#that still has so many scenes and concepts in it i think are just.... REALLY COOL????

[emperor-kumquat]

Hiiiiii!

I’ve read your fic Mercy before and just read it again bc I think it’s so good. MAJOR kudos to you for finishing so much, doing all the different parts. For the other ones too!

By golly, I can’t imagine how much time it took to write every single one of those stories and then order them by “Go to section 3 xyz” then “Go to section 51 xyz”

I also noticed that there’s art now in the first three chapters!! Which is amazing. Haven’t read four yet, maybe there’s art for that too. But is that what you’re commissioning artists to do? I’m curious!

🇨🇦 to 🇨🇦 :)

Hello-Bonjour fellow Canadian! Thank you for enjoying my work :) Mercy is a huuuuuge project that I work on every day!

I'm still adding in all the key pictures and concept art in AO3 because I just learned that I could do that. So far Reformed Predator has all the art I could add right now with a few chapters or moments that are bare (that will change in the future). I am stuffing images into Space Adventure too so that will be done soon (I am also editing Space Adventure every day because it's my oldest story and could do with a quality boost). Discovery only has pictures in Part 1-2 but I will stuff the story with pictures as soon as I have done all I could with Space Adventure.

Yes, three fanfictions with accompanying pictures for every chapter coming soon! Monstrous Heart will get the odd scene and concept art but right now, the first three stories are my priority. I am concentrating my art efforts into them so that I can at least start adapting some of the stories into videos. I have a very ambitious goal of obtaining all Part 2 images for Space Adventure, Reformed Predator, and Discovery so I can complete their videos. Oh and all brand new Part 1 images for them as well to relaunch the videos of Part 1 for these paths (much has changed and improved since the demo of 2021)! Right now, I have something like 1000 pieces of art for Mercy. Haha but of course, I don't cram everything into the fanfictions. For example, "Predaking Gets Therapy" is the adaptation of Reformed Predator Part 3 chapter 2 and has about 50 images in it. The AO3 chapter just shows a couple of images. I would love to have at least one picture per chapter on AO3 and all concept arts for the first three stories. For the fourth story, just the concept arts is my goal for now. All this is very costly because many artists are paid! Yes, commissions are key to bringing my stories to life. I am thankful to them and to the volunteer artists who really save my butt.

Still looking for paid and volunteer Transformers artists! Haha I have been scouting actually. If I see some good Transformers art on Tumblr, I check the poster's bio to see if they do commissions. I've been randomly DMing artists. Sometimes they know exactly what my project is already! But hey anyone reading this is welcome to come to me, no need to be shy! I had an artist tell me they were waiting for me to reach out to them XD

Transformers: Mercy is going to be very unique as first, fanfictions with a 100 pictures inside them, then secondly as videos with 1000s (visual novel type TV show?!)

I invite all to take a look at what is happening to the AO3 fanfictions here! The new pictures and text edits are elevating the experience!

And everyone, please see this amazing adaptation of one of the longest Mercy chapters into video form! It doesn't spoil anything, just know that this storyline is specifically the result of the player choosing to eat Starscream. I am happy to say that people have been praising the therapy session for how it is written :)

[orcelito]

Wild that anytime I post an update a lot of people read it and are even excited about it and have their own thoughts and reactions to it that I'll never know.

Comments are only the very tip of the iceberg with it. And I am Very grateful to commenters for letting me in on it. But in the same way that I'll be excited with my friends when a fic we love updates, it's likely that Other people enthuse with Their friends when my fic updates. And it's just so strange. An experience I'll never have access to.

Everyone's relationship with my fic is unique. So many different people with so many different circumstances and preferences... and the number of people that have told me that my fic is one of their favorites, some even saying it's their Favorite favorite... every single one of them have their own relationship with my writing.

It's just interesting to me. I think and think and think on my writing. I have my plans for basically the entire fic, the way I want it to end already thought out, all the major plot beats and the relationship progressions, All of that thought out. I love my writing so very much, but I'm on the inside looking out. This is my mechanical horse, and I'm in here laying out the groundwork and pulling levers and constructing limbs, puttering away making the horse move. Forever and always, my relationship with it will be more intimate than anyone's, and yet more clinical. Because I know it better than the back of my own hand, but I'll never have the experience of reading it fresh. Of reading it without knowing everything that's going to happen from now to the end and beyond. I won't have the thrill of the plot twists I have planned, the delight at seeing things progress, the horror at seeing things go wrong...

This is my mechanical horse, and I'm making it move.

I just always wonder what it must be like to see it from the outside. I hope to others that it's a pretty horse.

[merlinmerlot]

I could play one of the most beautiful well crafted video games on the planet and it will never be as appealing to me as one that kind of sucks shit but has soooo much potential

[insertsomthinawesome]

I love your Genshin lore takes, any interesting hcs/AUs/lore bits you'd like to share? Also, amazing art!

AA!!!!

That makes me so happy to hear actually??? THank you???? I love getting to ramble about genshin or stuff I'm into i'm just often too shy asldfkaslfalsgsdgdsdgsg so thank you!!!!! ;;v;; AND THANKS I'M GLAD YOU LIKE MY ART TOO!!!!!! ;;v;; <3 <3 <3 OOOoooh HMMM, I've been more into TWST and Trigun Recently so let me dig up my braincells to think about it dfLSJFLSDJGLSDGD Throwing stuff below the cut cause this could get LONG

