#time. and i feel like im a bad person for that because everyone has to participate in society in SOME aspect part time or volunteering or

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[quarterlifekitty]

first, im a bit new to cod but idk…

thinking about ghost’s spouse visiting him on base or some shit, and everyone else wondering how tf he was emotionally flexible enough to bag a bad bitch 🫶

note: this is just my personal little fantasy world headcanon lol so take it with a grain of salt!

Simon maintains a vaguely human lifestyle by adhering to one very strict rule: rigid compartmentalization. You don’t come up at work, and work doesn’t come up around you. Never the twain shall meet, he thinks. And he’s not exactly a watershed of information when he’s with his mates. And it’s not like anyone is asking “When was the last time you got fucked, Ghost?” and seriously expecting a response.

He tells you about the crew, but not about what he does with them. Killing, espionage, torture– that kind of thing stays off the dinner table.

Let it be known that you do not surprise him at work. You respect his boundaries too much, which is why he’s so fucking serious about you, honestly. He calls, asking if you can run something to him. This is maybe the greatest symbol of trust he can bestow, as a man who has only a fraction of an existence in the eyes of the government: he asks you to bring a document of his. He gives you the instructions on how to find it, and trusts that you won’t look at anything you don’t have to.

You know Johnny lets out a low whistle when he sees you coming up with a manilla folder in your hands.

“Who’s that bloody bombshell, then?”

You spy Simon and jog up to him with a smile. He’s the one who embraces you, short but strong. Cue the nigh audible gasping.

“LT, you absolute dog.”

Simon rolls his eyes as the two of you are crowded in short order. You make polite introductions, but have a previous engagement– you really did only have time to stop by.

Hate to see you go, but love to watch you leave.

Everyone is wondering how this could’ve happened. For the record– I think in this scenario, Johnny and Gaz go through a constant string of heartbreaks, and John is kinda married to his job. So in a cruel twist of fate, Simon is actually the only one currently with a partner, much less a spouse.

“How’d you manage to bag a right beauty like that, LT? C’mon, spill it–”

Simon doesn’t mean to diminish your value or anything, but his answer is not going to be satisfying, because he doesn’t find it that difficult to get women. And also, you’re his true love, so you’re perfect for each other and growing close to you was as easy as breathing. But he doesn’t say that.

“S’not that hard. Remember the stuff she says, don’t keep no secrets… dick ‘er down the way she likes.” He doesn’t mean to be crude about it, but from his perspective, is one of the main reasons why you tolerate him. Soap howls at the response.

He’s telling the truth, though! He has a scarily good memory. Remembers every friend you’ve ever told him about, every movie you’ve ever mentioned, every meal he’s cooked for you and how you liked it. He remembers dates, times, and lists with no issue whatsoever.

And he’s never kept anything from you. He tells you how the fuck he’s feeling, and you return the favor, even if it isn’t pleasant. The only thing he doesn’t mention to you are the gorey details of his work.

And you have never had more of a communicative partner, ironically. There were times in the beginning when he didn’t know all of the ins and outs of coaxing pleasure from your body, so he asked you to show him how you like it. And that scary memory is at work yet again– every sensitive spot, every offhand mention of a kink you’ve not yet explored together, every arch of your spine and clench of your cunt. He’s got it down to a science. Could write novels about making love to you specifically.

What I’m trying to say, at the end of the day, is that Ghost bagged a bad bitch by being autistic.

