#the evolution of their relationship is crazy

[romicat]

Emma Frost has never once been normal about Kate Pryde.

[thisgirliscatastrophic]

I think digimon (at least in the first couple of seasons) are a part of their partners. Like they are the physical representation of something within their partners.

I think this explains what happened in Kizuna and why. Taichi, Yamato, and Sora were clearly struggling with something within themselves, and this resulted in their digimon disappearing.

[synthville]

questions about seven and raffi that i need this episode to acknowledge and/or answer include ‘are they together?’ and ‘literally why are they acting like they never met let alone got engaged in 21st century france at the edge of a crumbling chateau’ and ‘it’s been 2 whole episodes why haven’t they mentioned each other at all like is this a deep cover kind of thing or did y’all (writers etc) give up on their relationship because y’all were never legitimately invested in the first place🧐’ and ‘seriously what is going on with these two there hasn’t been one meaningful or offhanded mention about their relationship status and is the silence on the issue meant to be an answer because if so i hate it’ and ‘do y’all (writers etc) know that stable relationships are actually not boring or illegal like you can just write that and no one will arrest you it’s fine’ and ‘did seven get to see raffi in her sexy spy get up before they parted ways because i think she would love it as much as or even possibly more than me (known raffi enjoyer)’ and and and—

[fefairys]

this is one is important as fuck i see so many people not understand this and it drives me crazy

"Sburb ruins, mythic challenges, and personal quests generally tend to come off as shallow busywork, stage props, or set pieces in a spurious Hero's Journey. Rose either faintly glimpses this truth at this early stage, or she's just hitting her rebellious teen stride. Either way, she doesn't take the surface value of the quest seriously at all, and only wants to smash it apart and loot the secrets. My sense is that the average reader reacts to this impulse unfavorably. Because readers watch the formula play out so often, they are trained heavily to respect the journey of the hero, to anticipate and crave its fulfillment, to see it as something verging on contractual in their relationship with a story. So a gut-response to this recklessness is like, "ROSE, NO! STOP THAT! You simply must complete your quest and play the rain!" What comes with this view is the feeling that her evolution as a character is only being delayed for a bit while she gets some anti-narrative foolishness out of her system, and then we'll get down to business and watch her do her quest, play a whole BUNCH of rain, and reap the narrative satisfaction. There's just one problem: she never does that. This candy-coated Kiddie Kwest is at no point ever taken seriously by Rose or the narrative itself, nor should it be.

When trying to parse character arcs, we look out for certain beacons. So when we hear "play the rain," we're like, ah, GOT IT. That's Rose's arc. Once she finally gets over this destructive teen bullshit, she can wise up, play the rain, and her arc will be finished. Wrong. This is almost a red herring arc. Her quest on this planet, its patronizing presentation, its intrinsic shallowness, is a mirage surrounding her that represents a fully regimented series of milestones for achievement and personal growth, much as society dubiously presents to young people in many forms. The true arc-within-the-arc is actually an upside-down version of what it appears to be. What Rose is doing now, which seems to be misguided recklessness taking her further away from the truth of herself, is actually better seen as a good start to her real journey: breaching the mirage of regimented growth, exposing it for the charade it is, and pulling the truth out of it. The real conflict in her arc comes not from the fact that she refuses to take it seriously, by destroying it and taking shortcuts. It's the opposite. It's that, upon trashing her planet, she continues to have this nagging sense that she should be taking this quest seriously, much like how a young adult may have a nagging sense of guilt that they aren't "being an adult right" by the time they approach adulthood. And this nagging, unanswerable guilt arises from the truth that the regimentation of adulthood is completely fake. It was always a mirage. Learning this, making peace with it, is part of the growing process for many, and it is for her too." -Andrew Hussie

intrinsically queer as fuck, too, btw

[harmoonix]

🤍 𝔇𝔯𝔢𝔞𝔪𝔢𝔯𝔰 🐎

𝓐𝓼𝓽𝓻𝓸𝓵𝓸𝓰𝔂 𝓞𝓫𝓼𝓮𝓻𝓿𝓪𝓽𝓲𝓸𝓷𝓼

🐎 I observed that Capricorn/Aquarius and Scorpio Venus tend not to fall that much in love relationships, definitely not as crazy about their love life rather more about their careers

🐎 Venus in the 11H or 11° 23° since the 11th house is related to the desires, these natives usually have a lot of desires/wishes towards their love life

🐎 Saturn in the 1H/6H/10H/12H are kinda anxious when starting something new because they are known to work and focus on the same thing for a long time, when it comes to starting something new it can be a challenge for them

🐎 Mars aspecting Saturn harshly, and if one of those planets is in the 7H, can indicate being patient in the couple - arguing/fight moments,

🐎 Chiron aspecting Venus or Moon can definitely go up for couple therapy when is needed because it can help

🐎 Cancers and Gemini placements can be good at crafting/creating. Cancers definitely for traditional crafting at home/homemade

🐎 Mars in Aries/in 1H or ar 1° 13° 25° is a known fact that these natives get irritated fast. They have an inner anger that comes out in random moments

🐎 Uranus in the 10H natives or Urnaus at 10° 22° probably have a desire/dream to end up successful at some point in their lives

🐎 Pisces/Gemini/Aquarius and Sagittarius Placements can be interested in space and physics/chemistry, I know so many of them who just love staying in a laboratory doing stuff

─────────────────────

Here I am, so young and strong

Right here in the place where we belong

─────────────────────

🐎 Cancer or Moon in your 7H can indicate a deep need for being nurtured or to nurture others in a relationship

🐎 Scorpio Placements are usually seen as the 'bad guys', but they were the ones to meet the most bad guys in their lives... like these people went through a lot

🐎 Aries/Scorpio/Sagittarius/Capricorn in the 3H can make a person bitter/colder in conversations and is usually when they are being verbally attacked by others

🐎 If we think about it Aquarius/Capricorn and Sagittarius Venus need a lot of freedom in their relationship, they love their relationship but also having some time for yourself is vital

🐎 Leo Venus/Moon/Rising really loves to get compliments. It is a nice thing to feel seen or appreciated by others

🐎 Aries and Pisces Venus needs a lot of trust in their relationship, don't be afraid to trust your partner, if they really love you, they wouldn't lie

🐎 Venus in Virgo/6H or at 6° and 18° is a really lovely placement because it talks about a devoted partner, probably someone picky as well

🐎 Juno aspecting Pluto can indicate a partner or relationship that will change you, so that means you won't be the same you after that relationship

🐎 North Node being less aspected can indicate confusion about what to do with your life next but also having it easier to go through your life stages

🐎 Capricorn Placements are wise since young and are a big indicator of an old soul. They will be more wise with their age

🐎 North Node aspecting Venus in both harsh and good aspects stands for finding a love for yourself, to appreciate yourself

🐎 Saturn aspecting the ascendant natives can isolate themselves from the world, it's like a coping mechanism to help them

🐎 If you have Mars in the 9H and you're in a relationship/marriage, you can have some sort of tension with your partner's parents or family

🐎 Pluto in your 8H/12H can indicate a good intuition but also a strong native because you'll have to go through hardships involving your own evolution

🐎 When you have 9H/12H placements and you haven't moved away from your homeland, you can end wish or crave that, you can crave for moving away

─────────────────────

I've been waiting for you

Here I am

─────────────────────

🐎 Mercury - Venus/Jupiter - Neptune/Mercury - Moon aspects in your chart bring creativity, you can have a creative mind

🐎 Saturn in the 1H/5H/8H helps with the self - improvement over the years, like you get better with the years/in the future

🐎 Most times, an earth Venus will look for stability in a love relationship. If they can't find it, they will just look for it

🐎 Jupiter aspecting Mars natives will get angry easily, and the fun thing is that.. you can see it on their faces..they cannot hide the anger

🐎 Harsh aspects between Sun and Moon can make you hate yourself at times and usually come from the imperfections of yourself. We are all imperfect and we should appreciate that

🐎 Spirit is such a childhood core, yet it feels like a fever dream. The emotional baggage of this movie is crazy. 🐎

[astrosouldivinity]

𝑯𝒐𝒘 𝒕𝒐 𝑫𝒆𝒂𝒍 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝑬𝒗𝒊𝒍 𝑬𝒚𝒆: ⁺⋆🧿⋆⁺ (𝙿𝚊𝚛𝚝 𝚃𝚑𝚛𝚎𝚎)

𝑬𝒗𝒊𝒍 𝑬𝒚𝒆 𝑻𝒂𝒄𝒕𝒊𝒄𝒔 𝑻𝒉𝒂𝒕 𝑷𝒆𝒐𝒑𝒍𝒆 𝑼𝒔𝒆:

1. 𝑬𝒏𝒆𝒓𝒈𝒚-𝑺𝒊𝒑𝒉𝒐𝒏𝒊𝒏𝒈 (➖)

• Recruiting Allies: They recruit other people to help with undermining you, knowing they can't succeed alone.

• Obsessive Monitoring: They engage in gang-stalking behavior, fixating on you, plotting and praying on your downfall.

• Controlling Behavior: They nitpick and belittle you, trying to manipulate your emotions and provoke reactions.

• One-Sided Relationships: You invest your energy into them, but they offer nothing in return. Essentially, pouring into an empty cup, leaving you drained and feeling entitled to your energy.

• Deteriorating Health: Their influence can manifest in negative effects on your well-being, leading to visible changes such as decreased vitality, increased illness, and persistent brain fog.

