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withoutyouimsaskia · 7 months ago

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Sometimes It's Fated (Sandman Short Story Part 6)

GIF: Originally posted by @harleytudinous

Pairing: Morpheus/Dream of the Endless x AFAB reader

Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)

Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Nudity. Language. Mentions of sex.

Word Count: 2.8k

A/N: Hello there! We're back in Morpheus' POV for this chapter. I've really enjoyed exploring the softer side of Morpheus with the aftercare but still keeping those foreboding undertones. Hope you like it too. Let me know what you think! All my love, Saskia xx

Sandman Masterlist

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Morpheus can see he has pushed your body to breaking point.

The only movements you are able to make are those that are involuntary. The intake of breath, sharp and shallow. The blink of eyelids, slow and drowsy. And the aftershocks feathering along the walls that still hug his softening cock.

The rapture of his own high vibrates in every cell, the humanoid form he takes being the epicentre, with waves of it expanding out across the expanse of the Dreaming, bathing it all in euphoria. He smiles faintly - anyone asleep during your union would have been privy to it in some aspect. Flashes of noises and sensations perhaps, or images of you entangled with him.

With a tender gaze, he looks at your exhausted form. He takes time to notice the details that others might have overlooked. The gradient of the dip of your navel. The vellus hair gracing your skin. The delicate lines on your face brought on by years of smiles. Every inch of you is perfection, the starshine streaming down enhancing your already incandescent air. Soulmate or not, you are the most remarkable person he has met.

There is no denying that you are to be his muse. Now that he has introduced you to his world he can resume work on creating new dreams, and your temperament and features are inspiring him already. His dreamers will be spoiled once the concepts are given life and sent forth into the Dreaming.

He is pulled away from observing your body by the sudden overflowing of silent tears. In the glow of the room, as they track down your cheeks, their lustre is like pearls washed up on a lonely seashore.

He's searching your expression for an indication to the source before they get close to wetting the sheets, cupping your face instinctually as feverous fear infects him. Is pain afflicting you?

His initial assessment gleans that they are falling despite there being no tangible signs of pain or sorrow, anger nor disgust. Further investigation is required.

He drops his register to the mellowest he can manage, whispering your name first, next asking, "Are you alright?"

You dip your chin in a solitary nod. A truthful nod.

You then take a deep breath, voice hoarse as you speak, "I just -"

Words fail you and you look down at your chest in lieu of finding the desired descriptors, hoping that he would catch on.

Your soul.

You make a little high-pitched sound in the back of your throat as he places a palm over its housing. Still very sensitive. With good reason.

Those last layers of defences that had been protecting you from the intensity of the soul bond had been steadfast in their resistance. Of course, they were never going to prevail over him, being the Endless that he is, yet the challenge could not be denied.

And now the conquest was over. He had you exactly where he wanted; physical form in the Dreaming, the Fates' prophecy fulfilled, soul tie complete.

He zeros in on your soul, using his aptitude for the metaphysical to see it in its actual form. The ball of light, two centimetres in diameter, that not too long ago was shattered, now criss-crossed with threads of rich blue, reminiscent of Kintsugi pottery. A mark of the small amount of his power - power that he'd quite literally fucked into you, that was slowly spreading out from your soul through your body, altering as it went. Only time would tell as to what enhancements it would bring if any.

His own soul was cleaved open at the end too, now infused with your essence; twines of seafoam green that he can feel rebalancing the constitution left so weary and depleted by his imprisonment.

It also appears that your mortality has been removed in the process; you are as eternal as he is now. He's against broaching this with you presently, feeling it would be misguided to do so. At this point in time you deserve the most diligent and gentle aftercare. It was your first time; you had trusted him with your wellbeing and that meant the moments after as well.

He will make his touches and movements so very delicate from here, continuing to keep his focus on your facial expressions and body language as much as possible.

Beginning with how he rises out of the position he had held over your body, giving him the ability to ease your crossed ankles out of the firm grip around his waist. Reluctantly, he withdraws himself from the warmth of your core, more trembles breaking free from the fluidity of the movement.

It makes you whimper loudly, the unintended stimulation and the way he guides your legs down to the mattress, as the recognition of how locked up your thigh and calf muscles are bark in your nerve endings.

"Would you allow me to clean you?" He asks, gesturing to the fluids that are now leaking from your cunt.

You seem surprised yet you agree nonetheless.

He conjures a bowl of water and a linen cloth, setting the former to the side of your right hip. The display has you propping yourself up on your forearms, fascinated by the shaping of form that comes so naturally to him. He moistens the fabric, pitter patters emanating erratically as he squeezes out the excess.

"I will stop if it is too much." A promise made while holding eye contact before beginning a gentle yet meticulous cleanse, re-dunking the cloth when needed.

Aside from a couple of flinches early on when he brushes over your clit, you cope with the touches very well, and Morpheus shows he acknowledges this in the murmured praises he looses with the completion of each swipe.

A stumble in your breathing has him stopping immediately though, drawing his attention to your startled face, eyes wide as you take in the pinkish tinge of colour in the water.

"Shit. I'm so sorry. I can finish taking care of it," your voice is warbled as you try and fail to close your trembling legs.

He puts a steady hand on your knee. "You have no reason to apologise."

A little dimple forms between your eyebrows, lips pulled thin by a grimace; evidently you are unconvinced.

"I want to take care of your needs. Please let me," he says with gentle candidness.

You blow out an unsteady breath as you struggle to look at him, attention darting all around the room, actively choosing to go anywhere but towards him.

These hallmarks of humiliation, vulnerability, they unreservedly rile him. Who had made you feel like this was unacceptable? No doubt your world's societal norms. Though Morpheus has seen improvements in them in recent years, there are lingering, foolish ideals on what was decorous when it came to the human body.

He relays his thoughts on the matter, "It is a natural occurrence, as natural as any other bleeding from broken skin. There is nothing to be ashamed of, Y/N."

He lets the reassurance settle in as he rubs his free hand up and down the outside of your left thigh.

"You know I speak the truth," he adds when you still remain silent.

Eventually you let your head slump back. "You're right."

His chest swells with pride at his successful reframing. "May I continue?"

You make a noise of affirmation.

Once he is done, the bowl and cloth de-materialise along with the patches of fluid that had been glistening on the sheets.

He leaves the space between your splayed legs, pausing as he kneels next you. You look like a ragdoll that has been dropped from a great height, limbs askew and head limp. He wishes to scoop you into his arms and re-arrange you, cocooning your beautiful body in the most luxurious fabrics his mind can create. So he does just that.

With a hand flat between your shoulder blades and another under your knees, he moves you to lay further up the bed, fashioning a sumptuous silk sheet to settle over you, a twin of the one tucked over the mattress. A knitted cashmere throw weighs down the sheet to seal in warmth. The last step is a plump pillow; he cradles your head carefully as he positions it.

"Thank you," you say shyly as he puts his head on an identical pillow, laying on his side so he can watch you.

"You are most welcome, my soulmate."

A beat. "Is there something I can do for you, Morpheus?"

He feels a thrill go through him, lust rising once more. Hearing his name on your lips is everything. Undoubtedly it always will be. He's instantly grappling with the urge to fuck you again and it is by sheer force of will he just manages to leash his lust.

"All I require is proximity to you," his words sounding much more gallant than he feels.

With visible effort, you roll onto your side, intent on providing him with delightful closeness despite the aches. Face to face, he decides now is time for a debrief.

"Is there anything you wish to discuss about the acts we performed together?"

You fiddle with your fingers, tentatively asking, "Did I do okay?"

The question is so endearing, it makes his chest tighten.

"Yes. You were, are perfection."

He catches the bashful glance your throw towards him and he draws even closer.

You had done so very well, taking everything in your stride since he found you in the waking world. Gone through a myriad of emotions, dealt with intense, sometimes painful physical reactions. And the sex... Well.

He runs a hand from your temple to jaw a few times to distract from the ever-mounting desires, thankfully taking the edge off with the affections.

"It is true. You are so trusting, communicative, generous. Receptive."

You huff out a noise of amusement. "How do you know that I wouldn't respond like that to everyone?"

Possessive jealousy drives a dagger into his heart, stiffening every part of his being, hackles rising as the sickening idea of anyone else touching you takes form in his expert imagination. Your question had been teasing - obvious from the impish quality in your eyes yet he cannot stop the rage that flares at the idea.

He extinguishes his temper, pushing it into the usual spot deep within, speaking with a level and authoritative cadence.

"You were not meant to be touched by anyone but me."

He holds your gaze resolutely, fascinated by how your pupils dilate from the covetous statement, fingers digging into the softness of your behind to add further weight to his claim.

"You derive pleasure from hearing me say that."

"Yes," you confirm, a telling half-smile appearing. "Though it would appear I am not the only one."

You nudge against the growing erection hidden by the sheets with your knuckles. The simple touch is a catalyst, his restraint almost breaking, eyes shifting to match the backdrop of the night sky above you both.

"Not right now," you assert.

His answering glare makes you raise your eyebrows. But you do not back down.

"Very well. I will keep myself contained. For the time being."

You press a sweet, quick kiss to his cheek. "I appreciate you enduring such hardship."

You laugh a little at the end of the teasing sentence. It is an effervescent sound, one that makes him feel so alive. When was the last time he truly felt like that?

He would do anything to keep you laughing like that, make you happy.

Inspired by that sentiment, he drapes an arm over your body and pulls you closer. You sigh in contentment, smiling warmly at him.

A crescent moon rises to accompany the stars in the ceiling sky. The slip of light it reflects is as peace-giving as your skin against his. Quiet descends.

Finally - after the frenzied events of the past couple of hours, the delirium that had ensnared the both of you in body and mind, spurring him to reveal the truth to you and initiate the binding of your souls - finally everything stills.

And in this stillness, after a considerable number of minutes, Morpheus begins to register the results of the soul bond between you; a direct line broadcasting your every emotion to him even though you are awake.

They are not particularly stable right now, kaleidoscopic in how quickly they evolve from one to the next. He is accustomed to knowing humanity's emotions, exposed to every facet of them for millennia yet this is different. With the dreamers there is a certain level of detachment. Being his soulmate, the impartiality is gone.

He is peering around the curtain.

And the emotions you are feeling are about him, directly influenced by him.

Exhilaration, fondness, trepidation, pensiveness.

His eyelids flutter at the intimacy, mouth dropping open with a shaky sigh.

"What is it?" You ask immediately as worry enters the mix. How adorable that your reflex was concern for him.

"Our soul bond is strengthening. I can feel your emotions."

You blink, stimulated by the notion first, then disappointed. "I can't feel anything coming from you."

"Give it time," he reassures.

"How much time?"

A little smile quirks his lips from your charming impatience.

"A few hours. Perhaps more."

Curiosity dances in your eyes as well as your mind; you study him closely, teeth nibbling on your bottom lip. "What's it like?"

"It is quite diverting."

In fact, it is the sort of thing that has potential to consume his every thought. He will have to be cautious of how much time he is dialled into the bond. As long as he makes the rules now then he will be okay. No over-use. No over-reliance.

A brush of fingers across the back of his hand, the inside of his wrist. "Tell me what you're feeling, Morpheus," you whisper.

He pulls himself from the compelling information flowing from you and takes a reading of his own internal state.

It's tempting to lay it all on the table. To tell you of the powerful emotional reactions happening. But he won't. The emotions must be compressed into something more regulated. He chooses the words carefully:

"I am wholly contented."

Joy and relief swirl from you and you kiss him. The softness of your lips help soothe the fierce feelings and when you part, Morpheus is fully reigned in.