[anonymousgayrobot]

bestie you're the only person i agree with about the finale of the penguin

everyone seems so surprised that os is a villain and im ????? did everyone miss that time he set a guy on fire in front of his mother??????? did everyone miss him leaving sofia for dead after she found out he was manipulating her????? he's been a monster all along, that doesn't make him any less of a layered character

i really wish vic hadn't died but his death didn't feel like a revelation of how evil oswald is to me. i think this episode was more about the lies that os tells himself to feel better about his life than it was about "he was evil all along and you too fell for his manipulation". why else would he say all that as he strangled him? vic was dying. if it was about getting rid of him because he didn't need him anymore, why would he bother saying anything?

also that last scene with os pretending to dance with his mom was fucked up but it also seems to me like another way of showing how he's choosing to live in a world of his own lies. he can't deal with the truth, so he doesn't. it's easier that way. and this doesn't make him any less of a monster; it just makes him a complex one.

anyway your analysis is on point and i can't believe they killed off vic to progress os's character

HI! YES i totally agree; please don’t mind my lengthy yapping— i have sooooo much to say about this show

one thing I noticed predominantly throughout the show is the level and intricacies of complexity the characters were given, which you typically don’t see in the average shows pumped out these days, where good and bad is black and white and behavior will always be ‘straightforward’ with the character, unlike in real life where a person’s true nature will more than often contradict their actions, whether that be in acts of denial, or repressing something. whether large or grand, we all do it—so I kind of disagree with people only seeing this finale at surface level.

I really do think Sofia kind of ‘cracked the egg’ with dismantling or at least shaking loose oz’s denials through aggravating the unhealed wound of his brothers and the unspoken wounds between him and his mother; i saw that scene as sofia trying to force out feelings of remorse from oz, which I believe he repressed x100 after his brothers’ deaths, as seeing his expression struggle to remain stoic and continuously denying the truth even if it cost his mother her finger (if he did lack any true guilt, he would’ve admitted it much sooner with indifference ; and if he didn’t feel guilt but never admitted the truth to solely benefit his mother, he would not have hesitated to admit the truth with that priority over his mother. But he doesnt) . But by ‘dismantling’ oz himself, she unleashes this newer version of himself—she showed an opportunist what happens when he slips up with his greed and pauses to care for someone other than himself/guard. before sal and sofia find his mother, sal angrily comments that oz has no one—no one they could weaponize. family is weaponry, a step above simpler loyalty. someone can have as many allies as they want, but it doesn’t mean anything if they’re expendable. oz has viewed all of his allies as expendable, like sal, sofia, and the rest of the gang leaders. victor was an ally initially expendable and a failsafe for alberto’s murder, but upon becoming his protégé, an emotional tie was thrown in.

So in order to fully prevent his guard from ever slipping up again (caring for his mother despite the endangerment), he cannot similarly care for anyone else again (caring about victor despite the endangerment). so vic has to be shut out completely now both for oz’s self-preservation and possibly vic’s ‘preservation’ in a more morbid sense, by knowing his life is now endangered by his own care for oz likewise. who knows what sofia could do to him and what she could wrench out to harm oz again. and when he ‘shuts’ vic out, he has to shut out any sympathies/empathies that follow.

when he steals the money from his wallet, I saw it more as a not-wasting-resources gesture (sewers blown up + crown point hideout raided) rather than genuinely-indifferent disrespect, which goes in hand with that ever-prevalent opportunistic characteristic. “it wasn’t for nothing.” throwing away his ID also appeared disrespectful, but with how his expression froze, it was clear he was shutting out unwanted feelings of regret, perhaps a rogue emotion (seeing as he expresses nearly no remorse for his actions and lies his way around it to avoid it altogether), and threw it away briskly. He needed that reminder gone before the feeling could settle in. (a lack of expression does not always mean a lack of feeling)

If anything, killing victor could also symbolize oz killing his former self—tragically fitting for a finale and change of occupation/direction. it was obvious that he saw himself through vic, or at least began to until it reached a point of no return. That idea could also be applied through vic finding strength in family—oz realizes that was his own undoing, family, and that vic was officially non-expendable. It’d already been basic knowledge that non-expendable people are lethal tools of manipulation (using taj to also kill nadia, and their deaths against sal, alberto against sofia even if it was pinned on the maronis anyways).

