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dumbbitchenergy17 · 2 months ago

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Reunion Interview

Plot: A reunion of our two favorite actors following their crazy lives after the ending of the fan-favorite show: The Mandalorian

Word Count: 4.7K

Pairing: Platonic!Pedro Pascal x Platonic!Reader, Paul Mescal x Reader

Warnings: sweet "father-daughter" moments, laughter giggles, just general fluff

A/N: This is something that's been on my mind for a while and with Gladiator 2 this only fueled it. CONTAINS CLAN OF THREE SPOILERS+WHERE THE WILD THINGS ARE. Read all of the Clan of Three Series here and also read Where the Wild Things Are here

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“Alright, we are all ready?” The interviewer asks and the cameramen and sound people each give their sounds of agreement and then turn to give the go-ahead to start, “Hello guys it’s a pleasure meeting you two. It must be good to reunite once again. Let’s get a little introduction then go crazy.” He greets the two actors sitting next to each other.

“Hello world I’m Pedro Pascal.” “And I’m Y/n L/n and we’re here with Variety Magazine.” The two of you greet the camera before looking at one another. Pedro gives a fake serious look and you roll your eyes at his antics and he burst into laughter.

“This is what I dealt with for five years oh god how did I do it.” You pinch the bridge of your nose while the older man dies down his chuckles.

“Don’t act all innocent you were in just as much mischief as I was.” Pedro points at you, “I was barely an adult on set you’re supposed to be the responsible one.” It seemed like years had flown by. This TV show was your breakthrough role and allowed your career to skyrocket and it was all thanks to meeting this man.

“Plenty of fun stories from set between the cast and crew.” The interviewer asks you both and Pedro nods enthusiastically.

“The first two seasons this one was attached to my hip. I couldn’t even go for a nap without her waiting outside of my trailer.” He says with a chuckle and you cross your arms.

“You were the only person on set who was childish enough to want to hang out with a high schooler.” You reply sassily and the interviewer has to cover his mouth to hide his laughter while Pedro gasps dramatically while holding his chest. “How dare you call me childish.”

“So Y/n being the youngest person of the cast and growing up on the show how did it affect your character?” You smile smoothing out the wrinkle in your pants.

“Well, I was cast in 2018 a couple of months after Pedro was already cast. It’s funny cause Dave and Jon actually when creating this show my character was never meant to be in this show just an idea thrown around.” You explain, “But they decided why not add another bounty for Mando to take care of, but through the show, they both learn to take care of each other and he becomes a father figure to her.”

“And Pedro how was that playing a role of becoming a father figure and being there in her life?” He asks and Pedro scratches his beard.

“I mean at first not gonna lie I was very nervous. I have worked with younger actors before but this was something different. It wasn’t a child actor that played my son or daughter, or someone who was an adult it was a teenager that I would be working with quite closely. I mean we met for our first table read and you were just this shy girl who was meant to be this sassy badass character. But you blew me and the crew away when we started working together,” Pedro says glancing over at you with a nostalgic look in his eyes, “Both the relationship of our characters had this whole evolution from being adversaries and not even friendly with one another to a bond that ran deeper than blood. I watched her grow up with every episode and season from that timid little girl to this strong intelligent woman before me.” You give a pouting smile before putting your face in your hands.

“I hate you. You’re gonna make me cry.” You sigh making the interviewer and Pedro laugh and wraps his arms around your hunched-over body rocking you side to side. “You’re not the only one teary-eyed,” The interviewer says fanning his eyes and you smile at his attempt to not single you out.

“It’s all good I’m professional.” You steel your face wiping away any trace of sadness from his touching speech. “Yeah, Pedro is an alright guy I guess.” You shrug and Pedro bursts into laughter throwing his head back

“Okay getting back on track. You’ve both been very busy this past year. Season 3 of The Mandalorian has been out and fans are both crying over how good this show is and how you tore us all apart with the ending.” He says and Pedro fake cries remembering the ending.

“Hey, I didn’t want her to leave me. She went to go find herself.” He points his thumb at me and you slap it away, “I didn’t have a decision in it as well. You should have seen him on my final day of filming, so as you know this man over here was gone pretty much all of season three cause he was filming his show with his other kids.” Referencing Bella Ramsey and Nico Parker his two other ‘children’ in The Last Of Us.

“Pedro is just our favorite father figure.” The interviewer says and you nod in agreement. “You have too many children to keep count of.” You say and Pedro gives a sheepish grin.

“I’m just good with kids.” He shrugs.

“But anyways so since he was busy filming for that show we were able to have his amazing stunt doubles, I love you Brendan and Lateef become him. So comes my final scene where I leave and Din is left all sad with Grogu. I think he’s in Canada filming and we block out the scene Dave and Jon tell us we’re all set. That scene feels very close to me 'cause it feels like my goodbye to both the character and to the crew who’s been there since I was eighteen.” You remember the sadness that day on set knowing that this was your final hours with this group.

“So we start rolling and I go through my whole monologue,”

“Which was amazing by the way.” The interviewer butts in and you smile,

“Oh thank you. So I do my thing and who I think is Brendan just breaks down crying before he can say his line I panic and try to improvise to get him back on track but when Dave calls cut I expect it to be Brendan to take off the helmet and apologize but turns out it was this crybaby.” You point your thumb to an embarrassed Pedro.

“Did you expect no waterworks when you were leaving me?” He defends himself, “I didn’t expect you there in the first place! But it was sweet and after many takes because he couldn’t get through his lines without crying we finished my last scenes.”

“I have seen that video from Dave Filoni of the behind-the-scenes of your final day on set.” On the TV beside the interviewer plays a video that shows the set and crew and there are the two of you going through the scene before Jon calls cut.

You remember that take vividly it ended up being the one used for the final cut, the second ‘Cut!’ was shouted the crew broke into cheers. You immediately crouch and break into tears and Pedro removes his helmet pulling you into a bearhug crying into your shoulder you both cry out your characters and each other's final goodbyes on set.

“Give it up to Y/n for her final scene! That’s a wrap for her.” Dave says behind the camera as it moves closer to you and Pedro. Both of you were teary-eyed, Pedro looking like a wreck as you give a cheesy grin through tears and Pedro presses a kiss to your temple before pulling you into another tight hug and that’s when the video ends.

“A very heartfelt video that shows the bond you two have working together over five years.” He says and the two of you smile. Just being a part of the Star Wars franchise had been a dream, growing up watching the original and the prequels as a child and now being involved in this story was game-changing. “Outside of Star Wars, you’ve both been very busy Pedro with Wonder Woman, The Unbearable Weight, hosting SNL, and one of the most popular shows of this year The Last of Us.”

“Stop it you’re making me blush.” Pedro waves his hand acting bashfully, “Don’t forget the three Emmy nominations.” You pipe in and Pedro covers his face at all the compliments headed his way. This man was way too humble.

“You’re not off the hook either you’ve been very busy yourself, you got your nomination for an Emmy for ‘The Mandalorian’, you’ve been in Bullet Train, Across the Spider-Verse, In the Heights, the latest Indiana Jones, and you just wrapped up A Quiet Place: Day One, all while going to school and getting your college degree now finally enjoying adulthood, how is that like.” The interviewer reminds you of the work you’ve done in the past five years.

You laugh twisting the rings that adore your fingers, “I mean high school was easier as I had an on-set teacher and graduated right around in the middle of filming In the Heights. Then for college right as the pandemic hit we all were on lockdown I continued with online courses and once it lifted it was working a schedule of classes and work but all the films I’ve been on have been so accommodating. With the program I took I graduated right after we wrapped Season 3 and before the Press Tour,” Pedro makes a cheering noise as the interviewer laughs.

“I’m assuming you were in attendance for that Pedro?” He questions and Pedro nods enthusiastically, “Of course, I was there for both high school and college! I made a sign and everything.” He and the interviewer laugh as you shake your head.

“Did he?!”

“It was the same big sign with a bunch of horrible pictures of me I think it said, ‘Y/n L/n my unofficial daughter’ with like a bunch of hearts.” You can picture the sign clearly remembering both high school and college walking across the stage to receive your diploma and hearing your friends and family cheer Pedro being one of the loudest.

“Since graduating and now fully dedicating yourself to film how has it been?” The interviewer questions and you give a wide smile.

“I love it so much, while it was stressful balancing work and classes being done is so rewarding. I’ve been able to accept so many new projects and attend so many events I couldn’t before due to classes.” In college, you and your manager had discussed your schedule working around sets while focusing on your education. You decided to strictly do online courses just to make things easier if you do need to travel for work but you’ve been to school events and made friends in college despite your virtual learning.

“Is this the first time you are meeting back up in person since the premiere of Season Three?” He asks and it makes sense with your guys’ busy schedules.

“No surprisingly since we wrapped Season Three there was a time when we didn’t see each other, with Pedro busy with Strange Way of Life, and I had just ended college. Plus I just moved to New York and then got involved with A Quiet Place we didn’t see each other in person until I think it was when you hosted SNL..?” You explain and Pedro perks up.

“Nooo you were there for the premiere of The Last of Us.” He calls you out and your jaw drops you completely forget how busy and how many premieres it all blends. “I would say you kinda stole the show when you appeared on the carpet, none of us were expecting you to be there.” The interviewer says with a laugh.

“That would be an understatement. So it’s the night before the premiere I’m in LA and I think she’s still in New York I remember I called you cause I felt like I was going to die,” Pedro retells and you laugh remembering picking up the phone to see a very nervous Pedro who was pacing in a panic about the premiere for the show.

“You were fine just being a big baby as usual you did the same thing during season one.” He shushes you trying to cover your mouth with his hand but you dodge from it.

“ANYWAYS,” He raises his voice, “Night of the premiere and I feel like I’m going to puke and crap myself all at the same time. But I get there everything is alright I see the rest of the cast happy to see Bellie again all those good things. I’m doing an interview and I think Bella was still on the carpet taking some photos when this roar of cheers came from the beginning. I’m thinking it’s Ashley Johnson or Troy Baker the original Joel and Ellie but I can’t see from down there. So they want me to get some photos with Bella and how I couldn’t tell they were planning something is beyond me.” You and the interviewer start giggling and you see queued up is a video from that night.

“Oh god, you have a video!” Pedro groans covering his face and you nudge him forcing him to watch.

The shouts of fans and photographers as Pedro poses for photos and you can see Bella go over and pull him over as the pair take photos together. Pedro places his hand on his stomach a technique he has used for years to quell his anxiety. The flashing lights and screams of fans only grow louder for a second and he just laughs confused at them. Bella squeezes his arm from his right side and he can sense a presence on his left side and he assumes it’s another cast member.

