤓” 💀💀

Once again, unless you can present to me a REAL LIFE incest/pedophilia case where proshipping was involved, this is not a valid argument that fiction affects reality.

Alas, we're treating these stories as if they were real. If Trey feels compelled to SA his sister after seeing writings or drawings of problematic ships, this suggests he’s likely an untreated mentally ill individual, especially since he can't differentiate fiction from reality.

What? If Trey played GTA V and started shooting and robbing a bank because he wanted to be like Trevor Phillips, should we consider banning violent video games?

As proshippers, we do not endorse real-life criminals and genuinely terrible people. The essence of proshipping is that all negative or degenerate actions should be confined to fiction. Understand?

End of discussion.

Anyway, as ridiculous as that slideshow was, please refrain from harassing or bothering the artist who made it. They have the same freedom of speech we do, and stooping to harassment and bullying wouldn't make us any better than antis who promote such behavior.

[bananadramaaa]

I’m curious, is Al’s hell form a little dated in your style? (A redesign to match his human form and race a bit more) or do you kinda keep him to canon? (Love your art. It’s amazing to see you create such lovely designs)

I'm ok with his design in the show. He's a demon there, 'cringe but free'~ and I based my human design on the show's version anyway, his features, I mean.

But I had my little experiment while silling around with him and Rosie. I tried to give him more 1920s–30s silhouette in his outfit. Like, monocle wasn't the most popular attribute to wear; at least it wasn't that popular in America to my knowledge, so I've changed it to pince-nez, for example. Also monocle was something like an indication that you have big money in your pocket which wasn't Al's case when he was alive. Yeah, maybe he was a popular radio host but I don't think because of his origin he was able to get that Rich Bitch status. A bowtie is possible (though I saw it mostly in formal suit combination, like at some wealthy people parties, not like as a regular wear), but a simple tie is more refreshing. There are already too many bowties in the show XD You know, just small changes.

[mimir-anoshe]

I love that ARCANE is using the MAJOR ARCANA for symbolism.

Chefs kiss.

These are Sevika's tarot cards from season 1.

The Magician (upright) overlapping Death (upright).

Foreshadowing? Oh hell yeah. But its only now after S2 Episode 6 do I understand what they might actually be foreshadowing. People may have talked about this before, so I apologise if this is similar to anyone else's meta. These are all my own thoughts, I usually just watch arcane and don't dabble into the meta but this season has me feral and I just rewatched season 1.

SPOILERS for Arcane S1/S2 below.

I just want to prologue this post with a note about how I've noticed even from season 1 there are thematic parallels and linear symbolism being afforded between Jinx and Viktor. Others in the community have too I'm sure. Its strange. I thought it was interesting in S1 but didn't deep dive into it, but S2 has driven headfirst into it and its making me go "oh... oh ok." Even Viktor in S1 noted Jinx's genius, and in another timeline perhaps Powder would've been a student of Viktors had fate not set them on parallel paths. Two children of Zaun, both mechanical/scientific geniuses. One physically disabled whilst the other mentally disabled. One who "escaped" and was given a chance, rising to the top only to create something that would be used for harm. Fighting that fate at every step. Whilst the other trapped at the bottom of the barrel, forced to use her gifts to become a weapon herself. Such GOOD story writing.

So now let's think about the art of the cards, because in tarot, even the symbolism of the specific art is important. Its why an artists interpretation of a major/minor can be so crucial to a reading.

Here's a figure map I made earlier.

Lets begin with Death.

Thirteenth of the Major Arcana, a "significant transformation and the end of a phase in life." There is death and rebirth symbolism all over arcane, but let's take a closer look at the symbolism mirroring the art.

Figure 7&8 - The one who has "died" a skeleton/skull laid down and being "imbued" with something as something else is taken away.

See that the imbuing focuses on the "chest" area.

It's quick, but it flashes briefly when Viktor is being imbued with the Hexcore. He canonically dies "the skull" and is reborn with the Hexcore on an "altar"/table.

Same with Jinx. Canonically "dies" and is reborn laying on an "altar"/table using shimmer. Purple being used as the visual thread between shimmer and the arcane of the hex; a colour imagery representation of "magical" alchemical/arcane power turning them into something beyond human.

Singed and Jayce. Two hands of death, giving and taking life as if they were a God. One using shimmer, the other Hextech thats imbued with shimmer. Messing with the balance of life and death.

With Viktor, the energy is transferred straight into his chest, just like on the card.

So now we've established the parallels to the death tarot, lets look at The Magician.

The First of the Major Arcana, "the connection between the physical and spiritual worlds, and the ability to manifest one's desires."

Viktor is the Magician. No doubt. He connects the physical and spiritual world of the arcane, he brings people back from the brink of death, as he was. He manifests his desires through the use of the hex, the arcane. And the dude just looks like a mecha wizard.

