#this was fun to do i really like how their designs came out

[solarpunkpolliwog]

This was a really lovely read!!! Similar to Green Corridors, I also am a big fan of Greenways- I didn't realize I already knew what they were until I looked into them, but they are essentially the conversion of strips of city to help biodiversity conservation, improve city heat islands (as mentioned in the article), and improve the human experience of living in urban landscapes in a BIG way.

There are a number of historical precedents of people planning cities around nature and people, and the effects make a huge difference. The first time I came face to face with a world designed around those things, I was lucky and privileged enough to join an exchange program to Japan for 2 weeks. I lived with my exchange sibling and their family in Japan, and I got to travel around a lot because of it. The things you see in anime do largely apply to many areas of Tokyo- the city feels a lot more human centric. It's kind of stupidly easy to travel even far distances without a car. The train system is well designed and very punctual and frequent, which allows for a lot more flexibility with travel, and the shinkansen makes it so you can travel far distances so fast it's amazing!

And the cities are so easy to walk through- there's lots of nature, so many little back streets and shortcuts and architecture that feels like they were built for desire paths, and it made for a really fun time exploring and walking and even just finding places to sit and relax as if it was miles from the city in some cases.

Now there's plenty that's not perfect- I did struggle with accessibility in terms of frequent seating areas with chronic pain in really bustling city centers, and the panic of some of the highest density and pushy crowds in areas of the city like Shibuya and Harajuku were pretty bad for my overstimulation issues. But it gives us a glimpse at what amazing city designs could do if we built for preserving nature, and giving a good quality of life experience to anyone who engages with the city.

Back in the U.S. it was kind of startling how terribly our cities are built on the whole compared to this. I've been able to find a couple pockets, towns, and cities that do a pretty good job of these things, but the majority of places that I have ever visited in the United States are extremely inaccessible to things other than cars. Nature suffers, people suffer, and even businesses suffer in some cases.

But work is being done to improve things here though! I found The Rose Kennedy Greenway Park while making a stop on my Amtrak trip 2 years ago, and that was a lovely little highlight. I wanted to take a little wander before my next train, and I went to go on a journey to get some coffee and a mochi doughnut before I headed out, and passed through the Greenway on my walk. It's not like you could pretend you weren't in the city, but the Greenway used to be a TERRIBLE central artery running through Boston that was converted since they were dealing with so many traffic issues.

But now, converted into this park, it was a lovely little experience for me! There were a lot of local flora, little buggies (I heard that there are areas that even have full meadows and beehives for pollinator insects) and people were just sitting and relaxing, and I saw a lot of people walking in that area compared to other areas of the city that I've seen that are just not human friendly to be around.

My little city of Worcester is another sad example of what happens what you let cars and capitalism drive the design of our world. Black top buildings sprawl inefficiently and the city center is dead. Business fronts have been empty for years from driven up rental prices that landlords sit on hoping for a renaissance of big businesses to pay those prices, and no one walks because you would have to walk for ridiculously long times without shade, open businesses to wander into, trash cans, seating, and even sidewalk in some places before you can arrive.

Investing in good city design makes the world so much more beautiful, and I dream of a day where we more intensely invest in living in urban areas and making the experience human and nature-focused so that we can protect wider areas of untouched nature, be closer together, and pool our resources to support all of us no matter what our needs are <3

"With “green corridors” that mimic the natural forest, the Colombian city is driving down temperatures — and could become five degrees cooler over the next few decades.

In the face of a rapidly heating planet, the City of Eternal Spring — nicknamed so thanks to its year-round temperate climate — has found a way to keep its cool.

Previously, Medellín had undergone years of rapid urban expansion, which led to a severe urban heat island effect — raising temperatures in the city to significantly higher than in the surrounding suburban and rural areas. Roads and other concrete infrastructure absorb and maintain the sun’s heat for much longer than green infrastructure.

“Medellín grew at the expense of green spaces and vegetation,” says Pilar Vargas, a forest engineer working for City Hall. “We built and built and built. There wasn’t a lot of thought about the impact on the climate. It became obvious that had to change.”

Efforts began in 2016 under Medellín’s then mayor, Federico Gutiérrez (who, after completing one term in 2019, was re-elected at the end of 2023). The city launched a new approach to its urban development — one that focused on people and plants.

