#this is when it is actually bad: i do feel like i am unlovable and if you fell in my trap you will notice soon enough

[bunnihearted]

where is that post that is like 'if u were the girl he wanted communication would be easy for him' bc yeah... no matter how much u dont want it to be, it's true

[candyriku]

finally getting a chance to work on chapter 15 today :-)

[nightingaletrash]

Okay I think my first playthrough will be a Dark Urge Monk. I've still got to decide on the race and design, but I think I'll save that for launch day and play around in the CC until I like what I'm working with.

The Dark Urge just appeals to me so much, maybe its just where I'm at mentally or because of the characters I'm enjoying at this point in time, but the idea of someone wrestling with this inner darkness and the constant, draining battle against it... it'll either end with them finding people who help them control it and provide the support they need to keep it at bay OR it'll go pear-shaped and they'll be worse than ever :3

[whimsyprinx]

i don’t think I’m like actually allowed to be happy or that I even know how to be anymore

[robertsbarbie]

hmmmmmm

[iamnotlookingidonotseeit]

i've always found it easy to talk about my personal shit in therapy and small groups or whatever, places that seem like they're expecting me to be vulnerable, but CHRIST it is so much fucking harder to actually be vulnerable

[thecherrygod]

I've been having a specific thought all day and now it's 3 am so you know what that means <3

[alchemiclee]

what if I made an application for people to fill out to become my potential partner that helps me move to canada fbdndnej i dont get how people just meet someone and they start dating. I feel like I need a whole application and review and interview process to try to choose the best candidate ?????? 😅

[finelinevogue]

spreading the love

summary - harry’s fans LOVE you

pairing - fiancé!harry x reader

word count - ~2k

The fans absolutely loved you.

Probably more so than Harry sometimes.

You were often the subject headline of news articles that were actually about Harry. You were often asked about in interviews that Harry was doing. You were often stopped before Harry on the streets. Not that Harry minded in the slightest because, well, he understood.

Obviously, no one could love you more than he did but he understood the publics addiction towards you.

You hadn’t come from much and you weren’t a name people knew before you started dating Harry. Somehow, somewhere, along the way you had become a somebody.

And everyone adored you.

Whether it was your kind nature, you loving heart, your gorgeous smile or your generous soul, you never went unloved by anyone. Not even the cruelest hearted person could have anything bad to say about you.

You loved being involved with the fans too. You often gave a lot back to them just because they were the most dedicated and loyal people you knew.

You loved how much they loved your Harry.

“Hello, hello!” You tucked your hair behind your ear as you started your Instagram live.

Your viewers shot up from 3k to 104k in ten seconds - that’s how popular you had become with the fans and media.

“How are we all today? Feeling good? I’m feeling good since it’s a Friday. It’s my weekend off tomorrow.”

Everyone knew that you were an NHS nurse and did so much for the people you worked with and beside, which only added to the cause of people loving you.

ellaking107: what are you doing with your weekend off?💛

“Hi Ella! This weekend I am staying home with Harry. We have got a very boring weekend planned unfortunately. Our bathroom is having a redecoration and so we need to wait for the tile man to pop in at some point so he can start measuring up bits and pieces. I’m sure H will drag me for a run or to a pilates class too.”

You were situated in your lounge, lots of plants and good lighting surrounding you.

harryissmiling101: Where is Harry?

“Ummm, so Harry is currently at his mum’s. Maybe this is too much information, but his mum’s fridge broke and so all her food went off. Harry and I made loads of dishes though last night for her, so Harry’s dropped them all off along with a spare fridge we had. I know… Don’t ask why we had a spare fridge.”

You watched as you cat, Kira, came through the lounge door and hopped up onto the sofa you were sat on. You turned the camera so everyone could see her.

“My child says hello to you all. Don’t you Ki?” You began stroking her little black and white chin. “Oh you’re so gorgeous. I love you so much.”

haileyjudd: Harry or Kira?

“Hailey I can’t believe you’re even asking me that… Hailey said, choose between Harry and Kira. Honey, there’s no doubt about it. Obviously, Kira.” You laughed.

You knew some magazine would twist your words later and make it seem like you and Harry were going through a rocky patch in your relationship, but you knew the truth. Harry was completely whipped for you and there wasn’t a single chance he was leaving you. Ever. Then again, the feeling is very mutual.

Kira came closer to you and sat in your lap, nestling herself deep into the blanket you had draped over the top of you.

jammiiie: Are you single please?

“Hi Jamie, potentially.. maybe… Uh, no. I am not single and this will remain my answer indefinitely.” You smiled, thinking about how clingy Harry would get if you had read that out whilst he was say next to you.

Harry doesn’t get jealous, oh no.

He gets clingy. And you love it.

You love when he’s constantly doting on you; kissing you. He loved on you like he has to remind you your his (even though you always will be).

harriesassemble: Y/N can I ask you a question? My boyfriend told me that I have to shave (you know where) but I don’t feel comfortable doing that. How do I tell him? (Don’t answer if you feel uncomfortable)🤍

“Wait.. Hang on a second..” You spoke slowly, slowing the speed of the comments as you traced back to a comment that caught your attention.

“Hi, sorry I’m not sure what your name is, but I hope you are still here and know I’m speaking to you!“ You re-read out loud the comment posted so everyone knew what you were going to talk about. “So, first of all, girl to girl, if he is forcing you to do something as personal as shaving yourself then, my love, he’s not worth your time or breath.”

ophelialover: oh i am so here for y/n’s girl talk time

harrielover: y/n is so big sister coded

“Don’t do anything that you don’t want to do. Do not force yourself to be making changes to yourself just to please a man, or any significant other for that matter. If Harry ever forced me to make a change to myself I didn’t want, he knows where the door is. Seriously, honey, you’re perfect and never change unless you want to.”

harriesassemble: Thank you!🩷

kingsofharry: You’re amazinf Y/N <33

justkeepdriving: WE LOVE YOU Y/N

liked by y/nl/nofficial and 1,976 others

harriesassemble i can’t believe y/n just followed me i am in shock right now :((( she’s my favourite person in the whole world and everything they said to me this evening was just so special:(( im shaking so bad i love y/n so much❤️

view all 394 comments

harryfan1 OH THIS IS SO COOL

harryfan2 omg you were who y/n was talking to??? congrats!!!!!

y/nl/nofficial You’re amazing!💛

harryfan3 we stan y/n

••••••••••

London was quite busy today.

