#their love in s2 was so beautiful

[kazu-naito]

so fucking precious

[claudiadpdl]

whoever made the decision to cast jacob anderson as louis dpdl struck fucking gold and i mean that. not only is he a phenomenal actor but every time i look at his beautiful face i too realize that i would do utterly deranged, fucking unhinged shit to keep him in my life forever. at the end of the day lestat and armand and everyone else need not explain a damn thing.

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x08 - “Killing is a Cycle” ↳ "I sense my twilight approaching."

[peachysunrize]

EWAN MITCHELL at The Tonight Show, July 10th, 2024

for @theoneeyedprince to bless your day<3

[mobius-m-mobius]

I can rewrite the story.

Loki 1x01 // 2x05

[thenationofzaun]

My Jinx was missing from Season 2.

Where was the Jinx who lured enforcers into a trap, taunted them, then murdered them while laughing?

Where was the Jinx who killed a crow just because it surprised her, and just because she could, then used its feathers as bookmarks?

Where was the Jinx who massacred Firelights with no hesitation or remorse, and was so violent towards them that even Vi was shocked?

Where was the Jinx who straddled Silco and repeatedly stabbed him in the face because she thought he lied to her?

Where was the Jinx who blew enforcers to pieces on the bridge, then stalked through the bloody aftermath, mercilessly picking off survivors one by one while humming a song?

Where was the Jinx who smiled while tormenting Vi by pretending she had Caitlyn's severed head on a platter?

Where was the Jinx who tied Sevika up, hit her, and threatened to cut her other arm off just for an interrogation, then strung her upside down after she got her answer?

Where was the Jinx who smiled like a gleeful child while shooting at people and when told of all the enforcers she killed?

Where was the Jinx who, in rage and grief after losing Silco, fired a Hextech rocket directly at the Council while hearing his voice telling her to let them burn?

Where was the terrifying and threatening force of destruction I fell in love with? She appeared a little in Season 2 Act 1, then never again. Did Baby Yoda give her a personality transplant along with curing her mental illness?

Where was this girl?

[hermit-frog]

Armand stimming part ii | (part i - s1)

bonus:

[lafamilledelioncourt]

Armand: "No one has painted me in over 400 years."

My cousin: "And I took that personally!"

[setmeatopthepyre]

i've just. been thinking about this scene from chimney begins a lot, especially in relation to the bucktommy break up.

in this episode, the changing relationship between chimney and the general population of the 118 is shown through his (attempts at) interaction with tommy. so this conversation he has with eli is as much about 'the other firefighters' in general as it is about how tommy has been treating chim.

and there's... something there in the 'you don't name it until you know it'll pull through' and the 806 breakup in which neither tommy nor buck say the words i love you but they do say pretty much everything else. it feels like they've both been hurt before by this thing called love that might make it feel like they're pushing their luck to name it. and there's something there in tommy ending things before buck can hurt him.

and then there's this:

and there's something there in buck looking at tommy and thinking, wow, he's so cool, he's so confident, (he has a cleft), he's so comfortable with who he is and that makes me feel comfortable.

eli tells chim: [switching to my quick attempts at gifs here bc the text is spread out over so many shots otherwise]

and what eli's saying is: feeling like a hero isn't enough. it can be your motivation to start, but it can't be the only thing that keeps you going. you can't always be a hero. no one can. everyone is flawed and everyone's gonna slip up. there's a darkness, and if you don't account for that, you're going to run into the hard things, the things you can't solve by being a hero, the things you have to struggle through, change your perspective for. if you try to ignore those things, you're going to learn some really tough lessons really fast.

and I'm thinking about tommy and buck not knowing the details of each others' pasts, being maybe a little too comfortable with how comfortable they were, enjoying that honeymoon phase rush and thrill, not really having dug into the darkness. they learn some tough lessons really fast.

tommy leaves buck. they both didn't name the puppy. (it still hurts)

chimney loses kevin. he faces the hard, dark parts of this path he's chosen and he chooses to continue anyway. because of this, he's is in the right place at the right time to save tommy's life.

[jakejeffreyperalta]

actually one of my favourite things about heartstopper is that even though it's literally about a romantic relationship, there is such a heavy emphasis on platonic relationships in both the comics and show. like, realistically, most teenagers only have platonic relationships, and seeing friendship being portrayed with the same importance as romance is so validating. i really like how much of the show focuses on different types of love that exist (romantic, platonic, self).

