nowhere without you
rating: t ♥️ cw: post-final battle, hurt/comfort ♥️ tags: established relationship, hurt/comfort, BIG emotions, even BIGGER love, as in: soul-deep love, softness; happy endings always ♥️
for @steddielovemonth day eight: Love is the heartbeat I can feel when I hug him
(also probably the humble love-soaked endlessly-devoted beginnings of the rockstar!husbands in je ne regrette rien)
The weirdest part is how, in the aftermath, Eddie doesn’t speak. Like, at all.
Scratch that: it’s the weirdest and the most concerning part. Eddie makes noise, mostly pained kinda moans that make Steve’s chest clench, ache more the admittedly-decently-deep wounds slowly—but reliably, like, consistently—stitching themselves together, and Steve begs him to get looked at again, because something has to be wrong to cause those kinds of sounds but Eddie doesn’t even shake his head, doesn’t really move at all save that sometimes he trembles, and it’s…
It fucking breaks Steve’s heart.
He’s almost gotten used to stroking Eddie’s hair in silence—so wrong; worthy Eddie that’s just so wrong—and working any tangles out so, much as it’s getting a limp and greasy with days of neglect, at least it’s smooth; but he’s almost resigned to this for the long haul because he’ll weather anything he has to for Eddie and they’ll work through this, whatever this is, they’ll worth through it together and—
“How did you stand you it?”
The sound is more a scratch than anything, glass on sandpaper, and it’s down to Eddie lying where he hasn’t left for the last four, going on five days—as in, not once while Steve’s been awake has he existed without Eddie’s weight situated just so against his chest, sinuous and deliberate in where he presses against, careful as a rule of Steve’s worst injuries and delicate about how he rests against Steve’s body, but not…hesitant.
More, kinda…kinda desperate.
So it’s down to him being pressed so close and sure and unwavering that Steve feels him speak more than anything, matches the motion of his lips against Steve’s gown to words rather than the wind, or something outside his door to the halls of the hospital beyond; it’s down to the tension in the whole of him, the all-too-present shaking that Steve matches the scrape of the question to a hurt that’s…that maybe Steve doesn’t wholly understand just yet, but that really and truly does cut him deeper and closer and more critical at the core of him than the Upside Down ever could have clawed in: Eddie lives in him, nothing else can really…ever hope to be deeper.
“How are you,” Eddie rolls gravel across more words, and Steve’s missed his voice so fucking much, he didn’t realize how much until it’s here again for him to hear and hold but, Jesus fuck, it’s like…it’s like it’s drowning; like Eddie is drowning and then his breath is hitching, and oh, god, that voice is cracking around the edge of a sob, watery and wavering as he damn-near close to begs:
“How did you survive it?”
Steve feels it clench in his ribs, because he thinks he…he thinks he’s putting it together. The strain, the agony in that voice, that voice he loves so fucking much, from this man he loves with everything, but then—the way Eddie presses into him. The force, and the position, and the pattern. The way he’s been quiet, unfailing, but never…never seems distant, seems the opposite: seems focused; intent. The way Dustin had come in and caught him upon the things he’d missed in one of the almost-nonexistent windows where Eddie sleeps, hand lines alongside his sternum and head curled in the most uncomfortable pretzel Steve can imagine, forehead all scrunched and eyes squeezed shut so goddamn hard, looking like any sleep he manages is nothing close to rest by any measure: but Dustin had came in and told him Eddie was the first to him; Eddie ran faster than he’d seen a person run; Eddie’d looked devastated, broken when they’d caught up, and they’d been so afraid, feared the worst, and—
Steve’s starting to fit the pieces together. Maybe.
“No,” Eddie whines, pitchy and fervent and almost ear-splitting, like a wail of sheer gut-wrenching pain that Steve can’t find the reason for in the here and now because it’s just them in a hospital room, they’re okay, and his hand presses heavy, gentle around his wounds still, always gentle and so, so careful and Steve doesn’t know what’s caused the reaction, but then—
Then he can feel his fucking heartbeat for how hard Eddie’s pressing. It’s weird, how it makes him feel…strangely alive, the sensation of it kept and held like that, specifically in Eddie’s hand. And he’s not paying attention to the monitors really, tuned them out as quick as he could but when he listens, okay. Okay, maybe faster than normal, but Steve’s fucking worried, okay, he’s—
“Fuck, no,” Eddie moans and twists his head, no, not just his head, his ear and leans harder into Steve’s chest, his breathing shallow and Steve hates it but he doesn’t know what to do, how to help, what to fix because he’ll fix it if he knows, he’ll climb out of this bed and crawl on the goddamn floors of he has to, but he doesn’t know where to go, what to find, what demon’s left to slay—
“I’m just, I’m grateful you did,” survive, Steve survived…
He survived, like, now?
