#they really said 'you like these characters? have them'

[creatingblackcharacters]

“The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

“maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay

You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?

Examples

Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.

Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!

My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.

Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.

*as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!

Here’s the thing: the possibility is not the issue here!

The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.

The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.

And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!

Eurocentric Beauty Standards

Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.

It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.

Examples

-Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.

-Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.

-“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:

(It’s not even her natural hair color!)

-Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.

They came up with a figure similar to Kendall Jenner as the female option.

(Guys, we’re never getting out of here at this rate.)

-We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.

Appropriation:

I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.

I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?

First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.

Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.

Acknowledge when you’re holding a bias:

For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.

Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.

Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.

White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.

Creating with Intent (and the lack thereof!)

(This is so important I made the header larger)

You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.

For example:

credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!

I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?

Why This Matters

So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?

It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?

Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”

But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.

I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!

I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:

“Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”

Conclusion

So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?

We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.

When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!

[prael]

Oranges And Flowers

Kinktember Day 18: Romance

IU (Lee Jieun) x male reader smut

words: 10,517 Kinktember Masterlist

"Can I be honest with you all?" A question for a question, and they all turn their heads, and finally you offer them a real answer. "I didn't really know what I was getting myself into—when I applied to stay here, that is—I just needed a place to stay for the week."

The evening air is humid and still, the sky a flat obsidian black with shining constellations, and underneath it, surrounding a fire, is a circle of maybe the most mismatched group of people ever assembled. There are the stars of course, Hyori and Sangsoon, owners of the house and the famous couple hosting you all—then, Lee Jieun; you know the one, probably the single most famous person in the country, just casually sitting there in her summer dress as if she was nothing special at all. And then there's the guests, an assortment of people you still don't really know. The old couple, the young couple, and the sisters.

And, finally: you.

"So you applied to the TV show, just for somewhere to stay?" Hyori's laughter carries and is as contagious as it is clear and pleasant.

"Honestly," you look around the circle. "I didn't read a lot of the info, and even now I'm not too sure what's actually going on in the show."

This earns a laugh from the group, they're all looking at you, and not in that 'you-fucking-moron' sort of way, no, their faces are full of smiles. Though, one stands out above the rest.

"And you?" Hyori turns her attention to the next person in the circle, one of the sisters who is sitting on your left. All the stares move along with the questions, switching focus to the girl—all except one. Jieun sits directly across from you and her gaze rests stoically upon your face, an unreadable smile painting her delicate lips a plush and radiant pink. Between you, the fire burns. It sends spiralling embers shooting into the night and, behind it, the orange light dances over her skin. It would be so easy to get the wrong idea here. This place is just so beautiful, everything is picture-perfect, and all these postcard-worthy scenes feel even better when Lee Jieun is a part of the composition.

Laughter breaks out in the group again for some joke you never paid attention to. It steals the attention of you both, however, turning to the girl and joining in the laughter with a meek half-hearted chuckle, looking around at them all awkwardly before returning your eyes to Lee Jieun. She returns the look and lifts her drink, taking a long sip through a straw.

You weren't too sure about all this the first day you arrived. On paper it seems like such an obvious idea, you didn't have to pay a penny and the producers even picked you up from the airport, all in exchange for being a bit-part background character that no one who watches will ever really remember or care about. In reality, it has changed the whole holiday. The requirements for guests were rather simple. You just need to be around for a few set activities by the producer, all worked around your schedule, and then you're free to enjoy your time however you like.

That first morning, you were greeted at the house by Hyori and Sangsoon. Introductions were made and then a short tour began, all under the camera's watchful eye.

It was okay, you could handle it, right up until you were taken into the kitchen and standing there was Lee fucking Jieun. Apparently, you skipped over the part that said IU was going to be here. It was like staring into the sun. Of course, Hyori was quick to joke as you stood there stunned and silent with an open mouth that could catch a mosquito or two.

"Why am I being outshone in my own house? Jieun, you need to leave." Hyori playfully poked her friend in the arm, and Jieun just giggled along. And like the world's biggest idiot, you couldn't even muster a simple 'Hello'. Great first impression there.

From then on you were shown where you would sleep and you bumped into some of the other guests. They seemed normal enough. One was nice, one seemed grumpy, and the others—well, you really didn't know yet. When you settled into your room, you yearned to just do something normal, to not get overwhelmed. Making some tea seemed like the perfect grounding activity.

When you got there, the kitchen was empty. The teapot was already out, but everything else was decidedly harder to find. Then came that soft and gentle voice from behind you. "You won't find anything to steal in there; it's all baking supplies." It made you jump, and you snapped around to see Jieun leaning against a fridge door, smiling over a glass of something clear and carbonated.

You pointed at your chest like an idiot. "I'm... not looking to steal."

"Too bad." She took a long and dramatic sip. "It would have made for good television. Plus, you look like a kleptomaniac to me. Brooding and mysterious, travelling alone, all that sort of thing."

"I'm actually just trying to make some tea."

"Oh perfect, let me. Here," She took the cup from the kitchen counter, placed it in front of you, and then moved beside you to open the correct cupboard to pull out some tea leaves. It was funny the kind of thing that can go into making a good impression and the pressure you put on yourself to do so. How many would kill for this chance, to stand close to Jieun in an otherwise empty room? Yet, your mind was swimming, you were trying desperately to not think about the very famous, attractive, woman who stood shoulder-to-shoulder with you—trying desperately and failing horribly as the thoughts of something funny to say slipped out of reach entirely.

She leant in towards you—well, towards your cup—and you jumped back, trying to play it off as a simple 'making way' manoeuvre, but her little side-eye glance and smile told you how stupid you looked.

"This is one of the few things I know what to do. Tea. I can make tea," she was saying as she filled up the teapot. "They asked me to try and bake some bread this morning, but..."

"Where is it now?"

"It's in here," she pointed at the rubbish bin with a free hand.

"I think it bakes better in the oven. Can't tell you much more than that though." Boy did this woman laugh. Like, a lot. As if it was the funniest thing she had heard all week. Her shoulders shook and her whole body swayed, and when the teapot whistled it made her jump, which sent her spiralling back into another fit.

And suddenly, she looked so... normal. 

You know it's unfair to say celebrities are anything other than just normal people, because of course they are normal people, it's not like fame and money change them on a fundamental level. That being said, they can't help but not be normal in the eyes of many. Celebrities are celebrities,  like how someone with blue hair is always blue-haired. But, at the end of the day, Jieun, whether she is IU the singer and TV star or Jieun the disaster of a breadmaker, is just a regular, normal, though very gorgeous, woman.

And she looks that way now, too, across the campfire. Sure, the cameras are rolling and she puts a little extra emphasis and playfulness on her expressions and movements—who wouldn't for the sake of good television—but in this moment, right here, right now, she's a completely normal and likeable human being, one you think you might enjoy being around. Hyori continues to lead the discussion around the fire pit, asking a few probing questions about the guest's hobbies and home lives, then posing riddles to the group and comparing their answers with her husband Sangsoon's.

For you, her questions are answered quickly, giving them a quick thought and little else before letting them fall from your lips.

When Hyori moves her focus along, she doesn't fail to pick up on the way you and Jieun spend the remaining half hour or so, looking at each other, smiling every so often, then quickly pulling your gaze away as if caught red-handed doing something sinful.

~~~

"We're going to pick oranges this morning." Hyori is explaining over breakfast. "I know, it's not the most exciting but it's the Jeju staple activity, so we have to do it. All guests are welcome to join us."

The young couple sat to your right immediately volunteered their services, followed soon after by the older man and his wife. Once their attendance was secure, the rest seemed significantly less interested and all excused themselves for other tasks. As the only person yet to respond, Jieun turned the spotlight on you, "How about you? Are you going to join us?"

You shrugged. "Uh, I was going to meet a friend, actually."

Hyori is quick to follow up, "You could see them in the afternoon right? Come with us, it will be fun." There are a few puzzled looks around the table. See, Hyori didn't push anyone else to go, no, only you. "Your friend won't mind right?"

In all honesty, your friend might very well be livid, though he might very well lighten up if you told him who you were spending your morning with instead. You run a hand through your hair and admit defeat, looking towards her. "Okay, I'll come along."

An answer that produces an immediate, but brief shared glance between Hyori and Jieun.

~~~

The journey there was lacklustre, a short ride, with the other guest, separated from the stars who rode ahead. The staff member with you gave you a basic run down, they are only planning to use the guests in some overhead shots and some background shots, everything else would be focused on the three of them.

But, after climbing the stone steps and passing through the orchard gate, Hyori takes charge of the situation. "We'll split up into pairs. Our two older lovebirds can go together, and our younger couple too. Sangsoon is with me and..." She stops. Hyori gives you a devious grin, one that speaks louder than words. "That leaves you two." She gives a final affirming nod before striding over to join Sangsoon.

And just like that, you find yourself walking through the grove alongside a girl you've only ever seen on TV before. This morning she wore a cute ensemble that accentuated her long legs. Another flowing sundress with a belt tied tight at the waist to show off that lithe, feminine shape. It's a silent first few steps, walking off down between two rows of trees, both waiting for the other to initiate the conversation.

Jieun speaks first, breaking through the tension. "So, you said you know someone on the island?"

"Uh," you brush a loose strand of hair from your eye. "A couple of them actually, old friends. One lives in Jeju and another's been here for work and he said I should visit when I'm in the area."

"What are they like?" Jieun stops, so do you, and then she steps across you, before crouching down to take an orange from the low-hanging fruit. "The friends."

"Uhm..." What are they like? Good friends, obviously, otherwise you wouldn't be making this trip. Where's the drama, where are the fun anecdotes, or the moments of soul searching. Nothing comes to mind. "They're fine?"

It earns a chuckle from Jieun. "Fine?" She stands facing you, dropping the fruit into the basket you're carrying. "Is that all?" She flashes you the sweetest smile, an endearing smile, one that begs you to open up a little more.

"I met them recently, actually, it's been mostly online, to tell the truth." Jieun ducks down to get the next fruit, you bend down too and pluck at another on the opposite side, rotating to turn to her and handing her the basket, standing back up and following beside her once more. "They're funny, one of them is a big foodie. Always posts pictures of stuff like the best bibimbap in Busan or whatever. Has a whole food blog that's fairly popular."

Jieun nods, pondering and popping a new piece of fruit into the basket. "Do you like food?"

"Can't live without it," you joke.

Jieun chuckles, and you laugh with her. It is hard not to, her laughter is so cute. "So can you cook?" she follows.

"Instant noodles is about all I know."

"Somehow I even manage to ruin those," she admits with a fake frown and a laugh. "I think that's part of the reason I'm on this show."

"What's that?" you ask as Jieun reaches for another ripe fruit, she pulls it from the branch and then somehow manages to drop it on the floor, a gesture you couldn't help but find positively adorable. She runs a few steps after it as it begins to roll on the hard dirt ground, and bends over to scoop it up, presenting it to you victoriously with her smile.

"What's what?"

"You said it's why you're on the show."

"Oh, because I'm kind of, useless? Clumsy, not very domesticated, really."

"Those things don't make you useless, you're anything but useless." Is that flirting? A line you spout before the weight of the words and the loaded tone settle in your own mind. Jieun turns to you, eyes sparkling, cheeks rising as she smiles wider than you had seen before.

"And why is that?" There's no escaping her questioning, and maybe she enjoys it a little.

"Well." A fruit, any fruit, grab another fruit. Look away and look at the tree. Breathe. Turn to her again. You can do it. "You just put all your talents into singing and performing and acting and whatever else you do right? You put all your skill points into one tree so to speak, instead of scattering them to fill multiple."

