#the movie characters people hate the most

[hyacinthsdiamonds]

Hoping for a driver you dislike to be pushed into a barrier by his competitor because he dared to qualify ahead of him, when in the same freaking session there was a 50G crash that sent a driver to the medical centre is fucking despicable.

Also, FYI, that crash is automatically the fourth most significant crash (in terms of G force impact) in the last five years. It follows Max's 51G impact in Silverstone 2021, Zhou's crash in Silverstone the following year, and Romain Grosjean's crash in Bahrain 2020. I watched all of them in real time, it's a fucking miracle they made it out OK. Remember that the miracles don't always happen, and you don't want to be watching when the nightmare becomes not just a possibility but the reality.

I hope to God Franco is ok because I just saw photos of the car and fuck - I don't have the words.

I don't know how many times this has to be said before it kicks in. These are real people, not characters in a show or movie; their lives are in danger every time they get into an f1 car. That's the sad reality. Do you truly hate a driver so much that - if the worst were to happen - you'd feel nothing as it plays out before you?

[amethystarachnid]

Hello. I’d like to request a Loki x Fem!Reader. Not sure if you’ve seen Step Up 3 but the song Bust Your Windows by Jazmine Sullivan was played and basically in the scene the two love interests did a tango (I would look it up for reference 🩷). So maybe Loki and Reader are on an undercover mission and they get tied into a tango. You can interpret it however you want but I’ve had this ask stuck in my head for a while now. Hope you like this! 🩷🩷

BOUND BY DUTY

⤷ LOKY LAUFEYSON

ᯓ★ Pairing: Loki Laufeyson x fem!reader

ᯓ★ Genre: romance, fluff, flirty

ᯓ★ Requests status: open

ᯓ★ Story type: one shot

ᯓ★ Summary: Loki has been called form the S.H.I.E.L.D. to help the Avengers with an anomaly that's happening around the world and you're assigned to be his handler. You were told to not trust him but what if under that mask of indifference there's a man just wishing to be loved?

ᯓ★ Word count: 9.7k

ᯓ★ TW(s): nothing I think, just a few hated kisses and flirty comments

ᯓ★ I haven't seen the movie but I've seen the scene on YouTube (like just the 3 minutes ? scene) and really hop you'll like the story

ᯓ★ My Masterlist

ᯓ★ MARVEL Holiday Special

ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo

ᯓ★ English isn’t my first language

The air inside the S.H.I.E.L.D. compound feels heavier than usual. It could be the weight of the mission ahead or the fact that the one person who might hold the answers is a literal god—a god of mischief, no less. You’ve been briefed on Loki’s recent exploits, his failed conquest of Earth, and his punishment in Asgard’s dungeons. You know better than to trust him, but you also know that sometimes the devil you know is preferable to the devil you don’t.

Nick Fury has chosen you, of all people, to act as Loki’s handler. You don’t know whether to feel honored or utterly cursed. He claims it’s because of your “unflinching professionalism” and “ability to handle high-pressure situations.” You suspect it’s because most of your colleagues would rather face a firing squad than deal with Loki’s silver tongue.

The sound of the jet door opening draws your attention. You straighten your back and smooth your jacket as two Asgardian guards march down the ramp, their armor gleaming even under the dim hangar lights. Between them walks Loki, his wrists bound in glowing cuffs that hum faintly with suppressed power. He’s wearing his usual dark green attire, though the horned helmet is missing. Without it, his raven-black hair tumbles around his face, framing sharp cheekbones and a jawline that could cut glass. His piercing blue eyes sweep the room, landing on you.

You can feel his gaze like a physical weight, appraising you. He smirks. Of course, he smirks.

“Agent,” Fury’s voice cuts through your thoughts, startling you slightly. “Take him to interrogation. The guards will brief you on his restraints.”

“Yes, sir,” you reply, your voice calm and steady despite the flutter in your chest.

The Asgardian guards exchange a few words with you about Loki’s bindings. They warn you not to let your guard down—ever. You assure them you won’t, though you’re starting to realize that resisting Loki’s words might be a different kind of challenge altogether.

“Shall we?” you say, gesturing for Loki to follow you. He arches an eyebrow but complies, falling into step beside you. The guards trail behind at a respectful distance.

The walk to the interrogation room is uncomfortably silent. You’re hyper-aware of Loki’s presence beside you, his tall frame moving with a predatory grace. He doesn’t look like someone who’s been imprisoned for months; he looks like he owns the place, and you’re just a guest in his domain.

Eventually, he breaks the silence. Of course, he does.

“Tell me, Agent,” he begins, his voice smooth and lilting, “do they often send mortals to babysit gods, or am I a special case?”

You glance at him out of the corner of your eye, determined not to rise to the bait. “I’m here to make sure you don’t cause any trouble. Think of me as your parole officer.”

He chuckles softly, the sound almost pleasant if you didn’t know better. “And if I were to misbehave, what then? Will you scold me? Perhaps send me to my room without supper?”

His words drip with mockery, but there’s an undercurrent of something else—amusement, maybe even intrigue. You keep your expression neutral. “If you misbehave, you’ll find out just how creative S.H.I.E.L.D. can be when it comes to disciplinary measures.”

“Promises, promises,” he murmurs, and you feel a shiver crawl up your spine at the way his eyes linger on you. You remind yourself that this is what Loki does: he gets under people’s skin, twists their emotions until they don’t know which way is up. You won’t let him succeed.

The interrogation room is as stark and clinical as you’d expect. A metal table and two chairs sit under the harsh glow of fluorescent lights. Loki looks around with mild disdain as if the room itself offends his sensibilities.

“This is where you intend to question me?” he asks, his tone dripping with derision. “How... quaint.”

You motion for him to sit. He doesn’t move immediately, instead watching you with that infuriating smirk. Finally, he lowers himself into the chair with the air of someone granting you a great favor.

The guards secure his bindings to the table before stepping back. You nod at them, and they leave, the door clicking shut behind them. Now it’s just you and Loki. You take the seat across from him, pulling out a tablet with your notes.

“We have reason to believe you have information about a recent incident involving extraterrestrial technology,” you say, your voice steady. “S.H.I.E.L.D. recovered several devices that match the energy signature of the Tesseract. We need to know where they came from.”

Loki leans back in his chair, the chains on his wrists clinking softly. “Ah, the Tesseract. Such a fascinating little trinket. Tell me, Agent, do you often meddle in matters beyond your comprehension?”

“This isn’t about me,” you reply coolly. “It’s about you. And what you know.”

He tilts his head, his eyes narrowing slightly. “And what do I gain from sharing this knowledge? A lighter sentence? A pat on the head? Somehow, I doubt your superiors are feeling particularly charitable toward me.”

“We’re not asking for charity. We’re asking for cooperation. Help us, and we might consider negotiating with Asgard on your behalf.”

Loki’s laughter fills the room, sharp and cold. “Negotiate with Asgard? Oh, how delightfully naive. Do you honestly believe Odin would entertain such an offer? He’d sooner banish me to the farthest reaches of the cosmos than indulge your mortal whims.”

You suppress a sigh, already feeling the weight of this conversation. But then Loki leans forward, his gaze locking onto yours.

“Still,” he says, his voice softer now, almost teasing, “I might be persuaded to cooperate. After all, it would be such a shame to disappoint you.”

There it is again—that deliberate charm, the way he threads his words with just enough sincerity to make you second-guess yourself. You fold your arms, meeting his gaze head-on.

“You don’t intimidate me, Loki.”

“Oh, I’m not trying to intimidate you,” he says, his lips curling into a wicked smile. “Merely... entertain you. Is that not the proper term for what mortals call ‘flirting’?”

Your stomach flips, but you keep your expression neutral. “If this is your idea of flirting, I’m not impressed.”

“Hmm,” he muses, leaning back again. “Perhaps I’ve spent too long among Asgardians. We have a certain... flair for tradition. Shall I compose you a sonnet instead? Or perhaps challenge another suitor to a duel in your honor?”

Despite yourself, a small smile tugs at the corner of your lips. You quickly school your features, but not before Loki notices. His smirk widens.

“There it is,” he says, his tone triumphant. “A crack in the armor. I knew you weren’t entirely immune to my charms.”

You roll your eyes, refusing to give him the satisfaction of a response. Instead, you tap a few notes into your tablet, focusing on the task at hand.

“Let’s get back to the matter at hand,” you say firmly. “Where did the devices come from?”

Loki sighs dramatically, as if the question bores him. “You mortals are so dreadfully predictable. Always demanding answers, yet never willing to pay the price for them.”

“What’s the price?”

He tilts his head, his eyes glinting mischievously. “Your name.”

You blink, caught off guard. “What?”

“Your name, Agent,” he repeats, enunciating the words slowly, as if you’re a particularly dense student. “You see, it’s rather difficult to have a proper conversation when I must refer to you as simply ‘Agent.’ It’s so... impersonal.”

You hesitate. It’s not a particularly sensitive piece of information, but giving him your name feels like handing him a weapon. Still, you decide it’s a small concession if it means making progress.

“Y/N,” you say finally. “My name is Y/N.”

Loki’s smile softens, though it’s no less dangerous. “A beautiful name for a beautiful mortal. Tell me, Y/N, do all agents possess your... charm, or are you truly one of a kind?”

“Flattery will get you nowhere,” you reply, though your cheeks warm slightly at the compliment. You hope the harsh lighting hides it.

“Ah, but it’s not flattery if it’s true,” he counters smoothly. “And if I may say so, you wear skepticism rather well. It suits you.”

You shake your head, fighting the urge to laugh. Loki’s flirtations are relentless, but you can’t let them distract you. You refocus on the task, determined to get the answers you need.

