#that feeling when you put more time into the TAGS of a post

[mythalism]

genuinely curious how the writers and larger dragon age audience would treat thom rainier if instead of being appropriately* repentant and putting himself in prison he blew up a major orlesian government building to instigate a chevalier rebellion or tried to have someone do some necromantic blood magic ritual involving uncertain danger and possible sacrifices to bring the innocent children he ordered killed back to life

[leighsartworks216]

Meeting the Parents

Sylus x gn!Reader

Inspired by this post by @yes-no-maybe-soo

Dialogue taken straight from his tete-a-tete introduction with some stuff removed for the story

Warnings: hurt/comfort, domestic fluff, established relationship, death, cemetery, anxiety, lies of omission, cuddling, kissing, crying

Word Count: 1,564

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First - Second - Third LADS Masterlists

AO3

Tag List Form

“Sy?”

“Hm? What is it, sweetie?”

You play with his fingers where they lay over your stomach. His body is sculpted to fit perfectly along your back, strong arms holding you securely, protectively, as you’re just waking up and he’s supposed to be going to bed.

You bite your lip, grateful that he can’t see your face or the warring thoughts blatantly expressed on it. “Would you want to meet my parents?”

He presses closer - if such a thing is even possible - tucking his face into your shoulder where he plants lazy kisses. “Why are you asking me about this now?”

“Well, Tara got a new boyfriend and she was telling me about how important meeting the parents can be,” you admit slowly. She’d gushed about it for an entire lunch break, in fact. Rambling on and on about how meeting his parents went, and how her parents just love him, and how big of a step it is in a relationship. ‘The most important step!’ she’d emphasized. It weighed on your mind since. “And I just thought… maybe you’d want to meet mine?”

There’s no way he doesn’t hear your heart racing in your chest. It’s impossible for him to miss the nervousness in your fiddling with his fingers, or the subconscious way you stretch out your legs to tangle with his. But if he does notice any of it, he says nothing.

He kisses over your pulse, intertwines your fingers, and hooks his leg over your hip, as though this is nothing more than a lazy Sunday morning.

“I’d be honored to meet them,” he whispers, soft and tender in a voice reserved just for you.

“Today?”

He chuckles warmly. “If that’s what you want, sure.”

You squeeze his hand, then pull it tighter around you, holding it to your chest like a plushie you’ve decided to cuddle. “You should get some sleep, first. We can visit them for lunch.”

“Oh? Are they already expecting me?”

“No… but they never mind visitors.”

He hums, a low sound that rumbles in his chest, and buries his face into your warm skin. “Whatever you say, kitten…”

His snores fill the air a moment later.

-

Sylus takes meeting your parents more seriously than you thought he would. He took a shower before you, and when you came out, he was meticulously going through his wardrobe to find the perfect outfit. Nothing too flashy, but nothing too casual - something suited for setting up a good first impression. A towel is still around his shoulders, hair dripping onto it in his focus. It brings some much needed levity into your aching heart.

“Sit down,” you chide him. He does so with a knowing smirk, but it droops back into a frown as he thinks on his options.

“Which shirt do you think?” he asks. You fluff the towel over his hair, squeezing out the water soaked into the thicker sections of his locks. Once it’s dried enough, you comb your fingers through his hair to brush it out. He’ll style it himself, of course, but you love feeling it so wild and unrestrained like this.

You look up at the two shirts hanging up side by side in the closet. His collared-shirt red-sweater combo on one side, or his simple white shirt. Both are casual, put together. A softer appearance compared to his usual black attire. He could choose either - they’re perfect for coming off as disarming and charming without flaunting his wealth - but he’s asking you.

You hug him around his neck from behind. “What’s wrong?” he asks softly.

You shake your head. “Nothing.” Still, you linger a moment longer before you pull away with a kiss to his cheek. “The red one. It’s my favorite.”

“The red one it is.”

-

You offered to drive this time. Unusual, given his proclivity for driving you anywhere you could ever want to go, but you play it off as it being in Linkon, your territory. He teased you lightly, but passed over the keys without a fuss. If you wanted to be the one to drive him to meet your parents, that’s your right.