Though if you want it to be even more obvious.

Figure 3 - The Third Arm/Third Hand.

The image below is "The Machine Herald" Hero from League of Legends. This is the hero Viktor is based upon.

He canonically has three arms, same as the Magician in the card. The Magician is Viktor, Viktor is the Magician. The Magician is the Machine Herald.

The Magician overtakes/overlaps death. But Viktor by episode 6 still doesn't quite resemble the machine herald from the games. There's no third arm... Yet. So the Magician in the card isn't Viktor from episodes 1-6, this is the machine herald who comes after the one killed in episode 6. Another Rebirth is set to happen for Viktor.

Figures 1 &2 - White mask. Red/pinkish eyes.

Hmmm... Red/pinkish eyes are associated with shimmer. And a white mask, of the machine herald? The mask of a messiah. That the hextech Viktor will most likely also be imbued with shimmer like Jinx, to become the true "machine herald." Messiahs of the hex, monsters of the shimmer.

Its also worth noting that both Jinx and Viktor are framed as messianic figures of Zaun in this season. One the fighter who will rally together the undercity and free Zaun from its oppression. The other a healer and a saint like figure who will free the Zaunites of their suffering and lead them into a better future.

Jinx wanting peace - represented by Isha - and Viktor's dream of peace and healing for Zaun - represented by a lot of things including healing Vander - are metaphorically and literally killed in episode 6. Funnily enough, one symbol of peace killing the other (Isha and Vander - Child and Father). After all, peace and violence are two sides of the same coin, as are Viktor and Jinx. Or should I say, two sides of the same cog...

Figure 4&6 - The Cog shaped Hole in the Magicians chest/The Cog Coin and Jinx's cog.

"I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right. Its inescapable. Humanity. Our very essence. Our emotions... Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound."

In episode 6, whilst Viktor is explaining to Vi about what it will take to heal Vander, Jinx is sceptical. She doesn't even believe in herself as a messiah, so this "hero"? This "saviour" coming along to solve their problems? To fix things? When all she can do is break everything around her, jinx her own family, destroy? She's scoffing at Viktor sure, but she's also scoffing at herself. Mirroring. People treat her like they treat him, so to believe in him as a saviour means she would have to look into the water of that well and face her own reflection. And Viktor sees right through it, the pretence, and he sees her potential.

Knowledge is a paradox. Jinx wants to stick with what she knows, to destroy instead of to build, to "Watch it all burn." Or ignore the plight of Zaun, so she can live peacefully with Isha. Jinx - Powder - is choosing to remain ignorant to what's right in front of her. Right up until the moment Isha dies.

In the scene earlier in the episode, Jinx accidently destroys a bit of the well, releasing a cog that falls into water. Cogs have been symbolic of Viktor healing people throughout this season, using cogs to "Build."

Powder was thrown into water just like that cog by Silco, and reborn as Jinx. But its not Silco that picks up this cog. Its Viktor. He holds the potential of his creation in his hand, and in paradox, holds Jinx's destruction. Viktor holds Jinx's potential. He's literally holding the two sides of Jinx/Powder in his hand, her - their - fate. Just like Jinx, Viktor has the equal capacity to destroy, and if he is reborn as a weapon later on, perhaps that cog represents Jinx being reborn too. As a creator. A builder.

He holds onto Jinx's cog all the way through the rest of the episode, balancing that potential, that fate, of creation and destruction in his hand. Right up until the moment he dies, and the coin/the cog falls, sealing their fate. His death causing the deaths of Isha and Vander too.

So we've established that the story is viewing cogs/coins in a similar light. We've also established the show is linking Viktor and Jinx through the symbology of the cog.

This is reiterated in the symbolism surrounding the Tarot cards. Around the cards are coins that take the shape of cogs, the currency of Zaun. Fate - coin flips - and cogs, gods and machines. Deus Ex Machina, that is what Viktor is to become, and Jinx creates destruction using machines. She's an inventor, just like Viktor and Jayce. A creator and a destroyer. A god of the machine.

So how does Figure 6 - the coin cogs - relate to Figure 4? The hole in the Magician's chest.

On the Tarot Card, the Magician has a circle in the middle of his chest. A hole. Just like the hole Jayce puts through Viktors chest at the end of Episode 6. The one that kills him.

But if you look closely at the image above, it might be a stretch, but to me, the striations on the inner ring look very similar to those of a cog. The hole is what kills Viktor. Cogs have been given visual symbolism for healing, and are also associated with Jinx's potential for creation. Its a stretch, but it could potentially be foreshadowing Jinx using her abilities to heal Viktor; to build instead of destroy. We've already seen Jinx do it once with Sevika, by "building" her a new arm.

I also find it interesting that we're shown Jinx using her talents to build someone a new arm, and Viktor - the machine herald - still has yet to acquire his third arm. Perhaps he doesn't make it. Perhaps Jinx does?

