#this was… not how I intended this post to turn out.

[tobioapple]

DRUNK ON YOU ; haikyuu!! boys and how they behave in-between your legs. ⋆౨ৎ˚⟡˖ ࣪

notes: hey! apple here, this is my first time writing a fic for Tumblr, so I hope you enjoy, I'm kinda nervous about posting this but sometimes the gooning gets to you, yk? I wanna mention my friend, who helped me beta read this thing and thank her for it. She'll prob keep beta reading proximate fics so yeah!! like and reblog if you like this. Also, I'll probably post a part 2 if asked I just can't pick what charas to write abouttt.

C.W: afab!reader, use of pet-names (slut, angel, doll, babe, etc.), oral sex (f. receiving), fingering, kissing, aftercare mentioned, add more as I write it.

nsfw under the cut!

OIKAWA TOORU:

Enjoys teasing you so he would go easy at first, placing soft kisses on your inner thighs, biting into the soft flesh harshly enough to send shivers down your spine and straight to your core

A few minutes in, after you’re practically begging for him just to touch you, he finally gives in.

You’re not his first girl, of course he’s had some experience beforehand, but you wouldn’t have it any other way. The way he travels along your folds, his tongue, sly and warm against them, turns your stomach into a knot.

He can be a little mean sometimes, getting you on the edge just to pull away as soon as your hands pull his head, chasing to relieve the need for more. Tooru takes a moment to stare at your throbbing cunt, two digits spreading the flesh open just enough to take a peek of the abused clenching walls, ready for his girth. 

Oikawa stands behind you, big hands keeping your ass up, bared chest pressed down onto the mattress. It’s been a while like this, long fingers that barely graze against your needy cunt as the buckling of your hips increases; a desperate attempt to feed the hunger of the aching hole between your now tired legs. 

“Eager, aren’t we?” Tooru’s voice comes out husky, ill intentions spilling from his pink plump lips. How could a guy so pretty be so vulgar at the same time? If seen in the streets, it would be impossible to notice the pervert he was behind those hazel, glossy eyes.

“Please, Tooru, don’t be mean.” A small grin appears on his face as he nods, you can’t see him, but know deep down that he enjoys your pleading way too much to keep a stern expression. Who could blame him though? The most beautiful woman he had ever laid eyes upon was right in front of him, legs spread and ready for him to take.

You can feel the bed sinking at your feet and a wave of excitement rushes all over your body, ready to feel the fruits of your patience coming to reality. Soon, a heat hits your core, his face so close you can feel him breathing against your tainted crotch. 

“Aight, doll.” You’re pulled down against the crook of his nose, a sensation so good a small whine leaves your lips along with some cuss word he cannot care enough to try decode. “Aw, are you that needy that just me getting close makes you moan? Such an angel turned into a slut as soon as she’s underneath me.”

There is something so great about the way he talks to you, the raspy voice resonating in your ears all the way to your brain like a distorted melody. He always finds a way to make you melt in his embrace just from this, tearing every layer of decency apart like a knife against lace. 

Still, he doesn’t touch you with anything but adoration, even when he is being rough and mean, you can feel the tip of his fingers that trace on your skin like a curious child does on a carved pottery set, enough to feel the texture of it but not to break it. Experienced fingers that would shake from time to time, the thought of hurting more than he intended, restraining his overpowering strength.

A grunt escapes from his lips – Be it because of your desperate pleas of exasperation to the small kitty licks or because he actually couldn’t take one more second against your sex without drinking of you like a thirsty man. – as he finally drowns in the pool of wetness splattered all over the bare skin in front of him. Face up and down, hands that forced you to stay still while squirming and shaking like a frightened deer, pulling you closer.

It didn’t take long for the typical build up to appear down your tightened abdomen, your vision now foggy from both tears and pleasure, not allowing you to glimpse at the man behind you, even if you tried. The slick falling from his chin warned him about the now soon to happen relief, so, pitifully (Even for Tooru, who was now pussy drunk) he closed his lips and pulled away.

“No, please.”

“Come on, angel, you can take it.”

You two had a long night ahead. 

HINATA SHOYO:

Crazy stamina, could spend hours giving head and enjoy it more than getting it himself.

He’s like a puppy in heat, doesn’t even take off your panties before nastily sucking onto your clit over the fabric, wet and sloppy noises filling the room as his saliva mixes with your slick.

Gets drunk on you like two minutes in, carelessly doing all it takes to fulfil his needs, not caring if you’re squirming and crying while your thighs try to close around his head due to overstimulation. 

