#they are an integral part of the factory

[appendingfic]

Love when you are adapting something written by a British person and you have to

figure out

what to do about the embedded colonialism

[roxyandelsewhere]

Angels’ trueforms in their most memorable moments [26/?] - Nephilim fetus: regular nephil, sired by a regular angel (above) and Jack, sired by Lucifer (below)

inprnt | society6 | redbubble | teepublic | ko-fi

[hauntedfalcon]

*slides game designers any Jane Jacobs book* please read this before you make urban maps

[richarlotte]

365 Days from Rot to Hot (Pt. 3).

Find your colors. You could use AI, take a trip to Lowe’s (this is one of the things I did), or actually use a service, but sorting out what colors suit you is essential. A major part of building my blend and creating my personal style was based around finding things that suited me, and I do believe that you shouldn’t start buying clothes or putting a look together unless you know your undertone, have a grasp of your colors and your body type, understand your seasons, and are prepared to experiment with what you’ve learned. Finding your colors should be the first step you take, as it will make the process of creating looks easier and give you a general idea of what things will look good on you.

Search for inspiration and don’t hold yourself back. It’s your life; it’s your fashion; it’s your style. You can be as basic or as eccentric as you want. If you think Kendall Jenner and Hailey Bieber are goddesses, then take inspiration from them. If you’re a budding Betsey Johnson or a Lisa Frank and want to design your own clothes and make them even brighter, then do that. If you’re obsessed with Bella Hadid’s western era and want to chase your own wild horses, then go ahead. I’d recommend doing what I did and creating a number of Pinterest boards and using Instagram to create polyvore-like style and vision boards.

Set a reasonable budget and stick with it. You cannot spend more than you have, and it’s not wise to get into debt pursuing a lifestyle that you know you can’t afford in the long run. Create a reasonable budget and work with it; don’t try to work around it. I found myself shopping from Walmart, Meijer, Gap, and J. Crew Factory and looking for sales before I bought anything. Don’t jump into the process and waste your money buying everything straight off the racks; utilize stores like TJ Maxx, look for sales, use what you already have, and really make an effort to make your dollar stretch. Another part of working with your budget is not blowing it by shopping at Shein; if you buy something and then have to throw it out and rebuy it after 5 wears, you’re not actually getting any bang for your buck.

Utilize Pinterest and social media to find women that look like you. An integral part of creating your own blend and finding what works for you is seeing it on other women. I followed a number of women that looked like me and didn’t look like me, lived in areas of the world I found fascinating, and had tastes that I wouldn’t describe as mainstream. I used a number of different languages to search for the trends that I liked; I used Twitter and Instagram to look at hashtags; and I took total advantage of the resources I was able to access. I used magazines, went through online archives, and spent time building my ideal image. Was it perfect? No, but as time passed, it became more and more helpful, and it eventually became the Pinterest board that I use now and my main vision board.

Tie it all together and see how things work. I had to experiment with so many different looks, delete and recreate so many vision boards, and try things for myself. Am I a hairstylist? No, but I’m also not a billionaire, so I had to learn how to style my wigs to see what suited me. I went to stores to try things on, experimented with IG to see if certain pieces of jewelry would suit me, and had the time of my life during my experimentation phase. Collecting online images isn’t enough, and it’s very hard to actually get a grasp of what you like if you’re doing everything online. Try your lookout, put things together, adjust it as you please, and tie your loose ends up.

Pt. 4 to come next.

[seat-safety-switch]

Have you ever thought about how weird it is that you can buy pineapples at the grocery store? Someone pulled this shit off a tree tens of thousands of kilometers away, and then sent it to me. If I don't buy it, they'll just throw it in the trash.

Global trade is a really remarkable invention of our species. My neighbour's Hyundai was born in South Korea, shipped here on a boat, and will never see its mother or most of its siblings again. Even so, it was only slightly more expensive than a locally-made Ford. Sorry, did I say "locally-made?" That was also made in a different country and shipped here under duress. We don't even notice such a miracle unless we check the registration.

My Volare was sent here from The America, a country which has been going through some rough times lately. I figured that maybe it would want to go back and see Missouri, its land of creation, at least once. That Hyundai would never get the opportunity: who would bundle an Elantra into a steamer ship? Driving there, though, was basically feasible. Well, feasible for anyone who wasn't operating a badly-maintained, 47-year-old example of one of Mopar's shittiest cars.

You guessed it: I broke down at the end of my block. There is good news, though. A couple months ago, I found a bicycle clogging the sewage drain near my office, and I was able to bang it mostly straight with a hammer. Ever since then, I've been throwing it in the trunk, and using it to ride home whenever one of my cars leave me stranded. It's been great for my cardio, but more importantly, it was built here. Plans changed. Volare out, whatever this bicycle is "in." I rode it to the bike shop that assembled it, stopping periodically to ingest fried food, craft beer, and ice cream so as not to unnecessarily improve my health from over-exercise.