“Hey P…” A voice whispers in his ear and his eyes widen comically and he whips to turn to face you who has a cheesy smile on your face.

“What the fuck!”

The cameras show Pedro quickly wrapping his arms around your waist and lifting you in the air and you laugh loudly before he puts you down and immediately talks rapidly questioning how you are here, how this happened, when you planned this, he had just called you a few hours before. The cameras start yelling at you two to pose and the pair of you pose a big grin spread across Pedro’s face. The video ends as he pulls Bella and Nico making it a group photo of all his on-screen daughters.

You laugh as it freezes at the photo of all of you smiling and laughing.

“I’m still in shock you managed to pull a fast one on me but that truly made my night,” Pedro says.

“It was all Bella and Nico’s planning I didn’t even know how they even managed to keep it from you during all those press tours. I was fully there like four days before the premiere,” You say, and on the screen are photos you had posted following the surprise of you hanging with Bella and Nico, and the rest of the last of us crew. One photo that makes you giggle is you standing before a snoring Pedro on a couch in a green room that you had Bella take for you when you snuck to watch their interviews.

“Speaking of Bella and Nico. I would say you including Sophie Thatcher blew up the internet in the ‘Children of Pedro’ interview,” The interviewer mentions and you smile and a thumbnail of the interview with you and these amazing actors and actresses.

“Oh, that interview was so much fun. It was the first time I met Bella and Nico as I worked alongside Sophie during Boba Fett and we all had this instant chemistry. Following that we all became good friends and we try to hang out when any of us are in town or plan stuff.” You explain and you see Pedro has a warm smile happy to see all the people he cares deeply for are friends, “Pedro’s glad all his children aren’t fighting.” You smirk and both the interviewer and Pedro laugh at your comment.

“I’m glad my home has some form of order,” Pedro bounces off your quip and the interviewer looks over some of his notes.

“Alright, I have some fan questions sent in for the both of you to answer if that’s alright.” He asks as both you and Pedro take sips from your drinks.

“Sounds great!” “Hit me with them.”

The interviewer nods excitedly looking over at you, “Alright Y/n we’ll start with you. This is a question from @pedroswife1975 ‘I was just as gagged at Pedro’s SNL performance I wanted to know if you had any clue of Pedro’s plans or did you go in just as blind as everyone else.’.” The screen shows a college work on Pedro’s SNL night.

“Oh, that was a crazy night, I was so excited to hear he was hosting SNL cause I was used to this guy’s craziness,” You say pointing a thumb at the older man, “I didn’t realize he was dropping hints or asking for my opinion like the fan cam skit he asked me about how I felt about like fan edits. To those watching I love them so much and genuinely lay in bed kicking my legs seeing the crazy shit yall make of me or people I know. Also, that fucking voice in the memory lost one.” Pedro bursts into laughter.

“What voice? This is my normal talking voice.” He flawlessly does the valley girl's voice that makes you speak through giggles.

“I think it was when he was in New York to rehearse for SNL and we’ve been meeting up and hanging out and we were at this cafe and he slips into this voice and I literally couldn’t help giggling,” You say, “So when I go to the taping I had to cover my mouth to stop from giggling everyone second.”

“It’s an amazing voice though.” The interviewer says in the valley girl accent, “Oh totally it’s completely amazingggg.” You respond by going heavy on the vocal fry unable to burst into a fit of giggles alongside Pedro.

“Okay, next question for Pedro. This is from @y/nssoulmate ‘I’m dying to know cause those Instagram photos were insane, but how crazy was Y/n’s 21st birthday?! Please I’m dying to know I’ll give my first child to know!!’.” You immediately groan covering your face and the pair laugh. On the screen appears a photo of your twenty-first birthday it’s partially blurry but it’s of you looking plastered. A ‘21’ crown halfway on your frizzy hair from the humidity of Pedro’s apartment that he transformed into a club vibe, a drunk grin on your face with an arm around Pedro’s shoulder the other holding a martini. Pedro is practically holding you up looking drunk as well as a beer in his free hand.

Pedro chuckles rubbing the back of his neck, “I’m going to be so honest I don’t remember much of that night. Someone thought it was a good idea to try and outdrink each other.”

“Hey! I was given full rein since it was my birthday. You were meant to be the responsible adult. Luckily Sarah Paulson and Oscar Issac were the actual adults that night,” You defend yourself. Truly that night was a blur but it was such a fun night. Your friends had taken you out for breakfast and a full day of celebration before you received a text from Pedro to go to his apartment to get his gift that he accidentally shipped to his place. Turns out it was a surprise and he was able to come back from shooting for The Last of Us and bring along your close friends and family.

“For my soulmate unfortunately neither Pedro nor I remember that night but trust from what those there that night it was the best birthday someone could through for me. Though I did avoid alcohol for like a month.” You say and Pedro groans remembering the hangout you both suffered the following day.

“Okay question for you Ms. Partyer. @imstillsadfromkazsdeath,” You laugh at hearing from the person’s social handle, “Their question is with news of both Wicked which you worked alongside Director John Chu during In the Heights, and Gladiator 2 has your co-star, Joseph Quinn, your father-figure Pedro, and your friend Paul Mescal coming out at the same time. Which are you seeing first Wicked or Gladiator 2?” On the screen, it shows a college of you with each respective person mentioned. A photo of you nineteen on set in New York City with John Chu and Lin Manuel Miranda, a picture of you and Pedro during premiere of season 3 of Mandalorian, a picture of you and Joseph Quinn on the set of A Quiet Place both dusty and covered in fake blood, and finally a picture of you and Paul Mescal at the this recent Met Gala a candid photo of inside the event talking during dinner.

“One more of a sidebar, I’m still sad about Kaz’s death if I could’ve changed it I would’ve both Freddy and I were so bummed filming those scenes. But for your question fuck you.” You answer so seriously that both Pedro and the interviewer burst into laughter.

“Seriously fuck you for making me choose. One I love John Chu and I am so excited to see Wicked I’ve been obsessed with it since a kid and I saw Idina and Kristin on Broadway so I need to see what Cynthia and Ariana do with this. But I also love all three guys and want to support them too 'cause I also love Gladiator and I know my father would be super betrayed since it’s our go-to movie to watch.” You were in such a rough spot.

“Can I clone myself?” You ask and both Pedro and the interviewer shake their head which makes you let out a frustrated groan, “You know what? I’ll see whatever movie I get invited to first. This leaves me not to choose it’s in the hands of John and the boys so they need to battle it out.”

“Wow, seriously such a cop-out,” Pedro whines and you shrug, “You can’t force me to decide if I don’t have the choice.”

“Very well played. Alright, our final question for Pedro from @pedroiszaddyfr they ask ‘Hey Pedro if I get chosen I’m absolutely in love with you and just want you to know that.”

“Aw, I love you too,” Pedro replies and the interviewer continues.

“So my question is in The Last of Us after season 1 in the books ‘The Last of Us: Where the Wild Things Are’ we do get introduced to Joel’s second biological daughter is there any potential plans to include them in the show making them canon since they aren’t in Part 2 and if so. Please for the love of all these mighty get Y/n to play your daughter she would kill the role!” The interviewer chuckles at the question and you look over at Pedro who thinks over the question.

“Well as I’m sure many of you do know in the books we do get an extremely interesting character that changes and adds more depth to the characters of the game. I’d love them to add her into the show and we see the change in Joel and Ellie during the period before season two. I mean I’d be so down for Y/n to be a part of this but that’s in the hands of Craig and Neil. Unless you know something I don’t?” Pedro turns to look at you and you raise your hands shaking your head.

“I’m just as clueless as you. But I would love to be a part of the show. I’ve read the book and she truly is such an interesting character. I mean that opening fight scene in the cabin before Joel and Tommy pull up is so fucking cool. But yeah Craig and Neil hit me up before Pedro starts begging and whining.” You say and a bark of laughter comes from the older man.

“Well thank you both so much for taking the time and talking about your lives and this amazing reunion. Is this the last you too will see each other until the next reunion?” The interviewer says.

“Nope! This girl can’t get rid of me now that we’re both back in New York for the time being.” Pedro says wrapping an arm around your shoulder and resting his head on top of yours.

“If anyone wants to take this old man off my hand you can have him,” You comment and Pedro gasps pushing you away from him as you giggle, “I’m kidding I love him and he’s amazing but yeah we got tickets for Beyonce coming up so I am very excited while I need this one to listen to her entire discography before we go,” You point your thumb at him and he raises his hand.

“Hey, I got a decent chunk under my belt. Plus I’ve known Beyonce longer than you.” Pedro says and the pair of you being bickering having that be the outro of the interview.

The pair of you collect your items from your dressing rooms before heading outside. Pedro has his arm wrapped around your shoulder to make sure you don’t bump into anything your gaze glued to your phone. The cool New York breeze sends chills down your spine as you scroll through Instagram. A buzz from your phone a text saying ‘Look up’ and when you look up you see Paul standing a few feet away in a pair of jeans and a t-shirt a trench coat over it with a cap and glasses.

“Paul!” You smile lowering your phone and pulling away from Pedro to go over to Paul who welcomes you in his arms, “I thought we were gonna meet at dinner?”

He shrugs a half grin on his face, “Thought I surprise you and then we can head together. What’s up Pedro” You smile at his thoughtfulness. Pedro accepts his handshake.

“Good to see you Paul, how’s the city treating you?” He asks knowing that Paul came here just a few days ago from London when you mentioned it.

“Good real good. You know how the city usually is but luckily I have a good guide,” Paul says squeezing your shoulder and you flush shying away. Pedro smiles glad to see you are happy as the pair of you look at each other with loving looks.

“Well, I’ll leave you both be to enjoy the rest of your night. I got plans to meet with Sarah and Lux soon,” He says giving Paul a handshake before you pull away and give Pedro a big hug which he equally reciprocates.

“Send Sarah and Lux my regards.” You say and Pedro nods, “Lux wants to see you soon so be sure to reach out to her.”

“I will and don’t forget we have drinks this Friday,” You say pointing your finger at him and he nods while pulling out his headphones.

“Yes, mom…” He rolls his eyes before starting to walk away sending a final wave, “Have a good night!”

“Bye Pedro.” “Bye P I love you!” You shout so he can hear over his headphones.

“Love you too kid!” He says blowing you a kiss before disappearing within the crowd. You bring your attention back to Paul who tucks a stray strand behind your ear.

“What are you looking at? Is something on my face?” You ask trying to reach for your face but he stops you holding your hand and giving a squeeze.

“I’m just looking at you, a chuisle mo chroí. You’re just beautiful is all.” He says slipping to Irish so easily it sends a shiver down your spine at his accent.

