#the fall of house black

[endemise]

✻ DEMO

→ Latest Update: Prologue — 3 February 2024

17+ The Fall of House Black — A gothic, supernatural, mystery interactive fiction story. Lightly inspired by The Fall of the House of Usher and Frankenstein media. (Work in Progress)

Synopsis has mentions of death and suicide. See extended content warnings below.

The fall of House Black, your house, was an imminent thing. A name had never been so cursed that all it could do was bring about death.

First, your younger sister in a swimming accident, then your older brother in a case of mistaken identity. As the rest of your family sought to grieve and bring justice to your brother, your older sister was killed in a hunting accident at the end of your father’s bow.

The three of you, mother, father, and child, became inconsolable. Broken beyond repair. Your mother unable to bear the weight of life any longer took her own while your father disappeared, gone into the night. When you remain the sole survivor of House Black, you know you must leave, and on the night of your decision, your home goes up in flames with you inside.

Then, you awake, dazed with no recollection of anything, and when you look down at your body, you scream. It is wrong. So wrong.

Play as a reanimated, customizable character.

Learn how to be a person again.

Try to survive in a society that fears the unknown.

Develop relationships. (4 ROs: All gender-selectable + 1 secret RO)

Aid in the investigation of your family’s untimely deaths.

Learn about your family’s curse.

Aesop/Almira Hammond | Detective | 36 Years Old | RO

A is an observant and clever person, stoic in nature. They put their all into their work, striving to find the truth in every case. They take on the case of your family’s sudden deaths despite pushback from others. It was an occurrence of events all too strange, and they are determined to figure it out.

Cyprian/Cecilia Atterton | Writer | 28 Years Old | RO

C is an imaginative and creative person, quiet in nature. They write not only from their own experiences, but the experiences of others as well. They are interviewing people about House Black, intending on writing a book about your family’s ill fate and eventual demise.

Sebastian/Sabina Farwell | Doctor | 34 Years Old | RO

S is an intelligent and kind person, caring in nature. They are a most trusted doctor, hardworking and honest. They were the young doctor that tried to help your father and sister. They helped without question, never calling your family cursed as you so often were.

Elias/Elosia Osborne | Coroner | 30 Years Old | RO

E is an empathetic and hardworking person, cheerful in nature. They put their heart into their work, aiming to bring closure to people as swiftly as possible. They are the one who investigated and confirmed the death of your elder sister. They never could for you though.

Unknown | ??? | ??? | RO

A secret. Who knows when they will appear.

SUBJECT TO CHANGE

Mentions of death, child death, suicide, violence, blood, injury, burning alive, body horror, mutilation, slight gore, amnesia

asks are welcomed!

DISCLAIMER

this is a demo/work in progress. everything is subject to change until the final version. it is by no means a finished or polished work.

LINKS

✻ demo | same one, just another link

✻ itch.io | my creator page

✻ @ethersic | my main, art, etc. blog

INFO

word count w/o code: 6.3k

made with tweego + vscode + sugarcube

[goryhorroor]

horror sub-genres: gothic

[gentlemanmotorslifestyle]

[chaoticace22]

this summer is definitely something...

[synchodai]

HBO's Continued Insistence on Dumbing Down Westerosi Politics

So there have been countless thinkpieces already on how GOT simplified the feudalist politics of Westeros (by giving a lowborn sellsword lordship over The Reach, by having no consequences for destroying the Sept of Baelor, etc.), but I haven't seen a lot of people talking about that for House of the Dragon.

The worst being that the show presupposes that Rhaenyra is the lawful heir when the books showed there are plenty of lawful arguments why she wouldn't be.

Mind you that I've been enjoying the show a lot so far. This is just to vent out my frustration with the writers' failure to fully engage with the values and protocols of the Middle Age-inspired setting. The show seems uninterested in laws of the Realm in a story ostensibly about politics, save for when they're using it as an excuse to amplify depictions of sex and violence.

Blacks vs Greens wasn't a matter of misunderstanding of who each side thought Viserys wanted on the throne. It was the Targaryens' belief of their absolute authority clashing with the Realm's established traditions. Everyone always knew who Viserys chose as heir. In Fire and Blood, Grand Maester Orwyle said as much when he was parleying with Rhaenyra on behalf of the Greens.