“But grateful’s such a weak word, it doesn’t,” and Steve takes a breath, and reaches, rests his hand on Eddie’s wrist just to see: his heartbeat’s somuch faster, it’s like a flutter of a flutter felt strong enough to break through skin, it catches in Steve’s heart just to touch—
“You’re so much stronger than I could ever, like,” Eddie’s going on, still breathless and fuck, Steve can see why; “fucking hope to be.”
Shit, but that’s…he wasn’t stronger, fuck, Steve wasn’t stronger than Eddie, Eddie nearly got eaten alive, Steve nearly couldn’t staunch enough of the bleeding, he almost lost—
Eddie keens, horrible and hurting and Steve stills: the monitor. The thundering of his own pulse at the memory.
How did you survive it?
Losing. Almost losing. That’s…that’s what it is.
That’s why Eddie’s pressed against his chest, his his head and his hand have been a fucking frame, goddamn, like, parentheses surrounding Steve’s beating heart, proof of life, Jesus—
“But I need to be,” Eddie’s voice is quiet, but steadier, and his chin dips like a nod to himself; “I need to learn how,” he’s firm with it; “for you.”
Oh, god. Oh…oh Eddie.
“I can’t ever lose you, Steve,” Eddie presses trembling lips to Steve’s chest and then presses close again, so close and oh: he wasn’t just intent where he’s been silent so long.
He was listening.
“Never ever,” he breathes against Steve, hot and damp; almost kinda breathless again, or still: “never ever.”
“Eds,” Steve begins, not even entirely sure where he plans to go, just knows he needs to do something, say something, but Eddie’s turning Steve’s hand in his, where he’d circled Eddie’s wrist; he’s turning it and mirroring the hold, gripping Steve’s wrist in kind.
“I couldn’t find it,” he gasps, and the sound makes the sob clear before Steve feels the wetness soak through to his skin; “I couldn’t feel it at all, you were, it,” he presses his fingers in hard, squeezes so goddamn tight, and Steve can’t…he doesn’t want to imagine what Eddie had to do, what Eddie found and felt, he doesn’t but he can, because he remembers the mirror image so stark, it took him so long because he couldn’t find a pulse either, he’d had to press on Eddie’s heart at the source and even then—
“I couldn’t feel you.”
Oh. Fuck. He—
“Oh, baby,” Steve’s elevated enough at an angle that he can at least kiss Eddie’s hair, barely brush his scalp but it’s enough, for the breath that punches from Eddie against his chest it’s at least something; “that’s…”
“I won’t survive that again, Steve,” Eddie sucks in, unsteady and drenched with tears, with sorrow, but also…also more than anything else, they’re filled up with so much love.
A love big enough to hurt that hard.
“And I can’t…” Eddie gasps, breath catching; “I can’t handle not feeling it,” and his fingers tighten; his hand on Steve’s chest and his cheek across from it press down that extra little bit so Steve knows his own heartbeat in those moments full and deep.
“Have to feel it always,” Eddie whispers like he’s telling himself, and Steve, and Steve’s heart through flesh and bone, some cosmic secret no one else can know: too sacred. Too precious.
“You can feel it any time,” Steve lets his hand fall from Eddie’s to cover the hand Eddie’s got splayed ln his chest, counting time; holds him there almost protectively: “all the time,” and he slips his fingers between Eddie’s and shifts his palm close to the beating, so he can still feel what he needs as he murmurs with his heart literally in Eddie’s hands, with his entire goddamn soul:
“All of me. It’s yours.”
Unshakable fucking fact. He doesn’t even have to will it, or hope for it; his heartbeat knocks that heavier against their hands for those words like it knows.
It knows.
“Don’t leave me,” Eddie bursts out, begging; almost something primal, and Steve can feel the tremoring of his lips where they drag against him; “please. I’ll do anything, I swear it, just don’t—“
“Be you,” Steve braves the whimper that comes from untangling his hand from Eddie so that he can reach for Eddies cheek and cradle him in closer, and oh, fuck, thank god: something in him sighs out and loosens, ever so slightly—finally.
