#this is ... kind of weird lol but it means a lot to me

[claypigeonpottery]

How did you get into selling your ceramics? I'm interested in selling my stuff but have no clue how to begin

I started out selling on Etsy. I think it was a decent place to start. unfortunately the site’s definitely gone downhill since 2020, when I started. posting on Etsy did make it obvious that I had to learn to take good pictures, and taking that step has been a huge help in the long run.

in 2021 my spouse @subpar-lemon-bar and I set up some tables with a few other potters, outside my parents’ house, and sold my work. the sale went ok, though most of the people who bought my work were friends or acquaintances lol, so it’s debatable whether it would have been a success without their support

after that, I sold my work at a few local craft shows, sales, and a maker’s faire. some of them went great, a couple of them went badly. but it was a good experience and I think it was helpful for me to talk to so many people at events about pottery and art.

the easiest way to start that is, unfortunately, to know someone who organizes or sells at craft shows or markets, but you can also find yearly local markets and apply to be a vendor when they’ve got an event coming up.

I was offered a couple tables by artists who knew me and after we’d done a couple shows, we got to know a lot of the other vendors. you also need a decent amount of pottery if you’re selling at a market, unlike selling online.

in-person sales are a ton of work, and by the end we were always exhausted. but overall, we made enough money and enjoyed enough of it that it was very worthwhile

once I started this tumblr, I found I didn’t really need to do in-person shows. I never have to worry that my work is too weird or too naked or too queer on tumblr, whereas craft shows in a fairly conservative area were… not suited to all my work lol. I got a lot of comments on any piece with nudity, and not all of them were kind.

I also had a few of my pieces for sale in a local coffee shop for about a year. nothing sold, it just wasn’t the right place. I tried selling through instagram stories too, a bunch of potters would sell their work at the same time and post each other’s work. I didn’t sell anything. it was early on and I was a little disheartened.

if things aren’t selling, that doesn’t mean your work won’t sell. it might be that you haven’t found the right place for it yet

good luck!

[jellybeanium124]

some clarification for these two and anyone else who is confused:

I already knew my experiences are not universal bc of the fandom I'm in, where E-rated fics like this get the most hits and kudos and love. like I knew this is popular but I wanted to know what people had to say about it. the tags of this post have been very interesting!

I am sex-positive as fuck (sex positive: the opinion that consenting adults should be able to make whatever choices they want about sex without judgment or persecution, be that lots of sex, kinky sex, vanilla sex, little sex, or no sex. this is unrelated to "sex favorability" which is an ace term for ace people who like sex anyways. I am adding this definition not because I think anyone is an idiot but because some people do use them interchangeably so I want to be completely clear)

I didn't mean to come across as obnoxious. I am confused. genuinely confused. autism-style yknow like everyone else on this site lol? I wanted to know what people liked about these fics and I got my answer and it's interesting! I woke up this morning and read everyone's tags and it was so cool to read everyone's opinions

I tried to prevent people thinking about me like this by explicitly adding that I do sometimes try to read these fics with the express purpose of praising the authors in the comments for their smut. like I have tried it! especially if it's from authors I love! I pass no judgment! I think it's cool and epic!!! it just bores me personally!!

I know my experience is weird and niche. as an ace weirdo my interest in sexual stuff is sort of like a bubble diagram. there's my main kink as the center bubble, and a bunch of smaller, side-kinks that connect back to the main one in some way. I find it difficult to enjoy my side kinks if they're not related back to the main kink in some way or another. I've seen people who I theoretically share a kink with talk/write about it in such a way that it does nothing for me because it's divorced from the main kink. I am not better or worse than anyone else because my brain is built like this. but it does make vanilla erotica hard to connect to. occasionally the emotions do hit hard enough for me to stick around and read it, but usually that's because the smut is connected to a longer fic with some kind of intense emotional plot

I'm not "getting ratio'd" because that implies I'm losing or something lol. I'm not losing. a bunch of people are replying to my poll! being in the minority opinion is not always a "bad" thing or means you're "losing." I knew I was the minority opinion and that's ok <3

ps I love all the people replying with "yes I love it as long as they are soooooo in love" versus the one guy who said "yes I love it as long as the emotions are there, and those emotions are suffering and whump and at least one person having a bad time" I love you random citizen!!!

