#the love scenes in this are fantastic
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standing-bears-dont-run · 2 years ago
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Love Me (TV series) directed by Emma Freeman
Episode 1.03
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poorly-drawn-mdzs · 6 months ago
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At your side [End of Season 2]
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#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#wen ning#jin ling#wen qing#jiang yanli#a-yuan#It may have taken a year but we did it! The end of season 2!!!#(Granted: this season was nearly twice the length of season one.)#It's been a really fantastic season to draw for. So many iconic moments! It was a lot of work but I had a blast B*)#I also enjoyed experimenting more and more with my comic style. I'm growing as a comic artist bit by bit!#There is even a little bit of shadowing in this one for next season. As a treat. All the fun (and not heart breaking) scenes to come!#Comic talk time: Recently saw 12 angry men for first time and I love the coincidence of the themes aligning here.#They both touch upon the horror of judicial systems - in which the most persuasive argument wins and the truth is a nuisance.#All it takes is one person to stand against the crowd and say 'I do not know what is true. And that is reasonable doubt enough.'#When the majority is for condemning someone guilty - that in itself is persuasive enough.#One will set their mind to what the 'truth' is and refuse to see it any other way. That their perspective is the only correct one.#No one is born with a monopoly on the truth.#Everyone has biases and agendas. Some care not for the outcome - only that they can be on the convenient side.#Lan Wangji is putting everything on the line to say 'I'm not going to go with the majority vote.'#And that is a huge deal in a story that is so politically focused as MDZS is. Everything is a careful chess move to these sects -#and to not play the game is basically sacrificing everything you are and your families name. For some it is unthinkable.#And there is no doubt in LWJ's mind. He would stand there and lose everything if it means upholding justice.#More importantly - these two have each other's backs. The bond is unbreakable. This is the most ride or die I have seen two people be.
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momentomori24 · 11 months ago
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THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.
And the most important scene of them all (to me):
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First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.
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prolibytherium · 8 months ago
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Would kill to read animal POV fiction that has the animal POV’s interaction with humans be like, semi realistic to the level of caution most predators take with large prey and/or competitors (including humans).
Like instead of the usual - “the human is such a weak, pathetic creature... so slow, no claws, blunt teeth… completely helpless without its 'Fire Sticks'. how is it the master of the earth?” type crap it’s like, the bear protagonist or whatever approaches some dude who spreads their arms and yells and the bear is like “FUUUUUUUUCK THAT THING JUST GOT HUGE. IT'S LARGE AND MAKING NOISES. HOLY FUCK.”
#A lot of this realm of fiction tends to severely overestimate how physically weak humans are in the grand scheme of things..#A human body ft. no tools has a pretty average level competency at escaping predation. WITH tools it's significantly above average.#Like a lot of human physiology IS the way it is because of reliance on tool/fire use but interspecies competition/predation is really not#a literal battle won by physical strength + teeth + claws (at least until the actual process of killing)#Intimidation and shows of strength/threatening behavior can go a long way. Healthy predators (who aren't unnaturally#accommodated to humans) are generally going to be cautious and may avoid confrontations they absolutely COULD win because#the risk of injury is judged as too high#And most animals can't weigh risks in the most objective manner and won't understand that you aren't any 'bigger' just because you#wave your arms and yell. That is why puffing up/spreading out as a threat display is so ubiquitous in nature.#Massive tangent but this is why I fucking loved Prehistoric Planet so much like the commitment to having its dinosaurs behave like#actual animals is fantastic and tragically rare#Like having a scene where a T Rex gets bullied away from a carcass by two much smaller azhdarchids.. Yeah that is probably#how it would behave. It's not a mindless killing machine it's an animal so is going to avoid confrontations it deems too risky even if it#WOULD win in an all out brawl. thank you so fucking muych.
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secriden · 15 days ago
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Watching Joong's Hurt Me Please MV with the context of how episode 6 ended and how this is likely a song about Fadel's thoughts and feelings about Style after Finding Out, I wanted to take a deeper look at the lyrics.
I have transcribed the English lyrics on Youtube side by side with a fan translated version (credit: bl_zonee on Twitter) just because there's different shades of meaning between them that I find really interesting and I'm curious which one is the more accurate translation or if both are valid, but just give different nuance. (Perhaps a mutual who understands Thai would be willing to give some insight? *u*)
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Verse 1 makes a lot of sense to me: Fadel must be wondering how Style could be so cruel ("unkind" / "heartless") because every instance of Style being honest and asking for honesty in return, all of Style's genuine desperation to bare his heart to Fadel in episode 5 and 6, now looks like a calculated, cruel deception.
