#these two episodes were incredible

[anhandfulgirl18]

SILENT WITNESS 28.08 – This hug was EVERYTHING!

[katkat030]

BigB is NOT beating the cryptid allegations and I'm living for it

[thesnackist]

I have to stop listening to Riley Hopkins and Their Amazing Friends: Interstitial: Infinity cause if much more happens to these characters 'today' I am going to EXPLODE

[cave-monkey]

Monkey King 2009 Episode 7

Huh. Is it just me or did they do something different with the animation this episode? More detailed faces? Additional expressions, maybe? The transitions aren't as smooth, but there seems to be...more there, somehow.

Anyway, in making up for the last two episodes I guess, this one is just fun. Ginseng Fruit is an absolute character. I'm not sure I like them, exactly, but then, neither is Stone Monkey, so there we go lol.

The monkeys being perfectly okay with random little guys clambering over them is one of my favorite things. They're immune to this sort of thing. Or like...mostly. We had a bit of a sample size this episode.

Marshal Ma: Immediately starts stress-scratching but makes zero effort to actually remove this weird little creature from his person. Marshal Liu has to rescue him.

Marshal Liu: Perfectly at ease with this weird little not-monkey hanging off of him. Cool as a cucumber. An absolute pro. A Dad, even.

Stone Monkey: GET IT OFF

(Stone Monkey succumbed to the inevitable and let Ginseng Fruit clamber over him and go on rides as they please eventually, but also they WILL get slung into the stratosphere if they can't hang on and Stone Monkey doesn't see how that is any of their concern. Train that grip or die, little buddy.)

They were trying to endear the four generals to us in the beginning of the episode too, I just know it, but I am holding strong. They need to properly apologize at this point before they get ANY slack. That said, them actually trying to do their jobs (to varying degrees of success) and actively looking out for their exhausted troop, was pretty all right. Sure, the fact that they can't manage to figure out how to man sustainable defenses without running their forces into the ground before any battle or siege even has a chance to start isn't good, but we already know they aren't great at their jobs and that's probably meant to be the point. Maybe a nod to how frequently Flower Fruit Mountain got into deep shit without Monkey King in the actual book.

And, okay, if the Demon King had actually been testing their defenses during this time, I'd cut them some slack, but we know he wasn't. He was busy fumigating his house and losing to fruit babies. He has a life outside of you!

Also, General Ba not even pretending to be doing anything besides shit-stirring was kind of funny.

Them not immediately letting on that they know exactly who Stone Monkey is was...probably cool of them, though? Not throwing the kid under the bus of this total stranger. Or they were just messing with Ginseng Fruit because they could. They're monkeys, Ginseng Fruit is Dramatic; maybe it was just too tempting to resist the mischief. Or they just wanted to pretend Stone Monkey didn't exist for awhile! The possibilities are endless.

Stone Monkey gets woken up from a nap and immediately chooses violence against random infants. (He is going to regret that.)

Hilarious how, so long as they were arguing and Ginseng Fruit was insulting him, Stone Monkey was perfectly happy to hang around, but as SOON as they start loudly praising him to the heavens, he panics and runs for the hills. Relatable. Little does he know, no one will ever reach Ginseng Fruit escape velocity. You are friends now, Stone Monkey. The choice was never yours. Face loss with dignity. (He does not. I haven't really felt the need to share screenshots in awhile, but this whole episode has me wanting to, because Stone Monkey's faces while Ginseng Fruit ran him down were great. Boy was struggling.)

But also, wow, he really does like his friends a little mean, doesn't he? Stone Monkey has a type, and Ginseng Fruit is not it. Good thing Ginseng Fruit has decided this isn't their problem.

Speaking of, I was gonna make a comment about Six Ears being inexplicably missing again for an entire half an episode, but turns out Stone Monkey was going to visit Jade Rabbit this whole time, so, you know. I guess that's their go-to excuse now for when they need a reason Six Ears and Stone Monkey aren't attached at the hip? Last time they just had to do it and hope no one noticed. (We noticed.)

Also I'm sure Six Ears being left totally alone while the Demon King and Company were screaming about flattening Flower Fruit Mountain in the beginning of the episode isn't going to lead to any unfortunate circumstances.

AWWW. Jade Rabbit protected Stone Monkey! She's got him tucked behind her when she goes after Ginseng Fruit, and even more notably, Stone Monkey stays there. I'm pretty sure Ginseng Fruit traumatized him. The Demon King wishes he had what Ginseng Fruit has. Literally. (Also also...so Stone Monkey SEES the crater left from where she went after Ginseng Fruit and even makes a 'wow I almost witnessed a murder. wow I might STILL witness a murder' face while Ginseng Fruit is held at wand-point but...says nothing to vouch for this kid. Leaves them to fend for themself entirely. Cold, Stone Monkey.) (He will also come to regret that.)

Jade Rabbit's really a, uh, 'kill them all, let Someone sort it out, maybe' kind of a girl, huh? Shoot first, ask questions never. She is out for BLOOD. That rock VAPORIZED. That's a nice little warm-up for what she wants to do to another, somewhat monkier shaped rock. She really went from ':)' to 'MURDER' in .2 seconds flat, and that is not an exaggeration.

