#there IS a lot of character development lately

[kybelles]

NOTES FROM PACAT’S LATEST M&G

(FEB 1, 2025, SYDNEY)

Akielos Research: She joked that her main historical research question was "what era had the hottest weather/clothes?" leading her to choose ancient Greece for Akielos. She discovered historians haven’t figured out if ancient Greeks wore underwear—deciding Damen must for practical reasons, like preventing chafing while riding.

Vere’s Setting: She was fascinated by late medieval France and chose "Laurent" for the name, so he had to be French. Akielos and Vere were inspired by various historical settings but don’t strictly adhere to realism. They are pastiches of many different places. She had to avoid certain anachronisms, like naval technology, to keep the world-building consistent.

Capri’s Origins & Writing Journey: She started writing Capri on LiveJournal without expecting it to be published, and wasn’t concerned with being politically correct or censoring herself. Having grown up with a violent childhood, fantasy offered her an escape. The final books are almost identical to what she posted online, except for a few name changes (e.g., Rabat became Vere, Margaret became Jokaste).

Writing for Comics & Paragons: She found writing a hero like Superman much harder than villains, as heroes require deep moral consistency—something harder for her because morality is complex and subjective. She believes paragons are essential in literature because they are aspirational figures who show us what good can look like, something missing in the current trend of grimdark and anti-heroes. Her favorite paragons are Wonder Woman followed by Superman.

Romance & Fantasy: As a kid, she resented love interests in stories because she just wanted to read about horses. Despite writing romantasy, she doesn’t read much of it because a lot feels derivative (like Twilight or ACOTAR). She’s critical of the genre’s lack of evolution beyond common tropes—essentially bodice-ripper romance, but with fantastical elements added, and wonders what will come next once readers have exhausted these clichés.

Queer Representation: She’s excited about the current "golden age" of queer publishing, noting how things have changed since her early career, when publishers wouldn't even depict the content of Capri on the cover. However, she’s frustrated that many queer stories still center on sex. She’d love to see stories where a queer character just exists (e.g., a queer detective), without their sexuality being the plot's main focus.

Capri's Writing Process: Capri was originally meant to be one book, but the characters’ deep hatred and evolving relationship required more time to develop into pure love without feeling forced. She intentionally crafted Laurent and Damen as opposites, with each possessing qualities the other lacked. This made them complementary and drew them together, reflecting the “opposites attract” dynamic, where their differences ultimately made them perfect soulmates for each other.

Romantasy vs. Fantasy: She defines romantasy as a subgenre where the romance is so central that the fantasy plot wouldn’t exist without it, whereas in traditional fantasy, the hero's journey can stand alone. Even though she writes romantasy, she doesn’t fully love the genre because it can lack depth beyond the romance.

Book Recommendations & Influences: She enjoys books like American Psycho (a critique of capitalism), The Alexander Trilogy by Mary Renault, Bel Canto by Ann Patchett, The Bell by Iris Murdoch, The Sympathizer by Viet Thanh Nguyen, and everything by Dorothy Dunnett.

[campbyler]

Hello!!

I’ve had an unpublished modern au byler fic in the works for an embarrassing amount of time and I’ve noticed that you two talk about characterization a lot, which has been my main struggle. I’ve figured out choices to make for characters and how they relate to choices and characteristics of the canon characters in the show, but I’m not sure if the reasoning behind those choices and traits will translate to readers.

I love the fic and I feel like y’all did a great job with making those reasonings clear in your writing without directly saying it, so I’d love to know if you have any specific tricks for that!

Also sorry if this kind of formal, I’m stuck in email mode with finals coming up :|

hello! soooo sorry this is such a late response — i was thinking it over when it came in and then i ended up talking about something similar on another ask and totally blanked 😔 thank you so much for asking for our input, i’ll try to be as concise as i can! (<- edit from future me who has finished typing up her answer to this ask: famous last words. you were not concise. at all. oh my god i’m sorry) i know you said you already made your initial characterization choices and everything so please bear with me while i word vomit and rehash what was probably part of your thought process anyways just to be able to follow my own train of thought lol