Rhaenyra heard his terms in stony silence, then asked Orwyle if he remembered her father, King Viserys. "Of course, Your Grace," the maester answered. "Perhaps you can tell us who he named as his heir and successor," the queen said, her crown upon her head. "You, Your Grace," Orwyle replied. And Rhaenyra nodded and said, "With your own tongue you admit I am your lawful queen. Why do you serve my half-brother, the pretender?" Munkun tells us that Orwyle gave a long and erudite reply, citing the Andal law and the Great Council of 101. Mushroom claims he stammered and voided his bladder. Whichever is true, his answer did not satisfy Princess Rhaenyra.

(For non-F&B readers: Munkun is the Grand Maester who served Aegon III, the king who came after this civil war. Munkun's book, The Dance of the Dragons, A True Telling, is one of Fire and Blood's source texts. Mushroom is the King Landing court jester from Viserys I to Aegon III's reign. One is a source written with academic rigor but is secondhand at best. The other is a firsthand eyewitness account but is from a literal fool who will take every chance to make things more scandalous and sexual to please the crowd.)

In House of the Dragon, they replaced Orwyle with Otto and Orwyle's discussion of legal precedent with Otto handing Rhaenyra a book page from Alicent. It's quite evident here that the writers, much like Mushroom, thought a discussion on the actual laws of the Realm were negligible in this story about a succession war.

Even Alicent made no pretense that Viserys chose Rhaenyra over her children and I have no idea why the HBO writers decided to make her mistakenly think otherwise. Maybe they thought a queen regent pushing her son to take the throne over another woman made her appear unsympathetic as a character, but if anything, this only makes show!Alicent less politically savvy and more delusional than her book counterpart, fully believing an addled king's vague muttering on his deathbed was sufficient grounds to change heirs last minute.

Book!Alicent following Andal laws instead of her husband's wishes makes sense given her Andal upbringing, her devotion to the Faith of the Seven which enforces said laws, and her desire to protect her children from Rhaenyra given that Rhaenyra has shown she's not above murdering family (see: Laenor).

In the books, there was a long discussion between the former king's council on who should succeed Viserys.

Here are the arguments for Rhaenyra:

Rhaenyra was older than her brothers and had more Targaryen blood

the late king had chosen her as his successor, that he had repeatedly refused to alter the succession despite the pleadings of Queen Alicent and her greens

hundreds of lords and landed knights had done obeisance to the princess in 105 AC, and sworn solemn oaths to defend her rights.

Here are the arguments for Aegon II:

many of the lords who had sworn to defend the succession of Princess Rhaenyra were long dead [...]

Ironrod, the master of laws, cited the Great Council of 101 and the Old King’s choice of Baelon rather than Rhaenys in 92

the hallowed Andal tradition wherein the rights of a trueborn son always came before the rights of a mere daughter

Ser Otto reminded them that Rhaenyra’s husband was none other than Prince Daemon, and “we all know that one’s nature. Make no mistake, should Rhaenyra ever sit the Iron Throne, it will be Lord Flea Bottom who rules us, a king consort as cruel and unforgiving as Maegor ever was [...]”

Should the princess reign [...] Jacaerys Velaryon would rule after her. “Seven save this realm if we seat a bastard on the Iron Throne.”

Once again, the show chose to cut out this long political discussion. Instead, the council had already made up their mind and decided to stage a coup (when in their perspectives from the books, it would definitely not be a coup).

For all their marketing how two sides are equally grey, HotD is actively delegitimizing Aegon II. The strongest argument for him is how his claim follows the laws of the Realm, but the show doesn't seem to care about the laws of the Realm or the political need to maintain a more predictable/tested transfer of power.

Instead, the show focuses on Viserys's relationship with his daughter and the mysticism of the Targaryen bloodline. In doing so, they emphasize Rhaenyra's strongest arguments for succession — that she's more of a Targaryen than her half-brother and that her father prefered her.

And what for? Because in our modern-day, we don't have male-prefered inheritance and people can only imagine misogyny as the only injustice here? What about the injustice of a monarch exercising absolute control, thinking that his "superior" heritage makes him above the established laws of the native people?

This is not to say Aegon II is unquestionably the heir. But this is to say that the show removed the political nuance of why people are questioning in the first place. Precedence isn't the end-all-be-all of succession, but neither is "because daddy said so".

