#they would never actually break up

[ughgoaway]

Oh my god please no teacher and Matty break up 😭😭😭 I will not forgive you

🎄

NOOOOOOOO!!!!

what if I post some heartwarming fluff afterwards and clarify 100000 times that this is just an au within the au, and not AT ALL canon???

I will beg for your forgiveness bff </3

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[bogdreamz]

korvo lost and farting 0 stars for you my boy

[hoshiina]

— a guy asks for your number ft. hoshina, narumi, reno

warnings: mentions dick and profanities in hoshina's

[screwpinecaprice]

I was trying to eat noodles neatly and for some reason I got sad midway. So I drew them messy eating a biscuit and a strawberry to combat sad noodle blues.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[welcometogrouchland]

(ID in alt) hi sorry for back to back marvel fanart I swear I still have dc stuff lmao. However I did recently read X-Men: first class and got a bit carried away doodling this after Lmao

[borgialucrezia]

"Both Oakes and Grainger have always done well when given the right material, and each has some terrifically frightening silent moments: an uncontrollable clenching of fists from Juan as he is exiled to Spain, a subtle grin from Lucrezia as she hears her brother's groans of pleasure shift to agony." — The A.V club

[essektheylyss]

Does no one else find it odd that magic that had been inhibited by the Malleus Key keeps being slowly and quietly returned with seemingly no changes to the key itself? Is the Solstice still stuck or is it simply progressing very slowly? Is anyone working on this in Exandria? Can we get some answers about this?

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[lazylittledragon]

don't you love when you Just stopped feeling guilty about eating the things you like and then one of your parents drops the "i'm concerned about your diet"

[swan2swan]

It's a good thing he's in a bathtub, because that guy is a MESS.

[trappedinafantasy37]

"Weeeh! I wanna recruit Minthara on a good playthrough! Weeeh! I don't like the ultimatum and want to keep both Minthara and Halsin! Weeeh! I wanna make Minthara good! Weeeh! I don't want Minthara to break up with me!" Minthara deserves more content but none of these things are at all what she needs or deserves. No, these are all things that you want for yourself, but do absolutely nothing for her. This is one of the biggest L's in the game and it will forever enrage me because I just know it will never happen.

Minthara deserves to confront Orin like all the other companions do with their abusers. She deserves to scream and yell at Orin. She deserves to cut at her the same way Orin did, make her bleed and scream in pain. Minthara deserves to torture Orin, just as she did her in the mind flayer colony. Minthara deserves the right to roll up to the Temple of Bhaal and beat the shit out of Orin with her bare hands. Leave Orin begging for mercy in which Minthara will not even give her a drop. To slam Orin down on that altar and slice her throat, offer her up as a sacrifice to the father she is so blindly devoted to.

And yes, Minthara would be afraid. She would be TERRIFIED. Despite how strong and powerful Minthara is, she is also the only one afraid of Orin. Unlike Ketheric, or Gortash, or Sarevok, she is the only one who fully acknowledges just how dangerous Orin actually is and does not underestimate her. She will walk down into that temple, intending to duel Orin with a massive disadvantage because she is terrified.

Minthara choked when seeing Orin again in the mind flayer colony. She choked when seeing Orin as an imposter, throwing her deep into the ocean of paranoia and fear. And she is so entrenched in paranoia that it actually becomes palpable to everyone around her, even you. She describes herself as paranoid, but this is the first that you actually see how paranoid she is. And she choked again when Orin kidnapped someone in camp, making her feel inadequate, making a mockery of her for being unable to protect one of her own. And every day that passes, the more and more likely that the victim is going to die and she has doubts on their survival.

At every possible avenue in which Minthara could have done something or said something about Orin, she froze in place with fear. But she's had enough. She cannot be afraid of Orin forever and she doesn't want to be. One way or another, Orin has to die and she wants to get over that fear. She needs to know that Orin is dead, for herself.

This would also make the alurlssrin confession all the more impactful. She wants to tell you that she loves you in the best way that she can because of the very high likelihood that she will never have another chance to do so. She would beg you to come with her as you give her the courage. She has the courage to face her fears and confront her tormentor, because she knows she has you in her corner. If you have the courage to stand up to the very gods themselves, then she can stand up to Orin. Romanced or not, your presence alone is enough to give her the strength to do something she would otherwise be too terrified to do.

Minthara deserves the honor to solo duel Orin in a fight to the death. Minthara deserves the right to achieve vengeance for herself. No, I do not care that this confrontation would conflict with a Durge playthrough. In fact, it would provide a phenomenal source of some interesting, and toxic, drama between Durge and Minthara. Especially if they're in a relationship. This also does not mean that Minthara killing Orin instead of Durge would not have its consequences (because it most certainly will). Even if Minthara does not fight Orin, it would be so much better if Minthara was just given the fucking chance to yell at Orin like all the other companions in their personal quests.

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.