#though for different reasons

[viralarcadian]

watching an LP of ikenie no yoru/night of sacrifice and wow does this remind me of nanashi no game

both of them use fairly similar designs for their ghosts (hollow black eyes and slack mouths) and they also use the EXACT same sighing sound.

they both also have the worst controls in horror history bc they're tied to device gimmicks. nanashi uses the touch screen of your DS where you hold it like a book, and ikenie uses the fucking wii fit balance board

[bijoumikhawal]

thinking about the Hua Cheng/Garak character resonances again

[paradox-n-bedrock]

me in big fandoms: oh cool, it's so active and there's so many people to vibe with, this is amaz-

*finds my niche angle that appeals to approximately six people*

me: okay, folks, it's you and me now

[wardingshout]

Zelda goes mushroom girl

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[karuopla]

Zoro's short mossy haircut gives a great view of his pretty neck, it's so bitable'!!

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[chloesimaginationthings]

Are you more of FNAF or Jojo? (Ofc you will then say, I can be both-)

Why pick when they are so similar/hj

[bunnieswithknives]

OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys

Prev | Next

[dragonroilz]

IM GONNA LOAD ALL OVER THE PLACE

[luna-loveboop]

Blue Four appreciation

I love Blue Four. 10/10 angry dude

(tone indicator for this post: positive and light-hearted. art and character from @linkeduniverse au)

His motto is "No thoughts head angry" I mean look at him! Every face is grumpy! How you can you hate him. He's got one emotion and it is mad

He is very good at pointing accusingly at people

(Green in the background was tired of it by the second time)

I also love this panel. Wild's body language perfectly captures the correct (only?) reaction to Blue

He was freaked out by all of Four right then, but Blue was especially scary.

His pose here matches a sketch from quite a while ago:

This pleases me

ALSO

Blue was mad at Champ for shoving him,

But his reaction to Twilight's injury was the same as Wild's.

I think they really bonded in this moment:

Same face

And how he has his hair tucked behind his right ear just because he's more edgy? Iconic

Blue four was brought into existence and is full of rage about it, and I relate to respect that

>>>:(((

[lazycranberrydoodles]

you’d think after 800 years he’d learn his lesson about taking afternoon naps. / prev comic / follow for more sleepy xie lian

[shkika]

if u call me beautiful you can have my attention for 5 more minutes

[hellspawnmotel]

remember when I did this?

well I did more

[oblique-lane]

more mercenary analysis, whichever merc you want <3

Not a mercenary but... Okay!

Let's dissect Pauling

Always so collected, responsible and efficient. The one who is not afraid to get her hands dirty for the sake of a goal, and her performance is always one hundred percent. What could possibly be not cool about her?

Well, maybe the fact that this all is, in fact, an act. Of course it is.

I'm not saying her determination and dedication to her job aren't sincere decisions of her heart, she really enjoys it and shines in her work. It's just a matter of WHY and WHAT she's doing it for. And on what scale.

For her, her job is EVERYTHING. Eagerly working 364 days a year with barely any rest, masochistically putting herself in so much danger, blindly following the boss's instructions, not even hesitating to kill people standing on the way...

Wow, there's gotta be something going on here.

Well, obviously the Administrator plays A HUGE role in this situation. Why would Pauling trust her so much? Referring to the comics, Pauling trusted her wholeheartedly on whatever the Administrator was planning, even though she didn't know what it was. This blind following that vaguely resembles nothing less than a weird somewhat child-to-a-mother attachment. It's just a Boss, just a job, why?

Because that's what it is. Mother issues. Very apparent.

We don't know anything about Pauling's past, so there's where the headcanons begin:

I'm assuming her birth mother was very neglectful and dismissing, never acknowledged her daughter's accomplishments and struggles. No matter how hard Pauling tried to become "worthy" in her eyes, it seemed to be never enough, as if she didn't even exist at all. Maybe her mother was a substance addict or something and their household wasn't safe and stable, so Pauling had to become an adult early and run away from home as a teenager and find a job to get by.

(I assume that because I believe there was a mention in the canon lore that Ms.Pauling had been working for the Administrator for long long years (don't remember exactly), indicating that she started working when she was still a minor).

So, being taken under the Administrators wing, her young wounded brain found a substitute for a very thing she was lacking, subconsciously clinging onto the Administrator as a newly mother figure, in order to "get it right this time".

Administrators Strictness, responsibility and demandingness were the most favorite qualities of a person of authority in Pauling's eyes, in contrast to the laziness, unaccountability and indifference of the environment in which she grew up. She could finally strive.

This time she would show the mother figure that she's worthy, she's important and irreplaceable; she exists. She would prove that no amount of hardship is too much for her if it means approval for the Administrator.

And the Administrator kind-of-sort-of gave Pauling this pseudo-love in return, encouraging her to sacrifice herself even more for their work. Which is at the very least unfair, and at most just predatory. Administrators "love" was conditional, in contrast with when the real motherly love Pauling unknowingly expected. Administrator was too immature for a mother figure, too much in power for a partner or a friend, yet too close for a formal boss. What is this!? Something not nice.

The Administrator doesn't love Pauling for Pauling, she loves her working qualities. And thus, Paulings subconscious guess was confirmed that "I'm only important when I'm doing the job. I AM the job."

Tying your worth to what you DO instead of what you are is a huge dangerous existential rout one could choose. But she never really knew her importance outside of her skills, so she wouldn't know.

Now imagine how actually painful that character arc was for her, when the Administrator proved herself to be unreliable and secretive, and when Pauling started to question her intentions for the first time.

"... Because I trusted you!"

"Then why are you questioning me now?"

It wasn't even the real conversation between them, just Pauling's mind torturing her.

It reminded me of the crisis of a 4-year-old when they realise that their parents aren't perfect; they don't know anything and they CAN hurt you.This shattering illusion of almighty love. When a child stops believing that the "harsh love" their mother treats them with is simply an abuse.

Wouldn't it be terrifying to realise in your 20s thar despite running for "the mother's approval" all your life, you will never truly get it. If your mother failed to provide it to you at such a young age, nothing will truly substitute that, especially now, when you're an adult, no one will love your inner child the way it was supposed to be loved.

Unless you yourself decide to take that role.

...

Realistically speaking, it's not nearly that sever with Pauling! She's happy in the environment she's in, there's lots of interests for her to explore (Guns, fights, killin'!) So many adventures every day! Even if Pauling has her inner suffering, it's not that bad aa I describe it. Her mother problems may actually be an advantage, a reason she is such a good and caring boss for the mercenaries.

I'm just edgying things down for the sake of the clearer analysis. But still...

If the Administrator will be gone and Pauling loses her life-dedicated job... What will be left? Who is Pauling once Mann Co is no more? Can she answer that?

References:

– A video that helped me better understand the Good Girl mask:

– "Lise Bourbeau's 5 soul wounds model: Injustice"