And, look, she's going for Stone Monkey's entire, literal life almost immediately after this, but backing up I have to say that Stone Monkey's embarrassed/apologetic smile and Jade Rabbit's answering embarrassed smile while Ginseng Fruit did their thing was so cute. They're cute.

And then Jade Rabbit's slow death glare over her shoulder.

[insert boss music]

Run.

(Stone Monkey's blank Default Smile Face when he dodges Jade Rabbit's first murder attempt is also extremely funny. He is having a day today.) (This episode is so funny.)

And don't let me forget to mention!

Appreciation for the fact that, even while running for his life and still actively being pursued by divine vengeance, Stone Monkey is 100% ready to switch gears over to Gotta Rescue Six Ears mode on a dime.

But also: What are the chances?

Just glances casually to the left while sprinting away from a Murder Rabbit shooting death beams and, oh, hey, there's Six Ears getting MOBBED just down that hill! What a coincidence!

Like, not only do we find Six Ears surrounded by enemy soldiers like they're iron shavings and he's the magnet in a kid's science demonstration, but they somehow managed to find him in the MIDDLE of a RANDOM PART OF THE MOUNTAIN, presumably NOWHERE NEAR the main body of the troop considering how close they are to the Forbidden Forest, with Six Ears probably not having been doing anything but minding his own business and taking a nap away from the noise or whatever else it is he does when off by himself, like, not only this, but also Stone Monkey manages to run right into them.

Quick, what do you think is more powerful? Six Ears's 'Designated Damsel' danger magnet aura or Stone Monkey's inexplicable ability to cut a straight line toward him at any given moment of duress?

Jokes aside, Six Ears was holding his own pretty well, though! Stone Monkey's coming in like an irate comet in a few seconds, so he'll definitely be fine unless the Demon King manages to grab him as a shield and run first, but Six Ears managed to hold out against most of them by himself! Pretty sure he killed a dude, too? Ehhh I'm sure it's fine. He's doing a good job! He shouldn't beat himself up too much for needing help! (He's definitely going to beat himself up too much.)

...Oh, hey! It occurs to me that Jade Rabbit and Six Ears are almost in sight of each other.

!!!

Let them be friends.

Or the pettiest of mortal enemies. I feel like that could work too, but also that those are probably the only two options.

[borealing]

love it when they turn down the lights on long haul flights it really puts into perspective that the stewards are babysitting u and desperate for adult nap time

[andro-dino]

your oc sonny is wonderful and already giving me diabetes. Can you give details about how he met celgene?

WAAAAAAAAAA‼️‼️‼️‼️‼️ GETTING UP AND JUMPING AND RUNNING AROUND VERY FAST‼️‼️‼️‼️ TYSM this like actually means the world to me I’m so happy other people enjoy him 🥹🥹🥹

I have had a couple thoughts bouncing around up there about their first meeting. I like to think these guys have been married for like 20-30 years so like it’s interesting trying to think abt how different celgene might’ve been back that but like ultimately idrk im just throwing shit at the wall and seeing what makes me happiest. Either way I do think that they met at the Pearl Saloon.

One thought that I had actually came bc I was looking up badger courtship behavior (I’m in this way too deep chat) and one thing that came up is that the males will approach their potential mate by doing this like, stiff-legged shuffle to them and I just think it’d be really funny if celgene saw Sonny at the Pearl one night and very awkwardly and nervously shuffled over to him and asked him to dance. I also like to think that since he was taking 5ever to actually hype himself up to approach Sonny, someone else with him (either a friend or other saloon staff idk) was like “celgene istg if you don’t go up to that rabbit already-“ and cel was like “SHADDUP IM GOING IM GOING” (and then it still took him ages to go).

While they start dancing with each other, they introduce themselves and a thought that I really enjoy is celgene introducing himself as “celgene alabaster, though my friends usually call me Cel”

and Sonny responds “yeah? we friends, Cel?”

and celgene goes “well I’d certainly like to be”

aughh. they just make me happy heheheheh

The other main thought I was having with them was after a bit, they go sit down at the bar and Celgene pours Sonny a drink himself, and while he does he’s basically like “listen, I like you, dollface, I really do, but I don’t think a sweet thing like you wants to get caught up with a guy like me”

and Sonny pretty much just leans in and goes “oh yeah? Says who?”

