#they would bond over Neil

[irishcoffeeeyes]

The thing about Charlie Dalton is that he was already the embodiment of Keating’s teachings. Charlie cannot be held back by tradition and what’s expected of him.

So… I read a lot of fanfiction. And in a lot of what I read, Charlie is typically queer himself or an amazing ally, and I totally agree. But something that always confused me was how he was almost always a banker?? I understand that Charlie was set up to be a banker by his parents with generational wealth and all, but I just feel like Charlie Dalton, of all people, would never be a part of the system unless it meant protecting his loved ones- like his friends. I have always thought that after Neil’s death, and Charlie is expelled, there was no way he stayed home. I always imagined that he ran away from home and stayed at the Y and stuff like that. He would fight and be a major advocate for civil rights, anti-war, and gay rights, I’m positive! And beyond that, I feel like someone as loyal and stupidly heroic as him would fight for people as a public defender.

Charlie is all too aware of the way that the system works, and I just know that he wouldn’t stand for it and would push against it- even as he got older. He has principles and he stands by them. He wouldn’t be a tool. I just know he would be leading the riots if he could.

Carpe Diem, Charlie Dalton. I wish you were real

[user-name-h3re]

i'm posting these mediocre sketches before school kicks my ass again

[rakkikuroba]

Heisenberg from Resident Evil and Astarion from Baldur’s Gate 3 be like:

- kidnapped by an immortal stronger being

- tortured for centuries by this being, hatred for the being.

- there is a weird family dynamic

- became immortal + gained supernatural abilities from the being

- voiced by Neil Newbon.

- do not like the character voiced by Maggie Robertson

- really really wants to leave the family and be free

- ready to sacrifice or use weaker people for this goal.

- questionable moral towards children

- flirty with the men ?? 🤨

- really sexy like wow miam miam

- there are werewolves and vampires where they live :D

[blueslostboys]

saw a post about how jean and neil are pretty alike so andrew would probably like jean and just. thinking about how andrew could teach jean everything he's learned about bodily autonomy and consent and trust and self worth. thinking about aaron killing drake and neil putting a hit out on grayson. thinking about them both finding partners they trust to respect their boundaries. thinking about neil saying "andrew's taught me about give and take" and how andrew could teach that same lesson to jean. thinking about andrew teaching jean to trust bee and telling him about what he talks to bee about. thinking about jean getting bee a glass figurine for her collection because andrew told him she likes them. thinking about bee getting jean a magnet in return. thinking about how they have like more than a foot of height difference. thinking about them bonding over making fun of kevin. thinking about jean getting to know the person who finally stood up to riko and protected neil from him. thinking about jean learning that neil went to evermore to try to protect andrew from proust. just andrew and jean okay!!!!

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[dykekarkat]

i have this andreil au where andrew dies in the car accident that killed tilda and neil never gets a chance to run so he's a raven except he dies in the nest before his freshman year (probably from refusing to submit and then riko goes too far). so they're both ghosts and andrew is haunting aaron in an attempt to protect him and neil is haunting kevin for the same reasons and they meet when kevin runs to the foxes and there's a silent ghost war occurring between them which leads to the foxes being like oh shit we're haunted. also renee is a medium/psychic/whatever and is still friends with andrew can see/talk to them both. idk how the moriyamas and mafia plot would work with both neil and andrew as ghosts but like. andrew neil ghost love...feeling more alive together in death than they did while living...kevaaron bonding over their grief and seeking comfort in eachother...nicky youtube sensation after getting video of his haunted dorm...neil insulting kevin through ouija boards...etc etc

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[allfortheslay25]

Please never stop talking about Siren Neil and Mermaid Andrew, they truly keep me going 🙏🏻 I would love to hear more HC’s on them, especially about Andrew’s relationship with the other Monsters!

Here’s the Monsters and some backstory of how they came together (I was too lazy to finish Kevin, Robin, and Neil)

Andrew was abandoned by Tilda (along with Aaron) when they were born. Tilda came back for Aaron and Andrew survived by himself by pure luck. Tilda had abandoned him in prime predator territory and he could’ve been eaten by anything from sirens to sharks

Unfortunately, Andrew was found by random mermaids who raised him until they could find someone to trade him off to. Andrew was then being abused by the creeps who bought him until they lost him to some bandits. Andrew bounced from bad person to bad person until eventually a pod took over the territory he was last staying at. This was Cass’s pod

Cass adopted Andrew and for a while everything was fine. But Drake became a problem and Andrew decided to endure it since the pod was better than living with bandits and going hungry. Eventually, their pod came across the same one Tilda was apart of and the two pods decided to fuse in order to reunite two brothers.

