#this was just the nail in the coffin

[fefairys]

posting this silly doodle i did while procrastinating Jett's main Birthday Art Piece melody and jett met over the summer before jett started college they'd only known each other for like a couple months when jett's birthday came around and melody of course got him a really nice gift of L Death Note figure and she even wrote him like a heartfelt card and everything bc shes the perfect friend. and jett fell in love. oopsies!

read PSY webcomic

[riotdyke]

Truly though is there a trans woman alive who has not been made out to be manipulative for having emotions and trying to explain them

[dontmixpaintinyourcoffee]

I don't know how to explain how much these two mean to me. They are the non-biological-not-raised-together siblings of all time. They are so ride or die. One time a man threatened Riz and Fig got that guy to jump out a window. One time Fig pretended to be a doctor and Riz helped her successfully do magic surgery without ever coming out of hiding. They both decided together to never ever tell Gorgug that Fig did the sealing spell without ever saying a word to each other about it. Fig joins Riz and Sklonda on their murder investigation road trip. Riz ate dinner all the time with Fig and her elf dad. They comfortably hang out in hell with a sentient blood blob and a motorcycle that's secretly a dog. He's her legal counsel. She encourages him to hiss at people more. They trust each other with their lives. They are celestial and infernal, connected to the outer planes by their relationships to their fathers and then making that connection their own. Their parents are dating but honestly that's the least relevant detail in all of this. Do you see the vision

[shushmal]

Steve bites back a sigh when he sees a hand waving just out of the corner of his eye, trying to grab his attention from where Steve's gazing pitifully at his drink. The club is loud, music blasting, and maybe it's a little pathetic for Steve to be at his place of work on his day off, but Robin's behind the bar and he gets free drinks. Unfortunately, the kind of guys who frequent his workplace are usually the opposite of Steve's type.

So, he's prepared, for when he looks up, to gently let down whatever club boy who's decided to shoot their shot with him tonight. They all start to look the same to him: bleached hair, glitter, crop tops and low riding pants. Men who are too much like Steve to be what Steve's looking for.

When he looks up, however, his eyes go a little wide and his lips part from around the straw against his tongue.

"Hi!" yells the guy, long hair, long legs, long fingers. He's wearing way too much leather and denim for this place, and he must be boiling under that jacket. "W-would you like to dance?"

Steve takes a longer moment to take him in: his shoulders hunched up around his ears, fingers twisting his hair nervously, eyes big and brown and beautiful.

Straightening from where he's been hiding against the wall, Steve steps up into the guy's space, watches his eyes go bigger and his face go pink. He's perfect.

"I'm Steve," he says, leaning in so he can be heard over the music. "And you don't look like the kind of guy who dances."

"Oh, I'm not," the guy says, eyes flicking around Steve's face, dropping to Steve's chest, to his thighs and back up again. "Um, sorry. I'm Eddie."

Steve grins. "Nice to meet you, Eddie."

Eddie's mouth quirks up, an giddy, boyish smile. "P-pleasure's mine," he says. "And I may be terrible at it, but I'd love to dance with you. If you'd like."

"I would like," Steve tells him. He holds out his hand, feels his heart flutter when Eddie takes it. "I'd like that very much."

[botanicallyinclinednerd]

It was honestly a bold choice for Eurymachus to address Odysseus as the "Old King" while bargaining for his life. It holds two connotations, neither of them favorable for garnering sympathy. One: it implies Odysseus is elderly and incapable, both of which are false; and Two: It implies that Odysseus is the former king and there is or will be a new king. Eurymachus was dead no matter what, but that certainly didn't do him any favors

[lana-del-rhaena]

thinking about granny rhaelle and baby robert, telling him how much her family sucks. sipping her wine saying watch out for them bobby. can’t keep a commitment to save their lives. ruining engagements is like a game to them bobby

[lexi-reborn]

I'm scared.

This is the only social media platform I feel remotely comfortable on. I left behind all others because they only resulted in annoyance and pain. For a while this was my favorite place. But now?

I'm scared.

I'm gonna log in one day and be gone. I've made so many friends here and they're just ripped away from me. I don't have the strength to fight like everyone else. I want to fight but I freak our every time I speak up. Even right now as I type this

I'm scared.