Well on the subject of Itto, I headcanon him being 6'6 ft tall... Why??? Because it makes his voiceline about everybody shorter than him being a child really funny. 🤣 Also because he beeg and you can't convince me otherwise SDLFJSDLJGSLDGSD OOOOH Okay this one is very much a headcanon i have for pure self indulgence: So my two genshin blorbos of main focus are Zhongli and Diluc right? I like to headcanon that, at some point after Diluc was nearly killed by the harbingers, he collapsed somewhere near Liyue harbor (His injuries probably weren't directly related to the Harbinger ones, tho it depends on the amount of time it's taken between That incident and him being in Liyue, I think I came up with this idea LONG before i really understood a lot of what Diluc actually did away from home xD) he's found and carried to Liyue, where he's tended to, probably by Baizhu cause I love Baizhu, and recovers. Its here he's visited by Zhongli. Zhongli knew Crepus. Not super well! They weren't besties or nothin, but Crepus would be in Liyue, and Zhongli would be in Liyue, both of them having some level of prestige, Zhongli through his job and Crepus through his Titles, ended up meeting. They would talk and of course that means Zhongli heard about Diluc. Beyond that even, Zhongli was probably vaguely aware of Diluc's existence just from the fact that Crepus is a Ragnvindr, which means gossip/news on his family spreads potentially across the globe. (And maybe Zhongli checked in once in a while out of honor to a dear friend he hadn't seen in five hundred years...) ANYWAYS. Zhongli introduces himself and mentions he knew Crepus. A grieving Diluc probably asks for more information without really knowing if he wants more info or not. Its through this that Zhongli learns of Crepus's passing, and Diluc being less well put together from his injuries, ends up confessing to having hurt Kaeya. He despairs of ever being able to make up for it, to which Zhongli is surprisingly quiet and attentive before finally speaking up: "...Life is short, like the flower, it blooms for a season, blossoms in all its color and beauty, and then it shrivels away on the winds, nothing left of it but the Sweetness of memory." He pauses. "If you care about your brother, than return to him, confess your wrong doings, and don't let the burden of you mistakes carry until such a time as the ability to do something about them is force-ably taken away from your hands." The mans smile is soft, but sad. Not in a pitying way, and not in a way that is even directed at Diluc, if anything, he seems thousands of miles away. "There are fewer burdens, and fewer regrets, that can weigh heavier." This of course creates a fun dynamic to play around with if Lumine or other events drag Diluc to Liyue later >:D As for AU's I can give you two I've dwelled on!: Number one is an Inazuma rewrite, but I bring in a party of my chosing. I started this one before I played the game, so I didn't exaclty understand what went down in the INazuma plot, but Man I was having fun so xD THe party of choice in this case was Zhongli, Diluc, Thoma, and of course Lumine. I had fun with this idea because it allowed Zhongli and Diluc to function in the plot, and Thoma would be WAAAAY more involved as well. I didn't iron out Loads of details, but I wanted there to be a big confrontation between Lumine and Zhongli based off the fact that Azhdaha's quest happened before Inazuma, and before that was uh. THe reveal of Khaenri'ah. Needless to say Lumine's not exactly feeling the greatest about Zhongli. But she considers him a friend, or at least wants too. Zhongli is dealing with the sting of a pre-inazuma plot confrontation from Lumine, where she confessed that she'd have a hard time trusting him if he kept keeping secrets and he couldn't explain himself.

The two of them were planned to get into a huge fight that ALMOST gets physical. But Diluc stops them (Something something he knows making the mistake of attacking someone you love out of fear and broken trust 🙃) This ends up splitting the party for a while, Diluc going off with Zhongli, and Thoma staying with Lumine. Ultimately I wanted this to end with Zhongli getting to have a bit Showdown with Raiden Shogun, essentially kinda getting to brute force his way into her grief. I always loved the idea of the woman who can't move on from grief talking with the man who has suffered so much grief but still lives, this would kinda allow that, it would also allow for Zhongli to be a little bit of a father figure to Ei in her frustrations and grief. Also it would be hilarious if Inazuma kinda knew Rex Lapis was alive... but he kinda saved all their butts, so nobody's going to out him xD This would essentially spiral into a lot of canon divergence plots and development for the cast of characters that's just, not in canon? But man I still think it'd be so fun :D Also Diluc and Ei eventually become friends through this adsflJSFLSJDLGJSLDGJSDGSDG. I think they could help each other :) The SECOND AU is one where, Diluc, on his journey, ends up getting stuck in Inazuma before he can get home. So diluc is visionless, Has the Delusion, and is not in good health. Itto ends up finding him passed out on a beach, drags him back to Granny Oni's, and his gang nurse him back to health all while assuming Diluc was a victim of the Vision hunt decree (i think the vision hunt decree is pretty recent in canon?? This would be an AU where the timeline got bumped up, probably Raiden starts off a lot slower with the vision hunts, only taking a few of them once in a great while to further "eternity" Until she spirals bad enough to start taking them all.... IDK its rough but workable maybe xD) THis AU is mostly for letting Itto bully Diluc into loving himself among other things xD and the angst of it taking even longer for Diluc and Kaeya to reunite...... WHich i would defo make them reunite when Lumine comes over to finally end the Vision hunt decree soooooooooo >:3 Diluc ends up getting adopted by the Arataki gang, by EVERY member, and he's not happy about it (He is, he's just a freaking tsundere)

[waitineedaname]

i was thinking my little thoughts while falling asleep last night, and a concept occurred to me: what if binghe learned about the system not from shen qingqiu, but from shang qinghua

look, he likes shang qinghua alright. he's pretty disinterested in p much anyone who isn't shen qingqiu, but on the list of People Luo Binghe Tolerates, shang qinghua is relatively high. he gave him advice on wooing sqq, after all, and sqq likes his company, so binghe tolerates his shang-shishu

but the thing is, shang qinghua is a spy. has been for decades. binghe knows this. really, everyone knows this at this point, which isn't a great look for a spy, but still. and since shang qinghua is a spy for mobei-jun, who is a subordinate for luo binghe, then technically shang qinghua is also working for him, but you don't get to the position of demon emperor without a healthy amount of suspicion for everyone in your court

so he decides to test shang qinghua a little bit. nothing major, just a little poking around in his dreams. he starts out with a subtle touch, just sifting through his memories. most of it is what he expected. he sees his time on an ding as a disciple and then later as peak lord, he sees him working for mobei-jun. he sees mobei-jun in some compromising situations, which he files away for later, and then sees him in an entirely different flavor of compromising situations, and binghe immediately decides to act like he never saw that

then he decides to take a more direct approach and starts nudging the dreams in other directions, to see how he might react to certain scenarios, test his loyalty. he expects shang qinghua to act cowardly, or bluff his way through a situaton, maybe even draw his sword if pushed far enough

what he doesn't expect is for shang qinghua to frown at the changes luo binghe made and go "I didn't write it like this"

what

binghe is so bewildered by that response that he loses his grip on the dream for a second, and before he knows it, shang qinghua has spun the dream scenario back into the way the scene originally played out. he steps back and looks satisfied. "there we go," he says. "that's how it went. you know, if I'd known I'd be dealing with this scene myself, I would've written it differently"

what the hell does that mean?