The $16.3 million initiative led to the creation of 30 Green Corridors along the city’s roads and waterways, improving or producing more than 70 hectares of green space, which includes 20 kilometers of shaded routes with cycle lanes and pedestrian paths.

These plant and tree-filled spaces — which connect all sorts of green areas such as the curb strips, squares, parks, vertical gardens, sidewalks, and even some of the seven hills that surround the city — produce fresh, cooling air in the face of urban heat. The corridors are also designed to mimic a natural forest with levels of low, medium and high plants, including native and tropical plants, bamboo grasses and palm trees.

Heat-trapping infrastructure like metro stations and bridges has also been greened as part of the project and government buildings have been adorned with green roofs and vertical gardens to beat the heat. The first of those was installed at Medellín’s City Hall, where nearly 100,000 plants and 12 species span the 1,810 square meter surface.

“It’s like urban acupuncture,” says Paula Zapata, advisor for Medellín at C40 Cities, a global network of about 100 of the world’s leading mayors. “The city is making these small interventions that together act to make a big impact.”

At the launch of the project, 120,000 individual plants and 12,500 trees were added to roads and parks across the city. By 2021, the figure had reached 2.5 million plants and 880,000 trees. Each has been carefully chosen to maximize their impact.

“The technical team thought a lot about the species used. They selected endemic ones that have a functional use,” explains Zapata.

The 72 species of plants and trees selected provide food for wildlife, help biodiversity to spread and fight air pollution. A study, for example, identified Mangifera indica as the best among six plant species found in Medellín at absorbing PM2.5 pollution — particulate matter that can cause asthma, bronchitis and heart disease — and surviving in polluted areas due to its “biochemical and biological mechanisms.”

And the urban planting continues to this day.

The groundwork is carried out by 150 citizen-gardeners like Pineda, who come from disadvantaged and minority backgrounds, with the support of 15 specialized forest engineers. Pineda is now the leader of a team of seven other gardeners who attend to corridors all across the city, shifting depending on the current priorities...

“I’m completely in favor of the corridors,” says [Victoria Perez, another citizen-gardener], who grew up in a poor suburb in the city of 2.5 million people. “It really improves the quality of life here.”

Wilmar Jesus, a 48-year-old Afro-Colombian farmer on his first day of the job, is pleased about the project’s possibilities for his own future. “I want to learn more and become better,” he says. “This gives me the opportunity to advance myself.”

The project’s wider impacts are like a breath of fresh air. Medellín’s temperatures fell by 2°C in the first three years of the program, and officials expect a further decrease of 4 to 5C over the next few decades, even taking into account climate change. In turn, City Hall says this will minimize the need for energy-intensive air conditioning...

In addition, the project has had a significant impact on air pollution. Between 2016 and 2019, the level of PM2.5 fell significantly, and in turn the city’s morbidity rate from acute respiratory infections decreased from 159.8 to 95.3 per 1,000 people [Note: That means the city's rate of people getting sick with lung/throat/respiratory infections.]

There’s also been a 34.6 percent rise in cycling in the city, likely due to the new bike paths built for the project, and biodiversity studies show that wildlife is coming back — one sample of five Green Corridors identified 30 different species of butterfly.

Other cities are already taking note. Bogotá and Barranquilla have adopted similar plans, among other Colombian cities, and last year São Paulo, Brazil, the largest city in South America, began expanding its corridors after launching them in 2022.

“For sure, Green Corridors could work in many other places,” says Zapata."

-via Reasons to Be Cheerful, March 4, 2024

[weltraum-vaquero]

i was scrolling through pinterest and i came across a prompt: “i can’t focus with your damn hand on my— ooh..” i IMMEDIATELY thought of jayce 🫢 can i request sumn like that? i love your work so much 😭😭

Hi anon, this prompt drove me insane. Thank you so much!

Play (dirty)

Jayce Talis x GN Reader

Summary: A fancy play at the Piltover Opera is a good excuse as any to deck out. And an even better excuse to have some fun with your partner.

Word count: 2.5k

MDNI. Mature content under the cut.

Tags: Sub Jayce, slight exhibitionism, dry handjobs, heavy petting, alcohol consumption

Jayce could never stand still. There’s something in him that’s constant, restless, relentless. Always the type to fiddle, to twirl his pen between his fingers, to scratch at his own scruff in thought, to chew the inside of his cheek, to bounce his leg. His mind is a hyperactive, brilliant thing; equal parts blessing and curse.