“Stop being so cheesy,” Your face flushes hot as you shove him away starting in the direction of the subway station. You hear him run up after you easily wrapping his arm around your waist before placing a kiss on your lips which you eagerly accept your hand reaching up to cup his cheek. Pulling away a bit, he gives a familiar smirk that makes you grin as you fully step back taking hand and the pair make their way to your plans.

“You’re such a sap.”

“A sap for you my love~”

“Shut up!”

a/n: y'all I'm alive I swear these finals have truly been killing me and TRUST, any paused work will be coming back I swear on my unborn child.

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fefairys · 1 year ago

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this is one is important as fuck i see so many people not understand this and it drives me crazy

"Sburb ruins, mythic challenges, and personal quests generally tend to come off as shallow busywork, stage props, or set pieces in a spurious Hero's Journey. Rose either faintly glimpses this truth at this early stage, or she's just hitting her rebellious teen stride. Either way, she doesn't take the surface value of the quest seriously at all, and only wants to smash it apart and loot the secrets. My sense is that the average reader reacts to this impulse unfavorably. Because readers watch the formula play out so often, they are trained heavily to respect the journey of the hero, to anticipate and crave its fulfillment, to see it as something verging on contractual in their relationship with a story. So a gut-response to this recklessness is like, "ROSE, NO! STOP THAT! You simply must complete your quest and play the rain!" What comes with this view is the feeling that her evolution as a character is only being delayed for a bit while she gets some anti-narrative foolishness out of her system, and then we'll get down to business and watch her do her quest, play a whole BUNCH of rain, and reap the narrative satisfaction. There's just one problem: she never does that. This candy-coated Kiddie Kwest is at no point ever taken seriously by Rose or the narrative itself, nor should it be.

When trying to parse character arcs, we look out for certain beacons. So when we hear "play the rain," we're like, ah, GOT IT. That's Rose's arc. Once she finally gets over this destructive teen bullshit, she can wise up, play the rain, and her arc will be finished. Wrong. This is almost a red herring arc. Her quest on this planet, its patronizing presentation, its intrinsic shallowness, is a mirage surrounding her that represents a fully regimented series of milestones for achievement and personal growth, much as society dubiously presents to young people in many forms. The true arc-within-the-arc is actually an upside-down version of what it appears to be. What Rose is doing now, which seems to be misguided recklessness taking her further away from the truth of herself, is actually better seen as a good start to her real journey: breaching the mirage of regimented growth, exposing it for the charade it is, and pulling the truth out of it. The real conflict in her arc comes not from the fact that she refuses to take it seriously, by destroying it and taking shortcuts. It's the opposite. It's that, upon trashing her planet, she continues to have this nagging sense that she should be taking this quest seriously, much like how a young adult may have a nagging sense of guilt that they aren't "being an adult right" by the time they approach adulthood. And this nagging, unanswerable guilt arises from the truth that the regimentation of adulthood is completely fake. It was always a mirage. Learning this, making peace with it, is part of the growing process for many, and it is for her too." -Andrew Hussie

intrinsically queer as fuck, too, btw

#sams reading homestuck again #homestuck #rose #i also see this in particular interpreted as a 'writing mistake' from hussie #no. its on purpose.

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astrosouldivinity · 3 months ago

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𝑯𝒐𝒘 𝒕𝒐 𝑫𝒆𝒂𝒍 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝑬𝒗𝒊𝒍 𝑬𝒚𝒆: ⁺⋆🧿⋆⁺ (𝙿𝚊𝚛𝚝 𝚃𝚑𝚛𝚎𝚎)

𝑬𝒗𝒊𝒍 𝑬𝒚𝒆 𝑻𝒂𝒄𝒕𝒊𝒄𝒔 𝑻𝒉𝒂𝒕 𝑷𝒆𝒐𝒑𝒍𝒆 𝑼𝒔𝒆:

1. 𝑬𝒏𝒆𝒓𝒈𝒚-𝑺𝒊𝒑𝒉𝒐𝒏𝒊𝒏𝒈 (➖)

• Recruiting Allies: They recruit other people to help with undermining you, knowing they can't succeed alone.

• Obsessive Monitoring: They engage in gang-stalking behavior, fixating on you, plotting and praying on your downfall.

• Controlling Behavior: They nitpick and belittle you, trying to manipulate your emotions and provoke reactions.

• One-Sided Relationships: You invest your energy into them, but they offer nothing in return. Essentially, pouring into an empty cup, leaving you drained and feeling entitled to your energy.

• Deteriorating Health: Their influence can manifest in negative effects on your well-being, leading to visible changes such as decreased vitality, increased illness, and persistent brain fog.

2. 𝑬𝒎𝒐𝒕𝒊𝒐𝒏𝒂𝒍 𝑴𝒂𝒏𝒊𝒑𝒖𝒍𝒂𝒕𝒊𝒐𝒏 👹

• Gaslighting: They make you question your reality through passive-aggressive tactics, engaging in psychological warfare that is truly diabolical. This involves throwing stones and hiding their hands, creating confusion that drives you to doubt your perceptions and feel like you’re going crazy.

• Isolation: Following a smear campaign, you may find yourself ostracized, leaving you vulnerable and unprotected. This isolation is even more distressing if you don’t fully understand what’s happening.

• Existential Neglect: They act as if you don’t exist, undermining your self-worth and causing you to doubt yourself. This behavior pushes you to seek their validation, aiming to disconnect you from your true self.

3. 𝑻𝒓𝒂𝒑𝒑𝒊𝒏𝒈 𝒀𝒐𝒖 🪢

• Commitment to Misunderstanding: They are dedicated to misinterpreting you, and people who dislike you will always find faults, fueled by a relentless desire to undermine you.

• Projection: They impose their limiting perceptions on you, trying to box you into a version they can control.

• Stagnation: They resist your growth, attempting to keep you in a state where they had the most control over you, and project their own lack of evolution onto you.

4. 𝑯𝒐𝒘 𝒕𝒐 𝑷𝒓𝒐𝒕𝒆𝒄𝒕 𝒀𝒐𝒖𝒓𝒔𝒆𝒍𝒇 🪬

1. Wear Protective Crystals: Utilize stones such as black tourmaline, obsidian, and smoky quartz. Wear evil eye jewelry, and incorporate protective practices like spell jars, mantras, and visualization techniques.

• I create evil eye-themed jewelry, crystal jewelry, and spell jars, which will be available for purchase soon. 💟

• 𝚂𝚙𝚎𝚕𝚕 𝙹𝚊𝚛𝚜 🌱🫙

2. Pray for Protection: If necessary, consider return-to-sender or freeze spells. However, these are most effective when you know the source of the negativity. Identifying the evil eye source can be challenging, especially in omnipresent situations.

• 𝚁𝚎𝚝𝚞𝚛𝚗 𝚝𝚘 𝚂𝚎��𝚍𝚎𝚛/𝙵𝚛𝚎𝚎𝚣𝚎 𝚂𝚙𝚎𝚕𝚕

3. Practice Energetic Detachment: Employ the "grey rock" method—remain unresponsive and stoic. By becoming an emotionless force, you deprive them of the energy they seek to access.

4. Embrace Your Inner Power: Recognize that they are sending negative energy towards you. Channel that energy back to them, transmuting it into your own strength. Remember, these individuals are ultimately weak; their attempts to bring you down are driven by a desire to feel powerful and in control.

𝙿𝚊𝚛𝚝 1

𝙿𝚊𝚛𝚝 2

𝚃𝚒𝚙 𝙹𝚊𝚛 🫙🙏🏿

𝙼𝚊𝚜𝚝𝚎𝚛𝚕𝚒𝚜𝚝

𝙽𝚘 𝚙𝚕𝚊𝚐𝚒𝚊𝚛𝚒𝚣𝚒𝚗𝚐 𝚘𝚏 𝚖𝚢 𝚠𝚘𝚛𝚔 𝚒𝚜 𝚊𝚕𝚕𝚘𝚠𝚎𝚍. 𝙷𝚘𝚠𝚎𝚟𝚎𝚛, 𝚒𝚏 𝚢𝚘𝚞 𝚜𝚑𝚊𝚛𝚎 𝚊𝚗𝚢 𝚘𝚏 𝚖𝚢 𝚠𝚘𝚛𝚔 𝚙𝚕𝚎𝚊𝚜𝚎 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚙𝚛𝚘𝚙𝚎𝚛 𝚌𝚛𝚎𝚍𝚒𝚝: @𝚊𝚜𝚝𝚛𝚘𝚜𝚘𝚞𝚕𝚍𝚒𝚟𝚒𝚗𝚒𝚝𝚢 🖤

*✧🧿 *✧･ﾟ🧿✧･ﾟ🧿 *✧･ﾟ🧿✧･ﾟ🧿 *✧･ﾟ🧿✧*

𝚃𝚑𝚒𝚜 𝚌𝚘𝚗𝚌𝚕𝚞𝚍𝚎𝚜 𝚝𝚑𝚎 𝚏𝚒𝚗𝚊𝚕 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚖𝚢 𝚜𝚎𝚛𝚒𝚎𝚜 𝚘𝚗 𝚍𝚎𝚊𝚕𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚎𝚟𝚒𝚕 𝚎𝚢𝚎. 𝙸 𝚖𝚊𝚢 𝚛𝚎𝚟𝚒𝚜𝚒𝚝 𝚝𝚑𝚒𝚜 𝚝𝚘𝚙𝚒𝚌 𝚒𝚗 𝚝𝚑𝚎 𝚏𝚞𝚝𝚞𝚛𝚎, 𝚊𝚜 𝙸 𝚑𝚊𝚟𝚎 𝚖𝚞𝚌𝚑 𝚝𝚘 𝚜𝚑𝚊𝚛𝚎 𝚋𝚊𝚜𝚎𝚍 𝚘𝚗 𝚖𝚢 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜. 𝙸𝚏 𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚜𝚙𝚎𝚌𝚒𝚏𝚒𝚌 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗𝚜 𝚊𝚋𝚘𝚞𝚝 𝚑𝚘𝚠 𝚝𝚘 𝚙𝚛𝚘𝚝𝚎𝚌𝚝 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏, 𝙸 𝚌𝚊𝚗 𝚑𝚎𝚕𝚙. 𝚂𝚝𝚊𝚢 𝚜𝚊𝚏𝚎 𝚘𝚞𝚝 𝚑𝚎𝚛𝚎; 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚠𝚎 𝚕𝚒𝚟𝚎 𝚒𝚗 𝚒𝚜 𝚑𝚎𝚕𝚕𝚊 𝚜𝚌𝚊𝚛𝚢. 😓

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leclsrc · 2 years ago

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wait and see ✴︎ cl16

genre: enemies to lovers, fluff, angst barely, other drivers appear

word count: 2.5k

The grid recounts the evolution, nature, and many ups and downs of your and Charles' vague relationship.

auds here... req'd, this was p fun to write i hope u guys like it! :) short bec if it was any longer it wouldnt have been as nice to read i think? anyway... i love u guys. title from this.

