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prismartist · 4 years ago

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Ponk’s discoveries and what they mean

Y’all haven’t been paying attention to Ponk and it shows. /lh

He has made many discoveries in his recent streams that are just begging to be talked about, and I, as the resident maker of farfetched theories, will take up the job of compiling and connecting them to the current lore.

For those who don’t know, Ponk recently built up the lore of Not A Very Good Town Town, aka the village that went mad, through a book he found in the basement of Jack’s (the potato farmer, not Manifold) Ye Old Farmhouse, written by Jack himself. And it reveals some interesting information.

There’s going to be a few sections for this post: first, breaking down what is in the journal, then theories as to what exactly happened to the village, and how these discoveries can tie into the current storyline.

The journal

For one, Jack seems to have interacted an entity that’s eerily similar to Foolish. In the first page there’s an entry that reads:

“Day 790 The strange man is back, his body made of straw but eyes of emrald.”

On the second page as well, it mentions:

“Day 800 A NEW LAND! A land that uses sand as stone! Gold.... GOLD EVERYWHERE!”

Which, of course, probably pertains to Foolish’s desert home, which also has a significant amount of gold due to the Egyptian theme.

But why would we get Foolish lore from Ponk of all people, instead of the totem god himself? Well, Ponk was the first person Foolish interacted with on the server aside from Dream, so I wouldn’t be surprised if they talked more after that and collabed for lore.

But anyways, now we move on to the more interesting section:

“Day 840 The Strange man has returned his name still unknown... BUT! he has brought a caravan of good! he talks about ancient magic and gifts 21 statues transported in make shift boats.”

Jack then goes on to describe that the statues are “calming” for him, before the next entry, written ten days later, show a disturbing shift in attitude.

“Day 855 CATS I HEAR CATS, CATS IN THE WALLS IN THE WALLS”

And another one five days later:

“DAY 900 murder... the cats murder ,,, the people I showed Shrimpy my satues he seems too intrested BUT THEY ARE MY SATUES”

Now those who saw the episode know that Jack and Bob (Shrimpy) turned out to be the murderers of the “canon round”. Seeing as those two people were the only ones exposed to the statues as we know, it’s logical to assume that the statues were the reason they went mad.

And this is backed up by the next entry:

“Day 905 SUDDEN URGE TO MURDER, THAT HELGA WOMEN IS TEMPTING BUT DAMN HER HUSBAND NEEDS TO GO BY ANY MEANS NESS…..”

Then there are two blank pages before the journal concludes

“Day 1040 Just me and Shrimpy and the cool statues life is good go od goo d g ood go odgood g oodg ood go odg good goo dgood goo dgood g ood good good good goodgoo d go od g ood go od dgo od g oo go od go o d - JACK”

It’s creepy as shit. But moving on.

There’s a lot of questions to be asked here. Why did Foolish–if it is Foolish–visit the Town? Why exactly did he gift a bunch of statues that drove Jack and Shrimpy to madness and murder? Why are there cats in the walls?

(Well, cats are very significant to Egyptian culture, even to a cult-like status, but that’s for another post.)

There are a few possibilities.

What exactly were the effects that Foolish had on the Town?

(Here’s the farfetched theories part lmao)

The simplest (and let’s be honest, the most likely) theory is that the statues probably had way too much power that caused people to become overprotective over them. Foolish just didn’t realize and wanted to give some nice gifts, but the statues drove Jack and Bob to insanity after being exposed to them for way too long. So they killed everyone.

However, considering certain factors, there is another possibility, specifically surrounding:

The “non-canon” round.

Did Karl say that it was a practice round and thus not canon? Yes. Am I suggesting it’s canon anyway for the sake of this theory that probably won’t be true? Also yes.

Besides, Karl probably also didn’t plan for TVTWM to be influential to the storyline, but because of it his character’s now a time traveler and Ponk is pulling out more lore so.

I think Foolish came by and gifted the statues, the first round did happen, and he brought them back to life after the first game. But the resurrection affected Jack and Bob, driving them to madness à la gothic horror lit character that just saw something they weren’t supposed to. Perhaps their attitude became cult-like, praising Foolish, thus the overprotectiveness over the statues as they were connected to the god, or they were of the opinion that “Hey no, everyone’s supposed to be dead,” and then sought to make that true once again.

“But then what about the first round, where everyone also died?” You may scoff at the ridiculous theory, poking my chest accusingly. “Why were the killers different?”

Well, I have a simple answer for that.

Egg.

“What, the egg again-“ I know, I know, it may seem tiring tying everything back to the egg, but hear me out.

In another one of Ponk’s streams, “Dreams of potatos?”, at 58:15 (correct me if wrong) Ponk had a dream where Mayor Jimmy was saying disjointed sentences to Jack, scolding him, telling him to stay away from Helga, and also something about burning Miles Memeington being burned at the stake for being a witch (????). At the end of it, Jimmy turned to the camera.

And his eyes were red.

Which, of course, is a telltale sign of being infected by the egg.

The egg being the main plot right now, seeing as it can easily be connected to the “Red-Eyed Village Wars”, and the fact that it is known to control people to murder, I don’t think it’s too much of a stretch to point to it as being the cause.

It also helps that Jimmy was only a character from the first round; in the “canon” round, Bad had changed his character to some sort of constable or something.

So the egg may have controlled Jimmy and Cornelius, the murderers in the first round, to kill everyone, Foolish then came along, resurrected everyone murdered in the first round, gotten rid of the egg’s influence, and then left. Then whatever effects the statues had on Jack and Bob took affect.

Alternatively, the statues may have been the ones to resurrect the dead, or have been given as protection from any threats, but became haywire for one reason or another. They influenced Jack and Bob to protect the statues at any cost, and they took it too far. Which may seem a little hypocritical as the egg literally does the same thing, but fire fights fire and all that.

And, just like with Karl, if Foolish has had to deal with the egg before, it makes sense why he’s so averse to it now.

Current lore

Now, how does this tie into the current storyline? 

Aside from the egg, if resurrection and items do affect one’s psyche, then maybe that’s the same reason why Schlatt and even Dream–the only other two who know how to resurrect–acted the way they did, becoming apathetic to the wellbeing of other people.

Also, it is worth noting that in the basement where Ponk found the journal, there were 21 villagers in boats, the same amount as the statues. Thus Ponk concluded that they are the statues. And Foolish does have an affinity for villagers, if King Toad is any indication. This implies that Foolish can not only bring dead people back to life, but can also grant life to objects that never lived in the first place. Or, they were once living, but had their life taken away from them before getting it back for one reason or another. If Foolish really has this much power, it could be foreshadowing for future events where those powers will be utilized.

About the bloodvines, if Foolish has defeated them before, there’s a chance he may do it again. Unless something goes wrong and he accidentally drives a few people to madness.

(or maybe they were predisposed to madness, who knows-)

TL;DR

Foolish may have interacted with Not A Very Good Town Town before to save them from the egg and resurrect the dead, driving Jack and Bob to insanity as a consequence. Thus he could have a lot of power and will be the one to potentially defeat the egg once again.

#dream smp #dropsbyponk #foolish gamers #tales from the smp #tftsmp #mcyt #the village that went mad #dsmp #dream smp analysis #dsmp analysis #unintelligible rants #cursing #long post

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wuxiaphoenix · 2 years ago

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Worldbuilding: Help Vaunted

Vampires, disease, chi, breath, and blood; it’s all connected. Western vampires drain the life from people with their blood, while eastern jiangshi steal qi from their victims’ breath. (So if you hold your breath, they can’t find you. As was well-illustrated in sometimes wacky detail in the 1985 Hong Kong jiangshi film, Mr. Vampire.)

And both kinds of supernatural killers are known for spreading disease, through bites and evil miasmas. Which gives them a lot in common with mosquitoes. Yes, down to the finding people by their breath. Mosquitoes track carbon dioxide gradients to zero in on their warm-blooded prey. If you can keep that from them, they have a much harder time finding you.

Then again, if you can successfully block a carbon dioxide trail you’ve got something airtight so bugs likely aren’t getting in anyway. Oxygen might not be getting in either. In which case you’ve got bigger problems than itchy bug bites.

So vampires and mosquitoes have a lot in common. Possibly not enough; it’d be refreshing to have vampires that could be warded off by a good swatting. Though maybe these days a good SWATting would work....

What does this have to do with worldbuilding? Research. If you want to build something, say a fantastic version of vampires, you need solid foundations. That often means going back to the oldest sources you can for your research, so you can dig up what was originally written down about a monster, place, or event before someone decided to do a Freudian analysis or (shudder) a post-modern deconstruction of what it really meant.

Don’t make a copy of a copy of a copy. That way lies the blurry gray soulless sameness of AI art and Hollywood Marvel. Instead, think of how they designed the art for Stargate: read all the history, art, and legends, then close the books and create a new vision for the story.

Obviously your ability to dig will be limited by your resources; money, time, how many languages you read and speak, and so on. But persistence can sometimes pull up amazing stuff. I recently found a free article on falconry in Joseon Dynasty Korea, for one; and I’ve dug up vampire lore from all over the place through the years. Modern horror’s focus on the gore and supernatural speed and strength of the vampire ignores the fact that traditionally, once you’ve established that there may be a vampire killing people, the real trick is finding it, so you can deal with the corpse-monster once and for all. Original lore, especially in Eastern Europe, has all kinds of bits on how to track down the vampire’s grave, how to properly stake and/or burn it, and how to trap it in the grave by way of a net, rose branch, or other devices in case you can’t dig it up and dispose of it yet.

Which is a depressingly plausible scenario when vampires spread disease. By the time you’ve pinned down exactly which grave the damned thing is hiding in, your people may be too sick and exhausted to do more than drape a net over the spot and hope to buy a few days for somebody to get their strength back. Cows need to be milked or there’ll be no cheese for the winter. Fields need to be tended. A vampire killing people may not be everyone’s first priority.

Especially if it’s only attacking one family. (Not uncommon in certain areas.) And eh, no one much likes them....

Someone once said that if you watch enough monster movies you realize the problem is less the monster and more people’s reactions to it. Like cutting corners, trying to take advantage of the situation, or just refusing to believe it’s an actual problem until it tries to eat them. Mr. Vampire shows all of these; from fengshui apprentices horsing around with magic (because guys) to rice merchants mixing long-grain rice with the mystically effective sticky rice, to the head of the local police who got his position by nepotism arresting the one guy who knows what he’s doing. Yes, it’s a comedy, but man they came so close to a mass undead uprising.

Yet it didn’t happen. Because enough people paid attention and fixed things once they realized what was wrong. Which takes brains, more than firepower.

Do your research. Help heroes win by their wits!

#worldbuilding #vampires #do the research

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dogcopter · 5 years ago

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Jane is Lore 2020

Ok, here’s the round up of the ghost part of the situation with @keepbeachcitysafe and @keepbeachcityweird.

Theory: Ronaldo’s girlfriend Jane is the key to figuring out Rose Quartz is not gone, largely via a constellation of background clues. If that sounds ridiculous, I understand. I’m Ronaldo. Actually I’m not Ronaldo, but hopefully I’ll have a post about him too soon. I hope we can all have fun together tho

This post is very, very long and involves a lot of images. It will be confusing at first, but please entertain the thought and keep reading, and I hope it clicks into place. I may need to update it later.

Three sections for supporting evidence:

1. Restaurant Wars, Jane, KBCW/KBCS blogs’ interaction & contents

2. Astral projection/ghosts/fusions

3. Dogcopter secrets

Restaurant Wars Saga & Jane’s appearances

So Ronaldo has a blog at @keepbeachcityweird - he also published a book based on his blog called Keep Beach City Weird: You Can’t Hide the Truth!!!, which is available for purchase.

On April 23, 2014, Lion 2: The Movie airs. Jane appears for the first time working the ticket booth at the movie theater and sees Lion and the kids fight a killer robot. Dogcopter 3 is playing at the theater.

April 23, 2014, Ronaldo at Keep Beach City Weird also posts about seeing Dogcopter 3 at the movie theater, where the parking lot is a mess, presumably from Steven, Connie and Lion’s robot training fight.

He mentions “First of all, it’s a huge mistake to turn the last Dogcopter book into THREE movies.”, but that’s less relevant to this particular post. The important thing is that he, like Connie, follows Dogcopter, who’s also associated with Jane. (We’ll get to Dogcopter’s appearances in SU in the last part of this once the context is established)

Ronaldo’s posts in general document specific events and details in his home Beach City, but that’s another post entirely.

Exactly a year later, Ronaldo on April 23, 2015 posted about receiving a mysterious letter, which might be from Jane because (beneath a great deal of smudging) it appears to call Ronaldo the CUTEST GUY EVER! (This isn’t crucial or anything, just noting it as one of our first Jane points).

I GOT A LETTER TODAY!!! But for some reason it was all wet and I can’t even tell what it says. Is it a love letter? Is it a death threat? Please tell me! I need to know if I should lock my doors or open my heart!

Jane also appears in Beach City Drift. After Beach City Drift, keepbeachcitysafe posts an episode reaction blog, on July 22 2016, and takes special notice of Jane.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm. So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

(Kevin’s Himitsu X12 is his car, in the middle there. We’ll come back to this and what KBCS means in a second.)

July 25 2016, Restaurant Wars airs, the third of Jane’s four appearances in SU. In this ep, Jane comes a long way to return Ronaldo’s Koala Princess DVDs, and catches Ronaldo with Kiki and is upset.

KBCS posts another episode reaction blog, pays attention to Jane again, and says they plan to message Ronaldo.

Ronaldo says he can’t do it because of his girlfriend. Ooo, he has a girlfriend, that’s pretty cool, you just know whats gonna happen next.

Ok so, Ronaldo’s, GIRLFRIEND, (imagine me saying that in slow motion) showed up at the worst possible moment.

Everything was back to normal. Except poor Ronaldo, I should sent him a letter to cheer him up. Seen ya next week.

Almost immediately the KBCS and KBCW blogs play out a little interaction online:

Ronaldo goes through some stuff.

No post today. If anyone needs me I’ll be at Brooding Hill… where I’ll be CRYING. I usually cry at Crying Canyon, but it’s closed right because of some flash flood warnings.

Then Ronaldo posts KBCS’s letter.

Note how KBCW caps this message so the name is clearly visible? It’s referring to Ronaldo’s bio:

It’s not very cheering...but things work out shortly thereafter. Jane likes one of Ronaldo’s posts and all seems well.

I think it’s going to work out you guys. Thanks for all your support.

After this, Ronaldo doesn’t post again until Rocknaldo several months later, and one last time after publishing his book.

That’s April 18 2017. The KBCW tumblr is never updated again. KBCS’s final post is not long after, Jul 4, 2017.

Finally, Jane makes a cameo alongside Ronaldo in the very last scene of Steven Universe Future, “The Future.”

Koala Princess, Astral Projection and Psychic Ghosts

So some interesting patterns come up when you connect the two blogs, the clues associated with Jane, and some understanding of Steven’s powers. Let’s revisit Keep Beach City Weird, a Ronaldo’s primary blog, and Keep Beach City Safe, which contains mysteries too big for this simple Dogcopter/Jane-hime lore post.

Keep Beach City Weird - Ran from September 2013 to April 2017, with a lot of posts made in October 2015 and July 2016.

Keep Beach City Safe - Ran from June 2015 to July 2017, with most posts in 2016 of course.

Let’s look at a timeline of posts. I’m going to call out things that we’ll connect to the Jane lore at the end.

Keep Beach City Weird: Ronaldo’s blog

Nov 1, 2013, days before Steven Universe first airs: KBCW’s first post is all about Astral Projection.

Astral Projection! The ability to travel outside your physical body and into other planes of existence!

I began to feel lightheaded and before I knew it, I was floating above my body. Amazing! I walked out onto the boardwalk in my new ASTRAL FORM, and you know what the weird thing was? Nobody even said hello to me. I was COMPLETELY INVISIBLE! I mean, usually nobody really notices me, but this was a different kind of not being noticed. This was not being noticed on another plane of existence - so I didn’t feel bad about it.Anyway, after being ignored in the arcade and Fish Stew Pizza, I got bored and I went back to the fry shop to re-merge with my body.

Astral projection is a power Steven demonstrates a number of times, and you’ll see among these posts that certain powers of Steven involving this stuff are called out by the blog.

Connie: What? Where are you? How are you...? Steven: I’m not sure, but I think it’s a classic psychic ghost type situation. Connie: Ah, of course! So, what’s the plan?

from Reunited

Steven: Oh man. I fell asleep and had this weird dream. I opened the door and Lapis was there, and- Pearl: Well, that doesn’t make any sense. Lapis is fused with Jasper at the bottom of the ocean. Steven: You’ve never had a dream before, huh? Pearl: Uh, I don’t think so.

from Chille Tid

August 28, 2014, Joking Victim, Ronaldo posts about ghosts. And an arsonist from about 150 years ago.

September 04 2014, Steven and the Stevens, Ronaldo posts about "cross dimensional travelers”

And all the cross dimensional time travelers I know don’t want to go on the record about their experiences.

Not mentioning posts that don’t mention ghosts/astral projection/dimensions in some capacity, but in realtime Ronaldo liveblogs in response to episode events.