Unfortunately for everyone, when I got to the bike store, the snooty repair-shop crew considered my quest incomplete. They didn't make the bikes there, just threw them together. The frame and wheels had come from China, they explained, a big integrated factory that punches out the parts, spitting out thousands of proto-bikes per second without any form of human involvement. You'd have to get on a plane and take it to go visit the mothership in Guangdong.

Confronted with the choice to either abandon my quest or willingly board a Boeing product, I decided to take the safer route and return home. Perhaps it was foolish to try and figure out the maternal bonds of soulless, inanimate methods of transportation. Or perhaps I just picked the wrong kind of product, I decided, picking up an apple at the grocery store on my way home. Surely, this thing came from here, I thought right before I read the label.

As soon as I figure out where "Northern Spy" is, you'll be the first to know.

[wheelsgoroundincircles]

1970 Chrysler 300 Hurst

One of the great unknowns about the 1970 Chrysler 300 Hurst is exactly how many cars were built. Estimates put the total as low as 485, and as high as 502 cars. Regardless of what the figure actually is, the car itself is a pretty special piece of machinery.

The 300 Hurst is a giant of a car at 19′ in length. All of the Hursts rolled off the production line finished in Spinnaker White. The cars were then shipped to the Hurst factory in Warminster, Pennsylvania, where a substantial transformation was performed. The first change to be made was the removal of the standard Chrysler steel hood skin, which was replaced with a fiberglass unit. This featured a decorative hood scoop and the obligatory set of recessed hood locks. The deck lid was also removed, and once again, a fiberglass replacement, complete with a spoiler integrated with the rear quarter panels, was also installed. The White paintwork was complimented by the addition of Satin Tan highlights and contrasting pinstripes, and the wheels were adorned with the same Satin Tan color in the centers. This Hurst is a clean car, with a small area of rust visible in the lower section of the driver’s side front fender, and surface corrosion present on the car’s underside. The Spinnaker White paint appears to be in good condition, but there has been some deterioration of the Satin Tan paint on both the hood and the deck lid. The exterior trim and chrome all look good, while the tinted glass is close to perfect.

The 300 Hurst was a premium car at a premium price, so naturally, it required a premium interior. In this case, seat upholstery was available in a single type and color. Continuing the exterior theme, the color is Saddle Tan, and the material is leather. The plush front seats are not standard 300 items but have been pilfered from the Imperial parts bin. While the original intention was for a Hurst shifter to be part of the interior features, this is something that never eventuated. The interior of this Hurst is close to perfect, with a single discolored spot on the dash pad being the most obvious fault. The rest of it presents in virtually as-new condition, and as befits a luxury car, it is loaded with luxury touches. These include air conditioning, power windows, six-way power seats, cruise control, a remote trunk release, and I think that there also might be an 8-track player hanging under the dash.

The 300 Hurst was the biggest of the muscle cars, and as such, it needed a big motor to get it moving. In this case, it is the TNT 440 engine, pumping out 375hp. The Hurst also features a 727 TorqueFlite transmission, a 3.23 rear end, power steering, power brakes, heavy-duty rear springs and front torsion bars, and sway bars. The exhaust was a full dual system, ending in quad tips. This Hurst hasn’t seen a lot of recent use, and documentation confirms that between 1986 and 2019, it managed to accumulate a grand total of 20 miles! Since being removed from its climate-controlled storage, it has undergone a meticulous mechanical check and recommissioning, and it is now said to run and drive perfectly. The owner does suggest that while the tires look good, they are pretty olds, and replacing them might be a good idea. He also says that the Hurst may need mufflers fairly soon. The car does come with a fair collection of documentation, including the original Build Sheet and Window Sticker, a pristine Certi-Card, Owner’s Manual, as well as dealer paperwork and other assorted items.

While there has always been some question surrounding the build totals for the 1970 300 Hurst, one thing is certain, and that is that there are less than 300 cars in existence today. Pristine examples can fetch sums in excess of $30,000, and even a rough example in need of restoration can still sell for anywhere around $13,000. This one doesn’t need a major restoration, but it does require some cosmetic work. I’m not sure where bidding is eventually going to go with this one, but I would suspect that it will be somewhere around the low to mid $20,000 mark. Even at that price, it probably wouldn’t be a bad buy.

[anotherbummer]

Good Omens Season 3 Confirmed (trailer)

jk jk but could you imagine if any of this happened

I told myself I wouldn't go crazy working on this and then I ended up with 5 spreadsheets of dialogue trying to piece together this puzzle. Also I will need everyone to cut me some slack because I made this entire video on my phone while I was manic.