Lando takes a seat. “Is this the thingy for…? Yeah? Okay. What am I supposed to do again?”

“Just describe the two of them.”

“Easy. She was always pissing him off.” He rubs his chin, lost in thought. “But… in a good way?”

—

“I told you a hundred times I didn’t want this to be the soundbite you published.” Charles chases after you, his footsteps quickening like a lost puppy as you wrestle your way into the media pen. “A hundred times, and you said okay, and you still published it. Che succede?”

You turn, crossing your arms over your torso. “Look. I said yes, but when I looked it over, nothing else you said was really worth it. It was all just repetitions of the same PR bullshit that makes you look good on camera.”

He rakes a hand through his hair, exhaling with frustration, watching his biting comment on Iñaki rack up hundreds of thousands of views. “This was not a good idea!” He repeats, the same sentiment he’s been telling you in the half-hour he’s known of this video’s publicity.

“But it happened.” You adjust your mic and gesture to Lando, who’s awkwardly waiting for the cameras to roll so you can start the post-FP2 interview and he can talk about his shit car. “I’m busy, so deal with it. Your fans will appreciate you not riding Ferrari’s dick all the time.”

Charles opens his mouth to argue, but shuts it, shoving his way back outside and into the motorhome so he can cooperate in damage control. He doesn’t admit it—to you, to Carlos, to anyone—but the PR that comes of it is more good than it is bad in the end. He doesn’t admit it because it means admitting you’re right, and God if that’s the last thing he’ll ever do.

—

“They were always butting heads,” George says, laughing as he soaks in the memories of it. “Always fighting over something. Anything. Whatever there was that could be disagreed on—they’d be disagreeing.”

—

It started harmlessly enough. Seb walked in with two swatches of color—a blue and a purple—and addressed the room with a light tone, asking what color would best suit the tablecloths at his wedding. And then, as it always did with you and Charles, chaos ensued.

“Blue suits green better.” You wave the blue in his face. “You’re busy thinking of red all the time so you don’t understand color theory.”

“It’s not about coordination! It’s about creating a highlight!” He gestures with his hands, aggressively gesticulating to try and get his point across. “Highlight!”

“Oh, bullshit! Blue!”

“Purple!”

“Are you crazy?!”

Across the room, Seb and George watch in mild horror at the two figures caught in a needlessly intense argument over colors at a wedding that isn’t even theirs.

An AlphaTauri engineer comes in to refill his coffee for the third time, finds the two of you still fighting and is genuinely stupefied. He turns to the two onlookers, asks, “Bridezilla, huh? Happened to me once, too. I swear the grooms always try to weasel their way in to seem more involved but their choices never make sense.”

“Oh, no. They, uh, they’re not together.” George clarifies quickly.

“They’re not?!” The engineer and Seb ask at the same time.

They all watch the argument, bemused, but secretly they all wonder just how correct George is.

—

“We have a saying in Spanish. Del amor al odio hay un paso. Neither of them will understand it—it’s in Spanish, obviously—but I think that applies to them. One minute you think they hate each other, and the next…” Carlos lets himself taper into silence, smiling softly.

—

Being around Charles feels like karmic retribution, a constant eternal push and pull. But it makes the both of you better, even if neither of you admit it in the end. You can’t really grasp why, or how it started—it might take ages if you do so much as try—but you’re content with letting things happen the way they do.

Or maybe you’re not. “You ruined my fucking broadcast, dickhead!”

You toss your earpiece at his chest, body welling up with annoyance. Your segment was being casted live until Charles insisted he take up your airtime to do whatever-the-fuck, you honestly don’t care. And yeah, sure, he’s way more relevant, but the less airtime you get, the less easily you get the exposure you need.

“It happened one time.” He sounds amused, and it patronizes you, sets you on fire. He clutches your earpiece to his chest and hands it back to you.

“Fuck you.” You tug it toward yourself, and suddenly you’re closer, noses almost touching. You step back, but it’s not enough. “You have no idea how much that mattered to me.”

His eyes flit toward your lips, your bodies melting together. “If it really did…” he says, inhaling, “you would’ve just ignored me.” And damn, he’s right.

Charles does not like you. He just knows you well. But then one might argue—isn’t that the same thing?

—

“They have trouble not calling the shots, is the thing,” Lewis offers. “So put them in a team, in a room together, and boom.”

—

“…We didn’t agree on this script.” You underline the problematic lines and toss it onto Charles’ lap from where you stand in front of the sofa. “You want your fans to hate you?”

“The questions were clumsy. I asked you to reword them, but you didn’t.”

“You didn’t ask, to be clear. You demanded.” You click your tongue.

Lewis is in the middle of posting on Roscoe’s Instagram account and manually making typos, but he looks up, interest piqued by the increasingly heated conversation.

“I asked,” Charles insists stubbornly. “Plus, this is a Ferrari segment. You get hired to write on Ferrari, you follow Ferrari.” He points to the yellow logo on his shirt. Ferrari, he mouths. Lewis stifles a chuckle at the sarcastic exchange.

“Jesus.” You reread the script. “Fine. I’ll reword this and this.”

“And that.” He points, tapping the paper.

“Only if you edit this and this. Oh, God, and this.”

“Fine. Wait, that?”

“Are you serious? It’s the corniest statement ever. Edit that or I edit nothing.”

“Okay, bossy.”

Lewis exits Instagram in favor of texting Seb to ask if you two are dating. The response he receives is equally unhelpful: Nobody knows mate.

—

“You know, for all the disagreeing they did, they actually agreed on so much of the same stuff. If they stopped fighting for two seconds they would agree on most things.” Alex muses. “But they never did, so. Or maybe a few times.”

—

Media is a tricky thing. It’s either on your side, or it isn’t.

And this weekend, Charles has drawn the short straw, subjected to bouts of backhanded journalists and tweets for his strategy during quali. You know this especially well—you’re media, for Christ’s sake—and you’ve seen your colleagues hound Charles for how he chose to tackle the session.

Alex is in the middle of a FaceTime call with Lily when he hears it. “Wait—I think they’re talking,” he says to his girlfriend when he hears you approach him, carefully maneuvering himself into optimal eavesdropping position.

“Is this the right thing to do?” Lily’s voice comes through like static.

“I know it’s wrong,” Alex confesses. “But—”

“No, I meant I can’t hear properly. Move the phone closer, you dick.”

So he does, and the two of them listen intently to your talk. You go first, a few shuffling footsteps and an adjustment of your media pass, then. “Will’s been all over you today.”

“Yeah,” comes Charles’ voice, tired if anything. “I, uh… I just hope I can understand where I went wrong and, uh. Well, uh.”

“No, I…” There’s heavy silence. “I think you did the right thing. You didn’t get pole, but it was a good strategy. Better than what was being proposed, anyway. I think that would’ve landed you at the back of the grid, to be honest.”

You both laugh. “Thanks,” he croaks.

“You did great. Don’t, um… don’t let them tell you otherwise. I’m proud of you.”

Alex never tells anybody what he heard. But it inspires many long-winded conversations with Lily about the nature of your relationship. Each time, though, they never arrive to a solid answer.

—

“Hey, listen. I always knew something was there with those two. They had the kind of dynamic you only find once in, like, a million instances.” Daniel says firmly. “But I also kept thinking… poor Charlotte.”

—

You’re half-sure Pierre was the one who bought you all shots. Or a quarter-sure. Okay, you’re not sure at all. Your mind’s cloudy, your inhibitions lowered, tongue loose and laugh contagious. Around the table everyone is laughing, some others have gotten up to dance, but you, Daniel, Lewis, and Charles are all conversing about work, albeit while drunk.

“Is… tequila… plant-based?” Lewis grimaces as he throws another shot back and you all laugh mindlessly.

“Danny,” you say, tapping his shoulder. “Any plans once you’re out of the paddock next season?”

“Ah,” he hums. “Self-discovery and a shit ton of shrooms.”

You all cheers to the epiphany, shots once again entering your system. “And a party again tomorrow!” Daniel adds half-jokingly, much to your delight. Charles, right beside you, throws an arm over your shoulder as he laughs. You’re unfazed.

Daniel’s gaze lingers on his arm a little too long, especially because your own hand reaches upward to wrap around his wrist, to make sure he doesn’t pull away. But you’re both drunk, he reasons. And plus, you can’t usually stand each other’s guts.

“I’ll pass, mate, if it happens,” Charles says, his tone clearly inebriated.

“You’re no fun,” you say lightly, laughing and turning to him. Your eyes are on the other’s, dark, lips almost touching as if you’ve forgotten Daniel and Lewis are even around (though the latter is as good as dead, honestly.)

“Invite Charlotte instead,” Daniel says with a smile, to try and test your reactions. “How long, now? Three months?”

You clear your throat, looking away with a faux smile.

“Oh. We’re not doing so well, to be honest.” Charles smiles, tight-lipped. He hopes Daniel doesn’t ask why. He can’t think of a lie quickly enough to cover how Charlotte told him I love you, Charles, but this is over. I hope you end up with her someday.

—

Seb takes some time to think about it. ��Those two always fought. Everyone said that, didn’t they? All the time, disagreeing.” He hums. “I could tell very early, though, that they were also the only two who could truly understand the other. Figuratively, obviously—but as a result, also literally.”

“Elaborate?”

“When you understand someone that well, inside and out, you end up understanding everything they say.” Seb smiles. “That was them, I think.”

—

“It’s impossible to transcribe your interviews,” Will says to Charles. It’s that hour on the paddock where everyone’s waiting for the pre-race bustle to start, so small talk is what’s keeping them busy.

You’re reviewing a few clips from practice on your phone and Seb is chipping into the conversation, which has moved from Mick’s future to F1 into Sky Sports into this.

“What do you mean?” Charles asks.

“You’re always sliding in and out of your three languages!” The Englishman laughs. “I have to consult a native speaker of both Italian and French each time. And you’re always going I, I, I, or we, we, we… but hey, the fans dig it, innit?”

“I think I sound perfectly understandable.” Charles smiles. You’re still busy, unfocused on the conversation at present.

“Like, okay. Look at this.” Will retrieves his phone, opens his voice memos app, and plays one of the audio recordings there. It’s a scratchy one of Charles describing his quali session, and sure enough, even if he’s speaking straight English, the adrenaline and exhaustion have him sounding totally indecipherable.

We—we had gasjdhfhs and I, I, I… I think we need to rejshdhs and thijsjsh about the hsfhdh, yeah? And, and, uh, we ajhshajs. And

Will closes it. “Sebastian, can you tell me that said?”

