#the way this arc was peak from start to finish

[lunalunawillow]

Just read through it all and yep Golden Cheese Kingdom is the best story in CRK

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[thewertsearch]

@necrowyrm asked: happy new year!!! enjoy the last little bit of homestuck before act 6! Anonymous asked: You have NO IDEA how much I was looking forward to your reaction to this flash :D @teddy-bearer-of-bad-news asked: a very late congratulations from me for making it this far! i gotta say, saving CASCADE for new year's is probably the smartest thing i've heard all week. may your experience be nothing short of righteous, comrade Anonymous asked: Cascade … Even years latter knowing it almost by heart, every once in a while I will take a little quarter of an hour to rewatch it, Say what you want about Hussie but there is a good reason Homestuck became so iconic. @adeptarcanist asked: The leadup to Cascade was honestly my favorite sequence in Homestuck, and maybe one of my favorites in any media ever? The way the narrative splits apart into all of the different scenes swirling in towards the critical moment, both advancing main plots and finding time to spend a moment of melancholy with characters who’d been left behind (The Jaspers and Nepeta scene :( )… it’s such a strong narrative device, and the tone it generates is impeccable. @calamitascalliope asked: I literally watched the flash again, and it still gives me chills every single time. Welcome to your post-Cascade life. You won't be able to think about anything the same ever again @iris-in-the-dark-world asked: "she looks so cool… but she’s so tragic… but she looks so cool…" has become a brainworm for me. i too love the handmaid's design btw, cascade time has been i think the most anticipated non-personal event of the entire year for me. i'm so excited @publicuniversalworstie asked: I want you to know that I also opened Cascade and started watching with you right after I saw your "oh my god it has chapters" ask, and I finished just as you posted "I will never be the same" !! And I bet lots of other people did too <3 so it's like we all watched it together!!!! Happy New Year and thank you for liveblogging!!!! It's been a pleasure！(and will continue to be) @krixwell asked: I would like you to know that your "Right, we're good to go!" and "oh my god it has chapters" posts were posted right as I was outside watching midnight fireworks ring in 2025 for the Central European timezone. Happy new year! @captorations asked:

hey remember when rose just up and fucking said that. anyway congrats on reaching cascade! it absolutely wrecked me back in the day, i think i stared at those flaming curtains for a solid ten minutes as my brain permanently reconfigured. the first few notes of the track alone still give shivers. getting your reaction to cascade was a wonderful birthday present. (speaking of getting older: aradia 🤝 dulcinea also got that "distressingly short lifespan only to die early anyway" story thread going on. the parallels are paralleling.) anyway happy new year and congrats you are… slightly less than halfway done with homestuck. have fun!

Hey, guys. Cascade was so fucking good.

Like, there's really no competition; this is the best Flash page in the comic thus far. Peak music, peak animation, and absolutely a peak narrative. It tied up mountains of plot threads, providing complete answer to questions we're been asking for literally thousands of pages. It completed over a dozen arcs, both big and small. It made me gasp three times in fourteen minutes. It let Jade become a furry.

11/10, and I'm glad people had as much fun here as I did on New Year's Eve. Happy 2025, and happy Act 6!

@morganwick asked: Sally, predicting Cascade: "I have approximate knowledge of many things." @morganwick asked: "You literally have the whole world in the palm of your hands." -Sally to Jadesprite, December 16, 2024 (You might also want to reread post/770701212350857216 in light of recent developments.)

Hah!

I mean, based on her powerset, it made sense that Jadesprite would do something like this eventually, but it's pretty funny that she did it more or less immediately.

And in the end, CD really was a tricky little bastard. We'll definitely need to keep a closer eye on him, next time around.

Anonymous asked: Take a moment to consider that if anyone were to use the Homestuck website as it stands now instead of the Collection program, Cascade would have been presented in the YouTube player in Standard Definition, artifacted to hell, with a clear boundary showing the dimensions of the video from the very start. Preservation is so important.

Jeez, you're not kidding. The 1080p is fine, I guess, but it certainly doesn't hit like the Flash version does, especially with its lack of moving panels.

I know something had to change when Flash kicked the bucket, but surely there was a better way to preserve the video's soul.

Anonymous asked: to give you some of an idea of what homestuck fandom looked like during this time period, im cribbing from a very popular homestuck post: “first, this upd8 was something that we had been waiting for for WEEKS. A literally unprecedented wait period at the time. We were used to suckling at the teat of daily updates, a constant stream of conversation and plot twists and buildup, and as EOA5, we were finally going to figure out what all these countdowns and plot threads and disconnected elements were building up for. And when the progress bar reached 100%, and when the page FINALLY loaded on 10/25/11, it was chaos. This was 2011, a primetime peak point and growth period of Homestuck fan density.” (…) “MSPA crashed, as it had started to during the last few big [S] updates. Hussie had already bought new servers in advance, but even when allegedly thousands of dollars were spent it couldn't handle the accidental DDOS attack of Homestuck fans. People were up all night waiting for this upd8, the curiosity was killing me. I know at some point he was receiving at least 1 million unique visitors per day to his site [correction: according to Hussie’s tumblr, upwards of 2 million during this time], and even though Hussie had foreseen such traffic and thusly hosted [S] Cascade on Newgrounds, a dedicated video streaming site, Newgrounds was similarly unprepared for the sheer amount of people frantically mashing the play and refresh buttons, and also crashed. Immediately. MSPA and Newgrounds crashed definitively for at least two nights in a row” (…) “Andrew Hussie has gone on record to say this was one of the few times he thought Homestuck wasn’t worth it, because the sheer unbelievable cost (was it $10,000?) [correction: according to Hussie’s tumblr, it looked like it was going to cost $100,000 to keep [S] Cascade up for several days] of servers and the chaos of no one able to see the upd8 and crashing nearly every site after. He was tweeting during the whole debacle, stating he was reluctant to put it up on Youtube because of all the moving elements of the flash, and style, and how youtube degraded the quality of the file size, and how he tried to scratch out buffer time and pauses by putting periods of silence between each section of the 14 minute upd8, the longest upd8 yet” “So after Newgrounds patooted, he didn’t put it on youtube and instead put up the entire flash file on Megaupload, where it could be downloaded in it’s entirety to be watched. UNFORTUNATELY, Megaupload also crashed very quickly, which Hussie felt much headache over. But before that happened I managed to get the file, since I happened to be up very early that night! Next it was on dropbox, which didn’t crash but had “link unavailable” on and off. ”Spoilers were flying everywhere, people didn’t understand everything that had happened, and by the time the timeline of events in and out of [S] Cascade was all straightened out, people became even MORE hype. Like this whole thing lasted at least four days, and on top of that, the upd8 was good. Fandom exploded.” it is impossible to quantify the experience. The fact hussie was going to have to fork over A HUNDRED THOUSAND DOLLARS to host it is crazy. I am never going to be over it.

Cascade's complete obliteration of the Flash-hosting internet says a lot about huge Homestuck truly was - but I think an even bigger indicator of the comic's success is the fact that Hussie dropped literally thousands of dollars on server upgrades to host the thing. That's not an investment you make unless you're expecting some serious returns.

[beaulesbian]

I've been thinking about the Whiskey Peak Luffy vs Zoro fight and how nothing is truly finished or contained within just one arc in One Piece - where the themes and character development always overlap and span over many later arcs as well.

It's an interesting scene, and I feel it's almost impossible to dissect that fight just within that arc alone - like it wasn't meant to be taken seriously by itself at that time, but later with more context of what's to come after that.

A short version: It's a great set up of how the trust between Luffy and Zoro would develop after this fight.

Specifically, how it gets to this in Skypiea:

And a longer version under the read more:

To start at the beginning again - Luffy knew about Zoro's reputation by the time he reached Shells Town and heard about him as Demon Pirate Hunter of the East Blue, and decided to see if he's a good guy to have on his crew.

Once Luffy freed Zoro and they took down Morgan together, they could see how the other was similary strong, as well as they were able to fight in sync and well together, but maybe they still didn't understand how much they could depend on each other.

With Luffy, anyone who offers him food becomes something like his hero. If they offer him hospitality, he would protect them with his life.

With Zoro, he's always looking out for the danger, used to travel alone (or with just Johnny and Yosaku), he does what's needed, and usually without telling the others.

And this is, I think, that crucial moment when they realize this about each other -

Luffy wakes up and sees the people who helped him lying on the ground, and telling him that Zoro was the one who did that. Luffy goes berserk without needing to hear why, because there shouldn't be a reason why. Whatever Zoro tells him must be a lie, right? He must have gone mad.

Maybe if Zoro didn't fight back, Luffy would see something was wrong, but Zoro isn't one to back down from a fight, especially when being falsely accused, and if he saw that Luffy was fighting him for real, he in turn would give him the same courtesy. They're both very stubborn in the same way.

The misunderstanding trope can be a bit annoying, but I think it's all just to see them actually fight together on equal footing. It was one of the first examples of what they can do together.

After this fight, where they defeat the two Baroque Works agents together, and after everything is explained, Luffy understands, in his own way.

When rereading this part of "I thought you got mad (...)", I had a feeling that Luffy might have even think Zoro could become a danger to others and was ready to just.. contain him. He heard about him as a demon pirate hunter - of course, those where a lot of talking from the Marine's side of the story perpetuating the myth of him, Zoro never called himself that and Luffy knows it, but part of me thinks maybe Luffy wouldn't care about that - he just wanted Zoro on his crew no matter what, and would deal with the consequences after that. Like in Whiskey Peak.