The thought process with all that is that Celgene is described as a shady guy and he mentions more than once how he’s good with a knife and all that, and I imagine he’s been up to this kind of thing for a while. With sonny, I like to think he’s not all too unfamiliar with this kind of business himself, though maybe not quite as experienced with it as celgene is himself. He does very obviously come off as a lot more unsuspecting than celgene though, so that’s not like super immediately clear, and so celgene trying to be somewhat upfront about that is him giving Sonny an out, essentially, and trying to tell him what he’s getting into if he does stick with cel. Sonny meeting him with that and letting him know that he knows is Sonny’s own way of telling celgene that he’s not just looking to fool around and actually does wanna get to know him better. I don’t know what I’m saying right now does this make sense I hope this makes sense lmao. I just. I just really like them a lot okay orz

Actually kinda still sticking with that train of thought, not related to their first meeting or anything but I like to think that when he actually starts working at the Pearl, Sonny has his own ways of dealing with less than savory clientele. Celgene has a lot of intimidation factor to him and is more than willing and capable of taking care of some jerks, but Sonny still keeps a dagger on him in case he needs to handle anything himself. I like to think that he more or less knew how to use it before he met cel but early on in their relationship, wanting him to be able to really keep himself safe, Celgene showed him how to really use it some more and taught him some stuff with it (Sonny did learn knew things from this but he may or may not have also just been letting Celgene reteach him things he already knew bc he’s a cornball) (this idea was also definitely entirely inspired by cel teaching Booker how to use a knife in ep 3)

[myfanfictiongarden]

Omg…. episodes 11 & 12 The Spoils and Kalends of February is what I`ve been looking for.

I’m not kidding when I say I’m in tears, this episodes were incredible.

[lisbonsteresa]

no ok - OK -

[tvxcue]

whenever i go on the black sails wikipedia page and scroll down to accolades and see literally NOTHING but technical categories i just have to sit in silence for a bit bc genuinely how the fuck did that happen. not even a fucking NOMINATION. nothing for writing, nothing for acting, NOTHING. like that's actually real.

[potatoesandsunshine]

Chapters: 1/1 Fandom: Lockwood & Co. (TV)

Her uniform belongs to a dead boy. They make them with extra material so the seams can be let out as agents grow. It’s efficient; Lucy spends two years in the same coat, lengthening the sleeves bit by bit. She gets used to it, and gets used to the work. She even gets used to the people.

[sickgraymeat]

I really enjoyed teen titans go but like in retrospect these are the things I really liked:

When Cyborg takes his head off and has the little ball of wires for a body (I love that shit so much)

The fact that Robin never “””wins””” Starfire

The ttg vs tt movie which… is mostly bc it reminded me of Obsidian

Hynden Walch

Hynden Walch

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[foxstens]

two banger episodes in a row dang

[tonyzaret]

ANNOUNCEMENT: I NO LONGER SHIP FRARNEY (Fred / Barney)

So I'll be honest. When I first got into the Flintstones fandom, I was incredibly young and naive. (For starters, I thought the show featured documentary footage of real cavemen, dinosaurs and prehistoric technology.) But over the years, as I got deeper into not just the series lore but also the behind-the-scenes aspects of the production, I began to realize that it was a just a cheaply animated knock-off of The Honeymooners and all the storylines were nothing more than stock mid-century sitcom plots mixed in with puns on the word 'stone.' The writers, tasked with churning out 30-episode seasons of childish drivel, would not have had the bandwidth to craft hidden messages to the show's audience about a secret love between two crudely drawn Neanderthals. Furthermore, as I began to question the validity of my once-cherished ship, I found myself under attack by increasingly toxic 'Dark Frarnies' who review-bombed my earlier fanfics into oblivion. The fact is, while shipping Fred and Barney may have brought me joy during a dark time in my life (I had recently been exiled from the Jetsons fandom for what was, in retrospect, a misguided pairing of Rosie the Robot and Astro the Dog) I just don't feel at home in the Frarney community anymore. And while it may be bittersweet to say goodbye, at least I can still find consolation in my folder with over 10,000 hyper-realistic, anatomically correct Scrooggi (Scrooge McDuck x Yogi Bear) drawings.

[simpjaes]

BIG D*CK FOR DUMMIES (s.jy)

The one where you find out that your boyfriend has a huge cock and you’re not entirely sure if you can take all of it. 

MDNI!!! | pls leave feedback and reblog your fave writers!

PAIRING ― jaeyun x afab reader  

WORDCOUNT ― 2.4k

CONTENT ―  first time, established relationship, top jaeyun, painful sex

NOTE ― this was originally written for a different idol on my other blog [ncteez] but i pictured jake in that one en o’clock episode doing this and went feral so……here’s ur giant package. 

smut tags― he’s a little cocky (lmao), i guess you could say size kink but it’s more like huge cock / tiny pussy size kink, theres some crying, praising, reader gets off like almost instantly and becomes incredibly cock drunk the second he’s able to actually fuck

・・・・・・・・・・・・・・

Things you knew about your boyfriend before dating: he’s very protective, super smart, has good taste in music, his hands are big and warm, and he’s very down to earth.

Things you didn’t know about your boyfriend until after dating and he’s on top of you during a moody and rainy night makeout session: his cock is huge and it’s very intimidating.

One might ask, how could you have not known? Well, that’s easy. It’s a fairly new relationship and a very shy relationship at that. It’s a bit embarrassing for you, actually, because it’s not like you don’t want to be intimate with him. You definitely do, and apparently so does he. 