She stops. Frowns. "What?" Her face twists in a confused mess. "Skill points?"

"Oh. It's like, in games, when you earn skill points to improve something and choose what you want to..." You realise how utterly ridiculous you sound. "Never mind."

Her face is one of wonder, there's this mixture of confusion, curiosity, and her clearly fighting back laughter. "No," she laughs. "Continue, please, you were doing a whole thing there."

"I embarrassed myself enough for one day. Thank you."

"Are you a bit of a nerd?" She asks with this teasing smirk before spinning away, her floral dress flowing in the wind, and walking further ahead.

"Hey! No! Not a nerd!" you call after her, following in her wake.

"Look like a nerd to me" She twirls around just before the turn in the row, leaning on the trunk of one of the few taller trees, smirking and playfully twirling a few strands of her dark hair around her delicate fingers.

From then on, the conversation flows far easier and quicker than it probably should. A playful back and forth as she questions your hobbies and quirks, you fire back asking for her own. Things range from the kinds of books she likes to her telling you how she always sings into her toothbrush every morning when she is brushing her teeth. You promised not to tell a soul, as her secret was safely in your hands. She has a quick wit and a slightly goofy sense of humour, the kind of things a magazine spread or a soju advertisement could never communicate or capture.

Despite her charm and charisma though, the thing that shines through the most is the way she listens to you. With genuine care and fascination, and not just for the cameras, no, it felt genuine. Honest. True.

"No. You can not be serious!"

"One hundred percent true." You pull out your phone and show her the photos on the screen. A blurry mess at first before you flip to another.

"That's you? And that's... is that..." She doesn't need to finish, she takes hold of the phone and holds it directly up against her face. "Why did you think that was a good idea?"

"I never thought it was a good idea, I lost a bet, and we had been drinking. Bad decisions were inevitable."

"This might well be the single worst tattoo I have ever seen." She doesn't stop squinting at the photo. "Why is it upside down?"

"I don't think the orientation would make it any better."

"Wait," Jieun says, looking away from your phone and into your eyes. "You have to show me it, I want to see it with my own eyes."

"Absolutely not."

Jieun slaps at your arm, pretending to be upset. "Come on!"

"Jieun, even if I wanted to show you my ass, there would be no point, I had it lasered off like 2 months later."

Jieun's laughter could ring for a day. It's infectious, it's a laughter that communicates how light, happy and free-spirited she feels—and it makes you feel exactly the same. You talk a bit about travelling, too. Places you've been, places you would still like to go. For Jieun, it became a bit of a flex. A concert here and a concert there, movie filming there and a photoshoot here.

"You've seen the world, and met everyone, but here you are picking oranges with me."

"Here I am." Jieun stepped aside as you passed, looking around at the beautiful weather and the swaying tree branches. "I like this more, I think." She stops. You turn, seeing her suddenly shift a bit shy. "It's nice, this..."

"Oranges are nice and all..."

Jieun giggles. "No, silly," Jieun purses her lips. "This. Me and—"

"Hey, you two! Having a nice time!?" Sangsoon calls out to the pair of you from a few rows down. In unison, the two of you turn to him, to his big, smiling face, and then watch as Hyori hits him on the shoulder and admonishes him for interrupting. For a second it looks as though Jieun is blushing as she looks away from his gaze and towards the ground, scratching her brow, hand almost acting as a shield.

"We should get back."

"Yeah, I'm all orange'd out," you say, holding up the full basket.

~~~

You had spent the afternoon away from the house, which was probably for the best, spending some time in reality instead of this strange new world where you're suddenly hanging out with IU. The friend, your old university colleague and Jeju local was eager to catch up. Despite a minor disagreement—or two, or ten—he took it in good sport. Before nightfall though, you had returned and had just taken a shower.

There's a knock at the door, so you quickly pull on a shirt and open it to find Hyori on the other side. "Hey stranger," she follows your gesture and walks into the room before perching on your bed. "How was your time today?"

You close the door behind you. "Fun. I spent some time catching up with some friends."

"And making a new friend?"

A small nod. "I enjoyed myself today, it was all quite... different than what I had been doing. It was..." You weren't really sure how to follow up.

"I get it." Hyori leaned back on her hands. "But Jieun really seemed to have a lot of fun today."

You're stuck in this awkward silence, not wanting to say anything stupid but also refusing the play it down.

Hyori takes mercy on you. "Anyway," she pushes herself to her feet. "We're eating outside again, barbecue, come join us."

A smile appears, an acceptance of the invitation. She watches it come out and nods at it, as if pleased with your decision. And with a brief smile, she leaves the room and you're left alone. You leave the room.

You arrive on the back porch and watch the scene from a distance. Jieun sits by the fire in a pair of shorts and a t-shirt, looking so naturally good it could take the breath of anyone who stared long enough. Her legs look spectacular in shorts, her chest looks perfect through a white t-shirt, and she looks breathtaking right now—in this light and under these circumstances. The fire-pit burns again and as it does, Hyori and Sangsoon stand near the grill, their backs turned and talking among themselves. By Jieun's feet rests one of Hyori's dogs, sound asleep.

As soon as your foot hits the grass to start walking over, Jieun turns to see you approaching and a radiant smile cuts right through your defences, punching into your heart and embedding a spear made entirely out of a whole array of butterflies. "I was beginning to think you wouldn't join us," she teased with a flick of her hand.

"Good to know I'm missed when not around."

Jieun is about to say something but appears to bite her tongue and look back at the fire. There's a space next to her on the little log chair she sits on, though you think it too presumptuous to sit right by her so soon, and take the little wooden armchair opposite instead, crossing your legs and stretching, pulling your phone from your pocket, to check for notifications. None. You stare at it anyway.

There's a solemn silence for a while, the cooking of meat and the playful bickering of the couple by the grill and the occasional chatter amongst the other guests. This leaves you and Jieun, slowly drinking from your glasses, separated by the fire.

After some time, the food begins to come in batches, and you eat with everyone else. The group shares the tale of their expedition to the oranges this morning, like how Hyori claims she found the largest orange of the day only for the young couple to later find and present a larger specimen. Some of the others share how they went into town and saw some old houses, or an old shrine, visited the beach and splashed around in the water and a few others sit and listen quietly, nursing their drinks.

Eventually, you begin to grow drowsy and stifled by the warm heat of the fire, a blanket that draws everyone closer, too close.

You stand, pat yourself off and let your gaze rest on the fire, then speak to no one in particular. "I'm going for a walk, thank you for the food," you say as you bow your head to your hosts.

"So late at night?" Jieun asks from her perch.

"Got a bit too warm is all, fresh air would be nice."

Jieun glanced down at the fire and her eyes shot up at you. "Let me join you, keep you company."

Hyori and Sangsoon share an understanding glance, before Hyori says, "Be careful you two."

Jieun stands up. "Soonshim can come with us, can't you Soonshim? You'll keep us safe." She bends down to stroke her behind the ears, and she lazily raises her head and grumbles in that cute way that animals do. She happily climbs to his feet and yawns.

Off you went, walking the stone path. Up a gentle incline before cutting left towards a quiet path cutting through some trees. For a while, the night is filled with the sound of rustling trees and the snapping of fallen sticks underfoot. That's all until Soonshim leads your party off onto an even more remote dirt track.

"Now where are you going?" Jieun coos playfully, not expecting much of a response.

"She probably knows this area better than we do," you suggest with a smile and Jieun returns it. You seem to bring a lot of smiles out in each other. Soonshim appears to have a destination in mind, the dog bounds along the track and you follow, the path becomes more and more unstable, and the darkness of the evening isn't doing either of you any favours.

Jieun steps up onto a stone in the path and she slips, wobbling from the momentum of the step with a small yelp and you catch her immediately in your arms.

"Careful," you chuckle nervously. She doesn't move, but relaxes into your chest, closing her eyes. You have her. You keep her steady, her breathing is fast and short. It slows and slows, her fingers lightly clasping at your arms. She relaxes and her voice comes at near a whisper.

"Thank you."

And then, slowly, she lifts herself away without looking you in the eye and lets out a small cough. She starts to walk again, this time holding onto your hand—for safety. You smile at the touch and gently squeeze back, taking care as you descend and traverse the difficult ground. Soonshim still leads onward, barking and jumping in her bounding little way and occasionally waiting for the slow, careless, humans to catch up as she heads uphill.

Before long you come to a clearing at the top which blesses you with a view of the rolling countryside, bathed in moonlight, and a peaceful soundscape, far removed from anything but the sounds of nature. Back down the hill, over the trees, you can see the roof of the house, and the glowing of the fire out front.

Soonshim finds a nice place for a rest, and the Jieun leans her head into your shoulder and says quietly, "Tell me something that no one knows."

Soonshim rests. Jieun looks expectant, and suddenly, you're struggling. There must be something interesting. No. Something cute or funny? No, nothing seems quite right. And yet her eyes are searching for answers. The seconds pass and you rack your brain trying to remember, going into the darkest of dungeons in your memories, hoping something would come.

"Something that no one knows," you mutter to yourself. Jieun leans closer. Something that no one knows. Soonshim yawns, laying her chin on her paws as her tail softly hits the grass beside her. "I had this girlfriend, a few years ago. She was kind and sweet and loving."

"What's not to love about that?"

"Ah well." You snickered, a chuckle under your breath. "When she's doing the same thing with another guy it kind of takes the shine off a little."

"Ah... I'm sorry," Jieun reaches out, resting a consoling hand on your forearm. Her grasp is delicate. "It must have been tough. How did you find out?"

"They were bad at hiding it. When I did confront her, she didn't deny it."

Jieun lets out a small breath, something between a gasp of surprise and a grunt of disbelief. "Wow. So did it end, like, there and then?"

"Yep. Walked out and have been free ever since. Never looked back." You smile, looking out across the plains below.

"Do you prefer to be free? Not tied down and always going after adventure?"

"If I wasn't free, I wouldn't be here. If I was tied down I would never make this trip."

"Doesn't answer my question," Jieun jokes then pokes you in the ribs.

"No. Not really." A period of silence follows as you take in the fresh air and the scenery before you. The sound of crickets rings out and the breeze swirls its way through the brush. Jieun seems to ponder on what you had just told her. Maybe it doesn't make much sense, or maybe you just came off a little weird. You can't be sure what she is thinking.

But speaking so plainly is a freeing feeling, and telling her feels right. As though the idea that she may judge you is, not unthinkable, but far more remote of a possibility.

"I broke up with someone too. Not long ago,. It wasn't anything as tragic as yours, but, we just didn't have the time to be together." She brushed at a stray hair, caught by the wind.

"I'm sorry." You turn to face her and she meets your eyes for only a moment before she turns to Soonshim who lifts her head and tilts it with the look that only a dog's can express. "She's beautiful," Jieun mutters softly, nodding her head to the sleeping canine, which wagged its tail at the acknowledgement.

"Yeah. She is beautiful." You say, not taking your eyes off of Jieun.

She draws back her gaze, and looks up, with a little confusion, eyes glimmering like gemstones, searching your own as she draws nearer and nearer to you. "Are you talking about Soonshim, or—"

"You."

Lee Jieun steps into the kiss, onto her tiptoes and lifts herself as high as she can to press her soft lips on yours. Your heart seemed to miss a beat, or five, as you leant into it, capturing her lips with your own. You pull your arms around her, in a tight embrace and her heartbeat thunders against you.

And when Jieun pulls her lips away from yours, you lean in again, capturing her lips once more. You cradle the back of her head and guide the kiss, ever so slightly. Just to be closer to her, only a little closer. But enough. When the kiss ends this time, you sigh.

"We shouldn't," Jieun's whisper sounds so vulnerable, her mouth, too lonely for the words. "We should—" kiss again? "go back."

"I'm sorry, I—" Jieun cuts you off with a small kiss, a peck.

"Don't be." She keeps hold of your hand, leading you towards the path and pulling you gently downhill. "We should just get back."