Lots of tourists bustling through the city as well as the daily commuters wandering around on their lunch breaks.

Harry had decided to take the afternoon off since you also had it off, organising to take you for a bite to eat and a coffee at your favourite cafe.

It was a cafe bookstore, so you got to browse books whilst waiting for your food and then got to sit amongst the books whilst you ate. It was a dream fantasy of yours as a child and you’re grateful someone brought that fantasy to life.

Harry held your hand securely as you wandered through the London streets.

Luckily Harry had secured a paparazzi ban years ago that meant that no paps were legally allowed to take photos of Harry in London, so it was just fan photos that you had to be aware of.

“Angela asked me to give her your number again today.” You said to Harry.

“She’s relentless.” Harry laughed.

“She just wants to know when her future grandson-in law is going to become her in-law.”

“Baby, I’ve told you before - I’m not asking until I’m ready.” He squeezed your hand.

“No, I know. I just want Nana Angela to be alive when we get married.”

“She will be. I promise.”

You both came to a stop at a red pedestrian light. Harry pulled you back slightly, because he knew that you liked to stand far too close to the edge of the pavement.

You looked up to Harry, watching as he took in his surroundings through a pair of brown sunglasses.

“C’mere a minute.” You said, directing his head to face you.

You reached up and unclipped your claw clip from his hair and ruffled the locks until he had a messy middle parting. You bit the clip between your teeth as you messed with his hair.

“What was wrong with m’hair?” He chuckled.

“Prefer it down like this.” You shrugged your shoulders and clipped the claw clip to the top of your jumper.

You smiled at your handy work.

He looked even more handsome now.

As you crossed the road, you spotted someone with a Love on Tour tote bag. It was one of the newest ones. It was being carried by a girl in her early 20s, maybe.

You poked Harry and pointed him towards the girl.

“She had good taste in music.” He joked.

You didn’t mean to follow this girl, but only happened to stop at another pedestrian red light next to her. You stood beside her and noticed she had headphones on.

You couldn’t help yourself from nudging her shoulder. As you prodded her, she gasped and cupped a hand over her mouth in shock. She quickly took off her headphones and giggled a hi out.

“Love the tote bag!” You smiled brightly.

“Ha ha thank you! Oh my God I can’t believe you’re actually here right now.” She laughed.

“Yup. Both of us.” You pulled Harry a little closer into you.

“Hi, you alright?” He spoke shyly, as ever when he is introduced to someone new.

“This isn’t real! Holy shit.” The girl laughed the situation off. “I was nearly not going to wear this tote bag today as well.”

“Well it must be a good luck charm then.” You laughed. “Which show did you go to?”

“Wembley night 4.”

“Ahh!! The best one then!” You exclaimed, Harry chuckling from behind you.

You always did this.

You managed to make friends with absolutely anybody on the streets, over the smallest of connections. You especially loved making friends with Harry’s fans.

“Well I think so, but I might be biased.” She shrugged.

“It was one of our favourite shows, wasn’t it H?” You nudged him into the conversation, knowing that he struggles with that.

“Yeah definitely. Wembley was unlike anything I’ve ever experienced before.” He nodded with a smile, looking at you more so than the girl. “I’m glad you enjoyed it and thank you for the support, it means a lot.”

You internally smiled at the small spiel that you had prepped with him for occasions where he might bump into a fan.

“What was your favourite part?” You asked curiously.

“Sign of The Times in the rain.”

“Oh stop! You’re going to make me force Harry into to going on another tour ASAP just to experience that again.”

“Oh, because of course I can control the rain too love.” Harry laughed, which made you both chuckle with him.

“Shut up.” You judged him in the ribs. “Well it was lovely to meet you…”

“Emma.”

“Emma.” You smiled.

“Thank you for your continued support, Emma.” Harry added. “Would you like a photo?”

“Uh.. Y-yes? Yes please! If that’s okay with you?” Emma politely checked.

“Of course. Just as long as you wait a little bit to post it so our location isn’t instantly publicised.”

“Yes. Of course! Thank you.”

“Here, honey, give me your phone.” You held out your hand, thinking that she would have wanted you to take a photo of just her and Harry.

“You have to be in it too, Y/N!” Emma exclaimed.

“Yeah, Y/N/N.” Harry rolled his eyes at your silliness. “C’mere.” Harry roped his arm around your waist and brought you to stand slightly in front of him. Emma was directly next to you and you all smiled as she lifted her arm to take a selfie. Harry’s cheek was pressed near against yours.

“They okay?” Harry asked.

“Perfect. Thank you guys so much.” Emma smiled so brightly.

After you parted ways you couldn’t help but imagine how electric Emma must be feeling right now. Harry seemed to be happy too, because you were happy after such a heartwarming conversation.

Positive interactions just made for better days.

Later, Emma would post that photo and the comments were even more wholesome.

comment 1: the way y/n and harry are stood so close to each other

comment 2: the fact harry has his literal cheek pressed against y/ns makes me WEEP

comment 3: they look so happy i will cry

•••••••

Another place where you would find wholesome content from the fans was the world of social media.

Normally, with Harry’s previous relationship’s, they would get absolutely hated on social media. There would always be something that would get dug out from someone’s past which meant they weren’t “right” for Harry. All of it was bullshit and Harry’s previous relationships had ended because he never felt “right” with anyone.

Until you.

You were now sat with Harry’s family around a small fire pit in Anne’s back garden.

Her lovely house had a beautiful garden that was perfect for dinner evening drinks and conversations. You often think about returning here with Harry and his last name one day.

“Top up, Y/N?” Anne asked, holding out the bottle red wine up to your wine glass that empty on the table.

“Oh, no thanks Anne.” You warmly smiled.

You were comfortably nestled in Harry’s lap with a blanket drawn over the two of you. Harry was nursing his own red wine with one hand, whilst the other supported your back from where you were sat sideways across his legs. Your head was nuzzled just below his chin and your hands were busy fiddling with his necklaces.