[mystery-pixels]

more houses...lot's more houses

i've been obsessively making move in ready homes for my save and i'm so happy with them! (the price though for these are not starter homes prices unfortunately lol)

[lobotomist-at-claires]

chappell roan could do the black parade and my chemical romance could do midwest princess

[amelheth]

The HellBringers

Antagonists most dastartdly at hell they can bring having a cool evil boiz party. Some lone wolves like Lich unfortunately did not participated (and i geniunely forgor HIM from PPG)

And some were just too digital for real world, but phone is enuff.

[com3150project]

A detail from The Fall of the House of Usher that I didn't catch until the second viewing: When Leo buys the black cat from Verna, he asks her to pose it for a picture that he can compare to Pluto.

It's adorable, too good to be true. However, after Leo dies, THIS is the picture that Pym finds in Leo's phone:

Verna had given Leo a rat, because that's what cat's do.

[shihoerusu]

The fine line between love and hate

[atomic-chronoscaph]

Poe - art by Greg Hildebrandt (1986)

[endemise]

long ramble, progress update, & potential release timeframe below:

hii! i got a lot of coding done and i think im finally satisfied with how the game looks (for now…)

here are some screenshots of what some of it will look like on mobile!

the friendship and romance levels shown in the relationship menu are just random as is the blurb for Aesop’s thoughts, they’re just for the example! (also characters thoughts are hidden by default, you click to reveal, then hide, them)

the stat bars were giving me hell but i finally figured them out with the the help of some forums and tumblr posts

i liked how in when twilight strikes by evertidings, the menu buttons (i.e. profile, stats, relationships) are listed at the top of the page so i took inspiration from that! and the many IFs that have a splash (?) screen at the beginning with the title

compared to when i started using twine (i think august 2023 was the first time i gave it a try), i’ve learned so much and there’s still so much to learn as well, i think coding has become my favorite part (making things looks pretty hehe)(with the help of amazing templates & ppl smarter than me, they do the heavy lifting fr)

with all the coding done (appearance wise) it’s lock in time for the revised prologue and chapter 1

the prologue has undergone a fair bit of change with the help of feedback & i’ve (hopefully) better established the setting and story.

some things that have changed besides wording and sentence structure, etc.: being able to choose what you did as a job (ex. working at the family inn) and meeting a new character (more like an old friend?)(no spoilers:))

some things i’ve been considering (SLIGHT SPOILER FOR CH.1 MAYBE): merging the revised prologue and chapter 1 into just the prologue bc chapter 1 differs a bit from the other chapters, but then the prologue would maybe be too strange timeframe wise? it’s a time skip after the events of the prologue (is that considered a spoiler, i don’t think so but???) that connects to the next chapters so maybe it’d just be better as its own chapter? or dropping the revised prologue by itself along with the updated ui/appearance then chapter 1 sometime after, or dropping the revised prologue and chapter 1 together, idk these are all just ideas i’ve been thinking about maybe i’ll do a poll

if you have anything you’d like to see, for example a specific job your MC worked, certain personality traits, or something like that, feel free to let me know & i’ll take them into consideration! i think now is the best time to add things bc it’s early development days & it’ll be easier to do so now than later

i’ve also decided to lean a little more into the supernatural aspect which i’m excited for (one specific thing really, i can’t wait to get to it🤭) the story’s world itself is fairly grounded in reality (as in the supernatural is unknown to most) but i’m looking forward to exploring it more

what you’re probably reading this for: depending on how i end up going about the prologue-chapter 1 merge decision & whether anything is added from requests/feedback, i’m aiming for a june release, july at the latest (fingers crossed). now that the appearance and function coding is complete (besides stat/choice tracking & other story related things), finishing the writing and coding it in is all that’s left

my schedule has done a 180 & some things are less than ideal at moment but it should all (hopefully) go smoothly from here! should anything change, i’ll let you all know

anyways, that’s all i have to say for now! ty for being patient & for reading this mess, i appreciate you all :)

[the-daily-dreamer]

The thing about the breakdown of the Rhaenicent relationship that is talked about but I think is still severely overlooked is the key role that both girls/women (specifically Rhaenyra) play in its destruction.

Because the fandom focuses in on this narrative that the relationship broke down solely because of the ambitions of men. And aside from that fueling the annoying idea that all women are inherently passive victims that suffer because men are ambitious and violent, it’s simply wrong.

While the catalyst was certainly Otto’s ambition and Viserys’s weakness (and perversion), Rhaenyra and Alicent’s relationship truly breaks down because of Rhaenyra’s entitlement, self-serving nature, and inability to see outside of herself and her experiences and Alicent’s (in my opinion reasonable) reactions toward this over time.