some general thoughts here that thea and i have been mulling over for the last few months regarding how we’ve written our fic and choices we have made for it: we’re both well aware that acswy is not everyone’s cup of tea for many reasons, but i’m specifically bringing this up in response to your ask because every once in a while, we do see someone refer to our mike and will as being written out of character, whether or not that’s a deterrent for them in reading. and i want to make it clear that this doesn’t bother us and nothing im about to say is meant to sound defensive or like we’re making a case to people who feel this way — we have our reasons for making the decisions that we did and also already heavily retconned our og concept for them on account of it having been pretty ooc at the time, even to us, so we’re confident with where we are now — but it has made us think about what people actually consider to be “out of character.” this brings me to my first point re: characterization which is, to us, the importance of differentiating between something that the character in the source material doesn’t/probably wouldn’t do versus something that is more of a direct contradiction to the character themselves. for example, we’ve seen people say (often while reading for the first time) that will is ooc specifically in the first couple chapters of acswy, a big reason being because he’s “mean to mike.” it is, of course, vastly different from how he acts in the show and is probably a slightly jarring dynamic to be dropped into right off the bat, especially since the entire premise of the fic is that the reader has almost zero context for why he’s behaving this way, and even more so at the beginning of the fic before his and mike’s relationship develops further. to me and thea as writers, the importance lies more so in the context for it all: how mike and will would turn out after growing up without each other as best friends, with a lot of the cultural pressures of the 1980s removed but having some new ones of the 2010s/20s introduced; not going to high school together, being in the same friend group for years and getting closer over time with many interests in common, but also facing a lot of conflict and having that friend group be geographically separated while a lot of it goes down.

and with this context, what we would consider to be ooc would be if we just like. made will a straight up DICK or something lol. no nuance involved, constantly berating mike with no reason to do so, even with their unknown history, like just ragging on him all the time and never backing down, even when mike isn’t engaging (side note: giant personal pet peeve of mine that max constantly gets written this way but i digress). we see in the show that will is often snarky and sarcastic and will stand up for himself when needed, especially with mike — which imo is another sign of will’s trust in him and their bond, that he can be honest with mike and not fear genuine retribution, and in acswy, he knows mike will meet him where he’s at. he sometimes isn’t afraid to hit a sore spot, but he would never ever just be a jerk for the hell of it -> we even see him apologize after their fight in s4, despite it clearly being a very emotional moment for him and a lot of truth behind what he was saying. whether he intended for it to come out that way or not, he still felt bad for reacting that way and apologized to mike’s face about it. likewise, there’s a reason acswy will acts the way he does with mike specifically, and we were also intentional with making mike match his energy like he does in canon, which will counts on, even — the way these boys BICKER, oh my god — and he has his own ways of pushing will’s buttons which prove to be very effective. even in the early chapters there are a lot of moments of softness and real friendship between them that (we hope!!) make it pretty clear that it takes some effort to maintain this facade, that there is more than enough of their “canon” bond and dynamic and chemistry where being friends and having fun together is a much more natural state to exist in, and is where they usual end up during those brief periods where they let that mask slip. same principle if we had made mike some uber-jerk who had completely different interests than he does in the show (we are so glad that book annotator and zelda fan mike wheeler is ringing true for you all ☺️), or someone who’s super self confident and popular and charming (outside of will’s very unreliable pov) once he and will start hooking up. i think most people would look at that and look back at canon mike wheeler and say yeah that is Not my mike, because making will an actual asshole or making mike any of these things would be going against core character traits that are central to their arcs in the show. will wouldn’t be will if he was generally a confrontational dick, and mike wouldn’t be mike if he was popular and exuded self confidence and so on. that’s just not them! so to summarize, i guess the question to us is more along the lines of “would they ‘not do this’ in the show out of circumstance/lack of necessity (e.g: canon byler going to the same schools until s4, never having a reason for rivalry to develop, growing up living in close proximity to each other and all of their mutual friends, etc) or would they ‘not do this’ in the show because it’s antithetical to the way they have been written?” we find it much more interesting to put a character in a situation and then essentially work backwards in a way to see how they would react to it, rather than putting them in situations that correlate to things we have seen before, and therefore would probably result in them reacting in a way we have seen them do before.

and now coming back to what i think you were actually asking: i think my biggest tip to making those references without it being said outright is honestly just to have faith in both your readers And the creative choices you make. which sounds like a bit of a cop out answer but i simply can’t understate the important of trusting your readers to pick up what you’re putting down, and to trust that they’ll read between the lines for you. a lot of my favorite characterization moments in aus are ones that are really really subtle, where a character does or says something that is clearly a callback to something in the source media, but it isn’t explained in a way that’s actually calling attention to it — it always seems much more natural that way, like whatever they did is just a progression of who they are in that story instead of the author trying to make a point or force a connection. just off the top of my head a small example might be how i see so many authors in non-magic/no upside down aus still make will really struggle with the cold, often just as a throwaway line or paragraph which imo is much more effective for me than trying to explain why he’s feeling this way. or having him enjoy the same media as in the show in a slightly varied and less direct way (e.g: being into the new star wars shows as a continuation of his canon interests, putting him in theater club to play off of the posters we saw in his room, etc). i think it also helps to have something specific in mind that you’re trying to tie back, like an important moment for that character’s story or something that stood out in the source material. like, i love writing lucas and dustin bickering over stupid stuff bc it takes me back to them in s1 in the principal’s office or s2 in general, or one of my personal favs in my own fics was one where i had will be on a constant rotation of fun patterned socks. he’s creative, he’s an artist, it’s (hopefully) a pretty clear connection to make once i write it in, and i really do think a modern version of him would get a kick out of something like that! and sometimes people just won’t pick up on what you’re trying to say and that’s okay too! everyone reads fics a little differently so some connections might be more obvious to some people than others and so on. from my experience as a reader, i find it pretty easy to connect the dots between an intentional and thoughtful moment of characterization vs one that doesn’t quite hit the nail on the head, or the author felt the need to spell out for the reader which maybe took me out of the moment a little too much or something. to me, making those choices and translating canon to an au is honestly the hardest part, especially with a modern au and a show like st that is So defined by the period it’s set in, so if you’ve already got that out of the way i genuinely think you have the rest of it in the bag as well. unless you worked through it in the month it took me to get to this in which case i am so so so sorry LOL