But as the interrogation continues, one thing becomes clear: working with Loki is going to be anything but straightforward.

The quinjet ride to Avengers Tower is suffocating in its silence. Loki sits across from you, his long legs stretched out casually as if he owns the entire aircraft. His wrists remain bound, the faint glow of the Asgardian cuffs serving as a reminder of his diminished power. But that doesn’t stop him from exuding arrogance with every calculated shift of his posture.

“Is this where I’m supposed to tremble?” he muses, his voice cutting through the quiet. “The great Avengers Tower, lair of the mighty heroes who so thoroughly bested me.” His smirk deepens. “How quaint.”

You’re seated across from him, tablet in hand, pretending to review your notes. But Loki’s presence is impossible to ignore, his every word curling around you like smoke.

“Maybe don’t insult the people who’ll be watching your every move,” you say, not looking up. “They’re already not thrilled about this arrangement.”

He tilts his head, watching you with something between amusement and curiosity. “And you, Y/N? Are you thrilled?”

“I’m doing my job.”

“Oh, but your job now entails keeping me under control, does it not?” His voice lowers, playful and conspiratorial. “Tell me, how does it feel to hold the leash of a god?”

You glance up, meeting his eyes without flinching. “It feels like babysitting a particularly arrogant toddler.”

His laughter rings out, rich and genuine, surprising you. For a moment, you think you’ve caught him off guard. But then his expression shifts back to its usual smugness, and you realize he’s thoroughly enjoying this verbal sparring.

When the quinjet lands on the rooftop pad of Avengers Tower, you rise, gesturing for Loki to follow. He does, the clinking of his cuffs echoing as he steps out into the open air. The city sprawls out below, glittering in the early evening light, but Loki barely spares it a glance. His focus remains on the tower itself, his smirk growing as he takes in the structure.

“Ah, Stark’s playground,” he says. “I trust the man himself is waiting inside, ready to deliver a string of tiresome quips?”

“Something like that,” you reply, leading him toward the elevator.

As the doors slide open, Loki steps inside with the air of a man entering his throne room. You press the button for the common floor, bracing yourself for the chaos that’s about to unfold.

The doors slide open to reveal the Avengers lounging in the common area. Tony Stark is leaning against the bar, a drink in hand, while Natasha Romanoff sharpens a knife at the table. Steve Rogers stands near the window, arms crossed, his jaw tight. Bruce Banner hovers awkwardly in the background, glancing up as you and Loki step in.

“Look who’s here!” Tony’s voice cuts through the tension, dripping with mock enthusiasm. “Reindeer Games himself. I thought Asgard had a no-returns policy.”

Loki’s lips curl into a predatory smile. “Ah, Stark. Still compensating for something, I see.”

“Alright, let’s not,” you interject quickly, stepping between them. “Loki’s here to help us, not pick a fight.”

“Help us?” Steve’s voice is cold, his gaze sharp as it settles on Loki. “That’s a generous interpretation.”

“It’s true,” you reply, keeping your tone firm. “We’ve encountered tech with energy signatures similar to the Tesseract. Loki’s the only one who might have answers.”

“Because trusting the guy who tried to enslave the planet worked out so well the first time,” Tony quips, raising his glass.

Loki chuckles softly. “It’s heartwarming to see how fondly you remember me.”

Bruce shifts uncomfortably in the corner, his eyes darting between Loki and the others. You don’t miss the tension in his posture, the way his hands twitch as if ready to retreat at a moment’s notice. Loki notices too, and for the first time since his arrival, a flicker of unease crosses his face. It’s subtle, but it’s there.

“I see the beast is still lurking,” Loki says, his voice quieter now, though the edge remains. “Tell me, Dr. Banner, does he hunger for revenge?”

Bruce flinches, his face pale. “I—I’d rather not...”

“Enough,” you cut in sharply, fixing Loki with a glare. “You’re here to cooperate, remember?”

Loki raises his hands as far as the cuffs allow, feigning innocence. “My apologies. I didn’t mean to frighten the good doctor.”

Bruce mutters something under his breath and retreats further into the room. You make a mental note to keep an eye on both him and Loki; their shared tension feels like a powder keg waiting to ignite.

After the initial round of barbs, you manage to get Loki settled in a secure room. It’s more comfortable than the dungeons of Asgard but still far from luxurious—bare walls, a simple bed, and a reinforced door with biometric locks.

“Charming,” Loki says, surveying his new accommodations. “I feel right at home.”

“Good,” you reply, leaning against the doorframe. “Now, let’s get one thing straight. If you step out of line, even once, I’ll make sure you regret it.”

He steps closer, just enough to invade your space without crossing a line. His voice drops to a low purr. “Oh, Y/N, I don’t doubt your ability to... discipline me. In fact, I almost look forward to it.”

Your cheeks flush despite yourself, but you hold your ground. “Get some rest. We’ll debrief tomorrow.”

As you turn to leave, you hear his voice again, softer this time. “Y/N?”

You pause, glancing over your shoulder. He’s watching you with an expression you can’t quite place—curiosity, perhaps, or something deeper.

“Why do you trust them with me?” he asks. “Your precious Avengers. Do you truly believe they can keep me in line?”

You meet his gaze, your own unwavering. “I don’t trust them to keep you in line. That’s my job.”

His smirk returns, but there’s something almost genuine beneath it. “Indeed, it is.”

The following day, the team gathers in the briefing room. Loki is seated at the far end of the table, his wrists still bound, though his demeanor remains as smug as ever. A holographic projection displays images of the recovered devices, their design sleek and alien.

“These were found in an abandoned Hydra facility,” you explain, gesturing to the display. “They emit the same energy signature as the Tesseract, but we have no idea what they’re for. That’s where Loki comes in.”

All eyes turn to him. He leans back in his chair, his expression unreadable.

“Convince me,” he says, his tone light but his eyes sharp. “Why should I share my insights with you?”

“Because if you don’t,” Tony says, leaning forward, “we’ll lock you in a room with Banner and see how long it takes before the Other Guy wants a rematch.”

Bruce shoots Tony a horrified look, but Loki’s smirk falters for a split second. You notice the way his fingers tighten against the edge of the table.

“Enough,” you say firmly. “We’re not resorting to threats.” You turn to Loki, your voice softening slightly. “You know what’s out there, and you know how dangerous it can be. Help us stop it. Prove you’re not the monster everyone thinks you are.”

For a moment, the room is silent. Loki’s gaze locks onto yours, something flickering in his expression—something almost vulnerable. Then, slowly, he inclines his head.

“Very well,” he says, his voice smooth once more. “Let’s see if mortals can keep up.”

As the meeting disperses, Loki lingers behind, waiting until it’s just the two of you.

“Nicely done, Y/N,” he says, his tone almost... complimentary. “You’ve mastered the art of persuasion.”

“I didn’t persuade you,” you reply. “I just told the truth.”

He steps closer, his smirk returning. “And yet, it worked. I wonder, what other truths might you use to sway me?”

You shake your head, biting back a smile. “Let’s focus on saving the world first, shall we?”

“As you wish,” he says, bowing his head slightly. But as he steps past you, his voice drops to a whisper. “Though I suspect saving me might be your true challenge.”

You watch him leave, your heart inexplicably pounding. This mission just got a lot more complicated.

The next morning, the Avengers leave in a flurry of purpose and energy, Stark’s voice echoing with instructions as they file out of the tower. It’s a rare sight—every single one of them heading into the field together. You’re left behind, tasked with monitoring Loki and keeping the tower secure.

The quiet that follows their departure is almost unnerving. You sit in the common area, flipping through a report on your tablet, when Loki saunters in. He’s unbound for now—S.H.I.E.L.D.’s restraints only used when necessary. His movements are languid, predatory, as he crosses the room with his usual air of entitlement.

“Left alone with me again, Y/N?” he drawls, leaning against the counter like he owns the place. “Should I be flattered or concerned?”

You don’t look up. “You’re always alone, Loki. I’m just here to make sure you don’t destroy anything or anyone.”

He hums thoughtfully, his sharp gaze raking over you. “I wonder, is that truly why you remain? Or do you find my company... intriguing?”

You glance at him, exasperated. “I find it tolerable. At best.”

“And yet, here you are.” His smirk widens as he steps closer, just enough to test your boundaries. “Tell me, Agent, what do you do when the others aren’t here to play their parts? Surely, you don’t spend every waking moment in this dull little tower watching me.”

“Someone has to.” You set your tablet aside and stand, trying to put some distance between the two of you. “Why don’t you make my job easier and sit quietly for once?”

“But then how would I amuse myself?” He takes another step closer, his voice lowering. “You may not admit it, but I suspect you’d miss my antics if I were to behave.”

You roll your eyes and walk toward the kitchen, feigning indifference. “Don’t flatter yourself, Loki.”

The rest of the day passes uneventfully. You keep yourself busy with monitoring systems and catching up on reports, all while Loki stays suspiciously quiet in his room. It's unusual—he’s normally a restless presence, eager to test limits.

You assume his compliance is a sign of temporary boredom. What you don’t know is that Loki is lying in his sparse room, calculating. He’s been studying the tower’s security systems, searching for a way to slip past its safeguards. Tonight might be the night, he thinks. He’s memorized the patterns, the gaps, and he knows he can vanish before the Avengers even realize he’s gone.

As the hours stretch into evening, you retire to your room, unaware of the god’s intentions. Your space is a rare sanctuary in the tower, a blend of cozy practicality and personal touches that feel distinctly you.