“Everything you are,” Steve presses on, runs his thumb back and forth through Eddie’s drooping curls; “let me love you, past living and dying,” and Eddie’s breath catches, for that, but Steve holds him tighter for it, drowns him as best he’s able in the proof he needs so bad; “don’t leave me,” and Eddie huffs a little for that, like it’s beyond believing, impossible, and Steve smiles to himself for it, tries to lean enough to press the grin to Eddie’s head, hopes he manages as he murmurs there close:
“That’s it, Eddie,” and he lets his fingers spread wider, cradle Eddie all the more: “that’s all I need.”
“That and more baby,” Eddie answers him between the double-beat of his pulse, immediate; “you’re the music and the rhythm,” he nuzzles a little against him, and Steve smiles a little wider for it; “you’re the reason my heart beats,” and Steve finds that heartbeat for himself at Eddie’s jaw, now; a little calmer. Not much. But: something.
It’s a start.
”I don’t have a reason without you,” Eddie exhales, vehement; “I don’t want a reason, without you.”
And Steve should maybe push on it, or be scared by it: but neither seem right, not for this.
Not for them.
Steve just holds Eddie’s pulse under the pressure of his touch, and holds Eddie’s cheek closer still into his chest as he breathes:
“You’re my whole heart, Eds,” and he lets a second pass, and then another, for that heart of Eddie’s to pump evidence unshakable against him, to play the song and rhythm straight into his waiting ear:
“Was never going anywhere without you.”
♥️ ao3 link here
tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch
♥️
divider credit here
87 notes
·
View notes
this is an invitation to ramble about slade/batboy ships: sladick, sladejay, sladetim, sladedami, and other batfam member/villain ships, especially jayroman and ra'stim :)
AAAAAA this is so delightful oh my god thank you. adding a read more just because this one is going to get Long to cover all the ships and all my opinions. because my god do i love Slade.
firstly, the original Robin/villain ship, SlaDick. Slade Wilson, literally created to be a Teen Titans villains, with the original Robin he cannot be normal about ever. i'm so sad there's not much interest in Slade aside from making him a generic Evil Guy who canonically likes teenagers because i think to just boil down his complex with Dick to 'weird attraction' robs them of SUCH nuance. Slade *trusts* Dick, he trusts Dick enough to ask Dick to train his own daughter Rose. and initially Slade's complex over Dick isn't sexual, it's seeing Dick as a replacement for his dead son, Grant. that's messy as hell and i love them for it. i don't think there's a single villain that has the respect for Dick that Slade has. i'm always of the opinion Dick's attraction to Slade is rooted in daddy issues and Slade's attraction to Dick is rooted in dead son issues. do i think they could end up as an old married couple? yes but only in a world where Dick is completely broken and feels alone. my favorite SlaDick flavor is post-Jason's death. Dick and Bruce are arguably at their worst during that era to begin with so Dick is pretty isolated and emotionally unstable. and Slade would take such advantage of that, swooping in to offer Dick emotional stability and fucked up sex to get out pent up emotions. (i'm big a big fan of Dick fucking out his feelings tbh) and Slade is just. this sort of bad habit Dick will kick for a year or two then come crawling back to. you can directly track how well Bruce and Dick are getting along based on how many times Dick has slept with Slade recently. and that's the prize, for Slade. knowing Dick will come back to him, eventually. it's all about patience. and if something really extreme happened to Dick (like Bruce's fake death) i think they'd even date briefly. it's not entirely impossible for Dick to date someone he disagrees with morally (see: his flings with Helena) and i think Dick would keep trying to 'save' Slade, using the upper hand he has of filling in this role of Slade's dead son to try to domesticate him. would it work? who knows but if anyone is going to try over and over, it's going to be Dick. it's practically self-harm for Dick yet the only thing keeping him sane. i love them.