And you’re right about him killing vic differently. In the beginning of the show, if he’d done what was expected and had shot vic while his back was turned—it’d be quick and easy, indifferent like everyone else. Same with the second time he nearly killed vic, Oz gives in and spares him, giving him yet another chance even when it didn’t benefit Oz at the moment. Oz centers those around him with how they benefit him, so choosing to spare victor despite the potential burden is an obvious sign of care. Although it makes it much more twisted, oz killing victor the way he did was the furthest thing from indifferent. He could’ve lifted his hand at any moment, but didn’t until the end, further exposing his need to snuff out his own weakness, his care for victor. its the ultimate and worst father-son moment— oz recognizing his care for victor as his protégé to be non-expendable, and the recognition that he couldn’t let himself genuinely care for another person again. i see a lot of people saying that there was no reason for oz to kill victor after everything he did for him—but that’s the exact reason why he needed to. Vic did all of that because he was just that close to Oz, not even taking that exit when given, his loyalty had become familial which could become just as dangerous as Oz’s love for his mother. I also think Oz’s care for vic was similar to the nature of his lies regarding his brothers—not it being a lie itself but rather getting caught up in the short term benefits and attention while blocking out the long term consequences waiting—perhaps distracted by becoming this fatherly figure as a fatherless son himself to a fatherless boy, and avoiding the inevitable pain at the end of the road (their criminal circumstances/predicament) until it’s too late and boils over from his mother’s incident. its also important to note the unique situation this is and how heavily survival and preservation is involved here. Oz can’t care about anyone, it’s dangerous and just as dangerous for everyone else involved in crime (alberto to sofia, nadia + taj to sal). its why he was untouchable when his mother was still hidden, he had nothing to lose—but after sofia, oz learned his lesson the hard way about exceptions, urging him to turn his attention towards vic for the last time.

It could also be similar to how he never returned his brothers despite having time and even staring out the window (slowly killing victor with time to change his mind). It could be that in the moment as a child he was accepting the situation for what it was, he’d killed his brothers and needed to assess what to do, but us the viewer have to keep in mind his opportunistic personality (hinted by oz’s admiration of rex despite his older brother’s moral aversion) and the possibility of shock feigning as indifference (i say this because of the severity of oz’s denial reminds me of a trauma response). as many children do, he sought the short term benefit��the short term benefit was keeping his mother’s affection over disrupting that current peace and causing long term harm. (i don’t really believe the real reason was to have it solely for himself, mostly because it was only from his mother’s bias/pov and then by sofia who was only out to hurt him—but i think he just wanted to sustain it). by seeking the short term benefit of saying nothing and sharing a nice moment with his mother, it also further highlights, as you said, his inability to deal with the truth and the lies he upholds to keep his own peace (something his mother also did by constantly lying to oz that she didn’t know what he’d done and actually loathed him for it instead)—a ticking time bomb which sofia uses and demolishes completely, or at least enough for the viewers to realize the severity of oz’s delusions, which as you said, had been prevalent since the beginning, but never quite the full depth or scope of.

[flonbowe]

OK SO AS IT TURNS OUT THERE MAY BE A BIT MORE TO SAY, SO UHHH HERES THINGS I MAY HAVE MISSED AND OR I JUST WANNA COVER MORE

AS ALWAYS, MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET

You have been warned

SO NUMBER 1: The Glohm Rays

Im just actually slow on this one my bad In the scene I got those Reclusa screenshots explaining who he is and stuff, it literally says he feeds off of negative energy. The Glohm Rays make people feel negative so Reclusa can feed. Zokket didn't just make the rays just because he's a hater, there was a reason for that too. That being said, how do we make up this void of evidence now? By showing off what I think is the ONLY time Zokket looks happy. This screenshot right here.