He notes that your eyes are drifting now, glassy with oncoming sleep.

He rubs a thumb across your cheekbone.

"It is okay if you want to fall asleep," he murmurs. "My only request is that you permit me to hold you, so I may monitor how things progress."

There is much acclimation to be made. The scalding heat that had been rampant under his own skin has only just dropped to a simmer, let alone all the things to come. He must not leave your side until your body has adjusted to the energy within you.

"I wouldn't say no to sleep," you say with a lethargic smile.

He eases you into a nearer proximity. An arm slung across your middle. Legs tangling together. You nuzzle against the skin of his neck, inhaling deeply as if his scent could knock you right out.

"Good night, soulmate."

He kisses the top of your head, replying with the same.

You place a palm over his soul. "Thank you, Morpheus. For answering all my questions and being so patient with me."

"It is the least I can do, Y/N."

Morpheus keeps still as you sink into subconsciousness. Not a hard feat for him; he mastered that art long ago. Crossing the threshold into sleep is smooth for you, exhaustion efficiently picking the lock.

As soon as you are fully under he peers at you, cheeks already rosy from the warmth of the sheets and his body, lips parted. You appear serene on the surface - he decides to lean into that link one last time for tonight.

Yes. There it is. Evidence that you feel safe and happy. He has done his job well. Now to maintain this level of performance. For your sake as well as his own.

Your presence is the first rain after a drought. A lighthouse on a treacherous stormy night. You are an antidote to a poison that he hadn't realised he was choking on. You are healing him, just as he knew you would.

And there are measures that must be taken to keep it that way.

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Tag list: @herfantasyworldd @kpopgirlbtssvt @littleblackcatinwonderland @1950schick @lollipopsandlandmines

"Controlling my feelings for too long. Forcing our darkest souls to unfold. Pushing us into self destruction. They make me, make me dream your dreams."

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hauntdoesthings · 9 months ago

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let's talk about: Husk

Husk is a character that I see a lot of love for, but not a lot of discussion about, at least not the same way we talk about Angel Dust or Alastor, so I'd like to start the conversation since I've noticed certain details about him during a rewatch.

How He Socializes

Husk puts it best himself; "Everybody likes to bitch to the bartender." He knows more about everyone than anyone else, whether they tell him or not. Not only is he the one people turn to vent to at their lowest, he has incredible skill at reading others. It's most likely something he picked up as a gambler, but we can see he still utilizes it to read the other residents, like knowing Angel shouldn't be getting drunk after his long shift and realizing when he's masking right afterwards.

On the other hand, reading people like this doesn't seem to fit with his character in earlier episodes. In the first episodes, Husk makes it very clear he doesn't want to at the hotel and by extension doesn't want to be around the residents. His first line is literally about how he's forced to be there and pretty much all of his screen time is spent being anywhere from unfriendly to outright aggressive towards the rest of the cast. He surely doesn't care enough to read people to get closer to them, so why does he? I believe it's either a subconscious behavior or possibly as a defensive measure. Like in a poker game, he reads his "opponents" to stay ahead of them while keeping his own cards close to his chest.

It's already clear Husk values his boundaries when watching his earlier interactions with Angel, but this combined with other behaviors makes me think he's a very defensive person in general. His body language is constantly closed off, often crossing his arms or physically being separated from others behind the bar. This could just be indicative of his surly personality, but there is a specific behavior makes me think more of it. During my rewatch for this post, I realized Husk has a tendency to hug himself during certain moments of discomfort, like the entire first trust exercise in episode 3(more on that later), and during his first argument with Angel in episode 4, he actually shields himself with his wings when AD insults him before leaving.

Speaking of, episode 4 is really a great example of how Husk view others, especially since this is when his mindset finally shifts.

It's easy to see how dismissive Husk is of AD during this episode, with his constant reiterations of how "fake" he is and even saying that he'll be fine after running out despite knowing that he's had a hard night. Looking a little closer at his mannerisms though, it's clear that he cares more than he wants to let on. He insults the scripts and setting of AD's video rather than his acting and even says that that's specifically what Angel tends to complain about. Even when Valentino sudden calls up AD, Husk's face is more upset than "I told ya so." He realizes that Angel is unhappy with his work, but at the same time, he doesn't think too deeply about it.

Husk assumes that because everyone tends to spills their guts to him while drinking, he knows all he needs to about them, and he's correct to a certain degree; however, despite everything he knows, he doesn't appear to think too deeply beyond what he can easily glean. Charlie wants to help others so she doesn't have to help herself, Vaggie projects her self-hatred and high standards onto those around her, and Angel bullshits his way through everything because he's an actor who doesn't know how to be real. Husk realizes these things easily, but not why the others are this way, and it especially shows during his confrontation with AD, as when Angel finally snaps and reveals his true motives, Husk is visually taken aback.

He's so used to knowing and analyzing people easily that this sudden, truly heartfelt moment from Angel makes him rethink how he's been going about their interactions, how he's been thinking of him this whole time. And this is the moment that makes him decide to open up about his own past. Whether it was seeing that common thread between himself and Angel or possibly a realization that he won't accept help from someone who doesn't offer any input of their own, this is the first time we really see him offer any of his private, personal life, and afterwards, there's an obvious shift in how he treats Angel and everyone else.

"Loser Baby" is the first time we see Husk willingly initiate physical contact onscreen when he's always be visibly tense and uncomfortable at even most mentions of it, though most of that was AD being suggestive so it could be an issue with sexual intimacy than physical. He's comfortable enough in episode 6 to go clubbing with the group and genuinely looks like he's enjoying himself, especially compared to when he went to keep an eye on Angel in episode 4, even helping look out for Niffty when needed and supporting Angel after standing up to Valentino. In the lead-up to the Extermination, there's not a single insinuation that he would've left the hotel, choice or not, and he is with the rest of the cast during all the important moments of the battle, from Sir Pentious' death to the ending number. Even when Alastor is presumed dead, even if he assumed Alastor wasn't really gone, Husk could've easily run off during his absence, but he sticks around to help rebuild, undeniably of his volition, wanting to help his friends and possible family.

That note also brings me to something I've really been wanting to talk about:

Husk and Alastor

Unless we see a shift or get new knowledge about Nifty, Alastor and Husk have a really unique relationship both in theory and as evidenced. Husk is a former Overlord, presumably from before Alastor's rise if he was willing to bet his soul in a game with him. This opens up a lot of questions for me, mainly about what their bet entailed, what led Husk to making it in the first place, and if there's a certain respect between them. Yes, Alastor refers to Husk as his "pet," but Husk also comes to him with his suspicions about Mimsy and it can almost be read as worry. Alastor even responds that "it's nothing [he] can't handle." There has to be a certain level of trust for someone to bring up "hey, that friend you've known for decades only ever comes to you when they need something" and have their concerns taken seriously, even if Alastor's care for others is negligible at best. This whole scene seems to be showing that despite their deal, their past as equals has not been totally forgotten by either of them, leading to a certain understanding of each other that neither, particularly Alastor, have had with anyone else up until now.

The biggest reason I bring their relationship up though is Alastor's deal. With all we've seen, I believe Husk is the one character besides Alastor himself and whoever the other party is that knows about the deal and its possible connection to Alastor's disappearance.

For one, Husk is the one that confirms Alastor is "on a leash" in the first place, and he shows no surprise that Husk knows. Alastor is definitely not the kind of person to let anyone know about something like that no matter how close they are, so this makes me think either Husk had to know or that he was possibly there during the deal.

It also stands out to me the specific phrasing that Husk and Alastor use during the scene.

"You've been gone a long time, and it's not like anybody knows why." "They don't need to know!"

This kind of phrasing makes it feel like Husk is specifically being excluded from that group by both himself and Alastor. If it's true that Alastor's deal is the reason he disappeared, then Husk knowing about both the deal and why Alastor's been gone lines up perfectly. Maybe Husk will be the one to reveal more about this to the audience or even the rest of the cast later on, but it's clear that he does know more than anyone not directly involved and at this moment is the most likely to talk about it, assuming Alastor doesn't immediately tear him a new one for it.

Little Details

Last section, I promise. This is just some little details I noticed while rewatching for this that didn't really fit in anywhere else and questions/speculation about them.

Remember how I mentioned Husk hugging himself earlier? The first time I noticed this was during episode 3 when, after seeing the stage, he declares "I'm not about to put on some show for these fucking chumps." Not sure how much of everyone's backstory is still canon, but it was stated that Husk was a magician during his life, so maybe this is hinting that he has some stage-related baggage?

Also during episode 3, we see Husk sneak down the stairs before Vaggie can toss him off the roof in the warzone, and since he didn't come back up with Angel and Pentious, he presumably left before they made it out. However, at the end of the episode, he's laughing with everyone over the events of it. He comments that SP can "take a beating like a champ" and "you did ok, new kid," so was he just pretending like he was there or did he just hang out on the sidelines and watch? Husk wtf?

Husk specifically says that AD's video is "not a very convincing interrogation scene." Does Husk have experience?

When the bartender pours drinks for the gangster getting Angel a refill, Husk immediately watches the drinks themselves, before the guy even reaches for that little bottle. He's a bartender, he's probably seen too many people have their drinks fucked with to the point it's just an instinct now.

He was ready to square tf up when Valentino hit Angel, but waited until Angel walked away instead of jumping in like in episode 4. He really does trust him to take care of himself and was ready to back up whatever he did.

During "The Show Must Go On," it's minor, but Husk actually tucks his wings around the group hug and it's aasfjkdsajfd

For those who've made it this far, thank you so much for listening to my overthinking and ramblings. Please feel free to ask about anything incoherent, add on to anything, or point out things I missed, I'd just really love to get the discussion started on some of these things!

#hazbin hotel #hazbin hotel husk #husker #hazbin husk #hazbin hotel analysis #hazbin hotel theory #also thinking about doing one of these for vox esp since he's supposed to be a major antagonist next season #but all that rewatching may lead to me getting very sick of my husband sooo(i say as tho i'm not fixated like he is on radio man)#holy shit haunt posts twice in one week(this is a rare occasion please do not expect things of me i will cry)/j

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xclowniex · 28 days ago

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Hi, I'm just struggling to understand your pov: from what I've gleaned of your blog, and people on social media who stand with Israel and also want safety for Palestinians (@rootsmetals on ig specifically), you guys don't believe any peace is possible with Hamas in power (which I can get behind, Hamas doesn't seem to be acting out of care for Palestinians). Hamas breaks ceasefire deals and refuses to release hostages, I get that. At the same time, Israel is holding so many Palestinians as hostages and in prisons. Israel has the backing of the US, and there are videos of their drone strikes against Palestinian kids playing football. All the terrible stuff. What do you think should be done with that? The atrocities and terrorism Israelis are going through is terrible and upsetting. At the same time, I feel like Israel has the upper hand here, and I worry a two-state solution (or whatever solution) won't treat Palestinians like equals (like, I'm worried anti-palestinian racism will systematized). I don't know what I'm trying to ask. Would asking, "Do you condemn the IDF," be antisemitic? I guess I'm just frustrated that from what yall are saying, the onus is on Hamas to relinquish power and end it all, and I don't see yall devoting the same energy to holding the Israeli military and the Israeli government accountable (maybe you think it goes without saying). Sorry if it's not coherent, it's late, and my brain is fried from reading.

Hello!

Thank you for taking the time to read and try to understand instead of leaping to conclusions, it is much appreciated.

You are right in your understanding of my views.