He shrugs, amused. “Sorry, Charles. I genuinely can’t.”

“See?!” Will makes a voila motion. “Nobody understands this.”

“He said we had good traction and I think we need to recalibrate and think about the boxing strategy, yeah? And we need that mindset.” You’re still going over your phone, busy and not 100% invested. “You two just aren’t listening.”

Charles doesn’t take his eyes off you, or the smile off his face, the whole hour.

—

Pierre comes last, clearing his throat. He’s ready. He knows exactly what to say, so he says it. “Those two are fucking soulmates.”

—

It’s three-thirty when somebody knocks on your hotel room.

But your body still feels like it’s five in the evening, your brain’s stuck at two in the afternoon, and your sleep schedule thinks it’s nine in the morning, so you’re not asleep but instead rewriting notes from the weekend prior.

You’re horribly disoriented when you grab your pepper spray and unlatch the door, and even more disoriented when you see Charles on the other side of it.

“Am I crazy?” He asks, breathless, like he’s been waiting for you all his life. Maybe he has.

“You’re at my hotel room at three a.m., so… a bit.” You rub sleepiness and jetlag out of your eyes. “Charles, what’s going on?”

“I love you.” There it is. “It sounds so stupid. But I love you. And it’s almost—I can’t bear it. I woke up this morning? You, on my mind. Lights go off after a race? You. I go to sleep? You. It’s always you. And I know, I know it’s—I know, with Charlotte, and—but it’s true. I, I, I—I think about you every minute. And usually this happens accidentally. Nous sommes tous des idiots quand il s’agit d’amour... moi y compris.

“But this was… I knew I was falling in love and I let it happen. And so I thought, why keep waiting? Why let it drag on and on and fight over and over when I can just come and tell you how much I—and maybe, hopefully, see if you feel the same?”

He pants, tired from his clearly rambled and unplanned confession.

“I love you, too,” you say, struck. Oh God.

“Can I kiss you, then?”

“It’s may,” you breathe. “May I kiss you.”

“You may,” he whispers.

“Right now?”

“Anytime.”

“So now.”

“It’s now or next Tuesday,” he jokes.

“Now is… the best. Now would do.”

“Now would do.” So you cross the threshold and let him scoop you into his arms so he can well and truly kiss you.

—

“Is that all?” The interviewer asks Pierre. “Just… those words? We need a bit more for the article on this event.”

“Oh, yeah.” He gets up, straightens his tie. “Don’t worry. You’ll hear the rest during my best man speech.”

Del amor al odio hay un paso – From love to hate, there is one step.

Nous sommes tous des idiots quand il s'agit d'amour... moi y compris – We are all fools in love... me included.

#f1 #leclsrc2000 #charles leclerc #charles leclerc x reader #charles leclerc imagines #charles leclerc drabble #charles leclerc smut #f1 x reader

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godsandvillains-if · 2 years ago

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Gods and Villains is a superhero/horror story set in a dystopian future where Earth is filled to the brim with crime and corruption—a.k.a MCU meets The Boys.

Warning! injury to major characters, gore, body horror, trauma and PTSD, amnesia, death, and sexual content. Rated +18. More specific content warnings will be provided at the start of each chapter.

LINKS

DEMO ✶ PATREON ✶ KO-FI

You take control of a powerful metahuman, an otherwise ordinary human on the outside but who has the meta-gene, a potent mutation deep engraved in their DNA, which gives them superhuman abilities. This next step in human evolution comes with a setback, however, for the curse of madness seems to follow their every step. It lurks in the shadows, patiently waiting for the opportunity to strike—many metahumans fall prey to its alluring promises.

With a dark and traumatic past filled with untold horrors and inhuman experiments, you are rescued from the clutches of crazy terrorists by a team of heroes that might lend you all the tools you need for redemption or complete self-annihilation.

As the only metahuman with the ability to wield the powerful Chaos Magic, your very blood holds the answers to unlocking the secrets behind the control of time and space, but it has the drawback of being almost completely volatile.

Who can you trust to keep you safe other than yourself? Trust no one, and maybe you can get out of this literal hell alive.

Play as male, female, or non-gender specific, along with transgender choices;

Romance one of seven characters, and if your heart is big enough fall in love with two of them. There's three possible poly routes available: Archon and Stardom, Archon and Mars, Paladin and Wildcat;

Customize your appearance, personality and powers;

Struggle against the shackles of madness trying to take hold of your psyche;

Battle a multitude of villains or become one yourself;

Uncover the secrets behind the meta-gene and your abilities;

Help the public fall in love with superheroes or forever destroy that chance;

In total there are seven romance options, each with their own personality, and dark secrets for you to uncover. You can read more about them below:

The villain, or anti-hero, whatever you want to call them, Mars is an enigmatic figure; the very concept of life seems to hold no value to them. A trail of bodies follows wherever they go, and on the news, they are regarded as the biggest menace of the century. They will have the unique ability to sway your loyalty. Beware, their sweet words and promises may drip with honey, but they also drip with the blood of their victims.

Trope: Forbidden love, emotional scars, blood-play

Zev/Zena Hammer

The oldest of the bunch and not a metahuman per se. Hammer acts as the spokesperson for the team, mitigating the often tenuous relationship between humans and the so-called "mutants". As a retired police detective they've learned firsthand how rotten the world can be for the innocent, and they've vowed to protect them at any cost. Their analytical and communication skills will go hand in hand when dealing with various crimes, just as their implants.

Trope: Widow/widower, age gap, don't-call-me-daddy/mommy

Adam/Ada Armstrong

The current leader of the Alliance Team. Headstrong and dauntless, they are regarded as the strongest metahuman in modern times and the most enigmatic of them all, whose past is shrouded in mystery and unknown even to their closest friends. On the outside, they might seem apathetic and unconcerned with human suffering, but their true feelings are hidden beneath layers of deep trauma. Superhuman strength and invulnerability are their greatest assets when fighting villains.

Trope: Nobody thinks it will work, love/hate, fucking-your-boss

Edward/Evelyn Osborne

The former leader of the Alliance Team and Archon's best friend. On the surface, they are the stereotypical showboat: cocky, greedy, and egoistical. Stardom does whatever they can to gain attention, fame, and riches. For them, the best feeling in the world is an adoring fan and a beautiful person fawning over their heroics. The meta-gene gives them a genius-level intellect, which in turn is used to develop several pieces of equipment that are employed by themselves and the team during fights.

Trope: Billionaire, belated love epiphany, good-people-have-good-sex

Johnny/Johnnie

If Archon's past is shrouded in mystery, Paladin's is drowned in it. For all you know, their name is not even Johnny/Johnnie but an alias of their choosing. They are known to be the silent loner type and are somewhat socially withdrawn from other members of the team, only speaking when called upon to do so. Behind their silver mask, they harbor more than a few inner demons, and together with their superhuman weapon and combat proficiency, they fight for the innocent.

Trope: Secret identity, oblivious to love, weapon-fetishization

Pedro/Pilar Flores

The youngest of the team, considered by many a lighthearted jokester without any real talent beyond their obvious powers—which set them apart from every human that walks the earth. With their metahuman status so evident for everyone to see, hiding just didn't seem like an option, so they chose the next best alternative. Known to be playful, energetic, and often immature, they are responsible for balancing the team's more serious side, and when someone can take the form of any living being on Earth, the repertoire of pranks is endless.

Trope: Beauty and the Beast, broken in some way, begging

Doctor Malik/Malika Aziz

The renowned Doctor Aziz, a famed archaeologist and considered to be the most powerful sorcerer, or magic user, in the world. They wear several enchanted artifacts that, in turn, accentuate their already tremendous knowledge of the mystical forces. With an extremely strong moral compass and kind demeanor, they will show themselves to be the best teacher you could ask for, but why do they seem to be everywhere you look?

Trope: Time travel, twin siblings or clones?, teacher-student

#if: intro #if: gods and villains #interactive novel #interactive story #interactive fiction #choice of games #if game #hosted games #choicescript #choices #dashingdon #if wip

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mayasaura · 21 days ago

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@spending-life-pretending

NO WE DON'T KNOW FOR SURE WHO SAYS THIS LINE!!

The book describes it as being said "so savagely that it sounded like a new voice altogether," with no further elaboration.

Aiglamene and Kiriona are talking over one another at this point in the conversation. Crux's response isn't very helpful because he could plausibly be talking to either of them. He never liked Gideon or Aiglamene, and he certainly believed he knew better than either of them what was best for the Ninth and best for Harrow.

Kiriona was my first assumption, too. Assuming this line comes from her, it shows some considerable evolution in her understanding of the relationship between the Ninth and Harrow, which she had always envied Harrow as a child. It's also tiny bit hypocritical. A sharp condemnation not just of the culture and people that failed Harrow so badly, but possibly also of herself and her way of thinking in Harrow the Ninth, lining up just like all the rest of them to shove her death down Harrow's throat as an offering.

The audiobook gives the line to Aiglamene. I had to think about it, but I like this interpretation as well. Giving the line to Aiglamene makes it a brief outburst from a woman who once believed the Ninth had a future worth waiting for, finally allowing herself to be angry that all they were waiting for was to die. That one way or another, all the Ninth knew how to give its children was death. I think she's due a moment of savagery on seeing the corpse of the child she thought she'd helped escape that cycle competing for the right to die again. She thought she'd gotten her out.

It drives me a little crazy, because both versions are good. Both versions are plausible. But they aren't entirely interchangeable in their implications, and there's no way to tell for sure which version is true.

On the balance, I still lean toward Kiriona. Aiglamene takes a bit more convicing to let Crux be the sacrifice, and it would be a damn quick about-face for her to lose her composure like this and then snap back to her titles and duty, volunteering to die herself. But Kiriona does also volunteer to die in this conversation, before being reminded she's already dead. Some ambiguity remains.

#the locked tomb #ntn spoilers #nona the ninth #tlt character analysis

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dykesynthezoid · 5 months ago

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I do think we’re getting at least some escalation of devil’s minion in s3 btw. And I don’t think that’s even me being hopeful or optimistic I think it’s literally just logical.

I’ve seen people say oh, but devil’s minion happens in QOTD, and s3 is TVL; and firstly, they’ve definitely made it sound like some elements of queen of the damned are going to be present in s3. Secondly, I suspect season 3 is going to end with the lead up to Lestat’s San Francisco concert. So the whole season will be both Lestat backstory + the set up for the events of QOTD. And devil’s minion happens, guess what, before Lestat’s San Francisco concert. It would almost not make sense to not at least touch on it while the other story beats are culminating up to that moment. Like, Daniel and Armand are already present in the story (where they aren’t in the book in the modern day storyline), why would you not continue their storylines to the next logical step?