okay that’s been my word vomit of the day, hopefully any of this made sense or was useful at all, but thank you again for your kind words and support and for thinking to ask us! always always happy to chat writing, even if it takes me a million words to do it 😗

[welcometoteyvat]

finally typing up my late lantern rite thoughts (very long). overall 100/10 quest I love hu tao

The amount of Xingqiu's brother mentions were insane. Surely we'll see him either as an NPC soon, right? Right? /j Honestly here he sounded pretty competent, nothing like "a simpleton" like Xingqiu's troubles voiceline suggests hmm...

The little model animations were SOOOOOOOOOO GOOD. contributed a lot to the experience and made it feel so much more alive. hu tao's expressions especially, but also yun jin's expressions, and Xiangling's "come back, get over here and eat!!!!!1!1!!!" was also really fucking funny. they've been adding these small animations for a while but this event specifically had so many of them and the effort paid off <3

in a similar vein I'm impressed how smooth the animation/model actions were when Xiao put the sigil on us

hu tao lan yan and qiqi fill in the gap fic please

timaeus is kind of silly, also very funny he and ying'er still going strong 2 years later. he's literally learning liyue language for ying'er? genuinely his dedication is impressive. they should make events replayable because how will everyone who missed 3.5 windblume know why timaeus simps for someone a whole country over

we finally know what the fake chinese characters in all those liyue signs represent (kinda ig). I need to look over this part again

if hu tao&/xiangling or hu tao &/yun jin stocks on ao3 don't increase after this I will start biting. MY GIRLS T_T T_TT_T_T_T_T_T_T. bro the farewell section was so tender I enjoyed it greatly. Their relationships with each other got developed on screen.. yun jin and hu tao's banter especially was really cute and really shows us their relationship aside from the hints in their VOs

YUN JIN OPERATIC HILITUNE ON SCREEN. the fanvid of it from bilibili can finally rest, thanks for your service, canon got here 4 years later.

Yun Jin, having practiced the tao dou opera, MUST have known something correct?? or else she wouldn't have asked hu tao so many times to promise to come back, right? She trusts Hu Tao so much :'''' . if Hu Tao says she can handle it, Yun Jin knows there's no stopping her, and she will find a way, but it doesn't stop her from worrying nonetheless :''').

hu tao's death flags during part 2......

my agenda is speaking, but I wish Xingqiu and Hu Tao directly talked during the farewells section. something something chivalry and sacrifice. Hu Tao makes her peace with giving up everything to resolve the Tao Dou issue, but is Xingqiu at peace with losing a friend even tho its selfish of him to want her to stay? he has personal stakes in this please just let them talk a little

I'm really really glad they went through with the death, they showed Hu Tao's emotions, they showed her father and grandfather waving her off. I broke, she looked so tired but satisfied (thinking about her vision story, where she waited so long for her grandfather to never appear vs him visiting her for just a brief moment here)

my other favorite shot is when traveler pulls her out and she looks at them in muted surprise. she just looked so sad and fragile and in need of a hug :(((

the Themes (waves hands wildly). hu tao's father's lingering regrets were his fatal flaw, and so Hu Tao settles her affairs properly and steels herself before going to die. she leaves behind the plum blossom branch just like her grandfather left his hat.. genuinely what the hell. the parallels between her cutscene goodbye and her saying "happy lantern rite" kills me

the epilogue last year with the fontaine tourists was pretty fanservicey, and tbh the epilogue the year before was also somewhat fanservice to me, (liyue gang dinner and zhongli venti teasing) though I liked it better. However I think this epilogue was actually really good— the hanging out and the fluff felt natural, it fit with everything else and wasn't super sudden. Maybe this was because of all the setup that happened (Yun Jin and Xiangling's promises to Hu Tao, Xiao and Yelan's dynamic built up in Perilous Trails and their earlier exchange), so the payoff is good instead of forced. After the trials and danger they got put through, everyone gets a chance to relax, and I appreciate the slice of life after the main plot. also Yun Jin's opera was crazy good considering it was not a cutscene, the animation and camera angles really sold it

I thought the special guest was xiao again, like how LR 3.4 had him dragged to the harbor by Hu Tao.... xiaolan banter was also v good though.

