#this also being an adult

[muffinlance]

That moment when your sensitivity reader okayed your new fanfic story outline and you REALLY WANT TO WRITE THE FIRST CHAPTER

But the preschool application deadline was today and state sales taxes are due Monday and do you or do you not qualify for a small seller exception? This state-given definition is Really Unclear

And you are an adult on Tumblr so here's fanfic and taxes on main

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[utilitycaster]

"why should I get invested in shows if they'll just get canceled" I was deeply invested in Heroes (2006) and it was not canceled, it just got really terrible. I also got really invested in the sandwich I had a few weeks ago despite it only lasting like 15 minutes. You must embrace the ephemeral. You must be willing to love things that may not love you back, that might betray you, or that may die an untimely death. As the great philosopher Mr. Mitchell Lee Hedberg said "I'm not gonna stop doing something because of what happens at the end."

[trialsofthedas]

Rook: *sneaking in through their window after a night at the villa*

Viago: *turning in their chair and flicking the light on* You want to tell me where you've been all night?

Rook: I was out with Teia?

Teia: *turning in their chair* Wanna try again?

[musubiki]

balor 🥰

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[bluecrocss]

Adult PJO fans: "I can't relate to her if she doesn't look like me" "this is disrespectful to book!Annabeth" "I can't see her as the same character if she's black" "blonde, white women are soooo underrepresented in media. No one else can understand 😫"

Meanwhile, the actual demographic the show and books are for:

(@/walkersriptide_ on TikTok)

-

Caveats in the tags.

[taffywabbit]

I finally watched breaking bad (all within the past week or so while I worked, finished it and watched el camino last night) and I'm confident this isn't a new thought I'm expressing or anything but genuinely how DID an entire generation of dudes convince themselves Walter White was cool and admirable and intended to be sympathetic. I know ppl just lack media literacy sometimes but I'm still so confused

I don't think I've EVER watched a piece of media that so blatantly depicts a guy making the worst possible decisions at every turn and having his life ruined for it and not being redeemed or made sympathetic in any significant or lasting way. the kinds of justifications villains USUALLY give that make people consider them "morally grey" or "tragic" or whatever (everything I did was for my loved ones, I did what I had to to survive, once I was in this I couldn't get out, I just needed you to trust me so I could keep you safe, etc etc) is ALWAYS framed as complete self-serving bullshit when Walt says it, and one of the only shreds of personal growth he ever exhibits in the whole series is when he finally fucking admits that. every time he does something even remotely cool or drops a quotable one-liner, something terrible immediately happens that makes everything worse and makes him look like an unreasonable idiot asshole again. by the end of the series the ONLY characters they can still contrast as being morally "worse" than him are literally a bunch of bloodthirsty neonazis who kept a guy in a cage for several months. this show is practically SCREAMING at you the entire time not to admire Walt. why did every dude I knew in highschool have his face on tshirts and Facebook pfps.

I just don't get it. at least with The Dark Knight's Joker it was like, a feature-length movie and that's it. you spend a lot less time with the Joker and it has a lot less time to delve into his motivations, so there's way more room for flanderization and misinterpretation as people extrapolate the few cool/interesting/sad things they saw into a whole nuanced misunderstood guy in their heads and online. Walter White has 5 seasons' worth of 45min episodes to convince you beyond a shadow of a doubt that he is a miserable fucking loser who ruins everything he touches because of greed and selfishness. if you weren't watching it for that, what WERE you getting out of this. what DID you think this show was about. am I just missing some key piece of context from 2012 or whatever that would help me understand this

[ciderjacks]

Party infighting

[noxcheshire]

Back at it again with my Danny is mom coded au’s, but this time it’s because of Clockwork that he suddenly has a whole ass teenage kid.

Clockwork had been bored or maybe he was playing a game against an opponent, or even lost a bet, whatever it was, he stepped in right as Jason was searching for his biological mother.

The DNA that would have registered itself as one Sheila Haywood, confirming Jason’s mother, glitched a terrible green across the screens of the batcomputer.

In those few moments of chaos Jason’s heart beat rapidly as he tried to figure out why the computer wasn’t working, wondering if his only chance to find his mom — his blood mom — would never find success.

Then as suddenly as things went wrong the DNA settled and pinged.

Jason watched, his chest tight, as one Danny C. Works, formerly Danny Fenton appeared onto the big screen.

Danny looked a lot like Jason, short cut black hair more straight than the subtle curls of Jason’s own; deep blue eyes, tired in a way that spoke of long days and nights, but with a warm happiness that made the familiar smile — the one Jason would see on himself every time he looked into the mirror — even more striking.

Jason didn’t linger too long on the male identifying gender, nor the fact his mom leaned more towards a masculine name or clothing.

There were plenty of male to female, and female to male leaning individuals that lived in Crime Alley. He had seen it enough to not even bat an eye at it, even now. After all, in Gotham you minded your business least you find yourself in business you can’t leave.

On a different monitor information of Danny C. Works piled for Jason to quickly browse through.

Danny was a senior engineer, no intimate relationships, and with no close connections to family outside of the tentative calls from Jasmine Fenton.

Danny was estranged from Jack and Madeline Fenton, a falling out that had occurred just a little before Danny’s high school graduation. If Jason calculated it correctly that would have been — around the season Jason himself would have been born.

Okay, so no grandparents then but I might have a maybe aunt. Jason scrolled further and stilled.

Twin toddlers: Dante and Danielle Works.

Jason had baby siblings.

He doesn’t let the sting of younger siblings consume him, doesn’t allow the whispering thoughts of why he had been given up when his younger siblings had been kept and so very obviously loved.

Jason took deep breathes, he didn’t have time to linger here. He had a family to get to, and a family he would get to.

It took almost all night to reach, the starlight night sky slowly and surely fading into cloudy wine as the sun rose, but Jason made it.

And when the door opened to his hesitant but firm knock, Jason was unable to speak. His mom — dad, maybe? Did they want to be mom or dad? — stood in the doorway, brows furrowed in confusion.

It was when Danny spoke his vigilante name did Jason only just realize that he was still dressed to the nine’s in his Robin costume.

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[kelocitta]

Anthro Au Survivor drafts feat. too much worldbuilding because I cant just put pants on a slugcat like a normal person & my godawful handwriting

The Survivor (Their full, scavenger-given name includes the 'The') was separated from their family while traveling between colonies and stranded in the dangerous unpopulated wilds. Against all odds they managed to survive (and wander) far longer than they should have been able, but rather than reconnecting with their (or another) slugcat family, they instead made contact with one of the many wandering scavenger troops- But unfortunately not one that had ever met a slugcat nor had any idea what to make of a stranded one. Regardless the group gave it their best, ended up committing to the role of slugparents, and The Survivor and their troop still consider themselves close family long after Survivor finally reconnected with their sibling. (They're a bit of a mess though, understandably)

[whatarainyday]

thinking about college students bkdk 🥺