“You okay, m’love?” Harry asked you, so only you could hear.

“Mhm. Wine has made me sleepy.”

“Rest if you need to, i’m right here.” He kissed the top of your head.

You pulled your phone out of your hoodie pocket and opened it up to Twitter.

You followed a multitude of Harry’s fans on Twitter, simply for the shits and giggles. It had become a challenge to see who would be the next person that you would follow.

Scrolling through Twitter you noticed a lot of people reposting a photo of you and Harry that got leaked today. You were both simply walking through the park, but the photo clearly showed you wearing Harry’s hoodie and everyone was screaming over it.

harriesunite: these are my parents

“H, baby, look.” You giggled as you showed him the tweet.

“Hmm?” He tucked his face down into your neck as he read your phone, and leaving your neck warm after he laughed.

“You’re such a dad, apparently.”

“Not yet I’m not.” He kissed your exposed neck, but only once when he remembered he was sat in front of his mum.

“Y’want to be?” You turned your head a little to the side to see him better.

“Whenever you want to be a mum, yeah.” He smiled so brightly.

“Soon.”

“Yeah, soon.” Harry nodded in agreement.

[lenaellsi]

after my latest rewatch I am even more convinced that crowley really doesn't have the intense self-loathing issues he's commonly depicted with. like he has some regrets and bad memories and insecurities like everyone does, and he's under an insane amount of stress basically always, but he's very confident in who he is. he's not particularly happy about being a demon, but that isn't the same thing as hating himself for it. he hates hell, not himself.

like. he’s not upset about being called one of “the bad guys” because he agrees, he’s upset because he knows aziraphale is wrong, and because this is evidence that aziraphale still believes in a philosophy that has divided them since even before his fall. he has never once considered himself less than aziraphale or any other angel. I think it's clear that he's pretty offended by that implication, actually!

“crawly” as a name is too squirming-at-your-feet-ish for him because he knows who he is, and he sees value in that person. his depression and his worrying relationship with his own life and safety come from his feelings on god and predestination, not from self-loathing. crowley does not believe in the system. he doesn’t believe in the idea that people are purely good or evil, and he’s sure enough of himself to know that he's not either. that's why he's able to make the choices he does. he's able to act in the gray spaces between heaven and hell (see: job, the flood, the "virtues of poverty," armageddon, etc etc) because he is confident enough to make those decisions without worrying about what the powers that be say about what's "right" and "wrong."

that doesn’t mean that he’s not self-conscious. he’s very concerned with what humans think of him, what aziraphale thinks of him, and (out of self-preservation) what hell thinks of him. he hides his eyes and puts on a cool, flashy persona to hide the more vulnerable parts of himself. I think everyone does that, to a degree, but it's especially obvious in crowley because of how it manifests in his glasses. he's been burned (literally) before, and he knows better than to show weakness when he could be hurt like that again.

and re: the "I never meant to fall" thing--he's upset about being a demon, yeah, because the fall sounds like it sucked, and his job tortures him when he's Good or just Bad in the wrong way, and he's deeply lonely, and the love of his life has a complex about their relationship, and he's trapped in a system where he has to blindly follow one of two nearly-identical sets of bullshit morality rules or be executed. but again, he's mad at god, heaven, and hell for all of that. I'm sure he's angry at himself for all sorts of reasons often enough, because crowley is generally a pretty angry person, but he doesn't hate himself in any sort of existential "I am an unlovable monster" way.

maybe sometimes he regrets falling. maybe sometimes he thinks it would be easier if he never did. maybe sometimes he hates his fucking line manager and wishes he could do any other job for a while. but no part of crowley thinks that he is any worse of a person after the fall, or any less worthy of aziraphale's company. he just thinks aziraphale thinks that, because of the amount of times aziraphale has told him so.

[kakashixhatakesxwhore]

Alone

Pairing: Hokage!Kakashi x f!Reader

Summary: Kakashi comes home late, to find that you left a note stating that you want to be left alone.

W/c: 1k (she bite-sized but I love her)

Warnings: Swearing, Kakashi's possessive and worries a lot

A/n: this one is entirely based off of this Frog and Toad story, so I only felt it was right to include the picture from the story's resolution. y'all know i just adore this man as hokage. lmk if this sucks, yk, the usual.

Masterlist💿

It had been another long day for the new Hokage. He was tired, he was stiff, and all he wanted was a kiss from you. He should have given you ten more kisses than he actually had given you, this morning - but, he was rushing, he had an early meeting.

Fuck, what an idiot. He should've been seizing every moment he had to kiss you, but he didn't, not this morning. He was being a terrible husband.

What if you thought so, too? What if you were feeling neglected, or, worse, unloved? What if that was the reason why you left such a cryptic, worrisome note for him to find when he got home?

Dear, Kakashi, I am not at home. I went out. I want to be alone. Y/n

He put the prettily penned note back onto the console table and shed his official robes. They were getting hot. The entire foyer of your home was getting hot.

Turning back to the door, Kakashi opened it back up with a shaking hand.

"Alone?" He murmured to himself as he shut it, again. As he walked away from the Red House, Kakashi scoffed, "Why does she want to be alone?"

Trekking away from the house, he wracked his brain, conjuring up a list of places you may be.

So, he started simple.

And he thanked the stars he hadn't checked anywhere else, first.

There, you laid, way out in the middle of a very wide pond, just North of Hokage Rock, in a little valley filled with flora, fauna, and the like.

A huge, grey rock held you above the water, just high enough so that the small ripples in the pond, caused by the frogs and little fish, didn't bother your sleeping form at all. Dragon flies zipped about you, only gracing you with a small bit of wind, and hardly a tickle or aggravation. Thin, weaning rays of sunlight passed through the tree line as the ball of fire made it's descent of the sky. They painted you with little golden dots, just over the long pants and tank top you had on.

Kakashi, almost, didn't want to wake you.

Almost.

Walking atop the water's surface, Kakashi strode over to you carefully, making sure not to make any undue splashes. As he walked, he berated himself.