sincerely an ace who finds PWPs the dullest and least interesting kind of fanfic to the point where sometimes I try to force myself to read one when it's one of my friends who posted it so I can share some love in the comments but I end up skipping most of it because reading about sex is boringggggggg sorry xoxo

[backseatsoldier]

"Broken", Not Stupid - 13

Pairing: alpha!Simon "Ghost" Riley x unusual omega!OC (13)

CW: Omegaverse; cult-like situation; dehumanization; selling children to a cult; unpleasant childhood... memory?; sliced finger (no detailed description); talk of 'locked up' omegas in heat

Author's Note: WOW... over 1k words in this part LOL enjoy uwu <3

Feeling content with my finds, that Simon insisted I won't be paying him back for, we three settle at a small eatery for some late lunch.

"13, stop pouting. You have no reason to pay me back."

"You just bought me an entire wardrobe and further nesting supplies," I frown at him. "Why would I not want to pay you back?"

"Because I'm meant to be your alpha," he says firmly then takes a sip of water. "This is part of taking care of you, my omega."

The omega in my mind jumps for joy at the idea of 'being taken care of', but my frown turns to a glare. Johnny shifts uncomfortably at the table and clears his throat.

"May I... offer a potential compromise?" Johnny says a bit nervoulsy.

Simon looks at him, almost glaring, and I turn to him with a curious expression.

"Ah, don't look at me like that, Si! The woman's clearly the independent type! Give her a chance to repay you, but," he turns to me, "not financially. Sounds weird, I know, but let me finish," he adds in a rush, holding up his hands. "In order to do this, though, 13 would need to either be mated to Simon or wear something that symbolizes Simon. Would you... are you prepared to be mated yet, or would you rather wear something that visibly marks you as Simon's... intended?"

As soon as Johnny says the word 'mated' I glare at him too. What the hell is he on about? I barely know Simon! I agreed to this to get to the bottom of whatever Salvation is up to! And, for fuck's sake, I've never even-

"Now, lass, I can see the rage igniting in you and I want to specify that both are meant as safety precautions. To keep you safe to repay this debt you seem to believe you're in. It could be either, or. Whatever is most comfortable for you and Si." Johnny pauses, glancing at Simon before continuing. "Have 13 get a job, go to school, something to occupy her time - especially for when we're off on missions - so she's not sitting an constantly feeling like she could be doing something, anything to say 'thank you' for what you did for her today.

"I will say, I agree with Si," Johnny says to me again, with a soft smile. "This is just part of what it means to be an alpha with an omega. Especially when they first arrive in our lives. He's doing these things because this is part of... whatever agreement you two have going. But if it would help you rest easier, find something that will keep you busy and feeling indenpendent."

With that, Johnny shrugs and gestures to Simon and I. The two of us turn to each other. It's... not a terrible idea, really. Feeling like I'm doing something to contribute would help me with this, I'm sure. At this point it's a matter of what I would do, what safety precautions we'd take, and if Simon is comfortable with this.

He doesn't look overly pleased, though.

"I already feel like I own you a lot for you getting me out of there, Simon," I say softly. "Let me contribute in some way, let me find something to keep me busy. Especially while we're solidifying whatever goals or plans we have regarding our situation. Please."

Simon's expression softens as I speak and he lets out a small sigh by time I finish speaking.

"Alright," he agrees quietly. "I don't like that you feel you owe me any kind of debt, but alright. If it'll help you feel better and less stressed, then yes."

The smile that lights up my face has Johnny chuckling and Simon turning away for a moment. Our food is delivered shortly after and we eat while enjoying lighter conversation for the meal. Johnny asks me about my hobbies and Simon seems to just absorb the information, just listening to us.

By time Simon and I get back to his car I feel like I need a nap.

"Tired?" Simon asks quietly once the car's in motion. I nod as my eyes fall closed. "I can take the long way home. Take a nap."

I don't respond in anyway besides doing exactly as he says.

"She's just got an infinite imagination, Ricky," she says softly.

She's terrified.

"She's insane, Opal! Look at her! She's talking to thin air!" He shouts and gestures wildly in my direction. "She's worse than you."

Maybe... maybe I am crazy? But...

"I'm talking to-"

"13?" Simon's gentle voice pulls me from the dream. "13, we're home."

My eyes open but I don't move otherwise.