2. 𝑬𝒎𝒐𝒕𝒊𝒐𝒏𝒂𝒍 𝑴𝒂𝒏𝒊𝒑𝒖𝒍𝒂𝒕𝒊𝒐𝒏 👹

• Gaslighting: They make you question your reality through passive-aggressive tactics, engaging in psychological warfare that is truly diabolical. This involves throwing stones and hiding their hands, creating confusion that drives you to doubt your perceptions and feel like you’re going crazy.

• Isolation: Following a smear campaign, you may find yourself ostracized, leaving you vulnerable and unprotected. This isolation is even more distressing if you don’t fully understand what’s happening.

• Existential Neglect: They act as if you don’t exist, undermining your self-worth and causing you to doubt yourself. This behavior pushes you to seek their validation, aiming to disconnect you from your true self.

3. 𝑻𝒓𝒂𝒑𝒑𝒊𝒏𝒈 𝒀𝒐𝒖 🪢

• Commitment to Misunderstanding: They are dedicated to misinterpreting you, and people who dislike you will always find faults, fueled by a relentless desire to undermine you.

• Projection: They impose their limiting perceptions on you, trying to box you into a version they can control.

• Stagnation: They resist your growth, attempting to keep you in a state where they had the most control over you, and project their own lack of evolution onto you.

4. 𝑯𝒐𝒘 𝒕𝒐 𝑷𝒓𝒐𝒕𝒆𝒄𝒕 𝒀𝒐𝒖𝒓𝒔𝒆𝒍𝒇 🪬

1. Wear Protective Crystals: Utilize stones such as black tourmaline, obsidian, and clear quartz. Wear evil eye jewelry, and incorporate protective practices like spell jars, mantras, and visualization techniques.

• I create evil eye-themed jewelry, crystal jewelry, and spell jars, which will be available for purchase soon. 💟

• 𝚂𝚙𝚎𝚕𝚕 𝙹𝚊𝚛𝚜 🌱🫙

2. Pray for Protection: If necessary, consider return-to-sender or freeze spells. However, these are most effective when you know the source of the negativity. Identifying the evil eye source can be challenging, especially in omnipresent situations.

• 𝚁𝚎𝚝𝚞𝚛𝚗 𝚝𝚘 𝚂𝚎𝚗𝚍𝚎𝚛/𝙵𝚛𝚎𝚎𝚣𝚎 𝚂𝚙𝚎𝚕𝚕

3. Practice Energetic Detachment: Employ the "grey rock" method—remain unresponsive and stoic. By becoming an emotionless force, you deprive them of the energy they seek to access.

4. Embrace Your Inner Power: Recognize that they are sending negative energy towards you. Channel that energy back to them, transmuting it into your own strength. Remember, these individuals are ultimately weak; their attempts to bring you down are driven by a desire to feel powerful and in control.

𝙿𝚊𝚛𝚝 1

𝙿𝚊𝚛𝚝 2

𝚃𝚒𝚙 𝙹𝚊𝚛 🫙🙏🏿

𝙼𝚊𝚜𝚝𝚎𝚛𝚕𝚒𝚜𝚝

𝙽𝚘 𝚙𝚕𝚊𝚐𝚒𝚊𝚛𝚒𝚣𝚒𝚗𝚐 𝚘𝚏 𝚖𝚢 𝚠𝚘𝚛𝚔 𝚒𝚜 𝚊𝚕𝚕𝚘𝚠𝚎𝚍. 𝙷𝚘𝚠𝚎𝚟𝚎𝚛, 𝚒𝚏 𝚢𝚘𝚞 𝚜𝚑𝚊𝚛𝚎 𝚊𝚗𝚢 𝚘𝚏 𝚖𝚢 𝚠𝚘𝚛𝚔 𝚙𝚕𝚎𝚊𝚜𝚎 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚙𝚛𝚘𝚙𝚎𝚛 𝚌𝚛𝚎𝚍𝚒𝚝: @𝚊𝚜𝚝𝚛𝚘𝚜𝚘𝚞𝚕𝚍𝚒𝚟𝚒𝚗𝚒𝚝𝚢 🖤

*✧🧿 *✧･ﾟ🧿✧･ﾟ🧿 *✧･ﾟ🧿✧･ﾟ🧿 *✧･ﾟ🧿✧*

𝚃𝚑𝚒𝚜 𝚌𝚘𝚗𝚌𝚕𝚞𝚍𝚎𝚜 𝚝𝚑𝚎 𝚏𝚒𝚗𝚊𝚕 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚖𝚢 𝚜𝚎𝚛𝚒𝚎𝚜 𝚘𝚗 𝚍𝚎𝚊𝚕𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚎𝚟𝚒𝚕 𝚎𝚢𝚎. 𝙸 𝚖𝚊𝚢 𝚛𝚎𝚟𝚒𝚜𝚒𝚝 𝚝𝚑𝚒𝚜 𝚝𝚘𝚙𝚒𝚌 𝚒𝚗 𝚝𝚑𝚎 𝚏𝚞𝚝𝚞𝚛𝚎, 𝚊𝚜 𝙸 𝚑𝚊𝚟𝚎 𝚖𝚞𝚌𝚑 𝚝𝚘 𝚜𝚑𝚊𝚛𝚎 𝚋𝚊𝚜𝚎𝚍 𝚘𝚗 𝚖𝚢 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜. 𝙸𝚏 𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚜𝚙𝚎𝚌𝚒𝚏𝚒𝚌 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗𝚜 𝚊𝚋𝚘𝚞𝚝 𝚑𝚘𝚠 𝚝𝚘 𝚙𝚛𝚘𝚝𝚎𝚌𝚝 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏, 𝙸 𝚌𝚊𝚗 𝚑𝚎𝚕𝚙. 𝚂𝚝𝚊𝚢 𝚜𝚊𝚏𝚎 𝚘𝚞𝚝 𝚑𝚎𝚛𝚎; 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚠𝚎 𝚕𝚒𝚟𝚎 𝚒𝚗 𝚒𝚜 𝚑𝚎𝚕𝚕𝚊 𝚜𝚌𝚊𝚛𝚢. 😓

[leclsrc]

wait and see ✴︎ cl16

genre: enemies to lovers, fluff, angst barely, other drivers appear

word count: 2.5k

The grid recounts the evolution, nature, and many ups and downs of your and Charles' vague relationship.

auds here... req'd, this was p fun to write i hope u guys like it! :) short bec if it was any longer it wouldnt have been as nice to read i think? anyway... i love u guys. title from this.

Lando takes a seat. “Is this the thingy for…? Yeah? Okay. What am I supposed to do again?”

“Just describe the two of them.”

“Easy. She was always pissing him off.” He rubs his chin, lost in thought. “But… in a good way?”

—

“I told you a hundred times I didn’t want this to be the soundbite you published.” Charles chases after you, his footsteps quickening like a lost puppy as you wrestle your way into the media pen. “A hundred times, and you said okay, and you still published it. Che succede?”

You turn, crossing your arms over your torso. “Look. I said yes, but when I looked it over, nothing else you said was really worth it. It was all just repetitions of the same PR bullshit that makes you look good on camera.”

He rakes a hand through his hair, exhaling with frustration, watching his biting comment on Iñaki rack up hundreds of thousands of views. “This was not a good idea!” He repeats, the same sentiment he’s been telling you in the half-hour he’s known of this video’s publicity.

“But it happened.” You adjust your mic and gesture to Lando, who’s awkwardly waiting for the cameras to roll so you can start the post-FP2 interview and he can talk about his shit car. “I’m busy, so deal with it. Your fans will appreciate you not riding Ferrari’s dick all the time.”

Charles opens his mouth to argue, but shuts it, shoving his way back outside and into the motorhome so he can cooperate in damage control. He doesn’t admit it—to you, to Carlos, to anyone—but the PR that comes of it is more good than it is bad in the end. He doesn’t admit it because it means admitting you’re right, and God if that’s the last thing he’ll ever do.

—

“They were always butting heads,” George says, laughing as he soaks in the memories of it. “Always fighting over something. Anything. Whatever there was that could be disagreed on—they’d be disagreeing.”

—

It started harmlessly enough. Seb walked in with two swatches of color—a blue and a purple—and addressed the room with a light tone, asking what color would best suit the tablecloths at his wedding. And then, as it always did with you and Charles, chaos ensued.

“Blue suits green better.” You wave the blue in his face. “You’re busy thinking of red all the time so you don’t understand color theory.”

“It’s not about coordination! It’s about creating a highlight!” He gestures with his hands, aggressively gesticulating to try and get his point across. “Highlight!”

“Oh, bullshit! Blue!”

“Purple!”

“Are you crazy?!”

Across the room, Seb and George watch in mild horror at the two figures caught in a needlessly intense argument over colors at a wedding that isn’t even theirs.

An AlphaTauri engineer comes in to refill his coffee for the third time, finds the two of you still fighting and is genuinely stupefied. He turns to the two onlookers, asks, “Bridezilla, huh? Happened to me once, too. I swear the grooms always try to weasel their way in to seem more involved but their choices never make sense.”

“Oh, no. They, uh, they’re not together.” George clarifies quickly.

“They’re not?!” The engineer and Seb ask at the same time.

They all watch the argument, bemused, but secretly they all wonder just how correct George is.

—

“We have a saying in Spanish. Del amor al odio hay un paso. Neither of them will understand it—it’s in Spanish, obviously—but I think that applies to them. One minute you think they hate each other, and the next…” Carlos lets himself taper into silence, smiling softly.

—

Being around Charles feels like karmic retribution, a constant eternal push and pull. But it makes the both of you better, even if neither of you admit it in the end. You can’t really grasp why, or how it started—it might take ages if you do so much as try—but you’re content with letting things happen the way they do.