But what's even more interesting is, since this fight, they began to understand how they work separately.

I kind of like that they don't come back or talk more about this fight, because once it's done, they're past that. But both take it as a learning experience, Luffy still has a long journey to go as a captain, and I feel with knowing what Zoro does without saying, Luffy began finding the footing as captain with putting this specific trust in Zoro - learning he can fully depend on him to protect their crew when something would be amiss, when some danger would be nearby.

And that despite the sudden fight, the bad communication and the immediate resolve, Zoro sees another most important part of Luffy's character - how far he would go to help someone who offered him food or helped Luffy and his crew. And this knowledge has helped Zoro many times since this arc, in situation where the rest of the crew might not understand Luffy's thinking, Zoro's usually the first one who does understand.

On Jaya, that trust takes the main role when Luffy orders Zoro not to fight Bellamy's crew:

Later on Skypiea Luffy says it out loud how much he trusts Zoro to protect the rest of the crew:

It goes on each arc more and more, subtle but with that trust between them deepening.

With Zoro letting Luffy know being their captain is hard but he cannot falter,

in Post Enies Lobby it's Zoro telling him what rules need to be followed, otherwise the crew would fall apart,

It feels since that Whiskey Peak fight, Zoro really took it onto himself to protect the crew without having to say so, and Luffy understood that's what he does. It's Zoro's instinct to do that - Skypiea protecting Robin and Chopper, Thriller Bark - protecting Brook, saving Sanji and of course Luffy from Kuma. On Punk Hazard, while Luffy is against Ceasar, Zoro fights Monet so Nami and Robin could get away. On Dressrosa his final fight against Pica is to protect Usopp and Kinemon.

I also like this bit on Zou, where Zoro doesn't enjoy the Minks' attention on him, and Luffy reprimands him that it's rude to talk back to someone who's hosting a feast for them. Again, kind of a callback to Whiskey Peak, ch. 807

And then there's whole Wano, with Zoro protecting Tama, Otoko and Yasuie, Hiyori, and it gets very personal when they're hurt.

During Onigashima Raid he keeps reminding Luffy that he would go with him up to the rooftop to fight Kaido, because this time the enemies are too dangerous and he needs to protect Luffy as well. And they both protect each other there:

Conclusion: I love the Whiskey Peak fight now, because it brings up many small details that are so important over the span of many arcs later, slowly showing just how different these two are built and how much trust they learnt to put in the other.

bonus:

On their way to Enies Lobby on the train, this scene looks very similar to their Whiskey Peak fight, except this time they're intentionally using their strengths together against the Aqua Laguna.

Whiskey peak, ch. 112

Water Seven, ch. 367

[straightbaittournament]

may the best bait win! propaganda under the cut

kurosaki and ichigo:

Oh man, where do I even begin? So, for some context, Bleach starts when Rukia (a shinigami) gets critically injured saving Ichigo from a monster, and she transfers her powers to him so he can finish it off. Instead of transferring half her powers as planned, however, she transfers all of them, which forces Ichigo to take over her job as a shinigami. During this time period, Rukia... lives in his closet. Yeah. The entire first arc of the manga is dedicated to their relationship, and while a lot of it is playful banter, Rukia's presence in Ichigo's life fundamentally changes it for the better. Rukia then gets kidnapped by the rest of the shinigami who aren't at all happy she gave her powers to a human, and the main plot ensues from there. Throughout the story, Rukia and Ichigo constantly save each other when they're at their worst. When Rukia thinks she deserves to die, Ichigo is there to tell her she deserves to live. When Ichigo is in a funk about his superpowered evil side, Rukia is there to snap him out of it (something his canon love interest explicitly realises she was unable to do). They share a sun/moon motif for crying out loud, and yet like that last sentence said... they don't end up together, but with other people instead. Yeah. No shade to the canon ships, but Ichiruki is peak straightbaiting, honestly. They have a lot of banter/chemistry, fundamentally change eachother's lives for the better, save each other when they're at their lowest, and have a very deliberate sun/moon dichotomy... but they both end up paired off with different characters instead asdfghkl

maka and soul:

Throughout the series, they have a deep friendship with each other which is consistently extremely important to the story's narrative. In order for them to be able to fight, they must get along and resonate with each other, and due to the mechanics of their world, fighting independently of each other is extremely difficult. In multiple instances, they are shown to be willing to put themselves in harm's way to extreme degrees to keep each other safe. They are even shown to live together. They are The Singular Straight Ship I have ever shipped and I love them. Also they are really cool and Soul can turn into an awesome scythe weapon that like only Maka can wield. And they fight really awesomely together.

[echantedtoon]

OBSESSION 憑 MASTERLIST

SUMMERY: (Yandere Michikatsu/Kokushibo x Reader x Yandere Yoriichi) Obsession. To drown without you and expect nothing less but the heart from which they seek. Like an intoxicating addiction of the hearts growing roots to the minds and then eventually entrapping the soul in the twisted branches.

INFO:

Firstly I just wanted to make this clear. This is a FAN MADE continuation of the really good story Addiction by Mocha who had deactivated her account. I did try to find a way to reach out to finish up the story but no dice. She wrote the first two arcs of the Addiction story: Addiction and Intoxication.

I love the story and wanted to make at least a somewhat ending to it but remember this is NOT CANNON to the actual story!! This is a FAN MADE continuation and is absolutely not associated with the first 34 chapters. So as a fan made continuation, I'm going to write things that aren't in the original story to make it different.

1. Yoriichi is going to be thrown back into character being the kind and compassionate man he his. Still an obsessive Yandere but he's not going to be mean for no reason.

2. Spicy undertones are WAY turned down too. I'm focusing on the romantic aspect between them all.

3. I'm leaving out the pet dog.

4. Obsession Arc will not be very long and will have three endings. Yoriichi Ending, Michikatsu Ending, and Neither Ending.

Before you start reading this story please read the first 33 parts by the original writer here:

https://www.quotev.com/story/14123576/ADDICTION-ll-%E4%B8%AD%E6%AF%92

By

https://www.quotev.com/rosecrush

And read the cannon 34th chapter here:

https://www.quotev.com/story/15762833/Addiction-%E4%B8%AD%E6%AF%92

by 

https://www.quotev.com/faithmolerat16748

Obsession Art

Obsession Art 2

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40 Sneak Peak

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

[linkspooky]

Jujutsu Kaisen, Chapter 215 Thoughts

Yuji remains one of the most interesting shonen protagonists in the manga. Precisely because being the protagonist affords him no special breaks. The world of Jujutsu Kaisen is challenging for everyone to live in, especially Yuji. Now, Yuji after losing Sukuna has basically lost his protagonist status. He’s lost his entire purpose for becoming a Jujutsu Sorcerer in the first place because he can no longer become the sacrifice to permanently exorcise Sukuna. Yuji is no longer “special” and never really was in the narrative. Whenever Yuji acts like a shonen protagonist in the shonen manga Jujutsu Kaisen it never works out for him. 

More thoughts underneath the cut.

1. Hero to Zero

What struck me with the whole Sukuna and Yuji fight scene is how tropey it was. Stop me if you’ve heard this before. In a shonen manga the villain suddenly appears easily knocks out the rest of the hero’s friends. All hope is lost and the protagonist looks dead, until they get back on their feet again and start fighting back through sheer force of will alone. 

Yuji was having his protagonist moment when facing down Sukuna. He even gets to make a speech. Yuji and Sukuna faced off with their opposite philosophies, Sukuna beliving the weak should be crushed and put out of their misery, and Yuji continuing to fight Sukuna even if he’s too weak to make a difference. Yuji was determined enough to resist being sliced apart by Sukuna’s cleave technique. Not only is Yuji strong enough to fight back, but he also has Megumi fighting back from within in a show of the power of their bond. 

Not only that but Yuji is shown to have unlocked a new level of strength for as-of-yet-unexplained reasons. Sukuna’s line of dialogue that it’s Kenjaku’s meddling, he either unlocked a heavenly restriction on his body, or Kenjaku was planning something else for Yuji when Sukuna left his body. Either way, Yuji survives being punched through a building and falling several stories.

Yuji fighting Sukuna at this moment is stronger than he ever was before. He gets the last minute power that shonen protagonists all seem to get at the most convenient moment possible. Maki also shows up at the right time where it looks like Yuji might have a fighting chance, especially with Megumi fighting back from within. Maki just like Yuji is at her peak physical strength. Her fight with Naoya allowed her to climb a  greater height than before. She was strong enough to massacre the entire Zen’in Clan, and now she’s even stronger. 

Maki is strong enough at this point that even Sukuna is acknowledging her strength. Maki and Yuji have near-perfect teamwork and neither of them is holding back, they’re both fighting with the intention to kill Sukuna if that’s what it takes to stop him. 

They fight with everything they have, both of them having a recent power-up, and they still lose. They lose because of outside interference because Kenjaku and Ura-Ume both have plans that Maki and Yuji are unaware of. There are outside factors that are bigger than either of them no matter how individually strong they may be. 

Yuji has all this strength, he just keeps getting stronger and yet at moments like this there’s nothing he can do but shout at Sukuna. Sukuna just finds all of his efforts laughable. This scene is clearly a parallel to this. 