It’s the first time in the three weeks you’ve been dating that you’ve gotten to be completely alone with him in an intimate setting. For one, you live with your parents, and secondly, he lives with three other dudes who like to be all up in his business. It’s not exactly easy to get alone time with him. Thankfully, your parents are out on a five-day holiday somewhere in the Bahamas and you’re here on your family couch with Jaeyun’s hands cradling your neck as you kiss him. 

It got heated very fast, presumably because the two of you haven’t really had the privacy to do more than a standing makeout session without someone listening in, or worse, walking in. It almost makes the air feel electric now, kind of like a breath of fresh air except the fresh air tastes like the fruity chewing gum he had in his mouth when he originally came over.

Here’s the thing though, and man, it’s a thing. Looking at Jaeyun you’d think he’s average at best and you’re not really the type to go around guessing dick sizes.  So, naturally, when he slots a leg between yours as he got on top of you and you fucking felt it against your leg, you were a little more shocked than anticipated. Maybe he let out a little snide chuckle at your reaction too, you wouldn’t know, you were kind of busy wondering when he was going to let you in on the secret. 

Now, here you are deep in thought of how the hell that thing is going to fit anywhere while simultaneously one hundred percent willing to make it fit because god, does he know how to makeout and feel someone up. 

The more he kisses you, the more his hands roam, the more you experience intimate touches with him, the more you feel like your skin is on fire and replacing that intimidation with extreme arousal and lust. All the way until the point that the presumed makeout playlist starts over and he finally pushes a bit further with you.

“Is this okay?” He asks, now slotting himself entirely between your legs and essentially pressing his length directly against the pool that is threatening to seep through your fucking denim shorts. 

You give him a half nod, trying to pretend that he’s definitely a normal man with a normal cock. He smiles though, knowing full well that this isn’t what you were expecting. No one ever expects it from him. 

“You seem occupied,” he comments, pressing himself against you a little more and leaning down on his arms to nip at your lips. “or shocked, maybe?”

You try to kiss him to shut him up, not wanting to expose yourself for being entirely inexperienced with a size like his. 

“Hm?” He encourages you, pulling back again and looking directly into your eyes with a confident smirk. 

“Well,” you shift your eyes away and sigh out, “you’re kind of huge…” 

He takes that compliment and runs with it. It’s not like the two of you have to finally have sex or anything, but you both knew what was happening and you both definitely knew what the other wanted. At least ten minutes ago that was the situation.

“Is it too much?” He asks, this time a bit more concerned that his own biology could ruin this for you. 

“Probably? no, maybe?” 

Jaeyun pulls away from you, moving himself to sit back against the couch and give you your space. Considering probably and maybe isn’t a yes, he feels no need to push or pressure you into doing something you don’t want to do. There have been times where he’s hurt another person while being intimate, though not intentionally, he’s not exactly willing to do that to you unless you’re like, you know, jumping his bones for it. 

“Still, i’d like to try–” You start, looking at him as you sit up and feel your entire body tingle at the cold air that replaces his warmth. “Maybe if we take it slow– like, really slow?”

He looks at you with shining eyes. He asked you to be his girlfriend because he genuinely likes you. He likes your voice, he likes the way you smell, likes when you talk about your favorite songs and favorite movies. He was definitely smitten from the moment he saw you trip on your own two feet down the front porch of a house party months ago. Taking it slow with you was pretty normal, and the fact that you want him too just makes him all the more willing to take his time. 

“I’ll take care of you, ” he hums, spreading his legs a bit across the couch to give himself more space to re-adjust himself. “Just tell me if I need to slow down?” 

You nod, staring directly between his legs and rubbing your own together on instinct. If anyone’s gonna split you open, it might as well be your boyfriend.

・・・・・・・・・・・・・・

When he said he would take it slow with you, he really meant it. The fact that he curled three fingers into you for a solid twenty minutes and you still feel like your legs will buckle on you at any moment knowing that this is just for prep– oh damn. 

 The fact that he even used his tongue on you for the first time, making sure you were more slippery than you already were for another twenty minutes? The fucking fact that you were on the verge of orgasm when he pulled it out and presented it to you like a cock you could totally sit on without issue? 

Fuck.

Reality washes over you far too quickly when you actually make that attempt. 

You’d be lying if you said it didn’t feel like you were being torn apart by him, but part of you loves the way his gentle hands hold you steady as you try to sink down. You can feel the wet heat between your legs coat his length inch by inch as you start to slide down.

He stops you only for a moment when he notices you wincing. 

“Breathe, baby, just a little more.” He encourages, getting a nod from you before guiding you down further.

You breathe, clenching around him and doing your best to stop doing that so you can relax. You can tell he’s struggling to actually take it slow by now too, only because you can feel his hands shake against you as he holds himself back from obliterating you, probably. You’d think it would be quite endearing to see, if it weren’t for the fact that your eyes are blurring from the tears threatening to fall. 

Feeling embarrassed, you wipe your eyes and focus on how he feels inside of you. The pain is still there, but as you “sit” here, that pain somehow does replace itself with a strange sensation of pleasure little by little. You’ve always wondered what it felt like to be full, and it appears that this is exactly it.