Or maybe you’re not. “You ruined my fucking broadcast, dickhead!”

You toss your earpiece at his chest, body welling up with annoyance. Your segment was being casted live until Charles insisted he take up your airtime to do whatever-the-fuck, you honestly don’t care. And yeah, sure, he’s way more relevant, but the less airtime you get, the less easily you get the exposure you need.

“It happened one time.” He sounds amused, and it patronizes you, sets you on fire. He clutches your earpiece to his chest and hands it back to you.

“Fuck you.” You tug it toward yourself, and suddenly you’re closer, noses almost touching. You step back, but it’s not enough. “You have no idea how much that mattered to me.”

His eyes flit toward your lips, your bodies melting together. “If it really did…” he says, inhaling, “you would’ve just ignored me.” And damn, he’s right.

Charles does not like you. He just knows you well. But then one might argue—isn’t that the same thing?

—

“They have trouble not calling the shots, is the thing,” Lewis offers. “So put them in a team, in a room together, and boom.”

—

“…We didn’t agree on this script.” You underline the problematic lines and toss it onto Charles’ lap from where you stand in front of the sofa. “You want your fans to hate you?”

“The questions were clumsy. I asked you to reword them, but you didn’t.”

“You didn’t ask, to be clear. You demanded.” You click your tongue.

Lewis is in the middle of posting on Roscoe’s Instagram account and manually making typos, but he looks up, interest piqued by the increasingly heated conversation.

“I asked,” Charles insists stubbornly. “Plus, this is a Ferrari segment. You get hired to write on Ferrari, you follow Ferrari.” He points to the yellow logo on his shirt. Ferrari, he mouths. Lewis stifles a chuckle at the sarcastic exchange.

“Jesus.” You reread the script. “Fine. I’ll reword this and this.”

“And that.” He points, tapping the paper.

“Only if you edit this and this. Oh, God, and this.”

“Fine. Wait, that?”

“Are you serious? It’s the corniest statement ever. Edit that or I edit nothing.”

“Okay, bossy.”

Lewis exits Instagram in favor of texting Seb to ask if you two are dating. The response he receives is equally unhelpful: Nobody knows mate.

—

“You know, for all the disagreeing they did, they actually agreed on so much of the same stuff. If they stopped fighting for two seconds they would agree on most things.” Alex muses. “But they never did, so. Or maybe a few times.”

—

Media is a tricky thing. It’s either on your side, or it isn’t.

And this weekend, Charles has drawn the short straw, subjected to bouts of backhanded journalists and tweets for his strategy during quali. You know this especially well—you’re media, for Christ’s sake—and you’ve seen your colleagues hound Charles for how he chose to tackle the session.

Alex is in the middle of a FaceTime call with Lily when he hears it. “Wait—I think they’re talking,” he says to his girlfriend when he hears you approach him, carefully maneuvering himself into optimal eavesdropping position.

“Is this the right thing to do?” Lily’s voice comes through like static.

“I know it’s wrong,” Alex confesses. “But—”

“No, I meant I can’t hear properly. Move the phone closer, you dick.”

So he does, and the two of them listen intently to your talk. You go first, a few shuffling footsteps and an adjustment of your media pass, then. “Will’s been all over you today.”

“Yeah,” comes Charles’ voice, tired if anything. “I, uh… I just hope I can understand where I went wrong and, uh. Well, uh.”

“No, I…” There’s heavy silence. “I think you did the right thing. You didn’t get pole, but it was a good strategy. Better than what was being proposed, anyway. I think that would’ve landed you at the back of the grid, to be honest.”

You both laugh. “Thanks,” he croaks.

“You did great. Don’t, um… don’t let them tell you otherwise. I’m proud of you.”

Alex never tells anybody what he heard. But it inspires many long-winded conversations with Lily about the nature of your relationship. Each time, though, they never arrive to a solid answer.

—

“Hey, listen. I always knew something was there with those two. They had the kind of dynamic you only find once in, like, a million instances.” Daniel says firmly. “But I also kept thinking… poor Charlotte.”

—

You’re half-sure Pierre was the one who bought you all shots. Or a quarter-sure. Okay, you’re not sure at all. Your mind’s cloudy, your inhibitions lowered, tongue loose and laugh contagious. Around the table everyone is laughing, some others have gotten up to dance, but you, Daniel, Lewis, and Charles are all conversing about work, albeit while drunk.

“Is… tequila… plant-based?” Lewis grimaces as he throws another shot back and you all laugh mindlessly.

“Danny,” you say, tapping his shoulder. “Any plans once you’re out of the paddock next season?”

“Ah,” he hums. “Self-discovery and a shit ton of shrooms.”

You all cheers to the epiphany, shots once again entering your system. “And a party again tomorrow!” Daniel adds half-jokingly, much to your delight. Charles, right beside you, throws an arm over your shoulder as he laughs. You’re unfazed.

Daniel’s gaze lingers on his arm a little too long, especially because your own hand reaches upward to wrap around his wrist, to make sure he doesn’t pull away. But you’re both drunk, he reasons. And plus, you can’t usually stand each other’s guts.

“I’ll pass, mate, if it happens,” Charles says, his tone clearly inebriated.

“You’re no fun,” you say lightly, laughing and turning to him. Your eyes are on the other’s, dark, lips almost touching as if you’ve forgotten Daniel and Lewis are even around (though the latter is as good as dead, honestly.)

“Invite Charlotte instead,” Daniel says with a smile, to try and test your reactions. “How long, now? Three months?”

You clear your throat, looking away with a faux smile.

“Oh. We’re not doing so well, to be honest.” Charles smiles, tight-lipped. He hopes Daniel doesn’t ask why. He can’t think of a lie quickly enough to cover how Charlotte told him I love you, Charles, but this is over. I hope you end up with her someday.

—

Seb takes some time to think about it. “Those two always fought. Everyone said that, didn’t they? All the time, disagreeing.” He hums. “I could tell very early, though, that they were also the only two who could truly understand the other. Figuratively, obviously—but as a result, also literally.”

“Elaborate?”

“When you understand someone that well, inside and out, you end up understanding everything they say.” Seb smiles. “That was them, I think.”

—

“It’s impossible to transcribe your interviews,” Will says to Charles. It’s that hour on the paddock where everyone’s waiting for the pre-race bustle to start, so small talk is what’s keeping them busy.

You’re reviewing a few clips from practice on your phone and Seb is chipping into the conversation, which has moved from Mick’s future to F1 into Sky Sports into this.

“What do you mean?” Charles asks.

“You’re always sliding in and out of your three languages!” The Englishman laughs. “I have to consult a native speaker of both Italian and French each time. And you’re always going I, I, I, or we, we, we… but hey, the fans dig it, innit?”

“I think I sound perfectly understandable.” Charles smiles. You’re still busy, unfocused on the conversation at present.

“Like, okay. Look at this.” Will retrieves his phone, opens his voice memos app, and plays one of the audio recordings there. It’s a scratchy one of Charles describing his quali session, and sure enough, even if he’s speaking straight English, the adrenaline and exhaustion have him sounding totally indecipherable.

We—we had gasjdhfhs and I, I, I… I think we need to rejshdhs and thijsjsh about the hsfhdh, yeah? And, and, uh, we ajhshajs. And

Will closes it. “Sebastian, can you tell me that said?”

He shrugs, amused. “Sorry, Charles. I genuinely can’t.”

“See?!” Will makes a voila motion. “Nobody understands this.”

“He said we had good traction and I think we need to recalibrate and think about the boxing strategy, yeah? And we need that mindset.” You’re still going over your phone, busy and not 100% invested. “You two just aren’t listening.”

Charles doesn’t take his eyes off you, or the smile off his face, the whole hour.

—

Pierre comes last, clearing his throat. He’s ready. He knows exactly what to say, so he says it. “Those two are fucking soulmates.”

—

It’s three-thirty when somebody knocks on your hotel room.

But your body still feels like it’s five in the evening, your brain’s stuck at two in the afternoon, and your sleep schedule thinks it’s nine in the morning, so you’re not asleep but instead rewriting notes from the weekend prior.

You’re horribly disoriented when you grab your pepper spray and unlatch the door, and even more disoriented when you see Charles on the other side of it.

“Am I crazy?” He asks, breathless, like he’s been waiting for you all his life. Maybe he has.

“You’re at my hotel room at three a.m., so… a bit.” You rub sleepiness and jetlag out of your eyes. “Charles, what’s going on?”

“I love you.” There it is. “It sounds so stupid. But I love you. And it’s almost—I can’t bear it. I woke up this morning? You, on my mind. Lights go off after a race? You. I go to sleep? You. It’s always you. And I know, I know it’s—I know, with Charlotte, and—but it’s true. I, I, I—I think about you every minute. And usually this happens accidentally. Nous sommes tous des idiots quand il s’agit d’amour... moi y compris.

“But this was… I knew I was falling in love and I let it happen. And so I thought, why keep waiting? Why let it drag on and on and fight over and over when I can just come and tell you how much I—and maybe, hopefully, see if you feel the same?”

He pants, tired from his clearly rambled and unplanned confession.

“I love you, too,” you say, struck. Oh God.

“Can I kiss you, then?”

“It’s may,” you breathe. “May I kiss you.”

“You may,” he whispers.

“Right now?”

“Anytime.”

“So now.”

“It’s now or next Tuesday,” he jokes.

“Now is… the best. Now would do.”

“Now would do.” So you cross the threshold and let him scoop you into his arms so he can well and truly kiss you.