Maybe, just maybe, Jinx - Powder - is the one to fix Viktor, and flip the cog of fate once again.

Now in Episode 6 we already get foreshadowing that it'll be singe - not Jinx - who saves Viktor by imbuing him with the ultimate shimmer from Warwick/Vander - stabilising him. He says it in the episode, but Viktor refuses to sacrifice Vander in the name of creating the ultimate weapon of destruction.

"It would destroy him."

Viktor's potential for destruction goes hand in hand with Jinx's.

Its even foreshadowed in both the cards. The red/pink eyes of the machine herald foreshadowing shimmer. And the shadow being imbued into the chest of the dead skeleton (Viktor) looks an awful lot like Warwick; the beast that traps Vander.

So why am I talking about Jinx saving Viktor if I'm so certain its Singe? Well I'm certain Singe will bring Viktor back to life, to be used as a weapon. That seems like the most likely outcome.

But like Viktor was saying about Vander "He's not a specimen, he's a man." Viktor was doing everything in his power to save Vander's humanity. So yes Singe will bring the machine herald back most likely - even if I think it'd be thematically cool for it to be Jinx - but I think Jinx will save Viktor. Save the man, the humanity. Be the big fat hero.

Jinx was a girl imbued with Shimmer, and despite having monstrous abilities and doing monstrous things, her humanity has still survived.

I could be wrong, I most likely am, but the the thing that's getting to me is this...

Figure 5 - The Broken Infinity.

At the centre of Viktor's chest, in the middle of Jayce's death blow and Jinx's cog of creation & destruction, is a symbol.

Now a diagonal infinity symbol is associated with the Firelights. Ekko. The boy who shattered time.

Broken Infinity? Shattered time? Seems to go hand in hand.

Though Ekko's symbol is a whole infinity, more akin to a Z than an ongoing X.

There are plenty of theories Ekko will play a role in Viktor's fate and the fate of everyone by rewinding time somehow. And the multiple shots of the coin rolling support that to an extend. Rewind time, change fate, change the flip of the cog. And I agree, I think Ekko is going to have a role to play. But there's also another character who fits with this symbol, who uses shimmer to move faster than humanly possible and defy fate time and time again. Who is the fulcrum of fate in the eyes of the story, the catalyst of everything. And only one character who has solely been associated with a broken infinity symbol before.

Jinx. That's Jinx's symbol. Her champion tag.

Jinx's symbol, right at the centre of Viktors chest. And this line to Jinx from Viktor...

"You have much to offer this commune, Powder. Your talents could be used to build instead of destroy."

And the line from Singe, about Viktor's fate being tied to the commune. Viktor IS the commune, he's the centre of it all. The one who can make the dream of Zaun - Vander's dream - a reality. And that line foreshadowed Jinx using her talents to help the commune. To help Viktor.

Hell, she was technically the reason he "died" in the first place. She fired the rocket that nearly killed him. Wouldn't it be poetic story telling if she was the one who saved him in the end?

I can't wait for Saturday.

I believe whatever happens, Viktor and Jinx's fates are inextricably bound.

[luna-loveboop]

@kikker-oma

Happy Fan Joy July, Oma!!!

Oma, thank you so so much for making Fan Joy July and sharing it with us! Our fandom, our artists, writers, readers, etc have loved seeing or taking part in this crazy challenge.

This is our gift to thank you- from artists all around who were affected by, or got gifts from, or took part in Fan Joy July. We all love you so much- so we made letters/art for this (Zelda themed!). Many said that they had already wanted to make/write you something, and this gave an opportunity.

One of the things I've loved about this month is how community/interaction centered you made it. The challenge was for yourself to make art each day (you absolute maniac /affectionate)- but then others joined. This July we saw or made art or fics with recommendations. Every day you made art for a writer with a scene from one of their fics, and inspired others to do the same, and writers even wrote every day for an artist based off an art piece they made! This led to a month of gift giving- everyone interacting and getting love for creating.

You truly led to a month of Joy for a lot of loz/lu fans- making the name "Fan Joy July" quite accurate

Thank you, Oma

Thank you for the gifts you gave all of us and the way you inspire others

Additional ramblings and art credits below the cut :P

I'm so grateful to all my artists who stepped up so we could do this when I asked- almost 36 hours and 19 artists. The art is like patchwork, with all these different styles, both traditional and digital put together. But that's exactly what happened- we all got drawn together, just like the other month-long challenges. It's so cool how art always connects people.