Yuji even repeats the line and has the same moment of realization. Think of how much stronger Yuji has gotten between the young finish and reverse punishment arc. How much he’s grown. He was strong enough to face Mahito. He accepted Mahito’s statment that they are the same, and resolved to continue killing curses as a cog in the system. Yet, after all this time Yuji ends up in the exact same situation. He is as powerless to save Megumi as he was to save Junpei. 

This happens because Yuji is not the protagonist of a shonen manga. Jujutsu Kaisen is a deconstruction of the kind of story Yuji thinks he is in. 

2. The Protagonist of Reality

Yuji’s assumption that everything will work out fine once he releases Gojo from the box, and finishes playing his “role” just reeks of storybook logic. Yuji employs narrative thinking a lot. Basically he assumes that the world works like a fictional story. Instead of everything being random and meaningless, events are connected to each other, those events have meaning, and things progress naturally towards an ending. Which is why Yuji says that Megumi and Gojo gave him a “role” to play, like he is a character in a cast of actors performing on stage and reading off a script. 

This is not to say that Yuji thinks fiction and reality are the same thing. He just employs narrative thinking as a coping mechanism. He thinks of his life like a story and gives himself a part to play in that story to give his life meaning. If you think about it, Yuji’s trying to cope with an extremely tragic situation even before Sukuna is unleashed. He is a fifteen year old who will never grow up. His only living family member died at the start of the story, and the few friends he does make through his new school are always risking their lives. He is afraid of losing them. Then he does lose them. 

Yuji goes through a lot of suffering, and at the end of that tunnel he doesn’t see a happy future, no he’s going to die for the sake helping others. Yuji is trying to reconcile his death by giving himself narrative purpose. He wants to die a meaningful death because he can’t accept the unfair reality he has to die young. 

Whether or not Yuji actually sees himself as the main character in the story he’s telling is up for debate. This is not much of an answer but he does and he does not. Yuji clearly does not see himself as important as Megumi and Gojo. They’re the ones who gave him a role to play. That makes sense because they were already Jujutsu Sorcerers at the beginning of the story, Yuji is just the stranger who wandered into their world by accident, he wasn’t even born with a cursed technique and he can only fight thanks to borrowed power from Sukuna. He also only sees himself as a cog in the machine and constantly belittles his own importance. 

At the same time, Yuji can have quite an ego sometimes in a sneaky way. Gojo tells Megumi that someone like Yuji is always swinging for the fences and even likens Yuji to himself. Also, Yuji’s martyr complex still puts himself as the center  of the story. It’s his sacrifice that’s going to save everyone. His sacrifice is important, and matters, and he has a function as long as he plays his part. 

Yuji may regard himself as the main character, or maybe the selfless savior of the story, but the people around him do not. Especially Kenjaku who created Yuji and played author for a good portion of his life.

Kenjaku mentions that Yuji has no longer specific role to play. He’s just the firestarter, it was his actions that started the story by eating the finger and becoming the vessel to Sukuna. What he says here, and the fact Sukuna was already registered as a player in the Culling Games before Yuji entered the boundary (and Ura-Ume was preparing the bath in advance) all imply that Kenjaku always knew that Sukuna was going to leave Yuji’s body. Yuji’s purpose wasn’t just to be Sukuna’s host like Yuji assumed it was. 

Sukuna also reveals that what we as the audience and Yuji himself assumed that Yuji being a one in a thousand special vessel that can contain Sukuna without losing control or dying is not actually the case. Sukuna could have jumped into Megumi’s body from the beginning and was merely biding his time. 

All of these things that made Yuji special, the attributes that made him the main character have essentially been stripped away. He was made into a vessel by Kenjaku, but Kenjaku has no specific plans for him anymore. He was set to serve as Sukuna’s vessel, collect all the fingers and then be exorcised but now that Sukuna has jumped bodies he no longer has that purpose. He no longer is able to just simply die to save the world because it’s Megumi who is possessed by Sukuna now. They might not even be able to free Gojo considering Angel’s fate is now up in the air. 

This is what makes Jujutsu Kaisen unique as a manga, whenever the characters assume that things are going to work out the way they would in a story they get punished. This isn’t just Yuji who’s affected by this. Megumi loses his body to Sukuna because he assumes he can save Tsumiki and makes the mistake that she’s a princess waiting for him to rescue her. Therefore he doesn’t notice that Tsumiki isn’t even acting like herself. Hana is grievously hurt by Sukuna for assuming the exorcism worked and she managed to rescue Megumi with the power of love. That leads her into walking into an obvious trap and not listening to Angel’s warning. 

These characters all walk into obvious traps and pitfalls because they’re not looking at the reality in front of them, they’re blinding themselves because they want the world to be more like a story. 

[mrcompass]

A critique of Battle Bladers

As the final and most anticipated tournament in Metal Fusion since Yu requested a big competition, it’s safe to assume that Battle Bladers is the most iconic and important story arc in Metal Fusion, and one of the most iconic in the entire Metal saga. I will try to dissect exactly what makes this tournament stand out compared to previous and later events.

The Stakes

It's no surprise that the event was highly anticipated by the main cast, particularly Gingka, as it presented a precious opportunity to confront Ryuga and the Dark Nebula once and for all. Fulfilling this purpose was Gingka's main goal throughout Fusion, especially considering what he had "lost." As such, a second confrontation with the assumed murderer of his father was always expected to happen. What changed compared to the first time is that Ryuga is not only more powerful (having absorbed the power from other bladers) but more dangerous as well. We also catch a glimpse of Doji’s ambitions, which could lead to world destruction.

Comparing this to the World Championship, where most of the teams were not villainous—and even those that were weren’t trying to destroy the world—the stakes were less critical but still important. The goal was to see the efforts of Team Gan Gan Galaxy come to fruition and make their vision of Beyblade triumph. Regarding Gingka's final fight against Damian, it was significant on a more ideological level, as it determined which view of Beyblade should prevail. I would argue that even though Damian is a better foil to Gingka than Ryuga, the latter adds more stakes as he is more dangerous and untamed. In addition the antagonism between Gingka and Ryuga was built throughout the whole season. In Metal Fury, there are three main smaller tournaments, but the focus shifts more to the quest to find the legendary bladers, with the peak of the season culminating in the final fight against Nemesis.

The End of a Journey

This tournament represents the end of the first season, and for certain characters, it was their last chance to shine, while for others, it allowed them to display their development. I must first address one of the biggest criticisms I’ve seen regarding Battle Bladers: the underwhelming first round. Aside from two fights—Gingka vs. Yu and Hyoma vs. Reiji—most of the duels were finished quickly. If you compare that to the pitch of Battle Bladers, which was to decide who was the best blader in the world (even though it’s only in Japan), it might seem disappointing. I only partially agree with this assessment, as the first round actually serves several narrative purposes I will detail later. The downside is that characters like Teru and Hikaru weren't given a chance to shine. We could have at least had an interesting fight between Teru and Ryutaro, who both use air in their own unique ways.

Two of the characters that encapsulate the journey that was Metal Fusion are Kenta and Kyoya. Regarding Kenta, he was essentially a way for the audience to recognize themselves in the world of Beyblade. His design makes him stand out just enough to show that he isn’t a background character. He first started as a victim of the Face Hunters, and throughout the season, he developed his skills as well as relationships, notably with Gingka, Madoka, and Benkei. During Metal Fusion, we saw him evolve and grow: he created his special move, won tournaments, learned about the mechanics of Beyblades (with part-changing), traveled on his own, and went out of his way to help and teach Sora. All this evolution came into critical play during his fight with Reiji. Kenta started as the crybaby who could easily be bullied, and he ends up against the ultimate "bully": a sadist whose only interest in Beyblade is to destroy his opponent and their Beyblade. However, Kenta didn’t back down, and thanks to everything he went through and all he learned about Beyblade, Yu, and the Beyblade spirit, he was able to hold his own and briefly push Reiji into a corner. He lost the fight, but unlike Hyoma, he didn’t quit competitive blading, and he was even cheered on afterwards. This was, in fact, the beginning of his journey, as he was going to go even further thanks to his determination.

Kyoya's evolution is also quite interesting to watch: he started as a bored gang leader, undefeated until Gingka came along. He took the wrong path by following Doji, and after his second defeat, he corrected his way and became a loyal ally to Gingka, always helping him in times of need. Now, during Metal Fusion, Gingka and Kyoya worked closely together to stop L-Drago, while Kyoya never forgot his ultimate goal of defeating Gingka. Kyoya even adopted Gingka's views regarding Beyblade. During his final fight of the season, he displayed this newfound understanding. When he fought Ryuga, he thought about showing his blader spirit to Gingka, and he even told a possessed Ryuga that he wouldn’t allow him to "steal his blader spirit". This fight was actually vital for Gingka to beat L-Drago, as Kyoya demonstrated that Ryuga was also a blader who cared about the sport (in his own way). This was done by Kyoya provoking Ryuga into not using the dark power. This also led to L-Drago possessing Ryuga in front of everyone, showing that Ryuga was also a victim of the forbidden Beyblade (although this was not yet completely clear to Gingka). In a way, it was Kyoya’s turn to set Gingka on the right path, the path to victory.