SladeJay is... an interesting one for me. because i like the *potential*. but they have no significant interactions pre-Flashpoint. and while usually i can forgive New-52 and Rebirth for their grievances if it has ship fodder i just... can't do that for Jason. Judd Winick's Jason is the only Jason that exists to me so even Slade and Jason's canon interactions matter little to me because it's not the version of Jason i care for. the upside of that though, is it's more of a sandbox to explore what they could be and there are no limitations. i can just run wild. which is fun bc. you're telling me Slade wouldn't be so drawn in by the idea of a dead Robin who's come back and is now the antithesis of Bruce's morality? i think at some point Slade would want to poke the bear, really see what Red Hood is made of. do i see them working long-term? no but i do think Jason would have zero qualms working with Slade if he got something out of it. and if he could fuck with Bruce or Dick by having a short, fucked up relationship with Slade? that's even better. i don't think Slade could ever truly respect Jason, at the end of the day the Dick Grayson standard is too high and Slade would sneer at the idea of a legacy who fucked it up so bad he got blown up. but, he'd see that as Bruce's failure more than Jason's. and for Jason to have someone look him in the eye and say that Bruce *failed* him? i think that'd just *do* something to Jason. and Slade has lost a son, he knows what that loss feels like, how you feel you failed as a father. would he have interest in being fatherly to Jason? no but i think he'd have fun momentarily manipulating Jason and seeing what reactions he gets out of what jeers. Jason's been calling himself a failure this whole time, so to have someone else say it is no real big deal, but to have someone else say it's Bruce's fault and voice Jason's feelings? they'd have the most fucked up sex with the most unhealthy dirty talk that's both gentle and degrading. i don't think Jason would ever let himself get too close, he's far too emotionally guarded. but for a second, i think he'd fantasize about having even *half* the amount of attention that Slade gives Dick. bc what has Jason always been, but in Dick's shadow.
SladeTim. my two blorbos. in one place. somewhere in my drafts i have a half-started longfic about SladeTim that's one half really fucked up porn and one half slowburn feelings. arguably Tim and Slade don't have many canon interactions, but it's fun to me that when they do, Slade always seems sort of startled by how well Tim fights back and Tim's willingness to fight dirty in a way even Dick doesn't. and to me, that's the crux of this ship. as far as Robins go, Tim should sort of slip under the radar for Slade. he's not the dead one turned villain, he's not the grandson of Ra's al Ghul, hell he's not even the child of a second-rate villain like Steph, he's not *the* Dick Grayson, he's just... the other one. grew up pretty rich and normal and fell for all of Bruce's wax poetic nonsense. so when Tim puts himself on the map as a hero, makes himself a worthy opponent against Slade that's interesting. even to Tim, Slade isn't a particularly remarkable villain since Slade cares to stay more on Dick's radar. so when they cross paths there's a lot of unexpected. neither of them have thought about the other too hard. so there's this interest and intrigue about it i love. i'm a big fan of the idea Tim is a massive masochist, both physically and emotionally and Slade is The Sadist Ever so. i like them falling into bed together and having the most fucked up sex. like Tim just being a Weird Little Freak so fucked up even Slade raises an eyebrow. because this isn't what you *expect* of a kid like Tim, who's had a pretty easy life before tangling with vigilantes. he should be like a fish out of water, but instead he's matching Slade's energy in ways even Dick doesn't. and of course, how smart he is, that's an asset. it takes a special kind of kid to have the audacity to poison Lady Shiva with hotel chocolates and pull it *off* no less. it earns a begrudging respect, and it's rare to get Slade to respect someone. i really like the idea of Tim seeking Slade out only for fucked up sex and somehow Slade falls for this weird little freak who's cold and clinical outside of sex and keeps him guessing.
i'll be honest i've only considered SladeDami in the context of seeing antis say 'omg Slade has been predatory toward Damian ewww' and going 'no the fuck he hasn't but if you want that so bad i'll ship it just to spite you all' but their canon interactions do fascinate me. a lot of how they interact is predicated on Slade as a father, even more so than SlaDick. like Slade will fight Damian and then be like 'hey be good to your old man fathers need their sons' and fucking dip. and then with the whole Respawn thing and Shadow War? that was extra crunchy. for a brief moment Slade had a son who was a brother to Damian and then he goes and *dies*? talk about the complex that would give him with Damian, the spitting image of Respawn. Make Slade Weird About Batkids That Remind Him of His Son 2024. Damian holds an utter contempt for Slade that is simply unmatched. so Slade not leaving that kid alone because of his weird issues, making sure that Bruce doesn't screw up with Damian the way he screwed up with Respawn is very fun. and Damian slowly building up a tolerance to Slade's annoying antics could be fun. Damian is, at his core, still just a kid who needs the approval of something father-shaped and he will Take What He Can Get. are they ever healthy or long lasting? no but i do think Damian would cling to Slade during his teen years for something incredibly fucked up and codependent until either Slade dumped him or he forced himself to get over it.