This post will be long but I do encourage you to read it all as it covers everything with nuance and math. The last bit of this post is the most important of it all too.

To answer your questions surronding the IDF

1. Your question surronding holding those in the IDF accountable:

The Israeli government has done bad things and does deserve to be held accountable. What I personally think is that individuals in the IDF responsible for war crimes need to be arrested and criminally tried in an international court of law.

2. Your statement about Israel holding Palestinian prisoners:

The majority of Palestinians prisoners are those who have committed crimes in Israel or have conspired to commit a crime.

There are Palestinians held who have not done anything to warrant being imprisoned, and obviously any number higher than 1 is bad, and there are far more than just 1.

Realistically because I am not Israeli so don't have any experience directly with Israeli politics on the ground, I cannot say realistically what should happen, however ideally what I would want to happen is for policies and guidelines to be updated, and for the updates to be enforced, ideally with, I'm not sure the right word specifically, but like an overseeing committee to give periodal reports to make sure everything is held to a high standard.

3. Your question of if asking "do you condemn the IDF" is antisemitic

It depends on the context. If you see a random jew or Israeli online and ask them, then yeah it is. This is because you don't really see people messaging Chinese people and asking if they support the CCP. If you see a blog engaging in discussions surrounding the conflict, then it's more of a gray territory. If the blog has said it before, then from the perspective of the blogger, you either didn't care to look through their blog or did and think they're lying, which can be interpreted as antisemitism if they assume your motivation for either of those is antisemitism, however it could very well be that you didn't look hard enough on their blog and didn't have any antisemitism in your intentions, but the blogger could still very well interpret it that way.

Do I myself condemn the idf? With certain actions yes and other actions no. I will not condemn the IDF for defending Israel after Oct 7th. From a logical standpoint, the Israeli government has a responsibility to keep its citizens safe, and a facet of doing so is the IDF doing things. It would be a deservice to Israeli civilians if nothing was done to prevent them being killed. From an emotional standpoint, I have family in Israel. I want them protected and safe. I cannot put into words how much I would mourn for them if they were killed.

Do I agree with every action the IDF has taken before Oct 7th and afterwards? Fuck no. The war has gone on too long. They are trying to get rid of hamas and whilst i do agree with that goal, too many civilian lives have been lost for me to want what they are doing to continue. I can understand logically why they are continuing. They have an obligation to Israel's safety, which includes wiping out Hamas. And obviously those in charge still think going ahead is worth it which I disagree with.

4. Your question of what do I consider it instead of genocide

I consider it at this stage the sad affects of regular war as well as war crimes. Not every action taken by the IDF is a war crime, hence the regular war, but they have committed a number of war crimes, hence that part inclined in my answer.

Whilst we will truly never know the full death toll until the war has ended and a secondary impartial group, so neither Israel nor hamas, have tallied the death toll, we will never know. Hamas includes combatant deaths in their death toll.

Because we do not have 100% accurate numbers to work with, i do not know which to go off of. To break down the various different numbers

Netanyahu says it is a 1:1 civilian to combatant death ratio, so for every combatant killed, one civilian has died which if true, is genuinely impressive in any war, and therefore doesn't doesn't constitute genocide. Like if this is true, militaries around the world need to be taking notes from Israel, that's how impressive it is.

To go with the top numbers from both sides from biased sources on both sides, al Jazeera says that as of 4:30pm gaza time Oct 25th, 42,847 Palestinians total have died. The most recent release from Israel of hamas fighters dead is 18,000.

Based on that, minuses Israel's numbers of hamas fighters killed from total death toll, that leaves us with 24,847 civilians killed.

If we round up to 25,000 civilians so the math is easier, that is a 25:18 civilians death toll roughly. Scaled down to compare with the 1:1 ratio Netanyahu states, that goes to 12.5:9 ratio then to a 6.25:4.5, then a 3.125:2.25 ratio. Further scaling down goes to (following the rules of rounding as it has too many decimals to work with)

1.56:1.125

To further round for nice measures, still following the rules of rounding

1.5:1.2

So slightly more civilians killed than hamas fighters per hamas fighter killed.

To put the numbers prior to ratios as a percentage,

Netanyahu says 50% of those killed are civilians

The biased numbers from both sides says a 57.99%, but we will round it to 58% of those killed are civilians.

According to a UN press release which i will link at the end, taking data from multiple wars, the average death percentage and ratio is 9:1 or 90%. That is 90% of deaths being civilians or 9 civilians killed for every one combatant.

According to the math, Israel's actions are still well under the average death ratio in a war.

Now, genocide does have more factors than just numbers. Intent has to be factored in.

Whilst there have been some israeli officials who have voiced their own personal opinions which are disgusting and say that they personally wish to kill all Palestinians, this has not been reflected in any official decisions released to the public.

If I say an opinion, it does not mean the company I work for also thinks that. To bring it close to home for me, a politician of the Act party, which make up 1/3 of the coalition government here in NZ, want to bring in a bill to overhaul our founding document which will harm Māori, our indigenous people. The two other parties in government have said they do not support it. Ergo, just because David smellmore and his punchable face want it, does not mean the NZ government shares his intent. To bring it back to Israel, just because some people, most who have no power in regards to the actions taken by the IDF made some disgusting social media posts, does not mean that intent is in the IDFs actions.

With all of that said, that is why I do not currently believe it is a genocide.

If evidence comes out in the future where it shows genocidal intent or the hamas fighter deaths being far far far lesser to the point where the ratio is more than 9:1, then I will 100% change my tune and call it a genocide.

The data currently does not show that it is one.

That being said, it not being a genocide doesn't mean that its not terrible or doesn't deserve attention, as it does, it very much does. I just believe in accurately labeling things. Something can be bad and not be the worst thing ever and also deserve attention and activism.

5: what should happen to the houses?

Realistically speaking, it is too complicated to force Israelis from homes one occupied by Palestinians. Some homes were taken by force, some were sold to Israelis (and jews prior to Israel's existence in the modern day). Records will have been lost and I think it's unfair, but not equally unfair, for an Israeli family to be kicked out of a house rightfully purchased as well as for an Israeli family to remain in a home wrongly occupied.

I think that the Israeli government should commit to helping to rebuild Gaza in general, and also to build new houses to house everyone. If it can be proved that a house was wrongfully taken from a Palestinian, they should get the option of their old house or a new house in a different location, and if they chose the old house, the Israeli family should get moved to a new house. Otherwise an issue of homelessness could occur.

Whilst it might not seem entirely focused on justice, as well it isn't, it is focused on the least harm for everyone. Because harm cauaea resentment and I want peace. Sometimes, things can't be idealistic.

6. Onto your last question about why zionists don't often talk about the Israeli government's wrongdoings

That is because there is not a safe space for us to do so. Literally.

I have tried before and I just got asks from antizionists saying that I actually didn't care and was lying to seem more "reasonable" or like a good person. I also got people assuming I was then an antizionist and got a few people who were quite surprised that I still want israel to exist who sent me nasty hate anons too.

If more people allowed for jews and Israelis to talk about the wrong doings of the Israeli government safely, more of us would do so.

But, we often opt out of doing so in public and instead only do so in more private spaces. I have spoken many times about things I dislike that the IDF and Israeli government have done off of tumblr and in a more private space, and I know so many other jews and Israelis who also have done the same.

It is much easier for me to cope mentally with antisemitism as I just brush 99% of it off as some fuckward online who has no real affect on my offline life than it is to cope with people sending mean comments to me because they don't believe I actually believe what I say I do or have these false preconceptions of my views because of a handful of posts.

I do want to again say that it is so refreshing and nice to have someone genuinely ask instead of sending hate. Because you genuinely asked, I gave you my thoughts on the wrong doings of the Israeli government. If you had instead sent hate, I would have given you a half arsed replied instead.

Source for the UN thing

#jumblr #israel #i/p #palestine #i/p war #jewblr #gaza #am yisrael chai #ask clownie

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cards-of-rose · 1 year ago

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study tip!! how i write essays

going from a long, intensive classical education to my current history major, i've had to write a lot of papers. at this point, i can write a 5 page paper in a few hours, and just a couple weeks ago i wrote a 20 page paper in a single day. i graduated valedictorian with this method (current cGPA of 4.0!) so i thought i'd share how i write them! grab some coffee and settle in - it'll be a long post, but i promise it'll be worth it. :)

first, the topic. if you don't have an assigned topic, pick something that fascinates you, something that you could write pages and pages about. you will. if your topic is assigned, find something in it that you find fascinating. even if you find your topic completely boring, there's always something interesting to glean from it! once you find this, you'll gain motivation, and that's half the battle.

write down a basic outline. when i say basic, i mean barebones. just a vague, 3-point general idea of what you think you might write your paper about. this will guide you in your research! you don't need to worry about writing your full outline just yet.

sources. after you have a basic list of points, it's time to find sources! if they're already assigned, you can skip this step. most of the time they aren't, though. this is the most important part of your paper. you can go to google scholar to find really good academic journals and studies!

generally, the number of sources you have depends on the length of your paper! a good guide is that your amount of sources should number half the length of your paper. so if you have a 5 page paper, 2-3 is a good way to go. if you have a 20 page paper, you'll want around 10.

evidence. skim over your sources and categorize each one under the point you made earlier. this will mean you have a quick reference guide when you're writing, so you don't have to go through a big list of sources when you're looking for evidence! under each source, put a few bullet points talking about the info that you can use for your paper.

outline. this part may seem daunting. i promise, though, it's one of the easiest parts of the paper! you may feel tempted to skip it, but having an outline makes your paper sound better and makes it easier and quicker to write. use the sources and bullet point info you used earlier to fill out your outline. start broad and general, then add details as you do your research! your outline should be about half the length of your paper. don't worry about making it super scholarly - this is just for you, so make it as informal and easy to understand as you want! be stupid, throw in memes, whatever gets it written!

every outline should include an introduction, a body, and a conclusion. i can go over the structure of an outline in another post, but remember the 3 points you thought up earlier? these will form your entire outline, and eventually your essay!

finally, write! open a blank google doc and view it side by side with your outline. once you get started, it's a lot easier to finish than you'd think, especially if you took the time to outline! this is when you can make your dumb outline into something that would make the ancient philosophers proud. don't worry about perfection. just write it as you go. you can edit it later!

quotes/evidence. once you've finished your rough draft, it's time to add the evidence! some profs want quotes, others want you to paraphrase. either way, go through your paper and put in the evidence you researched earlier. don't worry about citations just yet - just put in the link in a comment on your rough draft. it won't be hard to fix it up later.

edit!! please, please don't finish your rough draft and be done with it. you can save so many points by going over it again instead of submitting it in a rushed 3am haze. fix spelling and grammar, add citations and a reference page, edit for clarity, anything you need to make it sound like the best paper you can write! if you're proud of it by the end, you know you've done something right.

congrats, you did it!! make sure you start your paper early and don't wait till the night before - your grade will thank you <3

#study motivation #essay #studyblr #writing #dark academia #school #studying #essay writing #study blog #study tips

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noneorother · 1 year ago

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The secret timeline inside of Good Omens season 2 revealed, *part2*

Part 1 l Part 2

The ineffable cut is explained in part 1. Please read that first. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)

So now that I've shown you XX:X6 is the number of the beast in the last installment, what else can we glean? Well, it turns out angel numbers (sequences of repeated numbers ex: 22:22 or 20:02) are quite important events in the S2 universe! I've cut together every "Angel Number" I could find in the timeline and put them in order. I first noticed this near the end of the ineffable cut, where Beelzebub and Gabriel hold hands, so I've started with that one just to give you an idea how bonkers this whole sequence is. Don't forget, sound on! Breakdown below the cut.