It’s overwhelming.

“Do you want to stop?” He asks after noticing your tears, a bit of panic in his voice despite the fact that you could have sworn hearing a moan come out alongside it, “Pull up, it’s okay, you can–”

You sink down further instead, now bottoming yourself out on him and releasing a broken whine of both pain and pleasure. He grunts in unison to your whine, gripping your hips even harder than he already was and squeezing his eyes shut. 

“Fuck,” he sighs out, lazily opening his eyes to look at the way you perch yourself on him so perfectly. “Such a tight fit.” 

You nod, mostly unable to hear a word he’s saying as you try to relax your body enough to get rid of that small hint of pain. The consistent clenching of your adjustments send your boyfriend spiraling a bit, unable to contain his sighs of pleasure as your tight and wet heat squeezes his cock.

“Tell me when I can move, please, tell me–” He groans out almost frantically, staring down at where you sit flush against him and wanting so badly to fuck into you.

 He’s wanted to do this to you since you started dating, now that it’s finally happening, and now that you’re quite literally jerking him off simply by adjusting to his size– you know, it’s not exactly easy to contain himself. 

You take a few more seconds to breathe before your body finally relaxes and you give him a reluctant nod. 

Instantly it’s like you’re seeing stars. He barely moves, all he does is flex his abs and press his hips up and it’s like he manages to fit another non-existent inch inside of you. 

You groan out, falling forward against his chest and gripping onto his shoulders as you feel your body adjust to even that small movement. To you, this is so fucking embarrassing, but to him? 

Hottest thing ever. Really. 

He can hear your whiny gasps against his neck when he moves and it’s driving him fucking wild, especially considering the fact that his cock is driven so deeply inside of you that he thinks you’d tell him to stop— but you don’t. 

You’re so good to him, and for what it’s worth, he wants to make sure this will be the best orgasm of your life.

Slowly, his hands fall to your ass and guide you up. You feel slight relief as a few inches leave you, and your stomach bubbles with that same sensation of both pleasure and pain when he slides you back down.

He moans out at you, almost like he’s cooing in pity at how much you’re trying to take for him. It’s incredibly sexy to hear now that your ears have stopped ringing and you’re beginning to believe that you’d never want anything smaller than him anyway.

This time, you lift on your own and sink back down just as fast, wincing again against his neck but releasing a moan that sounds more like pleasure than anything else. He sees this as a green light, gripping your ass and encouraging you to lift slightly again.

“Stay like this.” he mutters with a deep breath before kissing against your forehead and thrusting his hips up once, hard. 

The tight heat you’re offering sends him into a frenzy when paired with the wet slap of his pelvis hitting your pussy, and the sounds you’re making offer little in terms of stopping because by now, you’re both loving it. 

He thrusts into you with ease, the drag loud and slippery, the moans of pleasure you release only make him go faster, harder. Almost releasing a whimper of his own at how fucking perfect you are for taking all of it.

“Look.” he tries to let out, waiting for you to pull yourself up from his chest and look at him.

You do with ease, that broken face from before now replaced with lustful and blown out pupils. 

“Look how good you take it,” he praises with a groan, almost punctuating each word with a thrust, “knew you could take it.” 

Your broken smile that falls into a slack mouthed string of nonsense only continues to push him.  All the way until you can’t think straight at all, and you’re feeling your body tense up with such pressure that you can’t even warn him before your walls are clenching so tightly that it even hurts him. 

You grasp onto him for dear life as your orgasm washes over you, drenching his entire length as you hold your breath. Never have you gotten off while feeling so fucking full, and arguably, you don’t think you could ever feel an orgasm so intense without him being the one to split you open.

“There you go baby.” he hums, watching you breathlessly fall apart on top of him before picking up his rhythm again and chasing his own high.

By this point, you’re so well adjusted that even the searing pain of his restless thrusts feel good. Your brain is foggy but you can’t help but just fucking watch him.

This is your boyfriend and this is what it looks like when you’re making him feel good. 

“Are you close?” you start to bounce on him, meeting his rhythm and allowing him to rest his own hips. 

He nods as he looks at you, awestruck with how you’re already able to ride him as if you weren’t whining just moments before. Seeing you take him in full like this is enough to have his cock pulsing.

“Just a bit more, baby.” He closes his eyes and runs his hands up your waist. “Keep riding me, fuck.” 

And that, you do. Feeling proud of yourself for being able to actually take this literal monster, you focus on the twitch inside of you as he releases with a deep and breathy moan.

It’s entirely too sexy to ignore, and you continue to bounce even as he tries to hold you in place to subdue the sensitivity of his cock being fucking strangled by how tight you are. 

Once his body stops jerking and you feel the last twitching release inside of you, you fall forward and both of you groan from the sensitivity. 

“There are pros and cons to having a big dick, i guess.” he admits in a groan. 

Even when you laugh, there’s another wince from both of you followed by a groan.