THE ADEPTI. they're still watching over Liyue in their own way :') the affectionate bickering about hu tao's name :''''''''

I barely mentioned lan yan in this... her part was pretty minor ngl, her habit of learning everything about a person to the point of sounding a bit creepy is kind of fun though.

alright. fantastic quest absolutely no notes I got almost everything I ever wanted and I am so glad Hu Tao had such an incredible 2nd story quest. chongyun and shenhe exorcist lantern rite next year?

[samhadjblog2]

O.k with VI and Caitlyn you have an interesting point. However I would still argue that while rooted in their own personal goals. And sure it can be a read that "both cities should come together". However its not an indication that "The cities will come together due to saving the world". Because Vi and Caitlyn coming together is meaningful while how the two cities come together in the end is contrived.

You keep on saying "Silco and Jayce's conversation"Was foreshadowing" and I'm telling its not a We must unite against a common enemy" its "This is a city of progress and we must try to progress forward" and as I've stated before its "One scene" nothing else indicates these thing. And Ambessa being introduced doesn't change that because Arcane was a multifaceted story that didn't have a "Central antagonist" that everyone would rally against. Its like saying "Silco was the central antagonist" because he did awful things. . The same can be said with Ambessa she wasn't there to be "The bad guy everyone rallied against" she was just some who would escalate tension between the two cities. Show's with political conflicts often times introduce new characters late in who aren't there to be someone the characters rally against but instead are there to create more tension.

While Yes the hexcore was dangerous however I would argue that it was there for Viktor's development. Because he was going to go down a dark path. And even then "The Hexcore isn't what caused the apocalypse in the end " it was the anomaly that did it".

The story didn't naturally moved into that direction. The story forced itself into specific direction. A big issue people had with season 2 was that a lot of the character's lack a lot of agency and things just happened to them. Even if you want to argue that "This was always planned" it still doesn't take away the fact that so much of it still falls into what the writers were trying to avoid.

Christian and Amanda are talking about how things that involve "End of the world stakes" are not compelling because they don't tell us anything about the characters. It doesn't matter if this was "The Consequences of the characters actions". It was still the same kind of "War story" that they both talk about not being "Character driven".

Also with that in mind Viktor only tried to end the world because Jayce was too stupid to not just talk it out with Viktor when his commune was fine and he was still connected to his emotions. His "despair of humanity isn't built on anything meaningful"(Just to note that I'm not against Viktor going bad just that how the show executed it was dumb).

Yes the show is called "Arcane" however that never meant that it was "Always going to be the main focus of the story" the focus was the characters and political strife of the city. The way the Arcane was used in the first season was grounded and how the characters utilized were more small and practical. Yes Ekko builds tje Z-drive and Viktor becomes a machine herald. However how they accomplished these things in their original lore was small scale and didn't involve big things like the multiverse. Ekko made it from some scraps and didn't involve multiverse hopping. And the extent of what Viktor did for the Glorious evolution was just go around and healed people, and didn't trying to create a giant hive mind to connect everyone in the world. So while magic was prevalent that didn't mean the focus would be "larger then life ideas". That was the appeal of the series that it was just small piece of a much larger world, and just bringing in things such as "Viktor being the wizard" and "The Anomaly" all just make it feel so much more small and less unique to the rest of "Runeterra". Hell i'm not even saying it was bad that there was a big battle in the end. Just that having the conflict be "Saving the world and we must unite against it" makes everything so nebulous and empty. It also doesn't help that they try to add in all of these big ideas alongside

Also yes this ending was a big ol "Age of Ultron". That film had "philosophical ideas and interpersonal character conflict, however it tries to accomplish this through nebulous end of the world scenario's and big fights, heck it also has the same "Consequences of our actions" sentiment that you keep on mentioning. So its not too different to the finale.

Vi and Jinx already reconciled things before and there fight with Warwick felt so empty (Warwick was just an excuse to get the sisters to talk to each other again without addressing there issues. All he did was "beast out" in one episode, and then things just happen to him and he doesn't get to make any meaningful choices of his own accord and is just reduced to an empty shell). Also we just get another moment where Vi just reacts and breaks down from loosing her sister "Again". (Man Vi was just a punching bag that was tossed back and forth through out the season).