The Ambiance

If there is something unique to Metal Fusion, it's the overall vibe and ambiance: compared to the other series, it is, in my opinion, darker and more sinister for several reasons, and I think Battle Bladers perfectly encapsulates that. The first is that the main characters (Gingka, Madoka, Kenta, Kyoya, and Benkei) are on their own and isolated. They can’t count on many people aside from Hikaru, Hyoma, and much later, Tsubasa. It is during Metal Masters that Gingka will extend his web of friends and allies. In Battle Bladers, the only support from the WBBA the group had was Tsubasa, who was sent as a spy (and not to directly help them). Tsubasa is strong, of course, but the WBBA also provided help in terms of information (notably concerning Ziggurat and the arrangement system) and transportation in later seasons. In Battle Bladers, Gingka’s gang found themselves directly fighting each Dark Nebula blader. Those bladers mainly consisted of opponents they had already faced and that instead of joining their cause, went with the ennemy. The second reason is that the setting is focused only on Japan, where a seemingly all-powerful evil organization appears to have influence everywhere. Doji was able to infiltrate Koma Village, after all. Even though the whole world was watching Battle Bladers, the characters are isolated from the rest of the world and seem to have little room for action. It was said that Battle Bladers was the only opportunity to defeat Ryuga. During the tournament proper, this is illustrated by the fact that it is controlled by the Dark Nebula, as Doji can decide who fights whom and even who will fight or not (according to himself).

The third reason for this sinister atmosphere is related to the beginning of the first round: a false sense of security. It also displays how strong the main gang has become. Think about it: half the contestants are from the Dark Nebula, and not only were four of them (half of their number) defeated quickly, moreover Gingka beat Yu, who was believed to be the Dark Nebula’s second-strongest blader. After Gingka's victory, the group becomes even more confident, seeing Ryuga's defeat as a more concrete outcome (which is especially true for Hikaru, who will battle him next). What happens next completely shifts the dynamic: Reiji defeats Hyoma, destroys his Beyblade, and reveals that he, like Ryuga, has a dark move. Right after that, Hikaru herself is defeated in a particularly brutal manner. This certainly illustrates that the game is far from being won, even after defeating more than half the Dark Nebula bladers and even after becoming stronger.

The final reason why Fusion is darker than Masters and Fury is linked to what Battle Bladers really is. It is presented as a tournament to determine who is the strongest blader, but the true goal is for Ryuga and L-Drago to absorb the power of the strongest bladers in Japan: it is an offering to L-Drago, a human sacrifice of some sort. It is during this Battle Bladers arc that Ryuga absorbs the power of the other Dark Nebula bladers, as well as Doji. Reiji’s only appearances in this arc is not random, as his main purpose is to make Gingka angry so L-Drago can defeat him and steal his power easily. Reiji is known for being a ruthless and sadistic blader, he surely contributed the unsettling atmosphere. During the final fight, we see the only example of body horror in the show: Ryuga transforming into a literal monster as he is consumed by L-Drago. Some might compare it to Nemesis’ true form, but here we actually see the transformation process. In addition, this form still displays a human shape and form, unlike Nemesis, so it is easier to relate to and feel horrified by Ryuga's state.

Overall, Battle Bladers is an excellent arc, particularly representative of the season. The dark and sinister tone would never be equaled by any other tournament. However, this might be a good thing, as Battle Bladers was never a real Beyblade tournament: it was an illustration of what Doji and the Dark Nebula planned to do with the Beyblade world. Aside from L-Drago's defeat, Battle Bladers also led to the World Championship, as everyone around the world became eager to be the strongest blader in the world.

[hebuiltfive]

Deflector-In-Place

AO3 link can be found here!

The Hood has broken Fuse out of prison to aid him with his new scheme, only Fuse has a plan of his own.

I've been drafting many Chaos Crew redemption arcs over the last few months. I believe those siblings deserve one, Fuse the most, and thus this story was born.

This piece was inspired the other day by this prompt that can be found here but it's more of a prequel. There is a lot more to the story... I just need to finish it!!

CW (from the very start): implied abuse, verbal abuse

-----------------------------

Clarence was used to the yelling. He was used to the insults and the waving hands, used to flinching when fists were formed. They were never thrown in his direction, yet Clarence knew better than to try and second-guess the Boss’s next move. Erratic and unpredictable were understatements of the century when the Boss was in this kind of mood. A better description for the actions of the criminal could be found in the words certifiably unhinged, borderline sociopathic. There was never, could never be, any reasoning with him when he was this off kilter, when he was in a fit of pure rage. Clarence had tried once, many months ago, but he quickly learned from his mistakes and had not tried since. For the foreseeable future, he had no plans of trying again either. 

So there he stood, on the other side of the Hood’s large mahogany desk. He was currently out of his purple uniform, dressed in casual clothing, and his hands were clasped together in front of his body. His fingers squeezed his palms tightly. Clarence was sure to find the imprint of half-moon crescents on his palm later, courtesy of the nails that were biting into his skin. It wouldn’t be the first time they appeared, and he doubted today would be the last. He focused on the sting, of the sensation of nails pinching his palm, as the Hood continued his vitriolic abuse.

Yes, Clarence was used to the yelling, but it didn’t make it any easier to take. His anxiety still peaked and the fleeing part of fight or flight seemed incredibly appealing, but he knew he had to bare the brunt of it.

The plan wouldn’t work otherwise.

“I should have left you in the gutter.” The Hood spat, his eyes full of fury, so convinced that Clarence had failed his mission. “I shouldn’t have tried to lift you up, give you something more. I should never have been so philanthropic. You’re not worthy! You’ve never been worthy! I should have left you to rot away in that cell. You’re a waste of my time and my energy, Fuse, nothing more and nothing less!”

As always, Clarence swallowed his desire to retort, to yell back. If Hannah had been here, she’d have defended him. Time and time again, she had fought back for him, her brother. Clarence had pleaded with her after every event to never do it again, for fear that the Boss wouldn’t be so lenient. Uncharacteristically, Hannah had never received a punishment for her defensive yelling. Then again, it had never been a secret that Hannah had been the Hood’s favourite. Still, Clarence lived in fear that one day the Hood would eventually tire of Hannah’s ruthless guardianship of her brother, and subsequently the admiration he assumed the Hood felt for his sister would dissipate. Wrath would take its place and his sister would suffer a fate worse than death for simply giving the man a taste of his own medicine.

Thankfully, that day had not yet come and he was grateful that Hannah wasn’t currently here. She was still locked away in the penitentiary, with no idea that her brother had been unshackled by the Hood, which meant Clarence had to deal with the onslaught the Hood sent his way on his own. He was perfectly fine with it though.

He had to be.

For the plan.

“I’m taking you off Project Mandible. We will have to cope without your expertise.”

Bingo!

To his credit, despite the fear that was bubbling away inside, Clarence played his part well. He stared at the Hood, mouth agape in shock, though he didn’t truly feel it. He had been expecting such a punishment, had been counting on it, if only so the next phases of the plan could work.

Not the Hood’s plan. Not the monstrous vision he had designed with Project Mandible.

But for the GDF.

For the recently promoted Major Rigby’s plan.

“I didn’t want to get caught.” Clarence offered up his ‘reasoning’ as pathetically as he could. He emphasised the begging, hoping the Hood wouldn’t see through the lie it was. “I wouldn’t be of any use to you if they’d caught me and locked me up.”

“You’re no use to me here empty handed and grovelling either!”

Even if he wanted to smile at how easily the Hood had bought his lies, Clarence didn’t dare. Instead, he kept up his pretence and shrugged his shoulders. He resembled a toddler being put in their place after disappointing a parent. In many ways, in the past, Clarence had played into the role of the Hood’s unappreciated child well. The position still fit him like a glove.

He hoped today would be his final curtain call for it.

“… I didn’t come back empty handed, though.”

The Hood’s prominent brows rose suspiciously, but he said nothing. Silently, he waited for Clarence to further elaborate what he meant.

Not wanting to keep the Boss waiting longer than necessary, Clarence reached into his pocket. “It wasn’t what you wanted but… I nabbed it in case it was useful.” He tugged out a device that sat snug in the sore palm of his hand. A tiny LED light flashed intermittently in red, reflecting off the cool silver of the device, and Clarence held it out towards the Hood in offering.

Slender fingers reached out and retrieved the prize from his hand, scraping Clarence’s already sore palm along the way. The Hood examined the device with a devious glint in his eyes and then turned the device over in his hands. Clarence had no doubt that he was already scheming devilishly about what he could achieve with such a seemingly insignificant piece of technology. With one singular button the device appeared as though it was nothing special, but Clarence’s eye was untrained. His expertise lay in explosives, not… whatever that device was.

Rigby hadn’t been too clear about the purpose of the device when he’d handed it over. He only promised that the Hood would recognise the gadget, and that it would be a decent alternative to the weapon he had wanted, that it would keep him from completely flying off the handle.

Clarence was relieved that Rigby was right.

“So, am I back on the team?”

Piercing eyes shot up from the device and locked on to Clarence with a ferocity that had him shrinking back. “What? You thought this was going to make me forgive you?” The Hood waved the instrument around before slamming it down on the table in front of him. Something cracked, but it was unclear whether it was wood or plastic.

Clarence jumped. He wasn’t afraid to show his fear; it made his act all the more believable, after all. “I… I didn’t mean…”

“Do you think you’re even worth forgiving?”

He dared not reply. The plan wasn’t to get back onto Project Mandible, but Clarence had to appear to at least try. It suited him, and Rigby’s plan, just fine if he remained off the team, so he bowed his head in defeat. 

“Now, leave. Your failure isn’t entirely a lost cause but I need to do some rethinking in order to make this fit my plans instead.”