Ronaldo also answers some fan asks. On October 31 2014 after Keep Beach City Weird he answers this question about floaters with “BACTERIAL GHOSTS” in all caps, this one about his first encounter with the supernatural (the events shown in Horror Club, which aired February 12, 2015)

Nov 2014, Ronaldo posts twice about Watermelon Stevens and a review of the anime Soul Blaster, “Like every anime, Soul Blaster is about a high school student. Our hero is a cool dude, with even cooler hair named Kyosuke. He battles rogue spirits with the help of his Soul Blaster - which happens to be powered by the spirit of his deceased younger brother, Kettaro. “

On December 4, 2014 Ronaldo posts about Koala Princess, who will become important in this post when we get back to Dogcopter and Jane. Koala Princess is repeatedly used as a stand-in for talking about Steven’s journey. In this post Ronaldo says:

AAAHHHHHHHHHHHHH!

Ok, so I just finished the final episode of Koala Princess and I don’t want to get too emotional on you guys but I CAN’T STOP CRYING! Koala Princess goes on a walkabout and enters dreamtime and finally MEETS HER KOALA MOTHER FOR THE FIRST TIME!!! SLKDJFSDJ:FS

I’ve got so many feels! These feels are the real deals! On wheels! WHAT AM I SAYING?! I’M GOING CRAZY!!!

Lion 3: Straight to Video aired on the same day as Ronaldo’s post. In this episode Steven meets Dogcopter in a dream, and then sees his mother Rose Quartz for the first time - she speaks to him via a VHS tape.

After Alone Together, Ronaldo posts about Stevonnie, who is a fusion. He also gets stuck under a fridge for a bit after Future Vision in January 2015.

And I want TO GET OUT FROM UNDER THIS FRIDGE!

He posts like five times about it in the same day because he’s freaking out.

And also I want my body to be shot into space with a print version of my blog so an alien civilization can find me reconstruct my body and worship me.

On February 19 2015 after Winter Forecast, he posts about using time travel to fix bad decisions:

Sometimes I think about all the bad decisions I’ve made and how they’ve affected my life, and I wish I could go back in time and change them. But unless I can find a way to break into the Pentagon and steal a time bike, I’m just stuck with having regrets.

After Political Power Ronaldo claims glowsticks are filled with ghost blood.

Anyway, then stuff happens.

January 4 2016, after The Answer, Ronaldo posts about seeing Dogcopter 4 and shares the poster for it.

One interesting thing about the poster is that if you invert it and mess with the contrast a bit, a strange diagram appears on the left. A true mystery.

And after months of avoiding and spoilers or teasers or trailers, I was in line for Dogcopter 4, and then some dummy walking out of the theater TOTALLY SPOILED EVERYTHING and was like, “I can’t believe that Dogcopter’s parents are actually cats.”

Coming back to Dogcopter in a minute, but these are relevant details.

Dogcopter dies defending the planet but then he comes back to life because he’s actually part cat and cats have 9 lives.

On Jan 5, Steven’s Birthday, Ronaldo posts about celebrating his birthday on a different date every year.

Every year, I celebrate my birthday on a completely different day. Why? To keep my birthdate a SECRET so that no clandestine government agencies can steal my identity!

July 2016, the saga with Jane and KBCS above happens. When he’s sad about Jane breaking up with him, the same day Kiki’s Pizza Delivery Service comes out (in which Steven astral projects into Kiki’s dream), he listens to sad music.

Ugh, I wish I had some sad music to listen to at work. All I have is a playlist of video game soundtracks and some EVP recordings of ghost hauntings. I guess ghosts are sad. I’ll just listen to those.

But if you’re feeling happy, I do suggest listening to the “Go-Go Gorilla Go-Go Kart Racing” soundtrack. Some solid 16-bit J-reggae.

This post may partly be a reference to the Sadie Killer song G-G-G-Ghost, which is performed in The Big Show and wouldn’t air for a bit, but is also astral projection related.

Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. Can't you see that I exist? And I don't need an exorcist To let me out Look at me and I'll appear Why can't you see that I'm right here? That I'm right here? Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. I'm calling you from the other side

Once Ronaldo has gone through grief and anger, he resorts to begging her to come back. This post is from July 28, the day Alone at Sea aired in which Jasper begs Lapis to return.

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed. I was only pretending to date Kiki to defend my family’s honor, just as the Kanga-ronin did in Season 1, Episode 3!

Here is another Koala Princess reference. There are a couple SU references in the episode numbers in this post.

The events of Season 5, Episode 13 of KP was not what it seemed: for Steven Universe, this is Your Mother and Mine, in which Garnet tells a story told to her by Rose Quartz. It later turns out to be a false origin story to cover the truth that Rose Quartz was Pink Diamond.

Kanga-ronin pretended at something to defend family honor in Season 1, Episode 3, which in SU is Cheeseburger Backpack - where Steven buys a novelty backpack so he can carry things on missions to be useful for the gems, fails his first mission and pretends he’s fine. The events of this ep are later referenced in The Test.

Finally, Koala Princess’ vision in the Eucalyptus Jungle is a reference to Stevonnie’s vision in Jungle Moon, which is Stevonnie’s first interaction with Pink Diamond via a memory dream. In this dream, all was not as it seemed either.

Then the KBCW blog doesn’t post until Feb 2017, after Rocknaldo. A couple ghost and dream-y quotes from here:

In my searches for THE TRUTH, I’ve done a lot of listening. I’ve listened to haunted houses to hear ghosts from other dimensions. I’ve listened to radio signals from the cosmos for signs of alien life.

I’ve also learned that HUMANS NEED TO SLEEP. I didn’t sleep for 48 hours and I PASSED OUT FOR DAYS.

Ronaldo’s final post is an ad for his book, which comes out during a hiatus, and he references Koala Princess again:

I did have a little help from some fellow truth-stigators I met on a Koala Princess forum, Ben Levin and Matt Burnett, but most of the work was definitely done by ME!

Now let’s look at Keep Beach City Safe.

Keep Beach City Safe: [???]’s blog

For KBCS, I’m only going to skim to address ghost/astral projection related content that comes back to the business with Jane, Dogcopter, Koala Princess and Rose. The rest of this blog is a little too big for right now.

It’s interesting that KBCS seems to have mostly flown under the radar, but between the Jane arc and a couple other things I believe it to be legit. Suffice to say I’m treating it as real and you will see why in a minute.

For KBCS I’ll mostly mention which episode a post is associated with, but not the date like with Ronaldo’s.

KBCS’s reaction blog to Nightmare Hospital includes a couple relevant lines:

Where was the Gem M.? I heard footsteps behind me. I turned around! It was mom!

Don’t tell me It’s on the other side of the hall corner. That would mean it saw mo- Connie’s mom!

KBCS posts a blog between Too Far and The Answer, in which they review a number of events. (They post another blog about fusions in which they describe Garnet and Stevonnie’s components as well)

During the movie the TV just shut down and they were being chased around by a “ghost”. It was actually a gem stuck inside the house, making the house seem like it was possessed.

They also get pretty excited about Steven’s birthday.

Only a few more minutes until Steven’s Birthday!

Eeeeh! Only a few mins left until midnight. We finally get to learn about Garnet’s past! Are guys happy, I know I am. I can’t even express how happy I feel, but I’ll try. And I will not act crazy while doing it, Imma keep it cool. So it’s like Peace and Love had a son, and his name was Steven! Then Steven fused with Connie, who was the daughter of Happiness. And they formed Stevonnie, who was made of everything right within the universe!

On Steven’s Birthday they also post about the Dogcopter 4 movie.

I’m gonna be a Smart Spoiler and drop hints in my post for you guess. Only those who have watched it will notice the clues. Yep, watching it 9 times.

This clearly references Ronaldo’s post about Dogcopter having nine lives, but KBCS is a little more considerate about spoilers.

In KBCS’s “It Could’ve Been Great” post, they’re still talking about Steven’s birthday. There’s a promo image attached as well.

To start things off I just wanted to say: I did see Steven turn into a baby? And I would also like to say: DID YOU SEE STEVEN TURN INTO A BABY!?!?

So, by now your probably wondering what the second image is aren’t you? We clearly it’s a pic of Rose holding a cupcake candle.

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party. Happy Birthday from all of us at KBCS. Hope you like it.

Future Vision reference. (Some of this is less relevant to the Jane thing but I’m pulling quotes that are related to fusion and stuff in the hopes it gets clearer)

This reminds me of the time that Garnet gave Stevens her future vision. I don’t know what happens exactly, but I think you see what’s going to happen in the future hence the name future vision. Being able to see into the future would be awesome, yet terrified at same time.

There’s a great post about Pie Day - in fact, KBCS posts about Pie Day a few times. They call out Pearl, too, which reminds me of a certain prolific fandom video editor’s handle.

You know who else knows about Pi. Pearl, but also Peridot.

Pearl Doesn’t Like Pie. Happy Pie Day!

This is not a good photo of Pear let’s see if we can find a better one. Now that’s better.

Sorry for the tangent. Let’s talk koalas now.

KBCS posts about The New Lars. They have thoughts about Steven’s ability to hop into other bodies, namely the question of whether Rose could do this as well.

Steven is worried that Lars isn’t being truthful about his feelings. So through his dreams, Steven jumps into Lar’s body, and trys to make his life better. But he only makes things worse.

Steven somehow possessed Lars’s body through his dreams. He’s done it before and he’ll do it again, we have a word for it now: Dream Possession. But he can also enter dreams.

He did it with Lapis, the Watermelon Stevens, and now Lars. That’s one gem, one sentient plant, and one human. Well with lapis he was merely communicating with her. This, new power, is seems to activates itself whenever Steven wants to help someone, but can’t because something getting in the way. Could this be a power passed down from Rose, or is this a power he himself posses?

#koala vs sloth

in The New Lars, koalas come up twice. Koalas in SU are associated with Steven’s astral projection powers. Remember how Koala Princess met her mother in the dreamscape?

Steven: For your consideration...The koala, a marsupial from the forests of Australia, and the sloth, hailing from the forests of South America. Who should be crowned the king of the "Hanging Around Doing Nothing" mammals!?

Steven in Lars’ body: Whatcha doing? Hanging out? Buck: Yeah. Steven: That's cool. Would you say you hang out more like koalas or sloths? Uh, I'm asking for Steven.

Steven: Um... I'm really, really sorry about yesterday. I got you a card, it's got a koala and a sloth.

From The New Lars. Steven references koalas three times.

KBCS gets to Beach City Drift. They take notice of Jane and of Kevin’s car.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm.

So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

So while we’re back on the subject of Jane, here’s something interesting about Dogcopter and the Himitsu X12. They both show up in advertisements together in the background of Empire City.

Mr Greg

Same Old World

This is what KBCS is talking about - Dogcopter has a secret.

For Kiki’s Pizza Delivery Service, KBCS has more to say about dreams.

She has a nightmare and Steven, coincidentally, falls asleep after eating and enters Kiki’s dream. Now Steven The Dream Warrior, must help Kiki battle her dream, and finally end this nightmare once and for all.

Steven, who for some reason keeps going into people’s dreams, goes into Kiki’s dream.

Steven fought for about week, and he’s was tired by day four. And we know from experience that a sleepless Steven, is a cranky Steven.

This is the same power Steven used in Chille Tid. and look who showed up again?

After Monster Reunion airs, KBCS posts a liveblog and includes a far-fetched accusation that Rose Quartz is Pink Diamond.

Think about it! A Diamond should have access to all gem controlled tech, right. And if Rose Quartz was Pink Diamond, which she is, then she should be able to too, right. And Steven has Rose’s gem. So now Steven can access gem tech. And one more thing to prove this theory once and for all.

But there’s one thing that doesn’t add up. Rose Quartz… is a Quartz. How could she be a Diamond?????? Maybe I’m wrong, she could have been just working along side Pink Diamond. Maybe this just a crackpot theory about the impossible. I don’t think gems can turn into different gems? who knows, I guess we’ll find out sooner or later.

When KBCS gets to Crack the Whip, they take note of Lion and tag him thrice:

Crack the Whip! Is it just me or is that foreshadowing?

Oh, did I mention that Lion was there. He was just there, when Connie opened the door, he walked up and just started hanging. It was so cool! It was like, Just Lion Things 2! So the snack break, that takes the whole day, ends at the beach, where the idea originally began.

Amethyst faces off Jasper, gem to gem, while Steven and Connie, and don’t forget Lion, fight the corrupted gem.

Lion was keeping the Gem Monster busy while all of this was happening. I was so stunned when Steven and Connie fused, without doing a fusion dance! How well they worked, together, they rode on Lion, and defeated Jasper, and poofed the Gem Monster all at the same time!!!

#just lion things 2 #lion fights #lion still fights

There’s also a weird Google Slides slideshow connected to the KBCS account, which includes this image featuring Lion, Tiny Floating Whale, (and Connie and Greg) and the word TRUE with Steven’s affirmative!

More Koala Princess

Two more Koala Princess references - although only one is immediately relevant -

In Gemcation, Ronaldo keeps texting Steven about Koala Princess. Steven’s lockscreen is a selfie with him and Lion.

Also, as a sidenote, Koala Princess is implicated in sneople trolls on anime message boards.

Dogcopter

These are just the Dogcopter appearances (Thanks to SU wiki as well as my brain) Dogcopter fights robots in at least one timeline, and the book is allegedly really long. Bold Dogcopters are the pink dogcopter, everything else is an ad or grey.

Lars and the Cool Kids - Poster

Lion 2 - The movie they all go see.

Lion 3 - Gives Steven advice.

Chille Tid - Shows Steven how to find Lapis. Meows. (Dogcopter’s parents are cats.)

Same Old World & Mr. Greg - Advertisement

Kiki’s Pizza Delivery Service - flies Steven away.

In Dreams and Growing Pains (Note this is grey Dogcopter) - Flies away in Stefan’s nightmare, proposes to Drew the driver (or at least offers them something) in the Dogcopter 6 Till Death Do Us Bark I Now Pronounce You Man and Woof trailer.

Snow Day - Pupcopter, a spinoff for babies.

And for Steven’s Birthday - Connie points out a Dogcopter constellation.

Astral Projection

Another quick summary. I’ve written a lot on this psychic ghost stuff so check my blog if you want the tags, idrc. Summary of astral projection powers Steven has shown:

Leaving his body (Reunited, Escapism)

Possessing other bodies (New Lars, Escapism, SWI)

Traveling to others’ dreams (Kiki’s Pizza, Chille Tid)

Interacting with fusion components within the fusion’s mind (Chille Tid, Mindful)

Regarding KBCS’s question of whether Rose could have done this, it doesn’t seem impossible - and as of Fragments and Homeworld Bound, we know that Gems don’t die when they are killed. (Lol.) That is, the personality/soul can appear in the same gem if it’s shattered and repaired. And Steven’s mom’s gem is perfectly intact, inside him.

Literally what is the point of all this

So after KBCS and KBCW spent so long talking about astral projection, ghosts, dreams, fusions, etc etc. they never actually got to the point - just pointed us in the direction of a bunch of clues that

Rose Quartz isn’t gone.

Obviously. She’s in his gem in him, like Lapis and the mirror, or the lighthouse gem. She uses astral projection to help Steven in his dreams as well as see him in Rose’s room, like other fusions speak in the mindscape. (There’s a lot more to this but this is enough to ask anyone to wrap their head around atm)

She also interacts with him through other bodies, the same way Steven takes over Lars’ body, or the Watermelon Stevens.

Remember this?

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party.

Who came to Steven’s birthday in which Connie points out that Dogcopter constellation?

Who gave Steven advice when he wished he could talk to his mom?

Who showed Steven where to find the tape?

Who else could have asked Steven, “What do you want” in Susan Egan’s voice?

(Why did they choose to hire Susan Egan to voice a cameo in Under the Knife in the first few seconds of Fusion Cuisine, where she says “It’s my son!” while Lion is onscreen)

Or reassured him that Rose’s tape was telling him the truth?

Who first brought him to Pink Diamond’s moon base?

Who knew where Rose’s armory was and how to train with it? (Note the giant penny)

Who showed Steven the location of Pink’s fallen palanquin?

Who found Rose’s lost scabbard?

and knew where Pearl would run to when she’s upset?

Who (reluctantly) brought Steven to the landfill and Pink Diamond’s ship?

Who showed him how to find Malachite?

Twice?

Who showed him how Pink Diamond tried to stop the Earth’s colonization, and who to ask for the truth?

Who tried to entertain him on Mask Island when he was trapped on Homeworld?

And then rescued him from the open sea?

Who showed Stevonnie the password to Yellow Diamond’s moon base?

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed.

So yeah Rose is Lion 2020. Thanks for reading this extremely long nonsense.

Also thanks to @babybeetlebongos for both mindscape lore and fixing Ronaldo’s cheek in the banner image, lol. I made a Twitter thread about this as well (and the more in depth Lion and astral projection theory threads are quoted at the top, if you need them. the #mindscape deeplore 2020 tag/tags on this post have stuff too.)

#steven universe theory #steven universe future #su theory #steven universe #rose is lion 2020 #mindscape deeplore 2020 #jane lore 2020 #kbcs lore #dogcopter #lion the mood #rosedemption 2020 #would you believe this isn't even the deep part of the rabbit hole??? im tired tho #i hope i left enough info for others to get into KBCS if anyone cares #i love this fool rose quartz

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darkspellmaster · 5 years ago

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Sex and the Castlevania series

So you may have all heard by now that the new seasons of Castlevania will have more gore and sex involved in the series. And for me at least this is a bit of a surprise. Not because Castlevania has not had sex as part of its storyline, (how else are the Belmonts going to be born), nor that nudity would be shown (see the Succubus for example) but in how it’s going to be used.