~~~

It's on the porch of the house, where you stood just a couple of hours ago, staring at her, that she says, "Good night." And there's this look in her eye that screams the words 'I want to kiss you again'. Though you both know that this isn't the time or the place.

"Good night," you give her a smile. "Sleep well."

"You too." And then she's gone, Jieun and Soonshim slip in through the back door and you head to the front to get into your room. The emptiness of the room is a strange departure from the warmth of company you've felt all evening. And as you drop onto the bed, sleep does not come quick—it refuses.

Instead, as you toss and turn in the cool, crisp linen, you imagine Jieun's lips meeting your own again, and again. Soft and pliable, sweet and willing, as inviting as can be. Then you argue with yourself that it was an accident, just a product of the moment rather than anything deeper, but... not really. Not when it happens like this, not with her so eager, as eager as you were, in equal measure. And that has a price. The whole night, turning endlessly.

You wonder if she struggles just the same.

The morning rolls around and so does the bad news. There's someone completely unrecognisable helping prepare breakfast, a change that goes unaddressed by your hosts for what seems like the longest time. It's only when they join you at the table that they make the announcement, "Jieun has a concert, back in Seoul, she'll be returning tomorrow evening." Hyori pulls a chair and sits down at the table, pulling a full plate closer to her.

Sangsoon helps himself and settles next to Hyori, asking casually, "Did you and Jieun go for a walk yesterday?"

You pause, trying not to sound like a blushing teenager. "Uh, yes. Yes we did, it's very pretty out there, with some really nice views. Soonshim led us up a hill."

"Didn't see much of you afterwards," Hyori teases, "did we?"

"I was tired after we got back so I just crashed. Tough work walking those hills."

The two hosts glance at each other and chuckle. "Well, Soonshim will be happy, she loves walks. Thanks for looking after her."

You give a small, simple nod. "Of course."

For the next ten minutes, you pick at some of your food but feel so restless the entire time. By the time you stand up from the table, Sangsoon looks a bit surprised. "Somewhere to be?"

"Just want to use the bathroom," you say, with a hasty smile.

There, you stare in the mirror. And it hits you. Hard, right in the stomach, like a heavyweight boxer throwing a right hook, or a hammer kick from a martial artist. A surge of feeling that cuts through you and shatters any façade of composure. Of control. You're flustered. Nervous, even. Like an anxious teen in a school hall during prom.

It's an alien, almost nauseating, feeling, something like vertigo.

~~~

"Can I get you anything else?"

"No, that's everything." Jieun answers, before pulling closed the divider of her first-class pod, shielding herself from the prying eyes of those seated nearby. She places her headphones on and peels into her orange, holding a large section up to the light, before gently placing it in her mouth.

The flight is short to Seoul, but it's a lonely one—without him. She can still feel him though, the kiss that happened at the hilltop. And all the dread that comes with it. Jieun knows full well just how wrong it was, and yet she also knows just how right it felt. Normally, by now, all of her thoughts are on the performance ahead. All her little anxieties arise from the finer details and how she strives to perfect them. Now, though, is the exception.

The ride from the airport to Yonsei is a little different. Though she had to put on her best actress face in the airport, for all the fans and the cameras, but here, alone and safe, she's given the time and the space she needs, but it doesn't bring the relief she expected. Now her thoughts are just swirling, again. Swirling and storming and churning.

Her manager is talking, about this and that, all probably important—but she'll never know.

'It's just going to go down the same road again, another relationship that takes a backseat to my career.'

Jieun groans internally. 'He's such a nice person though.'

"Jieun?"

It catches her off guard. Her heart pounds in her chest, startled, not so much because she was called upon, but the direction it was in. "Huh?"

"So, what do you think?" the manager asks. "Are you even listening? This is what you wanted right?"

Jieun closes her eyes, bringing her index finger up and pinching the bridge of her nose, running her hands down the contours of her face, then forcing a small, tired grin on her lips, she mutters, "Yeah, sorry, I'm listening."

~~~

It's been a strange couple of days. You spent as much of it as you could away from the house. Out in Jeju doing the most random of things to take your mind away from her. Though that's pretty tough when you're walking the street and she's on poster after poster and then you dip into a convenience store only for it to be playing her music.

Coming back for lunch wasn't any better, with Sangsoon and Hyori often teasing or giving the odd hint here and there. You sat down, not able to enjoy the food properly and excused yourself when your appetite gave out on you.

That afternoon, Hyori sat on the porch and invited you to join her—quiet and away from everyone else.

"You must know it's not easy for someone in Jieun's position to do, to go around kissing anyone like that," she starts and she reaches for the drink, pouring it and handing the glass out to you, and you reach for it, staring down at the liquid and watching the ice cubes swim and then sink.

"She told you?"

"In a sense," Hyori laughs softly and pours the other glass, putting the jug aside and taking up her glass. She leans back on one hand against the wooden board and says, "So, what now, what do you intend to do?"

"Uh, about what?"

Hyori offers a smirk and says, "About her."

"I..." What can you really say here, apart from that you just want her, like probably a hundred thousand other men and women have wanted her since they've first laid their eyes on her. Instead, you sip at your glass.

"Nothing wrong with liking her," Hyori says casually, as if the statement itself isn't fraught with consequence.

"Doesn't matter," is what you offer. "I shouldn't, we're from different worlds."

"Mmmm, yes and no," Hyori sips on her drink. "Listen. People like Jieun, like me, the reality we live in isn't the reality we want. Well, it is, but it also isn't. Because we get what we want but never quite get all we want."

You narrow your gaze in confusion. "Sounds like a riddle."

"Think of it like this. When we're on TV or we're on a stage or at a photoshoot or whatever, it's like we're living in the clouds, are you with me?"

"I think so."

"Well being up in the clouds is amazing, you get to do great stuff, fun stuff. But there's always a danger of floating away. So there's the other half of our life, on the ground. It's what keeps us sane. Balanced."

"So you have this double life," you offer as an interpretation.

"It's not that drastic but, yes." Hyori swirls the contents of her glass, taking a quick sip to wet her mouth. "Don't mistake it though, the ground is the more important half, because, in that part, we meet the people who mean the most to us. But, listen to me, when you date someone like Jieun, you're dating that half of her life. The ground. The clouds are for her alone."

"So you have to let her live up in those clouds without you?"

"Did she tell you about her ex?"

"She said they didn't have the time to be together."

Hyori nods. "If she told you that, then you've confirmed it for me. She likes you. But, now you have to think, this past twenty-four hours, there's going to be a lot more of this. Sitting at home while she's performing in front of thousands, living in the clouds. You have to ask yourself, can you handle it? Are you willing to accept it? All the pros and cons."

There's nothing for a few moments, the pair of you sit there silently, before you mutter, "That's kind of hard," and Hyori laughs under her breath as she tilts her head and agrees.

"Yeah. That's why not every relationship survives. Not in this business. But I'm doing you the favour of warning you in advance."

"Thank you."

"Speak of the devil." The sound of a car draws closer until it stops. Some commotion arises and then slowly, she appears. In all her beauty and grace. Hair blowing softly in the breeze, her yellow jumper and skinny jeans hugging her hips perfectly, her beauty as sharp and clear and as immediate as ever. There's no way to take it all in with just one look, especially with the sun low on the horizon behind her. You're mesmerised, to say the least, and even more so as her shy smile reveals itself.

"Evening," Hyori stands, opening her arms for Jieun and wrapping her in a hug, kissing her on the cheek. They exchange some words you can't hear but you watch the movement of the mouths, the way the body moves. Then you turn back to your drink, pretending to watch the dregs swim at the bottom of the glass. You can feel her now, or at least smell the light fragrance, you don't need to turn, as a shadow descends on the side of your head.

"Hi."

"Hey," you say as you draw your eyes slowly up her body. "How was the concert?"

"Good, thank you." Her smile widens.

"You must be tired after all that," you follow, and she nods in agreement and glances to the far end of the veranda.

"And hungry. Will you come inside for dinner with me?" She's smiling now, an infectious, radiant smile, that grows.

"Of course."

You move indoors, you and her at the table. You use the conversation over dinner to ask her about the concert, and her life as a celebrity. From asking her how it feels to be up there singing to hearing stories about some of the craziest fans, the sorts of weird things they do and the lengths they'll go to.

"Some even claim to know me," she laughed, "and try and ask me questions or say certain things and act as though we've known each other for years."

"It sounds surreal," you say and Jieun leans in with a curious look.

"It's been days and you haven't asked about this before now, not at all, so what's got you so interested?" she teases.

"Well, I guess I just wondered what life is like up in the clouds."

Jieun narrows her eyes at you for a moment before chuckling a bit, and leaning in further and muttering, "Hyori. She spoke to you about this didn't she?"

"Just a little, yes. While you were gone."

"I knew it, she likes this little analogy." Jieun folds her arms, rests them on the table and stares right into your eyes, asking "What else did she say...?"

"Not a lot."

"Oh god." Jieun throws herself back against her chair, she brings her hands up to her mouth, with the sleeves of her jumper over her hands and looking like she wants to bury herself into the palms of her hands. "Ugh, that girl. What else did she say?"

"Really, not much else," you answer.

"Right." She sits forward again, not raising her eyes. "Listen, while I was away, I was thinking about what happened."

"And..."

"And," Jieun lets out a huge exhale, the stresses and fears seem to leave along with that breath. "She told you, and you haven't run away. Or at least, not yet. You're still here, we're here. Now. Just sitting, having a chat and eating some noodles."

"The noodles are really nice," you say and Jieun laughs.

"See, you make me laugh, and it makes me all confused, in the best way possible. And I know this isn't the time or place, but—"

"Yes, Jieun."

"You don't even know what I was going to say."

"I'd really love to see where this takes us," you say as you rise from your seat, rounding the table without breaking eye contact. You gently take her hand.

Jieun looks a bit hesitant, stares at the ground and mutters under her breath, "Where does that road end, you know? Look at everything I'm asking, of you, I don't want you to get hurt because I may not be able to give enough."

"I get it Jieun, the ground and the clouds," you whisper as you guide her up from her seat to stand in front of you. "I'll be on the ground. Sometimes you'll be in the clouds."

Jieun collapses her cheek against your shoulder and releases a deep sigh. "Why are you so nice to me?" Jieun sniffles.

"Because you deserve it Jieun."

Her heart thumped so hard, so rapidly, and tears flooded her eyes, making the world wavy and foggy. She fights the tears. And she finds the warmth of you, she pushes her face hard into your chest, inhaling deeply, and feeling an inexhaustible source of strength flow through her, bolstering her. She presses her body into yours.

She reaches her head up and kisses you deeply. Your hands cup her cheeks and your tongues meet for the first time. She leans in, slipping her hands to your neck, and curling her fingers tightly. Her lips are so warm and soft, her whole body melts, and the two of you press against one another. A fire burns and every nerve thrills in anticipation. Her breathing increases as a raging fire churns within.

When the kiss breaks, you murmur against her lips, "Should we, go somewhere that isn't the kitchen?"

Jieun nods, her hands still firmly clutching the collar of your shirt. "The food can wait."