The Hood turned his back on him, the conversation truly over, and Clarence scurried out of the office as fast as his feet could carry him.

The corridors of the depleted manor house ran for what felt like miles, but Clarence continued down them until he found a small nook he could hide away in. Only when he was certain he hadn’t been followed and that he wouldn’t be heard, he pulled out a small transmitter. He lifted one earpiece to his ear and inserted it. When he turned the small box on, it squawked and Clarence silently cursed. Two taps later and he was in touch with Rigby.

“Did he buy the bait?” The assured voice of the American was crystal clear in Clarence’s ears. There was no interference and it sounded for all the world like Rigby was standing right next to him. For an old piece of technology that had been given to him by Rigby purely because it would remain undetected from the Hood’s unauthorised technology scanners, it was in fairly good condition.

“Yes.”

“Well done. Now we just need to make sure he doesn’t try to use it. If he finds out its fake…”

Clarence stuttered. “It’s fake?”

“Well, duh. You didn’t think I wasn’t about to allow you to hand him access to one of our experimental defence weapons, did you?”

He doubted the Boss would use the ‘defence weapon’ in defence of anything but his egotistical plans. Clarence gulped. “How long until he might find out?”

Rigby sighed. “That depends on how closely he looks at the thing.”

Clarence could feel his heart begin to race again. “But… You’ll get me out of here before that will happen, yeah?”

“If you meet us at our usual spot at midnight, I’ll have a team there ready to extract you.”

It only made him feel marginally better. With the new knowledge that the Hood might realise he’d been deceived sooner, Clarence felt even more unsafe than he had done before he’d handed over the device. “Can’t you make it sooner?”

“Not with the Hood’s goons hanging around. It will be better after dark. Midnight, Fuse. We’ll be there to take you.”

“It’s Clarence.” He reaffirmed. “Fuse is dead.”

Rigby didn’t clarify that he’d heard him. The line clicked and Clarence was met with silence.

Midnight. He had to survive until midnight. That was… He glanced down at his watch quickly and tallied up the time. Six hours. The Hood needed to not discover his betrayal for six hours, or, at the very least, the Hood needed to be able to find him if he did work it out. 

He could do it. He’d stowed away somewhere hidden for longer periods of time before. Granted, those times he hadn’t been hiding from the Hood, but the basic principle still applied.

His thoughts drifted to his sister momentarily. If she knew he was working as a double agent for the GDF, the very people who had hunted them and locked them away, would she have despised him? Or would she have understood that he had no alternative? The deal he had made was invaluable and he would see it through until the end.

Six hours.

He only had to play the part for six more hours.

Then he’d be free.

[lilisouless]

Okay, if Leigh´s new novella is about the grishaverse, and she will kill of another character, i have only two guesses and one maybe

First, i think Leigh is self aware enought to realize that the grishaverse books already peaked. Its been enought time after KoS duology to add one more book to the series as an organic continuation. Therefore any adition would be an expanded story, an epylogue, etc. The only way it could peak again is with new characters entirely.

Its important to mention it, because i think that most people know that killing off important characters after your peak its a terrible idea that instead of sadness like you want to evoke what you get is frustration, eye rolling or people to see it as desesperate (No i am not saying narickriordanames)

If you haven't read all the books, beware of the spoilers

Even without this in consideration, some characters being killed just brings more trouble than a clousure. Meaning: Zoya,Nina and Hanne have inmunity. The onyl way it would work its a novella that takes place centuries ahead with another protagonists, and them being old already.

Here´s the thing: i believe Leigh can't go higher than Matthias (being the closest to a main character death) or David (being there from the start) , i seriously doubt she would step up of that, if she were she would have done it at the grishaverse peak, which like i said, its over.

Ohter thing is that its not very on brand for Leigh to kill of women that went trought a lot, otherwise she would have killed off Alina, so Inej and Genya are safe too. In fact, she hardly kills female characters at all, that aren't antagonists or very minor, i can only think on one female character that can be killed.

Kaz and Nikolai are too popular to die, lets get real. Even if Kaz is the crow most likely to die(so you can figure out Wesper are safe) ...he is still very unlikely to die.

I don't know how to explain this, but i think if she would kill Tolya or Kuwei she would have done it already, or kill of Tolya instead of David in RoW

Now, there´s the danger zone:

I think Adrik or Mal would be decent candidates if it weren't for

-Unlike Genya, Alina doesn't have her friends around all the time. While of course she could eventually heal, i think it would be unsatisfying if the least we see of Alina is grieving, considering Mal was brought back to life in order to be with her. So, for this reason only i think Mal is safe

-Now, Adrik would be surely the next target, after all there´s a remaining etherealki (Nadia) to fill up , but i think if we could notice that killing off another member of the triumvirate would seem repetitive, so would Leigh.

To finish up, this doesn't mean this characters are certainly going to die, just that this are the mot likely options : Colm and Misha

Maybe, just maybe Marya, but given that Wylan´s arc was more closed that Jesper´s its less likely than the previous ones

[kisaraslover]

DO U HAVE ANY BLUESHIPPING FIC REC?????PLEASENIMSTARVINGKSKSKKS

anon kskkasak ITS FINE ILL SAVE YOU OK? here goes:

Scenes from a Kaiba Marriage and Temptation by my blueshipping queen @kisara-kaiba as the opening. the peak of modern life blueshipping fluff, very lovesick, when im reading them its heart full, head empty. youre gonna be lucky to start them now cuz ill be rereading and drawing scenes from them this week👀. itll be like premium fanfic reading.

Enjambment -> this fic might be the single best written blueshipping fic by the virtue of MIRRORING their encounter in ancient Egypt beat by beat, including BOTH of their character arcs and the netflix show vibe of suspense and the sharp, cold and bleak setting is chefs kiss. changed my brain chemistry. still one of my favorite portrayals of Kisara.

Maiden with Eyes of Blue -> Sometimes time needs to slow down and a single scene should be a character study/ hashing out of things you needed acknowledged by canon, the situation is ESPECIALLY dire for Seto Kaiba as ive made my feelings on his writing known many times. This is it. Kisara isnt reincarnated in this one though, but her love for him can be felt in the air. Ngl you could just incorporate this into post canon and it would be fine. canon compliant+ canon enriching.

Shades of Water, Ice, and Sky -> I'm skimming through each fic to see what they were about and i just gotta say: why so heart-wrenching if so short?? theyre in love your honor.

Their Promise: Book I -> ok gonna be honest w you i havent finished this one and the main reason is that i cant go past the SPECTACULAR first chapter. ive started and failed to draw it in its entirety. i open it, i chew on the first chapter like a rabid dog, i close it more often than not. the second reason is it has a lot more angst and heartbreak than most blueship fics do and im weak to that sort of thing. still, if we follow their ancient egypt encounter beat by beat, which is a fantastic way of following and enriching the canon, their first meeting needs to be as kids with him saving her from a cage. chefs kiss.

who are you? -> JUST the right amount of Seto Kaiba immediate fixation obsession on Kisara (which means insanely obsessed)

You Will Crave Your Ancient Roots -> this is so good and so heartbreaking man. Seto and Atem are shot back into ancient Egypt and Seto is only able to slightly alter the events around Kisara. hes fated to fall for that woman every single time and *starts sobbing*

Ancient Rules -> all i gotta say is this Seto Kaiba gives me brainworms. hes chuck full of Passion and Cockiness and Insanity. blueshippers sometimes take out his insanity. he is very unsettling here i love it. Kisara is truly at his mercy..

never forget your first dream -> fem!Set and Kisara in ancient Egypt, this story twists more than just Seto's gender. im a yuri seto truther so its great to have written proof of it. jokes aside, very well characterized Set and Kisara, rich writing.

One in Forty -> pretty short but this one fundamentally changed how i viewed Kisara's canon influence over BEWD cards and her constant and unbendable favor around Seto. canon compliant + canon enriching.

ok so these are the cream of the crop for ME personally, might have forgotten some in my other folders, i might have missed reading some, its probably not all encompassing. but frankly ive liked and saved fics for a single resounding line, single funny joke, one interesting implication about the story or the characters the author wrote up so in my heart theyre all worth checking out, always. fanfic writers are carrying this ship on their backs and theyre all 9 ft tall and im just walking around them, clearing the path, giving them a sip of water and snacks etc. so THANK YOU BLUESHIPPING AUTHORS I LOVE YOUUUUUU

[xtraordinaryfangrl]

Yeah... turns out the streets were right about how the 6 measly episodes of TUA S4 was made in somebody's butt crack. I don't even have to watch it now (although I might after cleansing my mind with seasons 1 and 2 - aka PEAK TELEVISION) and I haven't even finished S3 because of how badly they butchered Alison's character/her relationship with Viktor. I do, however, have some very confused thoughts from the bits I've seen so far of the final season:

—

|‼️SPOILER ALERT‼️|

—

- Diego and Lila had 3 kids - two daughters and an unnamed son, according to the wiki-page? So what, is their son supposed to be a pee-wee version of Stanley (or as I know him, a softer version of Ashtray from Euphoria)?? That'd be cool if it was, y'know, confirmed. Guess I'll never know, and that in itself should be a criminal offense.