So we start off with this Beez and Gabriel sequence near the end of the cut. They start singing to each other a little out of time, but lo and behold, at 02:03:20 the music comes in right on time with the seconds ticking by to line them up. By the time they reach 03:33 they're gone.

Aziraphale is excited to get his "record"! He's doing something sneaky, and as a result opens the door to go off to said covert activity on 00:02:22.

Crowley asks "Do they know?" on 03:33. Who are they and why does he want to know? This whole scene is on a St-James park bench so spying and double speak is in progress, clearly.

Crowley then asks "Something big?" on 00:04:44. We get the hint for the main action of the entire second season here. Something's up with the up...

Now the real fun begins! I'll come back to the ones I just skipped in a later post because they're more subtle. Here's the first "real" angel number at 11:11. Aziraphale discovers THE box and touches it for the first time.

At 22:22 Nina and Maggie's signs are "mysteriously" ignored by a human passerby.

This is wild. Aziraphale is learning about the Everyday record and something funny happens. 33:31 Aziraphale says, " Do you have a copy?" 33:32 Maggie says, "Mm, too many of them" and at the same time a car horn beeps twice. 33:33 Aziraphale is startled by the fact that a double car horn happened on a XX:X2 and looks out the window in concern. So the question is: does Aziraphale feel or know the rhythm of the timestamps?? And are things that line up with numbers a signal he's paying attention to?

A funny one! At 44:44 Aziraphale seems to be wanting to check if Gabriel is really who he says he is, and is watching him like a hawk. Gabriel does all he can to do nothing at all and look innocent while the angel number passes by.

Another funny one. Nice. 55:55 reveals that the Bentley likes Aziraphale more than Crowley, and does whatever he wants, including not speeding when he puts his foot down.

This next one's a little peculiar. It seems like an exchange about Gabriel's whereabouts, but it's the halfway point of the edit (1:11:10-11:11:11) of the ineffable timeline and we seem to be having two conversations at once. Shax says on 11:11 "He hates you." Does she mean that she thinks Crowley hates Aziraphale, or... that Gabriel hates Aziraphale. Aziraphale looks noticeably shocked at her reply. After the eyebrow raise of "You don't seem like his type at all" I would bet we're not talking about Crowley anymore. How did she get this information?

01:22:22 Gabriel does a little laugh to himself while signalling with the lamp. What the fuck? Does someone know morse code?

01:33:33 Maggie extends her had to Nina at the ball, to invite her to dance. Nina looks pleased, but doesn't move until... a very odd miracle sound on a XX:X6 happens and she jumps up to take Maggie's hand. That miracle sound is not Aziraphale's, and besides, he would never miracle on a 6. Who's the demon making Nina dance...

Aziraphale's halo toss is the flip from ACT II to ACT III of season 2, and as such, get's a special time right before rolling over to the second hour. He decides to throw it down on exactly 01:54:45, and at 01:54:54 gets a giant tubular bell ring in the music to highlight the action. It lands on the ground at 01:55:01, and incinerates the demons at precisely 01:55:10.

01:59:59 Beez and Gabriel hold hands, and a magical chime sounds at 2:00:00. Maggie start her sentence "Aww, that's really sweet" at the same time, and manages to finish it on 2:00:02. (Dagon politely waits to pretend to barf on a XX:X3 after she's done.)

The last one is a big one : 02:02:02 gets "to face CELESTIAL punishment" by Michael. This is what we've been waiting for the entire season, the Checkov's gun of the book of life. But, where is it? We then get an odd cowboy showdown style stare-off between Michael and Shax. I'm predicting that missing chunk of time in the bookshop before we come back to Michael threatening Aziraphale with the book of life is going to be a pretty interesting reveal in season 3. -------------------------------------------

People, this is the short version of this post. There are SO MANY things to unpack. Next up is doubled numbers. If you want an ides of what it takes to break things down, here's my workflow timeline right now. The stuff after the first big space is numbers I haven't shown you yet... This show is insane.

#good omens meta #good omens 2 #art director talks good omens #go season 2 #go meta #good omens season 2 #crowley x aziraphale #good omens #good omens analysis #good omens spoilers

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ed-recovery-affirmations · 17 days ago

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Hey, all. This is a weird day to be posting, after telling myself I'd get to all the asks sitting in my askbox. If I have time after meeting my research deadline, I still will, as reaching out to help others helps me a great deal.

As I have mentioned in previous posts, I live in the U.S. But I know those of us who live here are not the only ones impacted by our politics. Wherever you may be reading my words, you likely have strong feelings too about recent events.

As you may have gleaned from my general post history, I am not a fan of the orange man, to put it mildly. And like many others who hold this viewpoint, I'm having intense and complicated feelings today. I'm struggling, but I intend to get back up and move onward.

I've had virtually no appetite today. It's rare for me, these days, as my stomach has done a lot of healing. But I feel nauseous and had to struggle to get down a few mouthfuls of food earlier. I'm going to do it again, once I meet my research deadline. I know I need to eat. I need to eat enough to stay relatively well.

Because, in spite of my feelings, I intend to go on surviving, and I hope that you survive too. I hope that I can be present with all of you as much as I can on the continuous path of healing, as impossible as staying on that path feels at present.

I want to invite you to put your feelings in my inbox if you need someone to talk to. I might not get to them right away, but I want you to have a place to talk tonight, and some point of hope to hang onto, however distant and small that may be.

I'm sure I'll get spam from Trumpsters. Those messages, I'll be deleting without engagement and they can stay mad about it. This is my space, I don't get paid to run it, and I am not a government employee. I can put what I want on here and leave out what I don't.

I will tag all posts with "political cw" and "u.s. politics" as I'm sure some of you need this space as just a break from it all.

Stay strong, wherever you are.

#u.s. politics #political cw #recovery diaries

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self-spaghettification · 7 months ago

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The Mystery of Aaravos The Banter Lodge

So, recently an account called "The Banter Lodge" has popped up. April 30th, to be precise. You've seen it. I've seen it. We've all seen it. On Twitter, posting various images in the TDP official style.

A few nights ago, it debuted on Tumblr as well. "Coming May 2024" all of the promotional images and the website itself say.

Who is this account? Is it fan made, is it official? It's May, when exactly in "May 2024" is it coming?

Well, me and a few friends took some time to try to piece the mystery together, and so -- while it may still be 'coming', only dropping hints, I am here to tell you what I know now!

History

Website Code ( I love computer programming so I took the time to dive into that!)

Purpose

A. History

Who's Running the Banter Lodge?

To know that, first we need to delve into the history of the Twitter account.

Despite these images and site debuting less than a month ago, the account itself was founded way back in 2022, and originally called @BantherLodge, with an H, as it is in the show.

@BantherLodge is no longer available, and while it initially did not seem to be connected to The Banter Lodge, there are several interactions linked to the current one, Banter Lodge without an H.

In fact, here is the same tweets linked to the current (banter) account version.

Now we've established that @'BantherLodge' and @'BanterLodge' the same account with a changed name and identity, here is the most important past interaction:

@‘bantherlodge’ is mentioned here, and they are on this call. that said, WHO IS REALLY BEHIND BANTER LODGE? well based off the tweet, it seems that it’s 6 members of the cast and then 2 guests, @‘thebantherlodge’ and @‘ladytheebug’. But don’t take my word for it. Here, more confirmation:

Another person in the call happened to tweet about it too, this time with labels.

Now let’s take a closer look at these two guests. Sara @‘ladytheebug’ seems to be the one on the right, and by process of elimination, on the left is ‘bantherlodge’. aka:

Max….

Max the Mystery! ‘Sara’ and ‘Max’ isn’t really enough information to know more along with no connection to other socials so it’s hard to pin down who they are or what connections to previous fandom projects or creative projects in general they might have. However, they are still connected.

Besides the partially deleted various back and forths between these two accounts, this tweet about the Bait screensaver in the background is additional confirmation that this is @‘bantherlodge’ and @‘ladytheebug’: (note use of word ‘our’)

FURTHERMORE:

Said TV embodies this duo: A person who loves Bait (evident from so many of their tweets) and a person who loves the Banther Lodge…

Reminds you of something, doesn’t it?

“but hold on, just because there’s all these coincidences doesn’t mean the account could be passed on to someone else to run this.” Ok, but one last thing. If that was the case, why would they still be following Sara? In fact, it’s the Only person that they’re following besides TDPO?

(and their following has even been recently updated within the last few days as before then it didn’t include Eugene and Boone.) So, in conclusion,

Max of @‘BantherLodge’, and possibly Sara, (with or without TDPO but I’ll get to that later) almost certainly are the people behind the curtain of this Banter Lodge mystery.

Now, about said mystery… what exactly is the trail building up to?

well, to find out more about that, let’s glean what we can from the website.

B. Website Secrets

The website itself is very simple- A background, the image of the Banter House, and some text saying "Coming May 2024." But, beneath the deceptively simple surface, there was more to be found.

On May 1st Caprinae got this from the page. She also tweeted about it, after which the site changed to remove much of the css, including the part about the episodes and subscribe button. I was pretty excited about this as someone with a few years of coding experience, I wanted to mess around in VSC and see what I could find out.

After formatting the code the most noticeable thing is this right?

And when I make an element for it to apply to (since all that code is just formatting for stuff on the page like the title, images, etc, in this case- an audio bar) + adding in an image and an audio file:

We get this

AUDIO and an image. It looks exactly like a podcast episode. It turns out there’s actually a bunch of code for formatting that’s not used in elements in the site (elements that exist: the title or image), but it’s there, so I made some elements it would apply to. technically, it’s supposed to have a parchment paper background too, but I just chose some colors that you could see the text on.

Doing so, we get this!

(Here’s a video version.)

Plus, Original Code and Modified Code if you’re curious

Anyway, so the site (at least at the stage the code was taken from) doesn’t appear to be finished and there was no Java script written (or at least, linked) but there is definitely the makings for a website for a podcast— some sort of nav bar with the episodes, on an episode page, the image and audio, and then a subscribe link at the bottom!

C. Purpose

Time to speculate on the real identity and purpose of the Banter Lodge. So far, we know it used to be called the Banther Lodge. We know it seems to be run by [insert here.] We know it is almost certainly a podcast of some sort. But what, and why?

Here are some possibilites:

1.Official Content to Tide Over Fans Til S6 As we know, to calm the frustration of fans at Netflix/TDP for the delay of S6, the creators have been putting out content every day for the fans to puzzle over and figure out the season six titles.

Based on the current schedule, it’s set to end on May 13.—although it could be ending either May 13 or May 14 (depending when they do the last hint) after these drop, there will likely be a lull in TDP content, which would be the perfect time for the Banter Lodge to launch.

+ The Banter Lodge teaser campaign has already been perfectly timed for when a bunch of fans would be online on Twitter checking in for clues to begin with.

If this is official content, it would doubly make sense—it’d be timed perfectly to tie the fans over until the actual season six campaign starts (ie, trailer). Considering these two fans also somehow got to have a private panel with the cast, it’s not impossible that they’d be working with TDP on this content, additionally the teaser images put out this far have been somewhat reminiscent of TDP official content—ie, Callum’s lodge notebook->Callum’s sketchbook, Refractions->Reflections, Dear Callum letter from Rayla, design style, etc.