Zokket, doesn't smile so the fact that his eyes here are curved in such a way, while he talks about getting more Glohm to "Spur on the revival", while his plans are working out Me personally I think works just as well to show his sadism. (Btw this was from one of the expiring side quests, the one with Connie and Arc trying to get Chilliam's father to go to the wedding) NUMBER 2: Cozette and Reclusa I FEEL LIKE I'VE DOWNPLAYED COZETTE'S ROLE IN ALL OF THIS FAR TOO MUCH Like yes, Zokket and Reclusa are cool, but yknow who's body Zokket is piloting around? Who had to be manipulated and weakened by Reclusa into being a puppet body for Zokket? Who has to live with the knowledge of committing atrocities because she was taken advantage of? Cozette, Cozette, Cozette. Through out most flashbacks involving Connie and Cozette, there seems to be a very interesting consistency. half of the time, she's standing alone, and the other half of the time she's just following Connie around.

Her whole job as a Wattanist is to take care of the Unitree, a monolith to the bonds of Concordia. Its the most important job in all of Concordia, it keeps the world together, there is a lot of pressure on the shoulders of a Wattanist, pressure we see Connie feel through out the whole game, and how she keeps thinking of her mentor, Cozette. Her wonderful, capable mentor, Cozette. That however, doesn't mean Cozette didn't feel those feelings either. In fact, aside from Connie and the Bros once she's freed from Zokket, we don't see her interact with anyone else. This, alongside Cozette standing alone, and all that pressure, creates a very sad reality: Cozette feels alone. The pressure of her job, with everyone looking up to her, its a lonely feeling. She's the one who keeps the world together in a sense, and that pressure clearly gets to her, as seen by this line from her side quest.

This feeling, this despair, is something she doesn't want anyone else to feel or shoulder, especially Connie. She in the flashbacks makes sure Connie knows the importance of bonds, not just since she too will be a Wattanist, but because she loves her, and wants to make sure she feels loved, that she doesn't end up feeling like herself; Alone And that's exactly what Reclusa preyed upon. That's the weakness that let his powers corrupt her, Loneliness is what she feels, Loneliness is what she knows, and bonds haven't done anything for her, so Loneliness is Sublime. Reclusa is a monster, yes, but especially to Cozette. Reclusa took her weakness, and forced it to his benefit. Reclusa transformed Colette's despair and weaponized it by having Zokket control her, by buttering her up for his favorite play thing to take her body, her mind, the sacred knowledge of the Lighthouses, the Unitree, Concordia as a whole, and use that knowledge to try and destroy it all. This also creates an interesting dynamic with Zokket and Cozette, both are incredibly lonely, and potentially jealous of bonds, but Cozette has one thing Zokket doesn't: Someone to care for. Cozette, has Connie. Cozette is lonely, but not enough to harm others. Its a cycle of abuse. Reclusa takes his fury out on Zokket, Zokket takes his fury out on Cozette and the rest of Concordia, but Cozette, despite all of it, still chooses to love Concordia and Connie. Cozette and Zokket both looked into the abyss, but when it looked back. Zokket blinked. NUMBER 3: Ten SPEAKING OF THIS CYCLE OF ABUSE, THE EXTENSION CORPS! MORE SPECIFICALLY, TEN Becuase this twink has such an interesting hidden detail that really changed how I looked at his arc specifically, and his relationship with Zokket. In the Extension Corps's home base on Slippenglide, you can find logs from Ten, and they paint a very interesting picture of him.

Ten already mentions wanting to be in charge when we corner him, but this here expands on that. It shows a disparity between Ten and he rest of the Corps, with him not being as close as you would initially think. He's more selfish here, wanting to be the center, the focus of attention (he has a poster literally hung up of himself) He's the only corps member with a Solo boss fight He's the only corps member who actively Glohms people himself, almost Glohming Bowser if Zokket didn't stop him to go even further. He gets fussy when Ecks messes up his name, but Ecks doesn't when Ten does it back during the Sharpcask encounter. And with the comment about getting a war chest to fund his takeover, its implied he might have wanted to take over from Zokket, or just be in charge before Zokket came along. Its unclear when these logs were written HOWEVER It's not that simple either. The Corps (as shown earlier), still refer to Zokket as Master even when he’s long gone and assumed to be a fake person. The Corps get sad when Zokket misnames them, because they care for him. Not just as their boss, but out of some sort of genuine care for him. The Corps want him to remember them, they want to do good serving him, they want his validation, his praise. They work for him not because they agree with his end goal (no one but Shun even knew what that was either), but because they like the guy! It’s also for a more selfish reason, yes, they do just want his praise for them, but still, this is a core part of them that even gets filled by the time they realize they have bonds.