But I can't just say nothing. Out of fear, I finally decide to make my voice heard so at least I have something to say before getting nuked. Because if I do get wiped, I'd like to do so without silence. Because I don't want to go quietly if I do, I want to go down swinging if I go down at all. And I want to be able to say the very thing all the rest of us are thinking.

I'm scared.

I've never felt more afraid of being openly queer. Normally I'd be annoyed at corporate rainbow pride, but both online and in my real physical world, this year it doesn't even exist. There are no local businesses doing Pride this year, not even my local Target. It's officially too high risk of profit loss to support the queers. Pride feels like it's being stripped away, and the one place I could once rely on is a place I could wake up to and find I'm suddenly removed from it. Friend groups are shattering, drama is rising, being queer is a death sentence, and we're being silenced at every turn. And i don't know what else I can truly say except

I'm scared.

[solitairedeere]

i was never as optimistic about the ending of bnha as some villain stans were, but i never thought it'd end so badly it left me wondering why horikoshi ever bothered to humanize the villains or make them complex characters at all.

like-- i expected that at least 1-2 of the 3 villains who were heavily foreshadowed and outlined by the narrative as people to be saved would be, you know, actually saved. i didn't think that was a high bar. i've been let down before in fandoms where everyone was certain a character would live and then they didn't, so i tried to keep my hopes low. AND YET.

what happened to tomura was upsetting, but i wasn't that shocked after how disinterested the manga has seemed to be in him for like, the past 100 or so chapters. a bit surprised, because you'd think if anyone would succeed in the 'saving' mission it would be the MC, but whatever. dabi, well, they've spent a lot of time showing the way his quirk destroys his body even before this arc, so that also sucked but at least it didn't feel completely out of left field.

........but they're not even letting toga live???

i just-- what have we even been doing here? when zero out of the 3 characters that were marked out for saving were actually saved, you have to acknowledge that something has gone seriously fucking wrong with the storytelling. not even just from the perspective of a villain fan but from the perspective of someone who likes stories to be thematically consistent or satisfying in any way.

you can set up an expectation of these characters being saved and then subvert that and turn it into a tragedy- if done well that could even be worthwhile and interesting. but you can't turn it into a tragedy and then just... keep trucking along with the happy ending messaging and act like anything in the manga has been resolved and that the characters have somehow successfully completed their heroic origin stories.

like, maybe i shouldn't have expected this much from a shounen- at the end of the day it is still a shounen so i didn't expect to feel that it truly satisfactorily wrapped up all the themes it brought up around societal ills. but i expected it to at least resolve those things in a shounen-y way where they punch the problems and help these specific people and then you can feel good assuming that the state of things will continue to improve in the post-canon world of the manga.

instead we got... uh, none of that. the story refused to answer a single one of the larger questions it's been outlining for the past 400+ chapters. in the end, it was all flash and no substance, which again could've been fine, if it weren't for the way the story seemed to spend significant chunks of time trying to delude you into thinking it had substance.

truly makes me wonder what horikoshi thought he was doing the entire time. can it really all be blamed on burnout? the most that can be said for this ending is that it is, well, an ending. fuck dude, it is that.

and that's just... such a sad way to end a project that took up 10 years of your life.

[hinamie]

i lied actually i'm not in the mood to finish this anymore orz

[rocks-in-my-vodka]

this will probably nvr see the light of day but i do think in s3 they should hve dreamlaudia (like dreamstat) but hve both bailey and delainey play claudia interchangeably, with lestat hallucinating bailey's claudia more and louis hallucinating dealiney's claudia more. rlly commit to the memory is a monster bit. idk i think it'd be poetic in the way tht they both love her so much but can't remember what she rlly even looked like

[dearabsolutelynoone]

“[Anthony and Kate] love each other so deeply, and he adores her.”

[skitskatdacat63]

"It hurts always the same, to be honest, when you don't see the checkered flag. It doesn't matter which number."

