#jet critical

[starboysbrainrot]

hey,

i know that you don’t talk interact with character metas a lot in the atla fandom, but i’ve seen lately that you’re very defensive of characters like Zuko & Jet, which is unusual in this fandom because Zuko/Jet stans tend to demonise eachothers all the time, so it’s a bit surprising to see your blog

so if i may ask, what’s you honest thought on these two characters ?

read under cut cuz it’s pretty damn long

hey anon

first, thank you for your ask ! it’s always a pleasure to discuss things about atla :)

as you rightfully pointed out, I tend to avoid interacting with most atla metas. but I don’t mind responding to some of them.

now to answer your question, I wouldn’t say that it’s particularly a rare thing to be fond of both Jet & Zuko as characters… and I sure as hell wouldn’t call me a stan. I like them, yes, but I like them as characters who are both traumatised war teenagers stuck in their violent & toxic behaviour and who try to be better at the end of their character arc. I certainly don’t like them because I think they did nothing wrong or idk what else.

and tbh, some Zuko stans have a way of demonising Jet that I absolutely hate, while Jet stans rarely openly hate him, they can be critical of Zuko’s character, yes, but they’re often way more nuanced and levelheaded. although I’ve seen some big ass bullshit coming from both stans but what’s new, we’re in the atla fandom after all…

now if I had to be honest : they’ve both terribly written in the second half of their character arcs. and don’t shoot me down before I finish talking, I swear I don’t completely hate the way they’re written, only a part of it.

like Jet ? BSS redemption arc ? him helping the gaang ? working actively on his traumas after his brainwash ? great idea, love it, but terrible execution. his death is tragic but the aftermath is a fucking joke. the gaang only mentions him again two times, first in the TSR, to point out that he was a lunatic that killed innocent people (….ok) and in EIP (probably the one episode I hate the most in the whole show) to mock his death with the most apathetic “you know, it was really unclear” from Sokka ?? fucking hated every second of it. but on paper ? love the character, he’s literally my comfort character alongside with Zuko and I cherish him deeply. I really wished that his character arc would have been written differently but now what’s done is done. and don’t get me started on how mf imperialist warlord Iroh is painted in a golden light in opposition to the 16 yo orphan boy from the mf oppressed side of the war that died under a mf lake. how so many people are painted in a better light than Jet. Jet being canonically demonised in show pisses me off. what’s the point of concluding his redemption arc in season 2 only to compare him to a killer lunatic in season 3. make it make sense please.

now if I had to be honest about Zuko… I’m a book 1 & 2 Zuko enjoyer. he was at his peak at that time and although there are some episode I genuinely like in book 3 that handle Zuko’s character, I genuinely hate a handful of them. (like The Firelord & The Avatar) his redemption arc was working until book 3. it was meaningful, logical, COHERENT, until book 3. and I think his arc’s weakest point is mf Iroh. cuz I may not be a Iroh anti but boy do I have beef with him. yes Iroh, maybe not only giving tea but actively deconstructing your nephew propagandist ideas about the world imprinted in him by years of living under the roof of the mf firelord COULD BE A GOOD IDEA. yk, being on sea with a 13 yo and not trying to work on his imperialistic mindset baffles me. ignoring his internal turmoil in BSS instead of confronting him about it baffles me. it’s not only that Iroh is a shitty uncle, it’s also bad writing. because the show praises the hell out of Iroh for something he didn’t really do (helping Zuko’s redemption arc). book 3 Zuko has such a shitty way of portraying his redemption because of Iroh’s omnipresence. like no, Iroh is not part of the redemption. also, the show painting Zuko as a character having to repair the damage of his forefathers, the show painting azula as an unredeemable monster, while mf Iroh is adored by the gaang and lives his best life in Ba Sing Se after the war is absolutely stupid and downright ridiculous.

now that being said… I love both characters, like I said. I also love to imagine possible scenarios about how the arc could have been handled differently. (Jet joining the gaang, Jet never being left by the Freedom Fighters, Zuko joining the gang in season 2, Zuko trying to bond with his sister, etc)

I’ll always hate the missed opportunity of finalising Zuko’s redemption arc after meeting Jet, cuz that would have been a possibility. that after meeting Song, Lee, Jin, Jet, after seeing all the pain in the EK, all the pain in the world, he finally turns his back on his father. Jet would have been kind of the last part to push Zuko to choose the right path. instead we got “I betrayed uncle” and okay I’m just going to forget Zuko Alone, and Zuko’s whole ass BSS arc, where apparently I was suppose to understand that IROH… had been such a prominent part of the redemption arc.

anyways, both Jet & Zuko deserve better from the show & the writers.

(side note but also I hate the fandom depiction of both characters !!! y’all can’t actually be serious cuz if you can’t choose between either demonising/babying mf 16 yo (as if… a middle ground didn’t exist, yk, as if… characters had… layers…) then idk what I can do for y’all.)