However, there is one big reason I don’t think this is the case: it’s a little too sloppy. For example, if they wanted it to be completely anonymous and unclear what was happening, the tweet mentioning @‘BantherLodge’ in the panel would have been deleted and there wouldn’t have been any hints in the code. Of course, these could still just be honest mistakes. However, it also seems like it is building off of the current world in a more derivative, fan-content fashion, not necessarily adding new material the way TDP Official tends to. It’s copying the official style,—but almost too much if that makes sense.

Like altering a shot from the show for a teaser.

Don’t get me wrong. I love the way that they’re building off the world, I’m excited to see where it leads, but for whatever reason, to me, it just doesn’t seem official.

So assuming it’s made by fans, what kind of podcast is it? Second possibility—

2. Fan Made Talk Show

This seems like the most obvious conclusion, considering that The Banter House is a play on a location in TDP, and the word banter, which is synonymous with talking, but specifically back and forth, genial interactions.

Maybe it’s dedicated to analyzing the show or a particular aspect,—maybe centric to the lodge, crystals, Bait and Stella—maybe even interviewing cast/crew!

Well, to get a better idea of what niche it might be filling, let’s take a look at what TDP podcasts are already out there.

Hot Brown Morning Potion Podcast [2019-2023] Hosted by Tamika "Kuno" Williams and Hailey from Cartoon Universe. This podcast [is] full of answering fan questions, interviews, theories and all kinds of discussions on everything Dragon Prince.

News from the Breach [2020-2024] Your hosts Ceilidh and Yana are watching The Dragon Prince from start to finish. Each season of the podcast covers one “Book” (or season) of the Netflix series The Dragon Prince. In each episode we discuss two chapters of the series, except for the season finales.

Calm Chaos Club [2023] Join Kevlar and Lou each week as they discuss topics about animation, design, and all things related to The Dragon Prince on Netflix! With special guests brought on for unique topics and insights into the creative process, these bite-sized episodes will ensure you can get your TDP fix in anywhere and anytime.

There’s no harm in another talk show but as there are a few out there already (and for other reasons) I personally think this is not necessarily the niche the banter Lodge is going to fill. I mean, I do think that it’s still possible I mean, it could be centric to particular aspect around the lodge as mentioned.

However, there’s a possibility that excites me a lot more, that I’m hoping for the most….

3.Fan Made Audio Drama in the Saga Setting I have personally always been a huge fan of audio drama podcasts (TMA,TPP,WTNV) and if there was a dragon Prince audio drama podcast, I think I would just die on the spot honestly from joy. I also think it’s most likely because all of the clues so far have been very story/worldbuilding oriented, as well as writings from familiar characters’ perspectives. It seems as though a story is being crafted here, and I am all for it.

Y’know what? While we’re here on the topic of storytelling podcasts, we might as well throw in D&D/TTRPG or even Tales of Xadia as a possibility because yeah sure. Why not? I mean, tabletop role-play games also involve a lot of talking so it would fit the banter theme. Who knows.

That's all! What do you think? Any other thoughts, additions or other speculation? Feel free to add on!

Thanks to @bycaprinae for Twitter screenshots, html, and general inspiration, and to @parroset for other help with the website part and general support!

#tl;dr all evidence points to it being a fanmade podcast! Possibly launching May 15th!#CS Major core;#One of those things where I’m like. Should I post this #Well #I value…I promise the people freedom of information and so freedom of information is what they’re gonna get #This actually helped me learn/remember a lot of web design stuff haha #Yay #the dragon prince #tdp speculation #sort of #tdp meta

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raven-at-the-writing-desk · 1 year ago

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Hi sorry for bothering you but do you know if the Yuu in Savanaclaw novel is still Yuuya or is there a different Yuu? I've been looking around twitter but I don't seem to find anyone talking about that 😔

[Images in this post are from this tweet by Yana!]

The Savanaclaw volume of the TWST light novel only just came out a few hours ago (on August 25th) in Japan. That’s probably why you haven’t seen any details about it before now. I did find a thread with contains Yana's illustrations for the Savanaclaw light novel, so go check those out!) In the same thread, we get confirmation that Yuuya will continue to serve as the light novel's protagonist.

I’m sort of glad about this, since it means we can actually follow his character arc to completion; Yuuya also gets much more in-depth background and characterization (since we can see his thoughts) compared to the single-episode manga!Yuus, which we comparatively only know like a few facts about their previous lives. For example, Yuuken is part of a kendo team and supports his team members in their training. Yuuka went to an all-girls school and does judo. Yuuta helps out at his family’s Chinese restaurant and loves food. Okay… but what else?? We don’t really get to glean their thoughts, so this results in us not fully understanding how they feel, think, or react to what’s going on around them either.

Additionally, the manga!Yuus are sort of set up like they have no arc or growth to be had. Rather, they serve as foils to each OB boy (and have to be “not having the same flaws” by design to be the “good” mirror to them. Yuuya is, meanwhile, very clearly set up to improve over the course of the main story. He’s not a foil, but he doesn’t have to be in order to be a good protagonist. In this way, I can see the light novel following Yuuya’s growth as an individual who is meek and shy into someone who is strong and able to stand up for himself and others. The story would, then, be just as much as Yuuya as it if about the boys around him.

#twst #twisted wonderland #twst light novel #twisted wonderland light novel #Yuuya Kuroki #Kuroki Yuuya #disney twisted wonderland #notes from the writing raven #question #twst manga #twisted wonderland manga #twst news #twisted wonderland news #Yuuken Enma #Enma Yuuken #Hirasaka Yuuka #Yuuka Hirasaka #Yuuta Mito #Mito Yuuta

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wisteriasymphony · 29 days ago

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Wisp…:my good friend…:what is senimomster Emile/gen

The concept interest me….

Also like imagine if Emile died when Adrien was younger, so this senimonster girl that looks just like his mom appeared, do you think Adrien would think he’s haunted or would he be like “cool a baby sister and/or twin or triplet” (Felix and Adrien as twin my beloved <3)

I would hate to feign ownership of the concept, so to start off I'll say you should definitely check out @asukiess's blog if you want the bulk of sentiemilie related stuff! The initial post is linked here, but I'll try to summarize what I've gleaned so far.

Senti!Emilie is, in her original interpretation, a sentimonster copy of Emilie created from the shared love/grief Gabriel and Nathalie had for her, made so the Agreste family can continue on as if she never died to begin with.

Eventually, an idea was floated around that Gabriel might possibly alter Senti!Emilie to be a freshly 18-year-old version of her, which I suggested be called Emmy. (To explain her existence to Adrien, Emmy is an unrelated intern of Gabriel's and his mother is simply on some long business trip... so the story goes.)

A lot of the work I've seen surrounding her examines Gabriel's and Nathalie's relationship to her, her relationship to the 'former self' she is being silently and constantly compared to, her own self identity and the issues that come with being a sentimonster... and occasionally, her relationship with Adrien. Most of it revolves around being an 'imperfect copy' of Emilie Agreste and the various issues that occur, though.

As for me personally, I like also to use it to examine how much Gabriel has changed as well, and to study his character through what he justifies putting Emmy through. There's something to be explored with how Emmy being a(n inexact) replication can lead to... Gabriel taking Emilie's previous affections for him as a carte blanche of Emmy's consent. Not to mention how his molding of her into a younger version of his wife and subsequent treatment of her can reflect how much he views her as a partner and how much he views her as property.

Likewise, it's interesting to examine the way Emmy's view of him could be drastically different now that their dynamic has changed! As the Agreste patriarch, his relationship to her is no longer "the punk boy with lofty dreams that I want to run away with" and instead "the man who regularly assaults and controls me whom I have been conditioned to feel affection for". I tend to take this to explore a dynamic where Emmy comes to actively resent and fear Gabriel, but there's also valid interpretations where Emmy does not come to that realization.

And of course, it's also fun to explore Emmy and Adrien's relationship, the gut-wrenching dramatic irony of neither of them consciously knowing they're related but having gut feelings surrounding it, and the ways they can support each other in the midst of Gabriel's control over them!

#sentiemilie #(I'll also add something about tweosdrien and emmy but it's *way* darker and as such will be posted on a side acc reblog)#wissym answers

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crimsoncold · 4 months ago

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AEMONDSA: A crack ship with unexpected depth and appeal

A treatise (in four parts) on the intriguing parallels and complementary contrasting of Aemond and Sansa and the subsequent allure of them as a romantic pairing in Fanfic

- from the perspective of a sansa-stan, jonsa + sansa-centric multishipper, and someone who is generally Targ critical

Now while my general stance of "ship and let ship/don't worry so much about what other people in fandom focus on or ship/etc" still stands i wanted to do a little write up on what I've found so appealing about this particular crack ship.

Not to justify it (again fandom and shipping in general is just about enjoying/thinking about fictional characters and scenarios... no one needs to justify why their imagination likes to think about two characters interacting romantically) but because there isn't a ton of metas addressing the interesting parallels between these characters and the appeal of them as a ship so I wanted to make one so the handful of people who do ship it get to see some more positive engagement/responses to this pairing.

I just unexpectedly ended up loving this pairing so much and I always have a particularly strong urge to contribute to fandom content on the rare pairs/crack ships that I like....So here have a deep dive into the parallels, and contrasting but complimentary aspects of Aemond and Sansa, and the unexpected appeal of Aemond x Sansa as a pairing in fanfiction...

PART 1: MY EXPERIENCE WITH ASOIAF/GOT & HOTD FANDOM AND WHY AEMONDSA IS A PLEASANT SURPRISE

So I'm going to be drawing from both book and show elements when I consider and compare Sansa and Aemond's characterization and plot arcs (particularly since this tends to be how they are handled in fanfic- which all have differing combinations of book or show canon for both characters)

(this is a HOTD S2-free zone though... HOTD's writing has certainly not improved and it's inconsistencies even compared to their past writing and characterization of many characters including Aemond has made such an absolute mess so for this post I'm ignoring the worst part of HBO's attempt at making hotd fanfiction i.e. S2- and I am basing my understanding of Aemond on a combination of what can be gleaned from book canon and s1 because that was what initially interested me AND because that is what the aemondsa fanfic I've read has also been based on)

Now Just to set the scene for my journey as a stark fan, jonsa shipper, and generally targ critical person to become an appreciator of aemondsa...

GOT had a steep decline in quality in the later seasons and HOTD despite the incredible effort of the actors/sfx people was not particularly good to start with in terms of writing/storytelling...yet disappointing or poorly written shows are not without their appeal for participating in fandom and reading/writing related fanfiction, particularly when there is a handful of interesting characters-looking at you stark kids who suffered through the writing of GOT's later seasons and HOTD's team green-that fans want to rescue from the terrible writing/butchering by the showrunners and to explore alternative stories/endings for them... sometimes it is even one of the most appealing sort of set up for fandom/fanfiction to take over and fix things.

I was already a huge Sansa fan, and she was the original draw for me towards asoiaf/got fandom and fanfiction, and while jonsa has been and remains my favorite pairing for her I've always been open to dabbling in various other sansa pairings/crack ships.

(While the parallels don't take the exact form as the ones between Sansa and Jon- and obviously aemondsa isn't accompanied with the incredible foreshadowing and potential that jonsa is- this pairing still feels similarly compelling due to the sheer amount of parallels between the two characters and for the fact that its a ship that is appealing and seems quite fitting without fanfic writers having to stray too far from canon personalities/back stories to make them work as a romantic pairing- beyond you know the obvious aspect of them being alive at the same time)

When HOTD first came out and before i discovered Ameondsa was a thing I was staying away from HOTD fanfic for the most part despite my interest in a few of the characters

HOTD's most predominant focus in both it's fandom and fanfiction seemed to be Rhaenyra/Team black/ Daemyra centric- all of which I was at just personally not drawn. Aemond (hot dramatic anime antagonist transported into hbo's HOTD and personal favorite of mine) centric fics unfortunately tended towards shipping him with various TB characters or TB OCs but both as a concept and due to the handling/set up these fics were generally not appealing to me (more on this later).

