#thats actually related to his characters

[emoshep]

they're not active no more as far as i know, but i've shared a stage with thefellas in Arcanon (formerly known as Salem) many times when we were active in the baltimore scene. they're all fuckin' awesome dudes

the bassist nowadays is most active with WASD (covers of video game music but only from PC games), the guitarist/vocalist has his own studio and has worked with a number of other talented artists, the drummer i haven't heard from in a hot minute but he was always a vibe and the guitarist is a teacher. a damn good one too from what i hear

on top of all that, they're real progressive, forward-thinking, fun-loving dudes. they were always an absolute pleasure to be around and just on that merit alone i think their music from when they were active together is worth a listen

enough about taylor swift already. reblog and tag the smallest, least known artist you listen to

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[chrliekclly]

does anyone else ever think abt ingrid and jamie nelson?

[secriden]

So I was pondering just why I like Style so much and why his specific "failings" and imperfections are so compelling to me - and I think it's because all the other main characters are flawed in ways that are obvious but not very relatable.

Fadel and Bison are murders. Regardless of their motivations and how much they buy into Mama Lilly's propaganda, they still have taken lives and do so with little remorse. Kant is actively lying to, manipulating and taking advantage of Bison and Style (his supposed best friend) for his own ends with seemingly very little compunction. Yes, he's got his reasons; but still.

And then you have Style. His major flaw is that he is thoughtless and selfish and he doesn't seem to understand how to leash in his impulsive desires. This means he constantly ignores or crosses Fadel's boundaries to the point that, by the end of episode 3, is genuinely hurtful. All the same, compared to the things Fadel, Bison, and Kant have done and are still doing (reminder: ep 3 opened with another murder/assassination), this is relatively tame.

But that's precisely why I think people are being so harsh to him vs the other characters. Many of us have felt like the victim of someone like this because it's so common and so we relate to Fadel's frustration and then hurt and anger, and that makes Style actions feel painful in a way that’s personal. Few of us have been victims of the level of violence or manipulation that Fadel and Bison and Kant are dishing out.

Yet that's precisely why I like Style - he's imperfect in ways that add realistic complexity to his character. Why would we expect a character who is bold, brash, and impulsive to also be thoughtful and considerate?? He acts before he can think about things: that's the whole point of his character. He juxtaposes Fadel perfectly because Fadel "plans everything down from years, months, weeks to days" and Style hasn't acted with more than 8 seconds of forethought in his life. It’s part of what makes him perfect for Kant's plan in the first place.

But then, but THEN once Style begins interacting with Fadel, we start to get moments when Style seems to still and become intensely focused - most notably:

Right after the confrontation in the locker rooms (sadly I don't think anyone's gif'ed this yet, so screenshots it is!)...

…after his conversation with Bison about Fadel…

…and when he watches Fadel beat 3 guys up with ease.

We are watching Style find reasons to grow. We are seeing moments when he’s catching himself, slowing down, thinking, wondering. And while it initially starts with curiosity, he so quickly falls into fascination and obsession, and by the end of episode 3 it’s clear he wants more. It's not just about understanding Fadel anymore, Style wants to have him for himself. And if he's going to be something meaningful to Fadel he’s going to have to mature.

This is why I find Style so interesting and so fun to watch. He’s loud, in your face, and obnoxious so the layers aren’t as obvious. We think there’s nothing more there, but his complexity is deceptively hidden while they’re ironically much clearer in the quiet characters like Fadel and Kant.

And I don't think it's unreasonable to expect this growth. Style is written TO HAVE ROOM TO GROW. And, yes, I do think Style is going to rise gloriously to the challenge. We already have hints that this is precisely where the narrative means to take him:

(Fuck, look at how soft and earnest Style's expression is in the left screenshot. ;A;)

He’s by no means perfect but that gives him space to have a hell of a character arc and I, for one, can’t wait for it. 🙌

[fallen6253]

About the soul-swap partners:

I love that neither of them decided to stick to their given roles.  In either universe, really.

You’ll get what I mean.

Cale, who was Kim Rok Soo, does not keep up the image of trash.  He calls himself trash, he is called trash.  He does not keep his reputation.  Not the alcoholism, and he doesn’t throw bottles at gangsters.  No, he takes care of the underworld and other nobles in his own way (ie, recruitment or utter destruction).  He does not have his old reputation in this world either.  He’s not known as this cold leader who doesn’t care when someone dies, he’s known as a brilliant young man who cares way too much.  He’s known as an idiot who would rather pass out from exhaustion a week later than leave things to fester for one minute.  

And then there’s Kim Rok Soo, who was Cale Henituse once upon an apocalypse.  (First the fuq of all, nobody knew jac squat about him in the first place, and being the son of his mother probably made him something of an automatic anomaly.  I assume just being a Thames makes you kinda weird.  But anyway!) He lived as trash, an alcoholic who threw too many bottles back and then at the wall.  Then he lived through 20 years of a losing war.  And he got tired.  Tired enough to listen to a voice in his head in his last moments, to switch worlds and bodies with some stranger.  And he chose the motto that reflects the sentiments of his soul swap partner to a T: let’s live peacefullly.