Also, I think you have to consider just how many new characters and storylines QOTD introduces and how daunting that can be to absorb if you’re unfamiliar. Waiting to do anything with devil’s minion until season 4 means that’s just one more new storyline to have to inject into a narrative already very crowded with exposition. It just doesn’t make a lot of sense to do that, and I suspect the writers are pretty aware of that.

And frankly like. What other storylines would Daniel and Armand be getting? Like how are either of their stories supposed to move forward without, y’know, each other? Are we supposed to expect all of season 3 just to be one big pause button on both their larger narratives? That seems very silly. Daniel at least has the journey of adjusting to vampirism, but Armand especially is like. His semi-redemption and character evolution comes from devil’s minion. That’s the only real next step for him.

And I mean. Look at Assad and Eric. I don’t think Rolin Jones could convince them to wait a whole other season for something to happen if he tried. I know, I know it’s easy to be like “oh but maybe it’s just actors being silly” but compare how open they’re being about it now and how much more tight lipped they were in between seasons one and two. It’s night and day. It is a very very different vibe. And apparently, Assad has been plenty excited about it this entire time, so he was actually somehow managing to keep his mouth shut before. But now maybe he doesn’t need to, because he knows season 3 will at least offer something in the way of that development.

I think it’s entirely possible we won’t necessarily see the full “culmination” of their relationship until season 4, but I do think season 3 will at least have development and escalating tensions that are undeniable. I think it’ll likely start out slow and ramp up as the season continues. I’m not going to panic if we don’t get much in the first few episodes or if it takes until episode five to see Daniel’s turning. That might be needed, honestly, in terms of giving Lestat his necessary focus. But I think more small pieces will begin to accumulate, will escalate to a place of higher tension by the mid season, and then the finale will include some type of reveal or emotional climax, setting things up going into season 4.

And you know what, it’s worth mentioning: things have happened faster on this show than I expected before! I did not expect Daniel to be turned at the end of season 2. I thought we probably had a whole other season to go before that happened. “Well they were afraid of cancellation” / “well Eric just wanted to be a vampire so badly” and will these things also not apply to season 3/Eric and Assad wanting devil’s minion?? Idk babes. I’m doing the math and it doesn’t seem that crazy to me

#if I were being *optimistic* I’d say we see daniel’s turning in episode one and he and armand hump each other on the ground about it #this^ is just me thinking logically #daniel molloy #armand #iwtv tv #devil’s minion #iwtv #armandaniel #devils minion #iwtv s3

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cera-writes · 7 months ago

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I’ve been on a recent X-men evolution obsession and like-

Headcannons for X-men Evolution!Kurt Wagner x Gn!reader that’s human and knows he’s a superhero but doesn’t really care? Like they’re just confused on how nobody else realizes Kurt and his friends are the x-men- (Like they don’t where no masks no nothin😭)

A/N: Riiiiight? LOL. Yeah, I can think of quite a few!

X-Men Evolution! Kurt Wagner x GN!Reader (Superhero Obliviousness)

Headcanons:

You first met Kurt at Bayville High, drawn to his quiet demeanor and dry wit. You never saw his demonic tail or sulfur scent as anything but...quirks.

One random afternoon, you saw a news report about a giant Sentinel robot attacking the city. Guess who was teleporting around it with a blue furry friend? You just stared, then shrugged and went back to your homework.

You become Kurt's confidante. He vents about the X-Men's crazy missions, frustrated that no one seems to recognize them. You listen patiently, offering support, but mostly confusion.

Phrases you use a lot:

"Wait, wasn't that... wasn't that you on TV fighting a giant metal thing?" (Kurt: 👁️👄👁️)

"So, like, why doesn't anyone else see you guys teleporting around in broad daylight?" (Kurt: 🙃)

"You're telling me the whole school doesn't know you have a tail? Have you considered... brighter clothes?" (Kurt: 😐)

You become the X-Men's unofficial "civilian consultant." You help them strategize normal people things, like disguises (which they desperately need) and blending in.

Kurt finds your obliviousness endearing. You're the one constant who sees him for who he is, not a demon or a superhero, just Kurt.

You do get worried when they leave for missions. Kurt, bless his furry heart, tries to downplay the danger, but you see the fear in his eyes.

Eventually, you confront Professor X. It's a polite but firm conversation about the utter lack of secrecy. Professor X is surprised, then impressed by your deduction skills. Maybe you could be a strategist someday? (You politely decline.)

Dating life:

Public dates are a nightmare. You constantly have to steer conversations away from the giant robots Kurt keeps "accidentally" bumping into.

Movie nights become a game of "spot the X-Men cameo." Bonus points if you can guess their power being used.

Cuddling sessions often involve Kurt teleporting in exhausted from a mission, tail twitching nervously. You just hold him close, whispering reassurances.

You're the ultimate hype person for the X-Men, even if no one else knows it. You're secretly keeping a scrapbook of their "heroic deeds" (news clippings with doodles and witty captions. You've even sketched their faces and made silly comics about them).

Overall, your relationship with Kurt is a hilarious mix of obliviousness and deep affection. You may not understand the superhero life, but you'll always be there for Kurt.

#xmen #x men 97 #xmen evolution #nightcrawler x reader #kurt wagner x reader #gender neutral y/n

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aossimusings · 7 months ago

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Claire from the Bear, and why she's not badly written, she's just not occupying the character role people expect of her and they don't know what to do with that

Alright. I'm bringing some film student analysis to The Bear, and subsequently, Claire, because I'm tired of people saying crazy things like, "she's a manic pixie dream girl" or that her character is underdeveloped or badly written or that she's pure male fantasy or any other crazy, extremist reaction to her character, when really, I think she's occupying a different character role than we're used to seeing from characters like hers, and in typical The Bear fashion, we as an audience are not being told how to interpret her character with words, but with visual and narrative structure.

Be warned, this is a very, very long post.

Lets take a minute to understand narrative structure in film:

There's an A plot and a B plot. The A plot is what is referred to as "the promise of the premise." It's why you come to watch what you watch. The B plot is all the emotional character development/growth that undergirds the A plot and makes it emotional and impactful. So in the Bear, The A plot is the whole thread of, let's fix the Beef -> let's make a new restaurant -> let's get a star, etc etc, that evolves with each season. The B plot is mostly centered on Carmy (although other characters also have their own smaller B-plots) and on him healing from his grief and family and kitchen trauma and finding himself as a person, etc etc.

Claire as a character is a B-plot character. Her role as a character is to be a part of Carmy's emotional B-plot development, whereas the rest of the characters in the show occupy roles in both the A plot and the B plot. In a show centered

The thing that I think is causing a lot of the discourse around her character is the fact that she's not occupying a typical character role for her sort of character, and then people don't know what to do with her. They're either trying to slot her into a a bad female character role (like a manic pixie dream girl) and are then angry that that type of character would be included in the show, or they think she's a badly written attempt at a more developed character and are then angry because they think her character was fumbled, when in fact, she's neither.

Let's take a minute to examine these two roles:

The Manic Pixie Dream Girl

A manic pixie dream girl as defined by the Oxford language dictionary is:

"(especially in film) a type of female character depicted as vivacious and appealingly quirky, whose main purpose within the narrative is to inspire a greater appreciation for life in a male protagonist."

On paper, I can see why people would say that she's a MPDG. She's a little quirky, and she appears to "inspire a greater appreciation for life" in Carmy. She's a doctor, but she's a bad driver, she loves Mondays, she shoplifted in high school for the adrenaline rush, etc, etc. But I would argue that she's not actually a MPDG because her role in the narrative is fundamentally different than that of a MPDG.

In terms of narrative, MPDGs are a catalyst. They are crucial to the movement of the plot and the development of the main character. Specifically, they're supposed to be a catalyst for main male character growth. This is part of why MPDGs are a sort of problematic character -- the idea that they don't get dimension as a character, yet their entire role is to catalyze the main male character's positive growth and evolution is sexist. They aid the MMC at the cost of their personhood.

However, notably, Claire doesn't actually inspire positive growth in Carmy. He is not made better for knowing her. He doesn't grow as a person, learn from his mistakes. He isn't calmer or nicer in the kitchen, he doesn't resolve any of his trauma, I would argue that he doesn't even have a "greater appreciation for life" as is critical to the relationship between the MMC and the MPDG; he is just as depressed and anxious for knowing her as he was when he didn't know her.

So Claire: not a manic pixie dream girl, despite being quirky and trying to "inspire a greater appreciation for life."

The Badly Written Main Female Character

I think for a lot of viewers, if Claire isn't a MPDG to them, she's viewed as a badly written, badly developed main female character, who isn't afforded a lot of screen time, and as such, is one dimensional because she doesn't get much character development.

Wait, what? She's a badly written main character without a lot of screen time to develop? But part of being a main character is to have significant screen time to develop! But Claire doesn't have a lot of screen time... Tina has more screen time. Sugar has more screen time. Marcus has more screen time. It's almost like...Claire isn't a main character, even though, as a love interest, she occupies a role typically only allowed to main characters.

So then...what is she? To understand her narrative role, we need to take a minute to understand what Carmy's B-plot has established thus far. My apologies for the following, very drawn out explanation of Carmy's mental health. I promise I'll return to Claire, but this is important.

Carmy's B-plot (aka, the emotional stuff)

Seasons 1 through 3 are essentially following Carmy having a slow, drawn out breakdown. Or rather, it's not slow. It's a pretty realistic depiction of someone who is pretty mentally/emotionally unwell continuing to not get the help that he needs, and trying to fix things unsuccessfully on his own. But admitting that he's unwell feels like admitting defeat, so he's trying to fix things while never actually admitting that he needs help, and as such, is in a self-destructive spiral of trying to fix things unsuccessfully, feeling out of control because of it, trying to fix different things unsuccessfully, feeling even more out of control, etc etc.

By S3, we have a better understanding of the Berzatto family structure: an unnamed father who walked out leaving them in debt, Donna who is/was an alcoholic and otherwise emotional black hole, Mikey who died at age 43 (born 1979, died 2022 as seen on his prayer card), Sugar who's 36 a year after his death (born 1988, confirmed by her hospital intake in Ice Chips), and Carmy who is 26 a year after Mikey's death (confirmed by the original script.) So when Carmy was born, Sugar was 10 and Mikey was 18. This is important because in light of Fishes and Ice Chips, Donna was an alcoholic for as long as they were children, was incredibly unpredictable with mood swings, poor emotional regulation and maybe even emotional abuse (see how Carmy and Sugar essentially are trying to regulate their mother's emotions in Fishes), and probably some physical altercations if Donna's behavior in Fishes is anything to go by. Sugar explicitly says that she frightened all of her children. Mikey was probably the de facto parent in a lot of instances, being the only other adult in the household. The fact that he was also an addict, and as seen in Fishes, also violent or unpredictable at times, complicates this. S3E1's scene with Sugar and Carmy at the airport implies that after Mikey started cutting Carmy out (and struggling with addiction) Sugar started to assume that parental role. So that's a whole fucked up childhood right there, with very little room to healthily develop emotions or coping mechanisms or an understanding of healthy relationships. In ice-chips, Sugar demonstrates that she's aware of this. "I ask people if they're okay way too much," and "I'd make myself sick to make you feel better." Everything with Carmy's character demonstrates that he does not have this self awareness.

