#this poor fandom man

[internetladyoclock]

i guess you could say i'm a bit of a

sheith enjoyer. scarian adorer. entraptadak lover. bakudeku partaker. callum hunt has two (2) platonic spouses by the names of tamara and aaron appreciator. murderbot wants nothing to do w romance supporter. sashannarcy believer. lumity contributor, even.

[az-roser]

Slang Education Day

“I’m not understanding, dear. Does that mean she ate her husband ?”

At this point these are just too stupid entertaining to stop…. lmao. Leave me suggestions of what else Deer Man needs to learn 😂

{Part 1} {Part 2} {Part 3} {Part 4}

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[gwenllian-in-the-abbey]

I feel like it shouldn't need to be said, but a relatively faithful adaptation of the source material is actually a very normal and reasonable thing for both an author and that author's fanbase to want. People can sneer about book purists all they want but it's the rare adaptation that surpasses the original, and HotD does not even come close.

[kettlefire]

Not Always a Villain (DP x DC Prompt)

Alfred Pennyworth is a man who always stands on business. Despite what the world might think, Alfred is truly the scariest man within the Wayne family.

He is a man of morals, that is correct. There are some lines Alfred refuses to cross. Harming kids is one of them. However, some morals become flexible when it comes to his family.

Alfred isn't Batman. Or any of the other vigilantes under Batman's wing. Alfred is simply a butler, and that's all that matters. He loves his family, deeply and truly. If there is a day when no love is shared, that is the day he is dead.

Despite all that, Alfred is detatched from the vigilante work. His job is to be there for the Wayne family. To offer them help in any way he can. And Alfred always delivers.

Even if it goes unnoticed, just how large of a role he plays.

Alfred is content with his role, with his life. He is more than happy keeping his darker traits hidden and tucked away. Unneeded in a family like the Waynes.

That was until a new villain appeared in the scene. A young man who seemed to strick fear in the hearts of everyone who encountered him. With snow white hair and blood red eyes.

Alfred barely spared a thought to it. Barely paid attention to the chatter about this villain. It wasn't his job to. Alfred was simply a butler, and that was all.

That was until the day it happened. Damian Wayne was sent to the hospital. Bloodied and broken. A truly brutal attack.

When Alfred looked down at the young master. Bruised in a hospital bed with a tube helping him to breathe. Bandages hiding most of the damage, but the whole family knew. This was an extremely close call.

In that moment, Alfred Pennyworth snapped.

He pulled some strings and checked in a few long, overdue favors. Before long, Alfred was on his own mission. He didn't breathe a word of it to Bruce or the others.

Alfred knew they would try to stop him. Or worses, they'll try to join in. This was something Alfred needed to do. Despite being an overall kind-hearted man, Alfred still had the heart of a stone cold killer.

He failed when it had been Jason. Alfred wasn't going to fail Damian. Not another Wayne kid will be failed. Not anymore.

Alfred had been so set on doing it. In taking out this villain before things escalated further. This young man was clearly cold-hearted, willing to hurt anyone and anything.

That's what Alfred thought.

What he believed until the moment he was face to face with the young man. It had been so certain. The man was unbelievably cold. Laughing in the face of Alfred's words, only stroking the old man's anger.

That was until Alfred had landed a hit, and everything shifted.

Blood red eyes suddenly shifted to bright lazarus pit green. The cruel look in those eyes suddenly changed to a horrified guilty expression. The man had stopped the fight in an instant.

Pulling away from Alfred. Terror and guilt clear as day as the villain seemed to retreat. In that moment, it all seemed to click in Alfred's mind.

This wasn't a villain. He wasn't a monster only determined to hurt anyone in his path. He wasn't the Joker.

Even when green eyes turned red once again. Even when the young man struggled and fought against him.

Alfred didn't yield.

He slapped special cuffs on the man, removing the powers he had. Dragged the villain all the way back to the cave.

