#this is my favorite music video ever

[raspbrrytea]

Mr. Hozier :)

3 hrs. Reference under cut

source: https://youtu.be/_b9SwnSqQz4?feature=shared

[sstarlostt]

SEVENTEEN Spell MV

[jarofalicesgrunge]

Alice In Chains at Would? Set 1992

📸; By Lance Mercer

[swiftie-as-a-coursing-river]

This is the Santa Fe video I was talking about if anyone was wondering

[aleximustpl4y]

My Chemical Romance – I Brought You My Bullets, You Brought Me Your Love: album review

Year: 2002

Label: Eyeball Records

Genre: Post-hardcore, emo, punk-rock, pop-punk

Members: Gerard Way (vocals), Ray Toro (guitar), Mikey Way (bass guitar), Matt Pelissier (drums), Frank Iero (additional guitars)

Producer: Geoff Rickly

Listen to it here: [x]

Join me in this beautiful journey of cathartic destruction where two lovers are doomed to meet and die in every lifetime.

You must keep your soul...

History

I don't think American rock band My Chemical Romance need any introduction, but for the sake of the review, I have to start from the beginning.

Hailing from New Jersey, the band was founded by Gerard Way in September 2001 after he witnessed the Twin Towers attack on his way to work. They are considered one of the most influential rock groups of the 2000s and a major act in the pop-punk and emo genres, despite the band rejecting the latter label. The name of the band was suggested by Mikey, Gerard's younger brother, who was working in a Barnes & Noble when he was struck by the title of a book by Irvine Welsh named Ecstasy: Three Tales of Chemical Romance.

I Brought You My Bullets, You Brought Me Your Love (Bullets for short) is their debut album, produced by Thursday vocalist Geoff Rickly. Despite being sold under the alternative rock genres, it is considered an emo album with strong influences from punk rock, hardcore punk and heavy metal.

The graphic impact

The album cover, as well as the disc, features Harry Houdini hanging upside down in a straitjacket. Gerard Way has stated that it is not a digital image, but was in fact made with some watercolor, some borax, some plastic wrap, and a color photocopier in the Eyeball Records offices.

Why put Houdini on the cover? All references to Houdini in the following albums aside, it's clear that Gerard admired the magician and saw in one of his most famous tricks – escaping from a straitjacket while dangling from a crane – a possible analogy for life: you can spend a whole lot of time in your life ‘escaping’ death, but it will still come eventually.

Autumn color palette, play of light and handmade special effects: aesthetically speaking, the album cover is very interesting to look at.

The tunes

Bullets starts off with Romance, an acoustic cover of an instrumental piece known as “Romance Anónimo,” “Romance d'Amour,” or “Spanish Romance,” composed by an unknown nineteenth-century musician. The sweet and melancholic melody lulls you into a (false) sense of security.

Honey, This Mirror Isn't Big Enough for the Two of Us kicks off with a tits-blowing metal-core guitar riff, hitting you hard and fast, setting the real tone for the entire album. A very young Gerard yells the frustrated lyrics about a toxic relationship which, given the title's theme of the mirror, may be with an ex as well as drugs and/or alcohol. The chorus is an anthem for those who are sick and tired of their partner's (or the personification of drug abuse) manipulation tactics, and the way Gerard screams his lungs out makes it cathartic for those who haven't any words left in them anymore.

“This song is about sucking dick for cocaine.” – Gerard Way introducing the song in concert

Vampires Will Never Hurt You catapults you into another dimension, a darker, more eerie one, brought mostly by the intriguing bass line and the backwards whispering in the intro. The lyrics are the last rational, yet desperate, words of a man who's about to transform into a vampire against his will, and begs his lover to “put a spike in [his] heart” as soon as the sun goes down and to go hide before they'll get her too.

Drowning Lessons starts off with a bittersweet riff, introducing us to probably the saddest story told in the album. Drowning Lessons talks about a man who killed his spouse. My personal interpretation (I don't know if someone else had this idea before me) is that he killed himself shortly after and this is his otherworldly punishment: reliving this day over and over for eternity, perpetuating the cycle of insanity and guilt. The ending leaves you with a feeling of waiting and suspension, the fade-out suggests that the narrator is stuck in this loop and it will be like this forever.