When a pod fuses, they go about it slowly by trading first the young men (that way they don’t bring dangers of adult men or risk the women and children) Andrew was too hostile about it so the other pod refused to let him come over first and they wouldn’t give up Aaron in case the fusion of the pods failed

Andrew eventually convinced Luther to let him join their pod instead of sending Aaron (using ‘bonding’ with Tilda as an excuse) Andrew realized how abusive Tilda was and made a deal to protect Aaron. That’s when he orchestrated Tilda’s death (luring her into a hostile dolphin nest where they battered her to death)

Andrew then decided to start his own pod and only convinced Luther’s pod by having Nicky go along with them. So Nicky, Andrew, and Aaron looked for a territory far from their home.

It wasn’t far enough and Drake often followed after Andrew when he was alone. Andrew couldn’t risk Drake getting to Nicky or Aaron so he took them into Moriyama territory—or at the very least, a territory they had been eyeing

Riko was too disorganized to take over the area so Andrew took half from him. Only he had the balls to do such a thing and no one, not even Drake, could follow into his new territory in fear of being eaten or attacked by the Moriyamas

They lived in peace until Andrew met Kevin and then Neil. Kevin was supposed to scare them off but Andrew constantly humbled him and his act of mercy made Kevin decide on leaving them alone. Eventually Kevin was dragged back into their mess by Neil and Kevin hid within Andrew’s to hide from Riko after he went too far.

After all five of them had finally settled into a pod, Andrew met Robin where she struggled to get used to a pod dynamic with her family. It wasn’t Andrew’s business at the time until Neil met her too and became attached. Andrew then integrated her into his pod where she was more comfortable due to how small it was (she was overwhelmed in her previous pod)

[fizzigigsimmer]

The group dynamics of Steve, Nancy, Jonathan and Billy in a better season 2, with the addition of Robin and Heather in season 3... y'all just don't understand how my soul mourns for this.

Billy would be the "leather jacket" guy of the group. The semi reformed bully whose still 'too cool for any of you', but since there are monsters to slay point me at em. But Robin would clock his desperate cries for Steve's attention so quick, and Heather would be the first to see past the facade and like truly give a shit about him.

Imagine Heather and Billy bonding over smokes in the locker room at the pool, and her warning him away from Karen because she knows all about the desperate housewives of Hawkins, and if he's looking to get creeped on by a woman old enough to be his mother he can just come to her house for dinner friday night. Her mom's a great cook and it will get her dad off her back about dating for awhile.

Imagine Billy and Nancy competing over grades and kinda just barely tolerating each other at first, but she is so confused because he and Jonathan seem to have found common ground and he's like low key the biggest champion of their relationship.

Imagine Eddie is the one who gets flayed and it's the teens who figure it out because Billy's obsessed over the fact that the only dealer in town just up and quit, and is acting like he had a full personality transplant. Yeah Eddie was a dork, but he had good weed okay and Billy needs his hits god damn it if he's supposed to keep his shit together about monsters and the end of the world with Neil breathing down his neck.

Imagine Steve Harrington's very first gay kiss being when he's taunting his rival/maybe friend, sometimes monster hunting partner Billy Hargrove with a joint he found stashed in his glove compartment and Billy shot guns him like it's nothing.

Imagine Nancy on her "I don't know, maybe it was Steve all along" bullshit in season 4, and Jonathan self sabotaging with everything he's got. And they're like in the upside down and Nancy is doing her thing making gooey eyes at Steve, wrapping his wounds and Billy just pops off out of nowhere, "Make sure she wraps those tight. You're topping tonight no excuses. Oh and stop being such a pussy Byers. Communicate with your girl."

Everyone's just like gobsmacked, bamboozeled, and Steve is just so embaressed, exasperated, but kinda happy too.

"Is this you communicating?"

Billy all sly, "We understand each other don't we?"