Even when the anger and recognition flooded everyones' expressions. Alfred didn't stand down. He held strong, refusing to let anyone get their hands on the young man.

The young man that seemed too much like a young boy.

Alfred pushed the crusade to help. Laid his case out. Pulled the trust card. The supposed villain wasn't the person Alfred had beef with.

Not after hour long interrogations. Getting as much information as they could. It was a struggle, but it found an end. Alfred had no qualms with this young man.

No, he quickly learned who was to blame. Who was the person who deserved Alfred's anger. Deserved to pay for what was done. Alfred had a name, and soon... Very soon, that person will be in an obituary. A name was all Alfred needed.

Alfred was going to take down this Freakshow. Even if it was the last thing he could do.

[tubbytarchia]

Pleaseee please stop characterizing Lizzie by the fall she "took" in Secret Life. Please pleaaase stop only placing character significance on the fact that she died instead of Jimmy. Please let her be a character

[erros429]

i just kind of hate how every time someone is writing a female character, there is far more scrutiny on whether she is “good” representation. like no one ever writes a male character and is like “hmm… is this good representation for men?” because they’re ALLOWED to be written as smart or stupid, or serious or funny, or sensitive or mean, or loud or quiet, or competent or irrational, or jovial or angry, or wise or inexperienced, or pathetic or badass, or good or evil, or complex or one-dimensional. and they will ALWAYS be loved in some shape or form.

but the MOMENT a woman is any one of those things (even tho women irl can ALL have these traits), there are video essays and entire blogs and articles dedicated to Why That’s Not A Good Woman. and like YES, good female representation is important. i acknowledge and agree with that to hell and back. but god damn let these writers breathe. no one is ever going to want to write women again if we shove these impossible standards down their throats.

[yourlocalbadgerscales]

James Potter not being able to hide his bewilderment when he sees that baby Harry has inherited his mother’s green eyes… James Potter skipping around the house, his and Sirius’s voices draining each other as they stand together looking down at the new member of the Potter family sleeping tightly, their eyes shining and mouths running….

James Potter, who never lived long enough to learn that Harry also inherited his mother’s sarcasm, her humour…

Harry James Potter, who inherited Lily’s gaze, that look in his eyes… like he was older than his age… Harry Potter, who inherited Lily’s desperate need to prove herself, Lily’s posture, the way Lily wrote her g’s… Harry, who inherited not only traits from his mother, but also traits from his father.

Harry with his father’s messy hair, Harry who bounces his leg when he’s stressed and ruffles his hair when he’s nervous, unlike his father who ruffled it to impress girls. Harry with a glimpse of his father’s mischievousness in his Lily eyes. Harry who talks in his sleep like his father, Harry with dimples like his father, Harry with poor eyesight like his father.

It’s all a mess of Lily (can’t function properly under stress), James (showers in cold water)… and Harry himself (short temper). Because if it’s something so many people seem to forget about him, which always pisses him off, is that Harry is his own person too.

He loves Treacle Tart, he has his own awkward little laugh, he can’t control his face, he bites his nails when studying, he loves strong smells, and that’s all him. Just… him.

And what Sirius never got to tell him, is that: if people would try to look past the way his parents are still with him in his eyes, behind his smile and in his heart… they would see a wonderful young boy. So much more than what his parents ever made him. Harry raised himself. Harry grew up to be his own.

But Sirius never got to tell him that, just like he never got to tell him that he had Remus’s awkward flush, Sirius’s shit-eating grin, Dorcas’s frustrated resting face, Regulus’s unbothered expression when he was locked into his own little shell… traits that were Mary’s, Marlene’s, James’s, Lily’s, and most importantly Harry’s own.

Sirius never even learnt if these were things Harry would have liked to hear.

[incessantlark]

eef wieners...

[pathetic-lifeform]

After witnessing Hayden’s return to Star Wars, first in OWK in 2022 and now in Ahsoka, I cannot help but think that why did it take us nearly 20 years to collectively claim this man as our own? Do we even deserve him?