Because you could have been sleeping, at home. You could have been doing this within the sanctity of your home, not out, where someone could just grab you. Shit, see a pretty lady, in the middle of a fucking pond, unconscious? Kakashi's instinct would be to help, even if he didn't know her - but there were some bad characters, who would not be so inclined. Why couldn't you just be a little more mindful of that? Kakashi worried about you, and your safety, and your health, but you didn't seem the least at all concerned.

Approaching you near silently, Kakashi ran his index finger down the inside of your arm, feeling the tender flesh as you twitched so preciously.

Fuck - the reason why you didn't care about you was because you didn't know how much he cared about you. That had to be it. He was underserving you, and that was just fucking criminal.

"I'm sorry, sweetheart," he whispered, watching your eyes slowly open as he continued to tickle your arm.

You blinked and a smile rose to your face, it almost confused Kakashi.

Slowly, you sat up and shirked his touch in favour of a stretch. It almost bothered Kakashi, but he was very aware that he was in no position to be bothered by something so trivial.

"What are you sorry for, Kakashi?" You asked after a yawn, that same little grin on your lips as you looked into his eyes with a sparkle in yours.

A little embarrassed to be made to say it aloud, Kakashi scratched the back of his neck. Oh, grow the fuck up - apologize to your wife like a proper man, or else she'll resent-

"I'm sorry for treating you so poorly," he began, much to your surprise. Your smile continued to inch off of your face as he went on, "I've been so consumed with the duties of being Hokage, that I've been neglecting you. The last thing I want is for you to be unhappy. I shouldn't have..."

You were laughing.

So quietly, a small snicker, a little giggle.

"I'm not unhappy, Kakashi," you grinned, shaking your head a tad.

"Then why did you want to go out, and be alone?" He asked, voice dipped in bewilderment.

Your smile had returned to simply rest on your face as you looked at him. Gently, you shrugged, and told him, "This morning, when I woke up, I felt good, because the sun was shining. I felt good, because I'm your wife. And I felt good, because I know I'm so, very loved. I wanted to be alone, so I could think about how wonderful everything is. That was all in the morning, and I had a very long meditation on this rock, then took an even longer nap. I wasn't aware of the time, and I thought I'd be home earlier- that you'd never even read the note."

Quietly, Kakashi sat down on the rock with you, knees suddenly weak. He had to take a few breaths, but, even then, he couldn't stop looking into your eyes.

Your beautiful eyes.

They didn't call him a fool, nor did they judge him for overthinking anything.

"Oh," he said lowly, after some time had passed. "I suppose that's a very good reason to want to be alone."

You just laughed, and stretched again, before standing atop the water. Extending your hand to him, you purred, "And now, I am glad to not be alone. Let's go home, and make dinner - I'm starved."

Kakashi took your hand gingerly. He stood and twirled you so that his arm rested on your shoulder naturally, as you maintained your hold of his hand. Bringing you close to his side, Kakashi just sighed contently, "I love you, sweetheart."

"I love you, Kakashi," you smiled up at him. "You really are a spectacular husband."

[furiousgoldfish]

While growing up in an abusive family, a part of me strongly refused to grow up, in fact it's still resisting it. I thought at first, it was because I was taught that I am less and less valuable as I age, but it wasn't only that. It turns out, growing around mostly abusive people, can give you some horrifying notions of what it means to be an adult.

I am going to write down how I perceived adulthood, as an abused kid, because I need to work on it myself, and if there's somebody else feeling this, know that these are not your only option for a future:

All adults are stupid, unkind, boring, bitter, aggressive, obsessed with money, do not understand people around them at all.

All adults have to play specific roles assigned to them and don't step outside of these roles. For instance: mother, grandma, father, aunt, teacher, uncle, neighbour. All roles are restrictive and people can only do whatever is assigned to this role (cleaning, cooking, working a job, going to army, being married, etc)

Adults can't play, be curious, or have fun. Adults have to be focused on their role and stay grumpy, serious, bitter and busy. They don't laugh except when drunk.

Adults are having it tougher than children. They are unloved, uncared for, nobody considers them nice or pretty, nobody wants them around or gives them gifts. Adults are permanently unwanted and undesired everywhere.

Adults have good opinions only of people who are already dead. Everyone alive is constantly being humiliated, shamed and criticized. It's better to be dead.

Adults don't care about children, and only think the worst of children. Adults think children should only exist to work and to be yelled at. Adults are dangerous.

Adults don't care about friendships, loyalty, kindness, courage, bonds, closeness, care, or love. Adults friendships are drinking and smoking in the same room while talking badly about every other person in their life. They don't play, laugh or share things. It's a big game of pretense that the other has it better.

Adults lie and fake everything. They lie about their home life, about what they know, about money. They lie about, and to their children. They tell lies confidently. They make things up if they don't know and then tell those lies as if they're truths. They don't feel guilt if caught lying and instead double down on it.

Adults have money but they can't spend it. They have to keep paying bills and they never have enough money for bills and food. They will buy alcohol and cigarettes though, but they're always stressed about bills. They consider it children's fault.

Adults are endlessly stressed about having to 'feed a family'. This is so bad that they actually end up hating their families. They wish all of their children were dead so they wouldn't have to feed them. They can't seem to stop having children but also hate feeding them. It's like they're forced into it.

Adults have to work constantly. They work their jobs and have to do endless chores when they get home. They have to get up early to do chores and do them late at night. They have to do everything alone, unless they can get a child to do it for them. They can't select not to do it, they have to shift it to someone else to avoid it. Adults have no free time, or hobbies. They have to work at all times and always know what needs to be done.

 Adults have bodies that work less and less. They can't run, climb or jump. They're always having surgeries and can barely walk. Their backs and hips hurt and they complain about the pain every time they need to do anything. They blame the work for this but can't stop working. They're still somehow stronger than children when they want to hurt children, and then they're fully mobile. But at all other times they appear sickly and need stuff done for them.

Adults never get over anything that ever happened to them. They're always victimized by everything that ever happened to them. We the children have to get over things instantly, but they are angry and bitter about the past forever. They hold grudges against family members forever. They freely take things out on other family members. They never forgive or forget or calm down.

Adults are not passionate about anything. Their main priority is looking good in front of others and convincing everyone they're better than they are.