Literally cums in his shorts to the sight of you crying and babbling from his touch, eyes half-lidded and glossy. 

You’re lying limp on the bed, face covered in smudged eyeliner that goes all the way from your eyes to your chin. How long has it been since Shoyo slid between your legs? It certainly felt like an eternity. 

His noises were incredibly obscene, slurping on every droplet that fell from your aching cunt right into his mouth, savoring the taste as if he was drinking on a bottle of the finest European scotch. Calloused hands scoop your hips closer, impeding you from pulling away, he couldn’t have that now. 

“Fuck– I missed you so much, babe, s’fucking much. Couldn’t wait to get home and taste you.” His voice, now excused from quiet, rang in your ears like honey. “Ah– Missed you too, sho.”

His teeth caught a bit of your flesh between them, pulling just enough to make your back arch and a long moan escape your lips. 

Shoyo leaves your pussy alone – Just for a moment – tracing a line of kisses all over your lower abdomen going up to your chest until you’re both facing each other, the hotness of his heavy breathing panting against your lips.

“Taste s’good, baby, can’t get enough of you. Here, try it by yourself.” Shoyo, as sweet as he is, forces your mouth open just enough to slide his tongue inside. The muscle felt warmth and sweet on your own, exploring the cavity so passionately, you could barely keep up with his hunger.

You could sense the heat of his palm cupping your sex, instinctively grinding on it. At this point it didn’t matter anymore if the friction burned your skin, all you wanted was the pent up tingling feeling to disappear.

“Wanna come, don’t you? So eager for me.”

A sly finger presses at the entrance of your throbbing walls, teasing the exterior of it mischievously. After some seconds – That took way more self restraint from Shoyo than he expected – he finally gave you what you needed, fast and rough movements that attacked your mushy insides just right. He knew you well enough to find that forbidden sweet spot blindly. 

Your abdomen flared, cunt clenching around his fingers as his thumb pressed and circled your clit, helping to reach your high as soon as possible. Not that he needed you to do anything, his shorts were already stained from just the sight of you, fucked dumb by nothing more than his fingers. 

He noticed the way your legs shook, and how your eyes rolled all the way back, panting like a puppy while your body turned putty in his arms. “There you go, atta girl.” 

A soft cloth –more likely than not, his uniform tee– cleaned all the mess on your skin, the vulgar mix of sticky sweat, spit and your own juices, all gone as he brushed the fabric on your sore body. Once he was done, he laid next to you, placing soft kisses all over your face. 

Sure, he was amazing at making you finish, but the aftercare was top level. 

[mage-ical-character-person]

Mr WPNZ finds out his "cool" new partner in crime is actually a huge dork and a bit of a loser

Oh I'm so proud of this

I don't know man I'm not sure how well the control freak and the loose canon will get along. Feels like WPNZ might be a little disappointed when he actually meets Puzzles. TV freak is good at the supervillain act but much less intimidating when you actually get to know him. Would be funny if WPNZ experienced a similar whiplash to what we as the audience did with Puzzles turning out to be... the way he is after all that time being so menacing from the shadows.

Also pushing my hc that I think Puzzles is a big fan of the Muppets and Jim Henson in general. It just makes sense for him. He knows all the behind the scenes stuff he knows how Kermit ride a bike and Fozzie drive a car.

Also also this

Local man made out of guns weirded out by teammates and their inanimate (?)(Leggy 2.0 could be one of those rock wizards you never know) object children even after seeing his own children as objects.

[crooked-wasteland]

Unpopular Hottake: The Circus

I saw a post from the confessions blog where people were trying to accuse Blitz of sexually assaulting Stolas and that there was no way to hold that situation over Stolas and I have to fight back on that.

Stolas was the one who took Blitz to an isolated location.

Stolas was the one who locked them both inside.

Stolas was the one who turned the situation sexual.

Yes Stolas said nevermind. Meanwhile Blitz literally just bit him to subdue Stolas, there was nothing sexual intended by the action either.

It's like accusing a mugger of sexual assault because they jumped a masochist who had a really strong affinity for impact play.

Just like Stolas said "Nevermind" the situation didn't turn sexual until Stolas was the one gushing over having sex with his "first ever beat friend". As Blitz was heading out the door. And while I would say it is dubiously coercive, their first night together isn't sexual assault. Even still, it was not enjoyable for Blitz.

I think people calling Stolas rape-y for his actions in The Circus is valid. The act of isolating Blitz and literally locking him in a room is seriously rape-y. It's default inappropriate behavior while Blitz's actions were insincere and are not nearly to the level of sexual assault. It wasn't even premeditated on Blitz's side. And while Stolas had doubts, he was in no way "led on" by Blitz's behavior.