On that note, this trailer is largely based on 2 of my favorite Good Omens fics: Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach by @mouseonamoose and Factory Settings by Anonymous. I love the idea of Crowley and Aziraphale having a therapist and it always reminded me of the character Dr. Linda Martin who plays the devil's therapist in the series Lucifer (Based on characters created by Neil Gaiman!) Also I tried really hard to hint at different parts of the Factory Setting story through clips, especially with clips of Crowley grabbing his glasses (which in this case would be Raphael wearing Crowley's glasses, which is a pretty big plot point in the story).

Lots of the audio clips and dialogue comes from the show itself (and a few clips from Lucifer), but I did comb through some clips of other shows that the actors were in, like Michael Sheen in Passengers, and David Tennant in Inside Man, etc. However the longer audio clips of "god" speaking are direct quotes from the Factory Setting fic (although I am almost certain that Raphael says them when he gets the Book of Life, So technically speaking, these lines are used out of context). I just ran the lines through a text to voice generator and then added a "godly/celestial" effect to it, which worked a lot better than I though it was going to. I had LOTS of potential dialogue I could have used but it didn't all fit super well together in the sense that it didn't either sound like the character speaking, or it didn't flow like a normal conversation. Believe me I tried, my phone can only do so much.

The music choice was obviously chosen on purpose, God Rest Ye Merry Gentlemen (Epic Mix) by Mark Petrie, for the purpose of pacing, I slowed it down slightly. I really liked the idea of using this song since the Factory Setting story partially revolves around "the second coming" baby and since we are nearing the Christmas season, it just seemed like sense to work on this now. The lyrics get pretty repetitive but I do wish I could have thrown in the "Fear not then, said the Angel. Let nothing you affright" verse somewhere in there.

Don't ask me to explain the actual plot of this I really just mashed two fanfics together and called it a day. I thinks that's all the notes I had.

[cursed-40k-thoughts]

if they release a new stompa model it should have a message in the start of the manual that says: "for the true ork mek experience, ignore these instructions"

It should also include a note stating that the Stompa has a third party exception clause explicitly allowing the integration of Bionicle and Hero Factory parts

[najia-cooks]

فخارة العدس / Fukharat l'adas (Palestinian clay-pot lentils)

The name of this dish comes from "فَخَّار" ("fakhar"), meaning "pottery," and "عَدَس" ("'adas"), meaning "lentils." It is traditionally cooked in a قدرة ("qedra," clay pot) made from clay refined from local soil and shaped in family-owned pottery workshops. This type of pot is also used to make a lamb and rice dish of the same name commonly eaten in Gaza and Hebron. The qedra is filled with the cooking ingredients, sealed with a flour-water paste or with aluminum foil, and placed in a wood-fired oven—or buried in an earth oven—to cook for several hours, or even overnight.

This simple dish cooks red lentils with yellow onion, olive oil, and cumin to produce a smooth, earthy stew; additional olive oil and fresh lemon juice squeezed on after cooking add freshness and a tart lift, and شطة (shatta, red chili paste) is spooned in for heat.

As of 2019, the number of families producing qedra in Gaza had decreased from 40 or 50 to 3 or 4, according to workshop owner Sabri Attallah. The Israeli blockade which began in 2007 closed off foreign markets for Palestinian qedras, while cheaper, metal imports cut in on the local market. When the pots are exported to Israel, the multiple checkpoints and mandatory searches between Gaza and Israel cause many of them to break. The compression of Palestinians into small areas by Israeli government and settlers also spells problems for the qedra industry, as the smoke caused by firing pots reduces air quality for nearby residents. Many consider pottery-making to be both an integral part of Palestinian identity, and to be dying out: thus the targeting of Palestinians' economic self-determination targets cuisine and culture as well.

Today, Israeli weapons threaten Palestinian existence. Palestine Action has called for bail fund donations to aid in their storming, occupying, shutting down, and dismantling of factories and offices owned by Israeli arms manufacturer Elbit Systems.

For the lentils:

1 cup split red lentils, rinsed

1 yellow onion, chopped

3 Tbsp olive oil

1 tsp cumin seeds, toasted and ground

Salt, to taste

About 3 cups water

For the shatta (شطة):

100g (about 1 cup) fresh red chili peppers

2 tsp table salt

2 Tbsp olive oil

To serve:

Olive oil

Juice of 1/2 lemon, or to taste

Sweet peppers, radishes, spring onions, pickles, olives, leafy greens, shatta (red chili pepper paste).

Instructions:

For the shatta:

1. Wash peppers and remove stems. Use a mortar and pestle, food processor, or potato ricer to reduce peppers to a paste.

2. Add salt and stir. Add olive oil and stir. Store extra shatta in a jar in the fridge; cover with a thin layer of olive oil to avoid spoiling.

For the lentils (in the oven):

1. Coat the inside a piece of clay cookware of sufficient size, such as a Palestinian qedra or a Moroccan tanjia or tajine, with olive oil. Add the rest of the ingredients, followed by enough water to cover the lentils by at least an inch (about 3 cups). Make sure that the opening of the pot is completely covered (e.g. with a layer of aluminum foil, and then the pot's lid).