[captain-flint]

Blackbeard + tears (Season 2) (Season 1)

[edscuntyeyeshadow]

princess edward teach canon let’s fucking goooooooo

[poppytuft]

trying not to talk too much abt the bear s2 but im Really fuckin frustrated that even with everyone demanding that they’re sooo media literate and sooo smart that no one has talked about claire and the way she sparks audience discomfort. like, she feels out of place within the show because CARMY cannot accept that he is getting this good thing—she feels out of place in HIS life. she’s actually crafted to be the ideal girlfriend, with glowy bokeh lighting in a grocery store and beauty shot close ups and a sweet instrumental leitmotif to show to you, an audience member, that she’s too good to be true in carmys eyes. if you’re an audience member, she raises alarm bells in YOUR head because she raises alarm bells in HIS. he literally tells us that—that’s the crux of his final monologue, that he doesn’t believe he can have the life of food and wines best chef and a life of love and human connection. he doesn’t believe he’s deserving of good things because his family has always been so fucked, because nothing he’s ever tried to hold together has held together—except for his cooking. it’s done this way on purpose, to make you feel that anxiety that he feels around this relationship, and to make you question why you feel it too

[cosmiado]

"s1 is better" "i like s2 more" WHY are we pitting them against each other when they are KISSING WITH TONGUE???? s1 and s2 are in LOVE!!!

[digitalxana]

i cannot stop thinking about them

[fumifooms]

Jinx’s eyes and lost innocence

This sequence.

A bomb like she made in her youth. Except that unlike then, this one works, this one explodes… With paint and glitter and powder, instead of intending to kill or hurt.

The man who shielded himself from it sure that it would be his end, surprised, checking himself for wounds with disbelief, covered in paint, as if it was just some harmless prank. Relief. But the second surprise comes with the sound of the gun behind him. We see their eyes shift, both of them, her steeling and readying her shot without urgency and him understanding with urgency that yes, he is going to die, at her hand, and the bomb was just a fluke, a cruel prank, a distraction at best.

And this. These are the seconds that interest me, what ties it all together. The way we linger. The way she lingers. To, during a fight scene, slow down the pace to watch her face as she pulls the trigger and feels the recoil of her gun, watch her take in how she just took another life, watch her mouth part and her eyelids flutter when she notices the kid.

There are not enough emotions on her face for someone who just killed, but also there are more than there should be for a cold-blooded killer showing as much practice ease as she is. Does she always have this moment when killing someone? Did seeing her paint bomb go off, shooting someone covered in her paint and glitter of it, make her feel anything? Did she see the change in her that empowered her that she both loathes and clings onto in that split moment, too? Why did she even remake that first bomb? Why make it work and make it work to shoot off harmless fun showy things? Why indulge in this remnant of her past, why with that innocent intent intact stills if it didn’t get warped with the use of distracting an enemy to better sneak attack? Why taint that memory? Is the reaction only when she sees the kid?

Why does the camera linger, why does she linger? We’re not sure, and I’m sure she herself doesn’t know, but what we know is that she’s changed, and yeah, we’re low.

The kid, watching the fresh corpse fall, with curiosity more than anything.

Jinx with the gun gesture, reflecting their earlier conversation, referencing it. A shared secret, shared smirks, a relationship forming. Complicity. Jinx is knowingly or not taking her under her wing, shaping her by example like mentorship. A little girl that she resembled once getting desensitized to violence at her hand, encouraged to see killing positively. Empowering.

Episode 2 explores her past and upbringing in many ways, talking about Silco, her many mistakes, seeking out Sevika the last remnant of a person of her life with him and sticking with her, doing something for her despite knowing she should be betraying her any minute now. But fast forward to episode 3, the next time she has to confront it and herself.

Jinx praises Vi for finally using the right name for her, Jinx, and Vi talks about how she’ll kill her so she stops sullying the memory of Powder, blahblahblah. They exchange some punches and rows of bullets, we see Jinx’s eyes take in and calculate and shift here too, react and then react. Vi using the same mirror Caitlyn shot into intending to kill Jinx to shield herself from Jinx’s shot.

But this is it. When Vi uses her huge metal hextech fists to rip her invention, her gun, apart. Jinx is not the only one sullying memories, Vi is here, as an enforcer for Piltover, using Vander’s choice of weapon, and she uses it to hurt her, destroy her things, her inventions whose worth was such a source of insecurity and identity growing up.