[saintofsacrilege]

since you guys seemed to like the first one…

aftg headcanons that are so real to me i forget they aren’t canon (pt. 2):

dan wearing high-waisted leggings with mesh cutouts 24/7

allison being tan with a lot of freckles (face, shoulders, etc) that she used to hate but now she’s learning to love them

twinyards having a splash of freckles across their noses

renee loving layered clothing looks

nicky loving those crocs with the little charms

allison and dan being gold jewelry girlies

renee being a silver jewelry girlie

matt’s two favorite colors being blue and orange (cuz of his truck and the foxes)

katelyn wearing a ton of pastel green and white (it’s basically her signature color combo)

neil sometimes helping aaron with his math homework but only in the most antagonizing ways possible (aaron is very grateful but he’ll never admit it)

neil and andrew randomly quizzing each other on russian vocabulary when they’re bored

allison getting kevin into skincare

andrew comforting aaron (in his own andrew way) after aaron’s first time meeting katelyn’s parents goes horribly wrong (aaron doesn’t realize andrew was trying to be there for him until after the fact; he thought andrew just wanted to rub salt in the wound)

aaron going “gross” in the most monotone voice whenever he sees neil and andrew within three feet of each another (so, constantly. it’s how pretty much all of his interactions with andreil start. it’s basically a greeting at this point)

aaron getting pissy and begging neil and andrew to “just get a room already” whenever they start “fighting” (flirting) in front of him

andrew and matt bonding over being car guys but neither will admit that they’re bonding or that they like cars

nicky referring to neil and andrew as his “gay relatives” as if he himself isn’t gay

neil and andrew making it a tradition to get kevin the weirdest possible birthday/holiday gifts they can find (they try to outdo each other)

kevin giving the foxes autographed pictures of himself for every birthday/holiday (andrew likes to see what they’re selling for but he and neil never actually part with them)

wymack owning at least twelve “#1 dad” mugs

giving andreil matching t-shirts being a running joke among the foxes (think “i’m with stupid” “i’m stupid” and “if lost return to andrew” “i’m andrew”)

katelyn being tall asf and pear-shaped

aaron freaking out one day and confronting neil like “are you attracted to me?? be honest” and neil’s beyond confused (“no?? why would you think that???” “you’re dating my identical twin.” “what does that have to do with anything?”)

[codename-adler]

i wake up and check ur blog like the morning newspaper. kevin dayly

THE KEVIN DAYLY thats so funny and honestly even an honor because there are a few blogs i check every day too (unrelated to aftg though as they are, i like looking at pictures of birds) so to think anyone waits on dayurno posts like that it's really cute.

today's kevin day occurrence: robin texted him an article and he had to fetch his glasses to be able to read it. he is contemplating the nature of aging and how children these days can stare at screens without constant migraines

[neil-kinnie]

rough lil essay on why i think canon charlie would be an english teacher!

i think charlie had a stronger bond with mr. keating than people tend to realize. like when the boys first met keating and he was mocking pritchard, you can see charlie's eyes kinda light up and he's thinking "ok this guy's actually cool". keating became a huge guiding light for all of the boys, but imo especially charlie, i think in general he really looked up to keating, especially because both of them were seen as troublemakers in school.

charlie was also already really angry at cameron for betraying them, but what really pushed him over the edge was when cam blamed keating for neil's death. because he understood that what keating really did was help neil live for the first time in his life.

when keating was fired and charlie was expelled, i like to imagine that charlie wouldn't have given up on neil and keating's legacy of "seizing the day". he's already disappointed his parents, so he stops pursuing the career they wanted for him. instead, he decides to become an english teacher to carry on keating's work and try to inspire future generations, hopefully with a better outcome.

[smth-intheway]

I haven't seen anyone talk about it, or maybe someone noticed but didn't said anything...

Neil and Charlie are connected, not only by the bonds of friendship but also by their shared symbolism of “death”, which is shown at the very end of the movie/book when their seats were empty. They are both key characters and as those who, despite their differences, are very similar.

Let's start with Neil. We all know that Neil is the one who started the dead poets society in 1959, he is the speaker and the leader of the group, as if leading the boys. He is the first to find the album with Keating's photo in it, the first to learn what the society is (yeah boys were near him), the first to read the official opening speech and assign roles to everyone. Who will read and who won’t. He acts as a confident person, his actions are based on a new feeling and finding freedom from the grip of his father. Everyone noticed how he looked at Keating when he gave his famous speech that every person in this fandom knows?

Yes, you can't help but notice how his eyes shine with hope, that he like a prisoner, will free himself from the shackles and escape from the clutches of his father. By the way, about his dad.