Loki waits until the tower falls completely silent. With a wave of his hand, he disables the monitoring device in his room. It’s a minor spell—one he’s been saving for the right moment. The cuffs are no longer a problem; he’s studied the locking mechanism enough to slip them off without much effort.

He steps into the hallway, his bare feet silent on the cool floor. For the first time in weeks, he feels a surge of freedom, the tantalizing promise of escape. He heads for the exit, his mind already planning the next steps.

But as he passes by your room, a faint sound catches his attention. The door is slightly ajar, spilling a sliver of warm light into the hall. Loki hesitates, his curiosity piqued despite himself.

He peeks inside—and what he sees makes his breath hitch.

You’re standing in front of your bed, freshly out of the shower. Your hair is damp, curling against your shoulders, and you’re wearing nothing but a towel wrapped loosely around your body. The bathroom door behind you is still open, steam curling into the air, and the glow of a bedside lamp bathes your skin in soft light.

Completely unaware of your observer, you move to the dresser, pulling it open to retrieve clothes. As you reach up, the towel slips slightly, revealing more of your shoulder and the curve of your collarbone. Loki swallows hard, a rush of heat pooling in his chest and spreading lower.

He knows he should leave—should slip away unnoticed and continue with his plan. But he doesn’t move.

There’s something captivating about this glimpse of you outside the professional walls you keep so firmly in place. You’re unguarded, human in a way he rarely sees, and it stirs something in him he doesn’t entirely understand.

He takes a step closer, his presence still undetected. The urge to say something, to tease you as he always does, bubbles up, but he suppresses it.

For once, the god of mischief is utterly silent.

You turn suddenly, as if sensing something, and his heart lurches. He retreats quickly, pressing himself against the wall just as your eyes flick toward the door.

“Hello?” you call, your voice uncertain.

Loki curses himself for his foolishness. He shouldn’t have lingered—but now that he’s seen this side of you, his desire to leave the tower has shifted. He watches as you step closer to the door, your expression wary.

He slips away, retreating to his room without a sound. Once inside, he leans against the wall, his mind racing.

The thought of escape still lingers in the back of his mind, but it no longer feels urgent. Not tonight.

Not when he knows you’re here, in the same space, entirely unaware of the effect you’ve had on him.

You find Loki in the common area, lounging on the couch as if nothing happened. His cuffs are back in place, though you notice a faint smugness in his expression, as if he knows something you don’t.

“Good morning,” he says smoothly, his tone laced with amusement.

You narrow your eyes at him. “You seem chipper today.”

“Perhaps I’ve found reason to be,” he replies, his gaze flickering over you in a way that makes your stomach flip.

You frown, brushing off the unease that his words stir. “Try not to enjoy yourself too much. You’re still under watch.”

“Of course,” he says with a slight bow of his head. “But tell me, Y/N, how did you sleep? Peacefully, I hope.”

There’s something about the way he says it—soft, teasing, with just a hint of mischief—that makes you pause.

You brush past him, refusing to let him get under your skin. But as you walk away, you can feel his eyes on you, his gaze heavy with unspoken thoughts.

And in his room later, Loki sits at the edge of his bed, the memory of you from the night before seared into his mind.

For now, his escape can wait.

The tension in the air was thick as the Avengers gathered in the briefing room, the holographic screen showing images of the upcoming gala. Tony Stark stood at the head of the table, his hands resting on the surface, eyes narrowed as he analyzed the data. Steve Rogers was leaning against the wall, arms crossed, his jaw set, while Natasha Romanoff sat with a focused expression, her fingers tapping lightly on the table. Bruce Banner, still uneasy around Loki, looked at the screen, then at his colleagues, silently awaiting the inevitable question.

"Alright," Tony began, his voice cutting through the thick silence. "We've got a masked gala happening in three days. High-profile event. The criminals we're tracking are expected to make a deal there, and it's our best shot at catching them."

"But they’ll be surrounded by a lot of people," Natasha said, folding her arms. "And these are highly dangerous individuals—some with connections to Hydra. We can’t risk a full-on assault."

"I agree," Steve added, his tone serious. "If we act too soon, we’ll spook them. We need to get inside, gather intel, and only move in when we have enough to bring them down safely."

"The problem," Tony continued, tapping a button on the table to bring up a closer view of the suspects, "is that they’re too well-protected. The best way in is through someone they don’t expect. Someone like... Loki."

The room went quiet. Everyone exchanged glances, the air thick with unease. Even though Loki had been cooperating—somewhat—the trust wasn’t there. Not after what he’d done. Not after the chaos he’d tried to bring to Earth. And still, his knowledge of these kinds of circles, his ability to navigate a room and blend in with the highest of society—well, it was a skill set they couldn’t afford to ignore.

“I know what you’re all thinking,” Tony continued. “But he’s the only one who can do this. We send him in as a guest. He can be charming—when he wants to be—and this kind of event is perfect for him. He won’t be recognized as a threat. In fact, they’ll probably be more inclined to trust him because of his past affiliations.”

“But we can’t just let him roam free,” Steve said, his distrust of the god evident. “There’s still the matter of him being dangerous. Even if he’s pretending to play nice, he’s unpredictable.”

“Exactly,” Tony said with a nod. “Which is why we’ll send Y/N in with him. As his escort.”

The room went silent again, this time for a different reason. Every eye turned to you, and for a brief moment, you felt the weight of their gazes. It wasn’t exactly a choice you’d been expecting. You had done plenty of fieldwork, but partnering with Loki? That was a new level of uncomfortable.

“Y/N’s been on the ground for this mission longer than any of us,” Tony continued, sensing the hesitation. “She knows the people, she knows how to blend in, and most importantly, she knows Loki better than any of us. She can keep him in check. Plus, we need someone who can keep him focused when things get... tense.”

You couldn’t help but shoot Tony a sharp look. “You’re assuming I’ll be able to control him. I’m not sure that’s realistic.”

“I’m confident you can,” Tony said with a shrug, though his tone was far from comforting. “Besides, we’ll be monitoring you both from the moment you step inside. We’ll be feeding you intel, and we’ve got backup in case things go sideways. But we can’t afford to miss this opportunity.”

You let out a long breath. The Avengers were right in one respect—this gala would be the criminals’ first big move, and it was the perfect chance to catch them red-handed. The only problem was the wild card in all of this—Loki.

“You do realize, he’s going to hate this, right?” you said, glancing toward the hallway where Loki’s room was. “He won’t go along with it without making some... demands.”

“I’m aware,” Tony said with a smirk. “But that’s where you come in. You’re going to keep him in line, whether he likes it or not.”

The idea of working so closely with Loki was disconcerting, to say the least. You weren’t sure if you were more concerned about his volatile personality or the way he looked at you—like he could read you with a single glance. Either way, being his partner at a high-stakes event was sure to turn this mission into something far more complicated than it already was.

“You’ll need to get him suited up,” Tony added. “Dress him the part. He’s got the charm, but he’s going to need the right... accessories to sell it. A tux, maybe something dark and mysterious. And, of course, a story. We’re going with the ‘rich but elusive businessman’ angle.”

You nodded reluctantly. “I’ll make sure he’s... presentable. But don’t expect him to be on his best behavior just because he’s wearing a suit.”

“I’m counting on you to make sure he stays in character, Y/N,” Tony said, locking eyes with you. “We need him to play nice for just a few hours. If he steps out of line, you have full clearance to use whatever means necessary to rein him in.”

Steve cleared his throat, stepping forward. “I don’t like putting you in this position, Y/N. But this is the only chance we’ve got to take down these criminals. You know the risks, and we’re counting on you to make sure Loki doesn’t derail everything.”

“I get it,” you replied, trying to sound more confident than you felt. “I’ll keep him focused. But if he decides to do something... foolish, don’t expect me to clean up after him.”

“That’s the spirit,” Tony said with a grin. “But seriously, we’re counting on you both. The gala is our best chance to catch them. You’ll be getting intel from us in real time, so we’ll know exactly when to move in.”

You nodded again, feeling the weight of responsibility settle on your shoulders. This wasn’t just about stopping criminals—it was about making sure Loki didn’t ruin everything, too. And while you could handle the job, you knew it wouldn’t be easy, especially with a god of mischief at your side.

As you walked to Loki’s room to prepare him for the mission, your mind raced. You were about to go undercover with someone who had a knack for turning every situation into a game. It was going to be a challenge, no doubt about it. But if it meant catching the criminals and keeping the tower—and your team—safe, you were ready to do whatever it took.

You reached his door and knocked twice, preparing yourself for the inevitable confrontation. It was time to bring him into the fold, even if that meant wrestling him into a tux and a plan.

Inside, Loki’s voice echoed through the door. “Come in, Y/N. I trust this isn’t a social call?”

You opened the door, steeling yourself. The mission was about to begin, and there was no turning back.

The grandeur of the gala hits you the moment you step into the ballroom. Crystal chandeliers cast a golden glow over the crowd, illuminating the sea of elegant masks and opulent gowns. A live band plays a sultry melody, the kind that fills the air with the promise of secrets. Beside you, Loki cuts an imposing figure, his sharp suit tailored to perfection and his black mask veiling just enough of his face to make him look both alluring and dangerous.

You’re both walking a tightrope here, pretending to be something you’re not while still tethered to the truth. The mission is clear: mingle, gather intel on the criminals, and identify their deal. But the undercurrent of your arrangement hums just beneath the surface, threatening to pull you under with every step.

“They certainly went all out,” Loki muses, his voice smooth as silk. He offers his arm, and though you hesitate for a fraction of a second, you take it. “Is this where I play the doting husband?”

“Try not to overdo it,” you reply, keeping your voice low. “We’re supposed to blend in, not steal the spotlight.”

