#there are too many colors but the vibe is there

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[nile-the-empathy-cleric]

I'm a huge fan of your work, your writing is so beautiful, and the way you add your own personal love of art is just; it's genuinely amazing. I was wondering if you have any paintings that you think each of your favorite characters would represent or maybe even what u see when u look at them. ❤️🖼🎨🖌

Oh boy do I love this ask! Firstly, than you 🥺 you're too kind 💕

Second I have so many paintings that spring to mind for various characters! Immediately off the bat my brain went right to Lestat and how his presence and aesthetic (especially in 1920s New Orleans) gave gigantic J.C. Leyendecker vibes.

(left) The Sleuth J.C. Leyendecker, ca. 1906 and (right) Arrow Shirt Collar Ad, 1916. By J.C. Leyendecker For Arrow Shirt Collars, 1916

The way Leyendecker plays with shadow, light, and color to project an air of seduction and power is just *chef's kiss.* He is a master at depicting an idealized masculinity that still has a level of vulnerability. I don't think it's just the styling/ fashion of the men in Leyendecker's illustrations that remind me of Lestat, but the features as well. J.C. gives them this attitude of nonchalance but there's something deeply concerned with appearances underneath. Is that not Lestat?

For Claudia there are a couple. First (not a painting but a sculpture) is Degas' The Little Dancer Aged Fourteen. I look at this piece and think of the history of ballet and the connotations of ballet at the time Degas was working. In France at the time ballerinas were highly taken advantage of and exploited. The exploitation was sexual in nature and simultaneously adultified and infantilized. They were highly fetishized. It's very sad and tragic and it reminds me of Claudia. The Little Dancer has an almost defiant energy to her, like there is a sense of pride and restraint, something dignified despite her lesser social standing.

I also see something of Claudia in this piece: Girl in Pink Dress, ca. 1927 by Laura Wheeler Waring. I also think this girl embodies the qualities of both Bailey and Delainey's Claudias–– there's simultaneously an innocence and maturity. I see something similar in Isabella, (aka Young Woman with a Fan), 1906 by Simon Maris and I just think it's neat to see art of Black people done by a white person from the early 1900s that isn't fetishizing or racist (don't look at J.C. Leyendecker's art of Black people, yikes!)

For Louis, my first thought was Derek Fordjour's STRWMN, 2020. It gives NOLA Louis to me in terms of style, but also the colorful and fun energy has the vibes of his little journey of gay self-discovery in Paris. I also see Louis in Lois Mailou Jones' Negro Youth, 1929. It mirrors depressed Louis for me. There is something very fragile in his expression, but you can tell he's trying to be strong, much like Louis.

As for Armand? Well, the number one is Botticelli's Saint Sebastian (it just has an uncanny resemblance to Assad) and the metaphor is too apt to not point out. The other that immediately make me think of Armand is The Abduction of Ganymede by Correggio. It's less the painting and more the myth it's based on, but out of all the Ganymede paintings, Correggio's is my favorite.

And Daniel is just like... any Nan Goldin photo, but I'll pick Heart-shaped bruise, 1980. I don't think I need to give my thoughts here 😂

Thank you again for such a fun ask! I appreciate every message I get from anons and mutuals alike 🥰

[*Edit: Being transparent––I went back and corrected a mistake I made in the original because I don't want an inaccurate/ racist post going around, even after a correction in the reblogs if people aren't seeing the original. I accidentally implied that Laura Wheeler Waring was white. I meant the statement about Simon Maris, who was a Dutch portrait artist. Laura Wheeler Waring was a prominent Black artist. Lesson to self: do not write deeply thoughtful posts at 1 am while you have a fever.]

[arley-ology]

I'm very normal about the Drawtectives season three trailer right now and I need to organize my thoughts about it or I will explode soooo putting that all into a tumblr post! This is less theorizing/analysis and more just me writing down things I noticed.

The beginning of the trailer is a slow zoom out on a box TV whose channels are being absent mindedley flicked through. I'm going to go through each of the broadcasts one by one

The first is an ad of some sort for a "Shimmer Park". The narrator for the ad is saying "Need a place to truly be yourself for awhile? Discover Shimmer Park!" This leads me to think that Shimmer Park is some sort of entertainment/play facility for children. Now it may just be my automatic distrust of any entertainment area geared towards kids that was spawned in me via reading Percy Jackson and the Lightning Theif too many times but something about the phrasing of "A place to truly be yourself" feels somewhat disquieting to me idk.