“Pros: big dick.” he whispers, holding you still against him so you don’t move again before he can soften up and pull out. “Cons: big dick.” 

You still laugh, and it still hurts. 

・・・・・・・・・・・・・・

me and my lame ass endings lmfaooooooooooooooooo

[mostlysignssomeportents]

Retiring the US debt would retire the US dollar

THIS WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

One of the most consequential series of investigative journalism of this decade was the Propublica series that Jesse Eisinger helmed, in which Eisinger and colleagues analyzed a trove of leaked IRS tax returns for the richest people in America:

https://www.propublica.org/series/the-secret-irs-files

The Secret IRS Files revealed the fact that many of America's oligarchs pay no tax at all. Some of them even get subsidies intended for poor families, like Jeff Bezos, whose tax affairs are so scammy that he was able to claim to be among the working poor and receive a federal Child Tax Credit, a $4,000 gift from the American public to one of the richest men who ever lived:

https://www.propublica.org/article/the-secret-irs-files-trove-of-never-before-seen-records-reveal-how-the-wealthiest-avoid-income-tax

As important as the numbers revealed by the Secret IRS Files were, I found the explanations even more interesting. The 99.9999% of us who never make contact with the secretive elite wealth management and tax cheating industry know, in the abstract, that there's something scammy going on in those esoteric cults of wealth accumulation, but we're pretty vague on the details. When I pondered the "tax loopholes" that the rich were exploiting, I pictured, you know, long lists of equations salted with Greek symbols, completely beyond my ken.

But when Propublica's series laid these secret tactics out, I learned that they were incredibly stupid ruses, tricks so thin that the only way they could possibly fool the IRS is if the IRS just didn't give a shit (and they truly didn't – after decades of cuts and attacks, the IRS was far more likely to audit a family earning less than $30k/year than a billionaire).

This has become a somewhat familiar experience. If you read the Panama Papers, the Paradise Papers, Luxleaks, Swissleaks, or any of the other spectacular leaks from the oligarch-industrial complex, you'll have seen the same thing: the rich employ the most tissue-thin ruses, and the tax authorities gobble them up. It's like the tax collectors don't want to fight with these ultrawealthy monsters whose net worth is larger than most nations, and merely require some excuse to allow them to cheat, anything they can scribble in the box explaining why they are worth billions and paying little, or nothing, or even entitled to free public money from programs intended to lift hungry children out of poverty.

It was this experience that fueled my interest in forensic accounting, which led to my bestselling techno-crime-thriller series starring the two-fisted, scambusting forensic accountant Martin Hench, who made his debut in 2022's Red Team Blues:

https://us.macmillan.com/books/9781250865847/red-team-blues

The double outrage of finding out how badly the powerful are ripping off the rest of us, and how stupid and transparent their accounting tricks are, is at the center of Chokepoint Capitalism, the book about how tech and entertainment companies steal from creative workers (and how to stop them) that Rebecca Giblin and I co-authored, which also came out in 2022:

https://chokepointcapitalism.com/

Now that I've written four novels and a nonfiction book about finance scams, I think I can safely call myself a oligarch ripoff hobbyist. I find this stuff endlessly fascinating, enraging, and, most importantly, energizing. So naturally, when PJ Vogt devoted two episodes of his excellent Search Engine podcast to the subject last week, I gobbled them up:

https://www.searchengine.show/listen/search-engine-1/why-is-it-so-hard-to-tax-billionaires-part-1

I love the way Vogt unpacks complex subjects. Maybe you've had the experience of following a commentator and admiring their knowledge of subjects you're unfamiliar with, only have them cover something you're an expert in and find them making a bunch of errors (this is basically the experience of using an LLM, which can give you authoritative seeming answers when the subject is one you're unfamiliar with, but which reveals itself to be a Bullshit Machine as soon as you ask it about something whose lore you know backwards and forwards).

Well, Vogt has covered many subjects that I am an expert in, and I had the opposite experience, finding that even when he covers my own specialist topics, I still learn something. I don't always agree with him, but always find those disagreements productive in that they make me clarify my own interests. (Full disclosure: I was one of Vogt's experts on his previous podcast, Reply All, talking about the inkjet printerization of everything:)

https://gimletmedia.com/shows/reply-all/brho54

Vogt's series on taxing billionaires was no exception. His interview subjects (including Eisinger) were very good, and he got into a lot of great detail on the leaker himself, Charles Littlejohn, who plead guilty and was sentenced to five years:

https://jacobin.com/2023/10/charles-littlejohn-irs-whistleblower-pro-publica-tax-evasion-prosecution

Vogt also delved into the history of the federal income tax, how it was sold to the American public, and a rather hilarious story of Republican Congressional gamesmanship that backfired spectacularly. I'd never encountered this stuff before and boy was it interesting.

But then Vogt got into the nature of taxation, and its relationship to the federal debt, another subject I've written about extensively, and that's where one of those productive disagreements emerged. Yesterday, I set out to write him a brief note unpacking this objection and ended up writing a giant essay (sorry, PJ!), and this morning I found myself still thinking about it. So I thought, why not clean up the email a little and publish it here?