Adults selectively care when someone is crying. If it's someone they don't know, they'll act nice about it. If they know the person they will tell them to shut up and stop annoying them. It's like they fall for strangers tears but see through anyone else's as pretense. I don't understand.

Adults die and then other adults get drunk at their funerals. They say you need to cry but they're only serious for the public part and then go and have parties where they just laugh with everyone. Adults don't care about the dead people but say you're not supposed to say anything bad about them now they're dead. They pretend they cared while the person was alive but they didn't. They obsessively clean and decorate graves just for others not to think they 'didn't care'.

Adults will betray anyone's secrets. Adults will tell other adults whatever you told them in confidence. Adults cannot be trusted with information.

Adults judge and badmouth anyone who doesn't act the way they think people are supposed to act. They will impose their own rules and morals on others and shame anyone who doesn't agree. They insist that everyone needs to follow their assigned family role even though they complain about hating their own. They use the most horrid slurs for people they consider 'bad at their role' and write these people off as parasites and worthless people

Adults all agree children should be obedient, quiet and never want anything or disturb them. They want children only to present them with achievements and work for the rest of time.

Adults have sex but nobody is supposed to say anything about it. It's unclear whether they want to be doing it. If it's a part of a role it doesn't seem like they can say no.

Adults can't be cared for or pampered like children can. Adults do not get candy or chocolate. Adults say it's because children are cute and they're not. Adults are jealous of children. Adults complain about not being cared for.

Adults don't understand how hard children have it and always say being a child is the easiest and best time of life. They seem jealous and tell children to be grateful because it's only going to get worse. I can't imagine surviving worse. They claim their childhood was better than anything they deal with now because food was free and they didn't have to have a job.

Adults have no freedom. They have to stay with family and play their role. They can't survive otherwise. They leech off of each other and hate everyone. They live by imposed rules that force everyone to stay together even if they hate each other. They hate everyone around them. They feel loyal to no one. They bring misery to themselves and people around them and don't feel shame or responsibility for anyone they've hurt or ruined.

Adults don't see others as people with their own inner world. They insist that everyone except them is stupid, shallow, mindless and worthless.

Adults are all cowards who will submit to anyone who is stronger and louder. They'll only fight those who are weaker. They don't care about justice and will happily punish victims in unfair fights. They themselves are bitter and upset if they don't get the justice.

Adults only ever look out for themselves. They don't care about other people. They want money and others to admire them and to serve them. If that is not happening they are angry and bitter at the entire world.

Adults don't see good in other people. They don't see what someone else needs or deserves. They don't care about adventures or magic. They don't have wonder or awe inside of themselves. They don't even look at beautiful things in front of them. They don't care about nature, animals or trees. They don't care about books or knowledge, or reading. They don't care about stories or legends. They don't care about people who suffer so badly they want to die. They judge people for suicide.

They don't care about creating or making something unless it can be sold for money. They don't even tolerate others doing it.

They love no one. Everything they do is a drag and a pain to them and they want to push their work on someone else all the time. They don't care about anything except money and how to get more attention and keep pretenses. They have no true friends or care for anyone. All they have is work, rules and roles they need to act. Their lives are meaningless. Even though they have money they cannot travel or use it for fun or joy. They don't think anyone should be free to do as they want. They have no dignity or honor but pretend they do when in company. They yell but pretend they're victims for 'having to yell'.

They don't care if someone wants to die because of their actions. They don't care for anyone who wants to live differently. People who live differently are worthless and stupid to them. They think they're the only ones who are always right even when they're always wrong.

Adults are convinced that when I grow up this will all make sense and I will grow up to be exactly like them

If you felt as a child, or still do, that these are the truths of adulthood, and something you'll end up becoming, it's not true, and it's mostly just abusers who live their lives in this manner. If this is the only thing you've ever known and seen as a child, adulthood would be terrifying and feel like you'd have to lose your soul in order to become like this.

I'll write another follow-up debunking these and writing what I feel adulthood is right now. It's just definitely not that. And living around people who act like this is normal, is traumatic.

[oswalish]

rahhhh random rant because i’m angry hater mood i HATE HATE HATE people who think miss goldberg did anything to marvin. saw someone go “set those sails is a villain song and people need to accept miss goldberg is a bad person” i’m screaming and crying and clawing at the walls you don’t fucking understand it you don’t understand the goddamn musical.

in trousers is at its core about misogyny, that is its core theme, which is shown by how marvin hurts the women in his life, specifically his wife, his sweetheart, and miss goldberg. it would conflict the themes and narrative if miss goldberg hurt marvin, as this would diminish what marvin does to the other women. marvin does come up with excuses for his actions/ tries to garner sympathy in the musical (im talking 1979 vers here, i’m not as well versed on the 1985) he is immediately hit with trina shutting him down with her telling us how his actions have hurt her more than they’ve hurt him.

another thing is that the women are mostly not themselves, but rather versions of themselves that exist in marvin’s head. this doesn’t apply to trina, as she is the only woman in the musical who tells her own story. for example, your lips and me and its reprise tell us very specifically events that are happening in her life and how she’s feeling, she also tells her about her past. she also addresses marvin directly in breakfast over sugar.

whereas his sweetheart and miss goldberg do not have songs like this. “my highschool sweetheart” doesn’t tell us anything about his sweetheart other than that she’s his sweetheart, she’s a person, and that she wants marvin to pay attention to her more. but there honestly isn’t much in the musical to confirm that she actually is a person at all, she insists her own existence but marvin never pays attention to her or even addresses her existence, in childhood or adulthood.

miss goldberg is interesting. she doesn’t play into marvin’s fantasy and feels like more of a real person than his sweetheart, having her own personality and opinions. she also sings i am wearing a hat where she seems to tell part of a story that could be her own, though it doesn’t really get more specific than “i’m wearing a hat, i am unloved”. she never quite seems to behave like a schoolteacher either, within the story she seems to be more of a narrator, likely due to her importance in marvin’s story. she is the biggest case of marvin insisting his heterosexually, while also forcing him to realise he is gay. she is not actually herself within the musical, the real miss goldberg is probably nothing like her. this is an internalised version of her than marvin came up with, though it’s more authentic feeling than his sweetheart since her role is to pull marvin out of his fantasies, since she’s probably the only way marvin can actually be honest with himself and recognise his actions.

