#I looove these colors

[raspbrrytea]

Mr. Hozier :)

3 hrs. Reference under cut

source: https://youtu.be/_b9SwnSqQz4?feature=shared

[climbingthefloors]

the us banning tiktok over fears of chinese influence prompting americans to flee to xiaohongshu (which translates to little red book - the same name as the famous red book of mao zedong quotations) and form instant connections with the chinese… you can't make this kind of irony up

[redrageoused]

finally colored this an itsy bit i love them

[laauranenn]

Can we talk about chapter 60? I'd like to talk about chapter 60: A Place I Belong.

I specifically want to talk about the sections with the tightrope. It's one of my favorite parts of Wind Breaker and I could praise it for ages. I know it's a kind of common metaphor for struggles and isn't anything too special, but I really do adore it.

And whoever decided to add that anime only scene to the start of the first episode? Absolute genius and I love them for it. It works beautifully without it in the manga, but I think it's going to add a little extra something to the anime!

But for the tightrope section in the manga? It's so good and so well executed!! I absolutely love the way the style changes throughout the chapter!!

We start with white lineart on a black background. The lines are messy, sketchy, and even the boxes don't have clean lines.

I also want to point out how the only clean lines we get from this section are from the adults in his life, as well as the wind chime and the sprout pushing out from the ground.

The wind chime and the sprout clearly allude to Furin and the way both Furin and the rest of the town have shown that he, too, can be loved and accepted as he is.

The wind chime is also the thing that seems to be the transition to Sakura going from walking along the tightrope to considering that there might be another path for him.

I'm going to be real here and say that I don't have a lot to say about the other adults also having clean lineart. I'm sure there's someone out there who'd have something really smart to say about it, though. If I were to say something about it, it'd be that I think it might represent his shaky sense of self, compared to other people who have it figured out.

After that we get to the middle section, with Sakura in the "real world" again and with the rest of the class. I won't focus on the dialogue itself too much, but I'd like to talk about the way we go between the tightrope and reality.

I really like how the panels with the tightrope are woven in. They show us what's going on inside his head while also showing us how it looks like in reality. We see visual representation of how this feels like to him.

It's shown in how before he speaks, as he's gathering the courage for it, we can see him changing his stance on the rope. We get shown the way this is him preparing for that leap. He also mirrors himself with the way he's clenching his hands both in reality and around the tightrope.

A little later, as he's talking, we can see him directly mirror himself in both realities.

We see the way he's holding on preparing for that leap, as well as the way his face is split in two here. It doesn't directly match up, but it doesn't have to, because it already works so well here. I'd maybe even argue that I prefer it this way around as opposed to if this was a direct split of his face.

And then we see the leap itself, the way he throws himself into the unknown.

And then he gets called out on his bullshit, gets told that he's insane for thinking they'd cast him out. That they love him as he is and that they want him around. They actually want him. For maybe the first time in his life, he's wanted, appreciated, and needed.

And it's just this "Oh." moment for him. You can see the way it just clicks for him.

And after this we get to an absolutely beautiful scene, the part that makes me love this chapter so much.

We see that it all isn't so terrible after all, that there is hope. The tightrope isn't a drop to certain death, just a drop.

The colors have changed and we're now looking at Sakura on a white background with black lineart. Though at this point Sakura himself is the only part of the scene with messy lineart. The field of flowers and grass, as well as the edges of the panels, are all cleanly lined. Except for Sakura. Even if it's still messy, I'd say it's definitely a little cleaner than it was before.

You can see the way he's a little more faint, a little less solid than the rest of the lineart.

And then we see Bofurin, the rest of his class specifically. They're all there and they're all cleanly lined. And as Sakura reaches out to grab the hand he's offered, his lineart becomes clean. His lineart is no longer messy, it's no longer a sketch. This is him finding and accepting himself.

And as he grabs that hand, his clothes also change. Before all he was wearing was a plain shirt with plain pants, nothing remarkable, just plain clothes. But as soon as he takes that hand, his clothes change to a Furin uniform.

This entire chapter is so beautiful and I cannot wait to see it animated. I really hope the anime does it justice. From the lineart to the colors swapping around to the dialogue, it's an amazing chapter overall. I know I didn't really talk about the dialogue, but it's also good :)! I don't have much to say about it, though.

Moral of the story is that I really love this chapter and just wrote around 900 words about it.

[digital-smoothie]

my piece for this year's Articfight! redeeming myself for not doing anything during artfright in october

(Prompt 5. Ugly Sweater + Alpenglow palette)

happy holidays everybody <3

[nextimeiny]

[lemongogo]

[spacejunker]

i dont know much about the stex revival but i love dinahs outfit<3

[courtesanofdeath]

Their powers obstruct each other. They're polar opposites... So why are they such a good team?

[b1adie]

i’m indecisive… but i did this :3

[elnavegador]

Perfect Pretty Girl has been acquiring more and more colors.

[snoji]

cowboy bones for the people! can I get a yeehaw?

[doodoodinklefart]

i can teach you how to be just like me

just listen carefully

[vampyrcannibal]

quick little jack doodle :D his little ponytail is so dear to me

[my-name-is-apollo]

Dark-haired Apollo

I know everyone likes blonde Apollo, and for good reasons! A lot of poets seemed to have been fond of imagining him with long, beautiful golden hair. But dark-haired Apollo, though quite rare in the poems, also exists and I honestly like that too.

• From the Erythrean paean to Asclepius (which then continues into a paean to king Seleucus):

"Over the libations, sing of Seleucus, son of dark-haired Apollo, whom the god of the golden lyre himself begot..." – (Trans. P.A.LeVen)

> κυανοπλοκάμου (kyanoplokámou) - dark-haired is used to describe Apollo's hair here.

• From Limenius' paean to Apollo (also known as the second Delphic hymn):

"But you, O god who owns the oracular tripod, come to this ridge of Parnassus where the gods tread, and where divine possession is welcomed. Weave a crown of bay about your wine-dark hair, and drawing with your hand . . . you encountered the monstrous child of Gaia . . ." (Trans. J.G.Landels)

>It was a bit difficult for me to figure what word is used here for his hair because the original Greek text is fragmented and I'm not knowledgeable about the language - I rely on the online translations - so a disclaimer. But from what I've put together, the word used to describe the color of the hair is οἰνῶ̣πα (oinõpa) which translates to "dark", "ruddy complexioned". Also, the same hymn calls Apollo "golden-haired" in the beginning lol.

In Deipnosophists by Athenaeus, a comment is made on the poets' imagination of Apollo's hair vs the painters' preference:

"And you do not either like the poet who spoke of the golden-haired Apollo; for if a painter were to represent the hair of the god as actually golden, and not black, the picture would be all the worse." – (Trans. Charles Burton Gulick)

> according to this, the painters liked to represent Apollo with black (μελαίνας) hair. Or rather that making his golden will make the painting look worse.

And if the Roman paintings and mosaics are any proof, these painters did actually seem to prefer representing Apollo with dark hair.

So yeah, while in the myths he's often called golden-haired, dark-haired Apollo is a more common sight in the paintings.

[joeywoodstar]

i fell in love with @minimechacowboy 's furry designs for the sillies..i had to draw them. specifically togami and makoto bc ive been brainrotting abt them. ty for these designs again sniffl