As much as I enjoyed these episodes, I took serious exception to one – fairly important! – aspect of your analysis: the relationship of taxes to the national debt.

There's two ways of approaching this question, which I think of as akin to classical vs quantum physics. In the orthodox, classical telling, the government taxes us to pay for programs. This is crudely true at 10,000 feet and as a rule of thumb, it's fine in many cases. But on the ground – at the quantum level, in this analogy – the opposite is actually going on.

There is only one source of US dollars: the US Treasury (you can try and make your own dollars, but they'll put you in prison for a long-ass time if they catch you.).

If dollars can only originate with the US government, then it follows that:

a) The US government doesn't need our taxes to get US dollars (for the same reason Apple doesn't need us to redeem our iTunes cards to get more iTunes gift codes);

b) All the dollars in circulation start with spending by the US government (taxes can't be paid until dollars are first spent by their issuer, the US government); and

c) That spending must happen before anyone has been taxed, because the way dollars enter circulation is through spending.

You've probably heard people say, "Government spending isn't like household spending." That is obviously true: households are currency users while governments are currency issuers.

But the implications of this are very interesting.

First, the total dollars in circulation are:

a) All the dollars the government has ever spent into existence funding programs, transferring to the states, and paying its own employees, minus

b) All the dollars that the government has taxed away from us, and subsequently annihilated.

(Because governments spend money into existence and tax money out of existence.)

The net of dollars the government spends in a given year minus the dollars the government taxes out of existence that year is called "the national deficit." The total of all those national deficits is called "the national debt." All the dollars in circulation today are the result of this national debt. If the US government didn't have a debt, there would be no dollars in circulation.

The only way to eliminate the national debt is to tax every dollar in circulation out of existence. Because the national debt is "all the dollars the government has ever spent," minus "all the dollars the government has ever taxed." In accounting terms, "The US deficit is the public's credit."

When billionaires like Warren Buffet tell Jesse Eisinger that he doesn't pay tax because "he thinks his money is better spent on charitable works rather than contributing to an insignificant reduction of the deficit," he is, at best, technically wrong about why we tax, and at worst, he's telling a self-serving lie. The US government doesn't need to eliminate its debt. Doing so would be catastrophic. "Retiring the US debt" is the same thing as "retiring the US dollar."

So if the USG isn't taxing to retire its debts, why does it tax? Because when the USG – or any other currency issuer – creates a token, that token is, on its face, useless. If I offered to sell you some "Corycoins," you would quite rightly say that Corycoins have no value and thus you don't need any of them.

For a token to be liquid – for it to be redeemable for valuable things, like labor, goods and services – there needs to be something that someone desires that can be purchased with that token. Remember when Disney issued "Disney dollars" that you could only spend at Disney theme parks? They traded more or less at face value, even outside of Disney parks, because everyone knew someone who was planning a Disney vacation and could make use of those Disney tokens.

But if you go down to a local carny and play skeeball and win a fistful of tickets, you'll find it hard to trade those with anyone outside of the skeeball counter, especially once you leave the carny. There's two reasons for this:

1) The things you can get at the skeeball counter are pretty crappy so most people don't desire them; and ' 2) Most people aren't planning on visiting the carny, so there's no way for them to redeem the skeeball tickets even if they want the stuff behind the counter (this is also why it's hard to sell your Iranian rials if you bring them back to the US – there's not much you can buy in Iran, and even someone you wanted to buy something there, it's really hard for US citizens to get to Iran).

But when a sovereign currency issuer – one with the power of the law behind it – demands a tax denominated in its own currency, they create demand for that token. Everyone desires USD because almost everyone in the USA has to pay taxes in USD to the government every year, or they will go to prison. That fact is why there is such a liquid market for USD. Far more people want USD to pay their taxes than will ever want Disney dollars to spend on Dole Whips, and even if you are hoping to buy a Dole Whip in Fantasyland, that desire is far less important to you than your desire not to go to prison for dodging your taxes.

Even if you're not paying taxes, you know someone who is. The underlying liquidity of the USD is inextricably tied to taxation, and that's the first reason we tax. By issuing a token – the USD – and then laying on a tax that can only be paid in that token (you cannot pay federal income tax in anything except USD – not crypto, not euros, not rials – only USD), the US government creates demand for that token.

And because the US government is the only source of dollars, the US government can purchase anything that is within its sovereign territory. Anything denominated in US dollars is available to the US government: the labor of every US-residing person, the land and resources in US territory, and the goods produced within the US borders. The US doesn't need to tax us to buy these things (remember, it makes new money by typing numbers into a spreadsheet at the Federal Reserve). But it does tax us, and if the taxes it levies don't equal the spending it's making, it also sells us T-bills to make up the shortfall.

So the US government kinda acts like classical physics is true, that is, like it is a household and thus a currency user, and not a currency issuer. If it spends more than it taxes, it "borrows" (issues T-bills) to make up the difference. Why does it do this? To fight inflation.