As the door to your room closes, you begin unbuttoning your shirt, the last of them dropping open as she leaps at you, her lips attacking your neck with soft, wet, urgent kisses as she clutches you like her life depends on it. And you have her back, reaching around and holding her, carrying her, stumbling through the dark and onto the bed. You hit the mattress, and your grip relaxes as she leans back and grabs the hem of her sweatshirt. Jieun lifts it, dragging it up her body until the garment is sent to the floor and there it lay, forgotten.

For a moment she seems hesitant, sitting above you. It's a strange mix of tension and passion, the way her fingers trace lines on your chest, and you sit in awe of this beauty above you. The urge to reach for her, to take her, becomes overwhelming, as your gaze trails up her tight, toned stomach, and lingering over her small chest, clothed in black and wrapped snug. You stare and she shivers at the intensity of that look and bites at the corner of her lip.

"This is okay?" Jieun asks softly.

"I'm here for it if you are," you tell her, reaching and cupping her breast in your hand, as though it belonged there. That sends a new chill through her.

"Okay." Jieun nods her head a little. The word shakes a little with a quiver of breath and she lowers her head to meet her lips on yours, softly brushing at first but gradually more insistent. Her tongue prods and finds yours, and she pushes you down by the shoulders, forcing herself to lie on top of you and hold you there. And the kiss seems endless.

You run a hand up the soft skin of her back, up the divot of her spine until your fingers come to her bra strap, and with a small break in the kiss, you murmur against her lips. "Can I?"

She kisses you while she nods. Your fingers search a little, finding the clasp, you tug, letting the bra slip. And, with one small gentle tug on her shoulders, the strap of the bra slips off and it's only her hand rushing up to cover her modesty that keeps it in place.

You wrap your arm around her and roll her over onto her back, and as she lay against the covers, you're over her, looking down at how she still holds her arm over her tits. "I want you to see all of me," she whispers.

"I want to see all of you."

And with that admission, her arm, drops slowly away, pulling the black bra with it and exposing those two perfect, beautifully formed tits. With the lightest, most delicate touch, you brush your thumb across one and feel it spring a little at your touch. The nipples are erect, Jieun leans and looks to the side as you bend down, taking one nipple into your mouth. You flit your tongue across the little pink pebble of flesh and watch Jieun's face.

The muscles around her eyes tighten, and she lets out the sexiest little whimper. The reaction makes you want her more and you begin swirling and caressing her tit with the soft, flat of your tongue, and sucking her nipple into the warm recesses of your mouth.

She cries out and gasps. "God that feels good..." her hands clawing through your hair and her fingernails scraping through. Her moan spurs you onwards as you plant a trail of kisses, switching between which sensitive nub you suck, tug and tease. "Don't stop," she pleads.

"Not when you taste so good."

"I can't believe we're... that you're here, with me."

Your hand finds hers, lacing the fingers into hers you smile, push her hand into the bedsheets and stare up into her glimmering eyes as you run your tongue once more around her nipple. "You're perfect Jieun, I can't believe I'm so lucky."

Jieun arches her back a little, closing her eyes and exhaling a breath. "Stop it, that's not true," she giggles in between whimpers, "stop it, you know it's not— oh g-god..."

You're moving your kisses up over her collarbone and to her neck, and settling your body down between her legs, resting between her thighs. Jieun clamps her legs tightly around you as you keep sucking and biting at her neck, nibbling ever so lightly on her ear. "And now," you whisper huskily, into her ear, "I have you pinned beneath me..."

"Oh, fuck, yes," Jieun squirms. She desperately pushes your shirt off your shoulders and then runs her hands over your body. "I like this feeling." She's pushing her hands between your stomachs, pulling open your jeans and pushing them down off your ass.

You return the favour, bringing her into a kiss and reaching to pull her tight jeans open. She lifts her hips to aid you, allowing you to slip them off her hips. You don't have a chance to pull them all the way off, too heavy in your kiss and grinding yourself between her legs.

You reach and pull at her and she breaks the kiss with a soft moan as she grabs your shoulder and shifts her hips. The movements press you into her a little more, and her head goes to the pillows behind her head, tilting back. The angle reveals the beautiful soft and slender curve of her neck and you go at it again, kissing and biting, nibbling and licking, running the tip of your tongue over the hot, smooth expanse and smiling as she wraps her arms and legs around you as tightly as her lips when you kissed her.

"I want you," she gasps. "I want you. Now."

You put an arm under her and pull her up until you're on your knees and she's straddling you. She reaches down, hands into your pants and takes your thick cock in her fist. That first touch. Her soft fingers are on your hardness. It's a rush that hits both of you and suddenly you're kissing again as Jieun awkwardly strokes your length, trying to tease you out.

You decide to make it easier and sit her on the bed, still kissing her intermittently as you stand and push your clothes to your ankles. Standing before Jieun, the most desirable woman you've ever been fortunate enough to touch, you suddenly feel a primal sense of arousal hit.

You lay her back again, and peel those jeans off her slender legs. Slowly down her thighs as they spill out of the denim, then all the way off, until she's in nothing but a pair of black panties, and you're stood over her, naked to the air. Jieun sits up to you and brushes your chest, feeling the shape of the muscles and kneeling back on her haunches, you take her mouth again, sliding your hands up her hips and feeling those supple breasts once more. "Jieun, you're so hot."

Jieun bites your lip, and throws her leg around you, drawing you down and gasps sharply as you find your cock grazing across the smooth expanse of her panties and press at her entrance, almost bursting with desire. Jieun pulls at your hips, urging you between them. She grunts with effort, biting at your neck. "You're everything I have ever wanted."

There's a pause that's filled only by your shared, short panting. This is where it happens. It's more than want and need. The quiet acknowledgement, the long silence, you stare into Jieun's eyes, and both of you nod your heads a fraction, agreeing without speaking a word. You push her panties to the side. Then the contact, the softness and the wetness of her opening as the tip of your cock pushes her apart.

"Oh, shit!" Jieun lets out the involuntary profanity as she claws at your back and moans into the crook of your neck.

It's amazing. Unbelievably, spectacularly, amazing. Her tightness stretches with only minimal effort, and you let out a strained breath.

"Oh my god," Jieun has her fingers clasping tightly to your shoulder and mouth open with pleasure. Her chest rises and falls rapidly as she writhes under you. "You feel amazing... holy shit," she curses.

"Jesus Jieun," you grunt as you sink down just that extra inch, enveloping your full length inside her. "You feel perfect, I could stay here forever."

Jieun does the best she can with that compliment, grinning through clenched teeth. "Thank you. I'm—" She cuts her own sentence short by gasping and reaching higher and taking a handful of your hair in her palm, her nails digging into your skull. "Do it." She orders you and the tone is coated in lust. "Please."

And so you do. Pull out to the sound of her sharp expectant inhale, and back in as she moans her lungs empty, the noises making it impossible to remain idle. Soon enough you have a rhythm of slow, measured thrusts, and are gasping in tune to her beautiful mews.

"God, you feel so damn good," Jieun manages, and she follows by adding, "A little harder, I love it."

It's like that for a few minutes. Jieun's pleasure is palpable with every movement of the bed springs and groans. Though it can't be any louder than the voice in your mind. This is actually happening. Fucking IU, of all people, is on her back beneath you, her beautiful body reacting to your every movement. She reaches for her breasts, rubbing them and pinching at the hardened points and begging, "More, please more," and you give.

Jieun brings her leg higher, arching her back and urging you further into her pussy, driving herself into you with equal force. This time her cry is louder, less controlled and broken by the beat of your bodies against each other, the sound of sex becoming a background harmony. Her feet stretch out behind you, her heels dig at the small of your back and her head falls back on the bed.

"I don't know how... how long I can..." Jieun breathes out. Her leg suddenly jerks and her entire body tenses. "Oh, shit."

You know what's coming, that doesn't make the feeling of her tightening around you any less shocking. She's shivering, gasping for breath and squeezing her eyes tightly, her body growing taut like a string pulled between fists.

"Fuck, Jieun, are you gonna—"

"Yes. Yes." Her entire body convulses. Her fingernails ripping lines up your back, Jieun arches from the bed, a sharp keening whimper from between her lips, followed by a series of high-pitched, short cries.

You're falling into the sheets beside her and pulling her on top of you. Seamlessly you move together, and she's riding you now, throwing her head back. You're lying there and she's a sight to behold. Her petite frame rolls and her toned, lithe muscles shift beneath her smooth skin. Every motion carries her hips as she fucks you.

Her breasts rise and fall, her hands flatten themselves on your chest as she holds herself up, bouncing herself on your cock with insistent determination. Jieun slides her palms upward, bringing them to your shoulders and lowering her chest, you reach to cup her tits, squeezing firmly and a sparkle glimmers in her eyes.

"You're so hard," Jieun purrs.

"You look so good on me, feel it too."

A smile flashes across her lips and the muscles clench,. You drag your hands across the perfect curves, feeling her sides, her ass, sliding back to take two, firm handfuls, pulling her into every movement. Your arms and legs beginning to tingle with your release, and you're losing all feeling other than her silken embrace.

Then you see her grimace and twist her body, breaking again for you. She falls against you and grinds out her orgasm. She quivers over you like a leaf in the wind. You hold her hips steady and stroke her skin as she returns from her high.

"Sorry," she moans a drawn-out apology. "Wanted you to cum, but, I can't..."

You hold her, rising from the bed, "Don't worry, Jieun, I've got this." You lift her and place her onto her side, thighs together, knees together, you push them up to meet her chest. Her perfect ass and thighs are on show, begging for you to slip back inside. She twists her body to watch you lean over her and push her knees into the bed.

You thrust into her, slipping under that one ass cheek, past those moist panties and into her pussy again. Jieun moans aloud again, and the sight of your cock slipping into her, the feel, is mesmerising. Jieun squeals a note.

The feeling, after only a few short thrusts, builds rapidly. And while a part of you wishes to hold back for her, make her cum over and over, she's far too sexy to deny yourself your sole need. Jieun moans and clenches again then cries out, "Please!" Her eyes watching you drive in deeper. And you lose it. The pressure breaks within, you bask in the sights, sounds, and feelings, and let it overwhelm you. "Inside, it's safe."

You spasm and with a deep thrust into her, your cum pours. Thick. Heavy, plentiful spurts as you cling to her trembling body. A final, ragged cry slips past your lips. Energy drained from you, into her, and you near-collapse against her sweat-kissed body.

You slip out of her, collapsing behind her and spooning her trembling body close, you drop kisses across the soft surface of her bare shoulder and take a tight grip on her small, perky tits. She whispers, "That was amazing."

"Tell me about it. The best."

She rolls her head and glances at you. "No, I mean, really, thank you. You were..." she sighs dreamily. "I didn't think it was possible to feel like that."

"We fit well, Jieun," you tell her softly. "There's no need to ever thank me. You really are special."

"Saying things like that," she sobs lightly. "You better be careful or you're going to mean a lot to me."

Your breathing seems loud in the sudden quiet, and you say, "I'd like that Jieun, to matter to you. Being important to you. It'd make me happy."

She is silent for a long moment, staring straight ahead. A single, happy tear rolls from her eye, onto the bed, and then sleep takes over. It is like a force sweeping you into the deepest darkness. It seems to happen between one breath and the next. One moment you're lying next to the most beautiful woman in the world, in the most euphoric, blissful post-coital state. In the next, your eyes blink open, and you're sprawled on your back, alone in the bed.