The beginning of the break down comes from Otto forcing Alicent to comfort the king and Viserys knowing his desire for her is wrong and forcing her to keep quiet about their visits until he decides to marry her without her prior knowledge or consent. And Rhaenyra (and the fandom) sees this as the ultimate betray against her by Alicent. Rhaenyra holds more resentment against Alicent for the engagement than she does against her father. Why is this? Some might say that it’s because she’s closer with Alicent and therefore would expect more from her than her father (whose relationship with her has been broken by the murder death of her mother). But I don’t think that’s fully the case.

While Rhaenyra having a higher expectation of Alicent may be a reason for her increased and unequal resentment, I think the main reason is that Rhaenyra cannot fathom Alicent could do this because she has never been in this position. Rhaenyra sees this as Alicent being complicit in the deceit and seduction because Rhaenyra would simply rebel. She can’t understand why Alicent wouldn’t simply say “no” to her father or betray the king for her. Rhaenyra’s world view is very blinded by her privilege. She simply thinks Alicent should and could defy her own father because…Rhaenyra has and will again. Rhaenyra is able to disobey her father and get away with it so why can’t Alicent? Ignoring the fact that a crown princess has vastly more power than the daughter of the hand, Viserys is a weak and compliant parent compared to Otto’s manipulative and stern nature. It’s easy for Rhaenyra to disobey because the consequences are either nonexistent or very mild. Alicent doesn’t have this luxury and privilege but Rhaenyra can’t conceive of it.

But also, Rhaenyra sees her father as…her dad. Not the king. Rhaenyra sees it as easy to defy him and his orders because he is her father first and her king second. But for Alicent that is the king. The most powerful man in the world. Defying him could have disastrous consequences for her and her father. But because Rhaenyra doesn’t force herself to see things from another’s perspective, she doesn’t see it as Alicent being beholden to the man who could (if he wanted to) ruin her family or kill her and her father but rather her friend not betraying her dad.

After this we see Alicent be the one to continuously try to extend an olive branch and support Rhaenyra behind the scenes. Asking for Rhaenyra to have the option to choose who she marries (a privilege and kindness Alicent, herself, and every other woman in this universe hasn’t had). Reaffirming Rhaenyra as the right choice for heir when Viserys is questioning his decisions. Defending Rhaenyra against rumors that would damage her reputation. And all Alicent gets in return is snark, anger, and lies (leading to Alicent’s isolation and suffering in court).

Which leads to event two that breaks the relationship: Rhaenyra’s entitled behavior and lying. Alicent spends a great deal of her time coinciding her husband in favor of Rhaenyra. But Rhaenyra, seeing herself as exceptional and above the rules, continuously acts out in ways that hurt her standing. Most especially with her decision to go out and try to sleep with daemon and then pushing Criston to sleep with her.

Alicent is the one to be transparent with Rhaenyra about the “rumor” to get her side. Something Viserys would simply not care enough to do. Rhaenyra, knowing her actions being confirmed would be disastrous, tells half truths to Alicent who is all too eager to believe and support her friend. Even worse, she uses the memory of her mother, something she knows Alicent holds incredibly sacred, to further convince Alicent that she’s telling the truth. And this decision by Rhaenyra to lie (over something she knows Alicent holds dear and has used multiple times to try to connect with her) to protect herself directly harms Alicent as her father and only ally in court is kicked out and ostracized. But that’s not Rhaenyra’s concern. While Alicent has given a lot of effort to protect and defend Rhaenyra, Rhaenyra is far too focused on her on wishes and desires to care about the impacts her choices have on anyone else.

And that’s why when Alicent finds out that it was a lie, a lie that got her father taken away from her, she goes full scorched earth and wears the green dress. Because she realizes that Rhaenyra will never stop being entitled and self-serving. She realizes that all this time and effort she has put into fixing things with Rhaenyra and defending her is completely one sided. Because Rhaenyra can only see things from her perspective and can only see things based on how she can benefit even to the detriment of others (herself, her father, Criston, etc.).

Then the final nail in the coffin is the birthing of bastards. At this point Alicent has had her eyes opened to how Rhaenyra will do as she pleases without considering the consequences (to herself and others) and then she watches Rhaenyra flagrantly birth obvious bastard after obvious bastard, pushing the children she was forced to have further and further down the line of succession behind kids who objectively should not have the throne. And it makes her bitter and jealous and as she should be. The fandom is too obsessed with marking Alicent as the reason the relationship was destroyed because she was unnecessarily jealous of poor Rhaenyra who was just so brave to do as she pleased!