It was more a terrible and gross comedy setup and no one involved had the slightest idea how to handle that sort of setup tactfully, so instead of it being funny, it simply is deeply uncomfortable and now we have people screaming about the relationship being "mutual" sexual assault.

And, no. The only sexual assault that one could see is the book deal in Murder Family (which would make all instances of these characters having sex under that deal a form of sexual exploitation) and the only sexual harassment was Stolas. First in The Circus and even worse in Loo Loo Land.

Blitz is innocent as the person with no power in the dynamic, Stolas can kill him with a look if he actually didn't want these things to be happening and Stolas was enthusiastically guilt tripping consenting to the sex that was had in The Circus.

Stolas is not a victim of Blitz.

[sciderman]

well - webtoons is over, gang

[starlingfawn]

[fantasykiri5]

Ticklish

[v4mpi-red]

you guys ever just go totally insane(y)

after years of hating everything ive ever drawn, i recently found out that i can draw these stupid ugly stinky things at least half-decently and fell to my knees (whether it was in overwhelming relief or absolute despair, i havent decided yet)

also hi guys first post no fricking way

[lavandulastorms]

kiss me like sunlight, my lover

[nanihirunkits]

WE ARE | EP11

[t00thpasteface]

red flowers bursting down below us those people didn't even know us

[ganondoodle]

since tumblr always has to suffer my personal vents and breakdowns and rants and annoyances you get the most wips and pics of unfinished stuff, im sure that makes up for it

the (unfinished) shiekah arm concepts that made me want to explode and i dont think im gonna work on again

[kindaorangey]

"are you asking me or making me?" is soooooo interesting to me because i think armand only asks it when he can't gauge whether he's letting louis down. it's barely even sexual - it's a hail mary. it's a show of trust, indirectly admitting that he wants to do something other than what louis expects of him, but that he's willing to obey louis anyway, for the sake of their relationship. it's sort of heartbreaking watching them at the sacré-cœur, because if louis had said "i'm making you" armand would've done it in a heartbeat. he would've taken it as a show of committment on louis' part, and he wouldn't have betrayed him. but louis takes the question just as an expression of disagreement, and so he doesn't play the game. ironically, he respects armand's independence too much to make him turn madeleine if he doesn't want to. and so armand isn't convinced of louis' commitment to him, and he betrays him.

and by the time we see them in san fransisco, louis knows what the question means now, and answers "no, arun, i'm not asking" without question. and armand accepts it without complaint, even as it pains him. companionship really is the most important thing in the world to armand, just like it is for lestat, and he's willing to do any number of horrible things to louis and himself just to keep him as a companion, just like lestat. louis' biggest mistake is not realising how to use that to his advantage sooner.

edit: HELP people are reblogging this again. i misremembered the context of the scene - louis is asking armand to witness the turning, not do it himself. still, if armand had gone along to witness, that would have 100% been taken as implicit permission for louis to turn madeleine (thereby adhering to the first of the great laws) and, in essence, "agreeing" with her turning where before he ordered claudia to drive madeleine out of town. this hypocrisy, and the further bending of the rules for louis' sake (he's given permission to turn a mortal despite neither of them being in the coven), would have been seen by the coven as betrayal. armand knows this; he doesn't think madeleiene should be turned for these reasons; that's why he asks, "are you asking me or making me?"

still. if louis had said "i'm making you" i think armand would've gone along to witness, implicitly giving his permission for madeleine to be turned and functionally changing his allegiance from the coven to louis once and for all. so the core point of the post still stands.

[shorthaltsjester]

Imogen Temult, Exaltant Hope of the Red Storm

Heroes and Monsters by Penny & Sparrow // Critical Role Campaign 3

[borgialucrezia]

we really don't talk enough about how cesare (who proclaims himself to be honorable) actually has an extreme level of self-absorption and narcissism. they jump out on different situations especially in his vindictive sexual harassment of the women he slept with for wounding his ego. like his abuse of ursula (who was deceived by his chivalrous façade) for leaving him and taking a will of her own vs. his aggressive grabbing of caterina's breast when she taunted him at his sister's wedding (shows that he's still bitter over her rejecting him at forli).

[specialized-rexan]

MUST POST

MUST SHARE

MY BROTHER GOT ME THE BIRTHDAY CAKE I'D HOPED FOR AND EVEN WENT FURTHER THAN MY IMAGINATION:

HE USED DUCKY CANDLES

("LUCIFER WITH DUCK" IMAGE FROM THIS POST)

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.