Her perfume hangs faintly in the air. Like a half-forgotten dream. An unintelligible whisper in the corner of your ear. "Goodnight," she had murmured at some point, in that instant between slumber and consciousness. But as your eyes scan around, her absence, her presence, seems like a dream. Like a mirage. As if she's always been this transient figure in your life. You fall into the pillow.

Then, just as sleep begins its second embrace, there's a knock at the door. There's a pause before a quiet voice speaks, "You awake?"

You sit up in a rush. "Come in," you reply, and Hyori enters.

She cuts right to the chase, as seems to be her way. "Last night, did you two? Wait, don't answer. I can feel it. You did."

"We did."

She walks closes the door firmly behind her, ensuring privacy. "I knew it as soon as she started acting shy this morning. I swear sex is the only thing that makes her shy. Funny little mannerism." Hyori takes a deep breath. "But listen, and listen close, okay?"

You nod for her to go ahead, but instead of going on, she sits down, gathering her thoughts.

She looks at you for a long time and says, "If this, whatever this is, is going to continue, you need to be prepared. It's going to be a mess. You need to hide it, and I mean really hide it, from everyone. Think how nuts the press will go."

You open your mouth to talk but she raises a finger.

"Hear me out. You have to remember that. This can't be normal, it will probably never be normal. That girl is special and this whole country knows it. There will always be cameras. And there will be times when you miss her because she's away. Sometimes for days or weeks and it's not the end of the world, because she has her job, and her fans depend on it. And as I'm sure you saw at dinner the other night, she does too, she loves her career."

Hyori sighs and rubs her forehead. "I know this seems a lot. You have known each other barely a week and I'm piling this onto you, but you need to know what you're getting into."

You smile. "I get it."

"You don't. Trust me. Not until you've lived it. Look, Jieun's an amazing girl. I like you, she likes you, a lot. I think you can make this work." She takes a big breath and says, "Welcome to this weird fucking world."

You chuckle quietly and nod in thanks.

"Now, if you're wondering where she has gone, she's out picking some flowers for the side dishes for later. They're recording something for the show right now but you can go out and join her in ten minutes, if you like?"

"That'd be great."

Hyori leaves and true to her word, when you venture downstairs and out onto the garden. Jieun's knelt along the rows. Her hair blows in a gentle breeze, and with the flowerbeds just in front, she is a blessed sight for tired eyes.

You go to her and ask, "Working hard?"

"Hey, you woke up," she beams at you.

"Had a chat with Hyori, too."

"Was it alright?" Jieun's face turns pale and worried, and her voice drops to a whisper. "She didn't try to get in your head, right?"

"It was fine, Jieun, she did give me the talk, though. A warning and a blessing, I think."

"Any regrets?" Jieun asks, timidly.

"What? No. God no. None at all. Actually, the only thought I had was if you would like to eat alone tonight? Just you and me, and then maybe we can go on another walk together, I enjoyed that."

"I'd love that," she says, her voice shaky, before a warm smile grows on her face.

"So, can I help you with the flowers?"

[the-irreverend]

Man, this line REALLY hits differently after reading the latest newsletter, doesn't it?

Many people have debated the meaning of this line and how Asriel felt about Chara when he said it, and now, after reading his letter, we finally have a better understanding of what his feelings.

If you remember, Asriel said that Chara loved the number 9 because if they reach it, "nothing can hurt you" and "nothing can hurt anyone." This is important because it shows that Asriel understands (now more than ever) that Chara's failures as a sibling were tied to the trauma they suffered on the surface and that their desire to become invincible wasn't just because they were self-serving, psychopathic or just plain evil.

At the same time, he understands that just because Chara wanted to achieve power so that "nothing can hurt anyone," it doesn't excuse them for the hurt that they ended up causing Asriel, even if they didn't mean to hurt him.

So, while Asriel rightfully says that Chara is not an "ideal friend", THAT DOESN'T MEAN HE THINKS THEY DIDN'T HAVE GOOD IN THEM, and the newsletter helps prove that!

So, in the end, Chara is just like every other character in Undertale: far from good, but also not a terrible person either.

[yuvany]

BE MINE...PLEASE

𝐄𝐍𝐇𝐘𝐏𝐄𝐍 confessing their love because you don't realise that they love you.

OT7 ENHYPEN x female reader . . . CONTENT/ WARNING(S) : fluff + friends to lvrs + kissing in a few + little long + not proofread . . WORD COUNT : 1168. CHECK BOX !!

yu-note : side-tracked on some, and got off topic, but I hope you enjoy this ! - REQUEST FOUND HERE !!

( REBLOGS + FEEDBACK always appreciated !! )

𝗟𝗘𝗘 𝗛𝗘𝗘𝗦𝗘𝗨𝗡𝗚

"I've always loved you, Y/n!" He says, his voice sounding desperate like he's been holding it in for so long. You try to reply, but he interrupts, "I don't know how I should tell you this, but I've been asking your friends for help and I've done what they said, but it still doesn't work." You place a palm on his shoulder to calm him down. "Heeseung, I see you as a close friend, and I never really wanted to make it awkward." Heeseung approaches you, his eyes meeting yours again. "So, do you like me too?" He asks, his tone seeking for your assurance with eyes seeming more desperate than his words. You hum, and see how his eyebrows loosen upon hearing your answer. "I in fact do." You say, trailing your fingers up the contours of his face, locking eyes with him and leaning in for a kiss.

𝗣𝗔𝗥𝗞 𝗝𝗢𝗡𝗚𝗦𝗘𝗢𝗡𝗚

It was valentines day, and Jay had planned every detail on a microscopic level for it to be perfect. In the morning, he went and bought a bouquet of roses, then he picked up the teddy bear before he went to see you. His heart began to race, and in his mind, he thought he would get a heart attack. At the junction of the roads you see him sitting on a bench. "Jay? Who are these gifts for? Is it for Soha?" You ask, and he shakes his head. You throw in more guesses, but get it wrong. "Y/n." He interrupts. "These are for you" You are shook by this. "Wait, are you for real?" Jay nods his head, and hands you the bouquet first. "Yeah, I don't know how you didn't catch up on all of my hint up until now." He rants "Jay, I actually always liked you too, but I didn't wanna get ahead of myself here!" You smile, and you see his tense expression relax. "Really?" "Really."

𝗦𝗜𝗠 𝗝𝗔𝗘𝗬𝗨𝗡

You and him went to see a movie, a movie that Jake had chosen. Jake insisted that he carries the bowls of popcorn even though you offered to help. "What movie are we seeing?" You ask your friend after finding your seats. "It'll be a surprise." He says, his usual smile painting his face. After a couple of minutes into the movie, you figure out that it's a romance movie upon seeing the main characters kiss. "Didn't realise you could bring friends to watch a romance movie." You joke, and Jake chuckles a bit. "Now you know what movie to bring your future girlfriend to." Jake is silent, getting impatient now. "Will you be my 'future' girlfriend?" It takes a moment for you to realise what he said as you see him get closer. "Me?" His hand holds onto yours as he nods. "Of course." You say and close the distance between you two to peck his lips.

𝙋𝘼𝙍𝙆 𝙎𝙐𝙉𝙂𝙃𝙊𝙊𝙉

While you and Sunghoon are walking together, he asks if you've gotten any love letters. "I have, but they're never from the right person." You sigh, and he nods along. "What do you mean?" You explain how the only love letters you get are from people you don't know and that it's all so vague, and also how you wish people gave you hints that they liked you if they were to send you a letter. As Sunghoon listens closely to your rant, he realised that he has been hinting his love for you, but yet you don't realise. "Y/n, I have something to confess." He says, and you nod your head. "I've wanted to say this for a while, but I thought you'd catch on all the hints I've dropped that I like you, but it hurts hearing you speak so casually about them. So here it is; I love you." You are stunned by this confession, and say, "I have noticed, but I always thought they were on accident. It lightens my heart that you love me, because I like you too."

𝗞𝗜𝗠 𝗦𝗨𝗡𝗢𝗢

Isn't one to easily get worked up and frustrated, but when he sees you getting more distant and avoidant, he starts to state questions in his head. First, he goes over to ask your friends, but they say that they have no idea why that is. Had he done something? He spots you turning a corner and rushes over to you with quick strides. You see him, but it is too late to turn around and escape becuase you two already made eye contact. "Y/n!" He calls out. "Sunoo..." You drag out with a forced smile. "Have I done something? Why are you ignoring me?" He asks, leaving no room for greetings. "I'm not-" "Yes, you are!" He sighs, and you copy. "I heard you talking about a girl, and I guessedd it was her from class ( ), and I know she likes you too, so I didn't want to come in between you two." You see Sunoo giggle, his demeanor turning around. "You're so silly. That girl I was talking about is you!" You flush at how ridiculous your assumtion was.

𝗬𝗔𝗡𝗚 𝗝𝗨𝗡𝗚𝗪𝗢𝗡

He takes you to a cafe, offering to buy you something warm in contrast to the weather. Jungwon guides you over to a table before he walks up to the register, asking for a latte, and requesting a heart design on it with your initial on it. He really hoped you'd get the hint, knowing that he'd explode if he didn't confess. When it arrives, you arch an eyebrow. "Did yoy add my initial?" you ask while inspecting the drink. Jungwon nods, and you shrug it off, not paying it any mind. "You know, this might be a hint..." He coos. "Like what?" "Maybe that I like you?" he says, dragging out each syllable. You look up at him confused, seeing his eyebrows knitted in worry. "I hope you don't that this the wrong way." Jungwon adds in a hurry. You playfully scoffs, "of course not."

𝗡𝗜𝗦𝗛𝗜𝗠𝗨𝗥𝗔 𝗥𝗜𝗞𝗜

"I am better than him, I'm sure you know that." Riki announces, catching you off-guard by the sudden switch in tone. "What are you saying, Riki?" You look up at him confused from the couch. "Were you peeking at my phone?" You ask, conneccting the dots. "Yeah? But why are you trying to get together with someone else when I'm right here?" He asks, his words coming out like a cannon was fired. "Not quite sure by what you mean." You say, and Riki tilts his head as well as raising an eyebrow. "I see your phone still. Who even is he? He looks short." Riki points at you phone screen as he commenst nastily. "It's not even for me. My friend sent me this, but to answer your question, I'm certain you're better than him." It's quiet, and Riki hides his face in his hoodie after being embarrased. "No need to be shy now. I liked the bold Riki." You say.

TAGLIST : @dollyhoon @itjengirl @saeivra @orimuraa

[mayapapaya33]

I had sort of hoped Keyleth would have matured and grown past her anger at the Matron over the past 33 years but I suppose it's in character that she hasn't fully dealt with her grief yet. And the Vorb probably isn't helping her issues either. It just sucks because I think a lot of the fandom take Vox Machina's grief fueled blame and fully accept it as fact when the reality is that Vax's situation is almost entirely his own responsibility. The only other person with any remote culpability is Percy. And even Percy is only really to blame for accidentally Killing Vex, not for Vax's choices. But even if you want to hold Percy accountable for Vax's choice in the tomb as well, that still doesn't make him responsible for Vax's death. Vax could have lived a long full life as the Matron's Champion, as shown by the Delightful Purvan Suul and his companion Galdric.

Vax was a borderline suicidal, self-sacrificing character from day one. He always threw himself into danger headfirst regardless of the cost to himself. Between Percy accidentally setting off the trap creating the circumstances for Vax trading himself to the matron during Vex's resurrection, all the way up to Vax CHOSING to come back as a revenant after being disintegrated in order to help defeat Vecna, the choices have always been his. Especially him, fate touched as he is. Ultimately, Vecna killed Vax and Vax killed Vax. I think it's easier to blame the Matron than to be angry with Vax for being who he was.