But it’s a spit in the face to Alicent. That Alicent was pimped out and forced the have children with a man she didn’t love at the ripe old age of 15 hole Rhaenyra is free to take a lover and birth obvious bastards and get away with it. She has every right to be angry. Not because she thinks all women should be submissive and bend to patriarchy. Because she is watching how privileged Rhaenyra is before her very eyes while she was forced to suffer the way almost every other woman has.

While I acknowledge that Viserys and Otto are the catalyst for the breakdown of Rhaenyra and Alicent’s relationship. Rhaenyra’s flagrant disregard for others and her entitlement are what truly break the relationship until Alicent is no longer willing to be submissive and accepting of Rhaenyra’s behavior. And this in turn, causes her to make choices that service her and her children. The way Rhaenyra has always done and always will.

The breakdown of rhaenicent was always inevitable regardless of which men were involved. Because at their core, Rhaenyra would always put herself first and Alicent would always come to the realization she is no longer willing to be a doormat.

[gentlemanmotorslifestyle]

[bumblingbabooshka]

-crawling out from under an abandoned house- B'Elanna Torres who has been denied the chance to feel feminine and small and protected and cherished (as everyone around her constantly portrays her as 'strong, angry, loner, explosive, mean, bitch, standoffish' which obviously heavily colors her perception of herself and makes her less likely to feel she can be vulnerable or she literally just can't be because she has to do her vitally important job and survive and help everyone else survive) to the point that even though she desires it she feels it's silly to even want let alone pursue or expect X Seven of Nine who has been denied the chance to explore her own relationship to gender because ever since she became aware of the concept it has been her tied (and monitored, chastised when deviating) strictly to the most traditional and sexualized definition of femininity imaginable - discovering that she's butch. Are you hearing me? B'Elanna Torres who fantasizes about being wanted gently by men, loved and yearned for by them [looking at her daydream of Chakotay, her classically romantic novels] and Seven of Nine who is not a man but is not a woman - who loves and yearns for her in a way she can't quite express through the narrow lense of heteronormative womanhood that she's been given. Seven of Nine who wants to kiss B'Elanna's hand and protect her and B'Elanna who's never once been protected by anyone, not even her parents. Her own father wouldn't protect her from bullying, saying she was too sensitive. That she should have been stronger. Tom saying he 'didn't think' she cared about romantic gestures because she's so strong and independent. [In this way she is expected, even as a child or in an intimate partnership, to take on everything stoically and to react to anything at all is an 'outsized reaction', out of character, shocking and dangerous - there is no time and no relationship no matter how intimate where she can be vulnerable and soft and wanting without it being 'too much'] Is this thing on???? Can you imagine Seven telling B'Elanna that she sees how scared she is, how fragile she is, and that she'll protect her with her life if necessary??? Can you imagine Seven, injured in some way [calculated yet foolhardy on her part], being tended to frantically but skillfully by B'Elanna who's scolding her with a furrowed brow and a voice so drenched with worry it dulls any harshness in her words which Seven isn't listening to anyway because she's too busy looking at her face and hearing the sound and cataloging how fast her heart is beating and thinking back to all those old movies Tom showed them all with scenes of women tending to their men and being rewarded for it with a kiss and an 'I'm sorry darling' and those holonovels Janeway goes through where a woman in a silk nightgown meets her monstrous lover in the rain or a darkened hall after finding out some terrible secret and nearly drops her candle upon seeing him but remains brave, holding onto her love. Everyone else might be afraid, but not her, she understands him ['we difficult patients have to stick together'] and Seven never saw herself as the tending type or the bleeding heart but B'Elanna is. B'Elanna loves machines, loves people so desperately it makes her miserable, and she never drops her candle. B'Elanna's beating, bleeding heart is pouring over her and Seven realizes she wants it for her own. She wants her for her own. Her love. Her woman. Seven - She's a scoundrel, a stately figure with a terrible secret written all over her face, a brute who doesn't deserve the tender touch he's being gifted and she raises her hands to cup B'Elanna's face and kisses her. And it's the only experience she would privately characterize as perfect. And something clicks very neatly into place.

[victoria-daydreams]

Begging for somebody to start writing fics for Robert House, this man was on my screen for .2 seconds but he has made a home in my mind, it’s crazy 😭😭😭😭