As a player of the games, one thing has always stood out to me about the Castlevania series and the idea of fan service and sexuality and sex itself, it’s never used as a means of just titillation. There’s always a meaning behind it. And the reviews have me wondering if this is going to still be the case with the show, or is it going to be used as an “Oooh look how edgy we’re being this season.” because that’s not what sex in Castlevania is about.

Sex, or the idea of intimacy between two romantic partners, has always been at the heart of the backstory of the Castlevania series. From the outset there’s has always been a sense of family and love and devotion in Castlevania. Even with the Arcade edition of Haunted Castle in 1988, the addition to the story of Simon was that he was newly married to his bride Selena, who was taken by Dracula. Years later Selena and the Mysterious Woman in Simon’s Quest II were mixed to create Linda Entwhistle who was Simon’s girlfriend in the book series based on the games.

Years later during the more story-driven games that came out, sexuality and intimacy became part of the game in how it was presented. Namely the use of sex as a way to pull the innocents to the darkness ala the Vampire Brides in the original Dracula, and the loss of innocence (as with Lucy in the novel) and the idea of devotional love that conquers that darkness and temptation.

In this sense, we’re seeing the use of the deadly sin of Lust acting as a temptation to the heroes as a means of making them be killed for their wanton desires. Yet love and intimacy also plays a huge part in fixing issues in the story and leading to tragic and happy endings.

So with that in mind, I want to do a quick walkthrough of the way sex and love is used in these games and discuss why the idea of sex and violence shouldn’t be on the table with Castlevania as a metaphor as much.

Let’s start with the timeline, rather than the game order because it makes more sense that way.

The story of the Belmont Clan and Dracula are intertwined for all time, this is just a fact of the matter and not just some random accident. And Love plays a huge part in this story as the cannon story stands right now. Prior to this, Castlevania was a fun romp through the idea of beating up Old Universal Monster Movie characters (every one of the main bosses in the first game was tied to some form of Universal Horror Monster and it even has some Hammer Horror connections as well). But with the growth of the franchise, it was clear that a story needed to be told, so over the years, that story had evolved until in the early 2000s we got the very first story in the Belmont vs Dracula timeline in the form of Lament of Innocence.

Now Lament isn’t just a story about the loss for Leon and his world view that there is nothing lurking in the dark. It’s the loss of friendship and of love, but also it’s the reinstatement of belief of the good of people and that there are those that can and will stand up to the darkness and that even as one loses everything, you don’t have to lose your soul in the processes.

But let me start from the beginning in this case. Leon Belmont was a knight templar in the crusade. He was best friends with and cared deeply about his fellow Crusader Mathias Cronqvist. Now Mathias was a man of science and of learning and of a lot of things, he wasn’t a fighter the same way Leon was, so he was more into spells and magics, something that his family kept mostly from the Church at the time.

Both Mathias and Leon were in love and devoted to the women that they felt deeply for, that being Leon’s fiance Sara Trantoul, and Mathias’s wife Elisabetha. Leon’s devotion to Sara was known by everyone, especially Mathias and this is very important since it’s Leon’s Love of Sara that drives him to abandon his cause with the Crusades and pretty much take up Vampire Killing for the rest of his life, training his children and their descendants, on how to defeat the man that took that love from him.

Mathias, on the other hand, was emotionally devoted to Elisabetha, and, given the way he speaks of her, it’s clear that the devotion and love was returned. So much so that his love for her basically poisoned his mind and made him into the monster that would later come to regret his actions. As it was, Elisabetha died due to illness and Mathias abandoned the Crusades, became ill, and holed up in his home unable to be reached by any of his friends, Leon and Sara. It’s only when he learned that Sara was in danger from Walter Bernhard that he was able to get out of bed and warn his friend Leon of the danger, but, by then, it was too late and Sara was captured and taken to Walter’s castle.

Now one of the huge parts of the story of Lament is is that it deals with devotion, honor, and the choices we make based on love. So while Leon is trying to save Sara he meets up with an alchemist, Rinaldo, who had lost his daughter Justine to Walter and was unable to save her.

Leon renounces everything; his baron title, his home, his lands just so he can cast off his duty to go and save Sara. His love for her runs that deep that he’s willing to go into the Castle of Walter with just a sword and prayer and god save anyone that gets in his way. Rinaldo is far more of a pragmatic person and in this way juxtaposes Leon’s love of Sara. Whereas Leon is far more optimistic about his chances against Walter, Rinaldo knows the bitter truth, that Sara has no hope of making it out of the castle and not becoming a vampire in the process.

This becomes an important part of Leon’s story as he traverses the castle to try to locate Sara and comes across a number of characters that play a part in the story and the idea of love. Medusa, though not a sexualized being in this one, mentions that the whip he’s using is far more powerful than that of the version that Rinaldo used to save his daughter.

Now, why is that? One could speculate that Rinaldo lacked the will to save his child, or that he knew the truth and couldn’t bear to have to take his daughter’s life. His feelings, however, whatever they lacked, caused the Whip to fail in what it needed to do, and thus he was forced to kill his own daughter. Leon on the other side of things has nothing but the will and drive to save Sara, and his love for her and desire to bring her home urges him on. This love, this need to help her, is what makes that whip work. That need for protecting something, it’s why Trevor needed to find Sypha and Alucard to eventually come to a reason why the Vampire Killer came to him.

Joachim is an interesting one in regard to love in this game and how it is presented. Walter seduced the young man with the idea of immortality and when Joachim gained his Vampire state he realized that Walter was above him and rebelled. This lead to Walter putting him in captivity and driving him mad, for his own amusement. But how is this love? It’s a very dangerous and bad form of it, as Joachim both loathes Walter but also seems obsessed with him. He hates him with all he is, and at the same time wants to overpower and control him. This same sort of hate and love is what drives Mathias as well in his story.

Then there’s the Succubus, the one character that really hammers in the idea of desire/Sex and love in this game and the differences between them. So the Succubus in Lament is an actual boss, vs. just being an enemy. She has no name, but her role is critical in understanding what’s going on in Walter’s castle. This succubus had previously disguised herself as Justine for Rinaldo, allowing him to lower his guard and possibly may have harmed him in the process. His rejection of this form of his daughter may have to lead him to make some critical mistakes. Mistakes that Leon doesn’t seem to make. Namely, after a bit, he sees through the Succubus using Sara’s form to trick him.

Leon recognizes that the woman isn’t Sara based on her actions and way of moving, showing that though his connection with Sara he can’t be tricked and lured in by kind words from a monster. This is the opposite of what happened to Mathias.

As I said there’s a tragedy to the love and sex in this game and the use of it. Walter luring Justine away with his beauty and her desire for him lead to her downfall, which leads us into Mathias. (We will circle back to Leon, I promise.) For Mathias Elisabetha was his whole world and when she died while he was away it leads him to reject all of his desires for hope and love and feelings. He lost his way and decided to renounce God and live as an immortal as revenge for God taking away his beloved wife. In order to get what he needed, he made a deal with Death, and the two decided to use Sara as bait for Walter and Leon was to be his sword. Mathias’s own devotion to Leon, and some of his humanity as well, shows up later in the story where he sympathizes and connects with Leon in regard to his own loss. Showing that they’re the same and that Leon should join him, which Leon rejects.

This moment in the game is interesting because by this point in the story Leon has learned about how to defeat Walter and that Sara was bitten. In a lot of Vampire lore, biting is used as a way to indicate, in some cases, a sexual desire or a need that is fulfilled in a more intimate way. After all the neck is a body part that is known for being very much something that can be used for erotic aspects of lovemaking or showing desire. Which brings us back to the fact that Sara didn’t want to be turned. This wasn’t a choice on her part, unlike Joachim, and it leads to her rejecting the idea of wanting to remain a vampire. She desires death over having to be a monster and leads to Leon, at first vehemently rejecting Rinaldo’s order to kill her, and then accepting Sara’s desires to become one with the whip.

It’s an important moment because it shows that Leon is willing to ignore his own desires for that of Sara’s, again showing his selflessness in putting what she wants ahead of his own, showing his love and devotion in a more adult and complex way. Sara’s own love is what fuels that whip and her need to protect Leon are the quintessential factors of Love (Leon) to the opposing one of Lust (Walter) and in this case.

Trevor and Sypha come next in regard to the issue of love and sex and while the show is clearly going to be showing more of their romantic escapades, it should be noted that the game doesn’t really make much mention of it at first, as Sypha in the game has a bit of a love triangle going on with Grant and Trevor as the main choices, although it seems like she only had eyes for Trevor. We know the two eventually had children but Sex, or lust, in the game never was a thing. Their devotion to each other in the show is telling, and in other games, both do pair up frequently, even in Judgement there’s an underlying tension between them.

It’s of interest that in the show, we get to see the two of them acting as a couple, much like how Lisa and Dracula were shown acting like a couple. But actual sexual acts are, as with Lisa and Dracula, put on the side and in the case of Trevor and Sypha it’s only hinted at and not a full on display. Which falls into the same idea that most Castlevania games seem to have, the hero’s love interest typically is not shown engaging in sexual activity, or rather, only after bad things happen.

I’ll jump to Richter and Annette, because that seems to be the next one in regard to how sexuality is used heavily in Castlevania. So in Rondo of blood, Dracula has Shaft take Annette since she is engaged to Richter Belmont. In a scene with him during the game, Annette threatens to take her own life rather than have relations with Dracula who intends to drink her and turn her into his bride. For the original version there’s a dramatic moment where Annette is talking to Dracula and he tries to lure her into becoming immortal to stay with him. She says she will not fall in such a cheap manner, the implications there are more along the lines of sex and him taking her physically from her fiance Richter. In the PSP game, if you take too long or go the wrong route you get the bad end where Annette has been transformed into a vampire and is placed in an overtly sexual outfit, down to a thong and bodice. Her hair goes down rather than the updo she has when she’s not turned and she very certainly is meant to be a temptress and a signal that Richter failed to save her from the deviousness of the vampire.

This idea of sex, or the sexual, being used as a temptation and a devious thing in Castlevania has been around for a long time. However for every moment of some devious succubus being in the way of the hero, there’s always a moment of love that shows the positive side of it’s nature vs. the lustful side. Again, looking at Annette and Richter we get a moment when he frees her of her embracing him and happy that he’s there to be with her. That she knew he would come and that everything will be okay.

Sexuality plays a heavy role in tempting Gabriel Belmont in his game, Lords of Shadow. During the game, as he tries to get to see his dead wife with a specialized mask. During the game he meets the Vampire Carmilla who offers to him a chance to become a vampire and enjoy the idea of a lustful existence. Every inch of her in the game is designed to pretty much be a temptress and lure Gabriel from his path to finding a way to see his dead wife. Yet it’s in this moment that we get to see how deeply his affection for his wife runs as Gabriel rejects this offer even more violently than with other Lords of Shadow that he’s faced. It’s a pretty strong moment for him as a character, and shows a deeper feeling in regard to his connection to his late wife.

The reason I bring all these moments up is because even in the games where there’s hints of the sexual, as Vampires now are associated with Lust and temptation, the show uses sex as a means of connecting it with violence and some pretty dark ideas. Which contradicts the idea of how Love is the most powerful thing to defeat the darkness in Castlevania.

Take Hector’s story right now. In the show we have his sexual encounter with Lenore which is contrasted with Isaac’s battle with Legion. The idea here is to show that both Isaac and Hector are being used, one being brought to his knees via false affection and entrapment by a woman who doesn’t love him and is using him as her own pet, who later slips the ring on him to collar him as she would a dog or cat. While the Isaac, even though he’s doing a good thing in defeating Legion (and i’m still damn sure that woman is Death in a false form) was used to destroy the wizard in the tower, releasing the village. In both cases manipulation was used in order for the opposing party to achieve their goal.

For Lenore it was to get Hector to trust her enough to trap him and use him in her own way and for her own needs. She controls him now, making it impossible for him to escape from them, or so we are told to believe. On the other hand you have Isaac who, while used, acknowledges that he was so, accepts it, but is free to move on as the use of him wasn’t against his will, nor was it something changing him down. Rather the manipulation was used to not only stop something terrible, but also show him that there were others out there that were worth saving. Thus, in the poster, we have Lenore holding onto a bound and trapped Hector, and Isaac not quiet twisted up in thorns.

The use of violence that we see shows that there’s a thin line in this world causing people to become entrapped by their own desires. For Isaac it was his revenge, for Hector it was his need to feel human again. Which brings us to the point where Rosaly comes into play in regard to Hector’s story. In Hector’s game Curse of Darkness, we see how his life drastically changed when he and she connect. From where he was in the story she brought the idea of hope and light to him, vs the darker aspects in the game that hint at someone who was cursed to believe he is a monster. In this way, I hope that if they bring in Rosaly we can see the opposition to Lenore’s way of using him for gratification and chaining him to her.

On the other side of things, and something a bit easier to get at, is the idea of trauma through the use of sex as shown in Alucard’s story. In the show we get to see Trevor and Sypha in bed, but it’s clear what’s happened there and the idea is that it’s less about their sexual encounters with one another than about their growth as a couple and how they interact outside of the bedroom and how they show love for one another. We see also they have a sense of betrayal when dealing with the Judge and the idea of Sypha’s world going from it just being fun and doing the right thing, to realizing the world is not black and white, and that not all people are good.

In Alucard’s case we see the idea of the twins (I’m using the term as it’s easier for me to call them this, it doesn’t mean I’m saying they are twins just that they look alike) as filling a void and clearly being a representation of Trevor and Sypha (They even share the first initial of their names) that Alucard is looking for. Through their interactions we see that Alucard is, like Sypha in the other town, trusting them regardless of how many red flags they raise. The whole issue comes to a head when, after sharing a lot of things with them, Alucard is seduced by the two while trying to sleep. During the scene, as with Hector and Isaac, we see the sex as being connected to the violence of the battle that Sypha, Trevor and Germain get into. The twins end up wrapping Alucard in iron rings, much like Hector is imprisoned by Lenore with the ring, so to is Alucard. We see then that like Hector he’s betrayed and harmed by the emotional aspect of the betrayal. But unlike Hector who feels trapped, Alucard now feels anger at those that hurt him.

The sexual act leads into the idea of him no longer trusting humans, especially with his heart. This of course is being used to drive Alucard to decide to lock himself back to sleep until the time of Richter and Maria (the warrior and the Mage), three hundred years later. The idea here is that the physical act of it is being used to show people being harmed in vulnerable states, and that sex is used as a tool to harm or destroy others just as certain acts of violence can.

Yet, part of the story line of Alucard is that Maria chooses to go after him even after he says he’s cursed. Again, like Hector and Rosaly, showing that love is more of a counter to the anger and hate that seem to embolden those that would do bad in the world of Castlevania. So then, I must ask, why is the sex in the show being used not as it should be, showing how love can change someone, but rather as a connector to the violence. That wasn’t the idea of Castlevania, so I have to wonder what Warren is driving at here.

#Castlevania #alucard castlevania #alucard #adrian fahrenheit tepes #adrian tepes #castlevania season 3 #hector #castlevania isaac #rosaly #castlevania hector #netflix castlevania #maria renard #leon belmont #dracula #elisabetha #trevor belmont #sypha belnades

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honestgrins · 5 years ago

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Resonant || Klaroline

Inspired by the world of Onward, where technology edged magic out of daily existence because all creatures learned to adapt to a new life. Caroline might have taken the DNA test, but she doesn’t take her magical origins nearly as seriously as some people. Klaus, however, takes his birthright and the power it lends very, very seriously - but why would he kidnap an elf?

"I don't know what you want from me," Caroline snarled, her wrists raw from fighting her bonds. "But I do know this is not the way to go about it." The chair was cold through the thin silk of her dress, an excellent dress her date so didn't deserve. "Seriously, let me go, Nik. This isn't funny."

He pulled another chair from the edge of the cell where she awoke, tied up and confused. Twirling it before her, he straddled the seat to rest his arms on the back as he watched her with a gleeful smile. "Perhaps, now is the time to tell you my name isn't Nik. Not technically."

The laugh she let out was harsh. "Surprise, the guy who drugged me during dinner isn't who he said he was. I don't give a fuck, let me go."

"No, I think I'll keep you," he answered, amusement all too clear in his voice. "That is, unless you can free yourself. Then, I'm willing to negotiate terms."

She gave another jerk against her ties, but the metal cord obviously held. "How the hell am I supposed to do that?"

Smirking, Not Technically Nik traced his bottom lip with his thumb. "I trust you'll figure it out. Until then, let me introduce myself. Niklaus Mikaelson, at your service."

"Really crappy service," she spat, only quailing when her brain caught up with the bomb he just dropped. Horror dawned on her slowly as she saw him watching her with great interest. Not only had she been kidnapped - she'd been kidnapped by the Original Hybrid out to set a new world order.

Magic had always been an accepted part of the world. Gnomes, elves, wizards, and so much more, everyone had their origins and lived as they chose. Specialized knowledge was shared through the generations, lovingly passed down to children and nurtured the necessary skills as they grew. Little ones were taught all the lore for such a world of wonder.

And then, the advancement of technology caught up. Wings were traded for sensible, mid-size sedans, and sorcery gave way to invention. The world became connected in a way it never was before, and all creatures adapted to new common goals until magic eased itself out of existence. Lore was still taught, mostly, though some stories had been forgotten, lost to time as populations mingled. The knowledge was generalized, until schools only taught the big points, nuance and details only so important as they appeared on standardized tests.