He does it now, too — bouncing his leg, that is, under the fine silk of his prettiest burgundy slacks (his ass, though nothing to write home about, never failed to look tremendous in those. Something about the thin, generously revealing material seaming to the humble curve of his ass in a salacious display). Jayce taps his fingers on the sturdy oakwood of the theatre chair as he stares at the still lowered curtain, crosses his legs, sighs, uncrosses them, bounces his leg again.

It’s the final stretch of the second intermission, though the play isn’t particularly doing it for you, mainly because you’ve seen this exact rendition before, with Jayce at your side. Just… not from up here: an opulently designed balcony, all to yourselves, just shy of the stage. Generous courtesy of Salo for a favor taken rather than given from Jayce, a situation that’s been stressing him out something fierce these past few weeks. You digress. That’s not what matters anymore — he’s earned a break. He’s earned something good.

It’s a lovely opportunity to spend some time with him outside of the confines of his lab or your shared home, which is growing increasingly rare. It’s a lovely opportunity to put on your shiniest clothes and make a pretty sight for one another.

Undeniably, that’s been the best aspect of it. Jayce has been sneaking looks at you the whole time — perhaps bored with the play, perhaps too enticed with you. And you can’t exactly blame him, because you’re not doing much better either. 

How are you meant to do anything when you have a much more captivating sight to take in, sitting tensely in the chair next to yours?

A dark shirt that hugs the proud swell of his chest just right (certainly something to write home about), a pretty burgundy jacket just the same warm colour as the fruity merlot he’s finished sipping on, lingering on his plump lips. Silk curling at the seams, stretching under the heft of his now thicker thighs as they rest on the seat, tie loosened just so, and he’s good enough to eat. 

You lay a warm hand on the inside of his leg, and Jayce, as he always does, yields. Less on thought, more on instinct, always so eager, before he turns to look at you with a question in amber eyes gone chocolatey dark in the low light of the room.

“Hm?” 

His cologne hits you in a peppery-sweet, floral wave as he leans in, leans closer, and gives you the attention you’re so clearly demanding.

“Should I get us more wine?” You make feeble conversation, more eager to hear his voice than his thoughts. He’s been sharing most of them in whispers throughout the play so far as is. 

Jayce shakes his head, flashes a conspiratorial, boyish little smirk. “If I have any more, I might um,” he breaks out in a short, clearly tipsy giggle, “do something I really shouldn’t be doing up here.”

His hand finds yours, pinkies twining together in a near juvenile but vulnerable display of his affection, a plea for affection. And, oh, his eyes, though his pupils are blown wide, glitter mischievously like a cat’s about to pounce. Two can play that game… 

“Mm. That would be a terrible look on you,” you emptily agree. “Think of the headlines… Man of Progress caught moaning during Winter Solstice play, Man of Progress bent over the railing on the opera’s most lavish balcony…”

Jayce nods, a little drunkenly. Leans in for a kiss before he breathes: “Terrible.”

You let him have it — how could you not? Let him sloppily lick at your mouth like an overeager puppy for a long, dizzying, smooth-merlot attempt at a kiss. He smiles into it, as if in thanks.

Before you give a gentle little push at the plush swell of his chest with your other hand, pacing him, pulling away to leave him in a dazed little stupor. His breath hits your now slick lips in a warm, wet brush.

“Intermission’s about to end.” You pat his thigh less sensually, more like you’d pat an obedient dog for a trick well done. “Better keep quiet and focus on the third act.”

It looks like it pains him to settle back into his velvet seat, so you leave your hand on the top of his now still thigh — a reminder, a promise. It keeps Jayce on his toes more than the narrative unfolding before you does. Well worked sinew draws so tight you can feel it vibrate even under the soft layer of plush fat on his thighs, and as the action in the play begins to find its inevitable build, you find your hand wandering. 

Just to the inside of his thigh, first, where he’s softer, which he gladly offers up to you. Fingers draw patterns more intricate than the paisley on his vest, until poor, tormented Jayce begins to shift in his velvet seat. Tilts his hips this way, then that, then readjusts his whole frame in the seat with an awkward clear of his throat when it creaks.

The rich tones of a singular violin crescendos in sync with the dip of your hand further, up, up, until you reach that tense tendon on the inside of his leg, where his thigh seams to his hip.