After having to majorly adjust the driver’s side seat to account for your height, the drive itself is simple. Familiar. You know the way like Sylus knows his armories. Though, you know you can’t play it off forever. In just a few short miles, the ruse will be up. You tap along the steering wheel. How much longer before he figures it out? Or, if he already knows, before he says something about it?

You pull the car into the gravel parking lot and cut the ignition. You shyly look to the passenger side. Sylus looks straight ahead through the windshield, brows pulled together in a frown.

“Sweetie…”

You get out of the car before he can say anything else. Before he can back out. Look at you like you’re crazy or like you’ve betrayed him for keeping this a secret for so long. His door shuts a moment after yours. The small rocks shift under his nice shoes as he rounds the car. You don’t look at his face as you take his hand in yours and lead him through the big wrought-iron gate.

Rows upon rows of headstones, statues, slabs cover the area. Carefully tended grass peeks up in the spaces between. A path is formed from foot-traffic alone, guiding you deeper into the cemetery like a gentle hand on your shoulder. You know the way by now.

The wind blows through, the birds chirp their songs, the noise of the cars is distant… It’s peaceful. Sylus says nothing. You pretend to focus on the stones by your side to avoid looking at him.

You curse Tara for planting this idea in your head in the first place.

Soon enough, you slow to a stop in front of a wide headstone. Two names are engraved on it. Four dates. And a message. You picked it out just for them.

The silence grows unbearable. Hot. You wish you could sink into the ground, where hundreds of hands could hold and assure you. Where Sylus can’t see the tension in your shoulders as you anticipate him leaving.

He squeezes your hand. For the first time since arriving, you look at him, watching as he kneels down in front of the granite stone. And… he’s smiling. The furrow in his brow is gone. He looks at ease.

“Are you their parents? I’m Sylus. I’m your child’s boyfriend,” he introduces himself. He says it all like he’s talking to them. Speaking directly to your parents just before an awkward family dinner. “I run a family-owned business that covers a range of services and offers various products. We deliver fruit and even sell state-of-the-art technology, for example. My business has been doing well, and I work with a lot of talented individuals. If you’re interested, I’d be happy to discuss it in more detail another time.”

You slowly sink down to your knees beside him. You can’t stop staring at his face.

“My hobbies are very simple. I collect vinyl records, play the organ, and occasionally sing. According to your child, my singing isn’t too bad.” He looks at you, shooting you a playful wink. Your vision starts to blur. He turns back to the stone.

“I live alone and I have a relatively flexible schedule. I stay at my base most of the time. Otherwise, I’m in a hotel for business meetings or go to my private ranch when I need to unwind. I own several beautiful horses, and one of them has grown particularly fond of them. The two of them often frolic together at the ranch.” In that same soft voice reserved just for you, he says, “I like seeing them be carefree and happy.”

The first tears break free with a choked sound. He lets go of your hand to wrap his arm around your shoulders, drawing you into his side. You hug his waist tightly.

“While it might not be obvious at first glance, I’m very good at taking care of people. Because of our time together, I developed new interests. I enjoy taking them to auctions and fashion shows.” He draws you in a little tighter, but his attention remains on the names before him. “I like seeing them shine. And their happiness is my happiness.

“As for the future…” He speaks with conviction, as though trying to fully prove to your parents his worth as your boyfriend. “I’ll always support them with whatever they want to do. I’ll also stand by their side without question.”

You press your face in his chest. He shifts on his knees to face you, wrapping his other arm around you in a full hug. He presses a gentle kiss to your head.

“How did I do?” he whispers.