Next up is what appears to be a news broadcast of a local rally by MAPN. MAPN's logo is their abbreviation set over a clock face nkt unlike that on the clock tower we see later. In the middle of the news overlay is the name "Thomas Cornette" possibly the name of the reporter(?). The protesters signs are mostly obscured but the ones I can make out I'm 90% sure say "Not in our community (w/ a drawing of a rat)" and "Save our community". The horned protester in the front is yelling into the microphone, "Corperate overlords will never take our city!". We can assume the "MA" part of MAPN stands for Midnight Alley I'm not quite sure about the rest of it but if I had to guess it might be "Public News" don't quote me on that. To me just the way the clips are set up almost makes it seem like this protest against risk to Midnight Alley community is related to Shimmer Park in some way. The only thing we really know about the protest is it is somehow against corporations and (maybe) rats. There may be a link here to Papa's Pizza which we see later.

After that is the much calmer channel "Knitting with Janice". The woman knitting, assumedly Janice, says "It takes all kinds of threads to make a beautiful colorful tableau!". There's also a cat in a catbed in the background (adorable). Taking the dialoge metaphorically it's something to the effect of "It takes all different kinds of people and ideas to make a good and beautiful community." Now the use of the word tableau here is odd beacuse unless there's some secret knitting terminology I'm not aware of tableau is not usually a term used in fibre arts. A tableau is a still image of people/figures used to represent a more complex story (art/drawing connection??). Now maybe Janice is just knitting a tableau or smthing but the word choice here is interesting to me! Also the cat in the background caught my eye because of the rat themeing of this season. Cats are a major predators of mice. Maybe something like Art and Community beats the rat race???(we see rat race later) Also I'm getting big Bob Ross vibes from this lady please tell me yall see it too

Next we have a film noir (oooo!!). A woman is crying and she has just slapped a man in thr foreground. She says "I've never met a snake like you Jimmy." Snakes! Another predator of rats. But of course snake is meant metaphorically here as someone who is depictful and manipulative. Uhhhh I got nothing else on this one yall. I would say possible connection to the last channel like I did w/ Shimmer Park & The Protest but I refuse to believe that old lady Janice (both "J" names though) is capable of snake-like depict.

Another news broadcast! This seems to be from a news station other than MAPN as they have different overlays. The woman on screen says "In other news Midnight Alley is soon to throw their annual Rat Race". There's a poster for the Rat Race on screen (love a Juilia poster) that shows two rats w/ the numbers "8" and "4" on each of them respectively. I'm gonna ignore the place and date listed on there because in season two those details on posters never really came into play. There's more text on the poster saying "For more information and sign up please visit the M.A. [Midnight Alley] information center" and the bellow that it reads "Hosted by the Parks Department of Spire City". Literal Rat Race, interesting! Ofc in metaphor a rat race is used to describe and struggle of people for money and power that ultimately grants them no reward often used to describe competition in company/work environments #The Hustle. Now this is definitely connected in some way to the protest whether it be litteraly or metaphorically or both is yet to say. Also the Rat Race being sponsored by the Parks Department kinda makes me think of Shimmer Park having something to do w/ this. No matter what I feel like the Rat Race being sponsored by the Parks Department is going to be important somehow.

Papa's Pizza ad now! The guy w/ the Papa's Pizza uniform (owner?) is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for-". This is probably connected to the Corperation Protest we saw earlier. It seems like small business in Midnight Alley are probably being put at risk in sone way by larger corporations. Take note of how the Papa's Pizza guy's sentence cuts off here

A phone rings of screen in the static between channels.

This channel is a sitcom. A boy looks mischievously into the camera and says "RATS." before a laugh track plays. Someone off screen is holding a bowl of rats (?????) next to him. Now the way the last broadcast cuts off it makes it seem as if Pizza guy is saying "Papa's Pizza has been here for generations, hand birthing high quality, cheaply priced slices for rats." Its interesting how it makes it seem like Papa's Pizza guy - a person who's company would be effected by large corperation take over is in favor of rats - which are being used by the protesters to represent the corperations (kinda maybe?). This feels like it means Something but I can't peice together What.