He tilts his head toward you, his lips curling into a smirk. “But stealing the spotlight is what I do best, darling.”

You give him a warning look, though your heart skips a beat at the way the endearment rolls off his tongue. “Save the theatrics for later. Right now, we need to find our targets.”

He hums in agreement, though the sharp gleam in his eyes suggests he’s more focused on you than the mission. His hand rests lightly over yours as he leads you through the crowd, weaving seamlessly between masked attendees. He’s good at this, you realize, his charm a perfect weapon in this environment.

“Smile,” he murmurs close to your ear, his breath ghosting against your skin. “You look far too serious for someone at a gala.”

You force a small smile, though the proximity of him sends heat rushing to your face. “I’d be more relaxed if I wasn’t babysitting a god with a penchant for chaos.”

“And I’d be more entertained if my wife weren’t so suspicious of me,” he teases, his voice dropping just enough to make the words feel intimate.

Before you can retort, Loki’s posture shifts ever so slightly. He leans closer, pretending to adjust your mask, and murmurs, “Our targets are at three o’clock. The tall one with the crimson gown. She’s speaking to a man with a cane.”

You glance subtly in that direction and nod. “Let’s move closer.”

The two of you drift toward the edge of the ballroom, positioning yourselves within earshot of the targets. Loki keeps his hand on yours, the intimate gesture lending an air of authenticity to your cover. You focus on the conversation happening nearby, picking up snippets of information about shipment schedules and encrypted codes.

But then, the music changes.

A familiar tune fills the room—sultry, electric, and unmistakably intense. It’s Bust Your Windows by Jazmine Sullivan, reimagined by the live band with a pulsing tango rhythm.

Before you can react, Loki takes your hand and spins you toward the dance floor.

“What are you doing?” you hiss, trying to pull back.

“Keeping up appearances,” he says smoothly, his mask glinting in the light. “We’re a married couple, after all. And what better way to celebrate our love than a dance?”

“You’re impossible,” you mutter, but you allow him to lead you onto the floor.

The second your feet touch the polished wood, his hand finds the small of your back, pulling you closer than you expect. His other hand captures yours, holding it just above shoulder height as he begins to move. The tango’s rhythm demands sharp, deliberate steps, and Loki executes them flawlessly, guiding you as if he’s done this a thousand times before.

“You’re surprisingly good at this,” you say, breathless as he spins you.

“I’m full of surprises,” he replies, his voice low and magnetic.

The music swells, the band leaning into the dramatic crescendos, and you feel the tension between you and Loki rise to match it. Every step, every twist of your body against his, feels charged. His hand lingers just a moment too long when it brushes your hip, his fingers grazing the bare skin between your dress and his touch.

“You’re supposed to be watching the targets,” you remind him, though your voice comes out shakier than you’d like.

“Ah, but how could I focus on them when my wife is such a vision?” His tone is playful, but there’s something darker, more serious, behind his words.

As he dips you, your breath catches. The movement is effortless, but the way his eyes bore into yours makes you forget, for a moment, that this is just an act.

The song’s climax hits, and Loki pulls you even closer, his cheek brushing yours as he whispers, “Tell me, darling. Are you pretending to enjoy this as much as I am?”

Your heart pounds, though you refuse to let him see how much he’s affecting you. “You’re insufferable.”

“And yet, you haven’t pushed me away,” he counters, spinning you once more before the final beats of the song.

The last note hangs in the air as Loki holds you in a dramatic pose, his arm wrapped around your waist, his face inches from yours. The applause from the crowd barely registers as you realize your breathing has quickened, your skin warm where his hand rests.

He smirks, his lips dangerously close to your ear. “Shall we call this a victory, wife?”

You snap back to reality, pulling away just enough to compose yourself. “Don’t get used to it. We still have a mission.”

“Of course,” he says, though the glint in his eyes suggests he’s far more interested in the game he’s playing with you than the criminals in the room.

As the crowd disperses from the dance floor, you glance toward your targets, who seem to have moved toward a private balcony.

“Come on,” you say, tugging at his arm.

Loki follows, but not before leaning close and murmuring, “I’ll be thinking about that dance for a very long time.”

You don’t dignify him with a response, but the heat in your cheeks betrays you. The mission isn’t over yet, and you can only hope Loki’s antics won’t make things even more complicated.

You and Loki follow the targets carefully, keeping a measured distance as they make their way toward a secluded hallway leading to the gala’s private suites. The corridor is dimly lit, lined with ornate wallpaper and gilded sconces. The murmur of the crowd fades, leaving only the faint echo of footsteps as you press closer to the wall, your pulse quickening with the thrill of being so near to your goal.

“They’re heading to the west wing,” Loki whispers, his breath warm against your ear. “It seems our charming couple prefers privacy for their dealings.”

You nod, your heart pounding as you creep along the edge of the hall, trying to stay out of sight. The couple stops just ahead, speaking in hushed tones. Loki steps closer behind you, his presence almost overwhelming in the enclosed space.

“Keep your focus,” you hiss, glancing over your shoulder at him.

“Oh, I am focused,” he replies, his tone playful but quiet. “Though I can’t help but wonder how much longer we can linger without being noticed.”

It’s a valid concern. The targets seem engrossed in their conversation, but the corridor is too exposed. You glance around, searching for a place to retreat or a better angle to listen in, but before you can decide, one of the criminals glances back sharply, their eyes scanning the hallway.

“They’re looking this way,” Loki mutters, his voice low and urgent.

Panic shoots through you. There’s no time to retreat, no place to hide. Your mind races, and then—on pure instinct—you grab Loki by the lapels of his suit and pull him toward you.

Before he can protest, your lips press against his, your back hitting the wall as you lean into him. His body stiffens for a split second, but then he catches on. His hands come to rest on your waist, fingers curling slightly as he leans into the kiss, matching your urgency with surprising ease.

Your heart hammers in your chest, not just from the danger but from the sudden, electric sensation of Loki’s mouth on yours. His lips are soft yet commanding, his touch both calculated and possessive as he shifts his body to shield you further from view.

“What in the Nine Realms are you doing?” he whispers against your lips, his tone more intrigued than accusatory.

“Keeping us alive,” you murmur back, your voice barely audible as the footsteps approach.

The targets pass by slowly, their footsteps deliberate. You can feel their gaze sweep over you, but you don’t dare look. Instead, you pour every ounce of focus into the act, your fingers curling into the fabric of Loki’s jacket as you deepen the kiss just enough to sell it.

Loki seems to relish the role, tilting his head to deepen the kiss further. His thumb brushes against your waist, sending a shiver through you that has nothing to do with the cold.

A voice interrupts the moment, sharp and disapproving. “This is hardly the place for such displays.”

You part from Loki abruptly, your face hot as you turn to face the source of the scolding. One of the gala’s staff members, an older man in a crisp uniform, stands a few feet away, his expression one of polite disapproval.

“My apologies,” you say quickly, straightening your mask and trying to appear appropriately chastised. “We got… carried away.”

Loki, ever the performer, offers a sheepish smile that’s somehow more seductive than apologetic. “Forgive us. My wife and I have a difficult time restraining our passions.”

The staff member huffs, clearly unimpressed. “There are designated areas for such… activities. Keep it off the main floor.”

“Of course,” Loki replies smoothly, his hand still resting at the small of your back. “We’ll be more discreet.”

The staff member mutters something under his breath before walking away, and you exhale a shaky breath, your heart still racing. The targets are gone, having paid you no more than a passing glance. The plan worked.

You glance up at Loki, whose expression is unreadable behind his mask. “That was quick thinking,” he says finally, though there’s a teasing edge to his voice. “I didn’t know you had it in you.”

“It was survival,” you retort, stepping out of his hold and straightening your dress. “Don’t let it go to your head.”

He smirks, adjusting his own mask with an air of casual arrogance. “Too late for that, darling. I’m afraid you’ve given me quite a lot to think about.”

You glare at him, though the heat in your cheeks betrays you. “Focus, Loki. We’re not out of the woods yet.”

“Ah, but you see,” he says, his voice dropping to a dangerous purr, “now I’m more motivated than ever to see this mission through. And who knows? Perhaps we’ll need to use that particular tactic again.”

You roll your eyes, brushing past him as you head back toward the main event. But as much as you want to dismiss his words, the lingering warmth of his kiss—and the way your body seemed to respond to him—stays with you, making it harder to focus than you’d like.

Loki follows close behind, his footsteps quiet but his presence impossible to ignore. And though neither of you speaks it aloud, there’s an unspoken awareness between you now—an understanding that something has shifted. Whether that’s a good thing or a dangerous one, only time will tell.

The ride back to the Avengers Tower is quieter than you expect, though tension hangs in the air, thick and unyielding. The mission was a success; you and Loki gathered enough intel to pinpoint the criminals’ next move and their precise location. As Tony pilots the jet, he and Natasha pore over the information, already strategizing for the intervention. Steve listens intently, his expression serious, while Bruce sits stiffly in his seat, keeping his distance from Loki, though the god seems entirely unfazed.

You sit across from Loki, your mask now discarded, but the memory of the gala’s events lingers. Every stolen glance, every near-discovery, and every moment you spent pressed against him still simmers in the back of your mind. You can feel his eyes on you, and though you refuse to look at him, your body betrays you, heat rising to your cheeks.

“Quite the evening,” Loki says suddenly, his voice smooth and low. His tone carries the same playful edge it always does, but there’s something else lurking beneath it—something darker, hungrier.

“Successful, at least,” you reply, keeping your voice even as you glance at him. “We accomplished what we came to do.”