In the fast paced Our Lady of Sorrows Gerard encourages his interlocutor to strip away their insecurities and live freely, to trust and believe in him so that they may be saved. The song is painted with religious imagery (hence the title), and implies that the narrator and the person he's speaking with are constantly at each other's throats: letting go of their doubts is the only way to end this before they murder each other. Gerard is angry, almost arrogant, but it's an arrogance driven by desperation since he doesn't want to lose his friend/lover over their insecurities, inviting and insisting that they “take [his] fucking hand and never be afraid again”.

Musically speaking, Headfirst for Halos is a sucker punch in the teeth, and yes, that is a compliment. The guitar is very Iron Maiden-esque, especially in the intro, and on a technical level, this song proves that these guys know what they're doing. The lyrics' grim undertones go in complete contrast with the upbeat tone of the music, turning it into a suicidal anthem. Despite the fact that it discusses how the narrator is stuffing himself with psychotropic drugs that make him numb to any kind of feeling, as well as his struggle against the idea of killing himself in this spiral of madness, Headfirst for Halos could be considered a powerful message of hope. This song, in my opinion, is not only about someone who succumbs to a psychotic episode, but it's also a way for the lyricist to remind us not to give up, not to do what the song proposes. Its end, where the protagonist probably commits suicide while repeating himself to “think happy thoughts”, is cathartic and destructive, truly beautiful in its tragedy.

"This song is about suicide - don't do it." – Gerard Way

I don't think I'll ever be ready to talk about Skylines and Turnstiles, but I'll try to give it justice. The track, the first one that was recorded while making the album, is a moving tribute to the victims of 9/11. It describes both the last moments of those people's lives and the experience, the feelings that Gerard had while witnessing it. The previous track's message of hope is reinforced in Skylines: when Gerard witnessed the tragedy, he knew he had to do something in hope to help people go through their grief and sadness and make the world a brighter place, giving them a reason to keep fighting. The song starts with “You're not in this alone”: Gerard is offering friendship for those who were hurt or scarred from 9/11, and it could also work in a broader sense, where he reaches his hand out to those who are feeling like this life isn't worth living anymore.

Inspired by Dawn of the Dead, Early Sunsets over Monroeville begins with a sweet and romantic melody, painting a dream-like picture of two lovers living a perfect life, “just like upon the screen”. The song, after that, takes a left turn that gives me shivers to this day just like the first time I heard it. The lyrics are a desperate call for help from the man who has to kill his lover, because she has been bitten by a zombie and is turning into one. He doesn't have the heart to shoot her, but on the other hand, it would be a mercy killing. The whole theme of the zombies could also be a metaphor for the couple's relationship that has gone awry, so the narrator has to “shoot” and hurt her by telling her that there's no love anymore between them. Gerard's voice, in the early stages of the song, is filled with nostalgia and melancholy, making the second part even more striking and emotional to listen to. His cries become more and more insistent, in a crescendo of desperation, and the fact that he repeats the same lines over and over only accentuates the interior dilemma he's having, while the melody becomes more and more fast-paced as well. The last line hangs in the air, which, again, marks the horror of the whole situation, leaving you in a state of suspended turmoil.

This is the Best Day Ever tells a story of a couple who meet in the emergency room, likely after they both attempted suicide, and they plan to escape the hospital together. It doesn't matter to them if they'll die after: they'll be free either way by doing it. What stands out the most is the upbeat and fast-paced melody, which accentuates the anticipation of the protagonists and their hope to get out of the situation they're in.

Cubicles tells a story of a shy and lonely office worker who falls in love with a woman who works two cubicles away from him but doesn't even realize he exists. He spends the time writing her love notes, but never gains the courage to give her the letters, let alone talk to her, until she quits her job and he misses his chance. From that point, he spirals into madness and is terrified he'll die alone, as portrayed by the repetition of the verse “sometimes I think I'll die alone”, which changes into just “I think I'd love to die alone” at the very end, coming to terms with his suicidal thoughts.