In the prequels he gave his everything, his portrayal of Anakin was incredibly nuanced and he clearly had done his homework (e.g. nailing JEJ’s speech pattern and his vocal cadence, as well as David Prowse’s physical mannerisms). Looking at Hayden you could see exactly what George Lucas meant when he said he wanted someone who had ” that presence of the dark side”. But you could also distinguish the former innocent slave boy, who wanted to be a Jedi and make his loved ones proud. He was Anakin, he was Vader.

It still makes me extremely sad and upset that some fans thought their image of Vader at the time was the only right one. They had their heads too up their asses to see that Anakin/Vader was right there, exactly as George Lucas had written him, both passionate and powerful but also sad and pathetic. And of course there were those who did see it, most of them were just too young at the time/without a platform to express all that awe and outpouring of love, as it was mostly drowned out by the loud, spiteful hate and criticism.

I can’t even imagine the things Hayden had to hear, directly from fans and from the media. It must’ve been so discouraging for a young actor. Heck, he was 24 when RotS came out. 24. And still, after everything, he decided to come back. He could’ve declined when Deborah Chow called him and asked him to return to the franchise, I would not have blamed him.

We are extremely lucky to have him back as Anakin and Vader again. And we better remember that.

[capriccio-ffxiv]

Suddenly very upset that Lyse never got to go visit Old Sharlayan with us.

That's as much her childhood home as Ala Mhigo -- much moreso, even. Yda took her to the Sharlayan Colony and then much like Thancred, they were basically "adopted" by Louisoix and taken to the mainland to study. I figure Lyse probably *did* go to school alongside Yda, but being much younger than Yda never got her Archon Marks. Possibly she was working on it when Yda died, but then in her grief and depression couldn't finish it (extremely relatable; I know so many people who never finished university because of circumstances like that).

And I just.

Lyse is done so dirty by the narrative. The Yda reveal is poorly handled and means nothing to us (and apparently didn't mean much even to 1.0 players, which was baffling to me when I found out.) At the same time, when you actually read the short stories and her backstory, it really is a powerful story about grief, about impostor syndrome... but the game just. Fumbles the ball on that.

I just... can you imagine? Now-adult Lyse, having liberated Ala Mhigo, finally returning to Old Sharlayan. Lyse meeting Papalymo's father. Lyse, meeting Moenbryda's parents (Yda and Moen had been close, iirc, and Moen knew about Lyse's deception just like the rest of the Scions).

I know why the larger fanbase isn't super into her, Stormblood is the black sheep of the expansions (I liked it, but it's followed by freakin Shadowbringers, y'know?), but I just wish the game devs would give her another chance. Maybe during or after Dawntrail (maybe she can show up in the New World at some point initially as an ambassador from Ala Mhigo or whatever)

[mavenhavenn]

ride off into the sunset kieran and live until ur 100 idfk

[elnavegador]

Just a tv and a deer on a picnic, nothing to see here.

[lavenderhyacinths]

Demon Child

I bring in my first contribution to the tumblr lmk community, it’s probably never going to be finished but its the thought that counts I feel.

[themintman]

drawing from last night I did to test my new pens 😋😋

I did that one (probably dead) art trend and OUGH HOW DID I DO THAT. WHAT THE FUCK

[1doesnotsimplyhavejust1fandam]

We as a fandom do not talk about Buck’s whole “agonizing over not telling Eddie he’s bisexual” crisis enough. He felt like he was lying to Eddie because he didn’t tell him something new he’d discovered about himself! Tommy dismissing him for not being able to tell Eddie he’s bi yet certainly contributed to Buck’s panic about it, but the whole “lying to my best friend” part came entirely from Buck himself. And he goes to Maddie about his crisis because his big sister has always had good advice for him, and he trusts her with his relationship with Eddie. This tells us two things:

1. For some reason, Buck was worked up about not yet having told Eddie, specifically, that he is bisexual. He goes to Maddie and omits half the truth from her, even though it could help him figure out why he’s so anxious about hiding the truth from Eddie. But he doesn’t panic about his sister either finding out he’s bisexual, or attempting to hide it from her until the pronoun slip. His panic is clearly and explicitly devoted to the thought of lying to his best friend. Not even his sister, who has known and loved him his whole life, was like his mother for much of their childhoods, and was his greatest and sole champion for most of his life, elicits such panic from Buck. He’s nervous about telling Eddie, but everyone else in his life, he comes out to essentially with ease at the Madney wedding.