Mel and Caitlyn fight against Ambessa was alright. However doesn't the whole basis of Mel defeating her mom just "Continue the cycle of violence, because she managed to defeat her mom through violence and which leads to ambessa coming and calling her 'The wolf".

Viktor and Jayce's was just really dumb. Having the wizard turn out to be "Future Viktor" make no sense. The only reason the "Glorious evolution" even happens is because "He gave Jayce the stone" in the past so why bother giving him the stone. Also if Jayce knew about Future Viktor why didn't immediately tell Viktor this ? All the events in "The Dark future" only happened because Jayce shot Viktor (No the acceleration rune didn't change anything. If you back to the dark future you see not only "The Noxian fleet", "A mannequin that has the same broken eye as Caitlyn", The same busted clocktower that Ekko busted", and "We see Jayce in the same position as his future counterpart on top of the Hex-gates, The device that could only of been built if Jayce got the acceleration rune" so no the loop doesn't make sense). And all we get is this weird nebulous conclusion where they hug together and just disappear ? That was one big lipped alligator moment.

As for the "Regular people who died". back to my point about "War ending stakes are not interesting". And so Characters like Loris and that one Jinxer dying feel empty. (It doesn't help that Loris was a nothing burger character).

The problem of the "Sevika seat" isn't that it didn't resolved everything. Its that the conflict of Piltover and Zaun was dropped around episode 4. And so we see the story "Ending on the note of Sevika joining the council". It doesn't feel like a meaningful first step that will have some pushback, it rather just feels like a "Cheap way of resolving the conflict". So to people it comes off as it "Did" resolved the conflict (it also feels cheap that this all we get of Sevika in the series after episode 4, I know she was in the final fight as well at Jayce's meeting but it such a brief moment). I just think instead the big final battle that get's the characters together. The final conflict should the inevitable civil war between Piltover and Zaun. And in between that war we see Jayce and Vi try to prevent it from breaking out and we get moments similar to Jayce deal with Silco were they try to reach an agreement. And the finale is more dedicated to the characters understanding how shakey these choices are and are navigating their feelings on the matter. That my friend "Realistic and grounded". Not Big giant battle then one person on the seat.

Yes Arcane was about "The cycle of violence and how the characters break away from it (remember hallucination Silco said it began long before he Vander and will exist long after Jinx and Vi). As well as how the characters "Somewhat" became who they are in LoL. However to say that the show was "Never a story of class conflict is a absolutely not true". Arcane made it clear that the "Cycle of violence originates from the establishment of class hierarchy". We also see how hierarchy influence the characters. And how it drives their motivations. The conflict of the two cities cut both ways the character's influenced the world and the world influenced the characters. To act like that's all the setting was meant to do is just not true.

“What happened to rebel Vi? Season 2 destroyed her character!”

“What happened to rebel Vi” is that Vander took her to the bridge where her parents died in his revolution and asked her what she was willing to lose. Then she meets Cait who is gentle and kind while still being tough and it makes her rethink how she sees topside. When Jinx tells her she changed too, that’s what she’s talking about.

I’m sorry if you thought Vi was going to be a topside-hating revolutionary in Season 2, but that’s clearly not where her character arc was going. Remember how she forced her way between Ekko and Cait? It seemed very straightforward that was the role her character was taking on.

I feel similar about people who act like the show was betraying its premise because it ended with reconciliation/Zaun and Piltover working together. Again, the fact that two of the most important relationships were between characters from both sides and that they made a point of talking about Zaun and Piltover first coming together against a common enemy was a pretty clear indicator that was the plan.

Now, I get being annoyed that that was what they chose to do. You don’t have to love the creative decisions of media, just like media doesn’t have to compromise its creative direction to satisfy you. But not liking that they went that direction is not the same as the show having bad writing or engaging in character assassination.

Everything Vi did in season 2 was very much in character with how she changed and who she became throughout Season 1. Hell, she used enforcers and Hextech to raid Shimmer facilities before Commander Kiramman ever threw on a beret. So, yes, actually wearing the uniform was a huge and complicated decision that she was definitely not happy about, but it also fell in line with what she had been doing.

There’s meat for another post at some point about the three different Zaun/enforcer partnerships we see in the show: Vander/Greyson, Silco/Marcus, and Cait/Vi; but I’m not going to go into that now.

TLDR: “Rebel Vi” who wants to fight all of topside hasn’t existed since the end of the second episode of the show.

Editing to add that Vi doesn’t see attacking Chem Barons as attacking Zaun; she’s taking down the people who are destroying Zaun.

[twinribbonz]

Decussate is the ultimate bastard and here’s why.

Note: Some characters featured here might not be ones heard of. Decussate and Sever. Errik. I implore you to check them out first so you aren’t confused when reading.