"Alright?"

"I... don't know? Had a weird dream. Haven't had a dream in a long time to begin with but..." I trail off and sit up to look up at the bay window in the living room.

Selene is seated there, staring directly at me. When our eyes meet, she blinks slowly before jumping to the floor.

"Do you want to talk about it?"

I shake my head quickly and make my way out of the car. I'm not even sure if that was truly a dream.

Or a memory from my childhood. If it was... how am I supposed to explain to Simon what I possibly remembered? How would he take it? Would he call me crazy too?

It's best to keep it to myself.

After we get everything in from the car, I begin removing tags from clothing so I can wash them. Selene circles my ankles, making sure to move if I shift in any direction, as I work. Simon shows me how to use the washer and, when it's time, the dryer.

"Did they put you through school in Salvation? You said you were 13 when..." he trails off, not meeting my eyes as we settle in the kitchen so he can start dinner.

"In a way. I don't think I have a diploma or anything like that, though."

He nods, accepting my answer, and we both fall into thoughtful silence.

"What... are we going to do about..." I trail off, unsure how to ask my question. "My heat. I know I'm due for one soon, but I haven't had one outside of Salvation's carefully constructed precautions in a long time. I had a few before being sent off to them, but..."

I begin fidgeting with the shirt he gave me for the day, avoiding looking at him from my seat on the counter near him.

"I suppose I should first ask what the hell our plan is," I laugh nervously. "Are we actually going to exist as alpha and omega, mated? Or will you just have me wear something that marks me as yours until we can decide what to-"

"13," Simon says calmly, cutting me off as he chops up some vegtable. "If you're not ready to talk about this, don't."

"But I'm due for a heat sooner as opposed to later and we need to figure out where I'll be locked up-"

The blade he's using stutters and slips over his fingers of the hand holding the vegtable still.

"Fuck!" he shouts and pulls his hand away from the food immediately.

"Are you ok?" I call after him as he darts down the hall to, I assume, his room then his bathroom.

All I hear in response is various curses and the sound of running water. Then, as I make my way down the hall to his room, I hear him moving things around.

"Simon?" I say softly, slowly stepping into his room.

He still doesn't respond, but I find him digging through a first aid kit one handed.

"Let me," I insist and start looking for supplies to clean up the cut and bandage it. "Now let me see."

Quietly, though he looks absolutely livid, he offers me his hand. I get to work, making sure stitches aren't necessary - thankfully, they aren't.

"What do you mean 'locked up'?" he asks through gritted teeth, eyes fixed on my hands disinfecting the cut on his knuckle.

"We're always put in special rooms meant to dampen smells and sounds," I explain quietly. "They called it heat containment. For our safety and others'. They'd send employees in, dressed so we couldn't recognize or smell them, to check on us and sedate us if necessary."

Simon's had begins to shake as I prepare the bandage but he stays quiet. Once the bandage is on and secure, he tucks the index finger of his uninjured hand under my chin to tilt my head up.

"I'm going to finish making us dinner," he says in a calmer voice than I expected. "You're going to curl up with Selene on the couch and watch tv while you wait. Tonight, you'll spend every second resting. Tomorrow, I'll make us a nice breakfast and we're going to have some visitors. All three of my closest friends, Johnny included. It'll be hard, and I apologize for that, but I need you to tell all four of us everything you can about what happened in Salvation's facilities. Alright?"

I nod slowly, frowning and confused.

"Alright, go get on the couch. I'm sure Selene will join you once you're settled. Want any of your blankets or pillows?"

My eyes drift to a throw blanket at the end of his bed for a moment, but I shake my head.

"I'll grab it and bring it once I clean up the mess in here," he assures me, seemingly having noticed where I looked.

Without another word, he gently with shaking hands, ushers me from the room.

What just happened?

Masterlist | CoD Masterlist | Part One

Tag List: @lucienofthelakes @lostintransist @demothers-empty-blog @scaredyspooks @tessakate @one-really-annoying-tree-rat @nerdyphantomtheorist @gazsluckyhat @peanutismynickname @jeanzoriley-cod

[creativity-deficient]

“South Park is a satirical show that goes after everybody and at the end of the day is meant to make you laugh and not be taken seriously” and “south park jokes about sensitive topics that hit close to home for a lot of people and it’s absolutely valid to feel uncomfortable by some of it” are statements that should be able to co-exist tbh

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[ssreeder]

I'm so looking forward to iroh and zuko properly talking and seeing irohs reaction to zuko being gay.