2. Place the clay pot in your oven and then heat it to 500 °F (260 °C).

3. Reduce the heat to 150 °F (65 °C) and cook for 2-3 hours, until lentils are mushy.

For the lentils (on the stovetop):

1. Heat olive oil in the base of your clay cookware, or a large pot. Add onions and cumin and fry briefly.

2. Add water and lentils and cook, stirring occasionally, for 10 minutes on medium.

3. Lower heat to low and cook for another 30 minutes, until consistency is smooth and mushy. Add water as necessary.

To serve:

Transfer lentils to individual serving bowls. Top with lemon juice and olive oil. Serve alongside shatta (which you may choose to spoon into your bowl) and fresh vegetables.

[starlight-bread-blog]

My Interpetation of The Southern Raiders: Part 3 – Katara

Part 1 Part 2

Hello! Welcome to the final part of my series navigating through the discourse surrounding The Southern Raiders. In the first part I discuss A\ang and in the second part I discussed Zuko. Now that we've understood the people around Katara, I can discuss how they affected her and her choices. So, without further ado, let's begin!

——————

1. Where did this side of Katara come from?

Katara didn’t just become more intense and angry for an episode out of nowhere. It came from years of fury and grief simmering in her.

Kya’s death was a very defining moment for her. As opposed to her brother, whose defining moment was his father leaving him, it molded her as a character. It’s who she sees at the swamp, whereas Sokka just sees Yue. It’s how she connected with Jet, Haru, Hama and even Zuko.

Ever since that dark day, her mother’s death was looming over her, while also being an integral part of her. She lived her life knowing that incredible injustice had been done, and she was furious. At the same time, she wanted to be like her mother, taking care of everyone’s needs. But her anger festered inside of her, and her grief didn’t let go. This anger is what we see in The Southern Raiders.

Additionally, some of the anger she displayed during her arguments with Aang and Sokka can be traced back to Aang’s insensitive behavior I discussed in part 1. Katara is notorious for her maternal emotional labor, especially for Aang. In The Desert she puts herself in danger in order to pull him out of the avatar state, and she always offers her help when needed.

Now she wants to do something that goes against his personal beliefs and that’s how he’s treating her. Still, she doesn’t insult him. “I knew you wouldn’t understand” is what she said. His disapproval is to be expected. Then, her brother, who suffered the same loss, backs him up. And when combined with her anger at Yon Rha, she lashed out.

——————

2. Why did she spare Yon Rha?

Because it was never in her to kill in the first place. That’s not who she is. The anger was in her all along, but murder wasn’t. She was given a choice, and she chose not to. Zuko’s offer sounds bad, but there was never any danger of Katara killing Yon Rah in the first place, she simply wouldn’t do it.The only things that were on the cards were seeing him. The supposed dangers of it weren’t actually going to come to fruition, and in the end, Katara is in a better place after the trip.

But I do think it goes deeper than that. Katara is an idealist, often to the point of naivety. It’s why she trusted Jet over her brother, it’s why she was going to use the spirit water on Zuko back in the crystal catacombs and it’s why she thought blowing up the factory in The Painted Lady was a good idea.

For years the ideal of the perfect revenge on the Fire Nation who took her mother burned inside her. Suddenly she has a chance to execute this ideal, but reality smacks her in the head.

Katara: I always wondered what kind of person could do such a thing, but now that I see you, I think I understand. There's just nothing inside you, nothing at all. You're pathetic and sad and empty.

The man isn’t some scary boogeyman, and she will not kill him.

——————

3. How did her trip affect her?

Katara: [Rises from boardwalk.] But I didn't forgive him. I'll never forgive him. [Smiles at Zuko and walks up to him.] But I am ready to forgive you.

As I previously established, seeing Yon Rha was somewhat a reality check for her. It was her final step in her arc of becoming less naive. With this final ideal gone, she no longer holds this pent up anger at the Fire Nation. Thus, her arc is concluded, and she is ready to accept that the Prince of the Fire Nation can be her friend. (None of this would’ve happened if Zuko hadn’t made the offer. And that’s why ultimately, their trip was a good thing).

——————

In conclusion, Katara's anger stemmed both from years of it building up and a lack of support from her peers. But when it came down to go through with murdering Yon Rha, she couldn't do it. Because even if she forgot it, he is a person. She had a reality check and lets go of black and white notions of the world. Thus, she could forgive Zuko.

[sgiandubh]

When you do not know a thing about the issue at stake...

...perhaps it's better to remain silent.

Some of you know, others don't - and that's fine - but my main field of expertise is labor law.