fascinated, luo binghe continues to test him. most of the time, when he toys with someone's dream, they're completely unaware of the changes. shang qinghua, despite not seeming aware that he's lucid dreaming, seems very aware of how each scene should go. except for, strangely, many of the scenes that binghe himself was in. binghe pulls up one from his disciple days, one of the times he remembered shang qinghua coming to qing jing on some errand. he hadn't even changed anything yet, had just let the dream version of his younger self launch himself at shizun in a tacklehug, but shang qinghua tsks and takes the reins from him before he can make any edits. "sorry bing-ge, but that was just way too out of character," shang qinghua says. the dream copy of luo binghe's younger self is sent further away, watching the peak lords with a sullen gaze. he's skinnier than binghe remembers being at this age, and one of his eyes is swollen with a purple bruise. that doesn't make any sense, luo binghe thinks. he hadn't been beaten on qing jing peak for years at this point.

the shen qingqiu beside shang qinghua in the dream stands with his back straight as a ruler, and when his gaze lands on luo binghe, he sneers behind his fan. shang qinghua sighs. "cucumber-bro really wasn't as good of an actor as he thought he was. he's way too soft to ever seem like the original goods."

alarmed, luo binghe dispels the dream and steps out of it entirely. sure, he knows shen qingqiu's personality changed almost overnight when he had that qi deviation. everyone knew that. he avoided questioning it much, unwilling to look a gift horse in the mouth when it meant having a shizun that cared for him

but shang qinghua. shang qinghua seems to know something more about shen qingqiu's personality change. something he's not sharing. luo binghe didn't like the idea that one of his subordinates could be hiding something as vital as this from him

well, this had been a test of his spy's loyalties, hadn't it? perhaps he should make a visit to an ding. he had some questions.

[moonstruckme]

vampire!james is such a fun concept!

what about if reader was a newly turned vampire too and James lets her feed on him

like the scene with elena feeding on damon in TVD?

because blood sharing is intimate :P

Hi lovely! I don’t really remember what this was like in TVD because I last watched that show probably 10 years ago and I don’t think I finished it but hopefully this is along the lines of what you were thinking, thank you for requesting <3

cw: blood, feels mature at times but no smut (vampires are just hot idk)

vampire!James x fledgling!reader ♡ 1k words

James hates seeing you like this. He remembers what it feels like—being aware for the first time of every nerve ending in your body, your mind whirring at a thousand miles a minute, everything worse and louder and so much more than it had felt when you were human. 

He’d warned you the transition would be like this, but you’d wanted it anyway. You keep trying to act like you’re alright even now, trembling from head to toe in the corner of the bed, eyes darting towards every sound and movement like your body thinks you’re under attack. The three bags of blood you’d gotten from the butcher lie empty on the floor. Normally James only needs one every few days, but this is one thing he’d forgotten about the transition, he supposes. The hunger is intense. He won’t be able to get you more for at least a few hours.

“Sweetheart,” James says softly. You still flinch as though he’s shouted. “You should try to go to sleep. It’ll help with the cravings.”

“I don’t think I can.” Your lisp is sort of cute. You haven’t been able to retract your fangs yet, have pricked your own lip more than once. “I can hear so many hearts. They’re loud.” 

James nods. He’s learned to tune them out, like the hum of electricity or the rush of wind outside, but he knows what you mean. If he focuses, he can listen to the beating heart of the bird nesting in the tree by your window, the neighbor’s cat, the woman who lives at the end of your street. Sometimes they seem synchronized together, the unceasing, steady beat of life in the world. It gets louder when he’s starving. 

“The butcher won’t be open until morning,” he tells you, though you know already. You nod, wrapping your arms around your legs. “But I can try to help, if you want. You could try feeding from me.” 

It’s an idea James has been toying with since you said you wanted to turn. He doesn’t think you could survive off each other forever—he’s not sure if he still makes new blood, if his body works that way anymore—but he doesn’t have need for his blood the way a human does. Maybe he could sate you for a bit. 

You give him a look of wary surprise, but James knows how you feel well enough to recognize the hope behind it. Any chance of feeding will sound good to you right now. 

“Can we do that?” you ask. 

“I don’t know,” he answers honestly. “But I don’t think it’ll hurt to try. Might taste a bit stale, though.” 

It’s a lame joke, and you don’t laugh. Your trembling worsens, your restraint barely holding out against your cravings. Your voice is small. “I don’t know if I can be gentle. I feel…weird.” 

James offers you a smile. “I know, honey. It’s okay. Can I touch you?” 

You nod. James is careful about it, not wanting to overstimulate your sensitive nerves. He takes your hands in his, slowly guiding you onto his lap. 

“You’re alright,” he promises. “Let me help.” 

Your brows crease, and your lip starts bleeding again when you prick it with your fang. James gently thumbs the droplet away. “I don’t want to hurt you,” you whisper, scared. 

“I’ll be fine.” He looks you in the eyes, swiping his thumbs over your cheeks calmingly. “You did it for me, right? That wasn’t so bad. Just…” James palms the back of your head, bringing it to the crook of his neck like an embrace. “Take what you need.” 

James doesn’t have a heartbeat for you to hear, but that doesn’t matter; once you’re close you can’t restrain yourself anymore. You bite into his neck eagerly. 

It feels like you described. Part of James worried that you were stretching the truth, trying to make him feel better, but the places where your mouth connects to his skin are suddenly the center of James’ universe. He can feel his blood rushing to meet you, to sate you, fill you up and be everything you need. Your low moan vibrates against his skin, and James laughs, dizzy and drunk on you. 

One of your hands fists in his hair, pulling his head further to the side. He bears his neck to you readily. He hopes you glut yourself on him, stay here with him, keep your mouth suctioned to his skin until you both die whatever deaths immortals can. 

He feels a bead of wet roll down his chest. You make a soft, thoughtless sound in the back of your throat, leaving his neck to chase it. Your tongue licks a stripe up James’ left pectoral. 

He blinks slowly as you wipe your mouth, breathing hard. It feels like waking up from a dream. You have blood smeared around your mouth and nearly dripping from your chin. You look embarrassed as you catch it with your fingers and lick them clean. 

“Sorry,” you say. 