You sob. It’s ugly and gross. Your chin wobbles and your face contorts as tears stream in an endless tirade, soaking into his sweater. His large hand rubs up and down your back patiently. Your voice cracks as you croak out, “They would’ve loved you…”

He ducks his head down, pressing his cheek to yours. Sweet kisses brush away your tears. “I’m sure I would have loved them, too,” he assures. And you know he isn’t lying. “Just breathe, sweetie. I’ve got you. I’ve got you…”

---

Tag List:

@the-golden-jhope @armycaratlover @sylusfluffymeow @cheesemachine44 @nyx2021 @angel-jupiter @thelittlebutton @pikachuzhc @pomegranatepip @cordidy @an-ever-angry-bi @thejysemongko @deusfoundry @that-lost-one @always-just-red @22carolina08 @lunaizhere @sine-nomine0

[durgeapologist]

Let's Talk About Ir Abelas, Da'ean

As some of you may know, I am vehemently against the dishonest use of AI in fandom and creative spaces. It has been brought to my attention by many, many people (and something I myself have thought on many times) that there is a DreadRook fic that is super popular and confirmed to be written at least partially with AI. I have the texts to prove it was written (at least) with the help of the Grammarly Rewrite generative feature.

Before I go any further, let it be known I was friends with this author; their use of rewrite features is something they told me and have told many other people who they have shared their fic with. It is not however, at the time of posting this, tagged or mentioned on their fic on AO3, in any capacity. I did in fact reach out to the author before making this post. They made absolutely no attempt to agree to state the use of Rewrite AI on their fic, nor be honest or upfront (in my opinion) about the possibility of their fic being complete generative AI. They denied the use of generative AI as a whole, though they did confirm (once again) use of the rewrite feature on Grammarly.

That all said: I do not feel comfortable letting this lie; since I have been asked by many people to make this, this post is simply for awareness.

You can form your own opinion, if you wish to. In fact, I encourage you to do such.

Aside from the, once again, high volume word output of around 352K words in less than 3 months (author says they had 10 chapters pre-written over "about a month" before they began posting; they are also on record saying they can write 5K-10K daily) from November until now, I have also said if you are familiar with AI services or peruse AI sites like ChatGPT, C.AI, J.AI, or any others similar to these, AI writing is very easy to pick out.

After some intense digging, research, and what I believe to be full confirmation via AI detection software used by professional publishers, there is a large and staggering possibility that the fic is almost entirely AI generated, bar some excerpts and paragraphs, here and there. I will post links below of the highly-resourced detection software that a few paragraphs and an entire chapter from this fic were plugged into; you are more than welcome to do with this information what you please.

I implore you to use critical thinking skills, and understand that when this many pieces in a work come back with such a high percentage of AI detected, that there is something going on. (There was a plethora of other AI detection softwares used that also corroborate these findings; I only find it useful to attach the most reputable source.)

Excerpts:

82% Likely Written by AI, 4% Plagiarism Match

98% Likely Written by AI, 2% Plagiarism Match

100% Likely Written by AI, 4% Plagiarism Match

Some excerpts do in fact come back as 100% likely written by human; however, this does not mean that the author was not using the Grammarly Paraphrase/Rewrite feature for these excerpts.

The Grammarly Paraphrase/Rewrite feature does not typically clock as AI generative text, and alongside the example below, many excerpts from other fics were take and put through this feature, and then fed back into the AI detection software. Every single one came back looking like this, within 2% of results:

So, in my opinion, and many others, this goes beyond the use of the simple paraphrase/rewrite feature on Grammarly.

Entire Chapter (Most Recent):

67% Likely Written by AI

As well, just for some variety, another detection software that also clocked plagiarism in the text:

15% Plagiarism Match

To make it clear that I am not simply 'jealous' of this author or 'angry' at their work for simply being a popular work in the fandom, here are some excerpts from other fanfics in this fandom and in other fandoms that were ran through the same exact same detection software, all coming back as 100% human written. (If you would like to run my fic through this software or any others, you are more than welcome to. I do not want to run the risk of OP post manipulation, so I did not include my own.)

The Wolf's Mantle

100% Likely Human Written, 2% Plagiarism Match

A Memory Called Desire

99% Likely Human Written

Brand Loyalty

100% Likely Human Written

Heart of The Sun

98% Likely Human Written

Whether you choose to use AI in your own fandom works is entirely at your own discretion. However, it is important to be transparent about such usage.

AI has many negative impacts for creatives across many mediums, including writers, artists, and voice actors.

If you use AI, it should be tagged as such, so that people who do not want to engage in AI works can avoid engaging with it if they wish to.