I just read this in anger and disbelief:

Look, lady. I don't care who the hell you are, what you do for a living or why you felt entitled to answer those insistent questions on your side of the fandom. I suppose you are North American and have no idea of how things work on this side of the pond. It is fine: I might know what a Congress filibuster is, for example, but I'd be severely unable to judge the finer points of competence sharing between Fed and state level.

The difference between you and me?

I keep my mouth shut and/or do my own research before opening it in public.

Have you no shame to write things like: 'It was discovered clothing factories in Bulgaria and Portugal made it and how workers were exploited, mostly women, because these factories were in special economic zones in these countries exempt from EU employee rights and regulations.'

HOW DARE YOU? What strange form of illiterate entitlement possessed you to utter such things with confidence, comfortably hidden behind a passive voice ('it was discovered')?

Portugal joined the EU in 1986. Bulgaria (and my country) joined the EU in 2007. I have given 5 relentless years of my life to make this collective political project a reality, along with hundreds of other people my age who chose to come back home from the West and put their skills to good use for their country. In doing so, I rejected more than 10 excellent corporate job offers in France and China. To see you come along and write such enormities is like having you spit in my face.

Article 4 of the Treaty on the Functioning of the European Union (aka The Treaty of Rome) is formal and clear, as far as competence sharing between the EU and its Member States goes (the UK was still, back then, a full member of the EU - it quit on February 1st 2020):

That means that ALL the EU regulations are being integrated into the national legislation of the Member States. This is not a copy/paste process, however. And because it is a shared competence area, the Member States have a larger margin of appreciation into making the EU rules a part of their own. While exceptions or delays in this process can be and are negotiated, the core principles are NEVER touched.

Read it one hundred times, madam, maybe you'll learn something today:

THERE ARE NO SPECIAL ECONOMIC ZONES IN THE EUROPEAN UNION. THE WHOLE FUCKING EUROPEAN UNION IS A SPECIAL ECONOMIC ZONE, THIS IS WHY IT IS CALLED THE SINGLE MARKET.

What the fuck do you think we are, Guangzhou? We'd wish, seeing the growth statistics!

Now, for the textile industry sector and particularly with regard to the Bulgarian market, a case very similar to my own country. Starting around 1965, many big European textile players realized the competitive advantage of using the lower paid, readily available Eastern European workforce. In order to be able to do business with all those dour Communist regimes, the solution was simple and easy to find: toll manufacturing.

It worked (and still does!) like this:

The foreign partner brings its own designs, textiles and know-how into the mix - or more simply put, it outsources all these activities. The locals transform it into the finished product, using their own workforce. The result is then re-exported to the foreign partner, who labels it and sells it. In doing so, he has the legal obligation to include provenance on the label ('made in Romania', 'made in Indonesia', 'made in Bulgaria' - you name it).

The reason you might find less and less of those 'made in ' labels nowadays at Primark and more and more at Barbour, Moncler and the such is the constant raise of the workers' wages in Eastern Europe since 1990 (things happened there, in 1989, maybe you remember?). We are not competitive anymore for midrange prêt-à-porter - China (Shein, anyone?), Cambodia and Mexico do come to mind as better suppliers. To speak about 'exploited female labourers in rickety old factories' is an insult and a lie. They weren't exploited back in the Eighties, as they are not now (workers in those factories were and still are easily paid about 50% more than all the rest) and the factories being modernized and constantly updated was always a mandatory clause in any contract of the sort. Normal people in our countries rarely or ever saw those clothes. You had to either be lucky enough for a semi-confidential store release or bribe someone working there and willing to take the risk, in order to be able to buy the rejected models on the local market.

If I understood correctly, you place this critical episode at the launch of the limited SRH & Barbour collection, for the fall of 2018. How convenient for you, who (I am told by trusted people) were one of the most vocal critics of S during Hawaii 2.0!

And as far as Barbour goes, it never pretended to manufacture everything in the UK only:

This information is absolutely true. You can read the whole statement, signed in October 2017 by one of their Directors, Ian Sime, here: https://www.barbour.com/us/media/wysiwyg/PDF/Ethical_Statement_October_2017.pdf

And a snapshot for you:

Oh, and: SEDEX is a behemoth in its world, with more than 75.000 companies joining as a member (https://www.sedex.com/become-a-member/meet-our-customers/). Big corporations like TESCO, Dupont, Nestle, Sainsbury's or Unilever included.

I am not Bulgarian, but I know all of this way better than you'll probably ever do. The same type of contracts were common all over Eastern Europe: Romania, Poland, the GDR (that's East Berlin and co, for you) and even the Soviet Union. I am also sure your Portuguese readers will be thrilled to see themselves qualified by a patronizing North American as labor exploiters living in a third-world country with rickety factories.

You people have no shame and never did. But you just proved with trooping colors you also have no culture and no integrity. More reasons to not regret my unapologetic fandom choice.

I expect an angry and very, very vulgar answer to this, even if I chose to not include your name/handle. The stench of your irrelevance crossed an ocean.