“It’s okay.” James smiles at you. He still feels slightly doped up, but it’s also sweet to see you like this, pupils still blown from the taste of him and shy about it at the same time. “You were right, that was nice.” 

One side of your mouth tilts up tentatively. “I didn’t hurt you? You were so controlled when you fed from me.” 

“That’s not your fault, honey, you can’t be controlled this early on.” James kisses you, pleased to find your fangs are starting to retract. “It’s not possible. But no, it didn’t hurt.” 

Your smile blooms with relief. “You didn’t taste stale,” you reassure him. “You sort of tasted like yourself, if that makes sense.” 

He nods. You’d tasted like yourself, too, all sticky sweet and addicting. 

You let your breath out in a whoosh, sagging in his hold. “I’m…god, how do you manage to walk home after this? I’m so tired.” 

“It gets easier with time,” James reassures you. He pets the back of your head, turning you both around so his back rests against the headboard of your bed. “You can sleep, though. We’ll clean you up tomorrow.” 

There are no arguments from you. You’re fading fast, head falling naturally back into the curve of his neck. 

“Sorry,” you mumble, “I wasn’t as nice about it as you were with me.” 

“Sure you were, sweetheart. You’re always nice, I don’t think you can help it.” 

“Yeah, well.” You turn your head slightly to mush a kiss over the puncture marks you’ve left him. “Thanks.” 

[wasyago]

Please more Trail's gone cold au I'm begging you I need it just pour out every thought in your brain I want to hear it

hgdhhfbd i mean, sure why not

everything plot related is in the main post, there's nothing else really to tell. but i could share random details that didn't really fit into the lore drop. again tho, it's a small au and mostly an exploration of the concept, so there's not a lot.

❄️ gem and etho are siblings, i don't think it was mentioned anywhere? blood related and all that, they both have black hair, gem just dyes hers.

❄️ behind the scenes reasons for the order of deaths. generally i picked these three to be the main cast because i suddenly realized pet crew were just dungeon master and his two winners, and that was too crazy of a concept to not do anything with? so, tango as the main guy and actual master of the dungeon had to die first, seeing how he's the cave's favorite. pearl as the main explorer and as the one to unlock all the secrets had to die second, because she had to return to the dungeon / the cave to find out the truth, and she conquered it but never actually got out. and etho had to survive, because he's the "proper" winner and the one who actually escaped the dungeon with treasures.

❄️ lore reasons for the order of infection. tango you already know, but pearl and etho went in at the same time so in theory they had to start experiencing the effects together. but because etho was wearing a mask it did lessen the amount of sculk he inhaled, slowing down the process. wear masks kids!

and, well, you did say you wanted to hear every thought so. i really like the plot point of them leaving tango to die, so im gonna ramble a little about it. even just, the difference in their views on the situation is so satisfying to me. because tango had no idea something scary was happening to him! and for pearl and etho it was a life or death situation. and just-- they were talking about leaving tango and tango obviously, obviously, protested, because what the actual hell??? yes okay he's ill and a burden, but don't leave an ill guy to freeze to death in a cave, what is wrong with them????? or, okay, what is wrong with etho, pearl was against the idea. but, straight up tango did not plan for it to end this way, he had his whole life ahead of him and so many things ha still wanted to do! of course he cried when they left, what else was he supposed to do? thank etho for his awesome decision? be all cool and stoic and sacrifice himself? hell no, he didn't want to die, he never asked for this.

he did die tho, so. whomp whomp 🎺... i imagine he passed before pearl and etho even reached the stairs, so at least he didn't suffer for long. if he had a breakdown about being left alone he probably hyperventilated and inhaled like a ton more sculk, so that killed him even faster. must've sucked tho...

and then pearl, god, pearl.... she didn't encounter any dangers on the way back, since she wasn't trying to escape and the cave had no reason to be hostile towards her. but seeing how she was at the last stage before turning... she probably didn't get to tango before collapsing... not dying just yet, but too feverish and too weak to walk. but if tango was already back, he could very much go and find her. can you imagine the pure horror of drowning in your regrets as you slowly die and then having your supposedly already dead friend appear in front of you all cheery and oh so wrong. i dont know how much of tango is left in that thing, but the image of him sitting by pearl and holding her until she dies is so-- its haunting but it's sweet. and then there's still enough time to catch up with etho.

actually, gahhhh, all three pet povs are their own unique horror story and it's so good.

the horror of having to go through this terrifying experience, and then being the only survivor, knowing full well that the only reason you lived is because you left your friends to die, and there's no way of fixing it now.

the horror of everything falling apart around you because of miscommunication, and then the one time you decide to do it right you end up regretting every single decision and witnessing the direct result of your mistakes come for you.

the horror of being stupid... the horror of losing all control over your life and being betrayed in the moment of your most vulnerability, dying fully and utterly helpless.

this au is so sad but i love it so much...

okay wow that's enough for one post, ask more if you want tho!

[weirdmarioenemies]

Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[mythicmanuscripts]

So, what are your thoughts about Aemond and reader’s first time, considering all his past experiences with the brothel and all (I don’t know if that too vague, if it is, I’ll try to be more specific next time haha)

I love this question! Also, I don't think this is too vague but thank you for checking!! For future reference and also for everyone else, if you had just asked for something like "write Aemond and reader sleeping together" or "write Aemond x reader smut" then I'd say there's not enough to go on. Hope that makes sense!!

Anyway, NSFW sub!aemond below the cut :))

This ask is in reference to the brothel scene where Aemond admits that Aegon essentially forced him to sleep with a sex worker when he had just turned 13.

I'm sure I've babbled on about what I'm about to say before but oh well here we go again: I think that a big part of Aemond's discomfort with the sex worker wasnt just because he was being forced to lose his virginity but because of how utterly exposed he felt? We all know how closed off and composed Aemond always tries to be, and we know he has plenty of insecurities both from his missing eye and from being the second son. The concept of sex as a whole had always felt uncomfortable and far too vulnerable. To lay completely naked with another? Aemond couldnt imagine a scenario where that wouldnt feel terrifying.

And then he turns 13 and Aegon shoves him into a brothel and all his worst fears are confirmed. The sex worker's eyes shamelessly travel across his body and he has to fight the urge to wrap a blanket around himself. The lights are too harsh, he can hear other people having sex outside the room. r

When he leaves there he's convinced he'll never lay with another again. He even decides that he'd let his future wife fuck the first blond hair man they can find and call the resulting child his heir because he couldnt bring himself to be the exposed again.