Furthermore hotd fandom itself seemed to be shaping up into a new edition of targ stan centric fandom- specifically a new "team black only" brand of stanning... which is definitely not something I am interested in.

Being someone admittedly anti targ/targ critical in general who just happened to be more intrigued (and sympathetic) to the greens in HOTD it did seem that the bulk of hotd fandom was probably going to a similar if even more extreme form of what I encountered with targ-stan segments of the GOT fandom as a sansa-stan/jonsa shipper (ie. Less posts/fanfic that i would personally agree with or be interested in from these fans and potentially hostile and unpleasant responses or takes from the majority of these fans)

As a result of my general avoidance of hotd (i.e. the very pro targ/pro TB fanfiction that hotd fandom offered) Aemondsa, already an extremely rare pair and crack ship, wasn't even a pairing on my radar until one of the authors i was subscribed to started a hotd time travel fix it aemondsa fic...I have an appreciation for well written crack ships, and I am willing to give most pairings or fandoms a chance when I'm already a fan of either the story's main characters or of the author specifically ...but I was actually incredibly suprised how compeling Aemondsa was as a pairing in this story..as well as how much I enjoyed the other Aemondsa fics that I checked out afterwards..it seemed this was a niche segment of hotd fandom that i was going to absolutely obsessing over.

There was a lot of depth to them for a crack ship, which was achievable without altering their personalities and backstories very much from canon (dont get me wrong I love crack ships even ones where people and the plot are altered significantly to make a ship feel possible but there is something uniquely compelling when characters fit together without having to be too ooc) so I just wanted to write a bit about what is so fascinating about this ship since it's such a new rare pair that hasn't accumulated a massive audience or a ton of discussions or write ups yet.

PART 2/4. THE SURPRISING AMOUNT OF PARALLELS BETWEEN SANSA AND AEMOND (FANDOM, PLOT-WISE, but most of all regarding FAMILY)

(Uh ....Brace yourself? this section ended up way longer than expected)

For me the initial appeal comes down to intriguing Character parallels between Sansa and Aemond which fanfic at least offers the opportunity to explore in a story format ....

On a surface level they are (in the shows particularly) both intelligent and underdog figures with fantastic little sassy moments - true queens of dealing out backhanded and cutting compliments, or being unapolegetic critical towards some of the flawed and extremely privileged individual's they encounter who are used to receiving only coddling and fawning worship.

Both characters seem to get shit treatment, sometimes from the fandom other times due to the terrible choices/handling by the writers/showrunners.

Both were characters I personally found interesting and sympathetic despite how fandom- some of it for aemond and a significant amount of it for sansa- had deemed these essentially young and still innocent characters worthy of being reviled and harmed for the ways the adults in their lives had set them up for failure or abuse. Forever dismayed by the way they (unlike certain fan favorites) were somehow never deemed by fandom as deserving of sympathy for the horrible things that happened to them, and how notably they never recieve the same feverent forgiveness/understanding/support for their more dangerous or dark actions the way other characters did

Looking at the difference in fan responses to show!Arya or Dany compared to Sansa- though when it comes to the sheer amount of violence, destruction, and murder or the act of threatening their kin obviously despite what Sansa-antis say Sansa is the only one who should not even be part of the discussion, and how Dany or Arya always recieves excuses, sympathy, forgiveness, or outright praise from the core audience for their more questionable actions while somehow Sansa is deemed as the unforgivable, dangerous, evil, traitorous, and foolishly reckless character

How Aemond (and all of TG really) are set up and considered by TB stans to be unworthy of their house/rightful inheritance and the ones most at fault for the onset and destruction caused by a civil war... never victims mistreated or endangered by the more privileged and powerful members of their family... just the people who only ever deserved what was inflicted on them by TB for the crime of being forced to wed a disgusting and neglectful King or for being threats to Rhaenyra's family or throne simply by existing? How the morally questionable or violent actions of Rhaenyra, her sons, or more particularly her uncle-husband will always be seen as either justifiable, in the right, excusable, or literally worthy of praise the way Aemond's and his family's actions will never be viewed by this core audience

I think about how much like segments of asoiaf fandom bash Sansa by deeming her too southern/too Tully/Too Catelyn-like to be a real Stark (unlike her "truly northern" siblings) their are also segments of hotd fandom that have chosen to see Aemond and his full siblings as only Hightowers who are wrongfully stealing from TB/the "true Targaryens"

But there were even more striking parallels when it came to their characterization and plot.

Both younger (non heir) children, presented as being intelligent, incredibley dutiful and studious, with a very close relationship to their mother, in a sort of intense people pleaser manner - trying their best to excel at all the skills/duties that their parents/society deems necessary for their position and sex because that is the way they receive acceptance, attention, or praise from their family/the adults in their life

Aemond and his studies, his apparently dedication and success in training with the sword despite his own disability, his determination and recklessness to finally become a dragon rider like the rest of his Targaryen family- as it is what is expected and what he has long been mocked over by some of his targ kin, how despite his own ambitions and the way he thought himself particularly suitable for rulership he remained the dutiful and loyal younger brother who served as regent for his gravely injured older brother but did not attempt to stylize himself as King and steal Aegon's throne.

the way that Alicent seems to be the only family member he allows himself to be vulnerable with, the one with whom he turns to for consolation and comfort, Alicent being absolutely devastated and incensed over the loss of Aemond's eye and the lack of punishment for the assault on his person, the only one to demand recompense, the only one to raise a knife to the blacks when she is denied, how Aemond is the one person who tries to console his mother in the aftermath, how despite having just lost an eye he is the one who actually tries to sooth his mother to bring a stop to the increasing and dangerous level of tension and conflict that had erupted between the blacks and greens at driftmark, Aemond's own longstanding protectiveness of and devotion to his family- most especially his mother- that lasts until his own demise.

Sansa and the way she thrives and enjoys the type of world and training that is more of a noble woman's or specifically her mother Catelyn's domain- unlike her wilder other siblings she is generally a steadfastly proper and gentle girl- no doubt a comfort to her mother not just because she is generally so well behaved but in the fact that unlike her siblings she is not shown to be obviously or very publically close with Ned's illegitimate child- who for Catelyn would be the literal personification of Ned's infidelity, the disrespect and humiliation he puts her through by raising him in their house along side their children, and her deep seated fear that he loved and will prioritize another woman and her child more than his own wife and family.

Sansa is the child who seemed to love all things "southern" the most (though undeniably despite how Sansa is looked down upon for her love of romantic stories and song her other siblings also certainly enjoy legends and tales of Knighthood or Southern Princes and warrior Princesses) and to be fascinated by the environment her mother is from, the one who is drawn to and practice her mother's faith in addition to keeping to the old gods,

How Catelyn though she truly grieves letting her daughter go seems to accept it not just because her belief that Sansa would excel as a princess and future queen but because she thinks Sansa would thrive simply through getting to experience the south...Catelyn seems to grasp the things Sansa dreams about and unlike many other family members she does not view Sansa and her interests with the same condescension, dismissal, or disdain.

Catelyn loves all her children immensely but there is something so tragic and beautiful in her love for her daughters, the desperate lengths she is willing to go to to ensure the saftey of both of them while the lords/males in her family have already given them up as a lost cause and inevitable and necessary casualties in their war for vengeance and northern independence

Despite this affection though there is a lot of pressure on both of them... almost to the point that their treatment by the adults in their lives has a bit of a "parentification" dynamic- a manner that sometimes puts the onus on them to be a support and a comfort to their mother amid any tension in the family/marriage (Aemond) or to be the perfectly behaved role model or minder for their less dutiful siblings (Sansa)

Sansa, in everyone's eyes a lady at three and a queen destined to be, the determined effort she puts into excelling at being studious, accomplished, proper, and ladylike, how much she tries to exemplify the behavior praised and exemplified by her mother and her septa

set up by the adults in her life as a go between for the stark sisters...used as the benchmark for their demands and expectations of Arya, being held up as the bar for perfect, proper, and praise worthy behaviour that Arya is presssured to also attain, the daughter who gets censured on the few occasions she acts out while her younger sister typically gets away with her poor behaviour (at least when it comes to their parents)... Sansa isn't just under the pressure of the exacting expectations for a lord's daughter she also experiences the stress of being put in the position of exemplar for her wild untractable younger sister.

Aemond, apparent dutiful student in many areas expected as a child of nobility, who is expected to support Aegon in his rulership and war and (in the show) even takes responsibility for trying to keep his older brother in line, the one who after losing an eye takes the effort to comfort and console his mother's grief and rage when their father does nothing in response to an attack on Aemond other than threaten and intimate his wife and his children with Alicent in order to support his firstborn daughter, who becomes the human equivalent of not just a wrecking ball but a literal weapon of mass destruction sent out on behalf of the advancement of his family or later to enact terrible bloody vengeance on his family's behalf, his life his purpose and his death is all for his family's sake more than his own.

They put so much effort into being well behaved, to reach the exacting standards for a child in their position, setting an example for the less obedient/well behaved sibling(s) all of which in turn adds to significant strain or conflict between said sibling.

Sansa and Aemond are the sibling expected to and determidly striving to live up to the high expectations that the adults in their life put on them and to survive the extremely dangerous and high stakes scenarios they are put in (as a lord's daughter, prince's betrothed and future queen, a hostage and target for the machinations and ambitions of others, the older sibling, a ruling lady, and elected queen; a prince, dutiful son and brother, ruthless and dutiful defender of his family, and regent)

Meanwhile they have other siblings who struggled to meet said expectations or have given up attempting to all together (Arya, Rhaenyra, or to some degree Aegon)

Siblings who must from the perspective of Sansa and Aemond (who are still young, inexperienced, and have had a great deal of conflict with said siblings) seem to flaunt all expectations free to rebell, flaunt the rules, and generally ignore the high pressure expectations that children from their class face.

Undoubtedly frustrating since, much like their more rebellious siblings have failed to sympathize with the more responsible ones, Ameond and Sansa too have not (yet) been able to recognize the ways their less successful/dutiful siblings also suffer under the highly restrictive expectations of their class and position even if they do not choose or succeed in conforming to them.

They see that despite how they may excel in studying, striving and succeeding in their roles, and ultimatley exemplifying the high standards they were raised to it is these other siblings who seem to get rewarded (experiencing in their eyes at least what appears to be more freedom, less pressure, minimal censure or punishment for their misbehavior... while simultaneously receiving the bulk of the reward in terms of their inheritance, the attention they recieve, or even with regards to the amount of affection given by some of the authority figures in their lives, i.e. their fathers)...

To them it must seem that these siblings get to be not just easily forgiven for their mistakes and misbehaviour, but accepted as or outright adored simply the way they naturally are, whereas dutiful and non problematic children like themselves tend to be overlooked or underappreciated, and quickly criticized on the rare cases they misbehave... the acceptance and affection they recieve appears far more conditional on them behaving well according to the expectations of their family or various instructors/minders... whereas the affection their siblings receive, from say a certain parent, is show to be rather unconditional

Seriously they both give me such severe "easy" (i.e. overlooked) and "gifted" child trauma vibes... how much of their behavior is simply in their nature and how much is what they conform themselves to to make the adults around them proud... because as the quieter child or apparent outsider amindst their family/siblings this is the only action that comes natural to them and gets them some (hard earned) attention/praise in a rather large and loud family they otherwise seem a bit lost in... how much of their striving to succeed is dependent on the sincere belief/understanding that their saftey and potentially the future, saftey, and wellbeing of their family depends on it.