“Indeed,” he says, his lips curling into a faint smirk. “Though I dare say the evening held more… unexpected delights than anticipated.”

You narrow your eyes at him, but before you can respond, Steve interrupts.

“Focus, you two,” he says sharply. “We’ve got work to do.”

Loki’s smirk widens, but he falls silent, leaning back in his seat with a satisfied air. You cross your arms, willing yourself to ignore him, though the memory of his kiss lingers, stubborn and persistent.

When you return to the Tower, the debriefing is quick and efficient. Tony projects the data you and Loki retrieved, detailing the location of the deal and the criminals’ schedule. The team agrees to strike at dawn, using the element of surprise to their advantage. As plans take shape, you feel a flicker of relief. The night’s tension will soon give way to action, and with any luck, this mission will end successfully.

Once the meeting adjourns, you catch Loki’s eye. “Come on,” you say, gesturing for him to follow. “Let’s get you back to your room.”

“As you wish,” he replies, rising gracefully from his seat.

The walk to his quarters is quiet at first. The Tower feels oddly still in the late hours, the hallways dimly lit. You lead the way, your mind spinning as you try to push away the lingering heat of the gala—the dance, the kiss, the way his hands felt on you. Loki walks beside you, his presence magnetic as ever, his gaze lingering on you even when you refuse to meet it.

When you reach his door, you stop, turning to face him. “Goodnight, Loki,” you say, your voice firm but polite.

But before you can step away, he moves closer.

“You’ve been avoiding my eyes all evening,” he says, his voice a low, velvety murmur. “Why is that, darling? Did I do something to unnerve you?”

“No,” you reply quickly, though the catch in your voice betrays you. “I’ve been focused on the mission, that’s all.”

“Liar,” he says softly, his smirk returning. “You’ve been thinking about it. About us. About the way I touched you, held you, kissed you.”

His words send a rush of heat through you, and you take a step back, your back hitting the wall. He follows, closing the distance until he’s mere inches away, his tall frame towering over you.

“Admit it,” he continues, his voice dropping to a whisper. “You felt it, too—the spark, the fire. I see it in your eyes, Y/N. You want me just as much as I want you.”

You open your mouth to protest, but no words come out. Because he’s right. No matter how much you’ve tried to deny it, the truth is undeniable now, burning in every corner of your being.

His hand rises to cup your cheek, his thumb brushing against your skin. “Tell me to stop,” he murmurs, his eyes searching yours. “Tell me to walk away, and I will.”

But you don’t.

Instead, you lean into his touch, your resolve crumbling as the need overtakes you. Loki’s eyes darken, his breath hitching as he realizes your answer.

With a groan, he closes the distance, his lips crashing against yours in a kiss that’s nothing like the one at the gala. This kiss is raw, urgent, and unrestrained, a culmination of every unspoken word and every stolen glance. His hands find your waist, pulling you flush against him as his lips move against yours with an intensity that leaves you breathless.

And to his surprise—and yours—you kiss him back with just as much passion. Your fingers thread through his dark hair, pulling him closer as you lose yourself in the moment. The world falls away, leaving only the heat of his touch and the hunger in his kiss.

When you finally break apart, both of you are breathing hard, your foreheads resting together. Loki’s hands remain on your waist, his grip firm yet gentle as if he’s afraid you might pull away.

“Y/N,” he murmurs, his voice hoarse but tender.

You don’t let him finish. Instead, you press your lips to his again, silencing any words with a kiss that speaks volumes. For now, words don’t matter. All that matters is this—this moment, this connection, this fire that neither of you can deny anymore.

And for the first time, neither of you tries to.

The Tower feels different now, quieter in the wake of the mission’s success. The criminals have been apprehended, their operation dismantled, and SHIELD has taken over for the cleanup. But despite the victory, a strange tension lingers, heavy and unspoken. Fury and Thor are locked in discussions about Loki’s fate, and you and Loki are left waiting in his room, suspended in uncertainty.

The silence between you is unlike any other you’ve shared before. It’s not sharp with banter or charged with playful tension; it’s softer, quieter, tinged with something neither of you is willing to name.

You sit on the edge of the small couch by the window, gazing out at the city lights glittering against the dark sky. Loki leans against the desk, his long fingers idly toying with the edge of a book. For once, he’s still—not prowling or pacing, not filling the room with his restless energy.

“They’re taking their time,” you murmur, your voice cutting through the silence.

“They always do,” Loki replies, though his tone lacks its usual sarcasm.

You glance at him, studying his profile. He looks calm, almost serene, but you’ve spent enough time with him to see through the mask. The faint furrow in his brow, the tension in his jaw, the way his hands grip the book just a little too tightly—they all betray him.

“They’ll make the right decision,” you say softly, more to yourself than to him.

He scoffs lightly but doesn’t look at you. “The right decision,” he repeats, the words laced with bitterness. “That depends entirely on who is defining it.”

You sigh, standing and moving closer to him. “Loki, you helped. You could’ve run at any point during this mission, but you didn’t. That has to count for something.”

His lips twist into a faint smirk, though there’s no humor in it. “And do you think that will sway Fury or my brother? Do you think they’ll forget what I’ve done? The chaos, the destruction?”

“They don’t have to forget,” you say, stepping even closer until you’re standing right in front of him. “But they can see that you’re not the same person who attacked New York. You’ve changed, Loki.”

His gaze finally lifts to meet yours, and for a moment, something raw flashes in his eyes—something vulnerable and uncertain. “Have I?”

You place your hand over his, stilling his restless movements. “Yes. You have. I see it. And if they can’t, then that’s their failure, not yours.”

The room falls into silence again, but this time, it feels different. Loki’s hand shifts beneath yours, his fingers curling around yours as he exhales slowly.

“What do you think they’ll decide?” he asks quietly.

“I don’t know,” you admit. “But whatever happens, we’ll face it. Together.”

His eyes search yours, and for a moment, the mask falls away entirely. You see the man beneath—the uncertainty, the fear, the hope he doesn’t dare acknowledge.

“You say that as if you’ll still be by my side when this is over,” he says, his voice barely above a whisper.

You don’t hesitate. “I will be.”

His hand tightens on yours, his eyes holding yours as if trying to memorize every detail. Then, without warning, he pulls you closer, his other hand rising to cradle your face.

“If this is to be the last time we’re alone,” he says, his voice trembling slightly, “then let it be a moment worth remembering.”

Your heart aches at the words, at the vulnerability he’s showing. But you don’t argue. Instead, you lean into him, closing the gap between you.

The kiss is different this time. It’s not urgent or hungry but slow and lingering, filled with a quiet desperation. His lips move against yours as if savoring every second, every touch, every taste. His hands are gentle, one cradling your cheek while the other rests on your waist, anchoring you to him.

You lose yourself in him, in the way he holds you like you’re something fragile and precious, in the way his touch feels like both a promise and a farewell.

When you finally part, your foreheads rest together, and the world outside feels impossibly far away.

“No matter what they decide,” you whisper, your voice breaking slightly, “you’re not alone. You never will be.”

For a long moment, Loki doesn’t speak. Then he nods, his thumb brushing lightly over your cheek as he closes his eyes.

“Thank you,” he murmurs, the words so quiet you almost miss them.

The two of you stay like that, wrapped in each other’s arms, letting the world outside fade away. For now, there’s no SHIELD, no judgment, no uncertain future. There’s only this—this moment, this connection, this fragile yet unbreakable bond.

And for now, that’s enough.

The knock at the door comes like a thunderclap, shattering the fragile stillness you and Loki have wrapped yourselves in. You tense in his arms, and his grip on you tightens briefly before he lets you go, stepping back as though putting distance between you is the only way to shield himself from what’s coming.

You take a deep breath and move to answer the door, Loki trailing behind you. When you open it, you’re greeted by the imposing figures of Nick Fury and Thor. Fury’s face is unreadable, his single eye piercing as it moves between you and Loki. Thor’s expression is graver than you’ve ever seen it, a heaviness in his gaze that sends a chill down your spine.

“May we come in?” Fury asks, his voice clipped.

You nod, stepping aside to let them enter. Loki lingers near the window, his posture deceptively casual as he leans against the wall. But you can see the tension in his shoulders, the way his fingers curl faintly against his sides.

Fury and Thor take positions near the center of the room, both of them standing tall and commanding. Thor’s gaze lingers on Loki, a mix of concern and judgment flashing across his face.

“We’ve reached a decision,” Fury begins, his tone as sharp as ever. “It wasn’t an easy one, considering everything Loki has done in the past and the risks he poses in the future.”

You swallow hard, your heart pounding as you glance at Loki. He’s staring at Fury now, his expression a careful mask of indifference.

“Loki Laufeyson,” Thor says, his deep voice cutting through the tension. “Your actions during this mission have proven that you are capable of aiding Midgard without causing harm. However, they do not erase the destruction you have wrought.”

Loki raises an eyebrow, his lips curling into a faint smirk. “How magnanimous of you, brother. Do get to the point.”

Thor’s jaw tightens, but he presses on. “You will not be returned to Asgard’s dungeons. Instead, you will remain here, under the supervision of SHIELD and the Avengers. Your movements will be restricted, and any deviation from the terms of your parole will result in severe consequences.”

Fury nods. “Think of it as probation. You step out of line, you’re done. No exceptions.”

You exhale a shaky breath, relief flooding through you despite the harshness of their words. Loki isn’t going back to Asgard’s prison. He isn’t being taken away.

Loki, however, seems less than impressed. “So, I am to be your prisoner still, but with a longer leash?”

“Consider it an opportunity,” Thor says, his tone softening slightly. “To prove that you are more than your past mistakes.”