This man plays a very important role in Neil's life, as he does in his, albeit in the most disgusting way. His father sees himself in him only in his youth, he wants to achieve what he could not in the past. He uses Neil to turn back the time and become an ideal version of himself without caring what Neil thinks. Most likely, Mr. Perry was an unsuccessful person and perhaps he did not succeed in many things, proving this with the following phrases: "I sacrificed so much for you to be here" and "you have opportunities that I don’t had” He kind of puts pressure on Neil shoulders to give him false motivation to do things as he said, setting himself as an example, like... if you don’t do as I say, then the worst will happen to you, because I know better than you and I have lived longer than you. His father makes his son a submissive and obedient boy who is obliged to do and act as he is told, simply because he has no choice, because he is inexperienced and "impressionable" in the opinion of his father and he must definitely listen to the one who knows better in order to avoid the worst outcome. Just lower your head and show obedience like everyone else.

By the way, it is interesting that in the book the first description of Neil, and the first words about his appearance sound like this: "The breast pocket of his Welton blazer was covered with a huge cluster of achievement pins." (page 5, ch.1) Ironic, right? Now try to close your eyes and imagine the same student, without imagining Neil. What impression will you have of him? Right.. smart, successful with a brilliant future. This is what people who don’t know Neil see. He has become someone who is held up as an example. A diligent student and an example of behavior. Even the fact that in the book he wears a pillar with the inscription "excellence" as if hanging a label of idealism and perfection on himself. That is why they gave him this sign, so that he would carry it, introducing himself as the personification of that very perfection that teachers want to have in their students. But is that what he needs? Neil did not know what he wanted, he did not allow himself to go beyond what was permitted, always silently and following the rules. Afraid of getting burned like a moth over a fire. He was suppressed by his father, all the time his desires and dreams were rejected and not accepted, because there is a coordinate system and you cannot move against it. I can even assume that his father pressured him if his academic results did not satisfy him, from which Neil tried to prove that he could do better, because he wants his father to be proud of him and love him for being a good son, perhaps Mr. Perry could punish Neil for disobedience, from which the boy began to fear his father like a nightmare. Remember the scene when his father entered the room at the very beginning of the movie after the ceremony? Neil's behavior changed from before to after. With his friends he was happy, self-confident and the life of the party, but when his father showed up on the doorstep all of these traits were washed away and Neil showed his fear and insecurity.

So he hid himself, his dreams, ambitions and desires including emotions in front of his father. Several times in the book, (the movie didn’t showed it) Neil had the outbursts and slightly hysterical release of his emotions he was holding when his father was around. “Neil held the achievement pin in his hand as he spoke. “The bastard!” he shouted suddenly, jabbing his thumb with the metal point of the pin and drawing blood. Todd winced, but Neil just stared at the blood intently. He pulled the pin out and hurled it against the wall.” (Page 19, Chap3)

“Mr. Perry turned and stalked out. Neil stood still for a long time, then, walking to his desk, he started pounding on it, harder and harder until his fists went numb and tears began rolling down his cheeks.” (Page 119, chap11) Neil isn’t an emotionally stable person because his emotions only show when his father is not around. He is mentally weak because he is afraid to speak his mind around someone who will not listen to him. This is important and worth remembering because Neil has no voice around his father, so he did not tell him what he wanted, so he kept silent because he understood and built a mental reflex that his father's stubborn nature would still make him do what Neil does not want. He already knows what his father will say. Rejection. This is his weak point. He is afraid of rejection and does not want to hear it again, because he has heard it so many times ... over and over again. This Neil is very different from the confident guy he shows himself to be in society.

he did not share his feelings/thoughts with anyone, because he most likely not had close friends except Charlie. Because His entire life was planned and controlled by his authoritarian father, from A to Z. His dad would’ve probably not be happy about his son being friends with the “who the hell knows”.

That's why when he heard Keating's words about enjoying the moment, living here and now while this moment is here because one day it won't be. Carpe diem my friend. You need to look at things in the different way and not be afraid of what others think because what matters is what you think. These words entered Neil's thoughts as a basis for changing his situation, to free himself from the shackles and become who he always wanted. Because if not, this moment will never come. He began to think differently and began to go towards his dream that he wanted to acquire so much. Neil was slowly drowning in his ideal world, living freely and hopelessly, but he misunderstood Keating's words, because he had to change his idea of ​​the world and not himself. Neil did not understand that you cannot change the situation you are in, you can only change your idea and vision of it. He wanted to take control, but he forgot that sucking out the bone marrow, you need to do it so as not to choke on the bone. It is interesting that he was the first to come and recreate the Dead poets society and the first to leave, thus killing this society.

