I wanted to like the live action so bad, but I couldn't 😭😭
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why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Finally!! let me share with you the Trigun playlist I made! It's called NoMan's Land and you can listen to it HERE
It's an evergrowing playlist, hope you enjoy!
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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled.
I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1. the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside.
Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY
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are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid
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Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows
(Part 1, Part 2, Part 3, Part 4.5)
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hehe ghost-turbo haunting felix au
turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else
now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident
also I went crazy in tags, feel free to check them out
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does anyone have thoughts on the focus switching to Kabru, like.
At this point we and Kabru both see Laios begin to put together a plan to take down the mad magician, and Marcille is essential in this. But perceptive as Kabru is, he's got to know that this is also for Marcille' sake.
Sure she'll be an advisor together with him in the future, but here, all he saw from her was a spell backfiring into a monster and her begging people to not hurt someone who's murdering-a-ton. He doesn't have a high opinion of her priorities, even if he doesn't wish ill on her. My first thought was that Laios defense of her would be a bit frustrating for Kabru, even. Though he has an equally low opinion of the canaries' methods, and Shuro's report would force their involvement
But honestly, his past disgust with Marcille doesn't factor in this at all. This might be the first time Kabru is seeing how seriously Laios takes both defending his plans and a friend. Against someone Laios respects, no less! Considering what Kabru's own objectives are (a mission, but not progressing enough to formulate well-thought plans), as well as his most selfish desire is (companionship), I wonder if seeing this didn't affect him, a little. Maybe as an inspiration? Or as kinship?
After all, isn't “this person is both an important part of this plan and important to ME, and I won't let you kill them” reminiscent of another dynamic? Even if in this moment, he's not there yet.
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Training
Pairing: Peter Parker x f!reader
Summary: Peter has never been able to last enough to take care of you, but as it turns out... practice does make perfect.
Warnings: talk about premature ejaculation, unprotected p in v sex, creampie, sub!peter and lots of pet names for spidey.
he was always so desperate around you. He was always shy about it, but every time you gave him permission his hands never left your body.
He was so fucking in love with you it was actually a little bit scary.
Nobody had ever made him feel the way you did, and not just sex-wise (although goddamn wasn't that the best thing ever), no, but feelings-wise- like he could breathe more easily around you, like he felt light and soft and the word was perfect whenever you were near.
And everything really was perfect... except one little thing.
he couldn't last.
You weren't making it a big deal, being that you were also teaching him every other way he could make you come, but still, he wanted to do it... he so desperately wanted to feel your walls squeeze him as you came that he was willing to do anything... but it was just so hard.
Andit never got easier...
"c'mon baby" you purred, taking his face in your hands "You can do it, think of something else," you said, out of breath as you bounced on his cock "Anything else baby, I'm almost there"
His eyes were shut close.
He'd found that he didn't even stand a chance at lasting more than 2 minutes if he was watching you.
And he tried, he really tried to get his mind to make something up, to will it to find something else to focus on, but-
"you feel so good y/n- I-I can't"
"yes you can" you shut him up with a messy kiss "You wanna be my good boy, baby?" you ask, eliciting a whimper from his throat
"y-yes" he choked out, not sure how he still hadn't burst
"Yeah?" you breathed "Then you're gonna have to be good and wait a little more" you moaned, his dick hitting a particularly good spot "Can you do that for me, baby? can you wait a little more?"
"mh-mh" he hummed, sounding on the verge of tears
"good boy" you moaned, your nails scratching his chest, as he stretched you so incredibly well "fuck-you feel so good" you cried, your voice drowning out the sound of your skin slapping with his "s-so big baby" you moaned again "s-so f-fucking-"
And then, just like that, it happened- the most extraordinary thing he'd ever felt.
You came, you came on his cock- you came because of him (although, let's be honest, you did all the work), and it felt-
he didn't even have words for it, he only groaned louder than he had ever done, and finally (and inevitably) reached his own release as your walls squeezed his dick and your moans filled the air.
He was grinning like an idiot the moment you opened your eyes back up, and you couldn't help but laugh "You liked it?"
"yes" he nodded, still smiling wide "yes very much"
"mhh" you hummed, bashing in your post-orgasmic bliss as you leaned down to kiss him "I told you you could do it honey"
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I like the idea that Cross realised Killer was touchstarved (he didn't have the words for it but he noticed how much Killer would settle down from it) and started giving him very small basic affection. Pat on the back, hand on the shoulder, maybe a quick friendly hug, all things he probably learned through royal guard training and thinks of as normal friend/coworker stuff.
But as they both got more comfortable in the routine of it, Killer started instigating touches and he was not shy about it (like not just leaning into Cross's side during movie night, he looks like he's trying to get into Cross's jacket with him)
And that this more intense affection made Cross realise he might also be just a little bit touchstarved
Bonus:
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@chipper-smol I couldn't get the thought out of my head of dragon loop flying on unfamiliar wings away from their problems because obviously that's why they have them haha ha ha
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nah because crofty is genuinely insane because why would you say that about your coworker???? and to his face??? "this man knows lewis hamilton. friends, teammates, childhood buddies, rivals, everything but a lover." hello???? why are you saying that to nico rosberg's face???? why are you, as the lead f1 commentator, writing fanfiction about your coworker???? about him and his ex???? and also, what an insane thing to say about someone else's relationship!!! "everything but a lover"... just show them having gay sex onscreen, it would be less intimate than whatever the hell you just said.
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I will never recover from the knowledge that thymoma generally has a very high survival rate, and in most cases that it becomes fatal, the patient has unknowingly lived with the cancer for years. There's a chance that Wilson was sick for half the series and didn't even know it.
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Vampire Kbms for your vampire kbms needs
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