Loki’s smirk fades, and for a moment, something unreadable flashes in his eyes. He looks away, his gaze drifting to the window.

“And what role do I play in this… probation?” he asks, his voice quieter now.

“You’ll assist the Avengers as needed,” Fury says bluntly. “Your skills are… useful, when not being used to destroy things.”

“Charming,” Loki mutters.

Fury ignores the comment, turning his attention to you. “As for you, Y/N, you’ll remain his primary handler. You’ve proven capable of keeping him in check, and frankly, you’re the only one he seems remotely willing to listen to.”

The weight of the responsibility settles over you, but you nod firmly. “Understood.”

Thor steps forward then, his gaze fixed on Loki. “Do not squander this chance, brother. It may be the only one you are given.”

Loki meets his gaze, his expression unreadable. “I’ll endeavor not to disappoint you, Thor.”

The words are polite, but there’s a sharpness to them, a bitterness that hasn’t faded. Thor watches him for a moment longer before nodding and turning to leave. Fury follows, but not before giving you a pointed look.

“Keep him in line,” he says, and then he’s gone, the door closing behind him.

The room falls into silence again, heavier now than before. You turn to Loki, who remains by the window, his back to you.

“Well,” he says finally, his voice tinged with sarcasm. “It seems I’m to be your ward indefinitely. I hope you’re prepared for the burden.”

You take a step closer, your heart aching at the undercurrent of vulnerability in his tone. “Loki… this is a second chance. They didn’t have to give you that.”

He turns to face you, his expression guarded. “A second chance to serve as their pet sorcerer, you mean. To be tolerated, not trusted.”

“It’s more than that,” you insist, moving closer still. “It’s a chance to prove them wrong. To show them who you really are.”

“And who is that, Y/N?” he asks, his voice dropping. “Who do you think I really am?”

You hesitate, your throat tightening as you search for the right words. “I think you’re someone who’s been hurt, someone who’s made mistakes, but someone who’s still capable of doing good. Of being… more.”

For a moment, he just stares at you, his expression softening ever so slightly. Then, to your surprise, he chuckles—a quiet, almost bitter sound.

“You are a strange woman, Y/N,” he says, shaking his head. “But perhaps that’s what I need.”

You smile faintly, stepping even closer until you’re standing right in front of him. “You’ll never have to face this alone, Loki. Not as long as I’m here.”

He gazes at you for a long moment, his eyes searching yours. Then, slowly, he lifts a hand to cup your cheek, his thumb brushing lightly over your skin.

“You’re maddening, you know that?” he murmurs, his voice low and tender.

“Then we’re even,” you reply, your lips quirking into a faint smile.

For the first time that night, his smirk softens into something more genuine. And as he leans in, pressing his forehead against yours, the weight of the world outside fades, leaving only the two of you in the quiet comfort of each other’s presence.

[blueikeproductions]

Y’know thinking it over, I think one of the reasons TFONE failed, after looking at other comments, is it ultimately did nothing new. The marketing didn’t help, but I’ve noticed a lot of people be irritated at the modern 13 Prime concept and the more modern political bent (no longer Cold War inspired, but instead some mild identity politics and heavier ideological differences that modern audiences have notably struggled with) persisting, and this movie does little to change that.

The Bayformers films, love ‘em or hate ‘em, ultimately tried new things: The Allspark, reinventing the Prime mythology for its canon, Sentinel Prime as the best villain the series had, a group of ancient Autobot Knights that Optimus was apparently part of alongside the Dinobots, and so forth.

What did TFONE actually offer that was new?

Well.

Not much.

It was a complete retreading of the Aligned backstory we’ve been given for the past decade or so: Optimus and Megatron were former friends that overthrew a corrupt system that Megatron kept rebelling against, starting the Great War.

The same story that Prime did, that Cyberverse did, that IDW did, that Netflix WFC did, sure a few things were reshuffled but it’s the same, slagging story. TFONE even recycled Sentinel Prime as the main antagonist again, his motives not that dissimilar from his Spock adjacent counterpart.

People complain about the Great War being over done, but that’s clearly not stopping people eagerly tuning into Skybound’s version of it as of typing. General audiences, like it or not, vastly prefer the war between the Autobots and Decepticons, they don’t care about Grunkle Vegeta Megatron, his younger years as D-16 and his tumultuous friendship with Orion Pax.

The only thing new TFONE technically did was better establish Optimus and Megatron as being good friends originally. Aligned and the other series did a terrible job with this, with it ping pinging between Megatron already being power hungry and insane, he just hid it better, to him and Optimus being written as a couple who had a bad break up but can’t get over each other. TFONE still leans towards the later, not helping current situations but at least you do legitimately feel bad this time the friendship fell apart. The friendship was actually believable, that was the strength, but alas most people don’t really like the idea of Prime and Megs being friends.

It’s why I still feel the upcoming Age of Primes toy line will struggle, because once again, the 13 Primes are not a well known aspect of the lore, and modern shows haven’t done a great job at fleshing out Solus or Quintus, and stuff often falls back on Alpha Trion, a character from the old cartoon that people simply are more familiar with.

We desperately need to flesh these characters out better, we need to go back to a Vector Prime befriends the modern kids and Autobots plot for each Prime to make sense of them going forward. That’s the only way new fans will get to know them better and actually care.

As for TFONE, with current problems at Hasbro and Paramount, it’s not looking likely this story continues, but whether it inspires cartoons and comics after EarthSpark anyway we don’t know. Clearly the plan was to use TFONE as a springboard for future content, but it simply didn’t make money to justify it. If Hasbro is satisfied with it doing well on Paramount+, then maybe it evens out, but I legitimately believe the core problem has been trying to make the Aligned canon stick to most modern media when it clearly isn’t. I think we need a new approach, keep the Primes if you want, but don’t slavishly have it be the EXACT same story with them in each movie, comic or cartoon. TFONE DID modify the Prime backstory so that’s a good step, but whether they take that for future cartoons we don’t know.

[bengiyo]

Take 2 haha

For the character break down, Segasaki from My Personal Weatherman :)

I deeply appreciate your patience on this one. I originally answered this one but then Tumblr ate the ask for some reason. I had a busy weekend, so here's our second attempt!

How I feel about this character

I actually really like this absolute mess of a man. I'm not in kink culture, but this was one of the shows I felt I benefited the most from reading @lutawolf reactions for. I found his devotion to Yoh really compelling, and I really enjoyed how completely Yoh often misunderstood him. I also had a blast with his flares of jealousy and deeply unhinged behavior around it. It's rare that we get characters with intensely sexual relationships that are this out of emotional alignment, and I really liked digging into why Segasaki liked Yoh, and how much heteronormativity fueled their mess.

All the people I ship romantically with this character

Just Yoh. He would probably be mad if I thought he had eyes for anyone else.

My non-romantic OTP for this character

I genuinely don't remember him having a friend or confidant to talk to in this show. Still, I enjoyed every scene he had with Manju.

My unpopular opinion about this character

I don't know if it's unpopular or not, but I actually really hated the school flashback stuff. It felt a bit divergent from the character read we had earlier on his dynamic with Yoh, and I felt like I got confused.

One thing I wish would happen / had happened with this character in canon.

I really wish they had gotten a second season or a movie, because I genuinely feel like they left this story unfinished. Segasaki and Yoh had finally started talking to each other, but I don't feel like we had resolved the issues with them.

[possessedopossum]

The Veilguard: my full review [positive, long post, less about game mechanics and more about meta, spoilers]

The thing that makes Veilguard special to me is how self aware the game is. In every dialogue, plot twist or quest I can feel the presence of somebody who wanted to share something with me. Be it personal experience, message, pain or joy. As of 2024, many games have lost their creative spark. Video game industry is no longer a nerd only zone, it's a business no different than others. Many studios utilize AI to write their plots, chase after current trends or simply make decisions that would create the biggest audience possible at the expense of something people love the franchise for. Veilguard did well, because it showed me something I haven't seen in a very long time: the human soul.

Perhaps you have noticed it on your own. The world has gone completely nuts after the covid. Or maybe it has always been this way and I only noticed it now. It is not a surprise to me that players want their game to be darker, to have more aggressive dialogue and to have a morally grey or even evil protagonist. For the past few years I've been feeling like someone had turned the lights off. And the game gave me an impression that someone at bioware feels this way too.

Only negativity gives content creators views and money these days. Open any social media, read any post or watch any video. If something is on top, it's almost always a hate post. What was the last movie most reviewers enjoyed? The last game? Perhaps the one that was released 10 years ago? What was the last time, you, my dear reader, have smiled? Not bitterly or sardonically, but out of genuine joy?

It is extremely fitting that Rook's mentor figure is Varric. Varric is somebody who always sees the best in people. He grew up in one hell of a city but he still loves it. He can find something to laugh about no matter how dire the situation is. He is a people person who can build friendship with anybody. Varric is very charismatic and tends to avoid conflict. He is a chronic liar but that doesn't make him bad because he never lies with malicious intentions. And in some ways, Rook is similar to him.

Yes, Rook can't be a complete asshole. Because the game is not about being an asshole. One of our antagonists, Solas, considers the world to be sick. Modern Thedas is a grave mistake that haunts him. He can't forget and move on because even the elves themselves wear his mistakes on their faces. Many things that are normal to the player character aren't normal to Solas. The world is so wrong and disgusting to Solas that he is willing to sacrifice things and people who are dear to him just to make the twisted world better.