And he smiles now, as Kim Rok Soo.  He sits back in his office chair, with an easygoing attitude.  He’s not the trash that would only shout; he is sly, and he knows how to use his status to properly put punks in their place.  He’s the team leader who refuses to be mistreated by anyone.  He will not be used, he would rather do his work as he needs to.  He isn’t a lowlife with no responsibilities in the wake of a war he would be just about useless in; he has a niece he has to go home to.  He drinks casually, not too much.  And he smiles in a way that’s too bright for the cold Kim Rok Soo.  He’s too happy now to be called cold-blooded. It’s like there’s a fire in his eyes that had been lost ages ago. Something that was rekindled when he had someone to go home to.

Despite changing their own lives so much, they wound up being nearly the same as one another and that drives me a little insane.

And let's not forget the best part.  One famous line they have in common in every world:

“Should I flip everything over?”

Another thing: I think Cale's gonna start resembling Kim Rok Soo. As in, he'll start relaxing a bit as the work goes on, he'll learn to rest as he goes (as in actually rest) and delegate work properly. He won't brush past comments like he used to, he will look a person in the eye and go 'I can just leave this world and leave you to your fate' which I would love to see, honestly. I feel like their individual capacity to be petty increases with age, and that's probably one of my favorite things about these characters. So them finding new ways to piss off people who don't like them could just be made into its own series and I would sell my soul for it.

[huginsmemory]

I think whats so compelling about Sanji is that he's so terribly self conscious about being masculine that anything that performs masculinity better than him (ie, Zoro, obliviously, minus the women-fucking part), or skews masculinity, is a threat to him. Which makes him rampantly homophobic and transphobic. And as he also believes masculinity needs to be focused around being horny for women makes him also rampantly misogynistic cause he can't actually see women past them being a sexual object. Anyways it all culminates in you the audience being fairly certain that this man cannot be straight due to this terribly obvious fragility around his masculinity, and that if he ever got dicked down, it might solve all these issues.

[legalownerofufoemoji]

Wow Laios is actually severely autistic

I am not saying that as an insult, as I read this he isn't even just coded as such, he just is. It's actually really relatable (currently hes being yelled at for not being able to "read between the lines", poor guy)

I'm so fucking excited to see this animated actually, I wonder if they'll keep it true to the source material

[jade-len]

luo binghe better than me fr i think i would've gone fucking apeshit if the person i loved with my entire soul pretty much said "fuck you" because of my race and pushed me down into literal hell for me to suffer for years

i've said it before and i'll say it again, i really don't think we give binghe enough credit. that man was on concerning levels of forgiving all the way from the start

[sepiamestus]

It always rubs me the wrong way when people characterize atsushi as too much of a sweetheart. Like he IS a sweetheart but he's also snarky and sarcastic and most importantly he's very very angry. Do not forget this.

[sonknuxadow]

sorry i dont really like the shadow is silvers dad theory/headcanon/whatever and part of the reason for it is that people keep presenting it as an actual thing that could be possible even though it makes no sense and all "evidence" people use to back it up is easily disputed

[jupiterstupiter]

Shout out to everyone who draws jeff the killer actually creepy looking rather than just conventionally attractive

[flugame-mp3]

what do you fucking mean that's how charlie dies. THAT'S HOW CHARLIE DIES??? i mean i know the show has a penchant for killing off every character who's not a winchester brother or an angel of thursday but good god. what the fuck. charlie was such a good and enjoyable recurring character, and she had such a fandom impact that i've seen, and she's only around for THREE SEASONS?? (sidebar: it's amazing she has the presence she does for only being around for a couple episodes in the long run!) but: was this necessary? and she just dies offscreen after her skills are utilized to progress the plot of decoding the book of the damned?? oh my god. what in the actual fuck. i'm finding myself getting genuinely very upset at her death. she did not fucking deserve that. and i can absolutely see why the fan response to her death is what it is now. completely fucking unjustified and throwaway and useless.

[attempts-of-fawnclan]

why is beetle so minty and pretty

bro I will find you <- @ beetle (threat)

unfortunately, i dont think he can hear you.

[pikkish]

idk if this is a good prompt but put doomguy in myhouse.wad I think he would find it enriching

Right, so I've been mulling on this one for a little bit now, n I'm not opposed to writing something for you, I'm just not... entirely sure what to write? Because the thing is, myhouse.wad doesn't actually really have anything to do with Doom as a story. Sure, Doom is important in that it's the vessel through which the story is told and one of the connections between the narrator and his dead companion. But as far as Doom itself goes, and the story about a man who was too angry/stupid to die, fighting demons and saving earth, none of that is at all relevant to myhouse.wad and its story. For all intents and purposes, Doomguy isn't actually a character in myhouse.wad. So I'm not really sure how exactly to fit him in there.

[eggbagelz]

gale voice here feel the pulse of the magic in my heart that will eventually be the end of me. im on my knees before you like an animal showing its belly. im in excrutiating pain bc of the contact with the magic in my heart but please dont take your hand away please dont stop touching me

[senseiwu]

I feel like a lot of criticism of the good doctor comes from people who've never actually watched it

"My parents now think autistic people can't live by themselves". Well... I'm sorry to hear that, but Shaun does just fine on his own? A big part of season one is him not wanting a stranger to help him with things when his mentor/father figure tries finding him an aid or something. He only gets a roommate, his best friend and now wife, after she crashed at his place.

"He's such a jerk" he's... literally very sweet? The only person I can think of who he was purposefully rude to was his abusive jerk of a father, which... was deserved lmao

He usually tries to connect with his patients, and there are some very sweet moments.