[zukosdualdao]

there is definitely a lot to be said (and that has been said) about the reasons for jet being written the way he is in this episode and the demonization of resistance and how that's affected by the largely white and american writing team. i agree that it's not a great look and comes across a little... performatively liberal/centrist these days.

however, that doesn't negate the fact that civilians absolutely WILL be harmed in his plan, and i don't think it's an inherently awful message to suggest that's bad and will ultimately lead to more suffering for everyone, even though i agree the way the story was written/framed was inappropriate. even if you think the adult civilians have it coming as settlers (which, we don't know the context or how willingly they went, but i concede that it complicates matters), their children certainly don't. but something else i feel gets lost in the conversation is that, unless i'm mistaken, which i don't think i am, there should also be plenty of earth kingdom civilians ALSO in that town. i don't remember if we see any at the end when sokka is warning the town - haven't gotten there yet - but while it's possible some were forced out, i find it more likely that at least some have remained. (we see that this is the case, for instance, in haru's town back in imprisoned.) with that in mind, jet is making the decision that their deaths would be a worthwhile sacrifice for them, despite the fact that he's ostensibly fighting for justice in their names.

[atla-confessions]

I think Jet is so annoying. He’s fine in the sense that he’s a good character with a backstory and motivations that makes but I find him extremely hard to like. The only good he did was die.

I forget he exists half the time and the second anyone ships him with anyone, ESPECIALLY Katara, it makes me so mad because she deserves so much better than him

We need more Jet hate

X

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[five-flavor-soup]

This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.

In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 

But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 

That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 

Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 

Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:

Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.

(Added emphasis for my point)

Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 

By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.

And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 

In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:

The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.

And: 

I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.

I actually don’t have anything to add to this, lol. It’s succinct and well-worded.

Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 

There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.

[justwatchmebloom]

x

[lovegrowsart]

no matter whether ppl are trying to make zk's canon relationship out to be sibling coded or associative friends or whatever else ppl make up i feel it all comes from this place of people that don't ship it being unable to handle zuko and katara's canonically deep and intimate friendship at the end of show without (whether subconsciously or not) perceiving it as some kind of threat to whatever katara or zuko ship they DO ship (usually either k/a or z/s or m/z)

they don't know how to acknowledge/write zk (and i don't think them being a m/f ship is divorced from this) having their canonically close friendship alongside whatever they ship because that closeness, no matter how platonic, can't supersede the romance of their own ship. so they just lazily write it off as "siblings" or convince themselves they weren't ever that close in the first place or that katara still secretly hates zuko or something in order to get out of the bind of allowing them to be close friends even if you ship them with other people 🤷‍♀️

[pinktwingirl]

And yet she’s still done more damage to the environment over the last couple of months than that guy will ever do in his entire life. It’s unbelievable how easily people will believe someone’s a “good” billionaire just because they claim to care about social issues. There is no such thing as an ethical billionaire, and EVERY private jet user needs to be held accountable for the irreparable damage they are causing to our planet. Taylor Swift marketing herself as a “feminist activist” and triggering a couple of conservatives on Fox News does not make her an exception to that.

[jana2071]

This meme perfectly sums it up

[lovrboyx]

idk what tumblrina or twitter warrior needs to hear this but youre not special for liking taylor swift

[longing-for-rain]

I always found it funny that Katara always wanted someone mature to depend on which is why immediately started crushing on Jet. She finally gets a genuine version of that in Zuko in Book 3 but the fandom totally ignores it for shipping reasons.

Exactly, and it’s so depressing to me that Katara never really got that.

She was so attracted to Jet because she’d never met someone like him before—a boy her age who was a leader and who had taken up the responsibility of looking out for others. Of course he lied to her and manipulated her, but this vision of him is what Katara was drawn to. The idea of a partner who would share responsibilities with her instead of becoming another one.

There are also so many cases like The Desert where my heart just aches for Katara. She’s so young to have to be put in situations like that, with no help. To have everyone around her emotionally and even physically dependent on her and have to suppress how she’s feeling for the greater good.

I wanted to see Katara escape that—and she did in The Southern Raiders. I love that episode because it’s one of the only times we see her feelings put first and her receive unconditional support and empathy, where she doesn’t have to suppress herself. And it’s Zuko who does that for her.

It’s just amazing to me how they’ll show what Katara looks for in a partner and then give her the opposite.

[tachiha3]

Things Netflix probably hates :

• Angry women

• Male manipulators

• Aang

[scienceandpuzzles]

why is nobody talking about how taylor swift keeps rereleasing Pollution (taylors version) by appearing in new york by day and then in whatever city shes giving her narcissus show every night. i guess swifties care about important causes but the fact that her snake queen should also own the name climate criminal because she keeps contaminating the earth at an alarming rate is suddenly not one of them.

[sonic-takes]

my favorite type of sonic and jet's rivalry is Jet thinking he and Sonic were dating at some point while Sonic thought he was a cool rival, and jet shows off to sonic so much because he wants to get back at him for dumping him

⠀

[sitpwgs]

what the actual fuck is wrong with rich people

[p2ii]

'we need more stories with complex and nunaced themes and world building that doesn't exist in black and white/where no one is uniquely good or bad' y'all can't even handle the freedom fighter trope when they use 2% violence in their own liberation