many people bring up the lines “you might tell me you’re a victim, you might get what you deserve, but i won’t excuse, boy i cant excuse, a boy who’s lost his nerve” which i will admit. do not sound great, incredibly suspicious even. but taken in the context that miss goldberg is not actually saying this to marvin, and actually it’s a version of miss goldberg that marvin has made up to make himself “behave properly” it starts to make sense.

marvin victimises himself a LOT. he’s self aware enough to recognise when he does wrong but tends to refuse to believe that it’s truly his fault, and that he’s the victim somehow. this is pretty obvious in falsettos but it’s also true in in trousers. he sings a lot of songs trying to portray himself as the victim, facing a lot of opposition from the women. this is shown in How Marvin Eats His Breakfast where he is sure that he’s in the right and is the victim because he’s not getting what he wants, and the women in the song directly oppose him by describing all the insane things he’s doing and even insulting him. it’s also shown in The Nausea Before the Game, where he’s lamenting about how his life is so hard, and how trying to live up to societies expectations is nauseating (this is a very simplified analysis of the song, i do actually thing marvin’s feelings in this song are valid but that’s an entirely different conversation). the song transitions into his wife singing about how she met him, how he ghosted her for weeks but then came back. that part of the song is much more tragic than marvin’s, essentially telling the listener that while his feelings are valid, he also seriously hurt and damaged this woman, and that that cannot be forgotten. the musical never ever lets us believe that marvin is the victim, despite his insistence.

and then every pony, is what i think the first line of that quote is referring to. how marvin is convinced that he is the victim, he is telling *himself* that. and the part of himself who knows that isn’t true manifests as miss goldberg to tell him that no, no you aren’t. no matter what marvin says, he will never be the victim, he is the one hurting others.

“you might get what you deserve” is slightly more difficult. i can’t really tell if it’s positive or negative. it could either refer to how he got what he deserved by being in a loveless marriage, or how he got what he deserved by leaving his wife and kids (and bird) to leave with whizzer. personally i think it’s the second, going with how marvin is convinced that he’s the victim, he’s convinced him leaving his wife for whizzer is what he deserves after going through so much. he thinks he deserves something good for once. and like yay bro for breaking out of your forced heterosexuality but did you have to destroy your wife’s entire life in the process? when i say marvin isn’t a victim i do mean in the context of the musical, marvin is very much a victim of society and heteronormativity, but he is NOT a victim of any of the women in the musical, which he likes to pretend he is. it’s easier to blame them than himself.

“but i won’t excuse, boy i can’t excuse, a boy who’s lost his nerve.” much simpler to understand, the miss goldberg inside marvin’s head is very much the voice of outside influence, aka wider society, the one that expects him to conform. she can’t excuse him “loosing his nerve” by deciding to cheat on his wife with a man and run away with said nerve.

anyway i hope this yap session help y’all understand that marvin was never harmed by miss goldberg (nor do i think he did anything to her, other than probably be off putting and creepy like an average 14 year old is) i doubt anyone will see this but i loooooove talking about this stupid musical so ask questions please please please or else i’ll post 5 MILLION of these because i can’t stop thinking about this musical

[thats-a-mood-gabriella]

Okay. I kinda want to walk through what I think is happening in each of their heads during the conversation. For my own sake, mainly, but who knows, maybe someone else will find it useful. Spoilers ahead, obviously. (Also fair warning that this is long and I expect nobody to actually read it; this is mostly for me.)

So let's establish first where they are when Blitz arrives.

Blitz hates himself. He's on the path to healing after making up with Fizz, but it is a very long road ahead. So if you can imagine it as a spectrum where "hates self" and "loves self" are on opposite ends, maybe he's not all the way at the hates self end anymore, but he's still pretty darn far over that way. So Blitz is arriving thinking he's unlovable, that he makes everyone's lives worse, and that Stolas is possibly getting bored of him. We also know from his half of the duet that he genuinely looks forward to these full moon nights and likes their arrangement. Makes sense. It provides him with the comfort of what he thinks is the closest he can get to an actual relationship where all he has to give is something he knows that he can and that he's good at (sex). He wants to keep the arrangement going. Yes, for a way to earth, but also for Stolas. This, in Blitz's mind, is the only way he gets to keep him.

Stolas is likely unmedicated for his depression, since this show doesn't show us things like him being out of his pills as just a throwaway joke; it's important. Anyone who has ever had depression knows that it just loves to remind you of the worst things about yourself, most of which aren't even true. It tells you that you're worthless and unlovable. We can see this in the way he's covered everyone but Octavia in the artworks in his home, mirroring Blitz scribbling himself out of photos. He's been in a dark place. But Stolas is also being so brave, ready to ask Blitz to love him anyway. To choose him of his own free will, the way it should've always been. His depression is making it hard, but he's going out on the limb anyway and hoping Blitz will catch him.

"I need it back...permanently."

Blitz starts panicking. He reacts like a puppy that's been told it's a bad dog. He starts promising that he can be good, he can do better. He can fuck Stolas like nobody else can.

Stolas rebuffs the advance and this is interesting to me-- Blitz slips into his dom persona a little, trying to regain control of the situation. He calls Stolas "bitch" and pushes his legs apart, lowers his voice to be seductive. And it alllllllmost works, just for a second, as Stolas blushes and starts to fall under the spell of it all. But then he gets himself back under control and reasserts this new boundary.

Blitz immediately drops the act and starts to beg with genuine distress, tears in his eyes even, and up until this point, I won't argue with you if you try to tell me that it's all about the grimoire. I disagree, but I'll let you get away with telling yourself that. Right up until this point.

Because this is when Stolas holds out the crystal and everything changes.

Their fucking leitmotif or whatever you call it, I don't know music terms, it starts playing, changing from the dramatic, ominous music before. Blitz starts inspecting the crystal like he doesn't believe it's real.