All the TV programs are done now time to go over the rest of the trailer!

The TV is turned off now and we see Jancy's reflection in the black screen. Its an interesting shot makes it almost seemd like she's part of the programming. She answers the phone that is ringing, a rotary phone. Her tone drops as she revives news from the other end of the line and she tells them she'll send in the team (DRAWTECTIVES!!) right away.

Cut to black. "Children there's been a murder". (OUGH AAAAAAA IM GOING INSANE GOING RABID)

New design silhouettes!! I love them all already. I'm surprised by the lack of hat on Grandma (I like it!!) but other than that I don't really have any comments on them. York says "Do you think the house is capable of murder?". Grendan says "Unless... Murder Santa... I just write murder Santa down." These two might narrow down where at least part of this takes place somewhat. and finally Rosé says "Why are you so quiet daddy?"

Now we have what is most likely our setting, Midnight Alley! This season's logo appears on the background but I didn't grab a screen shot of that whoops. The clock tower here really stands out to me. Perhaps the spire of Spire City? Also this is just a very pleasing drawing!

The end scene of the trailer is of a rat jumping on to screen before menacing yellow eyes w/ slit pupils fade in behind it. I'm tempted to say cat for some reason.

Also Eugene is in the thumbnail but he isn't mentioned at all in the trailer. This might just be because the fans love Eugene and Julia couldn't figure out how to include him anywhere other than the thumbnail but it also makes me a little scared

I said I wasn't gonna therorize but I wanna put down my ideas about when this takes place and where this takes place.

Now Drawtectives is very time-nebulous in general but this season at least seems very 80s inspired to me. The box TV, rotary phone, neon aesthetic for the logo, upbeat disco-y theme music all seem to point towards us not being in the modern day at the very least. Ofc we're going to be in Midnight Alley but Midnight Alley also seems to be in Spire City from what the poster said. York and Grendan's lines also suggest we explore a house at some point, specifically w/ a chimney/fireplace being important.

Anywho that's it for my very nothingburger post about the Season three trailer hope that any of yall that read through alllll of that nonsense enjoyed :]

[the-100-days-of-junkan]

Day 42

Colors! THEY RETURN! This one was inspired by two things.

Thing number one, I really, really, REALLY, REALLY do not like Mikan��s Anniversary Outfit. Junko's? Amazing. Mikan’s? It fills me with unbearable sorrow, why did they do that to her. I generally try to live a life of positivity instead of bitching 24/7. I’ve had people assume that I just like everything, however I do feel hatred, I just choose to not make that everyone else’s issue. That said, I cannot pretend that looking at this outfit on Mikan makes me very mad.

So I tried my own take. Admittedly feels too simplistic compared to some of the other designs, however I still feel happy with it. The primary inspiration was Mikan’s own hair along with her bandages. A dress that wraps around her, all purple of course, throw in some jewelry and my desperate attempt at fancy shoes, and you’ve got a cute Mikan dress.

The other inspiration for this is another VanadisValentine Fic! It’s been awhile since I shilled for her work.

The Marvelous Makeover of Mikan Tsumiki

An absolute classic of Soft Junkan, in my definitely unbiased opinion at least. I didn’t go the whole way giving Mikan a haircut or makeup and all that jazz, I simply wanted to put her in a nice dress courtesy of Junko. But the vibe was definitely inspired by that fic rest assured.

Another fun fact, well not really fun. This is another pic I edited after the fact, not for colors, I did in fact color this from the getgo. However when looking back on this art I really did not like how i drew Junko. I made her chin look fucking awful. So I edited it to make it actually look nice. So now the only way to see that original version is through a (of all things) Jujutsu Kaisen meme video made by a friend of mine, EpicLinkSam (enjoy that completely dead tumblr account link). Below is the video, and further below is the individual images making the bulk of the vid.

and yes that is my voice. someday i will voice train.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

This is the closest you're getting to a sneak peak at a future day btw.

For context the Junkan Folder, where I kept everything for and relating to the project was just a thing I found funny. Because how many people just have a massive folder of just Junkan art.

I've got another Junkan meme that I can't show off yet because it has a bunch of spoilers for future days.