And further inwards, his straining cock nudges the back of your knuckles through the silk of his pants. Jayce jumps with the contact… Poor, poor thing.

“Aw, Jayce...” It’s both pity and reprimand, a whisper so low he can barely hear it. The flesh of his thigh spills from between squeezing fingers; it has him lowering his head in shame and trying to breathe through it. If not for the sacred quiet of the imposing room, for the performers playing their instruments as deftly as you’re about to play him, he would have at the very least whined for it. A low, pleading, dog-like sound.

Instead, he shoots you a look. Desperate and dazed and wide-eyed all at once in the dark of the room, before it turns into a kind of anger that does not and will not bite. Nibbles on you like an angry puppy, more like.

“How d-do you expect me to focus when your damn hand is—“ and you give him what he wants, “o-oh.”

Grabbing a handful of the straining outline of his dick through his pants, rubbing just once, from the wet patch on the tip to as far down as the silk allows.

“Better?” You ask.

Jayce breathes a terrified, shivering sigh.

“I don’t know,” he whispers.

“I can stop,” you remind. He knows it to be the truth intimately; though he aches to please to a fault, Jayce has learned a thing or two about respecting his own boundaries by now. You trust that if he needs you to, he will give you the word.

“Don’t.” Armrests gripped so tight they could splinter, eager hips raise off the theatre seat to chase your hand until your palm cradles his leaky tip once more. Wide eyes flutter closed and cherry slick lips part in a muted expression of bliss.

“Then don’t make a mess,” you breathe into his ear. “And keep quiet. Can you do that, baby?”

Jayce nods desperately, and does a surprisingly great job at swallowing another moan as you twirl your fingertips around what should be the crown of his cock, silk gliding under your hand akin to well oiled skin. He lets it happen gladly, spreads his legs in welcoming especially when you reach further down, until the dainty weight of his balls sits cupped in the groove of your palm. There, you linger, simply holding him where he’s most sensitive, unmoving.

Jayce exhales shakily, baby doe eyes flicking between you and the hand between his legs in questioning, in hope. The soft, still cradle of your palm turns greedy as you feel him up, fingertips curling around the heft of his bulge, his cock pressing into your hand. All of him trembles with how he stifles a gasp into the back of his fist.

You simply knead at him idly, the way a satisfied cat would as it purrs, and make a show of diverting your attention back to the play you couldn’t care less about. It gets him off, in some capacity, to be touched but not paid attention to. It had made him soil his pants so quick, once, simply letting him have his pleasure against your thigh while you were busy with a book, and it’s a technique you employ on occasion since. Coupled with the fact that Jayce, touchy and needy as he is, hasn’t gotten much chance at release lately, you know for certain he will find it now, and fast. 

The glossy silk has gone sticky wet at the very tip of his dick, so much so it even leaves your hand damp after an indulgent squeeze at it. Below, horns blare with the oncoming climax of the play, music daunting in its grandeur even from up so high. In spute of such an enticing distraction at hand, you can’t help but marvel at them as you palm Jayce’s cock. And you recognize the melody the very next moment, the thrill of hearing it for the very first time; just as you know the end Jayce is approaching with intimate familiarity, so do you remember the next part of the play. 

It will go quiet for a long, breathtaking moment to draw the audience to the edge of their seats, the calm before the storm — and Jayce, judging by the sweat on his brow, the way he almost tears into the back of his fist with his canines, Jayce will not, cannot be quiet.

The realization must hit him at the same time as it hits you, because his free hand grabs yours in a death grip, a decidedly desperate attempt at halting the inevitable. 

“S-stop,” he whispers, his lips meeting on the p just moments before the entire orchestra quiets. 

You can hear every bated inhale in the grandiose room — but none of them as sweet as Jayce’s. The whole room buzzes, alight with the anticipation of the audience. 

Jayce squeezes your hand vehemently, like the weight of his barely contained orgasm threatens to crush him. His thighs clench around your hand, his body curls, he exhales in a silent cry, before he presses his hand to his lips so hard it makes you wince. You lean in close enough to be able to hear his thoughts, let him hide his face in the fabric on your shoulder.

“Breathe,” you coo at him like he’s in pain, stroking your thumb up, then down the aching outline of his cock. It makes his hips jump. “Once the music starts again, I’ll take care of you.”