Especially for Ten

Ten's ambition, his need to be the big boss and be strong, seems to be out of a need to be seen, to be known, to not feel like nothing. This nothing gets filled once he realizes just how important Ecks and Shun are to him, becoming a pride for the Extension Corps, instead of just himself. It also results in their redemption But to think, if he didn't get this realization. If he had stuck more on his War Chest idea, if he had betrayed Zokket, he would of ironically become more like him than he realized. Throwing away his need for bonds and connections, and becoming all the crueler because of it. This again also furthers that cycle of abuse theme, Zokket abusing the Corps and Cozette specifically, with Ten being this close to perpetuating that cycle. (Its also kinda a unique spin on Fawful's arc, what if becoming the big boss wasn't what he wanted at all, but was a cover up for something deeper, but that's besides the point) ANYWAYS YEAH THATS ALL FOR NOW. Im not gonna say I have nothing more to say, there's prolly some other details im not aware of that make even more interesting revelations, but for now that's all I can think of. I LOVE THE EXTENSION CORPS, I LOVE ZOKKET, I LOVE COZETTE, I LOVE RECLUSA, I LOVE THIS GAME

MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET!

You have been warned

So they’re like, a toxic relationship right?/hj

OK JOKING ASIDE These two are very interesting to me, and since we've known about Zokket longer, I'll be talking about him first in this thread of reblogs and posts

Zokket

So to get the elephant out of the room, I earnestly don’t believe he is just Cozette brainwashed

Like Aside from small details like the body shape being larger than she is, Zokket's voice sounding very much so different in not just the voice bleps, but in his actual grunts and noises (Especially so before his boss fight), there's things like Zokket's personality, behavior, hell he's even flat out referred to as a separate person a couple times.

Cozette after being freed only ever mentions being under Reclusa's control, and putting on a mask to become Zokket. A mask that breaks once Zokket is beaten.

The way Zokket is defeated, the way the Glohn energy flees off of Cozette's body, coupled with the fact it was specifically a mask Cozette said she donned to become Zokket, tells me outright that Zokket isn't exactly brainwashing, but instead a type of spirit or possession used to carry out Recluse's will. Now All this to say Zokket is his own person, and a very interesting person. Unlike most other Mario characters, he's a very flat character. Intentionally so don't get me wrong, that's the point. He's focused more on numbers than people. He doesn't "misremember" names, he actively doesn't care. His first proper scene is him misnaming the Extension Corps multiple times, with him getting more aggravated the more they try to correct him. He visits Shipshape a couple times through out the game, and most of those visits usually end with him mocking the idea of having connections and overall being very bitter. He's a cold cold man, and even during his boss fight he revels in making the bros hurt each other. There's also some interesting extra details via hidden logs from Cozette while being possessed, and Zokket writing his plans through her body. Quoting from those logs "The egg says its name is Reclusa. Yes, it told me its name, and that makes sense. The egg speaks directly to my brain. The egg has also shared this important truth. Loneliness is sublime . The egg only SEEMS not to move. But it definitely speaks in my brain. I now know my only calling: the resurrection of Reclusa. Loneliness is sublime . All connections will be severed. Reclusa will rule a new era of isolation. Once I have completed my task, I, too, will know the bliss of isolation. Loneliness is sublime . Approximately 284 hours, 56 minutes, and 29 seconds until the resurrection. "Beyond the Glohmatic Ray" "I have distilled the isolate energy from Spite Bulbs. That will be the source for Glohm. I can then focus and amplify it through the Great Lighthouses..." "The So-Called Extension Corps." " I met these buffoons on Slippenglide Island and employed them as generals over my army. They are intensely incompetent but loyal. Do they seek glory, or are simply afraid? They will be superfluous after the rebirth. I will need some means to dispose of them" "Building an Army" "My soldiers, my hands in the wide world, are simply junk repurposed and rebuilt. I gave them language so they might cooperate., but it is absurd to see these junk piles speak. I cannot imagine a place for them in the new world after he is reborn. They will suffer. They may rebel and become ungovernable. No matter--they are ephemeral things." after Recluse was revived, Zokket intended to torture the Zok Troops, his minions, of which HE created. Zokket doesn't just hate bonds, but seems to actively wants to break them. He strayed from his goal of reviving Reclusa by using some of the Glohm to make handheld rays to make people miserable and hate each other, instead of just using the Lighthouses for Reclusa. He threatens the Corps when the revival is almost complete, which would have come to fruition anyway had they succeeded. Zokket seems to fully understand bonds, and despises them. He's not apathetic, he's actively resentful... Except For Reclusa Excluding voice clips, the only time he laughs, is here.