The Matron maintains the balance of life and death. She accepted Vax's offers both times, do you think she should have refused? The first refusal would have meant Vex's death, and the second refusal would have meant Vax possibly just staying dead after being disintegrated, and not being there to fight against Vecna, which was truly an all hands on deck situation. There was no time to fuck around with a resurrection ritual that might not even work, the whole world was in danger. One life, a life that was already lost, is a small price to pay to save the world. I'm pretty sure Vax would agree with me!

Frankly, Vox Machina were super lucky and privileged to have so many successful resurrections between them. I think they got a little spoilt and entitled about it honestly. Most people have never even met someone who's been resurrected before, they did it like 20 times! Vax was disintegrated, he chose to come back as a revenant to fight Vecna, protect the world, and help his family. An opportunity he was only given due to his allegiance to the Matron. She gave Vox Machina and Vax extra time together and a chance to help save the world.

For those of you shouting "what about true resurrection!?! I hear you, and Matt said it's complicated and didn't elaborate lol. Personally, I think the Matron has quite the special a barrier of entry to true resurrection, if the spell even works at all in Exandria. I think they touched on it briefly in Calamity but I've forgotten. I can only imagine what insane ritual Matt concocted years ago that he's had plenty of time to work on since. Part of the Matron's whole thing is that everyone must eventually go into death, sure they can avoid it for a while, so some resurrection is fine (the DC gets higher every time), but eventually enough is enough and it's time to go. Hence why necromancers and liches are her enemies.

At any rate, I'm really proud of Keyleth for going to therapy and I hope she goes back when all of this moon business is over because she still needs it and that turtle lady in the frog seemed great lol.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[somerandomdudelmao]

Thinking about Sculptors choice in name. From a writers perspective it’s an excellent choice to convey that this person is a deeply focused artist specifically. He’s not just a researcher or scientist, but explicitly someone who makes and creates, in part by reshaping and carving away at their chosen medium.

That combined with the knowledge Sculptors preferred medium is organic life makes for a deeply unsettling character.

That said, I’ve also gone down a meta interpretation rabbit hole that makes Sculptor as a name very funny.

See, Marmor can’t see so their kids aren’t doodling on paper (or walls) as a creative outlet.

So what would Marmor art “look” like? And what would kid’s emulate? Well sculptures are perfectly visible to them! And some Marmor artists could probably do some really clever layering with how the eye rays see through things as well.

All this to say, it’d be very funny and kind of sweet if this terrifying mad scientist got the name Sculptor for being the kid that wouldn’t play with anything other than chunks of clay.

My new head cannon is that to Marmor, being called “Sculptor” is the equivalent of getting nicknamed “Play-Doh” for the rest of your life

LMAO

Some Marmor: What do you have there kiddo?

Young Sculptor with his clay statue with all anatomically accurate internal organs:

[pomefioredove]

may I request headcanons of the overblot boys + Adeuce reaction to a younger yuu that tells them that they’re like a big brother to them? Platonic obviously—

thank you!

awww ofc!

*ੈ✩‧₊˚ brotherly (again!)

type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus additional info: platonic, reader is gender neutral, reader is yuu, short

Having been torn from your home, separated from your family and friends, and spit back out in a new place with new people, isn't really as fun as it sounds.

After months at NRC, though, you've managed to make yourself a life here. A new home, new friends, even new family.

Now, sitting close to the person you've become fondest of, you let slip that you seem him as a brother.

His reaction?

I am of the (kind of depressing) opinion that Riddle's life would be much better if he had a sibling. he hasn't really thought about it, per se, but he's always had this feeling...

so, when you tell him as much, he just... 🥺🥺 you know?

he's in protective brother mode from this moment on (for better or worse, lol)

*ੈ✩‧₊˚

the bond you have with Ace and Deuce has gone unspoken, but all of you know what it is. you saying it, though, makes it all the more real

as warm and tender of a moment as it is, Ace still feels the need to make a joke about how sappy you're being (affectionately, of course), and Deuce can only hum with excitement at the acceptance and warmth between the three of you

*ੈ✩‧₊˚

admittedly, Leona is a little... put off. at least, he is at first. he doesn't exactly have a great relationship with his own brother, and with no other examples to go off of, it feels kind of like an insult

he... gets what you mean, though

and, reluctant as he is to be so vulnerable, he'll say you're just as much of an annoying little sibling to him

lovingly, of course

*ੈ✩‧₊˚

Azul had friends before you... kind of... but none as near and dear to him. he could never quite explain what this feeling was until you said it

ah... that's it. family. he almost feels embarrassed, being so vulnerable all of a sudden, and he can barely get out that he feels the same way

*ੈ✩‧₊˚

Jamil has younger siblings already, and he could tell the two of you were forming a similar bond before you said as much. he'd caught himself treating you just how he treats his sister on multiple different occasions (for better or worse, lol), and...

he's glad that you're here with him. that's all he'll say... for now

*ੈ✩‧₊˚

many people would think you'd have to hit your head to say something like that to the Vil Schoenheit

he's untouchable! he's godlike! he's... lol. just kidding. he's quite fond of you, too, and hearing those words come from you is better than any amount of likes, any award or role. you're his favorite person, after all

*ੈ✩‧₊˚

dude, are you trying to make Idia cry??? because he will! and then he'll bubble-wrap you and Ortho so you can never go anywhere or get hurt ever

he... has some things to work through. obviously. but, really, he and Ortho have basically adopted you already, so hearing you say it... in a good way... call him cringe, but he could get a little emotional over that

*ੈ✩‧₊˚

you think of Malleus as your brother? then you must also think of Silver the same way. and Sebek... would you be interested in adoption, because Lilia-

yeah. you get it. welcome to the family, lol. Malleus has already decided you're his best friend forever and ever, and hearing you call him family... hohhh that overblot is going to hit hard when you guys get there

[anemoiashifts]

The age changing debate from a twenty three year old Reality Shifter.

⭑.ᐟ recently ive seen a ton of arguments on shiftok of what’s okay / what isn’t okay to do in your desired reality regarding aging yourself up or down to date characters or have certain experiences like going to high school, going to college, reliving your childhood, etc.

when you shift you are fully embodying that version of yourself. when you shift you are everything you intended to be. you have that mentality. you have a certain set of experiences under your belt that make up your desired reality self.

by throwing around words like p3d0 & placing that onto adult shifters for expressing they’d like to be friends & date characters they’ve liked since they were children, it diminishes the meaning of that word. it also makes the community incredibly ageist; like there’s a certain amount of time people have to shift or else they can’t shift there. thus, creating unnecessary pressure for people to shift within a “certain amount of time”.

some people just want to re-live their schooling who didn’t have a good time due to bullying. some people want to befriends their favorite characters so age themselves appropriately & accordingly when they do so with non-malicious intentions because they didn’t shift / were unaware of the idea of shifting as children & still hold these places closely to their hearts. in the same breath, minors will age themselves up & have adult experiences & nobody questions it.

keeping what I just said in mind, not everyone wants to shift to date. some people have no romantic intentions for when they shift. someone people are aromantic or asexual, like myself. when people say “shifting for ____” it doesn’t always mean romantically. it could mean “shifting for” a comfort character. it could mean “shifting for” platonic love. when people say “im shifting for draco malfoy” — he could be their brother in their desired reality or their dad or their best friend. not everything is inherently s3xu4l & that’s on you if your brain goes there when adults mention shifting for someone.

aging yourself down isn’t just reserved for media that includes minors. shifting can aid in re-living stages of life trauma free. it can help people — both adults & children — who would’ve liked to live a live of normalcy instead of what they have experienced in this reality.

i can guarantee that minors who are so hellbent on saying “adults can’t shift to places like harry potter because hogwarts is a school for children” & “aging up characters to date them is wrong” who will go on to still not have yet shifted into their adulthood / later in life will change their minds really fast once they turn eighteen & then nineteen & so on. by telling people it is wrong to do something in your desired reality, that is policing people’s desires realities weather you like it or not — something the community has agreed is unproductive because it’s your desired reality & not anyone else’s.

do i agree with certain things that ive seen people wanting to do ? no. but do i vocalize that & add onto the dozens of others parroting my thoughts when that person clearly has their heart set on doing something in their desired reality a certain way. why would i ? calling them out & trying to persuade them won’t do anything. they probably have seen the debates of “is this wrong or right” already. at the end of the day, people will do whatever they want despite others trying to influence that. im focused on my shifting journey, not making sure everyone else is going by the book because there is no book when it comes to shifting. if i took the time to tell people online everything I disagreed with on this app that i came across, i would have zero life outside of social media & severely neglect my own shifting journey in addition to mental health.

[tossawary]

Oh, hm, I properly realized that Obi-Wan never finds out about the Tusken massacre in the prequel trilogy. Now I'm imagining an immediately post-Ep3 scene on Tatooine, in which Owen or Beru is forced to reference it as it relates to other occupational hazards on Tatooine, and Obi-Wan has to be like, "I beg your fucking pardon???"

And they're reluctantly like, "You know, that time that Anakin, your student, came back to Tatooine after his poor mother had been taken by the Sand People? He singlehandedly killed that big group of them down to the last child, dozens of them, and then took off right afterwards. Big mess. It was about four years ago now. Just before the Clone Wars started. Is that, uh, is that normal for you Jedi people, by the way?" And Obi-Wan has to say, "No. No, it is fucking not."

So the Larses are, at least, incredibly relieved. They didn't want that kind of thing to happen around here again and were a little worried about this Kenobi guy starting that up again. Big mess, don't you know? Everyone in their corner of Tatooine heard about it. People a few towns over heard about it. Anakin and that Padmé woman really never said anything?

Obi-Wan, already reeling from Anakin's recent betrayal and suddenly having to re-evaluate the late Padmé's entire character as well, in the flattest tone of voice that anyone has ever used: "No, I can't say that she ever mentioned it. How odd."

[kingdomvel]

Steddie | 2.3k | first part

“Okay, what was that?” Gareth asks the moment they are inside the room they are using as a dressing room for tonight.

“What was what,” Eddie answers.

“You know damn well what I mean.”

Eddie doesn’t answer, putting his best poker face on.

“That weird mating ritual you have been performing with the boy in the front row the whole night, maybe?” Jeff adds.

“I have no idea what you are talking about.” Eddie says, his voice flat as he tries to avoid the other’s gazes. He takes a towel to dab at his forehead.

“Come on, man,” Freak butts in, “you told him to stay after the concert, you have told Chrissy to get them here. We said we were not going to be that kind of band, that we were going to be like My Chemical Romance: no groupies and after concert dnd sessions.”

“Yeah, if you go with that guy what happens to our dnd session.”

“We can play dnd any other day, okay?” Eddie snaps, his hands stretched in front of him. A part of him thinks he looks like that meme of Chris Pratt in front of the dinosaurs, the other part of him detests that he thought of him. “I will make it up to you.”

“Who are you and what have you done to our DM?” Freak asks, his voice serious.

“Yeah, what is this talk about postponing dnd for some boy?” Gareth adds, there is something in his tone Eddie doesn’t like.

“Some boy? Some boy? Am I the only one with eyes in this fucking band? He is the hottest person that has laid eyes on me and I’m not letting you fuckers take that opportunity from me for one session of dnd or I swear to God I am killing every one of your characters.”

The boys don’t answer, they look at him with wide eyes and raised eyebrows.