—

“Is that all?” The interviewer asks Pierre. “Just… those words? We need a bit more for the article on this event.”

“Oh, yeah.” He gets up, straightens his tie. “Don’t worry. You’ll hear the rest during my best man speech.”

Del amor al odio hay un paso – From love to hate, there is one step.

Nous sommes tous des idiots quand il s'agit d'amour... moi y compris – We are all fools in love... me included.

[godsandvillains-if]

Gods and Villains is a superhero/horror story set in a dystopian future where Earth is filled to the brim with crime and corruption—a.k.a MCU meets The Boys.

Warning! injury to major characters, gore, body horror, trauma and PTSD, amnesia, death, and sexual content. Rated +18. More specific content warnings will be provided at the start of each chapter.

You take control of a powerful metahuman, an otherwise ordinary human on the outside but who has the meta-gene, a potent mutation deep engraved in their DNA, which gives them superhuman abilities. This next step in human evolution comes with a setback, however, for the curse of madness seems to follow their every step. It lurks in the shadows, patiently waiting for the opportunity to strike—many metahumans fall prey to its alluring promises. 

With a dark and traumatic past filled with untold horrors and inhuman experiments, you are rescued from the clutches of crazy terrorists by a team of heroes that might lend you all the tools you need for redemption or complete self-annihilation. 

As the only metahuman with the ability to wield the powerful Chaos Magic, your very blood holds the answers to unlocking the secrets behind the control of time and space, but it has the drawback of being almost completely volatile. 

Who can you trust to keep you safe other than yourself? Trust no one, and maybe you can get out of this literal hell alive.

Play as male, female, or non-gender specific, along with transgender choices;

Romance one of seven characters, and if your heart is big enough fall in love with two of them. There's three possible poly routes available: Archon and Stardom, Archon and Mars, Paladin and Wildcat;

Customize your appearance, personality and powers;

Struggle against the shackles of madness trying to take hold of your psyche;

Battle a multitude of villains or become one yourself;

Uncover the secrets behind the meta-gene and your abilities;

Help the public fall in love with superheroes or forever destroy that chance;

In total there are seven romance options, each with their own personality, and dark secrets for you to uncover. You can read more about them below:

?

The villain, or anti-hero, whatever you want to call them, Mars is an enigmatic figure; the very concept of life seems to hold no value to them. A trail of bodies follows wherever they go, and on the news, they are regarded as the biggest menace of the century. They will have the unique ability to sway your loyalty. Beware, their sweet words and promises may drip with honey, but they also drip with the blood of their victims.​

Trope: Forbidden love, emotional scars, blood-play

Zev/Zena Hammer

The oldest of the bunch and not a metahuman per se. Hammer acts as the spokesperson for the team, mitigating the often tenuous relationship between humans and the so-called "mutants". As a retired police detective they've learned firsthand how rotten the world can be for the innocent, and they've vowed to protect them at any cost. Their analytical and communication skills will go hand in hand when dealing with various crimes, just as their implants.

Trope: Widow/widower, age gap, don't-call-me-daddy/mommy

Adam/Ada Armstrong

The current leader of the Alliance Team. Headstrong and dauntless, they are regarded as the strongest metahuman in modern times and the most enigmatic of them all, whose past is shrouded in mystery and unknown even to their closest friends. On the outside, they might seem apathetic and unconcerned with human suffering, but their true feelings are hidden beneath layers of deep trauma. Superhuman strength and invulnerability are their greatest assets when fighting villains.

Trope: Nobody thinks it will work, love/hate, fucking-your-boss

Edward/Evelyn Osborne

The former leader of the Alliance Team and Archon's best friend. On the surface, they are the stereotypical showboat: cocky, greedy, and egoistical. Stardom does whatever they can to gain attention, fame, and riches. For them, the best feeling in the world is an adoring fan and a beautiful person fawning over their heroics. The meta-gene gives them a genius-level intellect, which in turn is used to develop several pieces of equipment that are employed by themselves and the team during fights.​

Trope: Billionaire, belated love epiphany, good-people-have-good-sex

Johnny/Johnnie

If Archon's past is shrouded in mystery, Paladin's is drowned in it. For all you know, their name is not even Johnny/Johnnie but an alias of their choosing. They are known to be the silent loner type and are somewhat socially withdrawn from other members of the team, only speaking when called upon to do so. Behind their silver mask, they harbor more than a few inner demons, and together with their superhuman weapon and combat proficiency, they fight for the innocent.​

Trope: Secret identity, oblivious to love, weapon-fetishization

Pedro/Pilar Flores

The youngest of the team, considered by many a lighthearted jokester without any real talent beyond their obvious powers—which set them apart from every human that walks the earth. With their metahuman status so evident for everyone to see, hiding just didn't seem like an option, so they chose the next best alternative. Known to be playful, energetic, and often immature, they are responsible for balancing the team's more serious side, and when someone can take the form of any living being on Earth, the repertoire of pranks is endless.​

Trope: Beauty and the Beast, broken in some way, begging

Doctor Malik/Malika Aziz

The renowned Doctor Aziz, a famed archaeologist and considered to be the most powerful sorcerer, or magic user, in the world. They wear several enchanted artifacts that, in turn, accentuate their already tremendous knowledge of the mystical forces. With an extremely strong moral compass and kind demeanor, they will show themselves to be the best teacher you could ask for, but why do they seem to be everywhere you look?

Trope: Time travel, twin siblings or clones?, teacher-student

LINKS

DEMO ✶ PATREON ✶ KO-FI

[dykesynthezoid]

I do think we’re getting at least some escalation of devil’s minion in s3 btw. And I don’t think that’s even me being hopeful or optimistic I think it’s literally just logical.

I’ve seen people say oh, but devil’s minion happens in QOTD, and s3 is TVL; and firstly, they’ve definitely made it sound like some elements of queen of the damned are going to be present in s3. Secondly, I suspect season 3 is going to end with the lead up to Lestat’s San Francisco concert. So the whole season will be both Lestat backstory + the set up for the events of QOTD. And devil’s minion happens, guess what, before Lestat’s San Francisco concert. It would almost not make sense to not at least touch on it while the other story beats are culminating up to that moment. Like, Daniel and Armand are already present in the story (where they aren’t in the book in the modern day storyline), why would you not continue their storylines to the next logical step?

Also, I think you have to consider just how many new characters and storylines QOTD introduces and how daunting that can be to absorb if you’re unfamiliar. Waiting to do anything with devil’s minion until season 4 means that’s just one more new storyline to have to inject into a narrative already very crowded with exposition. It just doesn’t make a lot of sense to do that, and I suspect the writers are pretty aware of that.

And frankly like. What other storylines would Daniel and Armand be getting? Like how are either of their stories supposed to move forward without, y’know, each other? Are we supposed to expect all of season 3 just to be one big pause button on both their larger narratives? That seems very silly. Daniel at least has the journey of adjusting to vampirism, but Armand especially is like. His semi-redemption and character evolution comes from devil’s minion. That’s the only real next step for him.

And I mean. Look at Assad and Eric. I don’t think Rolin Jones could convince them to wait a whole other season for something to happen if he tried. I know, I know it’s easy to be like “oh but maybe it’s just actors being silly” but compare how open they’re being about it now and how much more tight lipped they were in between seasons one and two. It’s night and day. It is a very very different vibe. And apparently, Assad has been plenty excited about it this entire time, so he was actually somehow managing to keep his mouth shut before. But now maybe he doesn’t need to, because he knows season 3 will at least offer something in the way of that development.

I think it’s entirely possible we won’t necessarily see the full “culmination” of their relationship until season 4, but I do think season 3 will at least have development and escalating tensions that are undeniable. I think it’ll likely start out slow and ramp up as the season continues. I’m not going to panic if we don’t get much in the first few episodes or if it takes until episode five to see Daniel’s turning. That might be needed, honestly, in terms of giving Lestat his necessary focus. But I think more small pieces will begin to accumulate, will escalate to a place of higher tension by the mid season, and then the finale will include some type of reveal or emotional climax, setting things up going into season 4.

And you know what, it’s worth mentioning: things have happened faster on this show than I expected before! I did not expect Daniel to be turned at the end of season 2. I thought we probably had a whole other season to go before that happened. “Well they were afraid of cancellation” / “well Eric just wanted to be a vampire so badly” and will these things also not apply to season 3/Eric and Assad wanting devil’s minion?? Idk babes. I’m doing the math and it doesn’t seem that crazy to me

[cera-writes]

I’ve been on a recent X-men evolution obsession and like-

Headcannons for X-men Evolution!Kurt Wagner x Gn!reader that’s human and knows he’s a superhero but doesn’t really care? Like they’re just confused on how nobody else realizes Kurt and his friends are the x-men- (Like they don’t where no masks no nothin😭)

A/N: Riiiiight? LOL. Yeah, I can think of quite a few!

X-Men Evolution! Kurt Wagner x GN!Reader (Superhero Obliviousness)

Headcanons:

You first met Kurt at Bayville High, drawn to his quiet demeanor and dry wit. You never saw his demonic tail or sulfur scent as anything but...quirks.

One random afternoon, you saw a news report about a giant Sentinel robot attacking the city. Guess who was teleporting around it with a blue furry friend? You just stared, then shrugged and went back to your homework.

You become Kurt's confidante. He vents about the X-Men's crazy missions, frustrated that no one seems to recognize them. You listen patiently, offering support, but mostly confusion.