The artists who participated are @zolanort @la-sera @nancyheart11 @galenfeadraws @shade-pup-cub @arecaceae175 @isasan347 @ghosthoard @smilesrobotlover @unexpectedstormy @skyloftian-nutcase @knight-of-aether @uniquevoidflowers @jinxedruby @windwakingwhale @skyward-floored @xaeorian @blarefordaglare and me Thank you to all of you- You are all so cool and I'm glad! If I accidentally missed tagging or listing someone please let me know I'm so scared of if that happened djskdjdkd

There are letters based off of the colours/theme of each of the Lu boys- it's mainly Zelda and linkeduniverse themed... but we couldn't not have frogs for Oma! I did a frog, his name is Froggy and I'm very proud.

Here's a picture with a list of who did what-

Normally I would apologise for my handwriting, but you guys would just tell me it looks good anyways and honestly it does look good. :D Sorry for the ink splotches tho, and I hope you can read it.

We did this for you, Oma, because... well you are awesome /gen. You gave us the opportunity for a great month and we wanted to say thank you for all the joy you brought us so... thank you :)

Art :D

As for everyone who said they wanted to talk to Oma or other Fan Joy July artists who they loved sharing this month with... feel free to tag and share in the reblogs. Share the joy I guess- there's enough to go around :D

Happy Fan Joy July, Oma :))

[sammis-svsss-brainrot]

Theoretically if I were to host an event in which the Scum Villain Fandom tried to write PIDW would people be interested?

I discussed this with my good friend @spaced-out-scribbles a while back but here few details that I have in my head, please stop me if someone has already done something like this before

As we all know PIDW, written by Airplane Shooting Towards the Sky, was the source material that Shen Yuan transmigrates into

So wouldn't it be funny to have a "canon" source material for people to reference?

Step 1 would be to compile every reference to PIDW in SVSSS to figure out how long Binghe's white lotus arc lasted and how long actual plot occured before it devolved into shitty smut

Step 2 would be to compile a list of fic writers and maybe artists perhaps that would be interested in recreating PIDW based off of the information occuring in Step 1

A discord server is put together with everyone interested in this project

There could maybe be a list of people assigned to each referenced arc that would maybe hold applications the way that a zine would perhaps? With people applying to write specific portions of PIDW if they wanted to write the marriage of a specific wife or a portion of a specific arc

And anyone else that wanted to participate is assigned a random wife number and told to go wild with the longest, shittiest description of how Luo Bingge was a total stallion lead, and married his new wife of the week

All of these fics and/or accompanying art are submitted to a GIANT ao3 collection (bonus points if everyone involved creates a pseud that's named as Airplane Shooting Towards the Sky for this project) and with everyone's contributions all put together you get a semblance of what PIDW would have looked like

Bonus points if no one else has any idea what happened in a previous wife plot, so the story is not at all coherent towards the later chapters, because I fully believe Airplane had no idea what the fuck he's written before as he got to the end of PIDW

Someone is assigned to write the final shitty ending that made Shen Yuan so mad he died and transmigrated

If anyone wants to contribute to PIDW after the project, the collection could remain open but moderated to make sure chapter numbers/wife numbers stay consistent and that's about it

Obviously this would be a huge project to wrangle and would need a lot of people involved to actually make it work and take a lot of time, so if this is something people are actually interested in, it would more than likely not be able to come to fruition until the start of 2025 at the absolute earliest with all the prep work it would take to get a project like this accomplished but I thought I'd throw it out there to see if people would be interested, so reblog to spread the word if this is something you'd like to see!

Once again, if someone has already done something like this please let me know, I've only been in this fandom for like a year and a half so I'm aware that a lot of fandom events have occured before my time in the fandom

[plumpybread]

Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?

It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)

I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.

Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.

Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.

Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.

I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.

All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.

I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.

It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.

I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.

The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.

I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.

Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.

Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had

[tailsbeth-writes]

Welcome to the RWRB Festive Fan Fest! A chilled fan creation event based around winter holiday prompts.

The event will last 12 days and be a mixture of prompts and appreciation days so there's something for everyone in the fandom. Use these prompts to create fanfic, art, playlists, whatever your heart desires and celebrate RWRB (book & movie). You can do as many or as few prompts as you like!

The event will start on December 13th and run through to Christmas Eve (24th).

✨: Appreciation days

🎁: Creation days

The prompts are as follows:

✨ 13th: Favourite holiday fic/creation

🎁 14th: Decorations

🎁 15th: Christmas song

✨ 16th: Favourites from the past year

🎁 17th: Food

🎁 18th: Snow day

🎁 19th: Childhood memories

✨ 20th: Favourites of your own - time for self love!

🎁 21st: Cosy

🎁 22nd: Gifts

🎁 23rd: Party

✨ 24th: Favourite creators

For those of you who are on Ao3, I will share a collection close to the time. And when posting your entries here (or anything about the event in general) use the tag #rwrbfff please. Means if folks would like a beta etc, they can just look in the tag & I'll reblog where I can as well as reblogging all your fabulous content when the time comes!

I've got some ideas cooking for this already & I'm so excited to see what everyone comes up with to celebrate this fandom and our fave idiots in love.