ALL LINKS AND PICTURES COURTESY OF: @spiritroses

[nadvs]

first prize desire (one-shot)

pairing rafe cameron x female reader

rating mature 18+

summary your brother’s friend, rafe, is good at a lot of things. hiding his infatuation with you isn’t one of them. one night, you stop teasing him and finally give him what he’s been dreaming of.

tags college au where rafe and reader are varsity volleyball players. reader is a noncommittal f-girl. rafe is down bad for her. mentions of past infidelity. lots of angst and some light smut. not a happy ending.

» masterlist

note hello, i’m back!! a little while ago, i got an ask about a f-girl reader who’s been hurt in the past and is a little mean to rafe and i’m obsessed at the thought of him pining and lowkey being a simp for her?? this one goes out to my girlies with trust issues <3 divider credit.

You have to be doing it on purpose.

Rafe’s grip on his gym bag tightens as he steps out of the men’s locker room. The door shuts behind him with a heavy thud.

The girls’ team has the court now. You’re by the end line closest to him, only a few feet away as you stretch. You’re bent over with your back arched and he slowly paces towards the gym exit, his mouth going dry at the way you look.

The sight of you in those little shorts always throws his thoughts into a frenzy. Seeing your ass perched in the air like that makes him feel even more disoriented.

The varsity volleyball schedule is simultaneously the best and worst thing that has happened to him. Twice a week, Rafe steps out into the gym, exhausted from practice, to see you warming up, always tormenting him with how good you look.

You stepped into his life a few months ago at the beginning of the school year. His friend had mentioned that his sister would be starting college and that she plays volleyball, too.

The first time you came over to the house he shares with your brother and a few other guys on the team, he knew he was going to like being around you.

Until he got to know what a tease you are.

You stand up from your stretch, placing your hands on your hips as you look over your shoulder.

“Hey, Rafe,” you sing-song, your voice sweet as sugar. His hair is wet from his post-practice shower, hanging over his forehead. “Your hair’s cute like that.”

He was right. You are doing it on purpose. You knew he was there and you purposely put yourself on display for him like that, like a treat he knows he can’t have. For fuck’s sake. He’s never wanted a girl this bad.

Rafe’s lips flatten as he nods in greeting, stopping in his tracks. You’re not sure if the rosy tint to his cheeks is a product of a rough practice or a distressed blush from having seen you in such a suggestive position.

“Are you coming to watch our game tomorrow?” you ask, just loud enough over the voices echoing through the gym.

Rafe steps closer. You adore it about him, how he always looks like he’s been hinging on a opportunity to talk to you.

“Should I?” he asks.

“Sure. I know you like any excuse to look at me,” you reply with a shrug.

He scoffs, a mix of incredulity and amusement. He’s obvious about how bad he wants you, he knows he is, and that’s why it makes it ten times worse that you toy with him like this.

“You never watch our games,” he responds.

“I’m a busy girl,” you laugh.

He knows that. And he wishes he didn’t. He wishes he didn’t have to see you jump from guy to guy, snuggled up to a different one at every other party, never staying long enough to call any of them your boyfriend.

A couple of weekends ago, Rafe had been one too many beers deep. Pressed against the wall at a house party, he gazed at you through heavy lids and asked if you were ever going to find a guy you liked enough to actually keep around. You laughed and told him, “I’m not the commitment type.”

“I’ll see if I can make it,” Rafe says, because even though he’s a goner when it comes to you, he tries to keep at least some dignity intact and feign indifference.

“Hope you can,” you respond, smirking. His eyes go a little brighter. You know that means he’ll come.

You’re a whirlwind, a storm constantly passing over him, leaving him spinning. Time and time again, he gets just close enough to the edge of thinking he has a chance with you, and then you pull back.

Your flirty looks and dirty jokes are maddening and any time he’s tried to do anything about it, you’d say you’re not going to complicate things with your brother’s friend, especially when he lives with him.

Off limits, you’d once whispered in his ear at a party, but your body was pressed up against his so tightly that it didn’t seem like you wanted a boundary between you two at all.

Rafe’s name echoes from behind him. He turns to see your brother leaving the locker room, donning a confused expression.