Rook is nice because they are supposed to represent what is good in modern Thedas. They are supposed to be somebody who thinks the world is worth fighting for. And to a certain extent, their factions as well. The crows are contract killers and the lords of fortune are thiefs. Grey wardens are very concerned with politics and all the secrets they refuse to share constantly get people killed. Mourn watch has their immoral power hungry politicians as well and veil jumpers are sometimes willing to trade people for ancient secrets. They all aren't without sin but that's not the point. The point is, even with all the ugliness and darkness, there is still a place for light. And the light in the darkness is the exact message bioware tried to convey. The crows not being comically evil is not bad writing. It is a conscious writing choice to give us a human face for something we consider ugly and not worth fighting for. The player is metaphorically Solas, who needs to be persuaded that the world is worth at least something. The writers didn't need to bare the souls of player factions in all their mistakes, imperfections and cruelty. Because they showed us the factions' humanity. Some cruelty is still there, on the background, but it doesn't overshadow what is good. The crows, no matter how terrible, are a family. Viago may call Rook an idiot and while Rook considers their training literal torture, they sure love Viago back.

In fact, familial love is one of the core themes of the Veilguard. We have Emmrich and Manfred, Davrin and Assan and uncle Endrin, Lucanis and Caterina and Illario, Taash and Shathann, Bellara and Cyrian. It's a bit less direct with Neve and Harding. Neve has a lot of love for her city which is almost like a person to her, and Harding...I'll explain with a quote. "You're Lace Harding! You're more than this rage! You believe that the world is beautiful! That people are good! Hold onto it, hold on to who you are!".

Even the evanuris share the theme of family. Rook can compare Elgar'nan and Solas to relatives who can't get along. Elgar'nan calls Ghilan'nain his sister. Both shards of Mythal consider modern elves her children. Different but no less beloved, as Morrigan puts it.

Veilguard shows family without rose-tinted glasses. It shows that sometimes to love your children is to sacrifice something else you love (Lichdom for Emmrich), that parents have their own problems that may harm their children no matter how much parents wish to protect them (Shathann understands she is not the best mother and has complicated relationships with the Qun that harmed Taash), that sometimes parents do not understand their children at all and it's only up to children themselves to close the gap in understanding (Mythal, Solas and Rook), that familial love and desire to protect your family may turn into something ugly (Caterina being cruel to her grandchildren to prepare them for harsh realities of the antivan crows).

There is conflict in Veilguard, of intergenerational nature. Companions and their families, Rook and their faction leader, elves ancient and modern. It's up to the player how to deal with the last one. Humans, dwarves and qunari may not share blood ties with ancient elves but they still live in the world ancient elves created. As Rook, you're allowed to lash out in anger at Mythal and Solas. You can call Mythal guilty of all modern problems and fight her. You can bind Solas to the veil by force, call him asshole and express your frustrations with him multiple times throughout the game. You can also express sympathy and forgive them both. Because forgiving is neither condoning nor condemning, it's understanding and letting go. Being understood and allowed to peacefully let go of his mistakes is the exact thing that Solas needs to change his mind.

I believe that the Veilguard companions are one of the very best I've ever seen in a video game. They may not have as many different fates as for example Alistair has but is goodness measured with the amount of ways a character can be killed? I love the Veilguard crew because they all feel very real. Their personal problems are universal and very close to the player. Taash's story is not about being non-binary. It's about growing up, finding your place in the world, separating from your family and learning to appreciate it despite the mistakes your parents did while parenting you.

It's hard to decide who is my favorite. Taash's story made me cry but so did Harding's and Bellara's. The last scenes of Lucanis romance made me feral. I can't stomach the scene where Davrin and Assan die. The consequences of destruction of Minrathous/Treviso were hard to look at. I felt guilt, and if a game makes me feel something, it's a good game. I laughed, I cried, I was afraid and I felt joy, I was angry, I felt shame, I felt love. The game made me feel alive, I played through Rook's story like it was my own, what not to love about it?

The double blight wreaking havoc in Southern Thedas is sad but beautifully symbolic. Almost like a love letter from a long lost lover, It felt like bioware's meta commentary to me. "Yes, a whole lot of time has passed. We are no longer as young as we used to be, and so are you, not only the player, but our treasured friend as well. We have changed, you have changed and so did the world around us. Gaming and the video game industry are not what they used to be. We will never be able to go back no matter how much we want it because the only path that is left is the path forward. It doesn't mean that we no longer remember our shared past, no. We may not be able to go back but we promise to remember it fondly. We are still capable of creating beauty and the past will serve as a foundation for something new. We still have hope, and so should you".

The Veilguard to me is about nostalgia as well. I don't want to feed my inner Solas who sees the current world as sick. I want to make space for my inner Rook who is hopeful about the world just enought to fight for its future.

[saxandviolins77]

I have a feeling most people don't actually care for Bonecrusher's character, so I made a little post talking about what I find interesting about him.

Enjoy 😙.

I know for a fact that Hook, Mixmaster, and Scavenger are the most popular out of the Constructicons and that's fine, but I feel most people don't really KNOW what makes Bonecrusher interesting as a character.

OK, I'll be fair here and say that most of his substantial character traits come from obscure stuff or are not developed, but his most obscure bio is used on his TFwiki description... so... Not that hidden.

Take his Sunbow writer's guide page, for instance. It establishes that he is destructive and brutish, but more importantly than that, his job is a performance to him, an art form if we can put it this way. That already paints a whole different picture of him. Yes, he is violent, but he's also a self-proclaimed artist.

Even in the cartoon, Bonecrusher doesn't act like a thug (I hate this word), as most people and IDW2019 portray him. He's surprisingly stoic (yeah, I didn't take it from nowhere). He's violent, sure, but he's also dedicated to the task at hand. Take G1's "The Autobot Run", an episode that feels like the writer was faithful to the guides. In said episode, while Long Haul is the one wanting to fight directly, Bonecrusher comes and admonishes him, talking about how the device they are building will "wreck those Autobots good," as he puts it. (Bonecrusher has sparingly appearances and lines in G1, but most of those lines are of him being violent or him just going about his work day.)

This for me is the cream of the crumb of Bonecrusher's canonical characterizations, directly from Transformers: The Ultimate Guide by Simon Furman himself. Aside from that, this book has some pretty innovative things for the Constructicons; the fact that this was written by the same person who wrote the Dreamwave bios makes it feel like a natural expansion of what's already established. Though, for whatever reason, Furman focuses a lot on the "survival of the fittest" part of Boner, like, I know... '86 Movie! But C'mon!

(The Dreamwave bio was omitted due to redundancy.)

Now, in my personal opinion, you can see a pretty interesting base for a character. A perfectionist who expresses his desire for perfection by violently destroying everything he considers flawed. A performance artist in his own right.

The only thing I outright reject from Canon is the fact that he has a 3 in intelligence and a meager 6 in skill. Well, color me fucking surprised! He must be a very shitty DEMOLITIONS SPECIALIST. I sound petty, but I simply feel he shouldn't be dumb as bricks ( I also don't need him to be Hook levels of smart.) Keep him a brute, but a competent brute who actually does his job well. (take this with a grain of salt; I have a very weak suspension of disbelief when it comes to jobs not being portrayed accurately.)

Either way, I just wanted to shine a light on what I like about the Boner guy. Have a fine day/evening/night. 🥱

[sopaprimordialy]

Boppers, hear me out.

Victor is Luther's father.

Ok, now, you might be thinking: "what the actual fuck are you talking about?" Well, in this essay I'll expose favorable arguments to my theory/theses/head canon that, in the album, the police officer Victor is Luther's father. Keep your radio tuned tight, boppers, bcs I might be crazy OR I might be onto something.

(There will be spoilers)

1. First of all...

For context, Victor is the cop that kills Fox. He's played by David Patrick Kelly, the actor who plays Luther in the original movie, The Warriors (1979). This alone is a huge reason for me to believe that they are somehow connected, BUT THERE'S MORE!

I think we already established that what a character claims to be their reason for doing something is not always their real reasoning, or, at least, not the entirety of it. I do believe Luther kills Cyrus because he enjoys the chaos and has a lot of hate in his heart, as Swan wisely says, but I don't think that's all.

We have hints among his lines that he's also misogynistic and racist. "Well, duh?" You might say, because there were few white men who weren't those things by the time this story takes place, but sometimes we may underestimate how heavy this stuff weighs in the narrative. If he really likes chaos that much, why not kill, Idk, a police captain? That would certainly create generalized chaos just as he likes, but instead, he deliberately targets marginalized groups' leadership — he kills a black woman, a powerful black woman who was trying to unite her community.

She was obviously an obstacle for the cops to keep up with their oppression towards these groups because unity is strength, and all they don't want is strong communities that knows their rights and won't accept to be chased down like animals when they've done nothing but trying to survive.

In the very first track of the album, the question "but is Cyrus atractin' police action?" Is asked. The answer we find further on, especially when the police invades Van Cortlandt Park right after she's killed, is: *yes*, of course she is.

* Also, the timing here is too convenient, don't you think? Just like the police knew exactly when to attack, when the desperate crowd would be disorganized, when they would be easy prey... anyways 😛

2. That weird af phone call

Now that we have established that there would be a lot of interest on the police's part to have Cyrus killed, let's move on to the next topic.

Suddenly, without any further context or this being ever mentioned again, Luther talks to *someone* on the telephone. This happens in the album, and in the movie as well, it is not confirmed who the hell Luther was talking to on that phone call. I've already seen some people theorizing that he has contacts inside the force and that he's talking to them, and I agree, but I think he's not talking with some random cop, I believe he's talking to Victor.

Come think with me: how did Luther instantly knew Ajax had been taken by the cops ("Holy shit, Warrior down [...] Picked the wrong fight / now she's in for a long night", I'll talk about this later btw), and most importantly, what exactly was Victor doing at Union Square's station?