- SPEAKING OF ILLEGAL ACTIVITY - whoever pitched Five and Lila as a romantic pairing needs a psyche evaluation. You mean to tell me that not only she cheats on my man Diego, but she cheats on him with somebody who looks like a sophomore in college? She couldn’t have an affair with Sparrow!Ben? Or Luther - who apparently dabbles in male-stripping now? OR Viktor the Critically Acclaimed Ladies Man? Literally any other Hargreeves sibling would have been a better spring fling than a middle-aged man in a child’s body.

- Allison doesn’t say “I heard a rumor…” at all from the edits I’ve seen of her… Suspicious. Also, Ray just ditched her and Claire? For what- genuinely- WHY WOULD YOU GIVE MY SISTA A VILLAIN ARC FOR NO REASON LIKE-

- Weirdly enough, I’m sort of OK with the ending. Something will never sit right with me about the Hargreeves Siblings only finding peace in death after everything they’ve been through, sure. But their sacrifice makes sense, if not one huge inconsistency.

They didn’t just die, apparently. They were erased from existence, and their children still exist because of the Grandfather Paradox (which I still don’t get, by the way)? Fine. And yet, by some not-so-subtle foreshadowing, there’s an end-credits scene with a row of flowers - 8 marigolds. That’s not a coincidence, or maybe it is, but then that would also equate to more horrendous writing.

All in all, my love for the found-family trope is slightly tarnished now because of St*ve Bl*ckman and the only cure seems to be AO3.

—

Hell, I don’t write for this fandom, but if this isn’t a reason to start then what is?

[taempteng]

So, I finally finished 2ha.

I... have some thoughts.

Let's talk!

【 Story Review 】 The Husky & His White Cat Shizun

I started this story on the 30th of May through the manhua. When I caught up to the latest release, I switched to the novel. I binged the novel day and night, until finally ending the story on the 12th of June.

I want to clarify that I’ve only finished the main 311 chapters. I haven’t read the extra 39 chapters.

This review will only discuss my thoughts on the main story. I'll decide whether to talk about the extra chapters when I finish those in the future.

With that said, what is 2ha?

2ha is short for Dumb Husky and his White Cat Shizun. It came from the Mandarin title 《二哈和他的白猫师尊》 where 二哈 literally translates to “2 ha(s)”. It’s written by 肉包不吃肉 or “Meatbun Doesn’t Eat Meat”.

What’s the story about?

Well, it follows a man named Mo Ran. He’s a regressor and in his first life, he was the 踏仙君 or Celestial-Trampling Emperor. He was at the peak of the Cultivation World, a tyrant who ascended to godhood. However, at the age of 32, he poisoned himself and died.

But then, he wakes up! And he’s back to 16 years ago, before his life went to shit! The guy he likes is still alive, so are his sect members-

Oh, and his Shizun isn’t dead anymore, he supposed.

Either way, he swore to turn his fate around, ensure his crush doesn’t die in this life, and get back at everyone who had wronged him in his first life! Especially that darn Shizun who he hates the most!

Now that you know what the story is about, what is the story like?

2ha has your blueprint regression story beginning. Mo Ran dies bitterly in his first life, regresses, and swears to annihilate all his adversaries while aiming for a better future. That better future being ensuring his crush stays alive.

You must think that, because of the premise, Mo Ran will use the knowledge of his past life to team up with characters that can help with his goal, have intense scheming face-offs against his adversaries, and eventually find a way to overcome his crush’s death. Right?

Well, you would be wrong!

You see, the events in the second timeline unfurled much differently than the first. And when I said “differently”, I don’t mean “the main character did this, so the other characters did that”. No, I meant “the main character didn’t get to move an inch before something completely sidetracks”.

Usually in regression stories, the main character will narrate what happened in the first timeline and tell the audience how they will counter the events in this new life. In 2ha however, despite being told by Mo Ran about the events of the first timeline, what ended up happening in the current life was straight up different. So, Mo Ran was unprepared and had to deal with the situation differently.

It’s definitely a refresher to see Mo Ran being flustered by the change of events, especially when he’s not written to be a masterclass schemer. He’s not shounen-MC-dumb, but he’s clearly not Sherlock-Holmes-genius. It’s a good balance between being thrown off guard by the unfamiliar situation while also trying to adapt to the new scenario.

So if you had been put off by the idea of a stereotypical regression story, you can rest assured that 2ha subverts this trope. It’s packed with interesting twists and dramatic turns, while displaying compelling characters and rewarding developments. It’s a story that keeps you on the edge of your seat and always wanting to turn to the next chapter!

Since finishing the story, what did I think of the ending?

Obviously, as the finale, the final arc had to be the most dramatic. Many things happened that honestly had me restless and fearful. With how the plot was progressing, I thought the ending would be a downer.

By the final chapter, all I felt was peace and calm. Not the kind of “and they lived happily ever after”, but more of a “and everyone moved on with their lives”. It’s the kind of feeling when a disaster happened, but you got away with your life, so despite the depression, you still found a way to pick yourself up again and overcome the difficulty.

The final arc was one heck of a rollercoaster ride, but the ending was sweet enough that it makes you glad that everyone could live as happily as possible. In a way, it’s bittersweet, in that the bitter memories will now only bring a sweet fondness of bygone past and a hopeful future.

So for readers who don’t like sad/bad endings or open/ambiguous endings, you don’t have to worry as everyone in the story (or at least the important characters) gets some form of closure.

Overall, what are my thoughts on 2ha?

I personally think the story is amazing. It’s a long story, and there’s a lot of drama and angst. However, reaching the end after all the turmoil and agony, I think it’s worth the arduous read and late night binging.

For me, even if some characters are unbearable at the beginning or some times, they’re still ultimately interesting and endearing. Even with the characters I despise, I can understand why they act the way they do. I don’t like them and I certainly don’t suddenly like them just because they’re sympathetic, but the characters are distinct, convincing and not one-dimensional.

The plot progression is exciting but not spontaneous. Every event happened for a reason, and you won’t feel as if something occurred for the shock value. As the story progresses, the puzzle pieces will piece themselves, leaving you wide-eyed with realisation.

The story isn’t fast-paced, but it isn’t draggy either. It dwells on emotional scenes to bring out the rawest feelings, making you explore the minds of the characters. It also concludes each chapter with a hook, resolving one scene while making you curious for the next.

It is a story that captivates your attention while squeezing your heart where it hurts. Definitely a must-read if you’re an angst or drama lover! The ending is worth all the pain and anguish.

What is the moral of the story?

Some common themes I noticed in 2ha include loneliness, anger and resentment, and karma and revenge. There may be other themes, but these are the most prominent ones.

I’ll explore these themes more thoroughly in the future. For now, I want to talk about what we can take away from this story.

I think this line by Xue Meng in the final chapter perfectly encapsulates the overarching message of 2ha.

I’d love to discuss how this line summarises the lesson in the story, but that’ll require me to spoil a lot of important plot points. So instead, I’ll leave this conversation for another day. Now, we’ll move on to the final part of this review!

Any last words for anyone who wants to pick up 2ha?

A fair warning before you begin: You will hate Mo Ran at the start. His attitude towards Chu Wanning, his master and endgame, was very frustrating. Although there were sweet moments, the way he went straight for Shi Mei when he comes into view will probably make you tear your hair out.

Of course, it gets better as the story progresses, but if you don’t like seeing one side of the couple mistreating and misunderstanding the other side, then this story is not for you.

Not to mention, there are triggering themes discussed such as SA and cannibalism. If these topics make you uncomfortable, proceed with caution or reconsider starting the story.

2ha also touched upon subjects like misogyny, dehumanisation, hate campaigns — just a lot of heavy topics that may be distressing if you’re trying to read for fun and not to be reminded of reality.

With all that said, if you can handle a good dose of heartache, I highly recommend this story! It’s amazingly written (in my opinion) with lovable characters and an intriguing plot. I give 2ha 5 stars!

Now, if you’ll excuse me, I’ll be reading those extra chapters!

[myrmyrtheorca]

give me your favorite manga or anime of all time. NOW. like, the ones who changed you as a person. if you are okay with questions like that!

HELLO HI I RISE FROM THE GRAVE FOR THIS INCREDIBLE YAPPING OPPORTUNITY

fr tho thank you Lottie for asking me too despite my death apparent, this will be long, I'll put the honorable mentions first as to make it a little more interesting and KHR will be at the bottom for the same reason-

Honorable mentions!

Sailor Moon - love myself some female friendship and magical girls. And women who could kick my ass like Pluto.

Black Rock Shooter - as above, plus vague setting and cool transformations.

Fate series - ok hear me out. I haven't watched the anime and just started the VN, I mostly play the mobile game, but it's about history and there's cute girls in it. Peak.

The Vision of Escaflowne - COOL MECHAS (hasn't finished it)

Yuru Camp - CUTE GIRLS FRIENDHIP AND COZYNESS also relaxing music (hasn't finished it)

Serial Experiments Lain - what the fuck was that

Violet Evergarden - tears? tears in my eyes? stop???

Dungeon Food - I'd have put this above if I wasn't just at the second volume of it, holy shit this is so fun but I feel it will crush my soul soon

Neon Genesis Evangelion

Ah. Lord, NGE. The vagueness of its worldbuilding, the psychological aspects, the occult and religious simbology, and the GODDAMN MUSIC. If you like classical, epic and otherwordly music, I beg you to check out NGE's score even if you're not interested in the anime itself because Shiro Sagisu is a gift from the gods and one of the best composers of our time. The series is a masterpiece. People despise the movies but IMO they do exactly what a movie should do: entertain. Anno embraced the "I'll be cringe, but I'll be free" and went all out on them, as he should have. Also, there's Kaworu Nagisa. Look at him!