But then Alicent introduces him to you and you throw a rather large wrench in his plans because you don't do any of those things that left him feeling exposed?

Even before the wedding, you're always checking his boundaries and ensuring you abide by them. If he seems uncomfortable you step away and you ask. And beyond that, you form a real, genuine bond with him that he's never had with anyone before never mind with a romantic partner.

The truth is that Aemond just really loves being around you? He doesn't even notice his walls beginning to crumble because he just feels so safe with you. For the first time he's not constantly having to prove himself.

You're shocked by how different he is to how everyone else had warned you he'd be. You don't see an ounce of the danger and dominance so many others had warned you off, hell even his own mother warned you of. But those traits have always been due to a fight for survival, due to him having to come out on top or risk being ridiculed or worse.

So when you come along and you make it so that he doesn't have to fight for love and respect and recognition? Then all that violence and anger slips away because he doesn't need it here.

You start out VERY slow.

Aemond can best be described as almost skittish when it comes to sex and intimacy. He likes it, but the moment something moves just slightly too quickly he's jumping up and going to hide in his own private chambers.

The first time you kiss him after the wedding, he very nearly starts crying because you just kiss him so gently with absolutely no indication of wanting to go any further than that. Aemond realises he could happily spend hours like that, with the two of you laying together and trading soft kisses.

He tells you about the sex worker eventually, maybe Aegon actually makes a comment about it? Like a few weeks into the marriage Aegon decides to tease Aemond and ask him if he still goes back to his first or if he's actually fucking his wife. (Aegon promptly sprints out the room immediately after saying this because the look in your eyes when you turned to look at him was absolutely terrifying)

So he opens up about the sex worker with you, and he full on sobs when you say he deserved better and that he deserved to feel safe, that sex should always feel safe.

From then, you put a lot of time and effort into ensuring that your chambers together becomes that warm, safe place aemond was missing. You only approve 3 servants who are allowed into your chambers with Aemond, and only 2 are allowed in at a time. No servants can come into the chambers unprompted either. If you want the sheets cleaned or the laundry taken to be washed, then you will call one of the 3 approved servants but servants are not allowed to do those things on their own, only when you request it.

Once that's been sorted you start getting the rooms themselves into a better state. You keep candles all over the walls, get the softest blankets and pillows you can. Maybe you also get some of his favourite books to put up? It's a slow, gradual change but Aemond notices every single change and every time his breath it taken away at how perfect you are. He never even had to explain how vulnerable he was the first time, you just knew and you knew how to make him feel comfortable.

The actual sex takes longer of course, and there's plenty of oral and makeup sessions before he's ready for more, but when you do get to the main event he can't believe how good he feels?

The way you praise him and check in on him brings tears to his eyes, and when you gently wrap a blanket around his shoulders while you stroke him he really does cry. Just that simple gesture of putting the blanket over him makes him feel so much less exposed.

Sex is always a calm, quiet affair with Aemond. Make no mistake, you certainly get edge him and overstimulate him and all that fun stuff, but that's never with standard sex. If you're doing those other things then you're either pegging him or using your hands/mouth. The actual act of sex, that is always gentle. It's the gentleness that really breaks him.

(One quick sidenote to end off: cockwarming, how the flying fuck have we never discussed it? I'm now now picturing a scene where it's the first time you go the whole nine yards, but then from the moment Aemond slowly enters you, he just stays still? At first you think he's trying to get used to the feeling but when even more time has passed and he still hasn't moved, you ask him that's going on and that's when he kinda just collapses into your, his cock still inside and mumbles about how nice this feels. So needless to say, actual sex was not achieved that day)

[alijuan]

Ascended Astarion is true unlike Spawn Astarion who pretends to be good for Tav

If i see that opinion again i will explode🫠

It's funny because Astarion will only approves if you persuade him not to perform the ritual.

A lot of people don't understand the concept of grey morality and it shows. Many people justify him but this type of AA fan thinks worse of him than he really is. He needs the ritual not because he's a power-hungry villain, but because he needs safety for himself and his lover. Depending on Tav/Durge's actions, he either stays with the feeling of fear (AA is still afraid deep inside, the game files confirm this) or he fights against it and becomes truly free of Cazador and fear (spawn ending). The dialogue with Durge about not being afraid is wonderful and shows difference between SA and AA.

Astarion: This little adventure of ours has taught me that we can't let our lives be ruled by fear. Or else we never really live. Astarion: I'm not afraid. Not of you, not of your darkness, and not of our future.

The point of the spawn ending is that Tav/Durge saw him as more than just an outward image of a power-hungry killer incapable of becoming a better person. But if you can't see beyond that image, he will think that he has no choice but to continue living in the world that Cazador has built for him. If you think that AA is his best ending because he is evil then you have failed to understand his whole personality.

I feel safe with you. Seen.

Despite of his love of killing (he is a vampire after all), he repeatedly showed compassion and guilt for luring people. Before the ritual, he literally convinced himself that he should kill spawn for power. Astarion rationalises this to protect his psyche, because he’s clearly not the type of guy who can sacrifice thousands of people to the devil and not feel anything about it.

Durge/Tav: This isn’t you, Astarion. Not really. Astarion: It should be.

I really like that the player technically makes the insight check and that there’s an advantage when they're romancing Astarion. Tav/Durge could see through the image Astarion was trying to create. They saw an elf whose fear prevented him from seeing all the possibilities.

Astarion: When I look at my future, anything and everything feels possible now.

Just as Astarion saw Durge not just as serial killer, but as someone who could defeat Urge and become a better person.

Durge: I am myself at last. You don't need to fear anything from me ever again. Astarion: I knew you had that sweat heart all along. I was alarmed by you sometimes, scandalised even, but somehow by your side, I still only ever saw you.

AA fans also often ignore the fact that the game has good and bad endings in the companion stories. And it's not about morality. All companion quests are literally about how the desired and obvious path leads to a bad ending. And Astarion is no exception. In a good ending, he gets the chance to heal and finally acceptes himself and his vampire nature, in a bad ending, he gives up and regresses as a person.