“Wow” a voice says from behind Eddie.

He doesn’t recognize the voice but the expressions on the rest of the band in front of him make him freeze. They go from slightly annoyed to wary and to bemused. Mainly a mix of all at the same time.

The sounds of steps approaching them break the silence that had fallen in the room, before a voice finishes breaking it.

“How does dnd work with you nerds anyway, are you all bards or what?”

The boys drop their mouths open. Eddie still doesn’t recognize the voice, but there is only one person it can belong to. He sounds just as good as he had imagined. Eddie is honestly afraid of turning around after what the boy- Steve- has surely heard.

“Don’t pay attention to him,” a woman’s voice says. There’s the sound of a hit and a quiet ‘ow’ from Steve under it. “He is just trying to sound all confident after whining-“

“Robin.”

“Telling me to not get my hopes up because he probably wasn’t anyone important and you just did this every concert-“

“Robin.”

“But of course he is the luckiest bitch in this planet and has his instant crush reciprocated and-“

“Enough!”

There are some muffled noises that Eddie can only guess are the girl trying to continue speaking. He wishes she wouldn’t stop. His knight in shining armour may be embarrassed, but the rant has put a smile on Eddie’s face, has given him confidence again. He crosses his legs and turns around slowly, his hands coming up beside him.

“By all means, let her continue.”

The adonis, the hottest man that has laid eyes on him, his knight in shining armour, Steve takes his hand away from the girl’s mouth and rubs it on his jeans. Eddie can only guess the girl has licked it. God he wants to be her so bad right now.

“Hey,” Steve says, his hand coming up for a small wave. “Sorry about Robin.”

“No need for that. I’m Eddie.”

“I know,” Steve answers with a cocky smile as he crosses his arms.

“Oh and now you are acting all full of yourself as if you didn’t ask for the name of the band like 20 times 2 hours ago.” Robin says.

“Will you please just shut the fuck up?” Steve asks with the confidence only a best friend can have.  

“Not a fan then?” Eddie asks amused.

“Not really my scene,” Steve answers. There is a scoff behind Eddie, and if he wasn’t so lost in Steve’s brown eyes, he may have moved to swat whoever it was. “But I sure am a fan now.”

There is now a groan behind Eddie, but he can only focus on the way his heart jumps at the words, the way Steve’s mouth lifts in one side in a smirk, how his eyes spark.  

“I can get you front row tickets to all the gigs, baby.”

There’s a gagging noise being Eddie, and this time he does turn around to swat at Gareth. The little shit just laughs at him.

When he turns back towards Steve he is looking between them with a smile on his lips and he looks- damn- he’s been looking beautiful since he saw him at the beginning of the concert that night, but now his hair is a mess from the almost two hours of sweating and moving around and Eddie’s on stage confidence is slowly being replaced by his fast beating heart.

“Look man I-“ Steve starts, “I don’t want to be a problem,” he adds, glancing behind Eddie as he bites his lip. The girl next to him- Robin- turns to him with an incredulous look on her eyes that Eddie is sure mirrors his own. “But you are hot, I want to take you on a date, and the others wanted to meet you.”

Robin rolls her eyes and looks at Eddie with an eyebrow up.

“The others?” Eddie manages to say, just before he remembers the teenagers around Steve all night.

“Yeah, they are with Chrissy, I asked them to give us five minutes before coming.”

Eddie is about to say something, maybe ask about the date Steve mentioned, but in a second the door is filled with said teenagers, the one with the curly hair in the middle of it.

“YOU GUYS ARE LEGENDS!” he exclaims. It makes Eddie less annoyed about being interrupted. No one has really called them legends before, they have just surpassed 150k listeners in Spotify.

It feels good hearing it.

The dressing room fills with chatter fast, the boys and the teenagers getting along without problem. They take photos, talk about music, about their instruments, about their dnd tradition. The bad part of it all is that Eddie gets separated from Steve. He catches his eye at some point and Steve sends a little wave his way that he answers. He is talking with Robin and Chrissy and, by what Eddie can hear, Chrissy is getting every video Robin has managed to get of Eddie’s and Steve’s interactions through the concert, even a closer video of the kiss than the one Chrissy managed to get. From what he can hear, she wants to post everything on their social media before ‘someone else does and steals the chance at going viral from them’.

Eddie doesn’t know how he feels about posting Steve like that, Eddie should have probably thought, about that before making out with the guy in front of all their audience. But he seems completely comfortable with all of it. Eddie guesses that comes with being as hot as Steve is and knowing it.

It’s some time later, enough that Eddie knows they won’t be able to stay much longer in the venue, that he finally has a chance to slip away. It’s perfect, he has just seen Steve leave the dressing room, probably in search of the toilet, and Gareth and the curly hair boy he has learned is called Dustin are so deep in conversation they don’t notice him stepping away from them and leaving too.

He catches Steve just as he is leaving the toilet. Eddie doesn’t stop to answer Steve’s surprised ‘oh, hey’ that turns into a more surprised ‘woah’ as Eddie pushes him back into the toilet and closes the door behind him.

“Hey” Eddie finally greets. Steve only looks at the closed door behind Eddie and then at him again with what Eddie hopes is amusement. God, he really hopes it’s amusement, he is just not realising how creepy this looks. “So, about that date.”

“Couldn’t wait until I came back?”

“No. I mean, yes.” Why is it so difficult to talk with a pretty boy? Eddie takes a deep breath, composes himself. Theatrics, he is good with those, they make him confident. “I was suffering, being deprived from your company by your companions, and didn’t have another option.”

Steve squints his eyes, “so you decided to have the date in the toilet?”

“What? No.”

Steve takes a step closer to Eddie so now their chests are almost touching. It hadn’t downed on Eddie before how they are almost the same height. It feels very important now when he has Steve’s face right in front of him, when he can look directly at his eyes, at how they drift down to Eddie’s lips. When his inevitably drift to Steve’s lips, the boy is biting his lower lip. “Eager.”

Eddie’s breath hitches in his throat, he may have miscalculated this. There’s something he wanted to say. “No, I-“

Steve chuckles, takes a step back. “Relax dude. I know you haven’t really agreed to the date yet, we got interrupted and all that.” Eddie is about to speak, to agree a thousand times to the date, but Steve keeps talking. “You just offered to buy me a couple of drinks and called me hot,” he smiles when he says that.

“I want the date.” Eddie says before Steve can keep talking, “as soon as possible.”

Steve steps back closer. “Eager.”

“We are leaving on tour, won’t be back for three months.” Eddie explains before all his brain functions completely shut down.

“I can wait three months.”

“I can’t.”

The next second Steve’s lips are on his, his hands are on his hair, and it only takes a second for Eddie’s to do the same. Steve is even a better kisser than he was in front of the audience. Steve pushes him against the door, brings a hand to his hip, pushes one of his legs between Eddie’s. Eddie just groans and lets himself be pushed and moved. Kissed. “Fuck,” he whispers when Steve pulls away for breath. Steve smiles, takes one of Eddie’s hands in his, and kisses him again. It’s so sweet and filthy at the same time Eddie might cry, but he just moves his hips forward, and Steve answers in kind, grinding against him and getting a groan out of both of them. Maybe the rockstars that hook up with people after concerts are onto something. Though Eddie doubts he would want to do this with someone that is not Steve.

A knock on the door startles them both, Robin’s voice coming from the other side.

“Steve?” Steve and Eddie stop kissing to look at each other in silence, their eyes wide. “Chrissy said we need to leave already and you’ve been in there so long I started to worry you were kidnapped. Wait, you are in there, right? Also, have you seen Eddie? He disappeared.” Steve moves, an innocent thing that has his groin brushing against Eddie’s. And he is only a man. He moans. “WAIT! Are you both in there? GROSS.”

Steve snorts, making Eddie smile. They can hear a couple of steps moving away from the door before they come back and there is a bang on the door.

“Steve! Come out you dingus, have you forgotten about your pack of kids?”

Steve lets out a whispered ‘fuck’ before he looks at Eddie with an apology in his eyes. Eddie lets himself be moved away from the door so Steve can open it to talk to his friend outside.

“Hey.”

Eddie opens the door more so he can also fit in the gap, Steve sends him a look, smiles at his appearance, and then looks at Robin again.

“Hey” Eddie greets too. Robin is looking at them and there is no hiding what they have been doing. She can surely see their bruised lips, their wild hair. Eddie just prays she doesn’t look down and sees the bulge in his pants.

“You two are gross, was making me see that once tonight not enough?”

“You have not really seen it this time,” Steve points.

“Still.”

“You are the one that came to interrupt.”

“And for a good reason! Your kids.”

“What about the kids,” Eddie asks.

“He promised to take them home.” Robin says.

“I promised to take them home.” Steve says at the same time, a resigned tone in his voice. He turns to Eddie, his brown eyes sad, and pinches his nose.

“Can’t she take them home?” Eddie points to Robin, and they both turn towards her again.

Robin takes a breath, stops, looks at them, looks at them, sees the tent in Eddie’s pants. Grimaces.

“FINE,” she agrees, and Eddie grins. “But you owe me. Big time.” She adds pointing at Steve.

“I’ll give you ice cream for life.” Steve says. It must be an inside joke because it makes Robin roll her eyes.

“Give me your car keys at least. Rockstar here can drive you home, can’t he?”

“I’ll have him home before eleven.” Eddie swears with a hand on his chest. The other two stare at him in silence. “A.m.” he adds.

“You heard him.” Steve says while handing Robin his keys.

“Okay,” Robin answers. She takes a step back. “Have fun.” She takes a couple of steps away before she turns around. “Use protection, he is a rockstar, we don’t know where his thing has been.”

“Hey,” Eddie protests, but Robin is already running away.

“She is kinda right.” Steve says with a shrug. Eddie purses his lips. “But I have an idea on where it can be in the near future.”

“Lead the way.”

Steve slips his hand into Eddie’s.

[merakiui]

I’ve seen bits and pieces about your take on yandere Trey but i need to hear more of your thoughts on him. Your interpretation of yandere Trey seems so different from all the other interpretations I’ve seen of him… like you said he was the scariest yandere at one point, and then the post about chenya riddle and Trey — I need to know

*cracks knuckles* >:) here are my thoughts!!

He's definitely one of the scariest twst yans (to me)! Trey's character is so fascinating because, compared to some of the more powerful/influential characters, he seems like Some Guy. What's so frightening about Trey is that he doesn't have to use violence or threats. Rather, it's the way he can twist his words to keep you constantly questioning yourself and your reality. He has the perfect boy-next-door sort of charm that lulls you into that false sense of security, and you'll never truly know the extent of his manipulations because of how flawlessly he can gaslight you. And everyone else will think you're crazy because Trey's not like that. He's gentle and helpful, everyone's big brother! Maybe you're the crazy one... (Are you??)

His UM is quite literally just a more sophisticated, magical version of gaslighting (lol). ^^;;;; the way that can be used against you and you might not even know. Trey plays it off as a parlor trick in book one when he changes the flavor of food to suit everyone's preferences, but it's seen to be quite formidable against Riddle's magic. If a UM can overwrite the very overpowered Riddle's magic....... even if only for a few minutes,,, that's no mere parlor trick.

Perhaps the horror stems from how very easy it is to fall into the trap. Trey isn't a yandere you approach with fear because there's nothing about him that would give you valid reason to stay away. It's understandable for someone like the tweels or even Vil because they have that air of intimidation about them, but Trey is so sweet and kind. He couldn't hurt a fly. He's so easy to approach.