Now, for some people, this might make it seem like Buck is aware, even subconsciously of his feelings for Eddie, but I’m not sure I agree. And that is because of the second thing:

2. Buck is 100% incapable of not telling Eddie everything about himself and/or his life. Time and again, we have seen Buck using Eddie as a confidant, a safe space, and a comfort for himself when he’s in crisis or feeling particularly reflective. We see this in the og kitchen scene, when Buck, with a rather shaky segue, apologizes again to Eddie for abandoning the Diazes during the lawsuit, in a scene that feels like Buck’s been holding his words in and they’ve suddenly forced their way out to be heard by Eddie. We see it when Buck tells Eddie all about the first dinner with the Buckley parents, notably, the only on-screen conversation Buck has about the dinner and Buck’s feelings about it before the dinner is immediately overshadowed by the Daniel of it all. It’s all directed towards Eddie. And then we got Buck coming over to Eddie’s house after the lightning strike, asking for space from questions and concerns, and then later opening up about how conflicted and confused he feels after dying for three minutes (and seventeen seconds). And yes, even Buck eventually coming out to Eddie, the only scene where Buck is shown to be 100% intentionally coming out (yes, this is me admitting that I’m still iffy on the soot being on purpose or just an accident that Buck was fine with using to come out to everyone else he loves).

All of this to say, Buck cannot be aware or even subconsciously suspicious that he is in love with Eddie. Yet. This is a guy that thought taking his time to come out to his best friend comfortably constitutes as lying. He is honest with Eddie, and he clearly hates hiding things from his best friend because he gets all weird and uncomfortable about it. If Buck knew that he is in love in with Eddie, we, the audience, would know too. And that’s including the general audience. This isn’t a case where Buck could admit it to someone else and feel a little better that it’s out there, even though Eddie still doesn’t know. This is a man who is incapable of lying to his best friend, or keeping a secret from him. Not only is he incapable of it, he hates it! He doesn’t care about over sharing, he is just desperate for Eddie Diaz to know every part of him and love him anyway.

All I can say to that is, if we see a Buck love realization first, we’d better hope Eddie gets knocked into shape very soon after, or we’re in for a very angsty arc where Buck is “rejected” until Eddie realizes his own feelings. It won’t be a sweet and goofy sequence of Buck avoiding Eddie for a few days once he’s realized, and then telling Eddie magically makes Eddie realize that he feels the same in that very moment. It’ll be Buck accidentally running into Eddie the moment he walks into work the morning after he figures out his feelings, and immediately spilling his love out on the operations floor in front of Eddie and the entire team if he has to. Some sort of gentle rejection on Eddie’s part, and then the boys both shutting down instantly. Then multiple scenes of Buck believing he’s destroyed everything, while Eddie speed runs his gay crisis straight (heh) into a love realization regarding his best friend that he just rejected not three days ago.

So. Do we want the angsty “rejection” route? Or do we want an Eddie realization first, which would contain no less screaming, crying, and throwing up by Eddie, but would spare us the secondhand embarrassment of a Buck so in love that he simply can’t lie to the man he loves’ face for more than a second. Since it would be incredibly cheesy and adorable for their love realizations to happen at the same time, and for them to be ready to admit their feelings in the same scene/episode, I don’t think that’s what’s going to happen. It’s 9-1-1. If there is angst and pain to be had, before leading to a beautiful, fulfilling love, then they’ll be going that route over the simultaneous love confessions.