Phrases you use a lot:

"Wait, wasn't that... wasn't that you on TV fighting a giant metal thing?" (Kurt: 👁️👄👁️)

"So, like, why doesn't anyone else see you guys teleporting around in broad daylight?" (Kurt: 🙃)

"You're telling me the whole school doesn't know you have a tail? Have you considered... brighter clothes?" (Kurt: 😐)

You become the X-Men's unofficial "civilian consultant." You help them strategize normal people things, like disguises (which they desperately need) and blending in.

Kurt finds your obliviousness endearing. You're the one constant who sees him for who he is, not a demon or a superhero, just Kurt.

You do get worried when they leave for missions. Kurt, bless his furry heart, tries to downplay the danger, but you see the fear in his eyes.

Eventually, you confront Professor X. It's a polite but firm conversation about the utter lack of secrecy. Professor X is surprised, then impressed by your deduction skills. Maybe you could be a strategist someday? (You politely decline.)

Dating life:

Public dates are a nightmare. You constantly have to steer conversations away from the giant robots Kurt keeps "accidentally" bumping into.

Movie nights become a game of "spot the X-Men cameo." Bonus points if you can guess their power being used.

Cuddling sessions often involve Kurt teleporting in exhausted from a mission, tail twitching nervously. You just hold him close, whispering reassurances.

You're the ultimate hype person for the X-Men, even if no one else knows it. You're secretly keeping a scrapbook of their "heroic deeds" (news clippings with doodles and witty captions. You've even sketched their faces and made silly comics about them).

Overall, your relationship with Kurt is a hilarious mix of obliviousness and deep affection. You may not understand the superhero life, but you'll always be there for Kurt.

[aossimusings]

Claire from the Bear, and why she's not badly written, she's just not occupying the character role people expect of her and they don't know what to do with that

Alright. I'm bringing some film student analysis to The Bear, and subsequently, Claire, because I'm tired of people saying crazy things like, "she's a manic pixie dream girl" or that her character is underdeveloped or badly written or that she's pure male fantasy or any other crazy, extremist reaction to her character, when really, I think she's occupying a different character role than we're used to seeing from characters like hers, and in typical The Bear fashion, we as an audience are not being told how to interpret her character with words, but with visual and narrative structure.

Be warned, this is a very, very long post.

Lets take a minute to understand narrative structure in film:

There's an A plot and a B plot. The A plot is what is referred to as "the promise of the premise." It's why you come to watch what you watch. The B plot is all the emotional character development/growth that undergirds the A plot and makes it emotional and impactful. So in the Bear, The A plot is the whole thread of, let's fix the Beef -> let's make a new restaurant -> let's get a star, etc etc, that evolves with each season. The B plot is mostly centered on Carmy (although other characters also have their own smaller B-plots) and on him healing from his grief and family and kitchen trauma and finding himself as a person, etc etc.

Claire as a character is a B-plot character. Her role as a character is to be a part of Carmy's emotional B-plot development, whereas the rest of the characters in the show occupy roles in both the A plot and the B plot. In a show centered

The thing that I think is causing a lot of the discourse around her character is the fact that she's not occupying a typical character role for her sort of character, and then people don't know what to do with her. They're either trying to slot her into a a bad female character role (like a manic pixie dream girl) and are then angry that that type of character would be included in the show, or they think she's a badly written attempt at a more developed character and are then angry because they think her character was fumbled, when in fact, she's neither.

Let's take a minute to examine these two roles:

The Manic Pixie Dream Girl

A manic pixie dream girl as defined by the Oxford language dictionary is:

"(especially in film) a type of female character depicted as vivacious and appealingly quirky, whose main purpose within the narrative is to inspire a greater appreciation for life in a male protagonist."

On paper, I can see why people would say that she's a MPDG. She's a little quirky, and she appears to "inspire a greater appreciation for life" in Carmy. She's a doctor, but she's a bad driver, she loves Mondays, she shoplifted in high school for the adrenaline rush, etc, etc. But I would argue that she's not actually a MPDG because her role in the narrative is fundamentally different than that of a MPDG.

In terms of narrative, MPDGs are a catalyst. They are crucial to the movement of the plot and the development of the main character. Specifically, they're supposed to be a catalyst for main male character growth. This is part of why MPDGs are a sort of problematic character -- the idea that they don't get dimension as a character, yet their entire role is to catalyze the main male character's positive growth and evolution is sexist. They aid the MMC at the cost of their personhood.

However, notably, Claire doesn't actually inspire positive growth in Carmy. He is not made better for knowing her. He doesn't grow as a person, learn from his mistakes. He isn't calmer or nicer in the kitchen, he doesn't resolve any of his trauma, I would argue that he doesn't even have a "greater appreciation for life" as is critical to the relationship between the MMC and the MPDG; he is just as depressed and anxious for knowing her as he was when he didn't know her.

So Claire: not a manic pixie dream girl, despite being quirky and trying to "inspire a greater appreciation for life."

The Badly Written Main Female Character

I think for a lot of viewers, if Claire isn't a MPDG to them, she's viewed as a badly written, badly developed main female character, who isn't afforded a lot of screen time, and as such, is one dimensional because she doesn't get much character development.

Wait, what? She's a badly written main character without a lot of screen time to develop? But part of being a main character is to have significant screen time to develop! But Claire doesn't have a lot of screen time... Tina has more screen time. Sugar has more screen time. Marcus has more screen time. It's almost like...Claire isn't a main character, even though, as a love interest, she occupies a role typically only allowed to main characters.

So then...what is she? To understand her narrative role, we need to take a minute to understand what Carmy's B-plot has established thus far. My apologies for the following, very drawn out explanation of Carmy's mental health. I promise I'll return to Claire, but this is important.

Carmy's B-plot (aka, the emotional stuff)

Seasons 1 through 3 are essentially following Carmy having a slow, drawn out breakdown. Or rather, it's not slow. It's a pretty realistic depiction of someone who is pretty mentally/emotionally unwell continuing to not get the help that he needs, and trying to fix things unsuccessfully on his own. But admitting that he's unwell feels like admitting defeat, so he's trying to fix things while never actually admitting that he needs help, and as such, is in a self-destructive spiral of trying to fix things unsuccessfully, feeling out of control because of it, trying to fix different things unsuccessfully, feeling even more out of control, etc etc.

By S3, we have a better understanding of the Berzatto family structure: an unnamed father who walked out leaving them in debt, Donna who is/was an alcoholic and otherwise emotional black hole, Mikey who died at age 43 (born 1979, died 2022 as seen on his prayer card), Sugar who's 36 a year after his death (born 1988, confirmed by her hospital intake in Ice Chips), and Carmy who is 26 a year after Mikey's death (confirmed by the original script.) So when Carmy was born, Sugar was 10 and Mikey was 18. This is important because in light of Fishes and Ice Chips, Donna was an alcoholic for as long as they were children, was incredibly unpredictable with mood swings, poor emotional regulation and maybe even emotional abuse (see how Carmy and Sugar essentially are trying to regulate their mother's emotions in Fishes), and probably some physical altercations if Donna's behavior in Fishes is anything to go by. Sugar explicitly says that she frightened all of her children. Mikey was probably the de facto parent in a lot of instances, being the only other adult in the household. The fact that he was also an addict, and as seen in Fishes, also violent or unpredictable at times, complicates this. S3E1's scene with Sugar and Carmy at the airport implies that after Mikey started cutting Carmy out (and struggling with addiction) Sugar started to assume that parental role. So that's a whole fucked up childhood right there, with very little room to healthily develop emotions or coping mechanisms or an understanding of healthy relationships. In ice-chips, Sugar demonstrates that she's aware of this. "I ask people if they're okay way too much," and "I'd make myself sick to make you feel better." Everything with Carmy's character demonstrates that he does not have this self awareness.

Carmy explains in his al-anon monologue that the rhythm of the kitchen became soothing to him, because it was so rigid and so predictable (a direct contrast to his home life.) But while it was soothing, he also cut contact with people in his life, because the self-isolation made things "quiet" (and probably gave him a feeling of control, like most self-destructive impulses do) which led to him being incredibly isolated and incredibly dependent on work as a coping mechanism by the time he ends up working with the abusive NYC chef. Important thing to note about that: now his only coping mechanism has been polluted by abuse as well, and the trauma of that will haunt him increasingly throughout the seasons (coupled with the fact that he's probably never learned how to healthily process his own emotions, in part because he ended up having to set them aside to emotionally regulate his own mother.)

Then Mikey kills himself. (which again, is the fucked-up family figure of brother and parent and addict and idol all rolled into one suddenly dying on you after abruptly cutting your out of their life)

I say all this because I want to make very clear that mentally, Carmy is not well. Across his various al-anon monologues, the fridge conversation, his flashbacks, etc. it becomes really clear that he's never really had any sense of safety or security in his life except for maybe when he was 18-24 when he did the French Laundry, Ever, Noma, and Daniel. The amount of anxiety that he experiences in his day to day life is not normal, it's not healthy. It's exhausting and damaging. He's also probably pretty depressed, and probably had been even before Mikey and NYC chef. He talked about in al-anon that when he was a kid, he could never feel happy or excited about anything because he was always waiting for the other shoe to drop (arguably because of his mother, because if she was upset, she made everyone else upset to deal with it, and if she was happy, he was waiting for her mood to shift.) We very rarely actually see him happy or joyful in any of the seasons. So basically, as evidenced by that and what we see in the seasons, he's got this really damaging spiral of anxiety and depression, where he's so anxious he can't feel happy.