Let's be clear: he knows what an Asmodean crystal is and what it does. He's seen them before at least twice, both in 2x05. So it's not that he's in disbelief or confusion about what it does or that it exists. It's that Stolas is giving it to him that's taking him aback.

"You no longer need my grimoire." "Whaaaat?"

Because all Blitz is hearing is "you don't need me now. I can be rid of you without guilt."

"I don't understand. Why are you giving me this? Am I not fucking you good enough? Because I can always do better."

Let's take a second to pretend we're in a world where Blitz has zero feelings for Stolas. That this has always just been about getting to earth. In that world, Blitz never says this line. In that world, Blitz splits right here. He has the crystal in his hands. He knows what it does. He is officially 100% free at this point.

But we don't live in that universe and this line proves it. Blitz thinks he's being cast aside and instead of seeing it as his chance at freedom from Stolas, he's begging to be kept.

I can do better. Don't throw me away.

"I care...very deeply for you. And I have for some time."

This is the face Blitz makes after that. The entire time Stolas is talking, he keeps looking between Stolas and the crystal while making this face, like he literally can't process what is happening. Of all the things he expected to happen tonight, this wasn't even on the list. And remember: Blitz hates himself. Blitz genuinely believes he is unlovable.

Have you ever experienced something so surreal that it's almost like you left your body during it? Like your brain literally couldn't process that this was happening to you, so it's almost like you dissociate to the point that you feel like you're watching it happen to someone else? Because things like this don't happen! Not to you. These are things you see on TV or hear happening to other people. But to YOU? There's no way it's real.

"You don't have to stay here with me."

He looks ALARMED. Scared. The thought that he's about to lose Stolas genuinely startles him. He doesn't want what he thinks is happening. He doesn't want to be cast aside. If his choice is this or the chains, he'd rather the chains.

But. That's not the choice he's being presented. Because Stolas adds,

"But I want you to."

And Blitz's brain, his traumatized, mentally ill brain...just can not process that. No one wants to keep him. He's a commodity to be bought and sold and has been since his father sold him to Paimon as a child (which, by the way, I'm fairly convinced he thinks was Stolas's idea, not Paimon's). Maybe even before.

So his defense mechanisms kick in from this point on. Default to what's comfortable. It must be a sex thing! There's no way Stolas means this, so it's gotta be some weird roleplay. Well, he can do that! He can swoon and say he loves him (and if that hits a little too close to the truth, then fuck you, no it doesn't) and it's fine because this is fake. This can't be real, because things like this don't happen to someone as "worthless" as Blitz believes himself to be.

Blitz is trying to protect his own heart here, but what Stolas is hearing is rejection. Blitz playing it off as a joke must mean that Stolas is a joke for ever thinking Blitz could love him back. And why would he? Stolas doesn't see himself as lovable, either. One of his earliest memories is of Blitz "using" him to steal from the palace, never knowing that Blitz was only doing so on his father's orders, just as Blitz probably doesn't know that he was bought on Paimon's order, not Stolas's. He's a commodity, too.

Stolas's depression immediately puts him in a place where he can't see past his own pain and self-loathing. Blitz not immediately jumping into his arms must mean that all the worst things he thinks about himself are true. Blitz sees him as the monster he fears he is.

So he pulls himself together and starts to walk. And again, Blitz could leave here if he didn't care.

But the strangest thing happens. Blitz realizes that Stolas meant it. He even asks,

"Wait, you were being serious? Hold on, Stolas. What the fuck?"

He's trying to talk it out. He's trying to have the conversation. He's hurt and confused and in disbelief but he's not running from this. He's not letting Stolas walk away from him because he wants Stolas, and he's actively trying to keep him. They have to talk this through, and Blitz of all people is the one trying to pull Stolas back into the conversation.

"The fact that you couldn't believe that I could have these feelings about you, the fact that your first instinct is that it's always about sex, that's enough to know what this is."

See, what we have to remember is that Stolas doesn't have all the information we do. He hasn't seen the crossed out pictures, he didn't witness the flashback to the fire that killed Blitz's mom. Stolas hasn't watched Blitz cry himself to sleep or drink himself into a stupor after what he perceived as a public rejection at Ozzie's. Neither of them have all the information about each other that we, the audience do.

So when Stolas, who doesn't know that Blitz hates himself and thinks himself unlovable, hears that Blitz thinks there's no way that Stolas could love him, what Stolas hears is "you, Stolas, are an unlovable monster in my eyes."

It just confirms all the worst things Stolas thinks about himself. It's a literal, "it's not you, it's me," situation, but Stolas can't see that because he doesn't have all the information.

And here's what's even more interesting. Blitz doesn't think it's over like Stolas does. He's not rejecting Stolas.

"Fuck you, Stolas. You spring this feelings bullshit on me, are you fucking kidding? Can I get a fucking minute to think after everything you put me through, you pompous, rich, asshole?"

This is Blitz saying that this is all very unexpected for him, but he's not saying no. He's saying "give me a minute, let me think. Don't take my first reaction in the way that you are. I was surprised. I was in disbelief. Give me a fucking minute to PROCESS."

But by this point, it's too late. Stolas's self-loathing has taken the driver's seat in his brain and all he can hear is that Blitz hates him, that he is unlovable, that he's a monster, that he's all the things he feared were true, and the person telling him that is the person he cared (second) most for in the entire world.

Blitz's defense mechanism is fight. Stolas's is flight. And so when Blitz unloads on him like that, Blitz is trying, in his own messed up way, to have the conversation. To work this out. To be honest for once and see if they can get somewhere now that the dam has been broken. While Stolas...his instinct is to flee. And since he's the one with the magic portals, guess what happens?

"I didn't realize you think so low of me."

You can tell by Blitz's reaction that he realizes they're not having the conversation he thinks they are. He realizes in that instant that Stolas isn't going to yell back with him. They're not going to scream at each other until they get it all out of their systems and reach a catharsis. He's hurt Stolas, maybe in a way that they can't come back from, and he immediately shifts his demeanor.

"Stolas, wait. I'm so--"

And then it's over. He's been kicked out of the palace. Thrown aside, just like he feared he would be.

And each of them are left feeling like the other thinks they're a monster, because neither of them realize that the only person who thinks they're a monster is themself.