Trey is not very combative either. If you come to him with an issue (perhaps an attempt to call out his behaviors) he'll smooth things over in such a way that you come out of that conversation wondering what you were even trying to talk to him about. He understands where you're coming from, he knows you're just stressed, everything will sort itself out, let's all just calm down, etc etc., all while over tea and some freshly baked pastries.

Also,,, gaslighting is such an effective and dangerous form of emotional abuse because of how successful it can be. When it's happening, it doesn't seem very damaging and, rather, it can feel as if everything Trey is telling you is correct. After all, why are you getting so worked up? You must be exaggerating these feelings of yours! It sounds so logical coming from his mouth, and why would Trey have any reason to lie to you? You're so wrapped around his finger and you don't even know it. Your world is so closed off, crafted by the things he tells you. You may think you have control, but at the end of the day it's Trey who keeps you hooked on his line like you're nothing more than an impressionable fish.

Omg and the infantilization....... he tells you it's just a habit of his from looking after his younger siblings, and he plays it off so casually and jokingly every time. You begin to wonder if it really is just a bad habit of his. But then there should be no reason for him to treat you like you can't do things you're fully capable of doing. You ask yourself 'what if' all the time. What if you don't have Trey there to help? What if you truly can't do that thing? What if Trey was right?

You're not a child; you're not codependent. But you always feel this way around Trey, and that's a snare that's difficult to shake. Especially when Trey so smoothly hammers that narrative into your head.

[dazaiandhislovelybandages]

hi! what about jjk characters (or any characters) squeezing yn to tight in their sleep and yn wakes up. it can maybe be because of a nightmare and yn comforts them 🫠🫠

Tight Hugs with Nanami and Gojo

Gojo Satoru

Gojo doesn't usually have nightmares. Hell, that man is so tired that he barely gets to dream at all. But what Gojo usually does and by usually I mean all the time, is that he hugs you. He is a huge cuddler and loves to be both the big spoon and the little spoon, depending on his mood. Due to his height and overall physique, it isn't really uncommon for him to be the big spoon, with your back pressed against his chest while the two of you are laying on your sides.

But Gojo sometimes doesn't really control himself. He is not really at fault because, in his defense, you make him relax and subsequently let his guard down. And usually his body is tense, yes using his Limitless technique has become a second nature to him but that doesn't really mean that he doesn't get tired from time to time. That being said, his muscles tend to get tense a lot.

"Satoru..." you groaned and turned around, making an effort to push him away from you.

"I said I am sorry." He let out a chuckle that came out ruspier than he intended since he had just woken up. It wasn't the first time Gojo had decided to stretch his arms while having them wrapped around you. He never meant any harm, he would just genuinely forget and squeeze you a little too tight for your comfort.

Rolling your eyes, you wrapped your arms around him this time, effectively making him the little spoon since the only way to save yourself from this man and his strange sleeping habits would only be if you were in control.

Nanami Kento

Nanami comes home from work completely exhausted. There's not a single part of him that doesn't need to relax. While you often help him with providing him with a nice massage during which he gets to talk about his day, it's not like you can do much about the mental part.

He doesn't get nightmares often but when he does, they can be pretty intense, fully inspired by all the horrors he daily deals with at work. Since most of the time the two of you sleep while cuddling each other, you can't help but find yourself to be a 'victim' of his nightmares.

"Nanami..." You gently shake his shoulders and this time he does wake up. His forehead is covered in sweat, the only sign that showed he had just had a nightmare. That and the fact that he had squeezed you to tight.

Nanami, on his side, knew exactly why you woke him up. It wasn't the first time he had done it and it bothered him a little because he had promised himself that he would try to control it even though it wasn't something one cannot control. "Sorry, my love. It was just a nightmare, hm?" He leaned in and placed a soft kiss on your forehead before covering you up with the blanket once more. "Let's go back to sleep, I defeated the curse in my dream anyways."

[buddie911abc]

Here I go again.

Buck asks Eddie if his son is the real reason he doesn't date. Eddie responds with, "That and, they weren't my type."

This has been a flag for everyone who reads the subtext, but let's take a moment to look at the last GIF.

Eddie says they weren't his type. Buck turns around to look at them and probably assesses what makes them, 'not' Eddie's type because the girls were all subjectively pretty. There were also a variety of types of women there.

But look closely at the GIF. Eddie said they weren't his type. While Buck is glancing back, Eddie gives Buck a quick look that really screams, "You are it. You are the type." When I noticed this from the GIF edit, I thought it might be the creator slowing it down, but nope. If I look at the episode, it is the same or nearly the same. This is early season two, and I have always thought, in the early episodes, there was no intent to pair Eddie with Buck as anything but a friend. However, this scene makes me wonder at what point Tim M or whoever was writing changed their minds about adding in a subtextual narrative.

I find it very difficult to see this scene as a heteronormative exchange. In fact, it even feels like Eddie is pushing back a little to test where Buck stands. Buck as a character who lacks self-awareness gives a mixed signal answer. (which tracks with his character at this point and matches his coming-out arc.) **edited to clarify** Buck's mixed signal response to Eddie saying they aren't my type is, "Not mine either, at least not anymore."**

A few seconds later, Buck says Eddie has a weak excuse. My lovely and wonderfully sassy Eddie says, "You live in your invisible girlfriend's house, and you're telling me about weak excuses." He essentially points at Buck's closet door, but of course, this is something that Buck couldn't see or pick up on at the time. These moments are small in the grand scheme of the show as a whole so I'm afraid it will be forgotten. It would be nice to have some sort of throwback acknowledgment that this scene hasn't been retconned.

To backtrack a little bit here, I would also like to point out something else about the early timing or the writing of these characters as potentially queer. They are outside. (True I don't understand the ins and outs of filmmaking so there may very well be a reason for this.) But the shot itself is making them walk close together. Not just close, their shoulders are literally bumping against each other, hitting and knocking at each other in a way that might appear "unintentionally" intimate--until you remember they are outside. It seems to me like there are dozens of ways to shoot this thing that don't require them to be so casually physical with each other. For the scene to be shot like this and then consider the canon conversation that took place, it feels quite intentional that the writers wanted viewers to look closely for something else.

Whenever certain people call Buddie shippers delusional, I think about this. Subtextual language aside, the scenes are shot in such a way as to plant the idea of "More." There is attraction here. There is flirting.

Someone, somewhere wanted to tell this story from the start; and I'm not mad about it. I'm 100% here for it, and I'm ready for it to go down as the most epic love story I've ever watched or read about, but I also admit that I want it to be canon, not so I can throw it in anyone's face that their ship is wrong, but so I can prove I'm not some weirdo putting two hot guys together. I'm seeing a real romance being built. I want that validation as much as I want everyone under the LGBTQ umbrella to see representation for themselves on screen.

If you want to see the scene, go to about 3:05.

[rosyandraw]

idk if this is redundant on your end but thoughts on Damen needing to talk during sex? in the books it isn’t even dirty talk it’s just endless want for Laurent and how long he’s been waiting for him and how different Laurent feels. Also in canon & in ur own writing

Definitely not redundant! You have just knocked on the Damen Character Study door in my head lmao but it's late and idk how much sense this will make so i'm sorry in advance.

Mini meta on Why Damen Likes to Talk During Sex in Canon

First and foremost words are hugely important to Damen, not just during sex but in general. It is part of the reason that Vere trips him up so badly, why he just doesn’t get it. Because Vere is a veil of word play and innuendo, it’s double speak and flowery bullshit and lies.

That’s not Damen. His word is his bond, it’s tied to his honour and they mean a great deal to him. He never says anything he doesn’t mean. Ever. If it’s coming out of his mouth he is saying that shit with his whole damn chest and doesn't give a fuck.

The few times he is forced to lie or to say something he doesn’t mean he says it as a strategy play but it barely makes it out of his mouth and he hates it.

For a long time by the time they get to Ravenel Damen has been playing a part. Living a half truth and not saying everything he means. Or wants to say.

Likewise, in Akielos, Damen keeps himself held back. We know this because in 3 books, despite being the darling crown prince and heroic military leader, he mentions 1 person by name that he is actually and genuinely close to. One. He’s never been in love with anyone before Laurent, he doesn’t get close, he doesn’t get particularly attached. If he did Jokaste would have been a Princess and not just his mistress.

It speaks of a whole heap of childhood trauma and issues, thanks in large part to his father and Kastor and this picture that is painted of strength in Akielos being The Most Important Thing. (And i have too many thoughts on said implied trauma to write it all out properly here because it's an essay unto itself.)

We also know that Damen does the talking thing with Jokaste too. So we know it's an indicator of intimacy in bed for him. He's certainly not doing it in Vask, for example. Because Damen values words so highly he does wear his heart on his sleeve, but he guards that heart close. Sharing his feelings becomes something then tied to both the value Damen places on words and the lack of emotional intimacy in his life. To Damen, opening up like that especially during sex, is an act of giving unto its self.

Damen is strong, yes. Crazy strong and the perfect warrior. But he also likes the wordy sad poems and has craved approval (and affection) from his father and Kastor seemingly most of his life. For example, Kastor stabbed him and made Damen believe with words that it was a good thing because it meant Kastor respected him enough to fight him like a man.

It’s the perfect anecdote to draw all of those ideas together. Damen being happy about being stabbed at 13 by his brother because Kastor said it was a good thing to be strong enough to fight properly and bear the consequences.

Words matter to Damen, he assumes they do to other people too. It's what nearly gets him killed.

It’s funny really, because Damen values words but he himself is a man of action and Laurent values action but is a man of words.

When it comes to sex we see them swap places from their usual dynamic and therein lies the intimacy.

Laurent acts and Damen talks. It’s a complete role reversal and it was always meant to be. Pacat has said, several times, that Laurent tops Damen with words all the time and it was a purposeful choice to have Laurent bottom because of this. So to follow that through to it's logical conclusion for the sex scenes to really hit we needed to see them swap places completely and Damen needed to talk.

Laurent is a mouthy little shit but when it comes to his important scenes (the building of their intimacy and their sex scenes) it's never his words that he's speaking loudest with. Like when he just hugged Damen after the meeting with Jokaste in KR or when he went to get ice for him in PG, it's an offering in place of words and Laurent does it frequently: letting his actions speak louder than any of his words because to Laurent words don't really matter, lies are too easy. He's been taken in by words before.

Damen gets to Laurent through his actions and it's Laurent's moments of honesty, of saying something unexpected, that make Damen really pay attention. This isn't to say that Laurent's actions don't get to him, they do of course, but only really when Damen comes to realise that's how Laurent is being honest. Likewise in reverse for Laurent.

It's the language the other understands that allows the distance to bridge, but the intimacy comes in the opposite every time.

So when they fall into bed Laurent instigates with action, all three times they are together. And Damen talks. Because it’s the thing that is important to them that they are willingly giving and sharing and that is what makes it intimate.  

Quite simply, Damen holds himself back emotionally so talking during sex like that is a way for Damen to let go and to let his partner know that's it not just sex. Laurent, in reverse, shows his want through the instigation and by the time it happens they both know what it means: Laurent never does that and Damen knows it. Laurent knows Damen says what he fucking means.

It's such an intimate sex scene because of that awareness.

In my writing I kind of try to take that and run with it. Damen says what he means and what he wants Laurent to hear, because words of affirmation are important to him personally so he makes sure to share that.

Plus, it’s just sexy, you know? Got to love a man who talks in bed, that sex rough voice when he’s so far gone you know what his saying is just the shit flying through his head?

Hot.

Loved this ask so much. I could literally write a thesis on Damen lmao

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!