His death has a huge influence on the plot as well as on the symbolism itself, because if you look closely, in the book he dies with his crown of flowers as if killing his personality "Puck" through which he embodied the archetype of the deceiver (his father’s deceiver), challenging the established standards of behaviour. The second one is a reference to Jesus that many talk about. So, if you think about it, the crown of branches that he wore is very similar to the one that Jesus had. At first, he looks up, supposedly into the sky, in search of the meaning of life and pondering his decision. He puts on the crown, proclaiming himself his own liberator, just as Jesus was in Christian culture.

He didn't want to depend on his father or the rotten system anymore, Neil thought he would make his own decision outside of his father's wishes. After all, if there is no freedom in life itself, then why should he live?

Then, he lowers his head as if accepting his fate and knowing that he has chosen the right path for himself.

Neil showed obedience to himself and not to someone else which made him one step freer before he got freedom completely. He, like Jesus, accepted himself as a sacrifice in the face of freedom intending to be free even if not for others then for himself. Therefore, it was his own "crucifixion".

It is interesting that he lowers his head just like the boy from that very wall painting.

Okay, but then how does he relate to Charlie? It's simple, Charlie isn't always himself either, and unlike Neil's hidden symbolism, he directly proclaims himself to be another person, namely "Nuwanda". He abandons his boring, past self by forgetting who he was through self-destruction. "I have an announcement. In keeping with the spirit of passionate experimentation of the Dead Poets, I'm giving up the name Charles Dalton. From now on, call me 'Nuwanda.'" (page 89, chap9) In the same way, he added more nuances to his personality, such as his famous phrase "getting red" and when he painted the Indian symbol of virility on his torso supposedly giving himself confidence through the symbol's underlying meaning, which is anchored in the Indian goddess Shiva-Lingam which signifies masculinity, virility and association with fertility due to its sexual significance.

The same goes for the symbols he drew on his cheek, what's interesting is that in the movie he drew it with lipstick using red again, which usually symbolizes power, passion and life, this colour is used to attract attention. But in the book... he literally scrapes dirt off the wall to draw this symbol on his cheek. (What a cheerful boy fr)

Charlie is a time bomb. He constantly has ideas in his head, at first it may seem empty but there really is a lot of things, plus this “dish” is also seasoned with the guy's self-confidence and huge ego. This is proven by the fact that Charlie literally claimed the cave when he entered it and then used it to bring girls, without worrying about the opinions of others. He kind of stands as an example of the opposite of the Welton school value system, and encourages boys not to be afraid to be more confident. In the film, he was the first to support Neil in the idea of ​​creating a club, standing on his side, and also defending him after Cameron's betrayal at the very end, knowing that he is risking his education in Welton, but he is not afraid to take on such responsibility ... well, because why should he be afraid? He already has a future full of money, knowing that his father will force him to work with his business. By the way, about his father.

Unlike Neil, his relationship with his father is controversial and he can fight back with the confidence that he will be forgiven. In the film, his parents are shown in the background.

And in the book we only know his mother. I can assume that Charlie is a child from a rich family who lives as an accessory in the hands of his parents. He, like Neil, is the "pride" of his parents and should be an example, only Charlie does not want to follow the coordinate system and enter it instead he moves against it. Like Neil at the end of his path.

We know that Rebellion is already embedded in any ideology at the time of its creation, and rebels only personify rebellion and do not bring it to the established system of values. After all, there will always be those who are against the established system, moving in the opposite direction and trying to find other conclusions, other ideas that will definitely suit a certain type.