Like we all know he doesn't agree with the fire nation rn but how will he react?

Will he not support him cause sokkas a guy? Will he not support him because it's SOKKA? Will he accept him? Will he reveal he's known for years zuko was gay?

Especially with everything that happened with zhao, regarding to what jee said to bato on their date. (Which is a very understandable perspective, zuko just got out of this very sexually traumatising situation and almost immediately starts a relationship (his first relationship) with sokka, but then again it is a very unique situation)

One thing I love about some atla fics is how they portray the FNs thoughts on queerness, cause on one hand they were one of the only country's (I think) that treated men and women the same but then again it's also the fucking fire nation.

And I also think zukos whole canon arc can be very comparative to queerness,

His dads an asshole and after speaking out against him he throws him out, and zuko try's for 3 years to regain his father's love and acceptance, and then faced with the opportunity of regaining it takes it immediately regardless of who or what he may hurt (iroh, his own morals etc) but once he makes it back home realises how fucked up everything is and eventually confronts his dad and openly tells him he doesn't agree with him then runs aways.

I also wonder if iroh secretly knows jee is queer it doesn't seem that likely to me but it also is iroh so who knows.

<3

I do think Iroh’s reaction will be a big moment for not only the story but for Zuko’s character development. Right now, Zuko’s technically still a prisoner, holding himself there by assuming Iroh will not understand or judge him when in reality he’ll never know what his uncle is thinking until they TALK ABOUT IT. (Which the FN royal family is just sooo good at healthy communication I don’t understand why this is so hard for them lol?!)

I do agree that the suddenness of the relationship combined with the intensity from both zuko and Sokka is very alarming for people looking at it from the outside (I mean we all totally get it cause we were there but others are like uhhhh hmmmm ok this might be concerning) so I get them gossiping and wondering if this is truly real or what the fucks going on with those boys.

I love Zukos canon arc because there’s just so much about zukos story that can be relatable no matter who you are and I think that’s why he is a fan favorite (it doesn’t explain why we torture him the way we do but ehhhh it’s fine haha)

Hmmmmmm does iroh know Jees gay? Depends on how saucy those music nights got ;)

[sysig]

Maybe something with Mousey being jealous of Hunter and Smoker for one reason or another? hehe

Day 7 - There might be a reason for that

Bonus:

[cozystars]

The one who carries the Mushroom Kingdom on her shoulders.

[vaguely-concerned]

trying to look for a ttrpg group in spaces where I can't just go 'listen I want to play this shit in the tumblr fandom kind of model (gay subtext extremely welcome bordering on essential, mutual unhinged character psychoanalysis, we could create a novel of a backstory together to make this sadder, let's all play with our OC dolls together and also sometimes dice are rolled I guess)' and be readily understood and/or not be immediately side-eyed or denigrated for my inherent unavoidable tumblerinaness feels like such an annoying debuff to deal with on the quest. like I know my people exist out there but how do I express myself in the right way and wade through all the copious not-it (not for me) dynamics to find them!!!

[maliciousalice]

[vimbry-moved]

I kinda feel like there's this weird pushback around people asserting their boundaries online sometimes and I don't really know why. if someone says they don't like a single person liking a large amount of their posts in a short time for whatever reason, a dozen others go, "well I like it when people do that, so everyone is welcome to spam like me". if someone says they don't consider being mutuals to necessarily mean being friends, a dozen others go, "reminder that if we've even glanced at each other even once then we're the bestest friends ever and you can talk to me any time!"

it's not like, morally wrong for people to have preferences for how they'd like others to treat them, and it's strange to try and fight to be the most accommodating kindest nicest doormat ever. I guess the dumb discourse around, you know, colour palette/pose theft or whatever, has made people have more knee-jerk reactions to having an actually reasonable boundary.

[keeps-ache]

cat bit up my arm Gwah

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[bmpmp3]

fffffffffuuuuuuccccccccccck i was always meant to become a mascot character designer

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao

[itsalwaysdark]

the more i think abt it the more i kinda hate how in the musical elle has to have emmett be like tip: Study 👍👍 its just like . ?