Steins;Gate

PLEASE. PLEASE DO AND DON'T DO THIS TO YOURSELF AT THE SAME TIME. I WAS NOT READY. This anime will take your heart, embrace it, warm it up, GRIP IT IN ITS HANDS, CHEW IT AND SPIT IT OUT. Admittedly I played the VN because I wanted to experience all endings and OH MY GOD. It's terrifying and emotionally damaging. I started playing the sequel (Steins;Gate 0) and I had to STOP because it's so gut-wrenching in all the good ways that I need to be in the right spot for it.

Bleach

talk about recent experiences. I live under a rock when it comes to popular anime most times, and I never had the occasion to watch Bleach until recently (still haven't technically finished it because I'm waiting for TYBW to finish releasing to watch it). I... don't know what it is about Bleach that I like so much, but it got me in a similar way to KHR, as in I think about it often against my will and I'm even considering creating an OC for it. I think it's the characters, because the story is pretty straightforward... yeah, yeah it's the fictional men again. Kubo makes handsome men who fight with swords and transformation and everyone has their own powerups and...hhhngh. Look at this batch of cookies.

Ah no, wait, there's Shiro Sagisu again as composer. Almost forgot. *dances aggessively to spanish guitars*

Dr. Stone

I'm not a science brain, totally the opposite. Math doesn't math, geometry is evil and chemistry is wizardry. BUT, I love things that TRY to teach me those things in a funny and accessible way. I still won't understand them, but it was fun trying! And Dr. Stone has that, it's the moment I realize I like it when things are explained to me in that way, especially through media. Plus, fun characters, emotional moments, and cool plot.

Katekyo Hitman Reborn

Fortunately or unfortunately depending on your opinion on the show, KHR was the first ever japanese piece of media (excluding videogames) I've ever consumed. Being a lonely and socially awkward human being, it soon became my personality. It was these fuckers who made me get into manga altogether, I started buying the volumes (but only up to Varia Arc because 1. I didn't have an allowance, everything was done with Christmas/Easter/birthday money and 2. I was so obsessed with the Varia that my goldfish brain lost interest mid Future Arc.) and from there I discovered the pleasure of physical copies. The show has never aired in Italy, so nobody knew what the fuck I was talking about. It was, as many others were for me, a very lonely experience. But it was also the first time I felt... unique? Like, "this is my special little treasure and nobody can take it from me" kinda thing. I was emotionally invested in this show and every small piece of merch I could find like my Varia character songs CD became some of my most prized possessions (UNTIL I STARTED GIFTING AWAY MY SET OF VONGOLA RINGS BECAUSE I WANTED TO BRIBE PEOPLE INTO LIKING THE SHOW) (YEAH THAT WAS. STUPID. BECAUSE IT OBVIOUSLY DIDN'T WORK. AND ONLY MADE ME FEEL MORE LONELY AND RINGLESS) Then, the falling off. I started playing an MMO that also shaped part of my personality and as you often do with things that remind you of lonelier times, I sold my volumes and stopped thinking of KHR... until recently, when I joined this fandom and the spark came back because fuck it I'll be cringe but I'll be free. I got my fair share of flack for hyperfixating on an old anime at 24 years old, but it's one of the best experiences I've ever had. So yeah. KHR was ultimately good for me.

[beaniebea]

I JUST FINISHED TOTTMNT AND I WANNA RANT ABOUT IT RN CUZ IT WAS REALLY GOOD

(Very long post under the cut)

So first off, the animation? S TIER. The fight scenes are so peak, OH my God I was having the time of my life watching them duke it out on the yacht, 10/10 fight choreography.

I think I liked the Pearl Heist arc of the show better out of the two arcs, but they both had their upsides. In the Mechazoid arc, I think giving the turtles their own solo missions initially was a smart move in order to flesh out their individual personalities after being a group the whole time in the movie. I loved this take on Bishop and hope she pops up again now that she's in cahoots with the EPF. She was a super interesting villain and had a great conflict with the turtys. Rod was okay, I'm low-key peeved that he didn't turn into Mutagen Man though. And RIP Metalhead, he was gone way too soon, fingers crossed he gets rebuilt in the second movie. The Purple Dragons were great too, and I'm not gonna lie, Hun and Angel really intrigued me. What's their deal? Are they siblings or friends or dating or what? And WHO IS CANE, WHY DOES SHE HAVE A HOCKEY STICK I HAVE TO KNOW

The Pearl Heist was such a fun and engaging story, and I'm stoked that they made whole new characters for it after cramming every existing character into the movie. The East River Three were pretty fun and legitimately had an interesting conflict regarding their mutation that was neat to see unfold. They had the turtles go off on solo missions again but this time with most of the mutanimals , which again was nice since they all got next to zero personalization in the movie. Aside from Mondo Gecko, Rocksteady, and Bebop, I think every mutant got a chance to do something. Sadly, I think Wingnut and Donnie's interactions were probably the least interesting to me, since most of the time they were just making pop culture/ fiction references that got a little old after a bit, and they didn't really have any lasting or interesting conflict with each other, which really sucked. Mikey and Genghis were pretty fun together and bounced off of each other well, and Scumbug/Ray Filet(?) being the only two who can't talk properly being paired with the very impatient Raph was low-key genius.

I also love how young the turtles feel in this version. Not to say that this is a first -they've felt like teenagers before, especially in 2012 and Rise- but I feel like the Tales turtles feel the most like kids I'd see at school. Immature, unserious, hormonal, impatient with life, and desperately wanting to be cool and edgy but just ending up like the silly dorks they are. It's so realistic and captures a different side of teenage behavior I feel like is brand new for the turtles, at least to me.

ESPECIALLY RAPH I LOVE MY BLUNT VIOLENT CHILD SO MUCH--

Yeahh Raph was predictably my favorite as he always is. He was almost like a younger, more immature version of 2012 Raph and I really enjoyed his snarky, "Im the best hehe" attitude. I also really liked how this version of him doesn't seem to have a conflict with Leo about being the leader, and instead just finds his attempts at heroism lame but still usually going along with his plans. It's admittedly a nice change of pace, although I'm still anticipating the classic "Leo vs Raph" argument/fight that every iteration has. (Also side note but I felt that scene where he started trashing the sewer house from pent up anger DEEP in my soul. I am him and he is me.)

Surprisingly, my second favorite ended up being Leo, which hasn't really happened before.

I was sort of neutral towards him at the start, since he didn't really seem to have that much going on in the character department besides the usual "I need to be a good leader" and "I can't do this without my brothers" struggle that every Leonardo faces (no shade)... But then we watched the second half with the Pearl arc and holy crap his episode with Pete was legit the funniest episode in the show to me. The exasperated, "exhausted mother with feral child" dynamic that he had with Pete was really funny, but then that ending had me and my sister in STITCHES. Like come ON, you can't tell me that Leo finding out Pete can talk isn't comedy gold. He's just such a cringefail nerd who desperately wants to be Batman and I hardcore kin him now.

I have a lot less to say about Donnie and Mikey. I thought they were pretty solid, and despite not liking him at first this version of Mikey actually grew on me quite a bit. The fact that he's a lot more mellow and down to earth compared to other versions didn't really bother me after a while, and I grew to enjoy his a little naive but earnest interactions with all the antagonists. Donnie is still the nerdy tech guy, and although he was probably the least entertaining to me, I still enjoyed him a lot and thought he had some funny moments. Plus, he created Metalhead, and that's always amazing.

The humor in general was kind of hit or miss, but when the jokes landed they were honestly really funny, and like I said the actual story lines and animation were excellent. Overall I'd give TOTTMNT a very firm 7.5/10.

Anyways... This was a very long post and my thumbs are tired from typing. This is very much just a stream of consciousness type post so sorry if it's hard to follow lol. I have more to say but tbh I forgot what that was so I might add to this later. So uhhhh bye

[ampheenix]

I'm at my highest peak, I'm ripe, about to fall (capture me) - CHAPTER 1

(BSD/MHA CROSSOVER FIC)

It was just a normal mission.

In and out, quick and easy- for Double Black, anyway. If Mori had sent grunts they wouldn’t have lasted five seconds with this particular Ability user, who seemed to enjoy slinging interdimensional frisbees at her enemies.

How annoying… but Dazai couldn’t help the smile tugging at his lips. This woman and her backup sure were giving his dog a lot of trouble, and it was kinda fun watching Chuuya struggle for once… battles like this were normally a cinch for him.

Whoops!

A bullet whistled past just before Dazai ducked back behind the rubble. The rubble he was STRATEGICALLY PLACED at (he was not hiding, as Chuuya seemed to believe and scoff at; figures that his dog wouldn’t understand simple logic. The simple logic being that he, for all his talents, was not bulletproof- and he wouldn’t put it past Chuuya to let a missile or two slip past his ability if he annoyed him enough.)

(Of course he wouldn’t mind a bullet to the brain, but unfortunately silly Chuuya’s aim was so inaccurate it was always a bullet to an arm or leg, and ended up being a painful inconvenience instead of sweet relief.)

Dazai poked his head back out, adjusting his bandages- this area was so dusty and dirty, it was starting to soil the cloth. He could already see stupid Mori smiling condescendingly once he saw his bandages, and chiding him for not being able to keep himself clean during battle… Ugh.