Charlie could become a rebel for two reasons, the first: the search for attention. Unlike the hyper-care of Neil's father over his son, his father could be so bogged down in work that he forgot about his own son, perhaps not even his beloved, because then the marriage would be of convenience. His parents did not give him enough attention, pushing him away, rejecting him. He wanted to be noticed by them so that they would give him love, so he tried to achieve it in every possible way and it became a habit. Or the second option: He was tired of living a pretense. Straightforwardness is always a way out when it’s difficult to explain. Just be simple and do not bother to be complex, so the fear of making a mistake disappears. So Charlie did, because as far back as he could remember, he hated being told how he should behave, how he should talk to guests, how he should smile, how he should take utensils for food, and so on. Charlie was tired of seeing people from high society smiling at each other with such hypocrisy, as if a second ago they had not been in deep judgmental discussion. The world of big business disgusted Charlie, because those people were too worried about how they looked in front of others and they ran after status. Charlie was a prisoner of this every day and he didn't want to be like the others, he wanted to create something of his own in his personality, something that the others didn't have and something that would distinguish them from him, or him from them. So he chose the easy way - rebellion. So Keating's words meant something to him in the sense that he would enjoy the moment of rebelling against the school's rules and building his own system. Charlie could relate to his own approaching "death" if life at Welton was not symbolic but real. That is, his expulsion is an actual death. It could be similar to the phrase that Carpe diem oppose - Memento Mori. Carpe diem, in simple terms, says that death is inevitable, but it is unknown when it will come, and therefore it should not be feared, but instead enjoy the moment, which is what Keating taught his students, but there is also memento mori, which says that death is inevitable, but the moment of its onset can be delayed by behaving, so to speak, you should live “correctly” and act rationally for the benefit of your own life. In other words, memento mori means that everything is in your hands and when you die is determined by how you live. And Carpe diem is about the opposite, that nothing depends on you. And therefore you can and should take everything from life here and now. These two terms are closely related to the understanding of Keating's lessons, so each DPS boy had his own end. Tragic or partly happy. Knox and Todd understood that you can't change this system, but you can change your attitude towards it by finding beauty in things and avoiding death, but Neil and Charlie didn't understand him, wanting to change system and putting their lives on the line, so both of their seats are empty at the end.

If you think about it... Charlie is Neil's desire for suicide. After all, he too is moving towards self-destruction by excluding himself from the system directly through death, while Charlie does it indirectly by going through exclusion.

[deeppenguinstudent]

My hot take is that if Jean did manage to take his life in the Nest, he would be the one haunting the narrative like Lucy graybird. Like I can imagine Kevin and Neil talking in the locker room when Kevin tells him about Jean. Neil, as his misplaced forever partner, asks Kevin to tell him something about a man they both failed to save. Also, something about Wymack and Kevin bonding over their dead lovers hmm.

Kevin drinking away his consciousness so he imagines a world where Jean is by his side. Andrew watching Kevin break down and whisper over and over that he loves him.

[intothedysphoria]

Max didn’t actually seem to dislike her brother that much.

From what Steve had seen the first week they’d moved, all the arguing and long frosty silences and all out fights, Billy would still sneak a note into her pocket every day of school. He’d argue with her classmates, teachers, even the cops if they ever gave her shit.

Billy had dropped her off at the Christmas dance, ruffling her hair a little before noticing Steve. All Steve really got was a grunt of acknowledgment. Which he supposed was better than a punch in the face.

Whenever Mike would make comments about Billy being insane or evil, Max would practically push him off his chair. Steve, not fancying a thirteen year olds left hook decided to put the subject of Billy off the table.

There was only a small amount of facts about Billy Hargrove that Steve knew to be accurate. He was about half a year younger than Steve, the only person he’d really bonded with was Eddie Munson and his dad was a real piece of work. As bad as Lonnie Byers, from what Steve had heard from Max.

Steves parents were Italian-Glaswegian and despite the fact that he bitched about them constantly, Steve loved his parents to bits. His nonna, his granny, his seven billion cousins, all of them were the friendliest people on earth.

The only person James had really disliked had been Lonnie. Until Neil. When his dad had a bad feeling about someone, he was always right.

Steve had been given a mission to befriend Billy. “That wee bairn isn’t being treated right”, that’s what his dad had said. So Steve, laden with spaghetti bolognaise and tablet, knocked on The Hargrove’s door when he knew Neil wasn’t home.

Billy answered, obviously post workout and stared wide eyed at the food. Looking closer at his tank top, Steve could see a pin of the Irish flag settled above his chest.

Steve, not known for his eloquence, mumbled that the food was for Billy and fled for the car. Anything to get out of an awkward conversation.

There were two washed Tupperware containers tucked under Steve’s gym locker the following Monday, accompanied by a note with surprisingly neat handwriting.

“My thanks to the Harringtons. Max loved the tablet.