So, magic existed - at one point. The last vestiges only remained among those who trained in the skills their ancestors once held as a sacred practice. All creatures could be dangerous if they chose to be, and most people had a wide range of lineages to choose from in their quest for some ancient power. Bonnie had bought Caroline one of those DNA tests the year before; she presented and lived as an elf her whole life, it was kind of a kick to learn she was three percent centaur. "Maybe that's why I had a horse phase growing up," she had joked.

But Klaus Mikaelson was staring at her with greed, and she didn't think it had to do with a penchant for pony tails and killer legs.

The news was always talking about the underground revolution inspired by the Original Hybrid. Rumor had it he was cursed by a witch, his werewolf genes bound and useless. He was left to fend for himself when a rogue vampire attacked him. They were drawn to the healing arts, their need for fresh blood often a handy currency for those with terrible or no insurance. But when they were hungry, it could get ugly. For Klaus, though, the turn was particularly traumatic. Finding the witch who cursed him, he killed her to release his werewolf side, which allowed him to become something entirely new and untested in the world.

That last half was confirmed, Klaus himself having spread the story far and wide as his many surrogates tried to recruit new blood to his cause - to return to the natural state of magic until the world respected all species for the danger they posed. Caroline thought it was a resistance-flavored attempt at elitist elimination of diverse families, and she usually turned the TV off whenever some outlet dared to grant the monster some legitimacy and a chance to reach new ears. If she'd waited a bit longer, she might have recognized his face when he showed up on her dating app.

She'd been so excited for this date. He was charming and funny, a little acerbic, but she liked that mixed into her banter. He seemed like the perfect guy for her, passionate about his art. If only she'd known he was passionate about magical dominion over the entire world, then she might have tempered her expectations.

As he watched her every expression, though, she wondered why he went to such trouble. There was no need to sit through an entire dinner with her, to flirt with her and make her feel seen. It had been going really well, yet he had to have slipped her something for her to wake up in an actual dungeon. Who had a dungeon?

Biting her lip, there were too many other things that didn't make sense. From what she had gleaned over the years his little movement had been actively acknowledged, Klaus went after powerful species. Giants, trolls, wizards he could win over to his way of thinking. She was an elf, with some siren, nymph, and a negligible bit of centaur in her line.

"What the fuck do you want with me?"

His head tilted to the side, that insufferable smirk only widening the longer it took him to answer. Her irritation grew until she tried to shake the metal ties again, and he narrowed his eyes with something like pity. "You truly don't know, do you?"

Caroline didn't want to give him the satisfaction of asking, but it wasn't like she was getting out of this nonsense by herself. "I know you're nuts and I'm filing a restraining order once I get out of here."

"Have you never wondered what magic might be bubbling under your skin," he question softly, his eyes lingering over the red welts on her wrists, "just begging to be released?"

"I took a DNA test," she bit back with a sharp grin, "turns out I'm a hundred percent that bitch who wants nothing to do with you or your little power trip. You don't want me, and I sure as hell don't want you."

Klaus propped his chin on his hand, chuckling. "I thought dinner was going pretty well, actually."

"You made a good impression," she admitted. "I'm a fast learner, though. Besides, don't you recruit big strong fighters to serve as cannon fodder for your worst ideas?"

With a casual shrug, he seemed annoying unperturbed by her accusations. "We all have our strengths. I'm most interested in discovering yours, however." His voice lowered, almost seductive as he leaned toward her. "Escape your bindings, sweetheart. I know you can."

She refused to ask how, not that she particularly wanted to pass his twisted test. But, she did want to escape. "I've never shown an aptitude for magic, ever. My best friend is a witch, and she would have noticed."

"No one noticed." He was watching her steadily, pleased she appeared to play along. "I wouldn't have if I hadn't gotten ahold of your results from the ancestry testing database."

"Stalker!"

His lips curled upward. "Not just yours, mind, I have a talented mole on staff there to keep me abreast of any...abnormalities in gene reports."

Blinking, Caroline tried to remember what that stupid app had told her. "Th-there was an eight percent unknown strain," she recalled. "But that's normal. 'Within the accepted range for interpretation,' is what I think it said. Too many species and generations to clearly delineate."

"I don't care for percentages," Klaus said. "Percentages mean nothing. It's about what resonates throughout your very being, whether it be the lion's share or a single thread. According to your genetic code, you have a very, very rare thread that I think resonates within you. And I think you can call it forth to escape those bindings."

Her heart was pounding. "What are you talking about?"

He stood, moving toward her to gently lift the pendant from the hollow of her neck. "This is very pretty, just like you," he flirted. "Have you never wondered why you favor gold jewelry?"

"It suits my coloring. What does my personal style have to do with anything?"

"Or why you can't help but soak in the sun at every chance you get? Your profile pictures are all outside, often lounging next to a pool."

"Hi, it's an excuse to post a bikini pic!"

Klaus smiled knowingly. "You tend to latch onto your friends, loathe to share them with others. Bonnie, was it? The friend who called halfway through our dinner? You're awfully possessive of her, aren't you?"

Anger welled within her, a boiling rage she'd never quite felt before and had no idea what to do with.

Of course, he just kept smiling. "It'd be a shame if something were to happen to this Bonnie, should you not be able to escape."

Her hands balled into tight fists and her breathing grew heavy. "Don't threaten my friends."

"Your friends," he asked, taking a tighter hold of her necklace as his fangs finally slid out to show just how dangerous he was, "or your hoard?" Then, he ripped her necklace off.

And all hell broke loose.

#klaroline #kcauweek2020 #drugged #kidnapping #day 2 #sci-fi/fantasy #fic: resonant #captive audience

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rubyredsundae · 4 years ago

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Mass Effect Trilogy Tag!

I was not tagged by anyone, I just really wanted to join in. If you see this and want to as well, please do! I've been loving reading through everyone's :)

I am a fan since… 2011ish? Definitely at least a year before ME3 came out. I remember watching my brother play ME2 and thinking it was so cool. While he was away it was a huge comfort for me to play it in his room, kind of like a bonding or cathartic experience for someone who wasn't there at the time.

When ME3 came out, me and him went to the midnight release at a gamestop like 40 minutes away or something, wearing clothes we threw together to kind of fit the N7 color scheme. Even though we don't talk anymore, those memories are still really precious to me. Also, the nostalgia of playing ME1 after-school or on the weekend, running to get my easy mac from the microwave during a cutscene, stuffing too hot mouthfuls while speeding the Mako towards the conduit on Ilos.

Favorite game of the series: It's a tough call between ME1 and ME2, but I'd say ME2. It's the game I get the urge to replay the most.

MaleShep or FemShep? Femshep all the way. I only play MShep when I want to do his exclusive romances. No offense to BroShep, but ME was the first game I ever played that let me not just be a girl, but customizable. Not just to be the already generated token girl character in a pack of boys. And not only can you play Femshep, but every game you are surrounded by smart, funny, tough women as squadmates. It was such a huge deal to me, and still is. Femshep represents so much. As Jennifer Hale put it, FemShep was a military grade boot to the video game industry glass ceiling.

Earthborn, Colonist or Spacer? I personally tend to lean spacer in-game, but I tend to use Earthborn when I'm writing fics.

Paragon or Renegade? Usually Paragon, but Renegade playthroughs can be really interesting, especially if I have a detailed background about why Shep is the way they are. My first Renegade, Krystle, is pretty bigoted and anti-alien until she meets Liara. Krystle is naturally guarded and quick to anger, so meeting someone who seemed to accept her and listen to her without judgment really opens her mind.

By the 2nd game, she wakes up in the cerberus lab with new biotic powers, having previously been a regular foot soldier. This makes her seeth, having someone completely take her agency, agreeing with the illusive man on the surface but plotting against him the entire time. She starts to lean more Paragon, if only to piss him off. She has the biggest smirk on her face when she blows up the collector base.

Biotics or Tech? Oooh, this is hard. Maybe biotics just the tiniest smidge because of Jack/Samara biotic bubble throw during the suicide mission. I don't know if we'll ever get a screen adaptation but THAT is a moment I would pay to see done with a big SFX budget behind it.

Favorite class: Sentinel! I don't know how much this reflects on my class preference in gaming in general, but I love the 'jack of all trades'ness of it. By the time I get an assault rifle, I don't really feel the need for anyone else to make up for something I lack. Also, tech armor in ME2? Where your shields regenerate automatically when it breaks, and the cool down is when you initially active it, instead of when you detonate it? Chef's kiss. I understand why it was nerfed in 3 but I'm still mad.

Favorite companion: Ho boy. This is obviously very difficult to choose but I'm gonna say Miranda. I've always loved and identified with her character, I love the accent, and she's always useful on missions. I was so happy when I learned she could be a squadmate in the armax arena.

Honorable mention to Ashley in ME1. Her character is rarely used to exposition lore, so she just gets to have her personality fleshed out. I don't always agree with her but she does seem genuinely willing to listen. ME3 tosses her out the airlock though; partially because her content was bugged and never restored, leaving her inclusion feel half-baked, and partly because Ash and Kaidan have to be able to serve the same plot function as each other and it negatively affects her character more than his. This could also be intentional on bioware's part, to try to flesh out kaidan's personality and tone down Ashley's as a response to criticisms of them from ME1.

Least favorite companion: Also difficult, because I don't really hate anyone as much as I am just less interested in some. I didn't like Zaeed for a long time, but I think he's much better and really funny in ME3. James was pushed on me too much at the beginning and it made me really dislike him, but I think he's greatly improved and also pretty funny in Citadel DLC. I'm also pretty indifferent to Jacob; I don't think he's a bad character, just disappointing because there was a lot of potential.

Not that every character has to go on and do some grand quest to be interesting, but I don't feel like Jacob every really got a big hero moment like everyone else. He is a very calm and introverted person (imo) who doesn't really share his feelings, so it's always been hard for to to connect with him on anything.

My squad selection: Depends on the game, but it usually involves Garrus lol. Typically it's Liara/Garrus in ME1, Miranda/Garrus for ME2, and Liara/Garrus again in ME3. I am very boring and predictable! If you have any suggestions for me to try out and mix things up, let me know!

Favorite in-game romance: Also depends on the game. ME1 it's Liara, hands down. It was the first game, really the first piece of media, where I was told two women could fall in love and be happy and that was okay. The amount of enlightenment and comfort in figuring out that I was bi these games brought me is kind of wild to look back on.

ME2 is a toss-up between Garrus and Thane. They are both wonderful but in completely different ways. I tend to now romance Thane on characters I don't plan on importing to ME3, or if I do, to just have a really depressed fucking Shepard lol. I hate how much Thane was brushed off, especially if you romanced him.

Other pairings I like: l love Miranda so much, but I'm a gay girl so I ship her and Femshep. Same goes for Tali, Jack, Ashley... damn I'm just really gay for straight girls huh :/

I don't really have any other ships for non-Shep related pairings.

Favorite NPC: Shiala is really cool to me, I wish we got to see her in 3. Emily Wong is also cool, also wish we saw her in 3. There's probably a lot more that when I come across them next I'll be like, "you! I love you! You're my favorite."

Oh also Joker! And EDI! But not together. Idk I feel like ME3 threw a curveball at me with "do you support organic/non-organic relationships?" Like m'am please don't ask me, I accidentally drank turian liquor last year, I'm not qualified to be an expert on this.

Favorite antagonist: Tbh I really dig Saren. I think his reasoning is super fascinating, both to set up how someone who's indoctrinated can rationalize to themselves that they are still in control; and as a foil to Shepard, to show what can happen when you become too isolated and the ends justify the means. I think his VA does a great job of walking the line between desperate survivor and madman. He's also the only antagonist in the trilogy that we ever fight 1 on 1 (ignoring squadmates) and it feels more personal. I think he's such a fantastic foe for the first entry in a trilogy and I don't think he gets enough credit.

Favorite mission: Is it cliche to say the suicide mission? It's honestly close to perfect. The stakes, the sequencing, the cinematics, the score. Everything works so well.

Favorite loyalty mission: Kasumi's and Tali's are really cool, as we all know. Samara's is also cool because it is entirely non-combat based. Shepard has to prove they can accomplish what seems impossible without a gun or biotics.

The confrontation at the end with Morinth always haunts me a little, because they are both right in their own way. Morinth's final line, "and they say I'm the monster", as you let Samara kill her, watch her scrambling backwards in fear... I know that she's a remorseless killer, but it gets me every time.

Favorite DLC: It's Citadel, obviously. Turns out what I really wanted was quality time and a party with all my friends. I love mass effect for many reasons, but simulating friends and affection when I had none has always made me bond to this series like other games don't. Is it sad? Sure! But I don't think love and affection for fictional characters should ever be shameful until it makes you hurt other people.

Control, Synthesis or Destroy? I'd say destroy. If the other options were presented earlier and we had time to stew with it, maybe I'd be more split. But all of this in 5 minutes? It's not like the collector base where the implications are obvious and the choice is just down to what Shepard believes. The 3 choices all seem like space magic out of nowhere, and none of them seem to really offer any insight on what Shepard should believe. So I say destroy, just because it's what Shep has intended and is most consistent with their character and their admiration of Anderson.

Favorite weapon: The spectre level assault rifle in ME1. Never have I felt more powerful.

Favorite place: Idk why but I just thought of the creepy lab with all the scientists during the leviathan DLC. I really love when Mass Effect leans into the Lovecraftian horror aspect of things. Talking to Sovereign and Vigil in ME1 gave me goosebumps my first few playthroughs.

A quote I like: I have hundreds, but the one off the top of my head is, "After time adrift among open stars, along tides of light and through shoals of dust, I will return to where I began." I have a poster of it up on my wall right now!

#mass effect #mass effect trilogy #mass effect trilogy tag

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official-michael-afton · 5 years ago

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Made a tier list of FNaF media!!! Not counting the activity book or the security survival log because those don’t really add anything, they’re just neat activities or summaries of game info

I explained the choices under the cut, equal parts personal bias and objective opinion, so if you think differently then hey, good on ya!

Going down to up XD

The Silver Eyes Graphic Novel: Do I even need to explain this one? Rushed art with countless mistakes, horrid coloring, samey designs, the important scenes come off as bland and even goofy instead of impactful. It’s clear Pinky wasn’t used to drawing humans, the colorist had no idea what they were doing, and no one on the team made a graphic novel before. It’s laughable how bad this was XD

The Fourth Closet: Does anyone really know what happened at the end? I... really don’t like what they did with Charlie in this one. I don’t like how William was able to get out of his Springtrap- it was SUPPOSED to trap him, and yet he just... is out of it... I think the whole thing with Baby being like this hot clown girl instead of what she is in Sister Location is very... ... it exists... Tbh I respect the bold direction it took, but I honestly felt it was too much of a stretch and just didn’t work.

FNaF AR, Special Delivery: Not bad! The character models and voice acting is where the game shines most. Other than that, there isn’t really much substantial to the game other than some lore with Vanny/Ness and Luis. The gameplay can get frustrating sometimes(I cant collect remnant, read my mail, or even work on my own animatronics without DING DONG SOMEONES HERE every 5 seconds), and all you do is spin in a circle until you get glitchy, look away if they get glitchy, or zap them when they run at you. Some people probably love this game and good on them for that, but I find myself not touching it for weeks at a time.

Freddy In Space 2: GREAT game for charity, great art, great music! ... That’s all it has going for it, though. It was clear that this was a quickly made game designed to be beaten in one sitting, and it did exactly what it needed to do! Other than being amazing how it was for charity, the game doesn’t have that much going for it(except introducing Lolzhax aka BEST ROBO), so overall not bad but also did almost nothing outside of being for the Charity Livestream XD

Fazbear Frights, Into The Pit: Again, not bad! A nice collection of short stories, almost like goofy campfire horror you’d tell to kids... like goosebumps! I felt each story was REALLY lacking in some areas, but I liked the general idea they were going for. That being said, they’re moreso neat scary stories with the name FNaF attached than anything else(except maybe the first of the three). It hints that they have an overarching plot that will be covered in future books, but as of right now, I feel no one’s missing out by not reading them.

FNaF 3: A satisfying end to the original trilogy story! Purple Guy gets justice, everything gets tied together with a neat bow, and the first arc in the series comes to an end. Also Springtrap, aka my favorite. This game is riddled with neat 8-bit minigames and bits of lore, but the gameplay itself is where I find it not as good as the S A and B tiers. The new setup with the system reboots are def really interesting, but other than that, each night is just... the same thing but harder. Most other games introduce different characters on different difficulties per night, but since Springtrap is the only deadly one, it’s just... him more aggressive each night and systems failing more often. Makes the gameplay pretty repetitive and frustrating after Night 3 or so.

FNaF 4: The beginning of what I like to call the Afton saga(4, SL, FFPS, UCN)! This is when the lore began to get REALLY good... and also really confusing. Props for it taking such a bold direction by taking place in a child’s bedroom instead of in an office with cameras, its a neat change of pace! That being said, the gameplay can get frustrating and there’s a high learning curve for needing to listen to each sound the anmatronics make. Also lore wise... there really isn’t much! Just mainly focuses on what happened to this poor kid. Also the box still being a loose end... yeah.

The Twisted Ones: I enjoyed this one! It had a very interesting direction that kinda kept me guessing on what was going on, and this is when Scott really started nailing in the foreshadowing for the reveal in TFC. The Twisted animatronics are SO cool, and the introduction of those little alteration chips provided new context to games like 4 and SL! That being said, I don’t remember it being... that memorable? I also didn’t like how Charlie’s and John’s relationship was... so awkward... It was neat, but honestly nothing to really go crazy over, in my opinion.