The US government has no monetary constraints, it can make as many dollars as it cares to (by typing numbers into a spreadsheet). But the US government is fiscally constrained, because it can only buy things that are denominated in US dollars (this is why it's such a big deal that global oil is priced in USD – it means the US government can buy oil from anywhere, not only the USA, just by typing numbers into a spreadsheet).

The supply of dollars is infinite, but the supply of labor and goods denominated in US dollars is finite, and, what's more, the people inside the USA expect to use that labor and goods for their own needs. If the US government issues so many dollars that it can outbid every private construction company for the labor of electricians, bricklayers, crane drivers, etc, and puts them all to work building federal buildings, there will be no private construction.

Indeed, every time the US government bids against the private sector for anything – labor, resources, land, finished goods – the price of that thing goes up. That's one way to get inflation (and it's why inflation hawks are so horny for slashing government spending – to get government bidders out of the auction for goods, services and labor).

But while the supply of goods for sale in US dollars is finite, it's not fixed. If the US government takes away some of the private sector's productive capacity in order to build interstates, train skilled professionals, treat sick people so they can go to work (or at least not burden their working-age relations), etc, then the supply of goods and services denominated in USD goes up, and that makes more fiscal space, meaning the government and the private sector can both consume more of those goods and services and still not bid against one another, thus creating no inflationary pressure.

Thus, taxes create liquidity for US dollars, but they do something else that's really important: they reduce the spending power of the private sector. If the US only ever spent money into existence and never taxed it out of existence, that would create incredible inflation, because the supply of dollars would go up and up and up, while the supply of goods and services you could buy with dollars would grow much more slowly, because the US government wouldn't have the looming threat of taxes with which to coerce us into doing the work to build highways, care for the sick, or teach people how to be doctors, engineers, etc.

Taxes coercively reduce the purchasing power of the private sector (they're a stick). T-bills do the same thing, but voluntarily (they the carrot).

A T-bill is a bargain offered by the US government: "Voluntarily park your money instead of spending it. That will create fiscal space for us to buy things without bidding against you, because it removes your money from circulation temporarily. That means we, the US government, can buy more stuff and use it to increase the amount of goods and services you can buy with your money when the bond matures, while keeping the supply of dollars and the supply of dollar-denominated stuff in rough equilibrium."

So a bond isn't a debt – it's more like a savings account. When you move money from your checking to your savings, you reduce its liquidity, meaning the bank can treat it as a reserve without worrying quite so much about you spending it. In exchange, the bank gives you some interest, as a carrot.

I know, I know, this is a big-ass wall of text. Congrats if you made it this far! But here's the upshot. We should tax billionaires, because it will reduce their economic power and thus their political power.

But we absolutely don't need to tax billionaires to have nice things. For example: the US government could hire every single unemployed person without creating inflationary pressure on wages, because inflation only happens when the US government tries to buy something that the private sector is also trying to buy, bidding up the price. To be "unemployed" is to have labor that the private sector isn't trying to buy. They're synonyms. By definition, the feds could put every unemployed person to work (say, training one another to be teachers, construction workers, etc – and then going out and taking care of the sick, addressing the housing crisis, etc etc) without buying any labor that the private sector is also trying to buy.

What's even more true than this is that our taxes are not going to reduce the national debt. That guest you had who said, "Even if we tax billionaires, we will never pay off the national debt,"" was 100% right, because the national debt equals all the money in circulation.

Which is why that guest was also very, very wrong when she said, "We will have to tax normal people too in order to pay off the debt." We don't have to pay off the debt. We shouldn't pay off the debt. We can't pay off the debt. Paying off the debt is another way of saying "eliminating the dollar."

Taxation isn't a way for the government to pay for things. Taxation is a way to create demand for US dollars, to convince people to sell goods and services to the US government, and to constrain private sector spending, which creates fiscal space for the US government to buy goods and services without bidding up their prices.

And in a "classical physics" sense, all of the preceding is kinda a way of saying, "Taxes pay for government spending." As a rough approximation, you can think of taxes like this and generally not get into trouble.

But when you start to make policy – when you contemplate when, whether, and how much to tax billionaires – you leave behind the crude, high-level approximation and descend into the nitty-gritty world of things as they are, and you need to jettison the convenience of the easy-to-grasp approximation.

If you're interested in learning more about this, you can tune into this TED Talk by Stephanie Kelton, formerly formerly advisor to the Senate Budget Committee chair, now back teaching and researching econ at University of Missouri at Kansas City:

https://www.ted.com/talks/stephanie_kelton_the_big_myth_of_government_deficits?subtitle=en

Stephanie has written a great book about this, The Deficit Myth:

https://pluralistic.net/2020/05/14/everybody-poops/#deficit-myth

There's a really good feature length doc about it too, called "Finding the Money":

https://findingmoneyfilm.com/

If you'd like to read more of my own work on this, here's a column I wrote about the nature of currency in light of Web3, crypto, etc:

https://locusmag.com/2022/09/cory-doctorow-moneylike/

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/21/we-can-have-nice-things/#public-funds-not-taxpayer-dollars