Humble beginnings:

The first nine timelines of Xtale do not really matter here. Decussate was not important enough to develop his much deeper personality.

They never mattered anyway.

Moat of these timelines play out similarly to those of canon.

Timeline X:

Decussate and XPapyrus were adopted by the Royal Scientist known as XGaster. Already putting him in a rather important place at such a young age.

His best friend is XFrisk the adopted child of the Dreemurr family. The one who broke the barrier out of the kindness of their heart.

Decussate did feel he was important due to being so close with the royal family. He would brag to other kids about his best friend being XFrisk. But his attitude was kept in check by XGaster.

XGaster did not approve of Decussate acting like this. Scolding him for thinking that he was even of importance at all. These words would shatter Decussate’s self confidence greatly.

Growing up into a teenager who needed to prove himself to everyone. He demanded the Royal Guard to protect his best friend from the humans

He has always been expectedly skilled when it comes to combat. Picking up on things quicker than others.

It made him feel really proud of himself. He finally found his purpose. This is the one thing he’s the best at.

No one else is a better solider than he is.

Though, Papyrus and Undyne were there to deflate his ego, keeping it in check. It only dwindled his self worth and confidence. Making Decussate feel uncharacteristically miserable.

Sinking himself into training and protecting the only things he is good at.

Timeline X plays out similar to the events of canon.

The Downfall:

Being stuck in the void of Xtale was hell for Decussate. Trapped with Sever who wanted nothing to do with him. They cursed him and his stupid actions for getting them in this mess. Mocking him for thinking that overwrite would even work for someone like him.

Both of them grew to hate each other so very much. It was suffocating.

Eventually even Sever fell eerily silent. Becoming apathetic and nihilistic. Their will to keep going started to fade away. Thinking that they were hopeless stuck with the murderer of everyone they knew and loved. It was too much for them. So, their trait of determination began to fizzle out.

In a moment of sheer panic, Decussate reabsorbed Sever’s soul. His own determined soul kept theirs from destroying itself even more. Keeping them fundamentally alive. He admitted that he didn’t want to be even more alone. Sure, he hates their guts but they didn’t deserve to disappear.

Sever called him selfish for thinking of only himself. It was unfair to put them in this situation. But they did appreciate his rare kindness.

Ink:

Decussate asked Ink what gave them importance. They pondered the question before bringing up their position as protector. Telling him about he got to oversee a lot of people.

A twinkle returned to Decussate’s eyelights in that moment. He needed to know more about this but Ink denied telling him anything further.

Error:

The destroyer tried to rip the culmination of his being away. Error was quickly overwhelmed when Decussate freed himself with ease, impaling through the ribcage with the hack sword.

Ink arrived too late on the scene only to see Error fleeing, a trail of blood following behind.

Decussate demanded an answer on who that was. Ink tried to dodge the question, not wanting to reveal the information too soon. This was not supposed to happen. This wasn’t apart of his plan.

But being towered by him greatly was swift to dissolve any resolve they built up. They caved in and told him about the wider multiverse outside the void of Xtale.

That Error is the destroyer. He destroys alternate universes and timelines. Killing everyone inside and stealing the soul of the one with the greatest determination. So a reset could not happen to fix any damage he caused.

Protector:

Decussate was utterly sickened by Ink’s lack of protecting what mattered most. The scripts by the creators? It sounded like religious nonsense to him. The people inside mattered the most.

He knew what he needed to do. Forcefully taking over the role of protector from them. They weren’t no protector. Allowing the likes of the destroyer to run around and kill the innocent.

Decussate was made to protect others.

No one deserved to lose their loved ones or home because of an uncontrollable outside force.

He could not allow that to happen ever again as long as the soul inside of him was beating.

Decussate steeled himself immediately and recalled all his training as a guard. Ordering Sever to help access these other worlds. They told him to use a portal like Ink does.

Of course, he knew how to make one. Summoning the sword to tear a rip into the fabric of reality, entering the dorm of the world tree. Yggdrasil stood before the duo in its ethereal glory.

This is the hub for Ink to enter everywhere. He seized the paper of his home, storing it in the heart locket for safe keeping.

Being protector returned Decussate to his sense of self worth. He was back doing to what he did best.

Declaring the title of Decussate for himself. Abandoning his old identity as Cross.

God slayer:

Killing the likes of Error and Nightmare gave Decussate an incredible ego boost. He had protected everyone from the evil that plagued the multiverse.

Not even gods can bask in his greatness. Which just fed into his ego even more.

The Delta Sanctuary:

Knight’s tale Omega timeline equivalent.

Decussate had established a connection there due to his acts of heroism. He agreed to help people evacuate there during an attack on the alternate universe.

