#they want to make it even HARDER

[walkerrenee]

one of the kids we've been working one on one with all year has no F's on his grades for this quarter and when I tell you I almost cried!!!!!

[gravitysoda]

refusing an impossible wish and settling for one last game of chess.

[ganondoodle]

the full page of radahn doodles bc i love him :3

(Radahn, Elden Ring)

[lupins-hehim-pussy]

[ ID in ALT ]

he giggles

[evercelle]

2024 art summary! it sure has been a year

[bunabi]

Only eight days left to back A Hitchhiker's Guide to Art History! You can find my piece nestled in there: a sci-fi twist on Lorenzo Lotto's The Angel of the Annunciation!

It's a massive project organized by @novaandmali with tons of contributing artists; don't miss out! ✧✧✧

[turtleblogatlast]

Been thinking about how Donnie and Leo’s insecurities juxtapose each other.

Donnie is insecure about his place in the family, but confident in who he is outside of it.

Leo is secure about being a part of the family, but thinks he’s nothing outside of it.

I think it’s a very interesting comparison that reflects their respective personalities, Donnie’s “Will all I have to offer be enough?” versus Leo’s “Do I even have anything else to offer?”

[poorly-drawn-mdzs]

It's all fun and games until...

[Commission for @dontheckinswear]

[dykedvonte]

I just realized some people are confused about events in the alluded to past in Mouthwashing, particularly about how long the crew has been working together.

The only person who is truly new is Daisuke and it’s why his dynamic with the crew and role in the story is very unique and somewhat distant. Curly didn’t just get Jimmy this job on the Tulpar, he got him the job with the Pony Express. He’s been his copilot for probably a couple of years but still not as long as they’ve been friends. None of them are new with the freight industry, Anya and Swansea especially have been doing this for years, together.

Jimmy is the newest on the regular crew, maybe just a few assignments, but it’s not his first time working with them. I think it’s just something important because this isn’t just one bad mistake that snowballed with giving Jimmy the job. None of them thought Jimmy would do anything, no matter how off-put by him they could’ve been, since he hadn’t done a thing since being there. Generally unpleasantness isn’t a crime and he’d be aware of that.

It was a festering thing and a sort of forced trust they had to give him that he knowingly took advantage of. He was the black sheep and still a wolf under the wool. He expected when he lashed out, that he had been there long enough for it to be looked over completely. Got too comfortable in the space he inserted into and did a lot of damage with his claws when he felt he was going to get shaken out.

[c-kiddo]

one of my fave things about cr2 i think is that tmn as characters are impossible to separate from their setting, wildemount . like its intrinsically part of all of them. beau and caleb want to try their bests to cut out the corruption in the empire despite knowing its deep-rooted, because they grew up there. veths from the empire too but from a smaller farming community, she's less connected to the government or politics in that way but her being from that town that was destroyed in the war is what makes esseks actions so severely hurt her. yasha sleeps on the floor for comfort and eats odd things because she's been nomadic her entire life. she recognises the big weird lumbering beasts they see in the wastes and just shrugs them off. jester and fjord are always relieved to see the menagerie coast again. jester has drawn that ocean view from her bedroom window so many times, she recommends shops and foods from nicodranas, and fjord worships the sea he grew up besides and worked on. caduceus listens to beau and caleb because he's from the north, outside of the empire, and trusts they understand the complicated political aspects more than he does. in exchange he shares his tea and food from home with them all, and when he's having winter clothes made he brings fabric from home as an example - his family have specific fabrics and patterns they pass down. his tea is only grown in the grove, his staff is from there, grew there with him. and his armour! and lichen! he carries his home with him everywhere. theyre all so rooted in the continent and i love that

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[cacodaemonia]

I've had this in my drafts for months, and I just saw a post complaining about fan artists (while having the nerve to start out with, "I love fan artists so much but...") who draw characters this way or don't draw them that way, so I figured it was about time to share this.

You know that unwritten rule in fandom that says you shouldn't demand that fic writers cater to your tastes? "Don't like, don't read"? Here's a reminder that the same goes for fanart.

Sometimes, I see complaints that fan artists don't draw character A exactly how they look in canon/in a particular slice of canon/according to someone's specific headcanons. Sometimes, I see complaints that character A is being depicted, say, without enough body hair, or with the wrong body type, or as a different age than they appear in canon.

If you find yourself getting upset with fan artists over things like this, I hope you'll take a moment to:

mind your own business

consider how fucking hard art is

I think a lot of people who haven't spent time in the art trenches have absolutely no clue how difficult it can be to draw a human, period—let alone human features you haven't already practiced a million times.

This can be especially true for artists who don't have a lot of drawing experience. When I was a kid, I mostly drew women, so learning to draw more typically masculine features was a challenge, and it took me many years to even get okay at it. It takes a lot of practice to figure out how to draw a variety of facial structures, body types, hair styles, ages, etc.

For a example, I have never known an artist who doesn't think drawing children is a bitch and a half, and wrinkle placement can mean the difference between drawing something that looks like an elderly human versus a shriveled apple.

Simply drawing body hair can be very time consuming. You also have to understand hair growth patterns and direction and take into account if the person's body hair is very curly or more straight, etc. If I just want to do a really quick sketch, maybe I don't feel like spending 10-20 minutes adding body hair. Maybe some people don't like body hair so they don't want to draw it. Maybe some people have carpal tunnel syndrome or medial epicondylitis and the extremely repetitive motion of adding body hair to characters is physically painful. You don't know. And it's not your place to tell them they're wrong.

Fanart, just like fanfiction, is about drawing the things we like—NOT catering to what other people want or think we should be making.

So feel free to talk about how much you love it when fan artists draw characters in ways you like! But don't be a jerk by demanding people draw what you want, and don't put down those who don't cater to you. You can have all the personal preferences you want in fanart, but it's rude and entitled to force those preferences on others fans or act like you're a better person because of your tastes in the appearances of fictional characters.

[mobius-m-mobius]

It's a pretty cool name.

Loki + the progression of saying Mobius' name for @percheduphere

[marzipaint]

zzz

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[feng-shui71]

World’s best matchmaker and brother-in-law, everyone.