You can feel him nod his head against your shoulder, can feel his grip slacken, can hear the tension in the room crackling like lightning when a violin starts a short-lived solo that is soon joined by the rest of the orchestra in a tsunami.

Jayce lets go of your hand, spreads his legs as if to offer himself up on a silver platter to you — full, complete trust. You slip the buttons of his pants out of their eyelets fast, aided by the near oily slipperiness of the fabric, the press of his cock, which have the front flap popping open the rest of the way.

Your hand slides down the bump of his soft, fuzzy tummy, into his pants, his underwear, easily, because it’s warm, familiar territory. Cradling all he’s worth in your hand, you scoop both his cock and his balls from the confines of the silk, laying them out vulnerable and exposed to the cold air.

It forces a gasp from Jayce, fortunately lost to the music, instinctually going to cover himself with both hands at the sensation and the prospect of being at the mercy of such a grand, full room.

“I’ve got you,” you remind him. Deft hands reach for his breast pocket, stealing away his handkerchief from him. Even dazed like this, Jayce understands your intention easily, and wins another battle against his instincts as he lets his hands fall away from where they’re cupped over himself protectively. One hand fists the silk of his pants, and the other wraps around your forearm not in guidance, but in seeking, of your presence, of you, grounding himself.

Jayce goes perfectly still as you stroke his dry cock, from root to swollen tip. It can’t be satisfying, you know so by just the feel of your hand around him, the way his foreskin drags with the grip you have on him, up, over his leaky cockhead, then down, exposing him where he’s most sensitive. It can’t be good, but it’s enough, because Jayce whines, quiet and half-terrified as he hides his face against your shoulder, before he goes rigid with your next upward stroke. 

And you do that thing he likes so much — his tip’s smeared in enough of his precum to facilitate an overstimulating twist of your palm around just the ruddiness of his crown. His mouth falls open in a silent wail.

Jayce is so easy. Shoots his load into the handkerchief you bring up to his cock just in time, lets you milk all his overwhelming orgasm’s worth into the fabric until he can’t help but clench his thighs around your still moving hand. Trembles in time with his twitching cock as you wipe the strings of cum off his sticky, swollen cockhead and stuff the handkerchief back into his breast pocket.

The orchestra quiets once more, for good this time, and the audience’s applause roars. There won’t be much time until the lights come on, so you make quick work of tucking him back into his pants, and once Jayce regains some of his mental footing, he helps you button them back up.

Just in time — the lights blind you, but not as much as he does. Sitting low in his seat, slick with sweat, disheveled in his best clothes, and smiling at you so wide and dopey he shines, Jayce is brighter than any light, any sun. His chest rises and falls at a fierce, breakneck pace as he catches his breath.

You lean in to grant him a well deserved kiss to the cheek, one he chases with his mouth instead, and smiles into when you lick what remains of the by now long dried merlot from the ridges of his lips.

It makes him smile wider, a blush that matches his suit perfectly blooms on his cheeks. He takes the hand you’d stroked him with, intertwines your fingers like the lovesick fool that he is. You squeeze back, like the lovesick fool that you are, and can’t help but gaze into his eyes even as the eager applause slowly fizzles out.

“They clapped for the wrong performance,” you whisper to him. “You were far more glorious than any play.”

[secriden]

Not to be a Style apologist, but I feel like some viewers haven't quite picked up that Style's brand of wooing Fadel is quite likely intentionally designed (by both the writers and the character) to be as annoying and frustrating as possible.

Lets consider:

Style thinks his bff is in love for the first time in his life. He thinks Kant is genuinely down bad for Bison: let’s not forget his clear surprise when Kant agreed to give up the car. As far as Style is concerned, Kant is acting really out of character and it's because Kant desperately wants to be with Bison.

He also thinks the only thing standing in the way of True Love™ is Fadel, who according to Kant is being unreasonably difficult about Kant and Bison dating. He doesn't know that Kant has a secondary motivation, nor does he know about the mind games that Bison is playing with Kant. Worse, he has no frame of reference or context to make any of Fadel's animosity towards Kant reasonable.

Moreover, while I think we all agree that Style made a terrible first impression on Fadel, the same has to be said of Fadel towards Style. Like, yes, absolutely Style was in the wrong, but Fadel came off as not only condescending and impatient, but unreasonable (and very weirdly cagey) when Style tried to immediately offer a resolution. Again, Style has no frame of reference for why Fadel would first demand that he take responsibility for his actions and then immediately after claim to have no time to entertain Style's attempt to take said responsibility.