Pursuit of happiness is actually what brings us to Claire as a character. He meets her almost right after he talks in al-anon about the fact that he should "provide amusement and enjoyment" for himself. Then he meets her in a grocery store, and promptly, and deliberately, gives her the wrong phone number. Personally, I read this as Carmy knowing that he's not ready for a relationship. He pursues it anyways, for likely 2 reasons:

Pursuit of happiness. Sugar always wanted him to get away from the Beef in S1, now he's trying to get some space and do something to "provide amusement and enjoyment"

Mikey! In Fishes, Mikey was really excited about the prospect of Carmy dating Claire. At the time, Carmy was like WTF, but in the wake of Mikey's death, this is probably a way of connecting with him. See, I can do it! I can date a girl! I can do this thing that you thought would make me happy. I can be normal. I can be what you wanted.

Now a little film student analysis:

One thing that I love about the Bear is that they're really good at the whole concept of "show don't tell". You'll hear about this a lot in writing advice, but it's actually even more relevant in film. Here's a good example from the bear:

The Bear never, ever says that Carmy has anxiety. I'm not even sure if the word "anxiety" is even said onscreen. Instead, The Bear shows:

Carmy drinking bottles of Pepto Bismal and chewing fistfuls of Tums, yet rarely eating anything

Carmy sleep walking and almost setting his apartment on fire

the sheer amount of nervous energy he has (tapping spoons, sharpies, cigarettes, etc. , never standing still, being generally twitchy)

some really great tricks with filming and lens that make the world around him shift focus, shift perspective, blur, and otherwise visually simulate the effects of an anxiety/panic attack.

In film, you have to be incredibly intentional about what you keep in and out. In my first film class, when we were doing film analysis, a lot of people would start "I'm not sure if this was intentional, but..." and the film teachers immediately shut that down with this statement:

"assume everything is intentional. even if it wasn't, someone still chose to leave it in" meaning that, in film, what you see on screen is actually a fraction of the material that filmmakers had to work with; if something makes it through to the final cut, it was important.

I mentioned before that despite Claire occupying a main character role as a love interest, she does not get main character screen time. Like I said above, I think a lot of people perceive this as her character being done a disservice, that she's badly written, that she's meant to be this perfect male fantasy, etc, etc.

Firstly, I present to you the fact that characters such as Sugar, Sydney, Tina, Donna, all have absolutely beautiful storylines and arcs. They're complex, well-written characters. I don't believe that Claire's lack of screen time is because the show-runners secretly idolize manic pixie dream girls and women of "male fantasy" and thus Claire is supposed to be this perfect person who doesn't need any screen time to be developed (which feels like a thread I've seen a lot.). I really don't think the show runners are secret misogynists. Sorry.

What I do believe is that Claire as a character is not meant to be central to the story. The show very intentionally spends more time developing Carmy's relationships with Sydney, Tina, Sugar, Richie than it does with Claire. Why? A host of reasons.

1. Because Claire is a new form of escapism for him, not that the kitchen is no longer is sanctuary.

I talked before about how after the NYC chef, and I would argue, now that he's trying to start his own restaurant, his one safe space of the kitchen has become polluted with the same chaos and/or abuse from the rest of his life which he spent years running away from. But because he's so isolated, he has no where else to go. So he creates somewhere to go, by creating a relationship with Claire. That relationship is his new form of escapism.

The show communicates that to us in one very specific way: 90% of the time, if Carmy is with Claire, we don't see him. This is not 100% true 100% of the time, but there was a clear pattern that developed in S2 that time spent with Claire is time spent off screen. I think a lot of people see this as "not developing Claire's character" and not giving her screen time, when in fact it's more so about Carmy's absence.

When he ditches Sydney to move boxes with Claire, we never see that scene. We just assume that he was doing it.

When Sydney is trying to figure shit out in the restaurant by herself, it's implied that Carmy is with Claire, but we don't cut to them.

When Carmy talks to Sydney about all the menu things he talked about with Claire, we never see those scenes.

Why? Because he is escaping The Bear by being with her. It would be a very different narrative if we actually did see these scenes, because it would demonstrate that they have an emotional weight and importance in the show. Instead, they're defined by their absence.

Carmy and Claire's relationship is defined by its absence in the show.

2. Claire is not the right type of partner for Carmy, and we're not supposed to believe that she is.

I think it's interesting to look at Carmy's relationship with Claire through Sugar's relationship with Pete. I was talking with some people and they observed that in a lot of ways, it makes sense that Sugar would be with Pete because he is completely non-threatening. In many ways, he's the opposite to most of the men in the Berzatto family (note: I'm not saying Berzatto men are threatening.) But Berzatto men are loud, and opinionated. Some of them engage in behaviors such as: screaming in their kitchen, and throwing spoons and sharpies; throwing forks like darts at their relatives and also shouting; telling their nephews that there nothing and worthless and will never be anything; walking out on their families and leaving them in debt; lording their financial success over various family members. You also have Donna as a parental figure who also throws things violently, yells and screams, is an emotional black hole, and has aggressively grabbed Sugar at least once. Pete is about as far away from all of this as you can be.

I think that Claire is Carmy's Pete in a lot of ways. She's quiet, and calm, she's non-threatening, etc. She's not emotionally manipulative, she doesn't ask much of him (so when she does ask things of him, it's a welcome escape), she is a doctor, which is meant to help people. However, and part of why I don't think their relationship would work in the long run, is that Carmy doesn't need a Pete. Sugar has an emotional intelligence that Carmy doesn't, for one thing. For another, as alluded to by Ice Chips with Sugar listening to the podcast about Adult Children of Alcoholics, each of them were affected differently by their traumatic childhood. And quite frankly, I think that Carmy needs someone who can be gentle and empathic and quiet with him, but also someone who won't take his shit and can stand up to him. (because unlike Sugar, who tends to internalize everything, Carmy has a tendency to externalize everything.) He tends to take it out on the people around him, and I think he needs someone who can simultaneously shut that down and hear him out. And I don't think Claire is that.

3. The chemistry just isn't there.

I don't want to get into an argument about shipping. I can't predict if Carmy is going to get back with Claire after some emotional development, or if he's meant to be with Sydney, or whatever. Personally, I think that any discussion of a relationship is premature (and I think that Carmy knew that subconsciously when he gave Claire a wrong number and was very hesitant on the phone when she called him the first time.)

What I have observed is this: the few scenes that we do see of Carmy and Claire feel a lot less emotionally charged than other scenes in the show. Forgetting romantic relationships, there is so much more emotion and connection in the following scene than in the scenes we see with Carmy and Claire:

Richie and Carmy's conversation about purpose in S2.

Carmy and Sydney's conversation under the table in S2.

Carmy and Mikey's conversation in the pantry in Fishes.

The snippet in the fridge when Carmy's talking to Tina.

The scene with Claire that really sticks out to me having emotional weight is the scene in S3 where they talk about the days of the week, Carmy's hand scar, and Claire accidentally almost killing that girl in the ER. It hurt so much you couldn't feel it. Firstly, it's telling that that scene happened in flashback, not during their relationship, and secondly, the main thesis of that scene was more of a commentary on trauma than it was about their chemistry (ie, Carmy is so traumatized atm, he doesn't realize that he is because of how much it hurts.)

This demonstrates to me that a) the show writers can write emotionally powerful scenes, and scenes with chemistry, and b) the lack thereof in scenes with Claire was an intentional choice because it demonstrates that other relationships are more important for Carmy's character than the one with Claire.

For all that Carmy said that he loved Claire, we never see any evidence of it. It's told, not shown. Whereas his affection for other people in his life isn't mentioned, but it is shown: "I have time for this" and sitting down to talk to Richie about purpose. Buying Sydney a monogrammed chef's coat because she liked his.

His relationship with Claire is important for what it helps demonstrate: his desire for escapism, his self-destruction, his emotional immaturity, the fact that he has other very important relationships and that he needs to deepen those bonds, the fact that he needs to get his priorities in order. It's not so much about Claire. And maybe that will read as sexist to some, because it's more about him than it is about her, but I don't think she's really meant to be a main character either.

[ghostbustting]

HEY LOVEEE! Could you write some Dave fluff where he’s tough on the outside but really soft on the inside and he’s super clingy and tall are just cuddling and every time you kiss him he blushes like crazy and gets nervous and he’s just subby😭😭 sorry if it’s too much

♯ ; '𝑻𝑰𝑳 𝑰 𝑲𝑰𝑺𝑺𝑬𝑫 𝒀𝑨 ༘⋆

Dave Mustaine x Reader.

Purely Fluff.

Song; ('Til) I Kissed Ya by The Everly Brothers.

Years passes by and changes, changes happen now and then, people come and go, new faces here and there. The evolution that goes on every year is just the way things go. And the way things go was something he was getting used to, leaving it up to fate to handle. But there wasn't quite a turn like this one, somehow he always found this one turn to be rather strange.. yet he can't help but love it either.

Two years ago, Dave Mustaine wouldn't have believed in a relationship pure of love and affections instead of pure lust and sex. His image was clear to anyone that knew his name and his career. He was... tough, some may say, fights often happen here and there. The history he had with women around wasn't so much of a secret either. Being the rockstar he is, a new girl— or specifically, a new groupie, was what he predicted every single night.

That's until you came into the picture.

You and the power you held to make his knees go so fucking weak.

One of the most cliché things in the romance world was the so called feeling of butterflies fluttering in your stomach. Dave found it to be so ridiculous that anyone would ever use that description of a feeling. But God, what else can he use to describe what he felt whenever your lips met even just a single bit of his skin?

He never even believed his cheeks were ever capable to 'blush' at anything till you pointed it out one morning when you woke up in each other's arms, nose touching. Sometimes you found it rather amusing at how quick his tough image melt whenever you look at him with a simple look of love.