They both have a far more distant relationship with their fathers who favoured another sibling- a sister over them... father's who either didn't seem to know how to connect with them - Ned- or never really bothered to try- Viserys...

while i do believe Ned loves his children and they adored him in return i feel its obvious that he neglected in preparing any of them for the true dangers and realities of the world away from the satey and protection of winterfell and their Stark family, and he absolutely dropped the ball on keeping either of his daughters safe and supervised when he took them along into a very dangerous situation in kingslanding

Furthermore Ned never quite seemed to connected with or pay attention to Sansa they way he did with Arya... just something about the fact that when he follows the orders of his king/supposed best friend to kill Sansa's direwolf (the very symbol of their house) it is in replacement for Arya's Direwolf who was allowed to escape the cruel wrath of the Queen and Prince...and how he continues to fail Sansa in the aftermath

It's something about the gifts he gives his very angry and traumatized daughters to comfort them after- in lieu of truly trying to actually connect with and console both of them or to even properly mediate their increased fighting.

Arya (in the show and book) is given lessons with a "dancing" master who teaches her swordplay/water dancing, she was so excited and she always wanted to be outside learning to fight like her brothers got to, in this moment to her understanding she is not just seen by her father she is accepted and supported (a careful reader may see that Ned's attitude appears to be slightly condescendingly indulgent on the matter of her learning swordplay... but Arya gets the chance to do something she loves all the same)

Meanwhile (in the show) to try to console Sansa Ned gives her... a doll? (Honestly I can't recall any equivalent gift from Ned to Sansa in the books? the mention of her possibly getting harp lessons in Kingslanding was actually a promise Catelyn made to her on Ned's behalf rather than his own effort... and was something that Ned didn't actually ever arrange in the books)

But is this doll meant to be an appropriate gift to make up for the death of her direwolf? Is this gesture enough to comfort her and make amends after Ned killed her direwolf (notice its not exactly as spectacular, meaningful, or comforting a gift as arya's "dancing lessons"... certainly there is no indication that he has any particular understanding of Sansa or has given much thought into her talents, interests, or personality beyond the most shallow perusal)

In the aftermath of Lady's death Ned does nothing to truly protect Sansa or keep her away from the obviously dysfunctional and dangerous family he has promised her away to.

Yet he can take the time to comfort and have a frank conversation with Arya about how important staying together and supporting eachother as family is- especially when they are amongst dangerous people who mean to harm or separate them- and the specific importance her and Sansa will have to one another as sisters who share the same blood... further explaining how just as they will need eachother Ned needs them as well

Ned has no such comforting or distinctly meaningful exchange with Sansa... he doesn't explain the reality of the Lannisters/Joffrey/Robert (i.e. the truth of the people he has agreed to give his young daughter away to despite the fact that he either personally has no respect for most of them or has not been around them long enough to know anything about their true nature)

Yes it is the risk to his daughter that makes him willing to falsely confess to treason, yes eventually he decides its best to send his daughters back to winterfell, yes he finally wants to break the betrothal and he makes a beautiful promises to make her a match with "a high lord who's worthy of [her], someone brave and gentle and strong" ... but he is much too late to get both of his daughters away from the lannisters/kingslanding, way too late in his attempt to keep them safe, and he fails to handle Sansa with age appropriate respect and frankness and to actually tell her how dangerous things are in kingslanding and why joffrey (false prince -bastard born of incest) is such an ill suited match.

Maybe if he had put any effort into explaining things to her...or simply spending time with her, speaking to her, trying to understand her, comforting her amidst the loss of lady and the increased fighting with Arya, or doing literally anything other than just neglecting her and her saftey Sansa would have actually trusted his decision and seen it as him wanting what was best for her.

Maybe if he had been more proactive and focused on his daughters well being he wouldn't have brought both of them south after the altercation over their direwolves... or maybe he could have been successful at getting both his daughters out of kingslanding before everything went to hell.

Its almost like the whole point of the Ned/Arya/Sansa and the Ned/Cersei/Sansa dynamic isn't to show that Sansa is a naive girl who betrays her family for the lannisters but is instead to show that when you neglect your child emotionally they will turn elsewhere for comfort and will be particularly vulnerable to being manipulated or abused by other adults... its almost like this part of A Game of Thrones is more about the way even someone like Ned- a man who does strives to do what he thinks is right and a parent who does loves his children- can still fail.

Ned's treatment of Sansa is specifically intriguing, though i don't know if it will be addressed specifically since her relationship and dynamic with Ned is one that much like Robb ended with his tragic and unjust murder (leaving behind a grief stricken Sansa helplessly longing for the return of her family and home, grieving with a near devotional regard for her lost father and brother)... Sansa will never get to confront or reconcile with them over the many ways she was let down and left unprotected by her male relatives- and who knows if a traumatized and grieving Sansa will ever even recognize and admitt to herself the ways the people who she loved the most failed to live up to her expectations of them... how clearly that despite their love for her she was rarely their first priority ... how they both seemed to fail to follow their family mottos ... the lone wolf dies but the pack survives.... family before duty or honor... she was family yet duty and honor came before her in Robb's eyes... she was part of a pack but through Ned promising her to a marriage in the south, in him taking her and Arya away to kingslanding, in him failing to prioritize her saftey until they all were practically already on the chopping block, and in Robb abandoning any hope or plan of rescuing her she truly was abandoned by them ...to be a lone wolf without a pack to help her survive

Then there is Viserys who at the very least had a much stronger regard for Rhaenyra than all the kids by his second wife ...but can also quiet easily be accused of outright neglecting and mistreating them

The lack of guidance holds true for all his children really but with Rheanyra at least it is accompanied by an (ultimatley harmful) spoiled indulgence that he offers only to his eldest daughter- covering up her obvious blunders and threatening anyone who would speak the truth of her questionable actions and her children's legitimacy including his own wife and sons ... going against traditional succession not because he wants to promote first born succession/succession by "merit"/or treating daughter equal to sons in terms of inheritance or anything like that but because of guilt and unashamed favoritism.

Viserys refuses to give to his son what westeros society at least would deem as Aegon's birthright, while also failing to make arrangements for any his non-Rhaenyra children to have a future and saftey separate from the throne.

He doesn't arrange matches with other kingdoms and give them allies, protection, family, independence, or a power base independent of the crown/hightowers instead leaving them dependent only on the crown, vulnerable targets to be handled (i.e. no doubt killed on the orders of Rhaenyra and/or her uncle husband Daemon) as living they would remain the most significant threat to the legitimacy of their rulership.

Viserys looks the other way when Aemond specifically is permanently maimed by Rhaenyra's son...his only action after his son loses his eye is to threaten his second family, to intimidate them into staying quite on the topic of the legitimacy of Rhaenyra's children before he deems the matter concluded... as if the worst part of that altercation was Aemond calling them bastards rather than say four children ganging up against one and how one of these children attacked using a knife and cost the other their fucking eye?

That for Aemond more than anything must cement his understanding of his father's feelings about Aemond and his full siblings and mother. To Viserys they simply matter less than Rhaenyra and her children.

In fact their well being or saftey matters less than even an offense made to Rhaenyra's reputation... which shows Alicent and her children without question that they are in danger from the blacks and the King will do nothing to prevent the blacks from trying to severely physically harm Aemond or his siblings, and in fact that there will be no punishment for the blacks when they succeed in doing so.

A civil war between the blacks and the greens was inevitable... Viserys actions of protecting and favoring Rhaenyra while also not ensuring she is instructed on and practices/proves her ability to rule, willfully ignoring that she violates her own vows and that she passes off her obviously illegitimate children as trueborn heirs, of permitting her not just to inherit (and position her illegitimate son as the next heir to) what most considered the birthright of her brother but also for her to steal the birthright of her own cousins by supplanting them with her other bastard and demoting them to being simply their brides/consorts, him keeping her as heir not just after he has multiple trueborn sons but also after Rhaenyra gets remarried to the exact violent bloodthirsty man that so many feared and Viserys himself had previously removed as his own heir in favour for Rhaenyra.

Viserys doing all of this while still choosing to remarry and have MULTIPLE children with his new wife... the neglectful and disrespectful way he treats his second family... all of this ensured that the death of some (if not all) of his children, via either assassination or in outright civil war, would always have been inevitable.

There is so much hatred, fear, distrust, and tension between Viserys' family members... and not only did he fail to intervene or improve things he was the one most responsible for it ....so much of the environment Alicent lived in and Aemond and his full siblings were raised was permeated by not just a sense of deep injustice (particularly in Aemond's case with his treatment by not just the blacks but his own father) but also an undercurrent of desperate fear over what will happen to them and their family in the wake of a brewing succession crisis

The mommy, daddy, and sibling issues are so strong with these two and I'm so obsessed with how the complicated family dynamics and tragic family losses that Ameond and Sansa experience echoe one another in so many ways...there is just so much love, grief, rage, unpacked trauma, and hurt in them and I am always obsessed with stories that allow the narrative or characters to address such trauma.

PART 3/4. THE CONTRASTING AND COMPLIMEMTARY ASPECTS OF THEIR STORIES (SUFFERING AND GRIEF)

They were both were so young when they became targets of the wrath and dislike of powerful and corrupt "Queens"

Sansa who loses her direwolf at the demand of Queen Cersei, a queen who after long being abused by her own husband sees a perhaps more extreme form of that sort of violence in her own mad son being directed at Sansa, who rather than expressing or experiencing compassion or sympathy instead takes the chance to revel in the destruction of Sansa's innocence, to mock and emotionally abuse Sansa when she has lost her father and her only protection in Kingslanding, leaving her a hostage of war at the mercy of a violent and corrupt royal family

Aemond who after losing his eye to an attack instigated by Rhaenyra's children receives no apology or recompense...instead his own sister asks for her mutilated little brother to be tortured sharply questioned due to the offense he caused by accusing her sons -accurately mind you- of being bastards... Aemond and his siblings who were never truly ever treated by Rhaenyra as her siblings only ever the offspring of Alicent and thus obstacles and threats for her (and her uncle's) right to the throne.

Both were physically harmed or tormented by (or with the approval of) young members of royalty, with very little being done to intervene, stop, or punish those involved despite their own highborn status- which would generally deem them unacceptable targets for such abuse.

Young Sansa a hostage but still a high born daughter descended from two of the seven ruling houses in westeros, The Warden of the North and the Lord Paramount of the Trident, and niece/cousin to the rulers of a third kingdom, the Lord Paramount of the Vale. Who while under the "care" of the crown is tormented, stripped, and beaten in open court at the behest of a mad boy king... forced to look upon the severed heads of her father and household, forced into being an unwilling child bride to the house of her family's enemies, who is molested and threatened with sexual assault on multiple occasions

Prince Aemond son of the King who is mocked by his brother and nephews (or his king and father in the books) over the fact that he hasnt yet claimed a dragon, and when this makes him reckless enough to approach and claim the largest dragon in existence the torment doesn't stop it gets dangerously worse as the tension between the children of the blacks and greens escalate to the point of a violent confrontation between Aemond and his nephews and cousins... and the resulting loss of of his eye when one of his attackers brings out a knife. None of the children who banded together to attack Aemond would face any consequences, only Aemond himself and his mother and older brother would censure and outright threats from their King Father and Older sister. Whose earliest sexual experience- done at the behest of his older brother- was implied to be at the very least coerced, traumatizing, and humiliating- if not outright non consensual on his part.