Spawn Astarion knows what he wants and says it. SA is ready for a relationship and sex. Ascended Astarion can’t answer the question of what he wants, so he acts as a vampire lord should. AA is literally back to the state of the first act and has started manipulating Tav/Durge through sex again (even repeating the same phrases). This is why he doesn’t really want sex (he approves if you choose the no sex option and he definitely dissociated during the sex scene) unlike Spawn Astarion who initiated it.

Spawn Astarion is the same Astarion who enjoys “murder and terror” and you can see that clearly in his “hero” ending (more like “antihero”). And this is the ending without romance, he chose it himself. And the whole idea of him pretending to be good for Tav is actually meaningless without romance.

Ascended Astarion is the same Astarion, but stuck in a black and white world of fear and domination.

SA scene ends with hope music (instrumental version of I want to live) AA scene ends with chains.

And there’s so much more. Larian specifically showed the difference between good and bad endings in the dialogues, scenes after ritual, recent updates and even the interview so people would definitely understand, but they didn't🙃 Some AA fans (especially on youtube and larian forum) are on a new level of delusion.

[sylvestris123]

What does the pre-Fall scene actually mean?

I’ve been thinking about that first scene, with pre-Fall Crowley. We are all swooning over how sweet and innocent Angel!Crowley is, and how smitten Aziraphale is, but on reflection there is something odd about this scene.

The action takes place before the rebellion, before the Fall, when bad things hadn’t even been invented yet. So why is Aziraphale already worried about Angel!Crowley getting into trouble for asking questions? Shouldn’t he also be a cute innocent bundle of fluff without a care in the world?

There is a meta that examines this (sorry, I can’t find it, I’m useless at this), which comes to the conclusion that Aziraphale later on is suffering from guilt (that he might have unwittingly prompted Crowley to seek answers and hence fall), but this still doesn’t explain why Aziraphale knows that asking questions might be a Bad Idea, and Angel!Crowley doesn’t. After all, Angel!Crowley has apparently been working “very closely with Upstairs”.  Shouldn’t he be a bit more clued up?

This leads me to think that there are 2 possible explanations for this.

1. Angel!Crowley has been so far out of things playing with stars that he really is clueless about everything (possible but doesn’t really match up to the Crowley that we know today).

2. This is not a true record of events.

Either: it is one of Aziraphale’s memories, but coloured by what he knows today, so the conversation that actually occurred might have been quite different. Maybe it is because of Aziraphale’s less than perfect recall, or maybe the memory was tweaked (e.g. by the Metatron) to emphasize the innocence of Angel!Crowley and the injustice of his later fall.

Or: IT NEVER EVEN HAPPENED AT ALL. Their true first meeting was as S1, on the walls of Eden, and it is all a false memory planted by the Metatron. (This could also explain why we don’t get to hear Angel!Crowley’s name. It’s not actually known, so can’t be added to the ‘memory’). Why would he do this? It could be to make Aziraphale think that Angel!Crowley was so full of joy that he should be reinstated to recapture that innocence.

There are plenty of theories about the other flashback episodes in the series, all of which could be interpreted as showing off Crowley’s 'good' side, to make the thought of his reinstatement as an angel more plausible or even necessary to right an ancient wrong.

If any or all of this is the Metatron’s doing, what is the motive? He clearly loathes Crowley. Maybe reinstatement as an angel would automatically wipe out his memories of being Crowley and all of his Earthly experience, so you would end up with a cute innocent (and ultimately useless) angel with no memories of his friendship with Aziraphale. Or perhaps it was a way to get him to come up to Heaven where he could be ambushed and imprisoned.

Or maybe the Metatron always knew that the very concept would go down like a lead balloon and that its aim was to make Aziraphale and Crowley part in such a way that they would be less likely to try to contact each other later.

There are so many pieces to this puzzle. Just when I think that a couple might go together I find others that don’t fit with the patterns already made, and which sometimes seem to belong to a different puzzle altogether. I’m sure that I already have 5 corner pieces.

[emese-of-void]

I have so many feelings about the psychic autism creature from Scavengers Reign.

It's such an interesting idea to have a creature with telepathy but not human level intelligence. Having Kamen in his mind doesn't mean that he now knows everything Kamen knows, but it does change him in really destructive ways. Kamen's complicated feelings about the Demeter filtered through Hollow seem to translate to indiscriminate anger towards all technology - the emotions are there, but not the comprehension.

Another thing I really liked is that mind control is presented as quite bening in its natural context, and also that it's purpose is so simple and so easily achievable by other means. It's so typical of evolution to not only solve the same problem in many different ways, but also to solve it in wildly extravagant ways. Trying to reach food high up? How about claws, flight, mind control, shock waves to shake the branches. Why not. Just irrepressible abundance.

I've been trying to figure out the potential evolutionary function of Hollow's kind absorbing their symbiotic critters. I think this could be super useful if the ecological niches of Hollow and the tripod creatures only partially overlap. And there are times when the tripods are in distress or desperately lack some nutrients or something. Hollow took Kamen in when he was clearly in distress, and after Hollow was completely focused on actions driven by Kamen's feelings, not even feeding. So the critter is kept alive and safe, and through the mental link Hollow knows what it is they're in distress about and can get them to the right place. That is such a neat adaptation! And potentially really flexible, allowing Hollow to create symbiotic relationships with different species. Maybe originally it started as a gestational adaptation. If the environment was unpredictably hostile it could be useful to be able to give birth to young but then, uh, unbirth them I guess, to keep them more safe temporarily.

The problem is, Kamen's needs aren't evolutionarily driven, and Hollow has no way of fully comprehending them or achieving them.

Oh man, the scene where Hollow lies down next to Fiona's body. Kamen doesn't know and Hollow doesn't comprehend, and it's killing them both. It's like Kamen completely abandoned his responsibility to be present in the world and act upon it, but his will is still acting on the world in a blunt and uncomprehending way through Hollow. Which as far as the addiction metaphore goes, yup, that's pretty spot on.

I'm so happy that Hollow got a happy ending. For a moment when he was melting away to reveal Kamen I thought that they were going to treat him as just a container for a human, a violent problem to be solved with violence. I should have trusted the show to be kinder.

Hollow is just a little creature, he shouldn't have been forced to try to understand concepts like self loathing or divorce, and now he never has to ever again.