Carmy explains in his al-anon monologue that the rhythm of the kitchen became soothing to him, because it was so rigid and so predictable (a direct contrast to his home life.) But while it was soothing, he also cut contact with people in his life, because the self-isolation made things "quiet" (and probably gave him a feeling of control, like most self-destructive impulses do) which led to him being incredibly isolated and incredibly dependent on work as a coping mechanism by the time he ends up working with the abusive NYC chef. Important thing to note about that: now his only coping mechanism has been polluted by abuse as well, and the trauma of that will haunt him increasingly throughout the seasons (coupled with the fact that he's probably never learned how to healthily process his own emotions, in part because he ended up having to set them aside to emotionally regulate his own mother.)

Then Mikey kills himself. (which again, is the fucked-up family figure of brother and parent and addict and idol all rolled into one suddenly dying on you after abruptly cutting your out of their life)

I say all this because I want to make very clear that mentally, Carmy is not well. Across his various al-anon monologues, the fridge conversation, his flashbacks, etc. it becomes really clear that he's never really had any sense of safety or security in his life except for maybe when he was 18-24 when he did the French Laundry, Ever, Noma, and Daniel. The amount of anxiety that he experiences in his day to day life is not normal, it's not healthy. It's exhausting and damaging. He's also probably pretty depressed, and probably had been even before Mikey and NYC chef. He talked about in al-anon that when he was a kid, he could never feel happy or excited about anything because he was always waiting for the other shoe to drop (arguably because of his mother, because if she was upset, she made everyone else upset to deal with it, and if she was happy, he was waiting for her mood to shift.) We very rarely actually see him happy or joyful in any of the seasons. So basically, as evidenced by that and what we see in the seasons, he's got this really damaging spiral of anxiety and depression, where he's so anxious he can't feel happy.

Pursuit of happiness is actually what brings us to Claire as a character. He meets her almost right after he talks in al-anon about the fact that he should "provide amusement and enjoyment" for himself. Then he meets her in a grocery store, and promptly, and deliberately, gives her the wrong phone number. Personally, I read this as Carmy knowing that he's not ready for a relationship. He pursues it anyways, for likely 2 reasons:

Pursuit of happiness. Sugar always wanted him to get away from the Beef in S1, now he's trying to get some space and do something to "provide amusement and enjoyment"

Mikey! In Fishes, Mikey was really excited about the prospect of Carmy dating Claire. At the time, Carmy was like WTF, but in the wake of Mikey's death, this is probably a way of connecting with him. See, I can do it! I can date a girl! I can do this thing that you thought would make me happy. I can be normal. I can be what you wanted.

Now a little film student analysis:

One thing that I love about the Bear is that they're really good at the whole concept of "show don't tell". You'll hear about this a lot in writing advice, but it's actually even more relevant in film. Here's a good example from the bear:

The Bear never, ever says that Carmy has anxiety. I'm not even sure if the word "anxiety" is even said onscreen. Instead, The Bear shows:

Carmy drinking bottles of Pepto Bismal and chewing fistfuls of Tums, yet rarely eating anything

Carmy sleep walking and almost setting his apartment on fire

the sheer amount of nervous energy he has (tapping spoons, sharpies, cigarettes, etc. , never standing still, being generally twitchy)

some really great tricks with filming and lens that make the world around him shift focus, shift perspective, blur, and otherwise visually simulate the effects of an anxiety/panic attack.

In film, you have to be incredibly intentional about what you keep in and out. In my first film class, when we were doing film analysis, a lot of people would start "I'm not sure if this was intentional, but..." and the film teachers immediately shut that down with this statement:

"assume everything is intentional. even if it wasn't, someone still chose to leave it in" meaning that, in film, what you see on screen is actually a fraction of the material that filmmakers had to work with; if something makes it through to the final cut, it was important.

I mentioned before that despite Claire occupying a main character role as a love interest, she does not get main character screen time. Like I said above, I think a lot of people perceive this as her character being done a disservice, that she's badly written, that she's meant to be this perfect male fantasy, etc, etc.

Firstly, I present to you the fact that characters such as Sugar, Sydney, Tina, Donna, all have absolutely beautiful storylines and arcs. They're complex, well-written characters. I don't believe that Claire's lack of screen time is because the show-runners secretly idolize manic pixie dream girls and women of "male fantasy" and thus Claire is supposed to be this perfect person who doesn't need any screen time to be developed (which feels like a thread I've seen a lot.). I really don't think the show runners are secret misogynists. Sorry.

What I do believe is that Claire as a character is not meant to be central to the story. The show very intentionally spends more time developing Carmy's relationships with Sydney, Tina, Sugar, Richie than it does with Claire. Why? A host of reasons.

1. Because Claire is a new form of escapism for him, not that the kitchen is no longer is sanctuary.

I talked before about how after the NYC chef, and I would argue, now that he's trying to start his own restaurant, his one safe space of the kitchen has become polluted with the same chaos and/or abuse from the rest of his life which he spent years running away from. But because he's so isolated, he has no where else to go. So he creates somewhere to go, by creating a relationship with Claire. That relationship is his new form of escapism.

The show communicates that to us in one very specific way: 90% of the time, if Carmy is with Claire, we don't see him. This is not 100% true 100% of the time, but there was a clear pattern that developed in S2 that time spent with Claire is time spent off screen. I think a lot of people see this as "not developing Claire's character" and not giving her screen time, when in fact it's more so about Carmy's absence.

When he ditches Sydney to move boxes with Claire, we never see that scene. We just assume that he was doing it.

When Sydney is trying to figure shit out in the restaurant by herself, it's implied that Carmy is with Claire, but we don't cut to them.

When Carmy talks to Sydney about all the menu things he talked about with Claire, we never see those scenes.

Why? Because he is escaping The Bear by being with her. It would be a very different narrative if we actually did see these scenes, because it would demonstrate that they have an emotional weight and importance in the show. Instead, they're defined by their absence.

Carmy and Claire's relationship is defined by its absence in the show.

2. Claire is not the right type of partner for Carmy, and we're not supposed to believe that she is.

I think it's interesting to look at Carmy's relationship with Claire through Sugar's relationship with Pete. I was talking with some people and they observed that in a lot of ways, it makes sense that Sugar would be with Pete because he is completely non-threatening. In many ways, he's the opposite to most of the men in the Berzatto family (note: I'm not saying Berzatto men are threatening.) But Berzatto men are loud, and opinionated. Some of them engage in behaviors such as: screaming in their kitchen, and throwing spoons and sharpies; throwing forks like darts at their relatives and also shouting; telling their nephews that there nothing and worthless and will never be anything; walking out on their families and leaving them in debt; lording their financial success over various family members. You also have Donna as a parental figure who also throws things violently, yells and screams, is an emotional black hole, and has aggressively grabbed Sugar at least once. Pete is about as far away from all of this as you can be.

I think that Claire is Carmy's Pete in a lot of ways. She's quiet, and calm, she's non-threatening, etc. She's not emotionally manipulative, she doesn't ask much of him (so when she does ask things of him, it's a welcome escape), she is a doctor, which is meant to help people. However, and part of why I don't think their relationship would work in the long run, is that Carmy doesn't need a Pete. Sugar has an emotional intelligence that Carmy doesn't, for one thing. For another, as alluded to by Ice Chips with Sugar listening to the podcast about Adult Children of Alcoholics, each of them were affected differently by their traumatic childhood. And quite frankly, I think that Carmy needs someone who can be gentle and empathic and quiet with him, but also someone who won't take his shit and can stand up to him. (because unlike Sugar, who tends to internalize everything, Carmy has a tendency to externalize everything.) He tends to take it out on the people around him, and I think he needs someone who can simultaneously shut that down and hear him out. And I don't think Claire is that.

3. The chemistry just isn't there.

I don't want to get into an argument about shipping. I can't predict if Carmy is going to get back with Claire after some emotional development, or if he's meant to be with Sydney, or whatever. Personally, I think that any discussion of a relationship is premature (and I think that Carmy knew that subconsciously when he gave Claire a wrong number and was very hesitant on the phone when she called him the first time.)

What I have observed is this: the few scenes that we do see of Carmy and Claire feel a lot less emotionally charged than other scenes in the show. Forgetting romantic relationships, there is so much more emotion and connection in the following scene than in the scenes we see with Carmy and Claire:

Richie and Carmy's conversation about purpose in S2.

Carmy and Sydney's conversation under the table in S2.

Carmy and Mikey's conversation in the pantry in Fishes.

The snippet in the fridge when Carmy's talking to Tina.

The scene with Claire that really sticks out to me having emotional weight is the scene in S3 where they talk about the days of the week, Carmy's hand scar, and Claire accidentally almost killing that girl in the ER. It hurt so much you couldn't feel it. Firstly, it's telling that that scene happened in flashback, not during their relationship, and secondly, the main thesis of that scene was more of a commentary on trauma than it was about their chemistry (ie, Carmy is so traumatized atm, he doesn't realize that he is because of how much it hurts.)

This demonstrates to me that a) the show writers can write emotionally powerful scenes, and scenes with chemistry, and b) the lack thereof in scenes with Claire was an intentional choice because it demonstrates that other relationships are more important for Carmy's character than the one with Claire.

For all that Carmy said that he loved Claire, we never see any evidence of it. It's told, not shown. Whereas his affection for other people in his life isn't mentioned, but it is shown: "I have time for this" and sitting down to talk to Richie about purpose. Buying Sydney a monogrammed chef's coat because she liked his.

His relationship with Claire is important for what it helps demonstrate: his desire for escapism, his self-destruction, his emotional immaturity, the fact that he has other very important relationships and that he needs to deepen those bonds, the fact that he needs to get his priorities in order. It's not so much about Claire. And maybe that will read as sexist to some, because it's more about him than it is about her, but I don't think she's really meant to be a main character either.