[bonnieisaway]

Hi Bonnie, do you have any thoughts about Dai Bo?

do you guys know the sheer dopamine hit i get everytime i'm asked shit like this. like just the fact people want to hear my thoughts enough that people go out of their way to unprompted ask me about it. drugs could not simulate this emotion

i love dai bo :3 certified hardest character to explain to any person i'm introducing to the show fr

ok but fr though i feel like his appearance lets a lot of people forget about how deep his character is and how well written he is. because he's written fucking gloriously and he is shaped by his tramua perfectly. a lot of characters in this show have to confront this sort of cycle of violence and dai bo's is more familial and generational than most other character's. he only fought for his friend's son. and he fought so hard to break the cycle. like he's the most beautiful example of breaking the cycle of violence.

SPECIFICALLY with the scene with king pheasant where he's ready to straight up kill that bitch until he looks over and sees xiao fei. and he realizes that xiao fei does not need to see this. xiao fei will not be shaped the way dai bo was, and the cycle WILL stop with dai bo. and this scene is mirrored when xiao fei and seven are going to hurt king pheasant, where dai bo tells them to leave him alone. where dai bo fights to stop the cycle.

and the way his hatred for humans is shaped by seven. how seven is the perfect person for dai bo to have ever met. the best way to prove to dai bo that humanity has good, has beauty in it; this is a man who remembers NOTHING. not even his own name. if you're watching the show in chinese, he doesn't even speak the same dialect as everybody else around him. and this factory-reset, lump of clay of a person with nothing but his own instincts is so kind and trusting. that's how dai bo learns humans can be good so quickly. not just because seven was so kind and forgiving, but because dai bo realizes seven was inherently BUILT that way. that it was his NATURE itself.

and i love the way he clings to this, too; not even just this version of seven but seven himself. because it's subtle at first, because dai bo is not the kind of person who confronts emotions, but it's noticeable. i have an old post where i pointed it out before he confirmed it in season four; when seven is so amazed and stricken by the view of xuanwu, dai bo instantly dismisses and diminishes it, dai bo is constantly upset when seven leaves without him, dai bo is desperately clinging to the seven he knows and is terrified of seven being forced to return to that cycle of violence that he escaped from.

because like, of course he is! dai bo fought for his friend's son to escape that cycle. so to see this man, who he absolutely sees as his own son, have to return to the cycle of violence, let alone for dai bo's sake, of course it destroys him. of course he wants to cling to him and try and dissuade him; who cares about everybody else, as long as you're home and safe. xuanwu not only symbolizes a home far disconnected from dai bo to seven but in dai bo's eyes it's another massive perpetuator of a violent war. i mean he makes that clear when he explains xuanwu and stan - they are the ones fighting the war, we are the normal, smaller, common folk caught in the middle; shelter yourselves and enjoy your small life here.

but violence is neverending, isn't it? even when dai bo destroyed the chicken farm and the fighting ring, what happened? king pheasant found another perpetuator for his vice in stan. another hamster wheel of violence to spin, a super solider of propoganda and murder. something so much bigger than both of them. but dai bo has to accept that seven is an integral part of this 'bigger than them' bit when it comes to xuanwu. that he has to let go of this idea of an obedient, normal, casual seven. just like accepting your son isn't your little boy anymore, that's a grown man. and aside from the metaphor itself seven is actually at the perfect age for this. seven meets dai bo when he's about 19 and fairly skinny and small, and it's mentioned/implied he's grown a bit since meeting dai bo and we know he's 21 in season four.

anyways i love dai bo. i feel like he's underrated and we need to talk about him more. although sometimes i wanna ask the director like, why specifically dai bo and xiao fei were chickens. was there a meaning or a reason or do you think it was just cause they thought it was funny and also what does this implicate about chickens and pidgeons as a whole in this universe

[alevolpe]

Do yyour SilMil senshi of the same planet have the same costume or is it somewhat unique every time?

For example if Sailor Mars dies and a new Sailor Mars appears would she have the same costume as the previous one?

Sorta yes.

All the senshi who are extensively part of a team start with a pretty similar set that is inspired loosely by the wear and culture of their time periods and ethinicity (that’s also why I hc the senshi now to start with uniforms similar to their school uniforms).

From there, each senshi has minor variations to their uniforms to aid in their specific powers (kinda like Jupiter has her tiara in the manga). I hc their uniforms slowly changing over time, allowing the wear to “adapt” more to each senshi. The current Mars likes to wear earrings? The uniform will start integrating earrings! As long as those changes don't interfere much with ease of combat and don’t deviate the uniformity of the team too much. Those changes occur mostly in the first years of a senshi life 15-20 years~ after first awaking (remember, my hc senshi all have extended lives by default. A regular senshi can live up anywhere from 700 to 1000 years), after that they will not change anymore. (think of it almost like a “puberty phase” of a senshi, where the sentient, but soulless part of a senshi aka the 'sailor crystal' adapts itself around their current host)

So the base of the Mars uniform during silmil would start pretty similar, small changes from the past uniform could stick around to the new one (but if the current Mars doesn’t like it, they will fade out over time), but they could vary a lot after their “puberty period”, depending on each Mars’ personality, preferences, fighting style, climate, etch..