There was just something in you that he couldn't handle. Always able to break through his walls and lure the vulnerability buried in him out. He never got the chance to find out whether it was your touch, your smile, your eyes, your words, or just purely your loveable soul.

This rare side of his would often be found at nights such as this one where you would stand and admire him in the backstage as you watch him walk off the stage, being showered with cheers and screams of his fans as he does so. The moment he step into the backstage and his eyes land on your figure, the slight furrow of his eyebrows immediately faded away and you could've sworn the gaze those hazel eyes held softens.

Dave walks up to you and smiles widely, almost looking like an excited schoolboy talking to his crush. "Hi." He breathed out, eyes taking in the sight of you as he rest his hands on your cheeks, fingerpads pressed on the soft skin. "How.. How'd I do? Did you like the show? Was it good?" It was adorable how much concern was in his eyes and voice, as if he didn't want to disappoint you. He truly don't.

"Wonderful. You get better every single day." You'd answer him, smiling softly at his affections with a small amused chuckle. The subtle yet somewhat also not subtle submission he had for you was something you enjoyed and wanted to cherish, who else would get the chance to make Dave Mustaine's face as red as his own gorgeous locks of hair?

The look in his eyes only lightened up when you said that, smile widening that it seems like his cheeks would hurt. His hands slowly trails to your arms till he reach your own hands, interwining both of your hands together like an unbreakable bond. "Really? That's good.. very good."

A small soft laugh leave his lips, he just can't help but feel so joyful around you, the love blooming in his chest just makes him want to jump up and down with you in his arms.

That is when three of his bandmates entered the room, chicks— groupies, hanging under their arms like they were their property, at that moment they probably allowed themselves to be.

Almost instantly, Dave coughed and took one hand off you, throwing his other arm over your shoulder instead as he replace the soft, cute smile with a big cocky smirk you'd often find him use on his band posters. "Ladies." Pushing his hair back with his free hand, he winked at the girls, yet the hand around your shoulders squeezed your shoulder— almost to assure you that he was is yours and yours only.

As the girls blush and giggle at the sight of Dave, you could almost roll your eyes at his silly scenarios, a knowing grin on your lips as you look up at the taller boy, who leaned down to your ear, "C'mon." Dave whispered in such an urgent tone that you could've laughed out loud.

With his arm still over your shoulders, he led you out of the room and into the empty hallway of the backstage, a big sigh leaving Dave's lips the moment the door of the room was closed shut. The hallway was mainly quiet and quite literally deserted although chaos was still heard out in the venue as people make their way out.

Dave's arm slid down and he held your hand again, fingers interlocked and arms swinging back and forth like little kids.

You didn't stop walking till he did, watching him slowly lean his body against the wall with a huff, a piece of his ginger locks moving out of his face frame. The smile from earlier never left your face, still lingering on while you watch his soft eyes stare back into yours, the cockiness gone over a few simple seconds of escaping the groupies.

Dave himself was lost in thoughts. Thoughts of you. Until this moment here, he still can never explain what this feeling is. Well, he never felt a feeling quite like this until he kissed you, can't even believe how he existed till he kissed you.

"You cut your hair." He mumbled, not in a question, but a statement.

An eyebrow raised as a slow chuckle was pulled out of your throat, "No? I mean– I did trim it a little to make it neat, but it was just a small trim, how did you notice?" Your hand instinctively start moving towards your hair, which was interrupted by Dave's own hand already stroking your hair with the slender fingers he'd use to strum and shred his guitar.

He was lost in the soft feeling of the strands and playing with it, your soft hair gently wrapping around his finger just like how he was wrapped around your own little finger. "I just do. Don't question it." He whispered with a small cheesy smile.

Before a single sound could even slip past your lips, his arms flew around your waist all of a sudden, bringing you in for a warm and tight embrace. The strength of his arms cause both of your shoes to be lift from the surface of the floor, a yelp being let out from you as your hands immediately held his shoulders. His fingers were grasping onto you tightly, scared of letting go, scared of never being able to feel your body underneath his touch.

"Dave!" You laughed with your arms around his neck now, faces inches away as a wide smile was plastered onto his face, eyes admiring every single inch of yours as if you were an art to be cherish and look after.

To him, you truly are one of God's wonder. If not a wonder for the world, you really are a wonder for his life.

Kissing him was rather hard to resist with a proximity like this, one of your hand reaching up to lay upon his cheek as your lips inch closer, the smile staying on your lips the moment you kiss him lovingly. After all, seeing the contrast of rosy red on both of his cheeks was one of the things you loved most about him, always made him look so kissable.

When you pull back, he still had his eyes closed with his lips still in that excited and wide smile, small giggles leaving his smile the moment his eyes flutter open. His hand held one of yours and led it down to his chest, right where you feel his heart beating hard and fast.

"Feel that? Only you can do that to me." Dave's voice whispered.

You couldn't help but laugh, "I think it's pretty obvious by now." You spoke, gently interlocking your hand with his and bringing his up to your lips, a soft peck to his knuckles. One peck and a glance at him and he's already blushing mad, looking away.

At first he thought it was pathetic, seeing it as a weakness that he so willingly showed to you. Yet now he found his own reactions to be the only rightful reaction to whatever the hell you are doing to him, whether it's love or witchcraft or fate, he doesn't care.

He just loves feeling this way. He loves feeling what you make him feel.

[shierak-inavva]

The writers may change this in later seasons…but….

I was so thoroughly unprepared for how deep Erik’s feelings for Rogue ran in X-Men ‘97.

The fact that it was HER voice that helped him regain his awareness while his ‘bestie who loved him best’ was hijacking his mind (these two are the simultaneous best and worst friends for each other good gravy) despite having his heart broken by her after who knows how long since Genosha.

My heart breaks so much for them.

oh man anon, me. too.

as a note, here: i came into this show blind—like i haven’t seen any of the movies, i hadn’t read any of the comics, i hadn’t seen the original show, the only xmen content i’d ever consumed was SOME of evolution back when it was airing, so i DEFINITELY had no idea about any of this going in

i got into the show—and rogue/magneto’s relationship in the show—and got ultra lucky about finding other shippers who were willing to help me navigate the comics and various storylines, and finding out how deep their relationship goes and how it’s played out over the years has been so….like oh my gosh.

rogue’s voice breaking through to erik while charles was so deep in his subconscious with him, her being portrayed as part of the group of people one has to assume he holds dearest….like i have so many feelings about that scene with the boat it’s crazy.

charles talking about how everyone has their own storm inside but rogue being shown in erik’s mind as being ready to leap over the side of that boat and try to get to him—her still calling out to him and him sounding so hopeful when he says her name and then so heartbroken when he says ‘she left me’, her there with his children, who are shown only in shadow, unmoving, like the boat represents these people he loves so much but feels like he’s lost, or that have drifted away from him but again: rogue’s still actively calling out to him and looks like she’s seeking a way to get to him….oh i am so unwell over them and how in love with her magneto is. 🥺

[mysteriouslytransparentwitch]

mini tarot reading prince william 16 october

in terms of energy: we start with the queen of money, it's Catherine, there is always this shadow that revolves around her, she begins to open up to William (slowly), there is a positive evolution. He regains hope, he hopes to attract an atmosphere, a place far from lies and half-truths, a self place.

there were agreements around the family, requests around liberation (I have the energy of a psychologist in a relationship)

Currently, the possibilities of evolution are quite limited but he still hopes to open the doors of values.

With the tarot, I have a lot of major arcana, this end of the year is going to be important. I have the pope card, it is the system of the royal family trying to find a solution about king charles, something that did not work (I do not know if it is a link with his health or something else) the sun card is reversed. I have the hermit card: something hidden, discreet. Are we talking about negotiation? An energy of weariness and disgust with problems in the negotiations. (Prince Andrew??)

As a conclusion card, I have the world, justice and death = a new cycle arrives with respect for the law and recourse to justice. We are talking about a renewal and the end of something.

It's crazy, I'm waiting for my colleagues because I have more of the BRF system than William @celticcrossanon @lenormand-cards-and-tarot

[punkpandapatrixk]

❣️Healthy Love ☆ Timeless Tarot Guidance

Elements/Signs in this reading are calibrated to all aenergetic placements. Feel free to read as many Elements/Signs as you feel called to at this point in your spiritual evolution♡

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

I think, in order to know healthy Love, a lot of people need to be exposed to the complete opposite of it first. I dunno; it seems to be a psychopathic Game created by the Higher Beings…for the purpose of teaching us the true value of Love. How can you know fully what Love is if you never know its opposites?

So yeah, if you’re young and inexperienced, it’s perfectly OK not to be so hard on yourself when you make mistakes in matters of Love and infatuation. We’re all learning to overcome each and all of our crazies. Ultimately, what’s really important is that we develop a stronger psychology and make swift decisions to disengage from whatever relationship/situationship/even friendship that makes us unhealthy and miserable♡

You’ve got this!

☆♪°・. aenergetic companion PAC ☆♪°・.

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Healthy Love for 🐞Fire Signs – Green Alchemist (Nicolas Flamel)

4 of Cups, 4 of Pentacles, 6 of Cups Rx

When it comes to Fire Signs, loving is a passionate business. There could often be a desire to pursue something until the end just to prove yourself the victor in a competition. In this sense, are we sure we’re actually in it for the Love for that other person? Or is it just about winning and feeling very special because we’re the Chosen One? XD Fire Signs often don’t even realise that they’re in it just for the thrill—just trying to fulfil some fantasy because daily life is often boring.