Both Sansa and Aemond face a terrible sort of loss when they begin losing their family members to mass civil war ...often in a manner that is distinctly horrific or against all laws of decency in the 7 kingdoms

her father Ned unjustly executed for treason and whose decapitated head is displayed and used to torment her, her younger sister Arya gone missing for years and long thought dead, her home sacked and younger brothers Bran and Rickon supposedly murdered by her family's ward- a boy who grew up alongside the stark children- the burned/mutilated heads and bodies of two young boys being being put on display at winterfell, her older Brother and Mother slaughtered when their traitorous allies and bannermen men break sacred guest rights at a wedding, both their bodies desecrated in a mockery of their houses... Robb decapitated his direwolves own head placed ontop of his body while his enemies parade his remains around, her mother Catelyn's throat slit and her body dumped naked in a river and left to rot.

(In the show) Rickon being cut down before his siblings eyes by a madman who betrayed their house and had tortured Sansa herself, her "half brother" Jon betrayed and murdered by his men and later sent off into a lonley exile away from his family and home for the "crime" of taking out an invader who had just committed mass murder... Sansa being left to rule the north all alone with many of her family members long dead and the surviving ones being set on a path away from the north/winterfell while she is left to handle rulership in isolation

Aemond who after commiting the first Kinslaying of the "war of dragons" by attacking his own assailant and nephew Lucerys proceeds to lose all of the family that he loved.

Starting with the tragic murder of his innocent young nephew at the behest of his elder sister/uncle- who arranged for his mother Alicent to be attacked tied up and forced to bear witness to the gruesome murder of her grandchild,

His sister Helaena -who plead for her life to be taken to spare her son- forced under the threat of the rape of her young daughter to choose which of her young sons will be murdered. Only for all of them to be traumatize further when they kill Jaehaerys and leaving Maelor the son she "chose" to die to survive with the message that his own mother wanted him dead... the emotional torment this caused the whole family but most of all his sister who refused to eat, bathe, or look upon her remaining son due to her immense feelings of guilt

his older brother Aegon who has lost his son and heir, and whose sister/wife is in a grief so deep she cannot care for their remaining children, who is attacked and maimed but survives to live on in total agony,

the murder of Maelor, Aemond's remaining nephew at the hands of a mob

Aemond's last stand, sacrificing his dragon and his own life to take out his Uncle (the biggest threat to his family and the orchestrator of Jaehaerys' brutal murder)

The many tragedies that continued after Aemond's own death- his sister's eventual suicide, the death of his younger brother Daeron, his oldest brother outlasting all of his siblings and his own two sons only to be taken out by poison once the war is over, his mother spending the last of her years in confinement until she passes from sickness,

His niece Jaehaera, after the loss of her entire family, married off as a child in the name of "peace" and dying young and alone- of suicide or murder

There is just such fascinating potential when two characters would have so much mirroring grief and trauma ...there is such an undercurrent of helpess rage, guilt, and grief to them in their youth and a undoubtedly a feverent desire for either vengeance or justice against the many people who harmed them or slaughtered their family...

And here is where things begin to differ between the two in interesting ways

with Sansa who has these violent wishes/impulses but is not in a position to see them fulfilled herself- her desire to push Joffrey to his death even at the cost of her own life, her wish that someone will throw Ser Meryn Trant down and cut off his head, her hope that various people will fall/be unhorsed...

Sansa who recieves a direwolf, Lady, the very symbol of her house and potentially a companion that would have offered a connection that was an extension of her own soul only for Lady to be cut down so quickly and unjustly... Sansa who loses not just the connection/companionship she recieved from Lady but also the protection such a bond would offer her ... she is left vulnerable in so many ways and has no promise of reuniting with her own direwolf later on... that will never be a comfort or form of security offered to her after all the danger and trauma she experiences

While Aemond, who spent much of his young life similarly helpless to act or respond to insults and assaults on his own person or immediate family, (that his father/king either never deemed worthy of interference or punishment... that is when it wasn't the King himself who was the perpetrator of such offenses) unlike Sansa experiences a change of fortune in the form getting to bond with the symbol of his house

He gains (and gets to keep until his own death) a bond with a different sort of mythical beast companion... a dragon and as a result recieves all the potential for power and destruction that comes with being a dragon rider

By claiming Vhagar Ameond is the closest he will ever be to untouchable, not just from the harassment he personally experienced from his family but with regards to how grave and dangerous a threat/target he had now become for the blacks during the dance of dragons

Aemond now a dragonrider of the largest living dragon, a child and later teenager who is in control of the narrative equivalent of a weapon of mass destruction, and he is no longer held back from acting on his anger once the rule and interference of his neglectful father king is over,

he is in control of the most massive beast of pure destruction and unlike Sansa, who for now in the books- or for much of her story in the show- remained an unprotected hostage or pawn in the hands of those who mean to harm or use her... who handles her trauma very internally as she is not in a position to fight back, and must rely on her words, intelligence, and ability to read and strategically interact with people as a way of defending and keeping herself safe, Aemond is now in the position to enact every bloodthirsty impulse of revenge he ever experienced

He was held back from enacting vengeance only through his own will, which ultimately proves not enough- he commits the first kin slaying and soon the actions of each side escalated into a horrific bloodbath where nobility and small folk alike suffered or die en masse

While Aemond's story may be one of family devotion and loyalty, mistreatment, injustice, and suffering that ends by showing the terrible outcomes of revenge and uncontrolled cruel brutality Sansa's story feels like one where grief, rage, and mistreatment exist but where family, love, compassion, kindness, justice, and integrity will win out in the end.

Sansa was certainly developed into a more discerning strategic and ruthless figure in the show but justice, duty, and forgiveness were still very prevalent in her storyline

she does have ramsay killed in a fittingly horrific manner, but she later holds a public trial for littlefinger- who was responsible for much of her familys suffering, the death of her father, and her own torment and rape- before she has him executed,

She feels compassion and forgiveness for theon the man who had betrayed her family and drove her young brothers out of their home, who only after experiencing significant torture himself became devoted to protecting the remaining starks and was able to find the courage to disobey his own torturers in order to help Sansa escape,

She possessed a concern for other people that few ruler do in asoiaf/got... speaking up against Joffrey's cruelty even as a powerless hostage, being the person concerned with the more practical matters of caring for and feeding their people during a harsh winter- a notable development in comparison to say everyone else just focusing on battle tactics and the upcoming battles (as though feeding an army is not an essential part of warfare), and the invader who just burned westeros' food stores en masse and now expects others to feed not just her armies but also demands that her dragons be fed "whatever they want"

I think in the books however that despite Sansa's internal grief and rage and her burgeoning political acuity there will be a gentler end to her arc where her own innate sense of duty and her (now more discerning) sense of compassion will win out in the end when she takes back her name, identity, and birthright ... that she along with her surviving family will have justice administered in the name of their lost family and people... efficiently bringing down righteous and necessary judgement on those that harmed and betrayed them rather than simply dealing out some form of mass, bloody, cruel revenge on her enemies (I'll leave that for lady stoneheart) ... and that a satisfying ending for her and the other starks will balance them realistically addressing the dangers and betrayal they faced with their own personal resolve to hold true to the values imparted to them by their parents.

... yet after all her suffering (and the frustrating lack of trust, consideration, or support she was given by her own family in the later GOT seasons) there is something darkly appealing to the idea of her getting (not a hero precisely) but a ruthless and devoted sort of monster to support her and bring down unholy vengeance on her various tormentors

PART 4/4: THE RESULTING DRAMATIC AND EMOTIONAL APPEAL OF AEMONDSA FICS

This after their many parallels and complementary contrasts is what intrigues me the most...the interplay of a potentially wary, cautious, traumatized but still duty and justice oriented person and a companion or lover who is comparatively more ruthless, unhinged, capable of atrocities, and who is more equipped to dole out violence en masse... (guys the pipeline from dark jon/dark jonsa to aemondsa just makes so much sense)

the question in Aemondsa fics of what will win out in the end- the shared grief and rage or them both controlling/channeling such impulses into strategic righteous fury and justice is always fascinating... and most of all the idea of Sansa (after all the trauma mistreatment and grief she has experienced) attaining the interest and eventual devotion of someone who despite being capable of monstrous actions is also incredibly loyal, devoted, and ruthless in the pursuit of their loved ones interests ("I want you to put out your eye ... plan to make it a gift if it to my mother" indeed) is just as appealing as the idea where an isolated, lonely, traumatized, grieving, and dangerously angry young man like Aemond gets to find acceptance, affection, companionship, and belonging with an intelligent strategic but more importantly an exceptionally compassionate person like Sansa.

Its just a dynamic far too intriguing to ignore especially for someome who already loved Time Travel/Reincarnation Fix IT AUs in fanfiction

While emotional catharsis and Sansa returning home and having the dreams she had wrote off as impossible be fulfilled (i.e. building a loving partnership and marriage, having children with someone who loves and wants her more than her claim itself, reuniting with her family) is something I love- and what I want to happen in canon (hence my otp being Jonsa)- there is always an interesting/guilty pleasure aspect of fanfic where Sansa (or the Starks in general) get to wreck terrible bloody victory and vengeance on those who betrayed and butchered their family and people (not really the ultimate message or point of the book but definitely emotionally satisfying in fanfic)

Just like there is a sort of appeal that exists in hotd fanfic that is sort of the opposite ...ones that alter the violent senseless and tragic trajectory of the dance of dragons... to either change the course of a brutal civil war or prevent it all together

and the Aemondsa pairing's time travel or reincarnation fics provide an opportunity to explore both of these diverse dynamics.

Sansa will always deserve the world... in canon and in fanfic i want to see all her dream and hopes come true whether it is with a truly good and just partner with whom she gets to build the life and home she always dreamed of or through her getting her very own devoted monster who would do anything to keep her safe from the scores of people who wish to misuse or harm her

and I always wish that hotd fanfiction offered more Aemond centric fics with a love interest that you know actually likes, sympathizes with, or understand him? He feels too tragic a character for me to want him to experience the typical hate and love (enemies AND lovers) treatment he tends to get in fanfic... its not really satisfying for me seeing his typical pairing up with whatever team black character (or really TB character rewrite) or some Daemon's or Rhaenyra's daughter OC that is the frequent choice for aemond centric fics...him being portrayed as some impusive awful and villainous love interest who changes sides and abandons his family just to be with his lover/obsession feels so out of character in a way that erases the best, most compelling, and sympathetic parts of his canon personality, motives, and actions.

Luckily Aemondsa fics seems to be a pairing that offers everything I like in Ameond or Sansa centric fics....

In conclusion Aemondsa is surprisingly compelling and versatile dynamic in fanfic and I think that is why I've become such a fan of Firesteel/Aemondsa fanfiction (in a way I'm NOT at all a fan of the actual HOTD show writing lol)

I'm a proud support of crack ships/rarepairs and I'm always willing to add to the fandom appreciation of pairings that gets less attention or fandom related works... so expect to see the occasional Aemondsa fanart/fic recommendation post from me amongst my typical jonsa content (in fact expect one in the next in a day or so)

Otherwise I just hope established Ameondsa fans (or people who haven't ready any aemondsa fics but are fans of either character/curious about this pairing in general) have enjoyed seeing me fangirl about these two characters/this crack ship and feel inspired to check out or even make their own Aemondsa content!

-Crimsom Cold

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