#this doesn’t represent me!!!

[charmac]

What do you think Rob can do to get back in the good graces of sunny fans?

Macdennis sex scene, and there is a twist: He shows it. He shows all of it. Because what’s the one major thing missing from all television sitcoms these days Rob? …Full penetration. Rob, you gotta show full penetration and you've gotta show a lot of it! I mean, we’re talking, you know, graphic scenes of Macdennis really going at it in Paddy's Pub. From behind, 69, anal, vaginal, cowgirl, reverse cowgirl, all the hits, all the big ones, all the good ones. Then they get into a scheme again. And they're out destroying people's lives. Then they’re back to Paddy's Pub for some more full penetration. Remembers the scheme, back to the bar, full penetration. Scheme, penetration, scheme, full penetration, scheme, penetration. And this needs to just go on and on, and back and forth, for 22 or so minutes until the episode just, sort of, ends.

[lilislegacy]

i’m just gonna come out and say it

if luke comes back in a future book, i hope percy is taller than him now.

[formulanni]

Franco Colapinto as the Page of Swords:

The page of swords represents someone embarking on a new idea and a mental adventure. Full of enthusiasm and good cheer, this person is eager to share and discuss their thoughts and plans for what can be.

The Page of Swords is someone who never seems to run out of ideas. They are curious, always asking questions, and gifted with a sharp tongue and quick wit to match. Their aptitude for language also makes them an incredible communicator, and with their love of ideas, you may find them always engaged in some passionate debate.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[wasteland-wrecker]

Get to know Toby a lil better:

[baby-girl-aaron-dessner]

I really need some of my lovely and well intentioned US moots to realise that Tim Walz called for the “expansion of Israel”, which is literally colonisation.

We have to condemn this in the strongest possible terms. Please stop idolising your politicians.

[odetojupiter]

jean kevin and neil all being 19 when they officially leave the nest feels significant somehow

(kevin being 19 when he runs, jean being 19 when renee takes him, neil’s fake age being 19 when he leaves after christmas and his real age being 19 when he leaves after riko is shot and he’s officially pardoned by ichirou)

[zeb-z]

See, I think Arthur was doomed to fail when he decided to kill Vanya. I think that was the point his quest for vengeance and answers started to matter more than his humanity, just enough to have him kill her. That was yet another moment he continued on that cycle of violence despite his intentions, where he talked of peace as he burned her alive. He can never break free because all his actions just serve to perpetuate this violence.

It’s always about cycles with him. Cycles of power, of violence, that vampire society has been stuck in for years. Always answering to the call of the beast, as they say, their fangs in the world, sucking out the life of it. And the Grimslayers also only work to perpetuate this cycle, keeping this war endless. And Arthur was never going to break out, not in the way he wanted to. Not with how deep he was, not with how bloody his hands were. It didn’t matter he threw away his little black book of people he’d killed, it didn’t matter he had a whole rebirth in flames in the Lunarchive, because in the end he still sacrificed his humanity for answers, in yet another twist of irony.

And in the finale, when he’s stood staring at the earrings Magnus gave him, full of human memories, he still feels that anger, that drive for vengeance circle back - because it’s a cycle. He clings to the humanity he himself sacrificed - and it’s always guilt over what he’s done as ‘the monster’ that rules him. Guilt over killing his family, over killing others, now about committing the most corrupting sin you can as a vampire, and seeing it reflected in his own aura.

And it’s so fitting that he lost his looks as he lost his humanity, because now he looks how he acts - monstrous, ugly. And he can cover it up but it’s only temporary, it always melts away to reveal what’s underneath, because he’s no longer trying to fight that monster. He’s no longer trying to find that balance that keeps him and the monster alive, and doesn’t hurt or kill others. And because he’s not seeking this balance, and is instead seeking to feed the beast, so to speak, all it does is grow, all it does is feed.

Inside of you there is a monster (hunger, anger, pride, desperation, despair, hatred, grief). You cannot escape it.

[alexturner2005]

i wanna be yours has officially surpassed do i wanna know, making it arctic monkeys’ most streamed song 😵‍💫

[dawgdayze]

Wait let me cook

Is to

What

Is to

[cracked-jade]

Do y'all rock with a Soul Eater x World Trigger AU?

Version without filter under

[evermoredeluxe]

.

[tangents-within-tangents]

Me: *complaining about how it's hard for me to relate to typical girl characters bc media makes it seem like all girls are boy crazy and the universal teenager experience revolves around romance and crushes and that just wasn’t true for me*

My mom: Well that’s because you’re not normal. You know, for everyone else that is what it's like

Me: *looks at the camera*

[novelconcepts]

Staunch hater of men but travis is just my skrunkly little guy. Love how sad he is. Love how tragic he is. He’s just one of the girls and he loves it.

Travis is so good, largely because, if this show had been made in the 90s, he WOULD have been a girl. He and Javi both would have been the lone girls in a sea of boy soccer players. Travis is the love interest; Javi would have been the archetypical annoying little sister. And because YJ likes to play with gender dynamics and flip the scripts, they both still play out as you’d expect the Sole Girls in a male-dominated story to do. Travis’ whole arc is about learning to navigate outside of what society tells him to be—and, other than that, he’s there to be Nat’s love interest. Even as an adult, in Natalie’s memory sequences, he gets the Dead Wife lighting and soft framing in bed. He even gets, as a friend pointed out, fridged to further her story. When the girls get progressively more violent, Travis is the victim, or he’s told to take Javi out of the room. He starts off as a shitty boy, as is befitting of 1996 culture, and he gets to unlearn that which does not serve the hive. He is tragic. He is doomed from the start. He is learning to be soft in a situation where softness gets you killed. He is the representative of sibling dynamics in the wild, and now he’s the answer to the question: are you still a big brother when your younger brother is gone? He’s fucking devastating.

I just really love that the only three men in the wilderness are the gay coach, the complicated love interest, and the sacrificial lamb. Those are all positions usually reserved for women, and I love YJ for flipping it around.

[xyzikxyz]

buck in 159: yknow i’m a bit of a wolf myself

buck in 164, meeting someone who’s more than a bit of a wolf:

[trashogram]

The hate for Hazbin’s Lucifer confuses me. I figured that anybody who hated him was a fundamentalist. Otherwise I don’t think he’s worth hate as much as some of the other character in Hazbin and Helluva. If you don’t like his design, jokes, voice, overall personality I understand, but hating him?

[jawnjendes]

your friendly neighborhood Ben Schwartz Themed Playlist Creator has seen this this tweet has been inspired to make these playlists:

clyde tv 💸

dewey tv 🦆

fuck tony tv 📱

jean ralphio tv ✨

movie sonic tv | bonus sonic tv 🦔

teddy fkin lobo tv 🐺

yasper tv 🎤

🌟 my other post w ben character playlists 🌟