If your Love ain’t true, you can’t properly give to the other person. That’s not healthy or fair. Careful you’re not blind to the selfishness of desiring a partner only for that person to fulfil a role in a fantasy of your making. If you must love a person, I hope you love from the heart, with a passion for making that person happy. I hope you love sanely and feel free enough to give and receive.

And also remember that in a true love setting, you don’t act as someone’s saviour in a co-dependent manner. We all can be a healing presence for our dearly beloved who’s been hurt in the past, but we’re not responsible for the healing of someone who doesn’t want to live in the present moment or look towards a better future. Love, is a mutually healing connection, whether in romance, friendship, or familyship~

Oracle Guidance for Fire Signs🔻❤️

🐏Aries – Priestess of Ambition

🦁Leo – Priestess of Prosperity

🎠Sagittarius – Priestess of Love

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Healthy Love for 🐍Earth Signs – Silver Magus (Merlin)

2 of Cups Rx, II The High Priestess Rx, Queen of Cups

Ahhh omaigaaa you’re quite intense when it comes to loving, aren’t you? Earth Signs are not worldwide-level recognised for their passion because you guys are such tsundere. But you care a lot when you’ve fallen in love, so much so, you’re willing to sacrifice even your health for those you prize. I hope you don’t go too far with this kind of tendency. Because if giving too much makes you bitter, in the end, you could flip 180 and turn very selfish instead. Extremes are not healthy, baby. You wanna go back to balance and love sanely <3

But you know what’s even more important when it comes to loving? Honest, real, raw communication. To actually put your feelings, thoughts, emotions, as well as intents into words, so that the other person can VIEW you clearly. That’s your problem, isn’t it? You’re so afraid of talking about emotions because vulnerability is cringe, but in reality, you always have so much to tell someone. Vulnerability with the right person is sweet, not cringe XD

After all, someone who’s truly grateful for all that you’ve done for them, for all that you ARE, will view everything about you as lovely. Why not be lovely back to them? Love is lovely LMAO Love isn’t addictions or obsessions. Real healthy love is sometimes silly, cheesy, but most of all, sweet and lovely XD

Oracle Guidance for Earth Signs🔻💚

🐂Taurus – Priestess of Integrity

🧘🏻‍♀️Virgo – Priestess of Luxury

🐐Capricorn – Priestess of Luck

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Healthy Love for ⛲Air Signs – Green Magus (John Dee)

King of Pentacles, 8 of Wands Rx, XIV Temperance Rx

I think it’s a lie when Air Signs say they don’t feel too much or don’t value feelings over logic. If you’re this type of an Air Sign, you’re probably just unaware of how much you feel for someone. I mean, the fact that you can’t stop thinking about the person you like…isn’t that fuelled by a desire to feel something? XD Air Signs are the cutest when you’re in love, but what’s unhealthy about your style is how much you fookin’ LIE. I dunno, do you lie because you want to impress? Do you lie because you’re embarrassed?

What’s tragic about Air Signs is how you struggle with delivering your real honest thoughts about someone when Air is literally the Element of Communication and Networking hahahah Maybe it’s because you often don’t even facilitate your own emotions and thoughts to exchange information. The head and the heart not agreeing with each other because they aren’t sure what’s going on? You know, the left brain and the right brain synchrony? It’s like you have completely separate departments for feelings and hard facts and they don’t even come into contact with each other.

This is actually kinda the reason why you often feel unbalanced when you have fallen in love with someone. You tend to feel pulled in just one direction which feels wrong and uncomfortable. Ultimately, for being an Air Sign, this is part of your character development to balance yourself in the way you perceive romance and relationships, even friendships. Hard facts and objectivity are crucial to maintain a just society, but remember as well that the Human Experience is a subjective experience. When you’ve grown up and spiritually glowed up, your perspectives on things will be super valuable to this often desperately-in-love society~

Oracle Guidance for Air Signs🔻💙

👯Gemini – Priestess of Good Fortune

⚖️Libra – Priestess of Ritual

🏺Aquarius – Priestess of Faith

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Healthy Love for 🐝Water Signs – Green Astronomer (Nicolaus Copernicus)

8 of Swords Rx, Knight of Wands, 4 of Swords Rx

Oh gosh, respect, freedom, just this feeling of actually being free and still safe in the arms of someone you love—isn’t this the ideal for Water Signs? Water Signs are all about feelings and empathy, but that doesn’t mean you can’t have your own identity outside of the relationship you’ve devoted yourself to. And for the most part, and maybe you’re not always honest about this, you don’t like being restricted or suffocated in a relationship. Yup, not even the Scorpios. But you like doing this to the other person, which is a really unhealthy and unfair XD

You don’t own a person. You can’t expect that. You shouldn’t even expect to be owned by your significant other. That’s actually a really big soul lesson for all Water placements. Possessions, obsessions, you think only Earth Signs struggle with these? Water is the opposite of Earth, so~ When Water Signs attempt to own a person, you want to own their soul, heart and mind; whereas Earth Signs want to own and control the person. Passion isn’t possession, OK? If you must share a passion, let it be one of Love and Respect <3

And ultimately, I hope you take very seriously your own spiritual healing so that you know how to be a sane lover. Of all the Elements, Water is actually the most psycho of all lovers LMAO You tend to use your intuitive empathetic ability to trick and manipulate emotionally, that’s why. If you must be addicted to anything at all, well, I hope you become addicted to the feeling of being safe, respected, nurtured and nourished by a someone whose heart reflects back all that’s good in you~

Oracle Guidance for Water Signs🔻💛

🦀Cancer – Priestess of Innocence

🦂Scorpio – Priestess of Healing

🎏Pisces – Priestess of Inspiration

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

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[twilightkitkat]

Hi, I have a question, what do you think the relationship between Logan and Steve would be like? Would they be friends or just partners in war? In "X-Men Evolution" You can see how Logan has a certain appreciation for him, saying that both make a great team , and Wade's reaction to knowing that his peanut knows his childhood idol would be very funny, he would surely go crazy

(English is not my first language, so I apologize if I made any mistakes)

I think that Logan and Steve have a unique relationship. They're close in the sense that they trust each other and would fight back to back without doubt, but they're distant in the sense that they don't spend a ton of time together. They both have worked together long enough to know that they make a good team and that the other's reliable, but they aren't traditional friends.

I feel like Steve would feel closer to Logan than Logan feels to Steve. Steve remembers the war like it was yesterday, he suddenly woke up in the future with it fresh in his mind. Suddenly everyone he knew is now dead and he has to come to terms with an entirely new reality. He'd struggle and look for any kind of familiarity he could, and so even people he used to just view as teammates he misses. Logan was someone he admired, who used to run into danger and miraculously come out of it alive each time. He was a symbol of hope for Steve, and an inspiration for how he should fight to win the war.

Logan, on the other hand, lived through all those years. He's used to war and violence and meeting people and losing them. Most of it blurs together, after a while. He knew about his immortality and always expected to outlive his teammates, so he kept emotional distance from them. He cared about Steve in a way, they worked together and occasionally they drank together and exchange stories, but he never was under the illusion it'd last. So he did what he was good at: distancing himself before people had the chance to get too close. He respected Steve's abilities and even came to like him, but there was always a wall between them.

But still, the two spent time together. Both out of necessity and occasionally by choice. Steve was more open between the two, and talked about his life and hopes and dreams. Logan couldn't help but listen, even if he couldn't offer much in return. He sometimes sprinkled in half-truths about his life, but kept it vague. He couldn't let anyone find out about his mutant status or actual age, so he was pretty withdrawn. Steve noticed, but didn't comment.

If they reunited, it'd be a one-sided shock. Logan watches TV and naturally knew about Captain America's existence. How could he not, when Steve Rogers was America's poster boy? The Avengers were way too big to fly under the radar. Meanwhile, Steve knew about the X-men's existence, but never thought it might be Logan as The Wolverine he'd heard about.

When they sorted it out, I think Steve would be grateful to have someone who he shared a past with. Who knew about who he used to be and what war was like back then. Logan would feel a little lighter, knowing that his old teammate was doing well. They might not see eye to eye all the time and their methods are pretty different, but they both care.

Wade would be understandably shocked and awestruck when he learned they knew each other. But more than Wade's reaction to Steve, I think that Steve's reaction to Wade would be interesting.

Steve had always seen Logan as someone distant and unattainable. He didn't open up to people and clearly had some secrets he was keeping close. Even after learning about his powers with their reunion, he didn't know everything about his past. He thought Logan was just that kind of guy, caring and kind in his own way but gruff and stoic on the outside. A lone wolf who's dedicated to doing the right thing, but doing it his way.

And here Wade was, bouncing around Logan like a damn pinball in a machine, and Logan was... smiling at him. Fondly, dripping with affection. It's so painfully obvious that he cares and Steve has never seen Logan so open about his feelings. He was expressive, sure, but he guarded his affection and more vulnerable emotions close to his heart.

It'd be a little jarring to see how Logan acted around Wade. Affectionate, free, content. It wasn't like the image Steve had in his head at all and yet it suited him.

It made Steve reflect on himself. If even Logan could act like that, what about him? He'd fostered business relationships, friendships, and teamwork. But maybe he should look for more. (Could he be that happy, too?)

Steve may be America's Poster Boy, but he was alone. He had to stand up and stand out to get recognition. He was the leader, the one people relied on, never allowed to be vulnerable or break character. But if Logan found someone he could rely on, who he saw as an equal...

Maybe Steve has more to learn than just the technology in this new era.