“You leaving without me?” he laughs, walking towards him.

Rafe would never tell him that he purposely rushed out to get a glimpse of you.

⫘⫘⫘

The minutes before the start of a game is when you feel the most pressure. More than during the actual match. You know if you don’t feel proud of your performance, you fall into a funk nobody can pull you out of.

You rub your palms together as you wait for your turn in a spiking drill. The other team just arrived, warming up on the other side of the court.

You thought you didn’t mind these opponents all that much. Their team is usually weaker than yours. But they have a new player and seeing her familiar face makes your blood boil.

Rafe makes it to the gym after class, two sets into the match. It’s 1-1 and the air is heavy with tension. The gym is quiet as he settles in the bleachers, the thumps of hands hitting the volleyball rolling across the court.

You’re panting as you hurry around, dodging your teammates while never letting the ball hit the floor.

You look more stressed than usual.

He almost gets right up again to leave, irritated at himself. This is the crap a boyfriend would do; come watch your games, worry about the anger etched on your pretty face. Yet all he gets called is a friend while you entertain other guys right in front of him.

But then he smirks a second later when he sees you frustratingly mutter something to your teammate after the opposing team wins a point.

Rafe revels in seeing your temper come out. It’s cute. And it makes him feel better about his.

A few minutes in, though, he sees anger flare up in you like never before. A girl on the opposing team blocks your spike and seems to murmur something to you.

You fight back, loud enough for him to hear. You snap at her to shut up. One of your teammates holds you back. The ref blows the whistle.

It’s a misconduct foul. Something’s up with you and he doesn’t know what.

The rest of the game has an added level of intensity. It results in a loss for the home team. You’re wearing the disappointment in your expression.

Rafe decides to leave. You always take your sweet time after a match and he’s not about to make an even bigger fool of himself by waiting outside for a girl who messes with him for wanting her so bad.

But still, because he’s so pathetically into you, he texts you later on: rough game. you good?

You don’t respond.

⫘⫘⫘

The next day, Rafe hasn’t gotten over you ignoring him. He’s not really one to let go of things all that quick.

And he’s had enough. Of the teasing and the flirting and the indifference you have towards him while all he does is long for you. You have all the power and he’s sick of it.

It’s not hard for him to find the girl you’d argued with on the court. It’s a matter of searching on her college’s athletic department website, learning her name, and finding her on social media.

He chats with her, invites her to his house party the next night, and because it’s easy for him to get any girl to agree to hang out with him, unless she’s you, she accepts.

He can’t wait for you to see him with her.

⫘⫘⫘

You make it to the house the next night, showing enough skin that makes Rafe’s stomach grow tight. You nudge your brother’s shoulder in greeting, then shuffle closer to Rafe see him nursing a beer.

“Hey,” you say over the music. He towers over you, a crease between his brows. He wears everything on his handsome face, incredibly easy to read.

“You mad at me for not texting back?” you ask playfully, squeezing his forearm. “Sorry. I was in a shitty mood after that game.”

“Why?” he asks, reluctantly softening up. You hardly ever show him this side of yourself. You’re usually a few drinks in if you do.

“Did you see that girl I yelled at?”

He nods, Adam’s apple bobbing with a nervous swallow.

“I know her,” you explain, “and she’s not very nice.”

“You’re not very nice,” Rafe jokes.

“Then imagine how bad she is if I’m the one calling her that,” you say with a soft laugh.

“What’d she do?” he asks.

As expected, you wave a dismissive hand, rolling your eyes, blocking him out.

“Nothing worth repeating,” you reply. You bring your hand up to his bicep, squeezing the hard muscle. “Did you go to the gym today?”

Rafe’s eyes dart down to his beer, the attention from you another hit to his bloodstream, a dopamine rush he’s been missing.

“Hit a PR,” he replies.

“Wow,” you flirt. “We should go to the gym together. You’d be a good personal trainer.”

“You couldn’t handle me,” he replies.

You bite your bottom lip, smiling up at him. Nobody gets your heart racing quite like Rafe does.

And it’s why you stay away from him. Getting involved with a brother’s friend is already a bad idea just because it could get messy, but really, it’s the effect he has on you that scares you away.