“SHITTY DAZAI, COME OUT AND USE YOUR ABILITY ALREADY!! I KNOW YOU’RE HIDING OVER THERE LIKE A COWARD!!!”

Ah, his dog was calling for him.

Dazai got to his feet, dusting the grime off of his clothes in a leisurely fashion, before making his way out from his ahem, strategic placing. His lips curled up into a grin when he saw Chuuya looking tired out for once; it was always nice to see him get humbled.

Dazai picked his way over all the grunts that had been firing carelessly earlier, now scattered in heaps on the ground. How messy of Chuuya, it was almost as if he had deliberately piled them in order to hinder his owner to the rescue.

“CHUUUUYAAAA, I’M HERE~” Dazai sang carelessly, doing a hop, skip and jump over a few bodies on the ground before coming to a stop beneath where the Gravity user was floating. Chuuya shot him a harried look, clearly out of breath as he continued to dart and dodge around the enemy’s rapid-fire attacks, hardly getting in any hits himself.

Yup, this Ability user certainly wasn’t your average run-of-the-mill… Dazai let out a slow hum, eyes narrowing. He had expected this mission to be somewhat difficult, but it was surprising that Chuuya had had to expend so much of his energy so early.

The Ability user was a tall, slender woman with flowing black hair, skin white as snow and an unnervingly wide grin. She floated in the air, slinging shimmering, dark-as-night disks through the air that arced in glittering curves… and where they landed, Dazai had already noted, they left deep holes in their wake.

Not your average holes, either. It was almost like they erased the land itself, leaving that odd, shimmery darkness all the way through. He had checked!

Dazai shuddered dramatically, who knows what would happen if someone fell through! Perhaps he should test that theory later, preferably with himself. Or, if Chuuya annoyed him enough, he could command him to jump in for the sake of scientific discovery.

Anyway, as fun as it was watching Chuuya put so much effort into living (so fascinatingly ridiculous) he should probably cut this short. It was rather tiresome watching that smug smile widening on the Ability user’s face; he had a nagging urge to put a bullet through her whitened teeth. Perhaps more than once.

Dazai let out a melodramatic sigh, stretching and rolling his shoulders- figures he’ll have to finish this irritating woman off for his dog. “CHUUYAAAA! IT’S TIME!!” Dazai announced with a bright smile, glancing up at the fiery-haired boy who was even more exhausted now, sweat beading on his forehead.

He barely had a second to shoot a glare down at Dazai before darting out the way as another shimmery disk whistled past, missing him by a hair. “IT’S ABOUT TIME, HURRY UP ALREADY!!”

Dazai smiled to himself, before sending a swift nod to Chuuya, both of them exchanging another glance quicker than you can blink before-

“Whoosh!” Dazai hummed brightly to himself as he flew through the air like an arrow, radiating scarlet light. This was the fun part, really, it was almost like he could fly- it was a shame he had to focus because if he didn’t, he’d probably get disc-ed and die and Mori would be annoyed with him.

Dazai’s eye glinted as he neared the woman, who continued to grin infuriatingly wide even as he was swooping in closer and closer- His mind raced faster and faster, everything coming to a head as he reached out, fingers inching closer and closer as the woman’s glowing hands conjured another disc, he was so close he could t-

“SHITTY DAZAI!!!!” A panicked yell interrupted his thoughts and he turned to see another disc zooming behind directly for him because the one she was “creating” with her hands was a DIVERSION, WOW, very original…

My, she really thought Dazai wouldn’t notice? Now that was just insulting, really.

Not to worry though, he knew his dog was observant. He was jerked out of the way in the nick of time, the disc cleaving through thin air and then straight through a broken-down building near them, leaving that shimmery midnight hole in its wake. Hm, fascinating.

Dazai reached out, natural curiosity overring caution of wellbeing, as that strange and dark shimmering substance looked almost… liquid. He wasn’t stupid though, he had gloves on, and his finger was just about to make contact when-

“MACKEREL, DON’T TOUCH THAT WEIRD SHIT!!” He was jolted out of the way just in time again, and let out a sigh of disappointment, unsurprised. Honestly, Chuuya was so boring, if he didn’t let Dazai experiment with weird substances that inexperience could kill him someday, you know. Probably. Maybe… Not really.

In any case, if weird substances kill him someday it’d be by choice, not by pure stupidity.

“Come now Chuuya, can’t I have a little fun?” Dazai whined, crossing his arms petulantly. He whipped his head to the side as a disc whistled straight past, nearly turning him into an Antoinette. Hm, as irritating as this woman was, at least she had better aim than Chuuya.

What a shame she’d be dead within the hour, truly. Dazai’s eye darkened as Chuuya sent him soaring through the air again, reaching out to touch and end all this, once and for all- he was getting a bit sick of beating around the bush.

His hand was getting closer and closer once more, ready to cut off this woman’s power and life in one fell swoo-

Wait.

Dazai felt a third set of eyes on him and darted around, instantly on his guard and- oh. Shit.

A second woman, identical to the first one, glided from the shadows of another building. Dread growing in the pit of his stomach, Chuuya tugged them both backwards through the air, unnerved as more and more clones of the Ability User emerged, still smiling wide.

“D-dazai, what the hell? Why didn’t you warn me about this? Is this another one of your twisted games or what?!” Chuuya scowled, eyebrows furrowed furiously as he turns to the other but Dazai is too shellshocked to respond, mind racing.

This… wasn’t supposed to happen. This wasn’t in the intel.

But it was nothing Double Black couldn’t handle.

Dazai shook himself, giving Chuuya the look, and the other’s eyes cleared with understanding. “Shit, you couldn’t have warned me? Ugh, just don’t take too long like last time.” Chuuya let out a huff, shoving his hands in his pockets as he shot forwards to the first Ability user.

Dazai’s eyes darted around faster than you could blink, assessing the situation- it was a shame he wouldn’t be able to focus on watching his dog enter the Corruption state, beautiful as it was, but there was no time.

This was serious, he had to… hmm…

“Dazai! DAZAI!! LOOK O-”

Chuuya’s words were cut off unnervingly quickly, and Dazai stiffened completely. He knew what that meant, and he didn’t want to. A sense of horror filled him as the scarlet light around him started fading, the zero gravity surrounding his body disappearing completely as he fell through the air.

Shit.

 “No, no, no, no!! Chuuya?!” Dazai’s voice cracked against his will as his head snapped up and around, searching the air frantically as he plummeted. Where was he, WHERE WAS HE? “CHUUYA!”

He spun and found a disc swerving through the air swiftly towards him in a downward spiral, and- fuck, fuck, this must be the one that had gotten Chuuya, and it was coming straight for him and there was no time to dodge-

Dazai Osamu’s last thoughts were nothing but terror, dread and grief… and a sick sense of ironic relief, as though he had craved to die all his life, he had never wanted it to be like this.

THIS.

AH. AHDJ. !ADJSKIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII#IIIIIIIIIIIIIIIIIIIIIIIIII101110110101000**101010110101011010101010101010101010101#@#%!01010101010102393892804822087152HHDHDHDHHHHHHHHHHHH42

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-

-

-

-NO.

-THIS IS NOTHING.

-THERE IS NOTHING HERE.

-THERE IS ONLY DARKNESS.

-GO.

something whispers to the Boy-Shaped Wrongness in the space.

-GO. GO. GO. GO HERE.

-GO HERE NOW.

something shoves the Shape through the empty.

-GO. THERE IS NOTHING HERE.

something shifts the Boy-Shaped Wrongness over There.

something ends the Boy-Shaped Wrongness where it was Here, marvelling at such a short-lived mockery of an existence.

and something WAKES THE Boy-Shaped Wrongness UP.

SH. SHjdH.

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01100111 01100001 01111001 00100000 01110011 01100101 01111000------…….

Dazai Osamu splutters to a start, breathing heavily. His skin feels a bit strange, almost like it’s been peeled off, stretched and squashed, and then applied back onto his bones once more.

And his eye… he can feel the air on his other eye. It’s uncovered.

That fact alone jolts him up, eyes still closed, as he’s not looking forward to seeing a very displeased Mori standing by his deathbed. After all, he’d blacked out and almost died, and Chuu… Chuuya…

Dazai pushed that thought down for later. When it fought back, he viciously pushed it further and further until it was a scrunched up ball of agony at the back of his skull. Then, he inhaled deeply, as it smelled like… vanilla?

Mori’s “hospital” always smelt vaguely of blood and despair (even though it was deep cleaned daily) along with assorted chemicals. This… smelt sweet, but not the sickening sweetness of Mori’s smile. It was something very different.

Finally, Dazai opened his eyes, blinking blearily as his surroundings blurred and refocused.

First, he gawked.

And then, he gaped.

“Ah, good, one of you has finally awoken.”

Because sitting in front of him was a completely unfamiliar old lady squinting at him with a hint of suspicion in her eyes, hands folded in her lap, and standing beside her were… a series of ridiculously buff strangers.

Oh, and a white rat/bear/cat/?? who was smiling at him with the light of humanity in his eyes, despite obviously being an animal of some kind.

And wait, the lady had said one of you? Meaning it wasn’t just him? Dazai felt his heart leap into his throat, craning his neck, and finally noticed someone else lying in one of the other hospital beds, with- with very distinctive fiery red hair.

Chuuya was alive.

Dazai swallowed, blinking furiously as his eyes drifted across all the strangers before him, thoughts now filled with endless question marks.

Because… what the fuck?