Also, it doesn't help Style's wounded pride that Fadel keeps 'besting' him at every turn. So at this point I think a significant portion of that initial attraction (in ep 1) has shifted to annoyance when it comes to Fadel. By the time he gets his hands on Fadel's information, I think he's more than a little invested in some payback. While I think Style very much still wants to help Kant (and Bison) out, at least a part of him figures as long as he keeps Fadel busy, he kind of meets his goal. And if he gets to embarrass, frustrate and otherwise harass Fadel along the way, all the better!

You can see him start to have some fun with it. He ramps it up SO much in ep 2. He gets to lean into that wild, brash, playful personality because he doesn't really care if Fadel likes him. Style gets to be dialled up to extremes, and I love that for him because he's honestly kind of justified because he knows so fucking little about what's really going on. I think it's only fair if the other 3 are playing 4D chess while Style only has the Uno game rules in front of him, he gets to be the most Unhinged about it.

So, yeah, while I absolutely agree with all the posts out there that recognises just how reasonable and polite and tired Fadel is, I do think we need to give Style some credit here. He's absolutely SO extra, but he's also the one, arguably, that has been lied to the most and I feel that he deserves some slack for that.

I'm so glad he figures out some things in the next episode because my darling boy deserves to at least somewhat even the playing field.

[idolomantises]

Have you watched Murder Drones, and if so what’s your opinion on it?

Also your art is great, keep it up.

Thank you!

And uh. Man. I may make an enemy out of another indie fandom because I don’t really like this show.

I actually loved the pilot and thought episodes 1-3 were incredible, if a bit too fast paced. But episode 4 was kind of a breaking point for me and I dropped off after that.

I don’t think it’s very funny. I think it relies too much on Bathos and it makes it hard to take its cast seriously. As a black comedy it mostly worked for episodes 1-3, but 4? No.

It does this thing I really despise in media where it has themes of genocide but like… heavily deprioritizes it and often portrays it like a comedy. It’s supposed to be funny when innocent characters are murdered because they’re just goofy side characters but when it’s a major character suddenly we have to care, and I don’t like that at all. The main character has a meltdown over finding out that murder drones are sent to kill her people at the end of the pilot, and then in episode 4 she’s murdering her classmates and crying because a boy she likes might think she’s weird. I actually find it pretty frustrating that the robots are portrayed as incredibly cowardly because they’re slowly dying off and scared to die and then they’re hanging out with V who casually murders random children and nobody reacts to it.

I actually do like the idea of a character who’s not reformed but is kind of forced to stick around but when I see her murder characters, traumatize children and then go “haha I just have mental problems” and everyone just… moves on, I just cannot bring myself to care. It causes such a massive dissonance and not in a fun way.

I think it’s very frustrating and unengaging when a story about people doing the right thing and trying to help others has no interest in helping those they’re trying to save.

I think the female cast is solid but I did kind of raise my eye a bit when the only major female character that was killed off was a victim of genocide while the other genocidal characters, two of which gleefully murdered her fucking parents, are just allowed to hang out with the rest of the cast. Uzi especially lost a lot of sympathy for me when she was more emotional about freaking out N than murdering her classmates. Like yeah, they weren’t the nicest to her but it’s weird to establish a character wants to end genocide and then… barely reacts when they also indulge in that genocide.

I don’t really like the characters at all. I don’t like Uzi, I found N irritating and boring (and gives me anime harem protagonist vibes), I thought V was a tryhard and I couldn’t really care for the rest of the cast. I liked Doll but lol, you know how that turned out.

It also has this problem of having an overloaded cast with very little breathing room. I really wish the show just had one, low stakes episode, so we can actually get to know these characters and collect their thoughts. It’s actually one of my concerns for TADC, because as much as I do like that show, I think “no filler” with constant story is going to make or break the show for me. It’s too fast paced and no, I don’t think it’s good that you have to rewatch an episode 4 times to understand what’s going on. I don’t watch indie shows to play where’s Waldo, information should be explained to the audience in a way that feels digestible and natural.