You’ve been burned. The summer before college started, you discovered your serious boyfriend had never really respected you. You’re pretty sure someone’s first love always leaves a wound. But finding out they were cheating on you the whole time leaves a scar that never closes back up all the way.

“I don’t know,” you reply, pushing away your thoughts. “Pretty sure you couldn’t handle me.”

Rafe’s pink lips part as he looks down again. He shuffles in place so faintly that it’s nearly imperceptible.

“Not like you’d give me a chance to try,” he mumbles with a defeated smile.

No. You wouldn’t. Because the more you get to know Rafe, a man who at first seems hard and aggressive, but really just wears his heart on his sleeve, the more you can see yourself falling for him.

His intensity is overwhelming. It’s something you don’t see in most people. He’s a beautiful rarity of a man and you stay far away from any kind of real intimacy with him, because while you can hook up with other guys with no attachments, tangling yourself up with Rafe would make you susceptible to another wound.

“You know you could get any girl you want, right?” you say to him, voice gently dropping into a serious tone you don’t often use with him.

His phone buzzes in a staccato. He pulls it out of his pocket. Damn it.

“Hey, I’m here,” she says when he answers.

“You’re here?” he blankly repeats.

“You invited someone?” you tease. “And you’re standing here flirting with me? Shameful.”

You offer him a smile to show him you’re kidding around. The dull sting you feel from knowing he’s probably talking to a girl is a good reminder of why you keep him at an arm’s length.

It may not be reasonable to be a little annoyed, considering you’re always running around with different guys right in front of him, but you can’t help it.

Rafe hangs up, a tinge of regret pinching his chest. It took a few seconds with you to realize his spitefulness just fucked things up.

“Go get your girl,” you say with raised brows, stepping aside. “I need a drink.”

“Hey, it’s…” Rafe’s face pinches with concern, leaning to be closer to you. “Don’t be pissed off at me.”

“Pissed off?” You usually do a great job feigning indifference around him. You hope he doesn’t somehow see the crack in your armor.

“It’s that girl,” he replies. “The one from…”

“The game?” you say soberly.

Rafe hates the way your smile drops. The way your eyes search his face for an explanation.

“Whatever,” you reply after a beat. “Do what you want.”

It’s kind of a sick thrill to have the upperhand for once. He’s flustered when you tease, but now, your eyes are sharp with frustration, your lips turned down in a scowl that shouldn’t be as adorable as it is.

“You sure?” he says. You nod curtly.

“Not like I’m your girlfriend or anything.”

He’s sure you say it just to twist the dagger already lodged in his heart. It works.

⫘⫘⫘

Your stomach is in a knot. You’re at the back of the living room, purposely as far away from Rafe as you can be.

And she’s there, looking up at him with a sickeningly bright smile. The same smile she used on your ex. The same smile you’re sure she wore when she texted you how it’d been ‘weighing on her soul’ that she’s been sneaking around with him.

It was all bullshit. You know she was proud to play a hand in your heartbreak. She never looked torn up about it at all. If she did, she wouldn’t have provoked you at your past match.

Missed, she’d said mockingly. It took everything in you not to hit her.

Again, you’re inches away from doing it. Every minute she stays here, you get closer. You wouldn’t normally be angry at the woman your boyfriend cheated with if she didn’t know. If she was a stranger, she wouldn’t have owed you any loyalty.

But she knew. She was your friend.

You’ve been trying not to care anymore. You started this year with the intention to leave all the high school shit behind and have fun and not give your heart to a man. Not for a long time.

But seeing her brings it all back.

“What’s up?” you hear. You look up at your brother.

He knows how your relationship ended. When he heard what your ex did to you, he offered to beat the shit out of him, but no amount of revenge ever felt like it could undo your pain.

He never met your ex-friend. He has no idea who the woman Rafe is flirting with is.

“The music sucks,” you reply, wincing as the bass reverberates through the room.

“You always had shitty taste,” he replies. You crack a smile. It falls when you remember how he’d said the same about your ex, long before the breakup.

“I need a breather,” you say.