The Silver Eyes: Honestly, I adored this book when I read it back in 2016, before Sister Location happened. At the time I wasn’t trying to connect it to any lore, so it was really great just to see a sort of retelling of the FNaF story. A lot of people complained about how long it was... I might agree if I reread it but tbh it never bothered me before. It was delightfully creepy, yet had a simple plot and wasn’t NEARLY as out there as TTO and TFC. Especially TFC. I felt this book didnt need 2 sequels and would’ve been just fine on its own, but whatcha gonna do. Carlton is forever my fav, and it’s the first time we really learn about Henry AND it was the first time we got a name for our Purple Guy: William Afton!

Sister Location: I like this one for just how bold of a game it was. I’m also including SL’s Custom Night wrapped into this package. Jam packed with lore, our first (main) game with VOICE ACTING, and honestly the humor has no right being as good as it is. I love how this not only expanded on the crying child from 4′s story, but also gives us so much Elizabeth and Michael content. The gameplay has a lot of unbalanced features and feels a little too over the place at times, but I appreciate where it was going with it!

FNaF World: ... This one is pure personal bias. A lot of people don’t like it. I adore it. Honestly I love the cute overworld, I love beating up enemies as my favorite animatronics, I love the horror, nihilism, and lore shoved into this game alongside SO MUCH humor. Update 2 was nothing short of an absolute delight and... wait, no!!! FNaF World had our first voice acting!!! So many endings and nods to other games Scott’s made, a cool scene with Desk Man/Henry and Baby, just... muah. Good content. Also Scott 57 <3

Ultimate Custom Night: Name a better way to end the Afton Saga, I’ll wait. It’s so obvious how much time, thought, and care went into this one. I love how the game rewards you with funny cutscenes the higher scores you get, and I just! So much voice acting! I love how each preset- no, each character has their own moves so every time you do a certain mode, you need to learn to manage them all and get a good strategy. I like how it’s way more strategy and skill than the RNG that many previous games had. Also, Scott!!! You managed to put this into the LORE by making it William’s hell, MUAH, couldnt have done it better!!!

FNaF 2: This one might have bias for being the peak of the fandom, but it was one of the greatest times to be in that fandom. Freaking out over the trailers, theories galore, prequel vs sequel, and just... so good. 1 didn’t have much plot, 2 DID. 2 had more mechanics and strategy to it than 1, and gave us over twice as many characters! We finally got a “face” to our killer, Mr. Purple Man, and how could I ever complain about more Phone Guy~? This one also introduced the 8-bit minigames, which became a HUGE staple for the series! Perfect expansion of the first!

Freddy Fazbear’s Pizzeria Simulator: The PERFECT blend of old and new gameplay. The salvage scenes are intense, the nights had a great balancing mechanic of juggling doing tasks while also avoiding animatronics, multiple endings, and a neat tycoon segment to give the player a breather... but with LORE!!! Midnight Motorist is easily one of the best tracks in the series. Also has a GREAT canonical ending, when(with paired with UCN), ties the plots of 1-6 SO nicely with a neat bow.

FNaF 1: Okay. From a personal and gameplay standpoint, I was going to put this much lower. Like B or C. That being said... this has to go in S. Yes, it has the least lore and arguably the worst gameplay(too much RNG for 4/20 mode), but this was the game. I can’t even exaggerate when I say just how much FNaF changed not only the gaming community, but especially the horror and indie communities. So many names got big from this: Markiplier, Dawko, Game Theory, The Living Tombstone, DA Games, SCOTT HIMSELF, just to name a few!!! And to think, this was originally going to be Scott’s last game! FNaF changed gaming HISTORY, and I think that alone makes this title deserving of S.

FNaF VR, Help Wanted: Okay, personal bias time, but I truly think VR deserves this S. Seeing Glitchtrap for the first time incited a panic in me that I hadn’t felt since FNaF 1 and 2. You get FNaF 1-4 in one, all in VR, WONDERFUL character models that you can WATCH MOVE!!! SO many minigames and fun challenges to play, so many neat knickknacks to collect, the Halloween update is FANTASTIC. The introduction of some great characters, such as: Glitchtrap, Vanny, Tape Girl, Dreadbear, Grim Foxy, etc!!! There’s also just- something so nice about being able to see every office and the pizzeria in 3D spaces where you can look around! Just from a gameplay and environment standpoint, this was an AMAZING addition and deserves the S.

... Thanks for listening to me ramble XD If you disagree... then good for you! I won’t fight anyone on this, I’m aware that this is a lot of personal bias. But if you made it this far... thanks for hearing me ramble!!!!

#fnaf #infodump #fnaf tier list #five nights at freddy's

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morsking · 5 years ago

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Got around to starting and finishing Old World Blues in the past couple of days. I think it’s the strongest of the game’s DLC I’ve played so far.

At first, it feels like you’re in for some wacky science fiction b-movie shenanigans once you’re introduced to the Think Tank. They’re all whimsical idiots who forget what words are, repeat themselves to elongate their sentences to look smart, and even one of them is bizarrely horny and has a fetish for... innocuous human behavior? Stretching? Yawning? They are neurotic brains in machines who take stuff apart and break it without really creating anything with it, just replicating the same results over and over and none of them seem to notice how stupid they are and it’s amazing. They took your brain, spine, and heart out of your body in an attempt to turn you into a walking vegetable, only for them to become so fascinated with the damage you took from Benny’s bullet that they fuck up the surgery and end up finding a way to keep your intelligence about you with a remote device that connects your brain to the tesla coils in your skull. Their biggest scientific discovery since... who knows how fucking long, was an absolute accident. It could only come about by chance, because you, as an existence alien to the static Big MT, shook things up tremendously.

But as funny and baffling as all these things could be, the more you explore Big MT, the more apparent it is that for all their quirks the Think Tank are also responsible for some of the most heinous crimes against humanity you can witness in Fallout: New Vegas. They experimented with carnivorous, parasitic plants on human beings, spliced humans, dogs, and robots together, developed nightstalkers and cazadores you see in the base game, used the Sierra Madre casino and its inhabitants as a petri dish for holograms, the claustrophobic hazmat suits, and the poisonous Cloud that killed everyone and turned them into zombies. Their experiments killed all their staff, and not one of them batted an eye to what they did. And their most shocking crime is the repetition of Japanese internment with Chinese hostages, who you can find ghoulified from radiation and are forced to kill them. These prisoners can’t be reasoned with or saved because the Think Tank stripped them from their humanity long ago along with any humanity or rationality that was left in the Big Empty. The only thing they can do as being robbed of their humanity is lash out at anything that still looks human. All throughout the DLC, you are subjected to displays of the Think Tank’s obsessions and cruelties and aimless ambitions, and you wonder why. How did things get this twisted and distortioned? And then you meet Dr. Mobius, and you find out why.

In his introductory segment when you start the DLC, he seems like the parody of the crazed mad scientist terrorizing the slightly less crazy eccentric scientists and the bastard who kidnapped your brain. But when you meet him, he’s like a sweet, confused, senile old man. He’s got an endearing if a little weird addiction to radioactive snacks despite him being a brain in a machine who has no mouth to eat them. He forgets he keeps a giant killer robot scorpion with a OHKO death laser of infinite... death powered on and sucking up energy all the time and that’s why his shit never works. He uses the wrong words on his sentences because they sound like the actual words he means to use. He didn’t just steal your brain, he kept it safe for you. And also, he’s the one who lobotomized the Think Tank into the witless abominations they are now.

Dr. Mobius witnessed his co-workers, his friends, pushing the boundaries of science further and further into dark places. Terrified for what they might do, he robbed them of their sanity and created an army not to terrorize them, but to keep them busy and from getting out. Dr. Mobius feared for the world, that it might be subjected to one new horror after another. There is great compassion in his actions but also great cruelty. He was so afraid of his friends the new world he trapped them in the old one. That’s where obsession and abhorrence belong, in the big emptiness of the past. It’s so appropriate, that Big MT is misread as “the Big Empty”. Because obsession and madness are an abyss, and also because everything that happened there was meaningless and hollow. There was no purpose to the Think Tank repeating its process of lobotomizing and observing the lobotomites. The great irony is that. That they don’t realize that what they do to human beings is what’s been done to them. Like the nature of all their names, their actions and their philosophies are cyclical and self-consuming. (Ouro)Borous. Zero. (Man)Dala (circle in Sanskrit), 8, Klein and Mobius. They are concepts that loop into themselves, symbolic of the futility of holding on to the grudges and ambitions of the Old World, a world that new only conflict and supremacy and paranoia and hostility. The fact that Mobius had to resort to brainwashing his own colleagues itself is evident even he didn’t know how to let go of the brutal utilitarian methods of the Old World in an effort to save the New One.

And what’s even worse is that didn’t matter anyway, because the mutated abominations that Borous created still found their way into the Mojave anyway. Are we supposed to accept that as a mercy that night stalkers, spores, and cazadores are the only things that slipped through the crater into the desert and be thankful for it? The only thing you can do about it now is say “Enough.” Enough of the Old World and its curses. It has no right to turn this world into a graveyard with it. It has no write to take from it and toy with it. Many times that attachment is played for laughs in Old World Blues, particularly Borous’s anti-communist fixation and enactments of his high school trauma being the basis for a training operation. But when you truly look at it it really feels like gallows humor. How many people do you reckon died in those tests at Lab X-8 because he used the test subjects as a means of catharsis? What was the human cost of that myopic insecurity and resentment? You only have to look around you. The facility is littered with guts. And it’s not the only one that looks like that. Not by a longshot.

So it came my time to also say enough to the Think Tank. I chose to kill them (more like stumbled my way into killing them because you have to thematically cycle through speech and skill checks for Mobius to give you the option of sparing everyone). It was both a roleplay gesture of revenge as much as it was a choice from me as a player to put the Big Empty out of its misery. It was already a graveyard in concept, it had to be made a graveyard in reality.

So that’s it for my review of the story. As for the more physical aspects of the DLC, I’ll say the Big Empty is probably the most interestingly designed setting I’ve ever seen. From the moment I woke up at the top of the Sink’s balcony I fell in love with what I was seeing. The layout includes some interesting platforming and traversal of the terrain from labs to cliffs to caves. Every laboratory houses something useful for you or relevant to the story and it’s easy to circle around the entire map and unlock everything as you go. The exploration comes naturally and you’re always encouraged to go back and look to see if you missed something (which you probably did, because it sure happened to me). One of the best things I found was the stealth suit. I’ve written about it already, but it is simply adorable, quirky, and also very helpful. Getting all its upgrades is worth it and not all that difficult even if it looks like a case of trial and error. There are some neat unlockables in terms of weapons as well like the stuff Elijah and Christine left behind, and lore that elaborates on their time there and Christine’s chase of Elijah to make him pay for his crimes. There is also the excellent set-up of your encounter with Ulysses in Lonesome Road, since he’s left his mark everywhere for you to see, as if luring you and taunting you. The dialogue is some of the wittiest and funniest Fallout’s ever been. The personalities in the Sink’s assistant appliances are so varied and interesting. You have the weirdly horny and seductive seed processor, the germaphobic water sink, the pessimistic and exhausted Muggy mini securitron, the jealous bickering light switches, the radio man juke box, the brave little toaster that could (murder everything), the ultra-patriotic and self-unaware book chute, the compassionate level-headed Auto-Doc, and finally the neutral, loyal, and polite Central Intelligence Monitor. Old World Blues had such an interesting and loveable cast. There is not a single human character in the entirety of the DLC, yet all of those feel vivid and alive.

Those are my two cents on Old World Blues. A beautifully written, poignant, and entertaining piece of gaming. Now, we move on to Lonesome Road.

#homecooked meta #fallout #new vegas #fnv #old world blues #fallout nv

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chriscdcase95 · 5 years ago

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Halloween: Why the Thorn Trilogy was as underrated as "Twenty Years Later" was overrated

So yeah, I said it. And now I’m gonna explain it.

This may be some nostalgia of mine talking but as a long time fan of the Halloween series - I am talking when I was ten years old, when I was first getting into horror genre- I grew up on the old Halloween sequels consisting of the Thorn trilogy and the Twenty Years Later story lines. I know they are considered separate continuities and timelines, but y'know broad strokes, Easter-eggs, and the fact early script drafts for Twenty Years Later (Or H-20) intended to tie them together before they were cut from the final film, you can make the case they are ostensibly canon to each other, but that’s about it.

The Thorn Trilogy isn’t considered the best of the series; many fans looking down on the fifth and sixth film as being the least popular of the films. I think the only reason they aren’t considered by fans the worse in the series is because Resurrection exists, and was that followed by Rob Zombie’s remake duology. On the flip side, H-20 and 2018 are considered the golden calves of the franchise, and for the life of me, I never saw the appeal of the formers popularity. Now I can see why people have problems with the Thorn trilogy - especially regarding the cult and curse plot element of the sixth film. Unpopular opinion, but the sixth film was my favourite of the series - maybe has to do with my autism appealing me with both world building and the familiar - or that it seemed to tie up one storyline, but at the same time set up so much that I was disappointed that it didn’t continue.

For context, this post is partially inspired by Schaffrillas Productions video about Shrek 2. In this I will be using the criteria of what he describes as a “Perfect Sequel” which I’ll apply to the Halloween series, and as his Shrek 2 video says, there’s no such thing as the perfect movie; there’s too many variables to cover in a single movie alone, while a movie can preform it’s functions as a sequel perfectly even that doesn’t mean the movie itself is perfect. The “Perfect Sequel” criteria goes as such; expanding the universe; continue the story; introduce new themes or expand on old themes; leave an impact on the franchise.

Like Schaffrillas Productions, I will use this criteria to determine what the Thorn trilogy did right over H-20. Now am I gonna throw the 2018 sequel into the equation ? Maybe for compare and contrast purposes, but the 2018 sequel hits those same beats. There really is no competition between H-20 and 2018, I don’t question why the latter is considered a fan favorite. What I am primarily doing here is comparing the old sequels, and 2018 barely comes into the equation.

Does the Thorn Trilogy expand the films universe ? Does is continue the story ? As far as continuing the story goes ? Well that’s a no brainier; Halloween II begins where the original film ends; Return of Michael Myers picks up ten years later with Michael waking up from a coma after his seeming death in the second; Revenge follows Return and that leads to Curse. You get the picture, there’s an overarching story here.

“But does it introduce new themes that impact the franchise ?” You ask. Not the Thorn trilogy itself, but the second film does. Halloween II kinda sorta introduces a supernatural element to Michael by hinting a connection to the an ancient element of Halloween - more specifically the lord of the dead Samhain- but more importantly revealing that Michael and Laurie are brother and sister. The supernatural stuff is explored exclusively throughout Return to Curse, but ever since it was revealed the entire Halloween series hinged off of Michael and Laurie’s familial connection. Even in 2018 where they discontinue the sibling aspect, the theme of family permeates the plot, with the focus hear being on Laurie, her family drama, her need to protect them and how Michael not only affected her but her family.

In what’s relevant here is Michael and Laurie’s family connection is the focal point of the Thorn Trilogy, albeit not through Laurie herself; our lead character in Return and Revenge is Jamie Lloyd, the orphaned daughter of Laurie Strode and niece of Michael Myers, and she is what made their relationship the most plot relevant. Before Michael even wakes up from his coma, we are introduced to Jamie being haunted and even bullied over the fact that she’s and orphan and how her uncle is the infamous boogeyman. Her mother is gone, and she never even met her uncle, and yet both their shadows hang over her. Once Michael learns he has a niece that’s still alive, that’s all he needs to get up and at ‘em and nothings gonna stop him from getting his hands on her. And once he does in Curse ? It’s their baby he’s after next! Yes, their baby. Michael is the biological father of Jamie’s son Steven, who becomes his new target and finds an adoptive family in Tommy Doyle, Karla Strode, and her son Danny, who take the responsibility to protect Steven from not only Michael, but an evil cult that will no doubt be following them for some time. So we have something set up; a possible future confrontation between Michael and his vengeful son, and defeat the cult that has been mentoring Michael and orchestrating his rampages from behind the scenes.

So what comes next ? H-20 gives us Dawson’s Creek with a serial killer. One of the things I mark against H-20 was I felt it lacked the same kind of substance as the previous trilogy. For something that was conceived as the finale of the Halloween saga, I just couldn’t get emotionally invested, and maybe it had to do with the later release of Resurrection and the knowledge of what comes next. Maybe I was deflated that Jamie wouldn’t get justice, or that we wouldn’t find out what became of Little Baby Steven. Sure we got a plot about Laurie being a protective mother towards her son John, but for some reason I couldn’t really empathize with John in comparison to Jamie - not helping his case is that 2018 Laurie has a new daughter in Karen who has the same kind of baggage John had with Laurie, was a more interesting in characterization. John was a just a Dawson’s Creek student who serves as someone Laurie needs to fight for, only to be forgotten in Resurrection. Unlike Jamie or Karen, John was more of a plot device than a character.

As far as expanding on the previous films themes go, H-20 doesn’t really do this. It’s focus is on Laurie and her incoming “final” confrontation with her brother…but it doesn’t feel like it has the same weight. Laurie’s having her nightmares, she’s living in paranoia and the constant fear of her brother inevitably coming after her again, and how it took a toll on her relationship with her son. That’s all well and good, but the problem is the emotions feel underwhelming here. I’m not bashing the acting or anything, but I think I was supposed to take Laurie and John’s screaming match when they argue about Michael more seriously than I actually did (their second scene together by the way). Maybe they should have focused more on Laurie’s angst, and her relationship with her son, but it all felt rushed and emotionally underdeveloped in comparison to Laurie’s emotional scars shown in 2018, which felt like they had a little more weight here. 2018 gave us a slow burn with them, H-20 gave us the last three episodes of Game of Thrones.