Any other questions? Asks are open or DM me. Please spread the word & I'll pop up reminders on the run up. Happy creating!

Taylor (she/him) 🎄

❤️🤍👑💙

[charmedreincarnation]

Hey, guys! I've been receiving a ton of messages in response to my last post. It's reminding me of how I first discovered shifting. I feel like doing a little story time since Ive just passed the three-year mark of my discovery, and I've been reminiscing with friends about it.

I remember being in a very dark place when I stumbled upon shifting. I was depressed, and very suicidal. Yet, there was this unshakeable optimism inside me that I was meant for an extraordinary life. Despite my mental state, I had a lot of knowledge of subliminals and the law of attraction (-_-). These gave me hope, but they weren't enough tbh. I didn't want to attract my dream life through practicing gratitude or becoming a magnet for my desires or whatever. Nor did I want to have to listen to subliminals for years on end to achieve my goals. My list of desires was so long, and I needed everything to change that going step by step and waiting years for each one to manifest just wasn't feasible.

But I refused to give up. One day, after a particularly hard day of being sad per usual, I searched on Quora for something like "fastest most powerful subliminals on YouTube ever" (Y’all 😭😭). Among the recommended sub creators, I found a video called "Desired Life: Reality Shifting". The description promised everything I had ever wanted: waking up with all your desires fulfilled permanently in short. It piqued my curiosity so much. Could I really just wake up with my dream life, family, house, wealth, all based on my scripts and imagination?

Growing up, I was a heavy maladaptive daydreamer. From ages 10-17, I created alternate lives in my head, telling myself I would go there someday. I was always doing SATs (State Akin to Sleep), and I think that's what kept me from ending it all. I was constantly in the wish fulfilled state, even though I didn't know what that was at the time.

Back to my story, I went into the comments of that video and came across a guy who claimed that after a week of using this subliminal, he woke up with a new life as a multi-millionaire living in his dream penthouse. I messaged him, and he gave me his Instagram which showcased his luxurious life. He had what seemed like a perfect relationship, he was very attractive, had so many cars, and travelled 24/7 while having a six figures amount of followers. He was living proof that this wasn't just scripting. Also the law of attraction community is known for their mad expensive coaching.. like hundreds of dollars per hour for questions and he was answering it all for free something I didn’t see the law of attraction community. And I talked to him for hours! He never got mad, he had proof, and he was kind, proof and the behavior of someone who really had mastered the art of life.

After our conversation, I spent the next couple of months doing research. I found numerous stories about glitches in the matrix, accidental shifting, people entering parallel realities, and eventually, shifting communities on platforms like Amino and Reddit. It was stuff I already believed in and did in my imagination; I just didn’t know there was a term for it.

Then I got reminded of a memory that I had seriously repressed bc it was so fucking weird. When I was 6 and my brother was 3, we were absolutely obsessed with dodo birds. One day, we were outside playing, and on god time seemed to stop. Out of nowhere, a dodo bird appeared. I know you’re probably like “maya be so fr rn you were a kid” but no, This wasn't just our young imaginations running wild - there was a bird that was huge, dinosaur-like, exactly how dodos are described in books and pictures we had.

Then things got weirder. Suddenly it started raining eggs. Big, large eggs everywhere it was so gross and my brother and I were a mess. We were young, sure, but not stupid. We knew this wasn't normal. My brother and I rushed inside to tell our dad. When I managed to drag him outside, he was furious, accusing me of throwing eggs everywhere. To this day, he tells the story of the time I "trashed the backyard with eggs." And every time, I'm like, "Dad, where would I get that many eggs?" We didn’t have eggs but so he assumed I stole them and we went inside for hours and it was magically cleaned. So he also tells the story of how responsible I am and how I took accountability for my actions even as a child. I didn’t clean that shit bro and I tell him that too and he just laughs it makes me so mad.

My brother, who knows I'm into reality shifting (though he doesn’t really believe in it), can't explain that day either. He often shrugs it off as a "glitch in the matrix," which honestly, well no duh it is a shift dummie. He does believe in manifesting but only bc he has seen me use it and he experiences the good things I manifest as well. They’re the same thing anyways but that isn’t the point

The reason I'm bringing up this bizarre childhood memory is because during my months of research into shifting, I found countless stories of accidental shifts, people entering the void, entering parallel universes, time glitches, examples of the Mandela effect first hand, glitches in the matrix and etc. It was like uncovering a myriad of experiences that confirmed what I already believed: we can change and choose our reality. I just didn’t know the phenomena had a name. Obviously in the future I came across other things like the law of assumption, the void state, etc etc but this was where it started.

I wish I had saved all those fascinating stories, posts, and blogs. I might go back and compile everything I found because they were so real and enlightening. It will probably take forever tho if I do choose to do that, but I think it's worth sharing.