The animation is incredible and the stuff that came out from the finale was insane, but at times it just felt like jangling keys in my face. Like don’t pay attention to rushed story, underdeveloped characters and bizarre tonal whiplash, look at the cool fights. I dont think it does horror well either. In fact I kind of cringe a bit when characters a big wide grins and giggle evilly and it’s mean to be intimidating and it just. Doesn’t work. Feels a bit juvenile honestly.

And. This is a very personal thing. I don’t like the robot designs.

[dogwartz]

i also found it a bit hard so ill write them out for anyone else who is struggling to read what its saying

Image one: If you find a corner of this world wide web that has any substance at all, then please stick to it. The hundreds of millions of people that now place absolutely no value on their time, their precious time, and spend it watching soulless content designed to hold their attention is depressing. This all depressed me. There is so little substance in this mess of a world wide web, so little heart or soul or love. If you find any substance, stick to it.

Image two: A Tribute To Minecraft, The Great Potato War, TheOriginalAce's Q&A's, Ludwig's 2020 streams, SMPLive Talent Show. This was everything to me.

Image three: Status is irrational & nature is cynical It's attention porn. Don't get addicted to it. It's nothing. It means nothing. They are more insecure than you. But what the fuck do I know

Image four: When I was a boy, alone, this meant everything to me. I found my people. My place. And along the way I was a part of something that really meant something. That is the only of this . Whatever I did that meant something, that is the only good bit.

Image five: I can't watch back my old videos because everyone in them wasn't who they said they were. Do you know bad this makes me feel. Do you know how sad I have felt all year.

Image six: How could anyone possibly find out who they are when you are all immersed in the needless, self indulgent spiral of instant gratification and distraction. This is not good for you.

Image seven (all written upside down): I don't think I trust anyone here. I don't think anyone trusts anyone here. the poor 12 year old watching this sad ass video when he subscribed for funny minecraft videos. poor guy lmao.

Image eight: yeah i know it's too much like bo burnham. it won't be in a year though. In a year it will be like Tom Simons. Just let me figure out what that means, OK?

Image nine: I used to feel like I was just doing everything wrong. That I just wasn't smart or good like any of my friends. I realize now I was the only one doing the right thing. I just wanted to have fun. What I'd do to get that back, my god. What I'd do. To have things be simple again.

Image ten: I just don't want to slip back into who I was. A year ago I needed you. A year ago most of my self esteem and worth and love came from you. A year ago I wasn't happy unless you were. I don't think I can ever do that again. That really was wrong. How did I possibly end up there?

screencaps of the text in tommy's new video for anyone that wants them!!

Hurts a little but make sure to go check it out!

[vonlipvig]

Decided to draw my Fallen London boys Jack and Henry in a modern, non-fantasy setting. Hitting them with my regular lad ray, if you will.

Not many changes, though. Jack's still a mildly successful novelist, specializing in thrillers and mysteries, and Henry's rich and delightfully unemployed. Still the same dynamic duo, no matter the setting.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[valgeristik]

twilight princess + skyward sword stuff ive been drawing the past few days for practice and for fun <3 (you can take TP link's mustache out of my cold, dead hands)

Vetted Gaza Evacuation Fundraiser List

E-sims donation

[doodle-birdo]

Day 13: Five Pebbles

Being able to call Pebbles on the drone would have allowed for some really funny scenarios, methinks.

[irenespring]

Time for one of my favorite TV traditions, "watch the new episodes of Selling Sunset and argue with the screen like the people can hear me."

[sysig]

A hero is only as good as his weapons, so make ‘em count (Patreon)

[cuteniaarts]

Wine stains on porcelain

(Alternatively: @katkastrofa and I have created 5 OCs in 3 days and I suffer from chronic “I wanna draw the little guysssssss” disease)

[blujayonthewing]

so in juniper's campaign we've just found ourselves in a high-stakes situation that I as a player do frankly find stressful and am anxious about, but hey hi also the DM was like 'okay here are the exact mechanics of how this is going to work because I don't want to surprise you with serious repercussions, also here are all the options you will have to try to do something about the situation-- [affected player] what do you think? honest feedback, I don't want it to feel unfair, I want to be clear that I am not just trying to kill your character, and if it ends up being badly balanced we can revisit it down the road' and oh my god I could COLLAPSE and WEEP with gratitude

[petrichormeraki]

GUESS WHO FINALLY LEARNED WHAT A MULTIPLY LAYER IS

[fowlaroundtown]

Screw you *unturtles your 2012 turtles*

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)