Uilliam Hargrove”

Steve made a mental note of the way Billy spelled his first name. He had cousins in County Cork and had met a fair few Uilliam’s in his time. Evidently, Neil was the culprit for the anglicised spelling.

Steve’s granny was ecstatic that her cooking had been appreciated and invited him over for dinner pretty much immediately. Steve found himself delivering that message too. This time however, he didn’t run for the car.

Billy studied him, considering, then said he’d be delighted to join. His voice was both surprisingly polite and formed vowels in a manner that was unmistakably West Belfast.

He was charming. Utterly charming. Not the put on way Steve had seen him talk to Karen Wheeler (good god that woman was creepy) but in a way that seemed to just come naturally. Steves house was a blending of Scottish and Italian and Jewish and Irish and Polish and Billy genuinely seemed to love it all.

James sat them together at the table. Probably in an attempt to play Cupid, the meddling old man. Billy used it as an excuse seemingly to scandalise Steve. He was no prude but the way Billy slipped in innuendo after innuendo had Steves face burning.

Dinner turned into staying the night. Steve on an air mattress and Billy on Steve’s bed. Neil wouldn’t notice if he wasn’t there. He probably wouldn’t even notice if Billy disappeared forever.

Steve had never felt himself feeling such a burning sadness for someone and reached out so that they were clutching hands. Billy didn’t shove him away or call him a homo. Instead he clutched Steve’s hand even tighter.

The closer Billy and Steve got and the more Billy slept the night at the Harringtons, the more Billy’s relationship with Neil deteriorated. It got to the point where Billy was showing up with cracked ribs and broken toes, sometimes with Max hovering nervously behind him. Hell, they’d officially started dating with blood spurting out of Billy’s nose.

Until one day when Billy showed up looking the worst Steve had ever seen him. Max was having to support him in standing upright. He was clutching a note in his fist.

“Keep him.”

Out of everyone Steve had expected to go and give Neil a piece of their mind, it hadn’t been his granny. So while Steve was holding Billy’s hand, kissing him and being a bit useless, Maureen had apparently punched Neil Hargrove in the nose.

Funnily enough, Neil never really returned after that. He was somewhere in Alabama. Or Florida. Steve hadn’t bothered to learn where. All he knew was that Billy was a lot happier without him.

They could finally kiss in public. Go on sort of dates. Book nights of passion in sketchy motels.

Know that Max was ok and safe.

And never have his parents involved in his love life again.

For @shieldofiron and @dragonflylady77

Scottish Steve inspired by @ratbastardbilly

[mieeaahhh]

All for the game headcannons (so so so many)

(might delete because I’m embarrassed)

-Aaron and Andrew hang out at least once a week because bee said they should give it a try and then once they graduate and live separately they call once a week instead.

-Aaron has a slightly stronger southern accent than the rest of the foxes and they like ‘mock’ him by repeating what he says sometimes. (idk if that makes sense and I’m not American so idek if he’d have a southern accent I just saw other people saying the foxes would😰)

-the foxes usually go to Aaron if Abby isn’t around when they have like a small ache in their arm or something along those lines.

-on Valentine’s Day since Eric lives so far away and Seth is yk 💀 the foxes do small things to try make nicky and Alison’s day better. Matt and Dan invite them to tag along their plans sometimes, Andrew and Neil leave them extra ice-cream in the freezer, Renee makes gets Allison flowers and sometimes takes Allison on a walk if she’s up to it, Aaron and katelyn let Nicky watch movies with them sometimes, and they also just hang out with each other and somewhat ‘bond’ about being by themselves on Valentine’s Day 🤷‍♀️🤷‍♀️🤷‍♀️

-Aaron had piercings before meeting Andrew without his mum’s permission which obviously made her absolutely furious, so then Andrew had gotten them as well because he knew she hated them. (And he thinks they’re cool)

-the twins share a lot of their shoes. Like they’re is only one pair and it’s neither Andrews or Aarons🤷‍♀️🤷‍♀️

-Neil named sir and king because when he suggested that Andrew should name them, Andrew just said something lazy like “cat one and cat two”.

-Katelyn’s personality is like Nicky’s and Renee’s combined. Also I like to think that Aaron is an absolute MESS around Katelyn and the foxes do NOT leave him alone about it.