[irafuwas]

sorry i'm not done but how can you just drop this bombshell that malleus literally used to hate humans, that he'd refer to silver as "that thing" , that he thought lilia should've just dropped off the baby with some humans and move on with his life!!

and yet!! it was malleus who ordered the castle to have baby food delieverd to lilia's place for him, and it was malleus who'd sneak out whenever he could to come see silver and make sure lilia was taking care of him okay. and it was malleus who was so, so gentle teaching silver and sebek magic where lilia was so very crude

and after 17 years of malleus quietly loving him in his own modest way, it was ultimately the boy's tears - that thing's tears - that drove him to stop time and freeze the world over

[veloursdor]

the thing about larys strong is that i think he's been lonely his entire life, lonelier than even he realised/admitted to himself. he craves connection, someone to see him for who he is. and that's what's been guiding most of his actions throught the entire time we've known him.

when he saw alicent being unheard and unseen, he tried to form a connection with her as he saw himself in her (through manipulations of course, but his intention there when saying "i could be your ally" were sincere). but she rejected him (by refusing to see him as a man, by being horrified at his true self (the harrenhal fire), etc) and thus he grew to resent her and want to control her/humiliate her like she "humiliated him", probably thinking it was enough because of the power she gave him.

but then viserys died and alicent's power died with him.

spoilers for season 2 of house of the dragon below the cut

i think his "love" for her... changed or was put on the back of his mind after 2x04, especially after he sees the moon tea and she's in pain. when he asks her about criston, his reaction to her words is as if he is confused, as if he's recalculating what he thought of her because he's seeing her in a whole new light.

and maybe he is seeing her truly for the first time ever.

he said "you and i are the same", was always listening in on her conversations to gather information, maybe even convincing himself by doing so that she truly was like him. but, i think that, when larys says "you have not been yourself" is his way of saying "who are you? are you who i've always thought you were or someone i do not know?" and has to change his view of her, of what he convienced himself he saw in her.

maybe he sees that he's been living in a lie made of his own words.

so, when the council scene happens, he pities her and rejects her idea, because it has no ground and she's grasping at straws. (i do think he does feel sorry for rejecting her but he also doesn't have enough solid ground with aemond as regent (his position in the small council is fairly new) and slighting aemond would cost him the power he has, so he stays quiet and looks away).

however, he also manages to drive a nail to alicole's coffin but he walks away without looking back at the mess it left.

they then don't share a scene at all for the rest of the season.

from then on all his scenes are with aegon, and we see a side of larys we haven't seen before.

ageon gave him power (of course larys manipulated aegon with the Hand comment) because of his "loyalty" following blood and cheese (i still believe larys "let it happen") and made him his master of whispers. he placed larys in the small council (when alicent never did in the 6 years she acted as regent) and gave him status outside of the dungeons. he "brought him [larys] out of the shadows" in a way.

the show has made a point to tell us, since episode one of season two, that larys has been looking at aegon the same way he used to look at alicent in season one, staring him down as if he could see what he's made of, constantly analysing and calculating how to best approach him.

he made small attempts at conversations and funny lines ("that castle is more crippled than me") as the whole alicent thing is going on.

and then the battle of rook's rest happened.

with aegon barely holding on, we have a scene where larys is honest, vulnerable, sincere maybe for the first time ever (yes there's manipulation, but also genuine compassion). he sees the struggles aegon will have to face because he lived them himself.

like with alicent in the weirdwood, he tried to form a connection with aegon. but where alicent "rejected" his true self, aegon instead listened to what larys was saying, saw the truth in it and raged, which made larys feel seen and heard, beyond manipulation and twisted words, probably for the first time in his life

larys, for all his talk that love is a downfall, craves connection, the desire to not be alone in the world. he does feel love.

and whereas alicent rejected his love and was disgusted by his true self, aegon welcomed his help, invited his advice, and embraced his aid to become stronger

i think larys will be loyal to him as long as aegon allows his love and it does not fester into resentment, like his love for alicent did

[hideoussundemon]

PSA for any writers who need to hear this, having a character finally remove themselves from a toxic relationship that naerly drove them to suicide, letting them learn how to enjoy life again and love and be love outside of the narrow world they had been living in for so long, and then killing them anyway to further the emotional arc of the person they were in a toxic relationship in is not, in fact, narratively satisfying at all

[lesbianwyllravengard]

No but Astarion wanting to be valued for more than sex and seen for something that's not just sex regardless of who romances him and Wyll wanting a chaste and genuine romance with sincere and committed courtship with no sex regardless of who romances him is insaneeeeee. I know everyone's talked about this before but everytime I stop to think about it I lose my mind. They couldn't be more narratively bound I'm clawing at the bars of my cage