This is when Jinx sees so very closely, at the other end of it, her sister’s rage and murderous intent as she rips metal apart.

We see her expression shift again and again during these few shots and the ones before and after. Her face as she watches Vi’s through the wires of her gun. As Vi roars. She grows less confident, less sure, more nervous, dare I say more fearful.

The music kicking up. Jinx’s face right then cutting to Jayce’s with a very similar expression, staring at something he doesn’t understand. "What have we done" he says.

Vi has always always been stronger than Jinx, inventions were how she made herself strong, and Vi can destroy them, Vi can rip metal apart.

And oh. Oh. This is truly really for real now. A fight to the death. No punches pulled.

She crawls away from Vi and it’s only the hextech malfunction that saves her.

Sevika smiles at Caitlyn biting her hand, with newfound respect as she draws blood. At her will, her bloodthirst, how far she’ll lower herself to hurt and fight. This is a scene about corruption arcs.

Jinx stands before Vi whose symbol of corruption just failed her, chained her to the ground vulnerable, and Jinx pulls the trigger just like Caitlyn, just like Vi was ready to do. No punches pulled.

Except they are. Jinx has steeled herself but Vi is softening. Vi is strong but she is vulnerable too and she can be made weak with Jinx’s guns and bombs.

And despite this when Jinx falls from her own weapon misfiring at a shot meant to kill her Vi is reaching out to catch, not hurt. Hold, not claw. Deflect, not counter.

Push, not punch.

Jinx’s eye shines pink like shimmer and this is when Vi shifts on the offensive, just before Jinx fires the shot that barelly misses her as she throws Jinx roughly at a wall.

And now they’ve fully switched places. The longer Vi has to fight Jinx the more she’s conflicted, the more Jinx loses herself to the fight the more she rages.

The chorus swells. "Just when you’ve done it all / you will turn it all / to ashes and blood" No words left to say, nothing left to mend.

She’s ready to die when she lunges at Vi with only her fists, she expects to die, hopes so. Knows from experience their respective results in that punching arcade game full well, even if she were to try with all her might, having tried all her might. She’s felt cursed by fate for a long time and she accepts it, just wants to go out with the most fireworks, to have been seen, to have mattered one way or another.

Vi punches the altar next to Jinx even as she’s got her pinned down defenseless and she readies her fist. And she has all the time to do it, she could have done it, except she couldn’t. And it costs them the chance to killl her.

The scene as a whole has a split focus on Jayce, Jinx and Vi centrally, and the song lyrics match that quite well. The full ones lyrics are worth looking at but to keep it quick: "How does it feel to reach the line that no one ever got to cross? Does it make you a god now?" A rethoric question of course, the song spells it out like it’s a damning wake-up call. The scene is all about regret. Our choices have led us here, it says. Jayce is dreading and afraid of what he’s done, Jinx is empty and as self-loathing as ever, Vi wants to stop blaming herself and is still conflicted on what side she should be on. "Catch the fire burning out your soul / Just make it die or you will turn it all / To ashes and blood" Jinx, accepting this is where she dies. She’s said in episode two she wants to kill the last of her family, but we all know it’s a lie, she’s never wanted to destroy and break things, never wanted to cause ashes and blood. She wants to fix things. She wants things to fix. She just wanted glitter bombs and arcade games. She wants there to be something left she can fix, but it’s all just dust now.

Jinx has never been in that place before, she took the time to draw all those Powders and Vis on pillars while waiting for her to show up so they can kill each other. She’s lingering on the past again, bringing it into the now to use it as a stage for battle.

Jayce is reckoning with the consequences of what he’s created and done, that he might cause a lot of ashes and blood. Vi being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi is being turned to ashes and blood, this is what jinx has made of her, what she’s made of herself. Vi is being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi has changed, too. Their whole society, their whole lives, their world figuratively and literally, it’s all crumbling.

"Every sin will be forgiven / If you lay down your weapons to the ground" But that’s not really how this works, is it. Jayce or Jinx can’t fix what they’ve done. Vi can’t say this, can’t fix her. No, they’ve dug their graves and the ground is where they’ll all be. Powder is dead.

Just when you think you’ve lost everything. Everything can get ruined and marred a little more, always. The past is not only in the past, it’s here and it’s haunting. Jinx will keep sullying the memory of Powder for Vi and Vi will keep tainting Jinx’s memories of her sister and their childhood.