[clemkruckinnie]

the pogues + their favorite holidays!!

john b’s always been a christmas kinda guy. some of his happiest memories are of him tearing open the wrapping on the few presents big john had been able to save up for, cross-legged under their little tree. is also 1000% the type to put mistletoe everywhere to kiss you (which backfires when jj shoves you out of the way, wanting a smooch of his own).

pope loves halloween! i know he kind of reads as the type to be a scaredy cat, but i feel like he’s a HUGE film buff, so he’ll gladly sit and marathon scary movies with you. he’ll point out how cool the practical effects are, or make fun of the terrible acting, you happily listening as he rambles. and if you’re passing out candy to trick or treaters? oh my GOD. pope is hyping up every kid and their costume, saves up for a month prior to make sure you guys hand out the big candy bars, just generally has the time of his life. he is ADORABLE.

jj’s favorite holiday is the fourth of july, not because he’s particularly patriotic, but because it’s the one day a year where he can set off as many explosives as he wants without having the police called on him. absolutely insists on grilling burgers on a charcoal grill so tiny he can barely do 2 at one time, so by the time he’s done everyone would be significantly hangry had they not blown through all the snacks everyone had brought. finds the perfect place to watch the fireworks days in advance, unable to tear his eyes away from the blinding colors for the duration of the show. it’s beautiful, watching the wonder in his eyes, truly carefree as he marvels at the fireworks.

sarah is a valentine’s girl!! she was 100% the little girl who made everyone in her class a special valentine, not wanting anyone to be excluded or feel less loved! she’s just obsessed with the vibes, too—pink, hearts, lace, etc. if you’re blessed enough to be her valentine? she is going ALL OUT- a little gift bag, a special dinner…certain activities after several glasses of wine during said dinner…..

though it’s less of a traditional holiday, kie’s favorite is earth day! it’s the one day of the year where no one is allowed to roll their eyes at her environmental campaigns. that and it’s the start of taurus season, because kie is 1000% a taurus and i will die on this hill <33 totally the type of gf to plant a tree for you on this day, or get you one of those turtle tracking bracelets (one to match her’s, ofc).

cleo loves thanksgiving! the girl is a natural born chef, so she’ll really jump at any excuse to cook. that, and she doesn’t really have family in the states besides the pogues, so anything to get you all together for a family meal is good in her book. if you show genuine interest in what she’s making, her heart absolutely SOARS because she really pours herself into her cooking. being her unofficial sous chef gets you points too because acts of service mean a lot to her.

[antelopefriendcorner]

As one game project nears completion—you'll ideally see it by halloween—I start concept work for the next. Meet... Archer, I guess her name is. She came about as a study in building a character (secretary bird with robot legs) around a game idea (action-platformer where you kick things) whose design is still at least vaguely readable at 64px tall, all under a limited palette resembling but not wholly constrained to '1-bit'-style pixel art. Ended up with more of an NES look, albeit with extra colors.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[jarrows]

recently i reread a bunch of my favorite sherlock holmes stories (norw my beloved) and felt compelled to create my own diagram for 221B

[jadecantcreate]

creeping shadows, rising smoke

the kremy wallpaper is done! @szaryherbatnik gave me the idea in the first place <33 (like. a month ago….better late than never?) click for higher quality; speedpaint beneath the cut

[kagooleo]

the gangs all here!!!

[billcipherstuff]

👾Went for lazer tag vibes👾

[cerealbishh]

"The world's lucky to have you."

[canisalbus]

hi i ride motorcycle year round and wanted to chime in. for vasco's small around-town trips he'd probably be fine with his ears free, but for longer trips at higher speeds or when its cold out he'd want them protected. probably by tucking them under his chin into the collar of a jacket and then putting a scarf or bandana on. also goggles would be helpful if a full helmet wasn't wanted. since they're in europe and around italy specifically he could have a nice ducati (fast rockety sport bikes) or a cafe racer (much more like a motorized bicycle but they can still have a lot of power) a cafe racer would offer a lot of seat space for machete to be thoroughly uncomfortable in lol

i love your ocs they're great thanks for all the cool art :)

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[pastel-kaleesh]

nya

[a1sart]

Blue Diamond Miss Trixtin and Pearl Philza for @chrisrin 's gemcyt au!!

[mortellanarts]

We live and die in the fog alone