#that movie is burned into my brain

[cxtori]

if the new deadpool movie has taught me anything, it’s that there is nothing sexier than a man in a skin tight, bright colored, probably impractical hero suit.

absolutely. nothing.

[legobiwan]

I was rolling around this post in my brain, considering the manhole cover-shield scene and I had this...thought about a fun, semi-angsty off-screen scenario after the general hullabaloo from Bowser's incursion into Brooklyn has calmed down.

We know from the movie that Mario is injured during the final fight with Bowser, that he had a plethora of cuts and nasty bruises that would need attention. We also know from the movie that Luigi, our unhinged king, picked up a metal manhole cover to block fire.

Basic science would tell us that this manhole cover likely reached some excruciating temperatures rather quickly, and that Luigi's gloves/outfit (which, considering their junked-up van), were probably not the highest quality. Meaning, I have a feeling our green hero might have accumulated a few burn injuries and, given what we know about his character, might have neglected to say anything about this.

Anyway, cue Mario and Luigi getting ready for bed after the whole crazy day, and Luigi, who is so tired he isn't even thinking about what he's doing at this point, absently changing into his sleeping shirt. That's when Mario notices the burn marks. That's when Mario freaks out like the highly protective older brother he is.

[liyazaki]

THE HANDMAIDEN (2016) | directed by Park Chan-wook

[blue-sunflower-bee]

Securitywaiter fandom!

Consider this... I NEED this Ness

With this Mike

Aka "Clumsy detective x even clumsier robber that is followed by bad luck"

[deweyduck]

Heath Burns, Deuce Gorgon & Frankie Stein in MONSTER HIGH 2 (2023)

[nortedwayfinder]

Sonic OVA Anniversary!!

28 years ago, Japan started distributing what would become one of my favourite pieces of Sonic media <3

(at least, that's what google tells me)

[james-stark-the-writer]

alright, we're finally at the entire reason for me starting my DCEU (re)watch. now seated for Cathy Yan and Christina Hodson's Birds of Prey and the Fantabulous Emancipation of One Harley Quinn. let's see how it's held up since i saw it in theaters.

[magnus-rhymes-with-swagness]

thinking thoughts about swords symbolizing the corruption of the institute and the control it has over the kingdom. the sword motif is absolutely everywhere - banners and art, kids’ games and cereal commercials, the statue of gloreth at the center of the kingdom. the institute building itself boasts even more - there are tons of statues and suits of armor, all holding swords. swords are everywhere you look!

another example is the way ballister and his swords are used as a tool by the director. he’s knighted with the same fake sword that kills the queen, highlighting how the system can only thrive on manipulation and deceit - the director can only have control over the kingdom if she lies to it, which she does primarily through ballister. he also immediately tries to go to his sword when he finds out nimona is a shapeshifter, as he hasn’t yet unlearned the values taught to him by the institute. the director keeps his real sword the whole time and uses it to try to kill who she thinks is ambrosius, planning to frame ballister for that murder too, which becomes a major turning point in his arc as he decides to abandon the sword as he no longer wants to be part of her game.

but even though he’s made the choice to reject the institute, he still struggles to unlearn its values. he’s been brainwashed from a young age, and had plenty of time to internalize false notions about heroes and villains and monsters. while he cares deeply about nimona at this point, he still instinctively goes to draw his (other) sword when he learns she’s the “monster” from the legend of gloreth.

one of the ways the director retains power is through gloreth - since she’s considered the symbol of righteousness and heroism, the ideal to which all knights should strive, she’s invoked at every moment possible. the scroll bearing the legend is used to justify killing nimona, and “the will of gloreth” is used to justify practically everything. ballister’s sword has a G on it, which is visible right before he gets knighted, and ambrosius’s sword looks just like the one the statue holds aloft. (gloreth didn’t actually have a sword like that, at least not when she knew nimona, but nobody knows this - the real story had been warped and twisted to fit the narrative so much over the course of a thousand years.)

ambrosius, being her descendant and the golden boy, finds it even more challenging to realize the institute is corrupt. he’s also been brainwashed and forced into a role, and there has always been an immense amount of pressure on him to follow in her footsteps. so when he meets ballister in the tavern he places ballister’s sword on the table and suggests killing nimona, as this is what the institution wants. ballister, who knows that nimona isn’t the one to blame, angrily walks out and leaves the sword laying there, trying to leave both it and the institute behind again.

ambrosius becomes understandably reluctant to use his sword for anything violent after cutting off ballister’s arm. he doesn’t draw it when leading a squadron of knights to find nimona and ballister, even when everyone else has their weapons trained. he points it at them and doesn’t use it when he and the other knights have them surrounded. at one point he even places it in front of the director in the effort to protect her. (he seems to be very loyal to her for reasons i’ve touched on here, and is still heavily under the influence of the institute at this point in time.) in fact, the only time he ever actually uses his sword going forward is the fight with ballister, but even then he’s not really fighting exactly, just deflecting ballister’s sword. he doesn’t try to get in a single strike, not wanting to hurt ballister again or give him any more reason to hate him.

nimona, having grown up under very different circumstances, knocks over suits of armor that have swords. she destroys the statues that hold them. when she and gloreth play fight as children, gloreth holds a toy sword while nimona holds a stick.

everything is inverted at the climax - when every other knight is running around with weapons, ambrosius doesn’t draw his sword. he stands in the middle of the street and asks aloud, “what are we doing?” as he’s finally able to see how corrupt and how dangerous the institute is.

and nimona is the one who seeks out gloreth’s sword, and ballister is the one who lets his own sword fall, breaking the cycle and rejecting the institute’s values once and for all in order to save her.

[happy74827]

This past month really hit me with the "write what you want to read," because every time I go to read ANYTHING, it's always coming up empty. Literally the desert out here in fanfiction world.

So many underrated characters.... smh

[faaun]

procrastination is starting to have its consequences finally

[sensitiveheartless]

...K this is going to sound completely out of the blue, but this has been haunting me today —

[fistfuloflightning]

You do swim, do you not? Oh, I swim pretty gay—good! Pretty good!!

The swim scene from Atlantis but it’s just JiuYuan

[twilightsquire]

Trying out my Shadow The Hedgehog cosplay, it's still a WIP but I'm pretty happy with it so far 🖤❤️

[mariocki]

The Aftermath (1982)

"What happens when you die?"

"I don't know, son. No one does."

"It's sad to die."

"No. Death isn't sad. We all have to die. What's sad is having to go on without someone you love. Just as we have to go on now."

[bunnihearted]

🧸♡ ⋆｡˚

[todayisafridaynight]

POV AraSawa React to You Coming Out

it should be illegal for you to make a funnier post than mine WITH MY OWN CAPS HELP