Let's compare this approach with Barnes' one at the park.

Barnes was alone in the bench, and only when Ajax approached him (and started beating the shit out of him), he called for police reinforcements. It didn't feel planned, even tho he was trying to bait them to come closer to him, I think it was much more about sexual harassment than him actually intending to arrest them. With Victor, however, it doesn't feel like a random encounter.

"Officers are on the scene". This line repeats a lot during Reunion Square, that alone indicates that there are a group of cops there, like they've been called. They knew the Warriors, specifically the Warriors, would be there, and why was it so important for them to get the Warriors if they're just a "likkle Coney Island crew"? Because Luther would be FUCKED if the Riffs reached them alive.

Of course, the Riffs could just not believe the girls, but he was not willing to risk it — after the phone call, Luther tells Cropsy the Riffs wanted the Warriors alive, but they don't. And he was right, wasn't him? Cleon being alive and telling the Riffs the truth was the only reason for him to be caught and... well, we don't know for sure what they did to him, but we can imagine they weren't gentle.

That being said, we have strong evidence that Luther was in touch with the cops, else he would have no way of knowing Ajax was grounded. And Victor needed a reason to be there as well; not only an informant, but also a motive, and if we consider the theory that he was talking to Luther, we have both things.

3. Trust in the impunity of a daddy's boy

During the entire musical, Luther thinks he can get away with about everything. I atribute that not only to the fact that he's a white man targeting women of color, but he must also have other reasons to believe he's immune to justice of any kind, and there's where I start to try to convince you that he's Victor's son.

I mean, when Cropsy shows that he's worried the Riffs would go after them, Luther, rather ignorantly, responds with "they're looking for the Warriors, remember?" As if the fact that the Riffs are going after the Warriors is enough for him to believe they would never even think about interrogating them, trying to find the murder weapon, etc.

This behavior suits someone that has never been held accountable for any misdeeds at all, and who would fit this description better than a cop's son?

Let alone that Victor is a captain. He holds even MORE power within the police. Being the son of a cop, even if you're a fucking gang member, you'd feel safe enough to do just whatever the fuck you want without even thinking about the consequences.

Like, how many times he could have been caught doing something illegal, just tell the cops "do you know who my father is?" AND IT ACTUALLY WORKING? I firmly believe he was the one to inform the cops about all of this — the gathering, the Warriors' location, and the fact that he needed daddy to arrest the women who could potentially cause something to happen to him, because the Riffs are not the police, they'd not give af abt who his father is, even someone like him would have to be a little worried about being taken by them.

4. Fox & Luther — Parallels

I bet you did not see that one coming. "What do you mean there's something in common between Fox and Luther specifically that makes Victor killing her an interesting parallel with his (supposed) son?"

Well, games. That's kinda it. Old games.

So, there are only two characters that canonically like games in the musical, because they actually mention them: Fox ("A-yo I'll take you on an Odyssey like Magnavox") and Luther (with his multiple references to Pacman during the entire thing and other game expressions, like "I was at the top of the screen when I took that shot")

The Magnavox Odyssey is actually mentioned on the movie (according to my own father. I confess I don't remember this part, but I trust my nerdy father who actually have a connection with old consoles to notice that) by the Lizzies (fem version of the Bizzies), and Fox was not even there at the moment. Actually, movie Fox does not have a lot of... personality, if you ask me, he was kinda irrelevant. Anyways, even if Lin and Eisa wanted to reference this specific part in which the Lizzies offer to play Odyssey with the Warriors to lure them, why not have the Bizzies saying that? Why Fox?

Because that would be a bitter irony in the future. I might be crazy, BUT HEAR ME OUT, Victor killing a young woman that shared his son's interest for games was a foreshadowing for him being responsible for Luther's death as well — because he failed.

This is other thing they share: they failed. Victor failed to stop the Warriors from going home, Luther failed to kill Cyrus and blame the Warriors with no consequences, they failed together at silencing them, and this CAUSED Luther's (probable) death.

5. A gang member who endorses the police?

Ok, this last section is based in my belief that, even tho the crews fight and have their diferences, they all share a common enemy: the cops. That was the reason for them to accept the truce after all, the cops are their common enemy.

But somehow that doesn't feel true for the Rouges.

First of all, they killed Cyrus, which obviously means they were not in favor of the truce. But why? They sure would suffer from police brutality too if they were a normal gang. And we can all agree that they are even more violent than the average gang (I mean... have you listened to their leader?).

Also, this line intrigues me.

I mean, "picked the wrong fight"? It is clear that Luther's view is biased to take the cops' side. In this case, one could argue that his misogyny would play a big part on him diminishing Ajax's will to fight against an abuser. Anyhow, I think that this evidences that, even tho he's a gang member, he has a strong connection with the police.

CONCLUSION

I think we can all agree that Luther has something going on with the police, and I hope I have convinced you that he has something going on with Victor specifically.

It is possible to argue that their connection is only "tactical", or even go as far as to say that they are friends or something (tho, I don't think that's possible. One thing about brats like the Rouges: they don't go well with old people, with all due respect. I don't personally see this working as a friendship), but I'll stand with the father-son relationship till the day I die!!

Thank you for reading this madness and please lmk what you think! If there's something that doesn't make sense, if you have your own theories... I mean, I'm far more invested in this than I ever thought I would be, please give me more content 🙏🙌

[treepan0]

okay geez I'm having too much fun here, this is amusing to write

seriously 13 it's a shame everyone hates you for your design, you're actually so much fun to write

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[xxplastic-cubexx]

chat if i may speak

[smellslikesouls]

the problem with realistic minecraft villagers is you’re immediately confronted with how obviously antisemetic they are

i hope we see them in the minecraft movie so society at large can be like “wait wtf mojang”

[unsurebazookacore]

hot take, mike and el arent in love, because they are fourteen

well i guess mike is fifteen but still like as someone who has been fourteen/fifteen

GUESS WHO I WAS NOT DATING:

A. THE LOVE OF MY LIFE

B. MY FUTURE SIGNIFICANT OTHER

C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT

D. ALL OF THE ABOVE (the answer is D by the way)

LIKE Y'ALL THEY ARE FOURTEEN

THEY MET WHEN THEY WERE TWELVE

"I knew right then and there in that moment that I loved you" MY ASS

[bloodandfleshautism]

just watched the borderlands movie and the only good part was that krieg’s little harness thingo lowkey looked like a very skimpy little bra thing sometimes

he needs some back support with those jugs ofc

[everysongineverykey]

read a screen rant article that argued that future knives out movies should feature recurring characters to "flesh out blanc's character" and "make him a more interesting lead" and that "all detectives need a team"........ what if i killed you lol

[reedeemable]

Being a Gavin hater must be funny as hell cause imagine sitting there and being like “I hate this character, he’s a dick but he’s just a tertiary antagonist with not much screen time so I won’t really see much of him” and then reed900 exists 😂

[mostofthingsmostofthetime]

So the new Hunger Games book. I have some thoughts.

Can't wait to see who's gonna play which characters.

Wonder what Snow will look like middle-aged.

I'm guessing the movie will cut Maysilee having a sister due to Madge being absent from the original films & if so, I wonder how that will affect the Mockingjay pin origins or if they'll completely remove the fact that it originally belonged to her.

Omg, the film could use the same reaping dress (or more likely a replica) for teen Miss Everdeen that they used for Katniss as it is said to be something that belonged to her mother during her time as a Merchant, in the original series.

Can't believe we might finally learn Katniss's parents' names lol.

Omg, do you think they'll at least hint at the baker/apocathery/hunter love triangle?

Oh (no hate to Woody Harrison but) young Haymitch is gonna be white, isn't he? Well, at least they could let him have black hair. & that wouldn't nessaryly even break movie cannon. All they'd need is to have a scene showing/implying that the stylists are gonna dye his hair after he ends up winning the games. The movie could even create an in-universe reason (outside of the Capitol citerzens just thinking it looked better). Such as with blonde people in 12, not coming from the Seam. Snow views it as the perfect subtle punishment to help Haymitch feel a loss of cultural identity by separating him from his community (now that he looks & lives more like a Merchant).

Hope the movie won't try to appeal to Hayffee/Effie stans by adding unnecessary scenes of them getting close, as if Haymitch didn't have a whole ass girlfriend while Effie would be nose deep in Capitol propaganda at that point in time.

Everyone who's saying it's gonna be weird to find Haymitch hot is weak. I was attracted to Woody Harrelson in a wig.

Don't know if this is at all realistic/accruate, but this is how I'd want the movie to end. Haymitch, back in 12. Maybe waking up in his new house after being sedated (due to him losing it after his last interview). Him desperately trying to find out where his family/GF is after discovering his old house empty (left there as a reminder), his GF's family not opening the door & everyone seemingly too nervous to speak to him. Till he eventually ends up on the Everdeen's doorstep (where Miss Everdeen is being comforted) & they explain what happened as best as they can. Then, after he returns to his new home, he gets a phone call from Snow bassically telling him that he should have behaved himself, leading him to rip the phone out of the wall before completely trashing the place. When he eventually wakes up, Hazelle is cleaning up the mess (he forgot to lock the front door). She tries to talk to him about applying alcohol (she was given by miss Everdeen) to the wounds he sustained from smashing up the place & about his girlfriend (as I could imagine the two having been friends as I can only see Haymitch's GF being from the Seam), but he tells her to get out before he starts drinking the alcohol right from the bottle, with a voice over of older Haymitch saying the line 'there's survivors, there's no winners'. Or something along those lines.

Maybe that's too fanficy, though lol.