[svt-rosalie]

hi!! i was just wondering if you could go more in depth about yoongi and rosie’s relationship? they are such a sweet sibling duo and i’d love to read more about them!

. . . ♡ YOOJI ! ? 🐡 TIMELINE ★ ﾟ๑

ׁ ׅ ୨ ❪ relationships! ❫ ୧ ⊹ ࣪

© 2024 , svt-rosalie rosalie masterlist!

you're in the first sentence of this

non-stopping page, my brightest dream

rainbow, nct dream

2013-2014 / Where It All Started.

Rosalie had attended a BTS fansign in 2013, when she got some free time after training

She loved meeting all the boys but her favorite was Yoongi

He was confused when she confessed that statement towards, yet she explained that his attitude and rapping skills drew her in and she’s excited to see what they become

She hoped they would make it big and all their dreams would come true

Rosie also confessed that she was training too at Pledis and hoped one day he could see her on stage and cheer her on like she does him

Their interaction was short but memorable

Yoongi spoke about her to his company and asked if they could get in contact with hers to see if it would be allowed for her to visit back and forth for training purposes

Pledis was skeptical, not wanting a trainee of theirs to get into a scandal before they even made a debut, but as long as their meetings were supervised then it was fine

(As if a 13 year old girl is thinking of anything other then school and her training?? Shut the fuck up Pledis)

The big brother roll set in very quickly for Yoongi

The two would spend time together with Yoongi teaching her skills with writing music and helping her rap even though she knew she wanted to be a singer

Knowing how to rap wasn’t a bad skill, as Yoongi would say

Every single time they would work together Rosalie took in every word Yoongi said like he hung the moon in the sky

Again — Rosalie was a fan of Yoongi and all the other members of BTS. So, it was crazy for her to be in the same room as the boy, gaining tips and tricks from him even though he was still a rookie

She just knew though that he and his member would be something one day, and she’d be right their supporting them!

2015-2018 / Debut, and More

After months of training and putting her blood, sweat and tears into everything that she does

Rosalie finally debuts

She hadn’t told a single soul that her groups first music video would be out on May 26 that year

Not even Yoongi, it was suppose to be a surprise

And surprised he was

Yoongi didn’t find out until Seventeen had a stage on the same day as BTS at the same place ( author note, i know run by bts was released in april 2015 so i feel like their schedules might have overlap but im not sure, so we are going to pretend they did!)

BTS has been busy that year, changing their concept and figuring out what said group was going to be with their newest comeback ‘Run’ — so Yoongi didn’t really have the chance to ask Rosalie many questions other then

‘How are you doing?’ ‘Are you eating correctly?’ ‘Is anyone being mean to you?’ ect ect

So it definitely threw the older boy off when the (at the time) 5’6 girl comes running at him and yelling “I debuted! I debuted! Aren’t you happy?”

Yoongi was very excited for her even if he didn’t show it well

Rosie knew though

She knew that he was proud and little scared for her as well in his eyes.

Eyes tell.

Yoongi and Rosie cheered each other on silently and behind the scenes

The older boy would send her flowers and words of encouragement when she had a showcase she’s was nervous to perform for or when she needed some uplifting words

Rosalie would show him pictures of her pulling his photos cards and would subtly promote BTS whenever she could.

The kpop community found out of their friendship when Yoongi released his solo mixtape under the name Agust D and they had a collab named ‘So Far Away’

Fans were surprised but at the same time not really that surprised, if that makes sense?

Everyone saw the subtly of their friendship, a senior and junior.

But it was more of older brother and younger sister.

Yoongi even though he would encourage her and give her advice, he still teased her.

They took the world by storm again when posting a photo together on BTS twitter with the caption “annoying little sister.”

Since 2017 they’ve became known to the world as the nations favorite siblings

Even though they aren’t related!

2020-Present / A Lifetime Friendship

The continued to have a strong bond throughout the years

They released many collabs together such as the song Eight on Rosalie’s first solo album, People Pt.2 on Yoongi’s Second mixtape

The public loved and hold on to every interaction they have

Rosalie’s parents think of Yoongi as a son they dreamed for

Yes, they love their two daughters but having son wouldn’t be so bad

At least that’s what Rosie’s mother says every time the older boy visits

Rosalie calls Yoongi any chance she gets

You know how their are some girls that call their mom or dad when they are in the car or getting ready, that’s Rosalie with Yoongi

Constantly.

The amount of youtube complications made for Yoongi and Rosie’s friendship

Clips resurface every year such as . . .

A clip from one of Rosie’s vlog of her and Yoongi going strawberry picking and then Rosie forcing the boy to bake a strawberry cake from the fruit they picked that day

Or Yoongi being recorded supporting Rosie at her Solo debut showcase in Seoul

Clips of Rosalie’s collection go BTS album collection right next to her SEVENTEEN ones, she likes to show off the photo cards she collect

(She’s one of us guys)

The two have never argued, disagreements yes, but they never get angry with each other

Rosalie is so happy she has someone like Yoongi in her life and Yoongi feels the exact same.

Twin flames, the two will stick by each others side till the very end

author note — this sucks, i’m sorry

taglist — @angie-x3 @alixnsuperstxr @allthings-fandoms @peachyaeger @sakufilms @aysxldea @swagcandyfun @wonwooz1 @s4nsmoon @seolarzone @miyx-amour @novwonia @marissa-11 @magicsoyeon @skzfairies @btskzfav @vhsdolly @vlbi @iamawkwardandshy

[setmeatopthepyre]

🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧🐧

this took a little while, but I knew I wanted to write this scene especially for you and needed a little time to think about how to approach it. so here's a whole bunch of antarct-fic, just for you! this uh. got a little long.

-

It takes some time for Buck to get settled in, find his way around, discover the Skype stations, figure out the difference in timezones between Los Angeles and New Zealand-slash-McMurdo, and find a moment when the Skype stations aren't all occupied that also works for Maddie and Chim – but he gets there.

“-And so Brooke's walking in ahead of me, right? And she freezes -- No, Chim, not literally, haha, very funny – and she marches right up to Bucky, and keep in mind, Brooke is like, 5 foot, max, and Bucky is at least a foot taller – and she demands to know where Larry went. And that's when the rest of us realize, holy shit, Larry is gone. Just. Gone. Not a trace.”