Although if Mars dies and reincarnates in a VERY different period than the previous Mars, her uniform is going to be in a bit of a “factory reset mode” and redefault back to a uniform design for the whole team with very small variations from senshi to senshi.

In my story I plan to have the girl’s current senshi form to have small touches that call back to their Silmil designs in small ways, the only one I have done tho is Mercury, where she shares her “small cape” as the sailor collar, similar to how Silmil mercury wore it. (Designs are still a WIP)

[gcgauthier]

(RECORD STORE DAY 4/20/24) It's been ten long years since Jennifer Nelson's landmark "David versus Goliath" lawsuit (Good Morning To You Productions vs. Warner Chappell (2013-2015)) was at its high-point in Federal Court.

Along with her eventual win - and the creation of an Award-Winning Documentary about her journey - her actions not only drew attention to some dirty, little copyright law abuses, but she also managed to raise public awareness of what a single person was capable of accomplishing.

I couldn't resist her story! Her heroic achievement is not only inspirational, but has also become an integral part of world history!

Accomplishments like these need to be recognized, and the only way I know how to do it is to write and perform silly, little cartoon songs - which I did - hence, this record.

(Ahh, the ear-worms of childhood, right?)

Anyway, "Glucksey's Birthday Song," is available on all major streaming platforms, and FOR FREE on YouTube, (keyword - "Glucksey.") Also, please feel free to share the song with ANYONE who's having a birthday! (It should annoy them for only a minute.) And last but not least, I want to thank you all for your constant love and support. None of this could have been possible without you. Your friend, Chrizzz.

GET YOUR FLEXI-COPY AT THE FOLLOWING NORTH AMERICAN LOCATIONS (April 20, 2024). SUPPLIES ARE EXTREMELY LIMITED! - Chilliwax Records, Chilliwack, BC V2P 2C8 - Beat Street Records, Vancouver BC V6B 1L4 - Sloth Records Calgary, AB T2S 0B7 - Sonic Boom Records Toronto, ON M5T2C7 - Twist And Shout Records Denver, CO 80206 - Supervinyl, Los Angeles, CA 90036 - A-1 Record Shop, New York, NY 10009 - Amoeba San Francisco, San Francisco, CA 94117 - Easy Street Records & Cafe - Seattle, WA 98116 - Electric Fetus - Minneapolis, MN 55404 - Louisiana Music Factory, New Orleans, LA 70116 - Music Millennium, Portland, OR 97214 - Waterloo Records Austin, TX 78703

[arcadia75]

Why Janeway needs a therapist

I got a request for a follow-up to list out why Janeway also needs to see a therapist

Note: I'm treating at least Mosaic as canon. Some of the Voyager stuff might be out of order and probably forgetting stuff.

Got captured by Cardassians and had to listen to her Captain be tortured (and was possibly tortured herself)

Lost her fiancé and father in a shuttle accident, in which she could maybe have saved one of them but didn't

We have no knowledge of what she may have been thru in her career before Voyager. Wolf 359? Other battles?

Lost x% of her crew when thrown to the Delta Quadrant

Made the decision to blow up the Array that stranded the remainder of her crew 70 years from home

Effectively lost another fiancé by stranding herself 70 years from home

Had to deal with a race wanting to steal her crews organs

Had to deal with a Cardassian spy on her ship

Had to deal with integrating the Maquis crew into her Starfleet crew

First Officer got kidnapped by above Cardiassian spy

Got hyper-evolved into a salamander and had babies with her helmsman

Had to deal with Q, on multiple occasions

Saw a double of herself blow up her ship to save them, plus had to accept a duplicate Ops officer and baby onto her ship

Had to kill one being to get her Security officer and Morale officer back

Got stranded on a planet with her first officer, fell in love with him, and then got rescued where they had to go back to being just friends

Got ship taken over by hostile force and then stranded on another planet, where crew died

Had to rescue her Ops officer and Helmsman from prison

Ferengi fucked up a way home

Had to deal with time traveling back to 1996 Earth and saving the future

Single handedly fought a macrovirus to save the ship

Died. Then gaslight by an entity posing as her dead father

First Officer brainwashed by a bunch of former Borg

Had to save officers from a rouge holodeck program written by the Cardassian spy from 3 years ago

Had to make a deal with the Borg, that her First Officer kind of went back on and then fought with him

Had to rehabilitate a former Borg drone

First Officer brainwashed to fight in a alien war

Brain chemistry messed with by aliens doing experiments

Destroyed the ship in a timeline that reset

Fiancé officially broke up with her.