In the meantime, check out this accounts of accidental shifts that my friend shared with me this account https://instagram.com/tessicavision?igshid=OGQ5ZDc2ODk2ZA== based off the Glitch in the Matrix subreddit which is also a goldmine of people experiencing similar phenomena. It helped me make sense of my own experiences and might do the same for you.

I don’t want this to be too long and I already got to the point I think! but regardless stay curious and realize you’re really not that special. I mean ofc you are, i mean this is not some tumblr thing teens girls discovered or created and isn’t even limited to “spiritually/manifesting inclined people” I think at the beginning of my journey people talking about accidental shifts and such, inspired me more than purposeful success stories because they really have no reason to lie and they were looking for answers just like I was.

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[motziedapul]

If you don't mind my sharing my own, probably less spicy POC rep in audio drama take: the AD community's tendency toward celebration of "representation" within the medium as if this rep applies to anything substancially besides queer characters is exausting. Sure, queer rep is important but so often reading "there's rep for everything!" and the cast is like, 95% white? Or, bafflingly, people claiming diversity for something that is entirely fanon? Mmh.

Hi anon!

My take is just about as spicy, honestly.

There's a tendency to value "racially ambiguous" characters played entirely by White actors over actual BIPOC characters

(usually with BIPOC actors, though I'm not as strict about this since I don't mind White actors playing BIPOC characters so long as BIPOC voice actors can play White characters and no BIPOC actors lose voice acting opportunities. And as long as more attention is given to BIPOC creators than we're getting currently).

It sometimes feels as though BIPOC (Black, Indigenous, People Of Colour) characters and creators are overlooked in favour of characters who are ostensibly White but drawn by fandom as BIPOC.

I've seen a lot of support in the community from fellow audio drama people; I've felt uplifted by my fellow creators who are White, and I always appreciate and value that. And obviously some shows are just well made and part of their success is based on other factors.

But as someone who's also aware of audio drama fandom, it's easy to see how much favour is given to White Characters drawn as BIPOC in comparison to characters who are BIPOC in text, and I'm not sure why.

That's my spicy opinion. I follow a few BIPOC creators but I can only name two that have an amount of success comparable to White audio drama creators (Gabriel Urbina of W359 fame and Octavia Bray of Atypical Artists), but my knowledge is limited.

And that's not even getting into female led audio drama, but I do love the success of creators such as Lauren Shippen in the space.

I'm not here to yuck anyone's yum or blame anyone for this phenomenon, but I do think it's worth thinking about. Why I see 50 brown Jonny Simses for every canonically brown Samama Khalid. Maybe it's all a coincidence based on other factors. Maybe White characters invite more imagination in their depiction or something.

I don't mind BIPOC depictions of ostensibly White or "racially ambiguous" characters, but I'm not a big fan of if they outnumber depictions of canon BIPOC characters. I just think the latter deserve more love.

I'm no expert. Also I'm mostly in the horror space, apart from my love of Life With Leoh (a sci fi romcom). My knowledge is very limited so if anyone would like to contradict me, I welcome it (especially if it means discovering more BIPOC led shows).

I don't want this to just be about complaining, so please feel free to shout out some fantastic BIPOC led audio drama (either created by or with a majority BIPOC cast) or even share some art you've done of characters from them and I'll happily share them.

My favorites are Wolf 359 (by Gabriel Urbina) and Life with Leoh (by Octavia Bray)!

[tonythr]

The Watcher's telescope view is a social commentary and here's why

Ok so let's set some things right first. City of Tears is amazing.

(Yes, Pale Court is also an amazing mod)

I've played Hollow Knight many times, and City of Tears is probably the one location I never get tired of. The scenery, the lore, the room layout, the music, the atmosphere - it's all perfect. It's the culmination of Halllownest's beauty, the peak of the game's art style, and the narrative's most essential location. City of Tears is the heart of Hollow Knight.

This game is a story about a Kingdom and its death, a tragedy of a society that was built on dreams of light but ultimately was consumed by the light so much that darkness became its only hope. And City of Tears stands at the center of this story. So it's fitting that the themes of corrupted dreams, society flaws, and dark hopes are what shape the lore and atmosphere of this beautiful, gorgeous location.

Did you ever notice that the tears of this Kingdom are dark despite them originating in a glowing blue lake, and the waters that flood the streets are almost as dark as the void in the Abyss? Do you ever think about how the vibrant blue color of the City is basically a culmination of how the color blue is presented in other locations (Howling Cliffs, Forgotten Crossroads, and later Royal Waterways being more of a remix of it), and how it's tied to the very essence of Hallownest (and how Resting Grounds, the location that contains Blue Lake and also uses a bright blue color, represent the very foundation of Hallownest's history, that being Seer's story about the Moth Tribe's betrayal that started the war between Pale King and the Radiance)? Do you feel like Soul Master basically represents the thunder and the lightning in this never-ending rain? Do you get it????