JayRoman. i will not lie love these two but i don't think i've read many Black Mask comics when he's not interacting with Jason. which is funny because my entire conception of Roman is him just getting humiliated by Jason and really what more is there to know about the man. Jason is so unserious in how he handles Roman and the best part is you can tell it's truly because he doesn't see Roman as a threat. Roman's just a pawn in the game of getting Bruce's attention and sure, Jason is aiming to kill Roman by the end of it, but he'll always have bigger fish to fry. and that's so *infuriating* for Roman. this new guy who's *clearly* a fucking teenager shows up, owns you so badly it shatters your empire, and then you only live bc he seems to have gotten bored of you. JayRoman is my particular favorite ship for the flavor of 'the sub in bed is in control of every other aspect of their relationship and their submission is a gift that can be revoked at any time' which we don't get enough. fucked up power dynamics always have the sub being the one lacking control. and whilst i enjoy when Roman is able to absolutely control and manipulate Jason through various means, i think in canon, it makes far more sense he's pathetic and begging Jason for even a *chance*. and Jason very specifically picking who he subs for based on someone who he could kill or destroy at the drop of the hat if he needed to is a very Jason thing to do. there will never be trust between these two. they will fuck nasty and Roman will be in love with Jason. but they are both carrying a gun during sex. the gun is probably involved during the sex.
Ra'sTim. my everything. Red Robin (2009) you will always be famous to me. what *don't* they have. forced proximity. enemies to lovers. forced partnership. one-sided obsession. ridiculously large age gap. deep unforgivable betrayal. i will never evacuate these two from my brain dear god. Ra's is another one of those villains who gets painted with one broad stroke of being cartoonishly evil with no exploration of his interesting nuance. making him nothing but a villain is boring. where is the Ra's who loves so deeply and fully and has to lose his loved ones over and over and will not let that happen to Tim. he wants to consume Tim in a 'cannibalism as a metaphor for love but also probably literal cannibalism' way. the amount of trust put in Ra's in order for Tim to be able to betray him as spectacularly as he did? that's glorious. Tim had full unfiltered access to Ra's' computers even when he was advised against trusting Tim so much. and then Tim wins against Ra's and willingly lets Ra's kill him. (obviously Dick saves him, but I'm of the opinion Tim was just committed to dying in that moment and he was Okay With That) 'i will betray you if it's the last thing i do' as an act of love. Tim is to Ra's what Dick is to Slade. you will never convince me Tim and Ra's didn't hatefuck at least once during RR (2009) with a questionable level of consent. i'm so serious i will never shut up about them. the way Tim talks about working with Ra's as if he's making a deal with the devil and Ra's talks about Tim like he's the precious, once in a life time thing, one of the only people worthy to produce an heir for Ra's. how's that not gay. what other ship involved one of them literally trying to have the other's baby to raise as an heir. Ra's would probably carry the baby himself if he could. memes aside they're just so. they're so it. i love when Tim is forced into a Situation where he has to work with Ra's and confronts the darker aspects of himself that Ra's wants to bring out but Tim wants to squash. it is The corruption kink. whether Ra's succeeds or not in corrupting Tim doesn't even matter because the real crux of this ship is the chase. it's the way the heart pounds when they reach out for each other and you don't know if it's for a kiss or a killing blow. it's very Hannigram to me, in that i don't even need or want them to kiss to know they're in love. love to them is not true love's kiss, it's the thoughtful place they decide to stab the other in. be the sheath to my dagger type ship. hold all this bloody violence i know you're capable of inside of you. let me cut the violence out of you ship. what more can you ask for from a ship. Ra's would tie Tim down and torture him both as foreplay and as a love language and Tim would be too fucked up and self-sacrificial to stop him. always playing the dangerous game of how far will the other let them go until someone tries to die or kill. listen i think i lost the plot here but my point is they're unwell about each other. Tim will make Ra's regret the day he met Tim Drake not just for the betrayal but because Ra's can never go back to a time Before Tim. before knowing what the chase felt like. they're so. them.
24 notes
·
View notes