It doesn’t happen very often, so when you see worry wash over your big brother’s face, it jolts you a little.

“You okay?” he asks.

“Yeah,” you lie. “Just need to spare my eardrums.”

He huffs a laugh, gently pushing you as you step away from him.

⫘⫘⫘

Come upstairs.

Rafe stares down at the text from you, sent three minutes ago. He looks up at the girl he invited as she comes back to him, arm linked with a friend she’d called to join the party.

He’s stiff as they make introductions. Then he tells them he’ll be right back.

Rafe’s bedroom is lived in, but it’s not quite messy. Clothes are strewn across an open drawer and on the back of his desk chair, but his textbooks are neat on the shelf and his bed is made.

You turned on his dim nightstand lamp. You stare ahead at the calendar on his closet door, practices and games written in black pen.

You lean against the headboard, squeezing your fingers, teetering towards crying. It’s a sick joke to like a guy again just to watch the same woman enamour him.

The door opens with a soft click, music spilling in for a moment.

Rafe has dreamed of this, coming up to see you in his bed. But in his dreams, you’re not staring at him like he just massively fucked up.

He doesn’t say a word. He only looks at you with confusion.

“I take it back,” you say, sitting up. “I don’t want her here.”

“What?” he says.

“Tell her to leave.”

Hope warms his core. Are you jealous?

“It’s my house,” he answers flippantly, giving you the same blasé attitude you’ve always given him.

You scoff. He crosses the room and sits at the foot of his bed, the mattress sinking with his weight. He’s never heard this thinness in your voice before.

“Can you just do it? Please?” you say shakily.

“What happened between you two?”

“You know what?” you scoff frustratingly, swinging your legs over the edge. “Fuck it. I’ll just go.”

“Stop,” he says sternly. “Tell me.”

He may have never seen you this vulnerable, but you’ve never seen him this mad. At least, not at you.

You thought Rafe had a soft spot for you. It hurts that it doesn’t seem to be there anymore. But then he sighs, head tilting slightly as he takes your hand.

“If you– you…” he begins, words fast and tumbling together. You’ve noticed he stammers when he’s on edge. “If you need me to kick her out, then, fine.”

“Really?” you say.

He sighs your name in exhausted resignation, looking up at the ceiling. You’re not jealous. You just really don’t like this girl. It has nothing to do with him and that hurts.

He nods in response. He knows you know he’d do anything for you.

Despite your instinct telling you to call an end to the conversation, the warmth of his hand on yours is piercing. You look down at your lap, turning his big hand over, calluses on his fingertips similar to yours from volleyball.

He gazes at you, his pulse picking up as your eyelashes stay low over your eyes, blinking quickly.

“I had a boyfriend,” you say quietly. “He cheated on me. With her.”

Rafe’s body goes cold. The irritation he was feeling has been replaced by biting guilt. He would’ve told her not to even bother coming in if you had just shared the truth.

“I didn’t know,” he murmurs. The shame is worse with every second that passes. He got what he wanted; he hurt you. And he hates himself for it.

“Yeah,” you say. You find his eyes, bottomless seas of blue. “There’s a lot about me you don’t know.”

“I don’t want it to be like that,” he admits. “And I make it pretty damn obvious.”

You look down again, huffing a quiet laugh.

“Yeah, you do,” you reply.

You’ve always felt a sense of control over Rafe, but it’s chipping away, pieces being taken from you and given to him. You shouldn’t have opened this wound. Because now, you just want to smother it with temporary bandages.

Rafe’s jaw tenses as he watches your hand on his. Silence settles between you, your breaths heavy, the music muffled.

He’s not sure what’s next.

“Don’t tell anyone,” you say.

“I won’t,” he rasps.

“Not about that,” you say. “Well… yeah, about that. But I meant about this.”

You shift to straddle him, the backs of your thighs resting on his lap. He meets your eyes as your noses nearly brush together.

You lean in. His breath stops when your lips meet his.

His heart-rate skyrockets. Fuck. This is really happening. His hands find your thighs, fingers pressing into your flesh.

You gently grind up against him as your kisses grow hungrier, mouths opening, breaths shortening.