Also the fact its Halloween night is barely a factor in this movie. There’s more focus on a trip to Yosemite Park than the actual holiday, and none of the characters don’t even go on the trip itself. Hell, this movie and it’s sequel were released in the summer.

“What about expanding the films universe ?” As I said above, I think the main thing I liked about the Thorn trilogy was it’s world building. It is next to 2018 with the most lore filled storylines in the series, (and I expect more to come from 2018’s sequels). And the Thorn trilogy not only captured the atmosphere, but tied the lore of the actual holiday of Halloween much better than H-20. And for better or worse, we dig in a little more into the mystery that is Michael Myers and his family. Or do we ?

Short answer is “Depends on what version of the sixth movie you watch.” Yeah I know the sixth movie introduces the Thorn cult and curse, but there is are differences between the Theatrical Cut and the Producers Cut on account of things that have been added, cut or changed outright between the two versions. The Producers Cut is the only version Michael being a puppet of the Thorn Curse and tool to this cult. The Theatrical Cut plays around with this idea but doesn’t explore it beyond a theory Tommy has, but isn’t verified in the cut itself. As far as the Theatrical Cut is concerned, Michael is just a rage driven psychopath.

And honestly I get that one of the supposed appeals to Michael Myers is the mystery of his character. Everyone goes off about how he was such a cool villain in the first movie was because of his mysteriousness and the questions left unanswered and go on and on about it. But here’s the thing, the point of a mystery is the need to solve it, the need to explore and find out more about this mysterious figure. Michael being a mysterious figure can work in one or two movies before it gets boring and he just becomes a blank slate, a carboard cut-out. And really that was one of the problems Michael had in H-20. The Thorn Trilogy gives three movies to find out more about Michael, and his familial connection to Laurie Strode is the focus, even with Laurie out of the picture. Some would say because we find out more about Michael, his status as a villain is cheapened, but I always thought he becomes more interesting the more we find out about him.

In H-20, we got nothing with Michael. We don’t find out anything really new or interesting, or anything that really makes him that much of a threat. The whole movie was about a showdown he was going to have with Laurie twenty years after his first rampage, but there’s no real substance with Michael this time around. And this isn’t the same as 2018 going back to basics by following only the first movie - H-20 explicitly follows the second movie so this is the same Michael who hints at a supernatural element, the same Michael who is revealed to be Laurie’s brother, but none of that is really important here. The brother and sister element - the crux of these two characters, isn’t of importance here as it was for the Thorn trilogy; the closest we get to that is the scene where Laurie kills someone she thinks is Michael, which leads to Resurrection.

Michael and Laurie felt more related in 2018 than they ever did in H-20. And speaking of 2018, I know they brought Michael back to his original form, but considering there’s two sequels to that movie in the works, there is only so much you can do before Michael becomes “cheapened” by finding out more about him or become boring by keeping him a blank slate. Like I said, Michael can only really get away with being enigmatic for one or two movies before it just becomes a crutch and excuse which would result in him becoming boring.

As far as world building goes, the H-20 storyline doesn’t really expand the universe besides taking us to a boarding school in California, but I can give it leniency since it was gonna originally be a follow up on the previous trilogy. Now onto comparing characters.

Laurie Strode as a Protagonist

While it goes with out saying that Laurie Strode is a runner up when it comes to being the OG Final Girl. In the same way Michael helped define the slasher villain, Laurie is helped define what the final girl is. In just about every timeline and storyline in the Halloween series, all it took was one night to shape Laurie as her fateful encounter with Michael. In the first two movies, Laurie was a great protagonist, she was the naive, inexperienced teenage girl, and even a sisterly figure to Tommy Doyle. She was a protective babysitter who risks her neck to not just survive the night against a psychotic stalker, but protect the kids that are in her care. And that was just the first movie.

The second movie (which takes place on the same night mind you) things get personal with the brother/sister relationship. In this movie, the family aspect did impact Laurie; Laurie was the first person who finds out the truth and has a dream induced flashback of when she met Michael when she was younger shortly after her mother told her she was adopted. Laurie wakes up and the revelation that the seeming stranger that just murdered her friends is her brother, it puts her into a brief catatonic shock…although she might have been faking it while planning an escape. Point is the brother revelation had an effect on her.

But watching II and Twenty Years Later back to back, I just didn’t feel that it the same impact as it did in the previous movie. Michael’s relation to Laurie wasn’t as important in this film as it did the previous films. If it wasn’t for the fact that the brother-sister thing was mentioned a few times, it didn’t feel like it had that much of a weight to it. It didn’t feel like Laurie was afraid of her brother here, but rather just the guy who terrorized her. Like I said, above, Laurie and Michael felt more “related” in 2018 than they did in H-20, despite that aspect being cut out. The closest we get to Laurie having a moment of “this is my brother” is the scene where she kills some poor sap she thinks is Michael.

The focus in both H-20 and 2018 is about Laurie’s trauma and paranoia about Michael coming after her and her children. But overall I felt 2018!Laurie was the better take on the character, especially in that aspect; we see how strained her relationship with her daughter is and how close she is with her granddaughter. 2018!Laurie’s life effectively went down the tubes and Michael never stopped haunting her, and has burned himself into her very soul, that it would be irrelevant whether or not they are blood related. It’s gotten to the point where her daughter barely has a relationship with her. Despite this and having little to lose, 2018!Laurie has spent forty years preparing for a showdown with Michael, and is just itching for him to come loose again, arming herself, fortifying her house, keeping herself in shape the whole nine yards. Because it makes her that much stronger, makes her a little bit harder, makes her that much wiser, so thanks for making her a fighter.

H-20!Laurie spent twenty years just living in fear of Michael that at some point to the point that she faked her death, but doesn’t do much of else. And honestly despite her trauma and paranoia in this movie, I was less sympathetic to this take on Laurie, because she has a lot more to lose. She hasn’t had her life ruined by Michael in the same way 2018!Laurie has, in fact she lived a more comfortable (dare I say) privileged life, as the headmistress of a boarding school in sunny California, and still has a considerably more positive relationship with her son, and it’s only after Michael catches up to her, she’s ready to confront him and (seemingly) kill him. And I just couldn’t feel the same emotions with H-20!Laurie as I did with the 2018 counterpart.

I thought that H-20 was a little rushed with her character development and arc. But I think what made me unsympathetic is because Resurrection made it hard for me to root for in retrospect, and the fact H-20 was originally going to be directly tied with the Thorn trilogy; keep in mind as far as the Thorn trilogy goes, Laurie was killed in a car accident, which left her daughter Jamie virtually alone, with her mothers death taking an obvious toll on her, which dear old uncle Michael is out to kill her. H-20 reveals Laurie faked her death, and considering the original plans to tie the two stories, this effectively means that Laurie faked her death, abandoned Jamie with seemingly no regard for her, and let Jamie go through Hell alone. And I’m supposed to feel sorry for Laurie because of twenty years of nightmares ? Yeah, 2018!Laurie is the mother that Jamie deserves.

Which leads us too…

Jamie Lloyd as a protagonist

Now Jamie was considered a fan favorite upon her introduction, and in my opinion is one of the most thematically important characters in the series. As I explained above, Jamie is the linchpin of Michael and Laurie’s relationship, being both Laurie’s daughter and Michael’s niece. From such, both characters shadows hang over Jamie, despite and because of Laurie being out of the picture. Despite being a child, Jamie is subjected to the trauma of her mothers passing and her relationship with the boogeyman being public knowledge (and other children bully her over it, I can’t get over that).

Now there’s two kind of protagonist dynamics that Laurie and Jamie fill that contrast each other; Laurie is the protector of the cute, Jamie is the cute. But Laurie’s not around, and Jamie would be completely alone if it where not for her foster sister Rachel, Rachel’s friends, the local and state police and a mob of vigilantes. Well unfortunately, the Jamie Lloyd Protection Squad are a non issue to Michael who had squad of his own in the form of the Thorn cult, and these fuckers don’t play around. The world will stop at nothing at kicking Jamie down, and kicking her while she’s down, just for existing. If that’s not enough, she is held captive for years by a cult, forcibly impregnated by Michael and disemboweled in the sixth movie.

Did I mention Jamie was an eight to nine year old kid in the fourth and fifth movie ? I can see why Danielle Harris is disgruntled that she couldn’t return. Fun fact, Danielle Harris wanted the sixth film to have Jamie die killing Michael once and for all to save her baby. But because this is Jamie Lloyd we are talking about, she’s not allowed to get justice. You could make the argument that Jamie gets points dying to save her baby in the actual movie…but it wasn’t Danielle Harris playing, so whatevs I guess.

As I already said, what made Jamie a little more interesting for me than H-20!Laurie is that her connection to Michael being more emphasized here than with Laurie. This was first shown in the fourth movie and expanded upon in the fifth, which implies Michael has some sort of psychic and emotional link with Jamie. Under Michael’s influence, Jamie attacks her foster mother, and is subsequently institutionalized, and is still terrorized by Michael through nightmares, visions and seizures, as Michael continuously taunts Jamie with the murders of her protection squad. That’s when it hit me; Jamie and Michael are Ying and Yang, and that’s why it worked. Where Jamie was innocence, Michael was purely evil.

Michael is the human personification of evil, it only makes sense he be connected to someone who is pure and simply innocent. These two effect each other, and compliment each other. I’m honestly curious how this connection played out during Jamie’s captivity, because despite everything she’s been through, she was still innocent enough to try to reach out to Michael a final time. In the fifth film Michael has a bizarre moment of humanity and feels brief remorse due to Jamie’s influence and on the flip side, Jamie has a brief moment of darkness due to Michael’s influence. So of course I’m going to avoid a certain Mad Titan’s quote about perfect balance, because the meme is too easy. It dawns on me that I may be reading into something that isn’t there, but dear reader is what all theorists and analysts such as myself do ?

And speaking of perfect balance, that is another reason why I think a storyline about baby Steven introduced in the sixth film is a wasted chance. Not only is his *ahem* “origin” anti-hero backstory material, but think about what Steve represents; he’s a living combination of Jamie’s innocence and Michael’s evil. He is someone who not only carries Laurie and Jamie’s legacy on his back, but Michael’s legacy as well. Thematically speaking, he is prime material to be the one to one day kill Michael once and for all. But we got more of Michael fighting Laurie, so I guess that’s cool.

Michael Myers as a villain

Okay, what can I say about Michael as a villain that hasn’t already been said ? I mean what movie does him best ? Many would say the first two. But what does a better job at “expanding” Michael. Many would also say the 2018 sequel, but that’s not primarily what I’m comparing here, so we are sticking with the old school sequels. Michael’s main appeal to the bulk of the fandom was the mystery aspect of him in the first movie. But “Michael is cool because he’s mysterious” can only work for one or two movies before it becomes a crutch and as a result turns Michael into blank slate. And considering that 2018 has two sequels in the work, Michael is likely to get some “expansion” to keep him interesting, and that’s because the appeal to a mystery is the inherent need to solve it.

But that is beside the point. In my personal opinion, Michael’s appeal wasn’t that he was a mystery, but that he was the human personification of evil, and from such I think the only way Michael can really be cheapened is if he was given something to humanize him like love, empathy or sympathetic qualities. And no, the single tear in the fifth movie ultimately means nothing considering what happens down the line. So as long as Michael is evil and doing inherently evil deeds, I don’t see it as cheapening him.

So how does one expand on Michael and his evil correctly ? Make him a bigger threat with each passing sequel, and give him more heinous deeds under his belt.

In the second movie, he massacres a hospital to get to Laurie. The fourth movie has him slaughtering an entire police force and a vigilante mob just to get to Jamie. The fifth movie has Michael track down Jamie’s friends and foster sister, and display their corpses as a way to taunt Jamie. Sixth movie, he disembowels Jamie after she gives birth - mocking Jamie for trying reach out to him no less! - before seeking out and trying to kill their baby, and massacres a group of followers for thinking they can control him. There’s also Steven’s conception, which is universally regarded as too far even for Michael. 2018 has Michael kill a child onscreen, exceed the body count of the first movie before he even gets his mask back -and just to get his mask back- kills several people in different houses in a matter of minutes, and uses a cops severed head as a makeshift Jack-o-Lantern. You see that ? In almost each sequel, Michael was more of a threat, and was more “creative” when it came to his evil. He fulfilled a function as a villain and evil personified with no real humanity and no moral restraint.

What about H-20 ? Compared to those other movies, Michael was boring here. He kills three people at the beginning of H-20 and three more in the third act, but isn’t really creative or spectacular (except for using a skate for one kill). The bulk of the movie is Michael just traveling to the boarding school Laurie is hiding in, but doesn’t really do anything of substance. I wouldn’t mind too much, but back in the day this was billed as the final movie. The only creative thing Michael does is fake his death and that isn’t revealed until Resurrection which was near universally disowned by the fandom. Give Resurrection this, it adds more to Michael’s rap sheet. We do get a brief montage at the beginning of H-20 that implies that Michael has gone on a killing spree across the country, but the problem is it breaks the “show don��t tell rule”.

I’ll give them this, we do get a comic book miniseries called Nightdance set in the H-20 continuity, that expands on Michael’s evil and menace in ways I won’t spoil here because I recommend it, and it’s not as well known as Resurrection despite being considered by some to be the better follow up. It’s almost a shame this wasn’t made into a movie, because in the actual movies in that timeline Michael didn’t feel as threatening or menacing, took a lot of the edge off his character, and made him especially weak compared to the previous sequels. You could make the argument that the movie was mainly focused on Laurie’s facing her demons, the problem was that everything was rushed and undeveloped in that department, so Laurie’s character arc doesn’t really make up for it.

Compare and contrast this with 2018, which gave us a slow burn focus on how Michael effected Laurie, Laurie’s relationship with her family and quickly shown us the stakes Michael’s threat poses. It really makes me question why H-20 was seen as such a golden calf back in the day. It seems to me that is was mostly because Jamie Lee Curtis made a comeback for that movie.

Conclusion

So that’s my reasoning for why the Thorn trilogy hits the “Perfect Sequel” beats over H-20; it had more lore and world building; had a greater focus on the themes introduced in the second film; a more sympathetic protagonist; Michael’s evil was empathized more; and an atmosphere closer related to the actual holiday of Halloween. 2018 had some of the same beats at the Thorn trilogy, but I’m not gonna a final decision until the 2018 sequels are finished. It’s a personal standard of mine to wait until the story is over before I make a final decision.

I will give 2018 points so far for building it’s new lore and developing it’s new characters in one movie, but I think it has it’s problems too. Mainly that 2018 felt more like a big “Fix It” fanfic brought to the cinema, and was a little heavy when it came to self referencing humor, call-backs and leaning on the fourth wall, and fandom wish fulfillment. 2018 isn’t a bad movie, it’s one of my favorite sequels, but even so I can’t get around the whole “fanfic-ish” feel I got from watching it.

Pretty much the one thing H-20 has over 2018 was that it didn’t try too hard to be Scream, which was a formula most late 90’s horror films followed. At most we were given a quick Scream cameo, that could possibly shatter the canon if I think of it too much. H-20 went out of its way by not copying Scream during the writing process. Little known fact, but while H-20 was intended to be the last Halloween film, the studio had this rule was that Michael Myers wasn’t allowed to actually be killed off, so a sequel was planned in advance to clarify he was still alive; the original plan was that “Michael” would be a obsessed fan and copycat; that idea was scrapped possibly for following the “Scream formula” too much, and what we got instead was the infamous paramedic twist in Resurrection.

#halloween #Halloween Return of Michael Myers #Halloween Revenge of Michael Myers #Halloween Curse of Michael Myers #Halloween Twenty Years Later #halloween resurrection #Halloween Nightdance #michael myers #laurie strode #Jamie Lloyd #Steven Lloyd #tommy doyle #John Tate #Jamie Lee Curtis #Danielle Harris #unpopular opinion

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haleyreads4you · 5 years ago

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No Laughing Matter

Why Gotham’s Crown Prince of Crime Doesn’t Deserve a Backstory

If you haven’t heard, DC is releasing a new live action movie entitled The Joker, scheduled to be released on October 4th later this year. The movie is supposed to take us on a journey to see the beginning of this notorious villain, and hopefully give a better understanding on why he is the way he is. Usually this is fantastic! Villains, bad guys, antagonist, whatever you call them, are always so much more interesting when you get to see the reasoning behind their actions, and after all the Joker has done, who wouldn’t want to know. The short answer, is me.

The longer answer, (which I’m about to give you,) is that honestly, no real DC or Batman fan should want to see a Joker backstory. Believe it or not, he actually has one already, and I promise you it’s not going to be the one you see in the movie. It simply isn’t that complex. If you can’t tell, I am a huge DC, (especially the Batfam,) fan, and if you’re not that’s okay! I’m honestly shocked if you read this far without being a DC fan. Nonetheless, I’m going to be giving as much background as I possibly can to flush out my points throughout this, so you don’t have to possess prior knowledge. Now, I will not claim to be an expert on DC, or Batman, and especially not on the Joker himself, but I do like to think I know quite a bit. That being said, if I miss something, or get the facts wrong, feel free to refute me! A huge point of all these dumb essays I’m writing is to get the conversation going! Now with all the logistics and introductions out of the way, here’s why I think the Joker doesn’t deserve his own movie (or back story.)