His only use of positive language, and its when he's dying, where he should be at his lowest. Instead, he gets excited, happy, happy to see his Great Inspiration finally return to this world. For a man who hates bonds, he seems to have a great deal of care for his master. A master he was willing to die for, who he was destroyed for. Not even Connie, who he can't forget because of Cozette's lingering consciousness, all Zokket can muster for her is remembering her name, unlike Reclusa. So Who is Zokket? Zokket is a very cruel, bitter person. He's distant and calculating, planning and very exact, very precise ways to revive his master. But he's also sadistic, planning misery for anyone and everyone involved in his plans, for the goal of isolating the world for his master, Reclusa. a master, who he has a deep level of fondness for, the only person he actively shows happiness towards, a person who he spends his alone time with, his purpose, his great inspiration. That's Zokket (At least, my thoughts as to who Zokket is)

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[puppyeared]

Ouhhhh friendship I love friendship……..

[termagax]

re: "good girl" i think they say it once randomly as a joke and its just one of those things that gets him wayyy more than they expected it would. so now its their secret weapon and they use it very sparingly and every single time he gets super embarrassed about it but it works ill tell you what.

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[my-thoughts-and-junk]

Anyway prohibitedwish dark medieval mystery drama au. The story is interjected every so often by prismo and scarab arguing over what should happen next

[neonpigeons]

this bitterness inside me is eating me alive

[philsmeatylegss]

Glass child on the internet: “I have experienced profound emotional neglect throughout my childhood due to the pressure and unmet emotional and sometimes physical needs forced upon me since my parents were very busy taking care of my disabled sibling. Thus leaving me with severe emotional scars that I deal with to this day and it’s very invalidating and triggering when people don’t listen to my perspective or understand the gravity of my situation.”

People who put “neurodivergent” in their bio and self diagnosed with seven different disorders: “IT’S NOT THE SIBLINGS FAULT!!!!!!”

Glass child: “I never said it was—”

People who think they have autism because they are very interested in something and sometimes get overwhelmed: “Oh, so you’re ableist? You should probably just kill yourself. No, you definitely should kill yourself. Like, actually do that. Stop crying because mommy and daddy didn’t pay attention to you. Yeah, you’re a lost cause. Kill yourself pls”

[tittyinfinity]

I overshare online because I need constant validation that every thought and action of mine is Good and Okay and Normal. Surely this is a healthy coping mechanism

[thetangibleghost]

I've always wanted to wake up from a dream laughing and I just did but I realized after I woke up that I have missed a million social cues :((((((((((((((((( it wasn't even funny idk why I couldn't stop giggling. I dont even giggle irl.

[tamagotchikgs]

i smacked my stomach in frustration & it reverberated so loud my cats fucking SC ATT E R ED ,,,,,,,,,,,,, i am but a gong. , ,,

[kimmkitsuragi]

whew haha