Anyway yeah, there are many things that can be said about City of Tears, and this is hopefully not the last time I make a post about it. What I want to talk about here is the City's society.

Basically, Monomon said it better than anyone could:

It's a very complicated topic. The narrative basically explores the inner mechanisms of a free mind, how its primary need is finding a purpose, and how its purpose turns out to be a constant need of... something. Anything. As long as there is something to want, a free mind will want it. As long as there is something to yearn for, something to enjoy, something to dream about, our minds are going to move in its direction, never wanting to stop. Because a stasis is worse than death. Because a world without dreams is an empty world.

But then again, isn't constant yearning another instance of, well, constance? If dreams never end but also never evolve, doesn't that create another kind of stasis?

Like I said, it's very complicated. Let's go back to what I was getting at in the first place. What I actually wanted to say is this:

Theese guys fucking fucked up as a society.

It's classic dystopian shit (or maybe I'm using the wrong word, but you get the point). Rich people are living in luxury while the rest are suffering. They're making gold a fucking religion and are seeing it as the only beauty in the world. The corrupt upper class are using heavy gatekeeping on the lower class.

Literally.

What's interesting is that, at first, we barely see any lower class bugs in the City. There's suspiciously few regular husks in this location, compared to how many rich guys are on the eastern side. But then we get to Soul Sanctum and it all starts to make sense.

There are no red cloaks in those corpse piles. Only the poor were killed for those experiments. It can't be a coincidence. It's straight-up elitism-based genocide (again, I don't know if I'm using the right terms, correct me if there's a better way to say that, but the point is clear).

Also, see how many streets are flooded on the western side in comparison to the eastern side.

Point is, the bugs that ruined the kingdom by always wanting more (what Monomon wrote about) are most likely theese rich ones. It's a very fitting thing for this dystopian narrative: neverending greed that leads to the downfall of a civilization.

There's a note in the Hunter's Journal that describes it in the best way possible:

For every location in the game, there is a place that functions as the center of its essence, its narrative heart, the culmination of its themes. For Queen's Gardens it's the White Lady's cocoon, for Greenpath it's the Lake of Unn, and for City of Tears (or at least its eastern part, the one with the upper class) it's the Watcher's Spire. The tallest building of the great capital. The home of (evidently) the most rich and influential bug of the City's high society. Literally the top of this social hierarchy.

He is also arguably the most mysterious dreamer out of all three. I mean, why does he have only one eye? What type of bug is he? How did he get this much power? Does he really have some kind of connection with the Collector? Is he a motherfucking fluke? Why does he seem to have an obsession with serving the King?

That last question is kinda answered by the cut content though.

That last sentence is kinda confusing. Is it regret? Is it humility? Is it pride in his sacrifice? In any case, here we see that Lurien actually knew that the Pale King was literally a god, and desired to worship him, like any other bug yearns to worship some kind of deity. So while other bugs of Hallownest worshiped PK because he was a monarch, albeit a godlike one (for all they knew he could be just an extraordinary bug, but a bug nonetheless), Lurien worshiped him as an actual god. And the intricacies of worshiping a god are one of the central themes of the game. From the moth tribe's betrayal of Radiance leading to the birth of the Infection to the Godseeker's shenanigans leading to the birth of the Shade Lord - the game makes multiple statements about gods, religious devotion and the semantics of divine power. Just that one idea that a god takes its power from the ones that worship it deserves its own post - heck, it deserves its own book.

So yeah, Lurien's devotion to the King is an important part of the story. He sure is an important character in this narrative. He also got a cool house. Being able to observe the entirety of the Hallownest's capital is badass.

But there's one thing I find odd about all that, and it's the moment we get to actually look through his legendary telescope.

Is it just me, or does this feel kinda... Underwhelming? Almost disappointing? I mean, don't get me wrong, I love this view, it's beautiful, and I would certainly love to be able to see something like this with my own eyes irl, but, looking at this picture, I can't help but wonder...

Did he actually see anything from up there?

In cut dialogue, Lurien talks about how he loves the City's streets, and his hidden lore tablet contains words about his love for bugkind, but... I see neither any streets on this image, nor any bugs (that are not vengeflies). Only spiked rooftops and rainy fog, clouding the view of the actual City.

And sure, the Spire has many windows and even had multiple watchers who were helping Lurien with overseeing the capital...

But his own spot was always this one.

His telescope was sealed in one place, letting him see only a small portion of the City and its life. Almost like his own worldview was stuck in one perspective.

Notice the wording here. It's not "The Seals must remain". It's "Bonds must remain". He's not thinking just about the Seals containing the Infection. He's thinking about the whole Kingdom needing to stay unchanged. His dream is the stasis that the Knight (and also Monomon, Hornet and, in a sense, even Radiance) want to end. The stasis that the Pale King wanted to create in order for his Kingdom (and therefore himself) to be eternal. The stasis that would allow for both Pale King and Lurien's worship of him to remain forever.