Aliens captured the ship and brainwashed entire crew to participate in war simulations

Switched bodies with some of her crew (was this in Vis a Vis or just fanfic?)

Had to deal with the Omega particle

Alien that they all forget was on their ship and fell in love with her First Officer

Duplicated into goo, then dies later when she doesn't realize she's a duplicate

Major depressive episode during a part of space with no stars

Gets her crew killed by deciding to try a slipstream drive

Demoted helmsman for defying orders

Had to play mind games with alien who wanted to fuck her

Had to discipline her love struck ops officer when she's not getting any herself

Drove her First Officer/Best Friend/Would be lover to the brink of madness to save the ship

More temporal mechanics shenanigans

Found another Starfleet ship and then they turned out to be killers and crazy

Holographic boyfriend malfunctions

Former alien crew member who evolved to a higher being comes back super pissed off

Willingly assimilated into a Borg

Had to help First Officer put the ship back together after it was split into 37 different timeframes

Brainwashed to work in a factory, falls in love with an alien, forced to give him up when her memory gets restored

Had to deal with future self coming back and telling her the awful things about the future

Watched First Officer/Best Friend/Would be Lover get involved with her protégé

At least a year we don't know about. Hopefully she saw a therapist

Promoted to Admiral then sends Starfleet flagship on a mission that costs the life of one of their most beloved officers

Three years we don't know about. Hopefully she at least took a couple vacations

Sends Former First Officer / Best Friend / Would be Lover on a mission where he gets lost 52 years into the future

Spends possibly 3 years looking for said First Officer / Best Friend / Would be Lover

Retires! Buys a nice house! Gardens!

Forced out of retirement cuz synthetic beings attack Mars shipyards

[wheelsgoroundincircles]

1958 Chevrolet Corvette

This 1958 Chevrolet Corvette underwent a pro-street-style metamorphosis between 2008 and 2011. It is endowed with a 383 cubic inch stroker V8 engine, harmonized with a TH350 three-speed automatic transmission, and a narrowed rear axle featuring a limited-slip differential. The rear suspension has been upgraded with a ladder-bar configuration, adjustable coilovers, and the addition of a lift-off hood. The body, painted a striking red with white coves, comes with a detachable hardtop. Inside, a roll cage has been installed along with a B&M Pro Stick shifter, a shift light, aftermarket gauges, and black Procar bucket seats. The enhancements also include dual Edelbrock carburetors, Hooker headers, side-exit exhaust pipes, 15” alloy wheels, and front disc brakes. Acquired by the current dealer in February 2024, this modified C1 Corvette is now part of the Coffee Walk Corvette Collection in Wylie, Texas, and is offered without reserve, complete with build records and a clean Pennsylvania title.

1958 Chevrolet Corvette

The fiberglass exterior is adorned in red with white coves and includes a removable hardtop and a lift-off hood with an integrated air scoop. A Stewart-Warner fuel-pressure gauge is mounted on the cowl, and the right-rear corner features a battery cutoff switch and external terminals. The gallery reveals cracks in the weatherstripping, pitted chrome, and paint imperfections.

1958 Chevrolet Corvette

Polished 15” alloy wheels are shod with 25.0×5.0” front and 29.5×11.5” rear Hoosier drag tires, installed in April 2024. A crossmember supports the rear suspension, which has been modified with ladder bars, a diagonal link, and adjustable coilovers. The braking system includes front disc brakes and rear drums.

1958 Chevrolet Corvette

The interior is equipped with a roll cage and Procar high-back bucket seats in black. Enhancements include a B&M Pro Stick shifter, an MSD shift light, rocker-switch controls, and fabricated metal door panels. The gallery displays flaking paint and wear on interior surfaces.

1958 Chevrolet Corvette

The three-spoke steering wheel is positioned in front of a 160-mph speedometer and auxiliary gauges. An AutoMeter pedestal tachometer is mounted atop the non-functional factory tachometer. Additional gauges for coolant temperature and oil pressure are located in the center console. The mechanical odometer is inoperative, and the total mileage remains unknown.

1958 Chevrolet Corvette

A Harwood plastic fuel cell is mounted in the trunk, which has been tubbed with fabricated aluminum panels to accommodate the rear wheels.

1958 Chevrolet Corvette

The 350ci V8 engine block, bored and stroked to 383ci, features four-bolt main bearings. The build includes forged pistons, ARP fasteners, a polished Edelbrock intake manifold, dual Edelbrock carburetors, an MSD ignition module, and Hooker long-tube headers that flow into side-exit exhaust pipes.

1958 Chevrolet Corvette

Power is transmitted to the rear wheels through a TH350 three-speed automatic transmission and a narrowed Dana 60 rear axle with a limited-slip differential.

1958 Chevrolet Corvette