Maddie and Chim are on screen, staring at him like they're expecting a punchline, and Buck realizes he may have skipped over a little bit of necessary context.

“Right, so, Bucky was the only one in the kitchen, because he was just there to get some of the baking prepared and to jump in if any of the people coming off night shift needed anything--”

“Wait, so this kitchen has a Bucky and a Buck?” Chimney asks, balancing a squirmy Jee on his knee. Maddie raises her eyebrows at him, like she had other questions, but--

“Oh! Yeah. Right, so. I'm Evan.”

Maddie squints at him. “We know you are.”

“At the station. Uh. This station. At McMurdo – or Mactown, as Katie calls it, but really, there's so many nicknames –uh. I'm Evan. Here. Because there were already a few Bucks, and, well, a Bucky. One of the Bucks also works in the galley, which is already confusing enough with a Bucky right there, you know? So I'm just. Just Evan, here.” He frowns a little, wondering if any of that made any sense. Or maybe the connection just froze up again?

“Wow,” Maddie says slowly, carefully. “How do you... feel about that?”

He takes a second to think about it. “It's... a little weird. But not in a bad way? It's kind of... nice. Like-- like I'm a new person? I know that's probably dumb--”

“No, Buck, that's not dumb,” Maddie says quickly, and she's smiling, and Chim's expression has softened as well, matching Maddie's. It makes warmth spread in Buck's chest, though it's followed closely by something achy settling in his stomach.

“I miss you,” he confesses.

Maddie's eyes are a little wet. “We miss you too. And Jee misses her uncle Buck. Or- should we say uncle Evan?”

Buck huffs a laugh, and that heaviness dissipates, at least a little bit. “No, no, uncle Buck is-- that's good. I'm still getting used to people I don't know calling me Evan. So.”

“Buck it is,” Maddie smiles, and he can feel her warm affection even across the continents between them.

“Well this is a beautiful little moment,” Chimney says, aiming for teasing but failing miserably due to how his whole face is crinkled into a smile. “But back to the story, uncle Buck," and Jee-yun echoes Uncle Buck!, slightly muffled, from somewhere just out of frame. Her pink-legginged legs kick into view a second later, just barely missing Maddie's face.

Buck takes a minute to enjoy the happy little family wrestling on his screen. That ache is back. He's fairly sure it's homesickness, and isn't it weird that he isn't sure he's ever really felt that before? He's missed the vague concept of home before – usually in the form of Maddie, when she was back in Boston – but never really in this way, where he can point to a place on a map where his people, his family are, and miss them.

Well, most of his people.

One of them is right here where Buck is. If he still wants to be. His people, that is. His person.

He clears his throat. “Right. So. Uh. Where was I?”

“You were talking about someone who went missing?” Maddie prompts.

“Uh. Right! Yes. Larry. So Brooke, obviously, immediately assumed Bucky had something to do with it--”

“Wait, I'm confused,” Maddie interjects straight away. “If Bucky was the only one who was supposed to be in the kitchen, how did Brooke know Larry was missing?”

“Oh, good point, detective,” Chimney says, then winces when Jee lets out a loud squeal right next to his ear. Maddie grimaces in sympathy at the same time Buck does.

“Oh, because Larry is always in the kitchen,” Buck explains.

“Always? How?” Chim asks, looking seriously at the screen while Jee giggles and squirms in his lap, one of Chim's hands clasped over her mouth. He raises his hands in dramatic mock surrender when she starts snapping her teeth at him.

“Didn't I say?” Buck frowns. “Larry's our mascot.”

Maddie sputters. “Larry's not a person?”

“No? One of the overwinters a couple of years ago made him out of the cutlery that got chewed up in the dishwasher, and the galley crew just... keeps adding to him.”

“You're telling me you have some sort of... cutlery homunculus named Larry watching over your kitchen?”

“Well, not anymore," Buck points out. "That's the problem. He's gone.”

There's a silence in which both Maddie and Chimney take a second to process this new information, and then Chim's getting up to fix Jee a snack and get her set up with some coloring sheets, and Maddie tells him about her latest check-up and how everything is still looking good with the pregnancy, and that they're debating if they want to know the gender ahead of time or not. It isn't until a little later, when Chimney comes back into view and Buck is fairly sure he's maxing out his time at the Skype station, that Maddie broaches the subject he'd kind of been hoping he'd gotten away with avoiding.

“So, while learning about your-- uh, Larry? – is fun, what we really want to know is... how did things go with Tommy?” She's smiling kindly, being gentle about it, so very Maddie, but Buck's leg is shaking enough to make the screen move a little and he needs to consciously force his jitters to a halt.

“Uh. It hasn't. Yet?”

“What do you mean?” Chimney asks, offering Maddie a slice of apple with peanut butter. Apparently Jee isn't the only one who got snacks.

“We haven't really talked yet,” Buck admits.

“Okay, so you haven't talked-talked yet. But how did he react?”

Buck shifts in his seat. “React when?”

“How did he react when he saw--” Chimney stops mid-word and mid-chew. “Now wait a second, Buckley. Tommy hasn't seen you yet, has he?”

And fine, maybe Buck bristles a bit. “Well, it's not like--”

Maddie interrupts him, momentarily saving him from having to think up some flimsy defense on the spot. “Hold on, you've been there a week, and... Buck, does Tommy even know you're there?”

Buck dips his head, wonders if he can fake connection issues, but he knows the guilt of cutting their call short would probably eat him alive. “Maybe,” he mumbles instead. “I don't know. Probably not?”

Honestly, Buck thinks, the news that Larry got kidnapped – cutlerynapped? homunculusnapped? – should be way more shocking than the fact that, okay, maybe he has been avoiding Tommy just a little bit. Just until he, you know, figures out what to do, what to say. But Maddie and Chim are gaping at him as if he's just admitted he's decided to move in with the nearest penguin colony and leave his human life behind.

It's almost a relief, then, when a woman taps him on the shoulder and asks him if he's okay to wrap up soon so she can talk to her husband before he has to leave for his night shift. Buck wraps up their call, promising pictures of penguins for Jee as soon as possible, no time to explain that he needs to follow some sort of training before he's allowed off-base, but he can tell them about that next time. Whenever that next time is.

That achy feeling lingers, even after he hangs up.

-

[make me write]