And after being so afraid to reveal his secret to Style for fear that it would make Style walk away from him, there's a painful irony in Fadel now wishing Style had walked away before. Because the betrayal hurts so much more now that Fadel has given in to his heart.
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The chorus is where the nuance between the translations gets interesting.
The Youtube version seems almost like Fadel is taunting Style, putting up a front that he can take the pain Style is dishing out and more. It's like he's hiding behind the bravado of being able to handle the hurt, and even more.
The MV also depicts Style smiling sadistically after slapping Fadel, as if he's enjoying the pain he's inflicting. Meanwhile, Fadel looks up almost in adoration, a strange softness in his eyes at odds with how cruelly he's being treated. The knowledge of Style's betrayal has turned Style into a monster in Fadel's mind, one which he cannot help but to still have soft, affectionate feelings.
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But the fan translation sounds much more hurt and accusatory. Fadel is expressing his pain and anguish much more plainly and "you did this to me" is a line that demands responsibility.
In both translations, though, the last line ("can't get enough" / "enjoying the pain") gives us a hint that Fadel isn't willing to give Style up even now. Despite the pain, despite feeling as if he's simultaneously burning up and drowning, there's a part of him that still wants this. That still wants Style.
Interestingly, as Fadel sings the last line he begins to visibly struggle against the rope tying him to the chair. The soft look vanishes and in place is a determination and shadow that spells trouble for Style. The shock is wearing off and Fadel is starting to fight back.
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Verse 2 is where the agony really hits, for me.
In both versions, Fadel recognises the way Style's love was (maybe still is?) precious to him ("your love feeds my soul" / "your love nourished my heart"). But because Style's love is a lie, it's transformed into a weapon ("poison"). It twists Style's love into a source of "hurt" to Fadel.
Which is why I think both versions have a line where Fadel admits that there's a part of him that wants Style to keep hurting him -- or rather, to keep loving him; because these are the same thing to Fadel now -- ("hurt me, make me feel used" / "the more I was hurt the more I enjoyed it") whilst also remaining accusatory ("the more I loved, the more sorrow/I suffered").
The lines about "nothing left to write about our love" / "our story" also feel very pointed and final. A closing of a chapter; a closing of the possibility of their former, uncomplicated happily ever after. Style has nothing left to write (report) back to his superiors (the police) because Fadel's love is already complete and his deception has reached the inevitable conclusion of Fadel being found out/destroyed.
All this happens while we see Style continuing to threaten Fadel with a golf club and an almost crazed expression of glee juxtaposed with flashes of Fadel and Style in much happier times.
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Also the fact that this line comes with this scene where Fadel lets Style kiss him despite “knowing” it’s all a lie *sobs uncontrollably*:
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The first chorus comes back once and the music reaches a plateau. We are clearly preparing for a drop or a modulation and we get exactly that (twice!) with the second chorus:
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Here, both versions converge: Fadel is angry, he's furious. Style hurt him and he's going to repay all of it and more ("you'll hurt [by much more]" / "you must suffer more than I did"). The lyrics tell us that, while Fadel cannot take back the hurt (take back his love), he can certainly ensure he isn't alone in the suffering (this love will also hurt Style).
It is at this part where my heart sank as I realised that Fadel's "I think I love you" line in episode 6 now takes on a much more sinister tone.
Because I think that discovering Style's betrayal was also what made Fadel realise the truth of his love for Style; the very agony he was in was the sign that Fadel's heart was lost to him. But even as it is true, I also think he still made the choice to ruin Style in the same breath. Because if Style could use Fadel’s love as a weapon then Fadel is going to use it (Fadel’s love) to hurt Style too.
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A decision was made in this moment, and everything Fadel does afterwards in this scene is deliberate.
There is, however, one piece of hope:
Despite Fadel's expressed fury, what the MV shows us is Fadel breaking out of his bonds, shoving Style back and punching him once and then:
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For all his anger, for all his rage, for all his threats of manifold vengeance, what we see is Fadel pressing close and kissing Style; once on the lips, and once on his chest (heart), all while the lyrics makes space for one last plea:
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("don't betray me")
For me, its the way the line is shown together with this direct visual parallel between the ignorant Fadel in the past (left) and the Fadel of the present who has seen through Style's deception (right) that I find particularly compelling. Even now, even at the point of Fadel discovering Style's betrayal, there is still hope for forgiveness.