The Joker is arguably the most famous of Batman’s rogues. With countless reiterations, and big name stars playing him in adaptation after adaptation, it’s no wonder that he’s built up a name for himself. Not only that, but the Joker is one villain whose actions we simply can’t explain. We know Two-Face, AKA Harvey Dent, was seriously disfigured after a man he prosecuted threw acid on his face, destroying his lucky coin in the process. The incident made him crazy, and he wrecks havoc on the city with his destroyed coin asking people “heads or tails?” We know Mr. Freeze, AKA Victor Fries, became a criminal after a failed attempt to save his terminally ill wife left him with sub-zero body temperatures, forcing him to wear the cryo suit forever. His involvement with crime is him still attempting to raise funds to find a cure for her. We know one of my personal favorites, Scarecrow, AKA Dr. Jonathan Crane, an ex psychology professor at Gotham University remains obsessed with the idea of fear and phobias. He now uses the citizens of Gotham as his lab rats to test his ever evolving fear toxin. I could keep going on, (Batman has an impressive rogue gallery,) but the point is we know why all the villains do the things that they do. We don’t know that for the Joker, and out of all of Batman’s rogues, he’s the one that continues to commit the most heinous crimes of all. It leaves us all asking why? Why does he do the things he does? It even leaves Batman stumped. Heck, it leaves other villians stumped!! Ra’s Al Ghul, head of the League of Shadows, has said he doesn’t like working with the Joker, because he’s wild and unpredictable. According to this logic, the Joker should be first in line to get his own back story.

To find the reason why he shouldn’t we have to look pretty far back in this character’s history. When the Joker first appeared in the Batman comics, he never appeared simply as “the Joker.” Multiple iterations of this simplistic “backstory” have been done, and can also be seen as far back as Batman: Year One, (even though the “Joker” himself is not actually featured,) but each time the Joker always appears, it is always first as an unassuming lowlife calling himself “the Red Hood.” This is so freaking important to how the Joker impacts the characters around him, and I’ll tell you why soon, but I can almost guarantee you it is not going to be in the new Joker film. Not only is this Red Hood portion of the Joker’s career important for reasons to be later explained, but it’s also important that in multiple, though not all, iterations of the Joker’s introduction it’s Batman’s fault. Not inherently of course. Batman always catches the Red Hood in some kind of factory, (a popular location is a playing card factory,) and in an attempt to catch him, the Red Hood always ends up falling into a vat of acid. This is the vat of acid that of course warps his appearance, (the white skin, green hair, and red lips,) and what ultimately drives him mad. In how he actually gets in the vat, well sometimes he jumps on purpose, because he’s been cornered by the Bat, sometimes he just slips, and Bruce is too late to catch him, but either way it’s always something that weighs on Bruce. It’s another reason on top of Batman’s no kill policy that he can’t bring himself to end the Joker. Despite paralyzing Barbra Gordon as Batgirl and murdering his son, Bruce can’t end the Joker, because he partly feels like the Joker is his fault. It’s his mess that he made, and a mess that he has to fix.

This introduction of the Joker as the Red Hood and tying his creation to a young emerging Batman is so important to the characters’ relationships to each other throughout their still changing course of comic history, that to negate it with this upcoming movie is almost like recreating a brand new villain. It is also important to note that because the Joker started out as a masked criminal, he remains a John Doe to this very day in comic history. This is crucial to not understanding the Joker, (an important aspect of his character,) because any time a new rogue pops up, Bruce tries his damndest to learn their real identity. Identifying the person beneath the horror helps him better know what angle to work at when going up against them, as well as what to look for, and realizing that violence usually isn’t the best answer for dealing with them. By keeping the Joker a John Doe, it keeps not only us, the audience, in the dark about trying to understand this psychotic character, but the characters in universe in the dark as well. By not knowing the Joker’s past or intentions, it actually makes him scarier, because it leaves him unpredictable, and, in a sense, strips him of his humanity. By giving this character an actual identity, you destroy the mysterious unknown behind the character, make him human enough than an audience can relate to him, and almost, in a sense, strip him of what makes him a good villain in the first place.

Now my last, and what I personally view as one of the most important reasons, on why the Joker really shouldn’t have his own movie, is because it would destroy his tragically beautiful connection to Jason Todd. If you missed it earlier, I briefly mentioned that the Joker killed Bruce’s son, and that was because I planned to go more in depth now.

I need to stop referencing material that hasn’t been written yet. If you don’t know, Jason Todd is the second character to take on the mantle of Robin. Yes, there was more than one Robin. As of current day material, there are four officially recognized holders of the mantle, (sorry Stephanie,) in the order of Dick Grayson, Jason Todd, Timothy Drake, and the current only blood son of Burce, Damian Wayne. Jason was taken in by Bruce off of Crime Alley, after he was found trying to steal the cars off of the Batmobile. Officially adopting him as his own and taking him under his wing, Bruce soon hands the mantle of Robin to Jason as Dick had recently left, and the two take to the streets fighting crime and punching bad guys. Unfortunately, this doesn’t last very long, and Jason ends up beaten nearly to death by the Joker with a crowbar in an abandoned warehouse before the Joker blows it up, seconds before Bruce arrives. Oh no. (There’s a very iconic picture of Bruce holding Jason’s dead body, if you google “batman a death in the family.) This was an absolutely pivotal part to Bruce’s character. How Bruce acts after the death of Jason had been unseen before. He became violent and angry, and almost crossed the line he swore to himself he’d never cross. Jason’s death is a staple in DC comic lore.

That isn’t the important part here though. The important part is what comes after. See, 95% of the time, if a character dies in the DC Universe, it’s not for very long, because comics. A couple of years later, Jason is brought back to life via the Lazarus Pit with the help of the League of Assassins. As I’m writing this, it is one in the morning, and I am too tired to explain why the Shadows were involved. If you’re really interested, there’s a crap ton of information on it on wikis and stuff, so it won’t be hard to find. Anyways, Jason comes back to life really messed up and in a murderous rage. He heads back to Gotham to hunt down Bruce but this time not as Jason Todd, not as Robin, but as the Red Hood. It’s perfect cinematic poetry! Yes, cinematic!! Under the Red Hood is one of the most famous comic books about Jason Todd’s return, as well as arguably one of the best DC animated films of all time! But that’s not the point. The point is, that Jason Todd comes back from the dead, and the alias he takes up is the same alias that his killer once owned. Jason does eventually kind of come back to the “good side” as a sort of anti hero, but the parallels between him and the Joker are gorgeous. Both driven mad after being thrown into a vat of mysterious liquid, except for where it was the Joker’s before, it’s Jason’s after. The idea of a young boy being beaten to death, only to come back and take the name of his killer should shake you to your core. Not only that, but imagine Bruce’s horror when he realizes there’s another terror ripping through his city bearing the same name his arch nemesis first wore. And that’s before he even realizes it’s his resurrected son! You can’t dismiss writing like that, especially when it comes to comic books! DC especially, openly admitted that its story lines take place in the multiverse, which basically means anything goes. That’s where you get stories like The Flashpoint Paradox and Crisis on Two Earths. The fact that this idea of the Red Hood being passed down from the Joker to Jason seems to be a universal constant cannot be overlooked. By giving the Joker a more in depth backstory that strays from the one that currently exists, you rip that hard work out of the author’s hands, as well as destroy an impactful connection between some of the Batman Universe’s best and most complex characters.

This whole thing ended up being a lot longer than I anticipated, so thank you if you made it to the end. All of this being said, I stand by my opinion that out of all that characters in the DC universe, the Joker should be at the end of the line to get his own movie. Will I still end up seeing it in theatres? The jury’s out right now. I’m a broke college kid living in New York; there are more things I want to see than a movie I don’t think should exist. I might watch it one day, as the assumption that all of these points won’t be made in the movie is made purely off of the trailers and not the content of the film itself. If I ever do watch it, y’all will be the first to know, but until then this is where I stand. Don’t let this ruin the film for you if you planned on going to go watch it. Like stated in the beginning, these are all my own opinions, and I prefer the comics to the movies. The movies can also be seen as existing in their own realm, and in that case none of my points stand at all. It’s up to you to make your own judgement.

But ask yourself this, as you sit down in the theatre with a large tub of popcorn. What do you think people will benefit from trying to see into the mind of the one of the world’s most famous psychopath?

#personal opinions

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loretranscripts · 5 years ago

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Lore Episode 31: Lost and Found (Transcript) - 4th April 2016

tw: murder, gore, blood, human remains, cannibalism

Disclaimer: This transcript is entirely non-profit and fan-made. All credit for this content goes to Aaron Mahnke, creator of Lore podcast. It is by a fan, for fans, and meant to make the content of the podcast more accessible to all. Also, there may be mistakes, despite rigorous re-reading on my part. Feel free to point them out, but please be nice!

Teenagers have a tendency to get up to mischief when they’re bored, that’s as true today as it ever has been. So, when four teenage boys found themselves with a spring afternoon on their hands, they did what any English lad might have done in 1943 – they went poaching. They were only hunting birds’ nests, really. It was April and spring meant nests full of eggs, so they went exploring in their area of Stourbridge, there in the midlands of England. Over the course of that afternoon, their search brought them to a private park known as Hegley Woods, and that’s where they saw the tree. It was a massive elm with an overgrown trunk that looked more like a hedgehog than a plant, with thin, whispy branches that stuck out toward the sky. Locals called it the “Wych Elm”. It was strong, it was climbable, and most importantly it was perfect for nesting, so one of the boys scaled up the side. When he reached the top and began to look for nests, he found something entirely different – a skull was staring up at him from the hollow centre of the tree. The boy assumed it was from an animal and plucked it free from the branches. That’s when he noticed how large it was, and the patches of hair that were still attached to it – human hair. The grisly discovery kicked off one of the biggest unsolved mysteries in modern England. Beneath the skull, lodged in the hollow centre of the tree, was a complete skeleton. It belonged to a young woman of unknown origin and unknown identity. No one stepped forward to claim the body, no killer was ever found, but the public fell in love, and named her, and to this day people still wonder: who put Bella in the wych tree? Humans, you see, are fascinated by dead bodies. They’re the centrepiece of countless mystery stories and a vivid reminder of our own mortality. We can see that fascination in both the innocent wonder of films like Stand by Me and the gruesome realism of CSI. Real life, though, is more complex, it’s more dark than we’d care to admit, and while the odds are good that most people won’t ever stumble upon a dead body, it’s a lot more common than you’d expect. Corpses should be hard to come by, but unfortunately that couldn’t be further from the truth. I’m Aaron Mahnke and this is Lore.

In February of 2013, a number of guests at the Cecil Hotel in Los Angeles called down to the front desk to complain about the water in their rooms. Some described how their shower would run black before clearing up, others complained of the odd taste and odour, and that age-old compaint that we all know and love, poor water pressure, popped up time and time again. So, the maintenance crew was sent up to the roof where the hotel kept water tanks used to supply the rooms, and it’s one of the tanks that they discovered a body. A human body, no less, and it had been there for weeks. It turned out to be a missing woman named Elisa Lam. Her parents had reported her missing in early February, but she had been seen last there in the hotel on the 31st of January, and it had been her decomposing body that had been altering the hotel’s water supply. Finding bodies in unusual places isn’t a new thing, though, and it’s not uncommon, either. In January of 1984, three students from Columbia University were walking home to their dorm when they passed an old carpet, rolled up and discarded on the side of the street. Now, like a lot of you, I’ve been to college, so I think we can all agree that curbside discoveries are frequently wonderful. A random desk, or that ugly couch that’s way too comfortable to be ignored. So, it’s hard to blame these three students for bringing the rug home. When they unrolled it, though, they found a body inside. The man, roughly 20 years old, had been shot to death, as was evident from the bullet holes in his forehead. Needless to say, they didn’t keep the rug and the police were brought in to do a full investigation. In December of 1982, staff were called to a room in a hotel in New Burgen, New Jersey. Occupants complained of a powerful odour in the room, and they weren’t the first. For a number of days leading up to the call, each guest had complained of the same thing, and it seemed to be getting worse. The motel staff finally discovered why: it was the body of Gary Smith, who had been killed by his autotheft partners and stuffed beneath the bed in the room. They had poisoned his hamburger then strangled him when waiting got too hard, and finally hid the evidence beneath the mattress.

In 2011, Abbeville National Bank in Louisiana began renovations to their second floor, an area they had used for storage for decades. Running between the storage area and the active bank facilities was a chimney, and it was just inside the first floor fireplace where workers discovered a few small bones. Climbing inside the fireplace and looking up, they found the source. A body, now little more than a skeleton, had been lodged in the flue. Dental records connected the skeleton to a man reported missing 27 years earlier, in 1984. The man had a criminal record and had been in trouble with the law shortly before his disappearance. Police can’t prove why he was in the chimney, but given the proximity to the bank I feel its safe to guess that he’d been trying to rob it, Santa Claus style. In November of 2011, Russian police raided the home of a historian named Anatoly Moskvin. Inside, they found 29 life-sized dolls, all women, all dressed in fancy clothing. But they weren’t dolls at all. Moskvin, it turns out, was a graverobber with a fetish. For years, the historian had been visiting cemeteries all over western Russia, as many as 750 by some counts, and occasionally brought home corpses that “interested” him. All were females between the ages of 15 and 30, and all had been dead for a very long time. It seems, if we’re to believe the newspapers and media outlets, that stumbling upon a corpse isn’t as rare a thing as we might expect. Maybe it’s a product of the times – with more and more people on the planet, I suppose the odds keep going up that we’ll eventually open a wall or dig a garden bed and find a body. But some bodies are intentionally harder to find. Some killers go to great lengths to hide the evidence of their dirty deeds, and that’s really the core of these stories, isn’t it? Because hiding a body is about more than just making an object disappear. It’s about concealing a crime and escaping the consequences. The trouble is, when those hidden bodies are found, their stories often reveal the greatest horrors of all.

She wasn’t always known as Kate Webster. Sure, when she gave birth to her son in 1874, that was the surname she passed on to him. She claimed to have married a sailor named Webster, but he had died. A decade earlier, though, she had been someone else entirely. Kate Webster had been born Katherine Lawler to a poor family in a small, Irish village in 1849. While most children might have helped out at home or perhaps played with toys, Katherine grew up fast. She spent her childhood learning to pickpocket, and judging by the way the rest of her life played out, it’s a skill she’d been born with. At the age of 15 she was caught and imprisoned for a short time, but by 17, she managed to steal enough money to secure herself passage on a boat to England. But she didn’t use her journey as a chance to make a fresh start. No, Katherine Lawler just kept upping her game. Within a year of arriving in Liverpool, she was caught stealing and sentenced to four years in prison. Once released, she found work cleaning houses in London, as well as working as a prostitute – and then she became pregnant. The father, according to Kate, was a man she called “Mr. Strong”. He’d been her friend, her lover, and her partner in crime for many months, but when he learnt of the pregnancy he abandoned her. Her son, John Webster, was born in April of 1874, and those who knew her couldn’t help but wonder: would this help Kate change her ways? The answer, it turns out, was a clear and obvious no.

Rather than seek reform, Kate simply evolved. She would rent a room in a boarding house and once there, she would begin to sell off the furnishings in her room. When everything was gone, she’d move on and repeat the crime elsewhere. Another thing she repeated, sadly, was prison time. In 1875, while her son John was only a year old, Kate began serving an 18 month term in Wandsworth Prison there in London. It was one of the many stints in police custody, even though she moved around a lot and used various aliases to disguise herself. And all the while, her friend, Sarah Crease, helped by watching and caring for young John. Some think Sarah was an enabler, that she gave Kate the freedom to live her life of crime without the burden of parenthood, but others view Sarah as a hopeful friend. She saw a young boy who needed looking after and she did her best to help out. She also tried to get Kate a real, honest job, something that had the potential to turn the woman’s life around.

In 1879, Sarah’s employer asked if there was someone who could do some house cleaning for a friend of hers, a woman named Julia Martha Thomas. Mrs. Thomas lived in the Richmond area of London, she was a widow in her mid-50s, and had a reputation for being a little strict and prone to anger. But it was a job, and Sarah immidiately suggested Kate Webster. The relationship between Webster and Mrs. Thomas began cordially enough, but quickly devolved into daily arguments. Webster claimed that Mrs. Thomas would follow her around and criticise her work, while Mrs. Thomas claimed Webster came to work drunk most of the time. Needless to say, it wasn’t a match made in heaven, but the two women tried hard to make it work. After a little over a month, Julia Thomas decided it was time to cut Webster loose. Kate, to her credit, tried to change. She begged for just a few more days of employment and, for some unknown reason, Thomas agreed to the terms, but the relationship was eating at her like an ulser, and she couldn’t stop thinking about it. She thought that Kate was stealing from her, but she didn’t have proof yet, and she feared for her life. On March 2nd of 1879, Mrs. Thomas showed up at church clearly upset. She’d just had another argument with Webster, and it had shaken her deeply. Her friends claimed that Thomas seemed distracted and agitated, and she left early to go attend to matters at home. But Kate was waiting for her there, and this time, they would trade more than angry words.