He was thanked immensely for his efforts. His accomplishments were celebrated. Becoming a hero to all who talked to him.

Yet, he made no actual friends. Most found him unbearable to how he acted and his constant bragging. Some even grew tired of him altogether and outright ignored him.

He brushed it off as them being jealous of his superiority. Deep inside he was extremely insecure. Wasn’t his best enough? He is doing what he is the best at.

Banishment:

The gods of Knighr’s tale banded together and cast Decussate out of the multiverse. His actions doomed the balance of the multiverse. Its fate would be collapsing into the Sea of Code.

They were originally going to kill him for this level of treason.

But the Messenger of The Angel stepped in and told them that it would personally deal with him.

Errik:

It had lied to the gods. They were sent to retrieve him.

Feeding into his ego and playing it up. Telling him about the countless other multiverses that desperately needed him and only him to save them from evil.

Errik struck up a deal with Decussate to provide him access to anywhere and everywhere. In return, he would act as entertainment for him.

Sever was concerned about this deal, telling Decussate to not take it. That Errik felt strangely dangerous to them. Their pleads were ignored. He needed to protect even more.

LV:

It is obvious. His level of violence would skyrocket to alarmingly degrees because of his nonstop slaughter.

Decussate and Sever soon grew even more distance from everyone. The LV coursing through the shared body is a constant reminder.

This affected Decussate worse, fueling his ego and making him worse as a person to interact with.

Nowadays:

The duo still wander through the multiverses purging them of evil.

But Decussate has become a shell of his former self. His pride became so massive that he doesn’t even bother to talk anyone. No one is worth it anymore to him. With the only exception being Sever.

His temper has gotten only worse. If someone dares to question him or his actions, he will only glare at them. His mannerisms become aggressive making him seem hostile even if he doesn’t do anything. His large stature makes most refuse to approach him. He refuses to kneel down to even speak with someone shorter than him. He is above them in every way after all.

Sever has taken up doing the talking for Decussate. They are awful at it. Being rude and judgmental about everything. But upsetting them in any way will provoke Decussate.

Most choose to keep a conversation with Sever. Peeking at Decussate’s expression to make sure they aren’t doing anything wrong.

Miscellaneous:

Decussate does believe that he is the best version of Cross. Since all the others fall into similar situations. Him being a protector makes him superior to them.

Sever doesn’t argue with it. They know it’s true with everything they have accomplished in comparison to other Cross. He’s better because he did not get rid of them the moment it presented itself.

Decussate truly cares about Sever despite everything. He prioritizes them over all. They are the only who has seen him at his worst.

[swagglessmoth]

Might have accidentally made tobimelo friendship in my furry hybrid au perfect

I just made Carmelo a wolf (he was gonna be a racoon) bc I had made Tobias into a raven, ravens and wolves are really good friends in nature (and at that point I just thought that them being in somewhat good terms was funny and not gonna happen)

BUT

Tobias loves wolves, which is actually perfect and I had totally planed that 💯

[dizzybizz]

some doodles

[wvyld]

KotOR week: The Jedi Civil War (+ anemone)

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[alicenpai]

forgotten playthings, forgotten child 🧸

Jack from my series Lost & Found Children 🤍🖤

i hope to showcase more of my ocs in 2024 hehe! im FINALLY getting around to finishing art i left to rot in my folders (the pandora hearts drawing last month being one of em). if you saw the WIP of THIS particular drawing 2 yrs ago... no you didn’t 💔

my charas are very personal to me, but tbh ive always been a bit hesitant to share their stories. over time i realized ... it’s kind of a shame to not make art from one’s heart. which is something i regret a lot year after year whenever i make my yearly art summary reflection. i'm like damn i need to make more emotionally evoking pieces!!! so i'm gonna keep going in 2024 with that in mind ❤ i have to admit, although this drawing started 2 years ago, and there's a lot i would do differently if i were to supposedly draw it now - this concept goes pretty hard.

the final drawing stayed pretty close to the original concept which im so relieved for! i think part of the reason why i left it on the backburner for so long, was the fact that i included so many details, and i was unsure of how to colour the "background". (not to mention stuff like cons & real life getting in the way).

i'm glad for discovering a really handy watercolour brush, it's helped me a lot in my last few drawings, bc i dont have to colour in each detail. especially since the witch hat atelier: eternal ephemera zine piece i did. otherwise if i coloured this back in 2022 with my usual method, i'm pretty sure i really would have included a shading and highlight layer for each individual toy... HAHAHA. much to think about

oh yeah and in the last few days of drawing this i was listening to some visual kei bands. i love how some of the band members literally have been performing since like the 90s or something and DO NOT AGE and are literal vampires. every so often i fall back into visual kei (you can tangentially thank aggretsuko although yes i know it's not the same). and i kind of realized. i like Jack's edgy design so much because he looks like. a visual kei esque vampire.