Because Fadel cannot help himself. Because Style made Fadel's bleeding heart whole again; and it beats, it feels, and despite how much it hurts, what Fadel still wants more than anything else in the world -- desperately and simply -- is Style.
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fagulaa · 29 days ago
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Something I really love about the Silt Verses is how, in a world of gods and monsters, how grounded Faulkner's trauma [and relationship with his father] is. Especially as the season moves on, and the stakes amp up [and up] its so unexpectedly piercing to be presented with this exploration of childhood abandonment/negligence, inter-generational trauma, the indignities and stress that comes with unexpected elder care/early onset Alzheimer's. You're so locked in to these grander, more abstract concepts that your defenses are down! Mine were, anyway. TSV is so good at cutting its grand, complex plotlines with simpler [but not shallower] gutpunches, and it just grounds the whole thing.
#the silt verses#other moments on the list#[the list being small but emotionally devistating grounded moments]#include: the lights coming back on in the aftermath of the strike during hayward and carpenters conversation#and you just. intuit the devistation#after all that. after all the fighting and protest. the lights come back on. you can HEAR the screaming in the silence#Faulkner's whole elder care thing with his dad#where he has to reckon with him as a person who made mistakes#and put his own resolution aside to take care of a man he had complex feelings for#also the Faulkner's dad/trawlerman connection is crazy to me its crazy#oh you want to worship the god with the garden do you faulkner#you want to be this gods enterpriter and favorite#what did your father do again?#oh also the god rocket scene#where we are put in the place of a sacrifice#the claustrophobia! the fear! the tinned patriotic speech! the narrowing down to a needle point of the overall themes of the story#the fucking microcosm of it all!#all the sandwhich shop scenes#the whole hotel episode#charity in the pub running for her life because CARPENTER reappears#also love how interconnected everything is#both carpenter and page knowing von#running back into charity#fantastic writing all round it's all so fucking TIGHT my god#the prose is killer the pacing is killer the acting is killer the STRUCTURE is killer#its just a fucking masterclass of storytelling like its just. GREAT#top to bottom.#like the sheer skill involved in making something like TSV#on all levels#is incredible I really do admire it
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livelovecaliforniadreams · 1 month ago
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misakarose · 1 year ago
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LINK CLICK 2.10    ↳ 「 i m p r o v i s e 」
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whumpypepsigal · 4 months ago
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@whumpgifathon | Day 25: “Period Drama”— “Involuntary Shapeshifting”
Lord Guildford Dudley in My Lady Jane 1x08
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mono-blogs-art · 1 month ago
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I understand that a lot of people are disappointed with the TLP finale because of the prank. It's still dumb even in the uncut version, although slightly less so in some ways but also worse in others. And I do agree with everyone on that. But I'm not going to judge a series with a 16+hour runtime because I thought one scene was dumb. I'm simply going to pretend it doesn't exist (I'm kidding).
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auriidae · 1 year ago
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goofy hermit doodles!! because uhh why not!!
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poorly-drawn-mdzs · 1 year ago
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Let the revenge games begin.
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the-sussy-imposter2 · 5 months ago
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So i was thinking about making some characters and a story to post about here (with the purpose of comfort vore and so on, all that jazz) and i think i came up with the best thing ever.
It started as some characters to accompany my sona, and turned into a full circus. So. PLEASE. Let me know if you guys want the full thing.
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(Btw, jest is my sona, and all these characters still need names !! Other than the tall shadow guy (billy, my dear husband :3) and the clown girl with the balloons, who is named bingo balloon, or maybe bingo baby. I havent decided yet, but im leaning towards balloon. Oh and the jack in the box flower, her name is bloomy)
If i were to go all out with this story, id rebrand this blog to "jests circus of delights" and share little comic scenarios of all these characters and their shenanagins (and maybe also allow asks and requests and stuff about the cast and all that, yknow, let people interact with it in a sfw way of course)
But i wanna know what you guys think :3 also, prompt for anyone reading or rbing, who do you think is pred, and who do you think is prey? (Also, for bingo balloon, shes canocially fifteen, so please just try and be normal and not weird !! This is sfw vore only, no matter the age of the characters, either)
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swan2swan · 7 months ago
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Just give it time, Sammy. Give it time.
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freedomforthewin · 2 months ago
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Newt calling the qilin “little one” is so precious 😊. I love how he spoke to her with such gentleness and care.
I actually love how tender both Scamander brothers were with her.
And the way the qilin looked at both of them (She looked at Theseus in the deleted scene.) was sweet, too.
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starsxinxthexbluexsky · 2 years ago
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Lan Wangji Being Badass
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