I think there's no better way to end this album, other than with Demolition Lovers. The song starts with a slow, sweet yet dark melody, while Gerard begins singing the beautiful, tragic story about a Bonnie and Clyde-esque couple, who run in the desert and eventually get shot by the people they were escaping from. As the music grows more intense, the man tells us how he isn't afraid to die for his lover and he is willing to prove how much she means to him despite their relationship being flawed. They die in a pool of blood, when they kiss for the last time. Demolition Lovers is masterfully made, with one of the most beautiful solos I've ever heard and with lyrics that are an arrow to the heart, not only for the passion they're sang with, but also for the meaning they carry. The ending is simply breathtaking.

Conclusion

Words can't even describe how much this album means to me. The themes, the arrangements, the messages of hope derived from destruction and tragedy, the whole meaning of the band itself... it's just beautiful. The genre is not cohesive but since it's their first artistic effort, it makes sense that they had yet to find their own style: after all, creation is just experimentation. But despite Bullets not being coherent in style, the atmosphere remains consistent thanks to the lyrics that have all the same feeling of catharsis in romantic destruction. I just wish that some songs were mixed better (but if anything that adds to their charm) and that it would last longer. Also it's worth mentioning how all the songs are connected without being connected at all (just how they are connected to their next album, which we'll check out next time), which makes me love the mind behind them even more, if possible.

Final, very personal and unprofessional score: ★ ★ ★ ★ ☆

...like a secret in your throat.

[rosalie-starfall]

Chappell Roan

I Heard You Like ✨Magic✨ I Got A Wand And A Rabbit! 💋

Red Wine Supernova

[xxplastic-cubexx]

Loving your HC's! Regarding Charles' singing, I vaguely recall that in the comics Jubilee mentioned that he sings Sinatra in the shower. Whether he does it well is up to our imaginations XD TAS Charles can absolutely sing because his first VA (Cedric Smith) was a folk singer in the 1970's. Here's a clip of him singing from Road to Avonlea which he filmed around the same time as TAS: https://youtu.be/qycFlUXYeHw?si=sn1rN2eB_xnVJex8&t=71

if one things for certain, he's gotta be singing LOUD as hell if anyone can hear him in his soundproofed mansion 😭😭😭 three possibilities exist really:

he Somehow thinks hes alone because he's so caught up in singing he can't sense anyone nearby

he's too confident in how soundproofed his house is/how far his shower is from the hallway

xmen be damned he needs his shower concert

and theyre all equally funny and all come with their own sets of implications and i love it. all in all i know he's an orator but DAMN brother's got some pipes ....

AND THE CLIP YOU SENT i love finding out VAs sing omg ...... i fear i'll have to listen to come back tot his every now and then thank you for this cherished gift .....

[squipedmew]

holy shit this is so surreal

10+ years of being a Porter Robinson fan and I finally got to see him live

[spirithalloweeping]

so obsessed with twenty one pilots’ new album that i bought a journal specifically for analyzing and interpreting the lyrics of every song

[kerosene-saint]

Show Pony is a Barbie <3

[deadbaguette]

I accidentally kinda got a muse on the epic discord server ??? hm that is not what I expected to be doing on that server most of the time

[wiwpai]

Lost in Heaven

~Standalone Images~

Sadly the stills from the video are too big for me to upload, so have these closeups instead!

[loverusts]

Fleetwood Mac - Sisters of the Moon live Mirage Tour

[lilidawnonthemoon]

[cyberscratch]

A new ref for Lemmy, and an official design and introduction of Limmy in This Universe Has Lemons In It! Limmy was created by the Guardian of the Lemonverse (any pronouns) as an attempt to stop Lemmy from what they are doing, which is creating portals to travel through various universes and dimensions to have fun. Not only is that a risk for the balance of the universe, but GotL just dislikes this kid having fun and wants to see them stopped.

Not wanting to do it in it's own hands, it created Limmy, an angel dog meant to be an direct opposite to Lemmy. Limmy, however, doesn't do much to stop Lemmy, other than following them and bickering. Their relationship is very Tom and Jerry rivalry-esk.

(Names color coded for myself to read easier due to the similar names!)

Fun fact, Limmy was originally going to be based on limes (Lime Angel), but I kept that concept for GotL - and made them more angel-like instead.

[sob-dylan]

mr. rain