Julia Thomas thought the house was empty, but went searching for Kate Webster anyway. They had unfinished business, and it was time Kate found some place else to work. It was settled – as far as she was concerned, at least. While Thomas was upstairs in the hallway, Webster stepped out of a dark room and attacked her employer. The two women struggled for a moment, and then Kate gave the older woman a shove. Thomas stumbled down the staircase where she slammed into the floor below. Her skull now fractured and bloody, she began to scream where she lay. Kate was immidiately concerned that the neighbours might hear. There was a busy pub right next door, and if someone happened to hear the shouting, Kate was sure to be discovered and arrested. Launching herself down the stairs, she sat upon the injured woman’s chest and began to squeeze her throat with both hands. She wanted the screaming to stop. She needed it to stop, and after a few tense moments, it did. Julia Thomas lay dead on the floor of her own home, and Kate Webster had graduated from theft to murder in the course of just a few heartbeats. But Kate was stronger than her fears, and she knew she had to act fast. She grabbed a razor, a meat saw and a carving knife and set about cutting Thomas’ body into pieces. Later Webster would admit that, while she believed she had always had a strong stomach, this work in particular tested her limits. There had just been so much blood, she later told the police. Webster put the pieces into a large copper kettle and then boiled them in an attempt to reduce them to a more managable state. It was essentially rendering, a process where meat is cooked until the fat and protein separate. Witnesses would later come forward and talk of the stench coming from the home, but no one complained at the time. This was London in the late 19th century, perhaps people were just a little more forgiving of odd odours back then.

When the boiling was complete, Webster fished out each part from the remaining lard and placed them all into a box she found in the home – most of it, that is. She couldn’t seem to fit the head and one of the feet, so she had to get creative. She tossed the foot into a local trash heap, but the head was more problematic. In the end, she found a Gladstone bag, something like an old physician’s handbag, and stashed the head inside there. And then she cleaned the house, removing as much of the evidence as she could that something horrible had taken place there. It took her two full days to do it, but when she was finished, she put on a dress from her employer’s wardrobe and went to the pub next door to meet a friend for drinks. This friend, a Mrs. Porter, later told police that Webster arrived at the pub carrying a large, black bag. She kept it with her almost the entire evening, as if it contained something very valuable to her. Oddly, though, Webster excused herself from the table at one point, and when she returned a short while later, the bag was gone. Webster’s next order of business was to get rid of the box that contained what remained of Mrs. Thomas, so she enlisted the help of Mrs. Porter’s son to carry it out of the house and to nearby Barns Bridge. He carried the heavy box all the way to the bridge, and then she sent him home, claiming that a friend was on the way to meet her there. This boy would later tell police that, as he was walking away, he heard a large splash. It was as if something heavy had been tossed into the river. Webster had disposed of the body, and I can’t help but wonder if she perhaps sighed with relief when the box finally dipped beneath the surface of the Thames and vanished from sight. The following day, though, things got more complicated. Unware that the box containing Mrs. Thomas had actually floated to the surface and drifted to shore over night, Kate Webster dug in deeper. She took on the identity of her former employer while beginning to sell off all the items in the house. Old habits die hard, apparently. And it was about this time, according to a later witness, that Webster stepped outside and spoke to a pair of neighbourhood boys. She had two bowls in her hand, and they were steaming hot. She told them it was lard – from a pig, she added – and they were welcome to have it for free, if they wanted it. The boys ate two bowls each.

While the police were investigating the discovery of the box full of body parts, they had no clues that might point them to the killer responsible. It even took them a bit of time to figure out that the parts were actually human rather than butcher cast-offs, but even then, all they could be sure of was that the victim had been a middle-aged woman. Kate Webster, meanwhile, was making money hand over fist. She sold off the smaller items first – the jewellery, the knick-knacks, even her victim’s gold teeth – and then began to spread word that the furniture was for sale as well. And that lead to an agreement with a local man, who arrived on March 9th with a small group of men to help him carry the items out of the house. A neighbour woman saw the activity and approached one of the remaining men. “Who ordered the removal of these items?” she asked him. The man simply turned and pointed to Kate Webster, who stood on the front steps of the house. “She did,” he replied, “Mrs. Thomas.” When the police finally arrived, they entered the house and immidiately found signs of something tragic: a charred finger bone in the fireplace, bloodstains on the floor, splatters of grease – or lard – around the copper kettle. But the one thing they wanted to find, a killer, was nowhere to be seen. Kate Webster had skipped town. In the end, the authorities tracked her down in Ireland. She’d taken her son and made her way back to her hometown as fast as she could. When she arrived, she did so while still wearing clothing and jewellery taken from Mrs. Thomas. But her stay there was short-lived – the local police chief, the man who 15 years earlier had put her in jail for the first time, recognised her in the bulletin from Scotland Yard and quickly took her into custody. Everything after that moved quickly. Webster was transported back to England, and at every train stop between Liverpool and London, crowds gathered to jeer and shout at her. By March 30th, she had been formally charged with murder.

Of course, she tried to lie her way out of it. This was the woman who had changed her name dozens of times to outsmart the police, who had moved into room after room and sold off the possessions inside. She was a thief and a liar, so it was only natural for her to try and talk her away out of this too. First, she blamed the murder on Henry Porter, the husband of her friend from the pub, but when his alibi held up she shifted the blame to the man who had come to buy the furniture from the Thomas house. He too was easily dismissed. When it appeared that she wouldn’t be able to squirm out from under the charge of murder, she took credit for the crime, but claimed that she only did it because others told her to. In the end, none of it worked. The formal trial began on July 2nd of 1879, and just six days later, the jury declared her guilty. The judge, a man named Justice Denman, sentenced her to be executed. Yes, Judge Justice – I can’t make these things up. When asked if there was any reason why she should not be executed, Webster told the judge yes, insisting that she was in fact pregnant. A new jury of women were gathered together along with a physician, and after examining Webster they declared that the pregnancy, like everything else the woman had said, was also a lie. She returned to Wandsworth Prison, where she had served time before working for Mrs. Thomas, and it was there that she wrote her formal confession. She described all of the details of the murder, right down to how she burned the internal organs to get rid of them, how she chose her tools, and even how she removed the head. On July 29th, Kate Webster stepped onto the platform inside the prison’s execution chamber, a building that was ironically nicknamed “The Cold Meatshed”. A governer announced the time, a priest administered last rights, and then she was guided onto the trapdoors with a sack over her head. Afterward, she was buried in an unmarked grave, right there at the prison. The records of Wandsworth Prison contain the names of 134 people who were executed over the span of 110 years. Kate Webster was the only woman on that list.

It’s hard to nail down the real reason behind our fascination with death, but it’s safe to at least make a guess. Death puts our mortality on display. No matter how hard we try to avoid it as a topic, to ignore its slow, steady approach from the distance, we can’t seem to get away from it. Whether we want it or not, death will come for us all one day, and the dead body stands as that singular, visceral reminder of our death. In the horror movies, it’s the clue that’s dropped into our laps early on in the film. It highlights the danger our heroes find themselves in, it represents what’s at stake, what could happen if they fail and the true power of the killer. When the London police pulled the box containing the remains of a women from the cold waters of the Thames, they didn’t know a lot, but they did know one thing. There was a killer in London, and whoever it was needed to be stopped. Thankfully, they managed to do just that, but in a wild twist of irony, the body of Julia Thomas has been lost. It might have been a result of the way evidence was handled in the late 19th century, or the state of decay when the remains were found. Whatever the reason, there’s no grave for Julia Thomas, no tombstone with her name etched into the surface. Her body was lost, and then found, and then finally lost again. Well, most of it. As luck would have it, the neighbourhood where her house once stood has gone through some renevation. In October of 2010, a wealthy London homeowner was having an addition built in his backyard, when the work crew unearthed something small and white. It was a skull. The teeth were missing, but there was a fracture at the back of the head, and after doing a bit more research, investigators determined that the structure that once stood in the homeowner’s backyard was a stable – a stable behind the pub that stood next door to Julia Thomas. Her body might be lost forever into the pages of history, but the head that Kate Webster had tried so hard to get rid of has finally been recovered. Oh, and the wealthy homeowner who stumbled upon the skull? None other than English naturalist, Sir David Attenborough.

[Closing statements]

#lore podcast #aaron mahnke #podcast transcripts #kate webster #witch elm #bella in the witch elm #elisa lam #england #ireland #true crime #transcripts #31

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lettuce-king · 6 years ago

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I was looking on my phone and found some notes and a theory for Jimmy Casket. I just want to warn that this is a few years old and does not consider any of the more recent P.I.E. videos.

《Anything that looks like this is new and added now as I Re-Read it》

So without further ado, I present a 2 year old theory and notes:

Dipper mod 1- March 9th 2016

Haunted by cardboard friend- Johnny Ghost gets some of Gregory/Jimmy' s flash backs like remembering the cardboard friend name and this confuses Ghost as he tries to connect the links in his brain.

CBF Theory: CBF is a manipulative entity that attacks and feeds off of the weak (This is proved by CBF attacking Ghost without his partner Toast and when he attacked Gregory because he had no one to interact with and caused them both to go crazy)

[Crossed Out] Babby doll hide and seek (gregory) Sep, 26 2013

[Crossed Out] Murder ep 1- Jan, 12 2012

[Crossed Out] Box friend original- Sep, 15 2013

《I think I was going to do a theory that dealt with the dates but Idk.》

Jimmy Casket Theory/Notes:

1. Tommy/Timothy Casket is Jimmy' s father and not Ghost's.

2. Jimmy Casket likes to win whether it's murder, hide and seek, find it so I can eat it, TTT, or just killing someone.

3. I believe that paranormal entities detect Jimmy Casket/Gregory instead of Johnny Ghost.

4. He is ticked off by not winning, blood, being away from Toast for along time, when Ghost is confused/scared of something, annoyed by people, doesn't get what he wants.

--‐----------------------------------------

In Gmod murder siblings 11 "Olaf" at 14:05 Jimmy Casket states that his name is Gregory

In KING BONNIE (Gmod castle mod) at 7:49 Ghost said that he grew up on a farm

[Crossed Out] January 8th 2014 "Johnny Ghost" Gmod 4 player prop hunt 27 Ghost and Toast first appearance

《Time for the Big Theory》

Jimmy Casket the world's most renowned murderer. To solve the theory of who is Jimmy Casket? And what is his backstory? We need to go over a few things first. The 1st thing we need to go over before we start talking about Jimmy Casket is how life and death works in the Gmod/VenturianTale world. Clearly life and death in the Gmod world is not normal like it is here in reality. We live and we die, that's how it is and that's how it will always be. But we can still explain why people come back from the dead. I believe the reason people can come back from the dead is Maxwell Acachalla. Now how does Maxwell have any thing to do with Jimmy Casket? You may ask well, I'm getting there. Let me explain why I think Maxwell has to do with people coming back from the dead first. In a bank robbery with Papa Acachalla and the gang, Maxwell was killed by the Bank Teller after they figured out they were trying to steal money. When Maxwell died he met with an evil and VERY powerful entity. Who this entity is? I don't know. It could be someone we haven't met yet, or will ever meet. It could be Satan himself. Or it could be someone we've seen before, but never suspected them to be evil.

Back to what I was saying, when Maxwell encountered the entity he was offered great power as a ghost and since Maxwell was power driven he accepted the gift. When the Acachalla household encountered Maxwell again there was a curse that made them become immortal, Maxwell didn't mind because he wanted to enternally tourture the Acachallas and especially Papa and his gang as revenge for his death. When Maxwell was starting to get out of hand the Acachallas called P.I.E. aka Johnny Ghost and Johnny Toast to get rid of him. When Ghost and Toast encountered Maxwell they were "killed" by him and that caused Ghost and Toast to come back from the dead.

Now, some people in the universe are also not 100% normal, for example Maloney is an alien and some people have special powers which I think is the reason Spooker and Mr. Sviggles can come back from the dead. Now that we have gone over the reason why I think some people come back from the dead, we can discuss the fact that some people aren't immortal and once they die they die. Some examples of this is John, M9KShotgun, and the ginger kid from "FNAF School Roleplay - Gmod Five Nights at Freddy's Animatronics mod (Garry's Mod)", other small one time characters, and Higgly Diggly Hoogen, yes before you start saying "But even if he gets killed he still keeps coming back" and you're kinda right, BUT he doesn't come back from the dead, one of his many other clones are sent. And the government will never run out as long as they keep cloning him. And you're still probably wondering what this all has to do with Jimmy Casket well I'm about to tell you how.

Remember that video "Gmod Cardboard Friend Mod" where Gregory was hanging out with Cardboard Friend and it slowly turned into a horror movie type scenario? Yeah? Well this is a big part of lore we need in order to solve the mystery of Jimmy Casket. Let's talk about what we know about Gregory and CBF then we'll go into what I think happened. We know that Gregory is a young easily manipulated boy that has gone through a lot. He lost his parents at an early age, he's been alone in a really creepy, old house and his only source or communication is CBF which is a ghost. Now let's get into the theories, I believe CBF is an evil, manipulative entity that is up to no good, and only wants to traumatize and kill people (and possibly take their souls). CBF's target was Gregory, CBF planned to slowly steal his soul by making him go mad, and it worked. In the video when CBF was chasing Gregory around the house it symbolized him killing Gregory, and when Gregory was sending CBF into the sky was him accepting the fact that he was dead, and finally Gregory walking out of the yard was him moving on into the afterlife. Now this is when things start to tie together, because when Gregory died he was faced with the same evil entity that gifted Maxwell great power. The entity offered Gregory something unbelievable.

BUT, before I say what the entity gifted Gregory I want to explain why he decided to gift Gregory and not some other random person. Think, this video was probably a flashback of Gregory's life which was in like the 1980s when technology was not at its peak and paranormal invenvestigating sounded pretty crazy, so there weren't many paranormal investigators. Therefore there was no hard cold proof that paranormal entities can kill people EXPECT for the "Bell Witch Haunting" which states that a poltergeist physically killed (in this case poisoned) John Bell in the 19th Centary. So death by paranormal entity was pretty rare. This caused the evil entity to bestow a gift upon Gregory, a boy that died by a paranormal entity at a young age.

Back to what the entity offered Gregory, the entity gave Gregory the chance to rule over personalities. So we're all correct when we say that Gregory is Jimmy Casket, but this goes a lot deeper than imagined...

Gregory is that insane, evil, devious side of you and your OC's when you/they lose at something, is scared, threatened, or confused. And Jimmy Casket is just one of his characters with their own backstory and a little bit of Gregory in it. Gregory is Samantha gravestone, Max Hunter, Melodie Casket, Amy Reaper, Ethan Dager, Karl Coffin, 《These are all people's "insane" OC's I looked up when originally making this》 Gavin Toast, he is even Antisepticeye and Darkiplier.

I also quickly want to mention that this personality can spread into our world too so to explain to you what I mean I'll tell you about the time I was scrolling through the comments of a story I found on WattPad and the users were talking about how they would sometimes feel the urge to stab, trip, or harm/kill people, like Jimmy Casket does, and that made it clear that the feelings they feel becomes a personality. Another thing to notice is how Jordan changes from the fun, energetic, and goofy person he is to an insane, psycopath...even his eyes change. That's right the addicting, fun, evil personality we all love to use today are one of Gregory's OCs .

And now, here we are nearing the end of the theory but there are still some things up in the air that we need to be solve before we go, Questions like Why is Ghost unaware of Jimmy Casket? And why does he act so strange around CBF? Well...I'm gonna solve these questions right now, Let's first start with why Ghost is unaware of Jimmy's existence. This simply deals with how powerful one's soul is. Johnny Ghost has been through a lot of stuff...too much stuff, this has caused his soul to weaken and decay. Since he has a weak soul Gregory's OC, Jimmy Casket had extra room to grow and fill so he added more of his own backstory in there too, in order to have a balance. This caused Ghost's childhood to get mixed up with the other backstories and whenever Jimmy/Gregory takes control it's over whelming and causes Ghost to black out. How I know this deals with how powerful one's soul is and not something else is shown in "Dipper Mod 1" when dipper's evil persona left his body and tried to stab him with an eraser. Dipper seemed to not care or worry about it and in "Dipper Mod 2" Dipper's evil clone was hanging around the store and Dipper was not worried or scared at all, he may have been a bit annoyed but that's all. That showed that Dipper has a strong soul and is very aware of his evil side the side Gregory controls.

And now to finally explain why Ghost acts the way he does around CBF. Johnny Ghost is a Paranormal Investigator which means he investigates paranormal entities wether it be a level 2 apparition or a demon he tries to get rid of it, and CBF is no exception. The powerful and smart entities notice Gregory and not Ghost so when Ghost runs into CBF Gregory starts to freak out because he is aware that CBF is his killer and CBF knows that Gregory is there and wants to traumatize him even further. Gregory acts as Jimmy Casket and not himself because he wants to try to stand up for himself in a more powerful and safer form. And if any other OC were to come face to face with CBF they would have the same reaction because they are all the same person, Gregory. So this solves the mystery of Jimmy Casket, He's just another one of Gregory's made up personalities that Gregory hides behind. And Gregory is just an unfortunate soul that was chosen to die by the hands of a ghost, which caused him to become the evil, mischievous side of everyone.

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That's it! That's a theory that I wrote about 2 years ago and never did anything with.

I used to love Venturiantale and finding this and looking back to a few of their videos was a blast to the past. It was definitely one of the better fandoms I was in when was younger and I still don't regret it one bit.

#venturiantale #venturian #johnny ghost #johnny toast #jimmy casket #paranormal investigators extraordinaire #creepy pasta #p.i.e #pie #gregory casket #cardboard friend #Maxwell Acachalla

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