-Randy is like one of those mums that’ll ask you to invite people you are barely friends with over for tea and she started doing it with Matt about Aaron. (I like to think that Aaron and Matt end up becoming really good friends)

-Aaron doesn’t like sleeping by himself and will sometimes awkwardly ask whoever he’s with if he can sleep in their bed with them (only if he trust them like A LOT and is obviously like close with them??) and most of the foxes are aware he does this but never bring it up as they all do things that are a little childish to make themselves feel better(safe)

He’s slept In Nicky’s, Andrews and obviously Katelyn’s bed the most.

-Matt always gives people those double high-fives after good games (like this🙌) and one time turned towards Andrew for one without thinking and then put them down with a quiet apology while Andrew stared at him. Andrew silently set his hand out for Matt to give him a high five and he hesitantly did.

-there is a photo of Seth (that Allison picked) on the foxes photo wall with a metal plate thing next to it that has his name, exy position and t-shirt number.

-they take a ‘team photo’ every year for the photo wall and it’s probably the most awkward looking photo in the world.

-Katelyn is an accessory girly🤞 she constantly has hair clips and jewellery and whatever else on and when she gets sick/annoyed if having a hair clip in around Aaron she will wordlessly clip it somewhere onto him. His jumper, his hair, his bag, his shoe etc etc and a lot of the times he doesn’t even notice.

-Katelyn has videos of Aaron singing his absolute heart out while drunk and she reminds him of it whenever he’s being difficult

-a lot of the foxes sing while drunk so it often leads to a mini concert when they drink together

-Wymack has a mug signed by all the foxes that he uses every day because they got it for him on Father’s Day as a joke (Kevin’s name is the biggest)

-the twins have both been caught standing on countertops soooo many times trying to reach stuff but nobody is brave enough to mention it.

-Andrew helps dye Renee’s hair and Renee helps paint Andrews nails.

-Aaron’s septum is ALWAYS squint and it drives Katelyn mad so she always just fixes it for him and he just kinda stares at her in confusion because he honestly forgets he has piercings sometimes.

-jeans new hobby is drawing (I saw Nora say he picks up a new hobby and I’m hoping, wishing and praying it’s art related)

-Jeremy has a habit of doing this 🤙 all the time in photos.

-Kevin and Wymack start going out for lunch once a week after the books take place.

-Andrew fiddles with his piercings and picks his nail varnish when he’s bored/anxious.

-Aaron’s glasses are bent slightly from always falling asleep on them at his desk

-Neil is the only fox who isn’t afraid of spiders so he’s the designated spider remover whenever they see one.

-Neil likes holding Andrews face a lot and sometimes Neil will squish his cheeks slightly too annoy him.

-we all know Andrew has a resting bored face but I think Aaron has the worst case of rbf knows to man bro. Like he will look at Matt or something and Matt will feel the need to apologise.

-Dan, Allison and Renee invite Katelyn for girls nights and slumber parties because they know it annoys Aaron and they actually just really like her.

-Aaron likes the smiths

-Kevin has dimples

-Aaron and Andrew have freckles on their nose, Neil has freckles all over and Jeremy has freckles on his cheeks

-Aaron apologises whenever he cries (trauma response??) and when he lived with Andrew and Nicky they’d always try tell him that he has nothing to apologise for which made him cry even harder

-Neil wears caps and Andrew hates it so whenever Neil wears them Andrew flicks them off his head

-Katelyn is the tallest out of Neil, Andrew and Aaron

-Dan always sends the photos she takes to the person in said photo so that they have a copy of it as-well as it being on the wall.

-Dan and Matt have soooo many matching clothes it’s ridiculous

-Andrew has smoker lungs💔

(he coughs so much it’s concerning sometimes)

And his voice is like raspier than Aarons is

-whenever the twins say something or do something at the same time they just automatically say something like “shut up” or “stop” as if the other did it on purpose.

-the twins always sit weirdly because if they don’t they’re feet will go numb from not being able to reach the floor.

-Dan made a group chat for the foxes that barely ever ended up getting used but after everyone graduates and goes on with their own lives it ends up getting used a lot more for calling/FaceTimes each other

-Nicky sometimes tags along in the twins weekly hang outs/calls

-after that big sleepover the foxes had after getting Neil back they start doing things like that regularly. Having sleepovers, trips, movie nights, baking, board games/game nights, etc because they do start realising that maybe they do care about each other more than they say they do and it should be shown towards one another a lot more or it could be too late🤷‍♀️

Sorry bro there is so much and I can’t think of any more right now 💀