#the bear #the bear hulu #carmen berzatto #claire the bear #character analysis #carmy berzatto #the bear fx

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apocalypse-shuffle · 6 months ago

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PENELOPE GARCIA (criminal minds | ᴄʀɪᴍɪɴᴀʟ ᴍɪɴᴅs: ᴇᴠᴏʟᴜᴛɪᴏɴ)

— — —

“As Always” (Penelope Garcia x Fem!Reader)

| You reassure Penelope about her choice in outfit for y’all’s group night out (that’s really a double date) after she gets a little too in her own head about her appearance. As far as you’re concerned though she looks fine…very fine.

| SFW, getting ready, established relationship, the reader-insert is absolutely taken with Penelope (the feelings are mutual)

| Source: Criminal Minds & Criminal Minds: Evolution

| 700+ words

“Are you sure this’s okay? I really don’t want to be one of those women that shows up overdressed to an event on someone else’s big day,” she snaps her fingers, eyes widening behind her wide-rimmed cat-eye glasses, before her hands go back to smoothing nonexistent wrinkles from the skirt of her dress. “Like wearing white to someone else’s wedding— oh my god! Is there too much white on this dress? Do I look like some hack attending a wedding who’s wearing white out of pettiness?”

At the rush of her words you don’t even bat an eye, raising a single brow at the other woman.

“Penelope, Sweet Girl, it’s just the club.”

“Yes, but it’s also Derek and Savannah’s first night away from baby Hank. I don’t want to make it weird by showing up dressed too sexily.”

Penelope wasn’t wrong per say. Savannah had bounced back crazy good after giving birth, only retaining baby fat in ‘all the right places’ according to Derek’s forward ass, but she’d still undeniably transitioned to dressing more like a “mother” than she used to.

Only slim fitting pencil skirts and the occasional maxi length dress for y’all’s girl now.

Where you’re sitting on the edge of the bed in Penelope’s room, and watching her check herself out in the mirror, you don’t stop yourself from running your eyes up and down her body in response to what she’s said.

She’s staring at you when your eyes travel back upwards and her reflection meets your gaze in the mirror.

You grin, throwing her a wink.

“Mm, that’ll be impossible to help. You always look sexy.”

In real time you watch the tips of her ears shift from their usual pale to blush pink to the most poignant of reds.

Penelope laughs and waves you off with a little snort and a, “Stop it.”

“No thank you,” you respond cheekily, pushing yourself to your feet so you can walk over to her.

Once you’re standing directly behind her and you’re able to run your hands down her arms you rest your chin over her shoulder.

Lashes fluttering, she gives you this tender little smile and leans into your hold. You squeeze her wrists then rub your hands up and down her forearms.

In her kitten heels, bright colored corset, and short skater dress and matching jewelry she looks to die for.

You press a kiss to her cheek. You’d happily give a hundred peoples lives to keep that smile on her face. Not that you’d ever tell her that, obviously.

“Now stop worrying. You’ll get nothing but compliments about how cute you are right now from our friends, and you know it.”

She huffs, blonde curls bouncing with her movement and briefly obscuring your sight. You chuckle through the curtain of golden strands before delicately brushing her hair back over her shoulder and pressing yourself even more securely to her back.

“But—”

“Uh uh,” you click your tongue, “Unless you have a legitimate concern then there are no ‘buts’ here, Penny Poo.”

She pouts.

“You suck when you’re right.”

Nodding, you let go of her arms to circle your arms around her waist with a brief squeeze.

“Oh, I know,” you coo and blow a raspberry into her shoulder. “It’s a curse.”

“It’s hot is what it is.”

For a second you're helpless but to choke on your spit, you’ve sucked in such a sharp breath.

“Jesus, fuck, Penelope,” you cough, eyes watering, and back away from her so you can hack into your fist.

Her evil laughter meets your ears just as you’ve cleared your throat and then her soft hands are on you.

She rubs at your back until you're good and meets your eyes the moment you’ve straightened.

“Oh ho no, My Lovely Stunning Woman, you are not getting out of this now. Let me make you swoon like you make me everyday.”

Though it doesn’t show against your darker skin, you flush. “Right?”

“Hell yeah.” She grins then moves her hands so she can cup your face between them both, light hands ever gentle against the dewy brown of your skin. You shiver, blinking at her through your lashes in wonder. “You gonna let me kiss you, Honey?”

“I’d be crazy not to.”

“Yes,” she laughs, “yes you would be.” Then her lips are on yours and every ounce of the world around you that’s not solely narrowed in on your partner falls away.

NOTES: Hope you enjoyed!!!

I figured I’d add to the Pen x Reader cache on here because, why not, I love Penelope’s character. We’ll see how much traction this gets because I can’t even guess.

#penelope garcia #criminal minds #black!reader #black y/n #penelope garcia x black!reader #criminal minds x black!reader #bisexual penelope garcia #(mentioned: Savannah Hayes Derek Morgan & Hank Spencer Morgan - who’s staying the night with his Aunties)#penelope garcia imagine #penelope garcia x reader #criminal minds x reader #criminal minds imagine #sapphic x reader #queer x reader

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ashes-goin-down · 2 months ago

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I think Cartman hates jewish people and -Kyle- too much to be vulnerable like you've depicted. No matter what level of physical attraction he might feel.

Hi there, thanks for your comment. Unfortunately I wrote a whole-ass novel in response so here's the TL;DR so you don't actually have to read all that: I agree that the comic is OOC but I don't think it's because of Cartman's hatred of Kyle or Jewish people.

Sorry for misusing your message to go on a somewhat loosely related rant but I've been meaning to write this for a while and it came as a convenient excuse lmao _

I agree with you regarding the vulnerability. I don't think Cartman would voice his feelings like that unless (he could claim that) it's a farce (e.g., Jenny Simons, "Cartman Finds Love") or the other person shows interest in him first so he feels safe from rejection (Heidi, initially - not opening that whole can of worms rn lol). For example, he treated his attraction to Patty Nelson as a big secret, apparently not even considering ever confessing to her, and that's most likely because he was expecting the reaction she did end up giving him since, beneath his self-deceit, he's excruciatingly aware of the fact that he's actually not exactly highly regarded by his peers.

It's a lot of work upholding the façade he's build for himself of being this cool, esteemed person and it cracks easily even without direct outside influence (for example when Clyde Frog or Cupid Me insult him) so he really, really doesn't deal with rejection very well. Him being this vulnerable to Kyle specifically and then getting rejected would be absolutely catastrophic for him, so I agree that he wouldn't put himself in that position. However, it's my opinion that the most OOC thing about the comic is the fact that he simply acknowledges that Kyle hates him. I don't actually think he'd just accept that but would instead convince himself that it isn't true ("Kyle has internalized homophobia" or better yet "Kyle doesn't think he's worthy of someone as cool and awesome as me") and then do some crazy shit to try and win him over.

So yeah, you're right: He Would Not Fucking Say That. I don't think his hatred of Kyle and/or Jewish people is the reason he wouldn't, though, as I believe Cartman's feelings towards Kyle and Judaism are a lot more complicated than that. It's not without reason that his relationships with both are such a big part of the show and that people smarter than me have written whole essays on the topic lmao

I feel the need to clarify that I am in no way trying to excuse any of Cartman's antisemitism! I'd just like to voice a few thoughts on its origin and evolution.

Cartman is clearly weirdly obsessed with both Kyle and his religion and obviously they are linked. While I suppose initially it might have been a bit of a chicken-egg situation ("He hates Kyle because he hates Jews" vs. "He hates Jews because he hates Kyle"), I believe originally his antisemitism may have simply been a byproduct of his fascination with the third reich, which itself I think was mostly a result of his enjoyment of envisioning himself as a dictator (i.e. the ultimate authority figure) and as such was actually pretty surface-level - as is evident from the fact that for a long time he didn't seem to fully grasp what exactly Judaism even IS (as shown when he apologizes to Kyle for calling him a Jew or when he uses the term as an insult towards Stan and Kenny). Still, I very much dislike it when people try to downplay his bigotry as naivety. That really doesn't hold any water after very early on in the show, if it ever even did in the first place, since he definitely acts from a place of malice and over time his fixation on the religion seems to have developed into something bigger. He's learnt more about it and it became much more synonymous with Kyle for him (the order of which is also debatable but I of course lean a certain way). At this point in the show I believe it's safe to say that he wouldn't be nearly as obsessed with Judaism if Kyle wasn't Jewish. While Cartman is obviously a bigoted asshole in many ways, he's not nearly as preoccupied with other minority groups as he is with Jews and he has even shown himself to be surprisingly tolerant of homosexuals and disabled people (who, of course, were also heavily persecuted under Nazism).

I really do think that "Jewpacabra" did leave a lasting impact on his character. It's pretty obvious that he was being genuine at the end of of the episode and actually did intent on self-identifying as Jewish from then on (and iirc M&T confirmed as much in the commentary to that episode and explained that they just sort of… forgot about that lol) and then in "Shots" he does claim to be Jewish and while that may have been in an attempt to get a vaccination exemption, the aforementioned commentary makes me believe it may not exclusively be that.

Notably, he specifically calls himself an "Orthodox Jew", which Kyle obviously doesn't seem to be and that ties in nicely with him becoming a rabbi in PC and making the religion his entire personality - because it's not enough to become Jewish: He needs to beat Kyle at being Jewish.

Of course, Cartman never actually stops being antisemitic before the time skip but then "Cupid Ye" implies that that isn't even a fully conscious decision that he can completely control but instead at least partially caused by whatever he has going on mentally. He even actively attempts to counteract it when he decides that it has gone too far. That's my take on the episode, at least. Obviously the whole thing with Cupid Me is kind of messy. No matter what exactly is actually happening there, I do think the his actions here prove that his feelings regarding the matter are more complex than they may initially appear to be.

Though I know it's still a point of contention for many, to me personally it seems pretty clear that him being a rabbi and a family man in PC was authentic and that he wasn't simply messing with Kyle the entire time. However, I find it extremely interesting that Cartman converted BEFORE meeting Yentl so I actually don't see any way in which Kyle didn't have any part in that and as such I don't think he would have ever become a rabbi if Kyle didn't happen to be Jewish. So my personal headcanon is that while Cartman's conversion was indeed directly influenced by Kyle, he actually did end up finding fulfillment in the faith and it ironically helped him let go of his obsession with him (which I think fits the show's style of humor).

To summarize: As a shipper I may be biased but I think that Cartman is a disturbed little boy who grows up to be a disturbed little man who fails to fully understand his feelings towards Kyle and - as an extension of that - the Jewish faith and thus lashes out into extremes regarding it.

#south park #south park meta #sp meta #sp cartman #eric cartman #cw antisemitism #kyman #sp kyman #my thoughts on yaoi #of course the ACTUAL explanation for Cartman's paradoxical stance on Judaism is that it's whatever is funniest at any given moment #but that doesn't make for very interesting meta...#my own stuff

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