[otaku553]

My brother recently got into Demon Slayer so I wanted to make a kny oc for him since I did it before with both me and my sister and never got around to my brother :)

But I started by refreshing my own design because wow?? It’s been 4 years since I first made my kny insert character and a lot of things are now outdated! Not to mention my art has improved a lot, I hope. More details under the cut!

Meet Ebisu Koharu: youngest of the Ebisu family and physically the weakest. They only barely passed Final Selection by hiding for the entire week and surviving off tips from their older siblings. Nonetheless, they still want to contribute, which is why they hold onto a thick, leather bound book that records every demon they’ve ever met in precise detail, with labeled diagrams and scribbled calculations in the margins of different strengths and weaknesses.

After spending a few years on the job, and properly seeing their data contribute to the successes of other demon slayers, they’ve come a bit more into their own as a competent researcher and fighter, though they still do tend to request paired missions with friends and family to act more as a support role rather than a fighter.

The Ebisu family is one of scholars. The eldest daughter Kaoru is a doctor, and the eldest son Shougen is a chemist. By nature, fighting is not necessarily their strong suit, which is why their family breathing style and techniques are all poison-assisted. Of the three, Koharu is the weakest and most averse to combat— they wield a short half-length blade, with more of a smooth ceremonial hilt and sheath than any practical weapon.

[prowerprojects]

Giving Movie!Tails a jetpack is certainly a choice. (Arm cannon is right there if you needed a toy idea. 🙃)

I remember seeing someone comment that Tails' ability to keep up with Sonic was the foundation of their friendship in the first place. (Different continuity, yeah, but by the third movie, Tails shouldn't already feel like his presence is shrinking considerably. And he's a main character.)

Anon I'm so sorry I completely lost this ask in the drafts 🥲

Considering the movie had already come out (& I haven't seen it yet) I'll refrain from commenting on what's happening in it for now

But whoever said that about S&T's friendship I totally agree. Sonic wasn't initially interested in Tails (according to the Sonic 2 manual), he just let him follow him, he didn't really care. They had only become friends after going through the whole adventure together (That's why I said that one time that the first movie should have been about Sonic & Tails instead of Sonic & Tom hahaha)

That's why Tails (imo) is Sonic's first long-term friend. Sonic sucks at commitment. (Obviously Sonic is very friendly but he doesn't really keep in touch. That's why I'm specifying the pong term part) Only someone who themself was willing to commit to the same lifestyle as him (even if for a time, eventually Tails ended up settling down & getting a bunch of labs, but by that time they'd already bonded enough) could actually get through to him.

If Tails didn't have the ability to follow Sonic, he would have most likely been just one of the many people Sonic helps on the daily. There's a good chance they would have never met again.

Additionally, that's why when they were coming up with a love interest for Sonic they made a girl who would chase him down herself. Because Sonic is not gonna come back for you. He's not gonna bring you flowers while you sit on your ass. He's just gonna go on living his life and if you wanna be in that life you need to put in the work.

How did Knuckles end up here? Well that one might just be destiny lol

[homestuckconfession]

the concept of the slur replacement project feels a bit like historical revisionism? especially considering how much i see people recommend it as the recommended way of reading homestuck. it's sanitizing down the more unpalatable bits of homestuck to make it seem more friendly and wholesome (which seems incredibly common among homestuck fans in general, especially among those who like to pretend the epilogues never happened, which is a whole other discussion i won't get into rn), and that just feels weird. not to mention the execution of it is very poor in general. the "future arachnids grip" joke is funny actually, and the change they made to make it "later arachnids grip" not only makes it a weaker joke (as it was initially a play on how the concept of gayness isn't really a thing to trolls), but also introduces an inconsistency in the writing, as it only does this change for vriska, drawing more attention to it. there's also a fucking... random bit where iirc for one line they replace a mention of bill cosby with... gnomeo and juliet? i think? which is not only a baffling decision that they don't, but is technically introducing an anachronism because that movie didn't come out until 2011. the writing they used to replace things in general just doesn't feel very homestuck-y, and it always feels clunky and awkward.

.

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[chibishortdev]

Mapping is pretty tedious… I’ve made a little floor plan to make it a bit easier, but it’s far from final. Likely will have some downsizing done to it.

Having this in the program itself is fun because I can set the starting point in this at any time and test how nicely each of these rooms flow together. It’s also pretty surreal since it’s all placeholder tiles, smaller scale, and no separation between rooms.

Hmm I already see a couple things I want to change about it—

[amelikos]

Thinking about the portrayal of ancestry in Horizons.