But there is always a cost to ascending higher than others, and it's that you can no longer see what's going on below or who's suffering down there. I think Lurien, sitting atop the tallest tower, was actually detached from the struggles of regular bugs. He and his Spire are the culmination of the City's upper class' ignorance towards the ones who were below them on the social hierarchy. A dreamer who dreamt of watching over the very heart of the holy civilization lived so high up he could no longer see his beloved world in its complicated, detailed entirety – and the tears of the stasis created by those like him only blinded him more.

All those flooded streets, those broken buildings, those empty halls, those starving bugs, those sealed doors - even though he watched over them, he couldn't see them.

I'm pretty sure Lurien didn't even know about the Soul Master's experiments, despite the fact that the Soul Sanctum was located right next to his Spire.

Or maybe he knew but chose to turn a blind eye to it (pun intended).

But it's kind of poetic, isn't it? It's the beauty of the tragedy of this game's characters. A Beast who had to surrender everything to the opposing civilization. A Teacher who could no longer teach. A Watcher who couldn't see the truth.

And all that makes me wonder... How much suffering could the Pale King see, standing on that platform at the top of the Abyss, facing away from the pit where his children died?

TL;DR: Lurien's point of view was too high up to actually see what was truly going on down there, both literally and metaphorically. His desire to worship the Pale King made him ignorant of the struggles of regular bugs. Similarly, the extreme elitism of the high society of Hallownest lead to ignorance, discrimination and greed, which ultimately caused the sprawl of the Infection. This side of Lurien's story might also parallel the Pale King's with his ignorance towards the discarded vessels.

TL;DR²: Eat the rich

[leidensygdom]

hello!! i love your art so much, your colors are beautiful and your characters are just so 👁️👁️ and i adore seeing them on my dash :)

i had a question about how you do the details on your fabrics: how do you keep the patterns on clothes on a body looking so,,, clean and readable while also making it make sense on the form under it?

like the cape/sleeve(? idk what it is but it looks cool as hell) on the magnolia commission pattern looks so cool and it's still readable on the fabric (like, if i wanted i could probably do a silly sketch of it) BUT ALSO it seems to make sense with the folds so it doesn't just look unnatural and stiff?

i'm so sorry this is kind of a long ask but like. would you be down to talk about your process for patterns on clothing? it's cool if you're not, that's totally fair, just figured i'd ask

have a wonderful day!!

OOOH Thank you so much for the ask!! I wanna do a more in depth tutorial, but I tend to make patterns in two different ways, with one being fully hand-drawn and the other playing with mesh transforms or the... Uh, liquify CSP tool? Let me find examples

This is an example of a fully hand-drawn pattern. No trickery here- Only trying to eyeball everything. It's kinda a lot of work to draw it manually, but it's the more convenient option if the character I'm drawing doesn't have files for the patterns, or if the files are a bit too different from my usual style, as they could potentially not look great with my linearted or painted style

And then- For cases such as Nolia's cloak, I did the entire pattern as a separate file, then placed it using Photoshop's mesh transform!

Here's a WIP file from when I placed all the patterns after finishing the lineart, where you can see them in full contrast. I tend to keep my patterns in different files- The black parts here are not joined with the base color of the cloth, so I can bring nice highlights and texturing when they're meant to be golden inlays, for example. Now, the Photoshop mesh transform is a bit finnicky to use, and I don't have any proper step by step of it- I could potentially record how I do it someday. But let's take the humble cylinder and demonstrate it quickly:

So, the mesh warp tool is the one on the right- You can see these sort of blue lines creating a mesh. I'm sure CSP has it in it's pro level or something? Correct me if I'm wrong. You play around with the different sections, move it to the right place, and put it on the cylinder. This is a very simplified form. You can make many subsections to your meshes (that's 3x3- you can have stuff such as 20x20) for when you have multiple folds.

And then you can just shade your pattern accordingly so it fits the volume of the drawing, and- ta-daa!

This is by no means an easy method. Sometimes you can get away with the Liquify tool (which CSP has and it's very decent), which I've used when the pattern in question was over a simpler surface with few folds. It takes some practise to use that well, and it isn't gonna be the best for complex ones, but it's also an option. Let me do a lil compilation of some patterns I've done and which tools I used for each!

The tool I use highly depends on the time I have, the level of finish for the drawing, and so on. CSP's liquify is probably the fastest but gives simpler results, drawing them manually works better with some styles and more organic/less geometrical patterns, the mesh tool takes a bunch of time but it's great for small repeating patterns that are meant to be very precise or geometrical.

If people would be interested in it, I may someday do a video tutorial of me doing a pattern and then putting it over a folded cloth. I do hope this can help a bit tho!!