I gotta go lie down, jfc.

[butts-bouncing-on-the-beltway]

Friendly reminder of a thing we know about shame.

When you use shame to try and get someone to change how they do/interact with a thing, it will basically never actually get them to make that change. But it WILL make them really good at APPEARING as if they've made the change. Sometimes that's enough! But usually it's not. And if the aesthetics of the thing is not actually the issue, but rather being able to acheive your desired outcome [convincing to take/not take a specific action] you'll want to ask some questions about guilt and shame and how you need to interact with those feelings effectively to encourage that outcome sustainably.

I've always liked this worksheet for that:

I always find that I feel the shame get REALLY quickly activated by the questions the worksheet asks in a way that makes it much easier to separate from functional episodes of guilt or regret, and makes it a lot easier to set aside the feelings of shame without feeling like that means I have to take or not take any particular next steps to "deserve" that, you know?

The longer I work with questions like these when reflecting on/processing shame, the less ashamed I've felt generally, the more confident I've felt, and the more able I've been to have emotionally difficult conversations with people without feeling as terrified or as anxious about the possibility that something might genuinely need to change.

My favorites to use are 1 and 4 on that 3rd page:

1. How have you used guilt with others to try to get what you need?

This question has been really helpful for me in A) reminding me that everyone feels guilty sometimes, and that feeling guilty can sometimes be a learning and growing [or growing together] opportunity if it's actually safe to make mistakes in your life, and B) it reminds me to think about why I or someone else might call on the feeling of guilt on a functional level, how do we find that intentional use of feeling guilt helps us meet our needs? Are there other alternatives we haven't yet considered that might still work? Or is there a functional reason we are applying pressure via guilt? Can that reason be accommodated other ways to reduce reinforcing guilt with shame? It helps me understand why I'm feeling how I am, why I'm seeking one solution/resolution over another option, and trust that because I have taken time to consider all these angles, I have also "made the best decision I can with the information/context I have at the time", something I have integrated as a reassurance of the humanity of mistake-making in my adult life. I can regret, but shame will paralyze, so this lets me set down unchangeable past without feeling like I am failing others I love.

4. When is the last time you let someone down? How do you feel about it now?

Early on in my work on this, this helped me think a lot about how I built my narrative of "letting someone I love down" in my relationship with my parents. But parent-child relationships often rely on authorities/hierarchies that almost no other relationship allows for, and there is absolutely no reason for adult me to interact with peers, or even authority figures, as if "disappointing" them is akin to "being abandoned and unloved by the literal only person in the world who can ensure your needs get met" the way that initial narrative feels. Treating people in my life as if they could ever have the kind of power over me that my parents did is actually kinda fucked in a lot of ways, and I became so much less scared, so much more willing and able to be loved by others when I was able to let go of the idea that "disappointing some I love" was somehow world ending. People I love have disappointed me, and I still love and cherish them. It would be absurd to argue that I'm unique in that. And frankly, if my being willing to and actually putting in effort to make changes isn't enough repair for someone else, than it is what it is! That happens sometimes! It doesn't mean I'm irredeemably bad, it means that person and I are no longer compatible in the way we used to be, and that's okay. I can grieve the loss of change without verbally abusing myself as if I am uniquely capable of being such a good person that no one ever dislikes me for any reason or worse as if I am so uniquely bad that I shouldn't be allowed second chances.

I don't have a point here. I just know that shame is the silent killer we all live with, and lord knows I never got taught how to cope with it until well into my 20s, so surely someone else out there will find this conversation revelatory in a way that matters for them.

[artsymeeshee]

It isn't much of an ask, as more of a thank you.

Your heavier toned sea grunk comic with Stan discussing his thoughts of suicide has always held a place in my heart.

I started into the fandom around January 2022, and was pretty introverted getting into it. At that time, I was around 13 years into my undiagnosed depression, and failed one attempt to end it in that span. My introverted nature and being so warped kept me from wanting to engage with others from the fandom. I figured I was an outsider with more issues than what could be handled, and no one would be there for me(and I wouldn't blame them).

I didn't think that around July 2022, people would begin reaching out to me, understanding me, and accepting me. I found kindred spirits and my family. And in September, my best friend found me. She is the Ford to my Stan. She has stuck by me and loved me when I have been unlovable and it wasn't required. And we bonded over our favorite guys of course. She got me into Tumblr, and this was one of the first comics that I saw, and it made me bawl. It felt like talking to my best friend face to face, even 500 miles apart.

Then, shifting into December 17, 2023, I tried again to go, standing in the freezing night on the edge of the local bridge, seeing the dark, and waiting to embrace it. And everything that I loved flooded me in that darkness: My best friend, all my friends I had made, my family, and this comic. Stan felt that way, but he held on, because he got Ford back. It was part of why I stepped down, and just sat for awhile, and took the time to finally get help. Those feelings are now distant and rare when I reached out for proper help.

Even now, I'm struggling, but not wanting to be in that place again. Just feeling like I'm inadequate as a spouse, but we are both working through it. It has been difficult the last few weeks, and this comic emerges again today, and flooded me all over again with the reminder that Stan chose to live, even if it was hell for a long time, and I can do it too.

So, if you haven't fallen asleep on me yet, I just wanted to thank you for making this comic. And for all of them. It resonates with me deeply, and frequently more than you'll ever know, and at points, has kept me here.

Thank you 👉👈

🥺🥺 Oh wow. I don't know what to really say but thank you for opening up and telling your story. I know it can be really hard to open up like that. It makes me happy to hear that things have gotten a lot better, even if it's not 100%.

That comic was a spur of the moment kind of thing because I was originally going to make just a vent post of myself but then something about wanting to get out particular thoughts I've had through Stan seemed like a better approach. Perhaps this could come as a bit of surprise to some but as much art of Ford I've done, Stan is actually the favorite of the two.

I kind of thought that comic was going to be my last at the time. My mind spiraled pretty bad during that time last year and figured that it wasn't worth trying to say how I've been and just leave because I genuinely believed I was better off no longer being part of the Fandom. I still think I do on some days but seeing messages like these or even small encouraging ones is enough to think I am still worthy enough to stay.

❤️