You take him in, the smell of his aftershave and the taste of his tongue, as your arms link around his broad shoulders. You already feel better, feeling him hold you and kiss you like this.

He’s getting hard. It makes fire swirl in your stomach.

“Tell me,” you whisper against his mouth, desperate to feel even better, “how bad you want me.”

“You’re all I fucking think about,” he admits breathily.

“Which parts of me do you think about?”

“Everything,” he groans. “Fucking everything.”

You wish he would’ve just said something physical to solidify this as the casual hook-up it is. You can’t handle it being more.

“We’ll keep this a secret, okay?” you whisper.

“I know.” Rafe kisses you again, willing to say anything just to keep this going.

You gently push his shoulders so he lies back. Clothes are clumsily shoved off, kisses grow messy, and once you feel all of him, your head swims with euphoria, blocking out the impending regret.

You stay on top to at least hold onto some of the control you have left.

He comes with a groan, clinging onto your waist with trembling fingers as if you’ll run away from him.

But you do run away. It’s over and you sit up and scramble to put your clothes on again, the high gone, the crash on its way.

“Shit,” you whisper.

Rafe’s smile fades, his chest heaving. He sits up.

“Why are you acting like you regret it?” he asks.

He wants to give you his shirt, stay in bed with you, trace his fingers over your skin and tell you how badly he’s always wanted you.

You look at him with furrowed brows.

“We can’t tell anyone.”

“You already said that,” he mutters. “It’s not like we have to give details, but… nobody’s going to lose their shit if we’re together. Your brother isn’t like that.”

“No,” you shake your head. “This was just sex.”

It’s not a sudden break. His heart cracks slowly. It’s a fracture, spreading through his chest. He’s empty.

“So, I’m just…” He scoffs, tongue jutting under his cheek. “I’m just another one of the guys you do this to.”

“Don’t,” you say softly. “I told you I don’t date.”

You did, but he thought he was different.

You stand, smoothing your hair.

“Because of one asshole?” he murmurs, angrily picking up his t-shirt.

It hurts that something you told him in a vulnerable moment is ammo now. He’s being harsh and you know you are, too, but it’s the last thing you need right now.

“Don’t bring it up again,” you say with a strain in your voice. “Any of it. I knew I…”

Your throat starts to feel raw as you pace past him towards the door, desperate to get home and be swallowed in your blankets. Alone. Like you should be. Not chasing temporary relief in hook-ups.

“What did you know?” Rafe says to your back, tone softened. His anger is gone. It takes one glimpse into your pain to erase his own. He just wants to make you feel better.

“I knew I couldn’t trust you,” you murmur, staring at the door handle. “I can’t trust anyone.”

You leave. You gave him what he thought he wanted most, but he can see now that this hollow version of having you is the last thing he’d ever want.

You’ve ticked him off your list. You’re done. He’s in your rearview now, a quick hook-up that you wish you didn’t have.

⫘⫘⫘

You’ve been home for less than five minutes when your phone buzzes with a text from Rafe.

Make it home okay?

You swallow hard and respond: yes. didn’t mean to freak out. friends?

Rafe chews on his lip as he stares at his phone. He hasn’t left his bedroom.

yeah, he replies. There’s no point in pretending he doesn’t want you, even if you push him back into the role he’d been playing before.

Fine. He’ll be your fucking friend. He already lost his pride long ago. But tonight is the first time he’s truly lost the hope he had in you.

(the end)

if you want notifications on when i post my fics, follow @xorafe-library and turn on notifications 💘

[sir-myst-cake]

First post on here and it's a rant!! If you want more cool takes you should totally follow me as I'll be posting here more often and have totally cool art to share‼️‼️

I'm not completely sure how to tag this? I'm talking about the ships in a positive light so I think it's okay, and besides, I want lots of peeps to see it, I'm aware I probably won't change many people's minds at all, but it's okay lol, I just want Anti's to see they genuinely have a nothing burger and need to leave people alone.

This is a mostly TikTok only problem regarding Beast x Ancient's (thank god) but I've seen my fair share elsewhere like on here. So lemme counter every argument I've seen so far cause you got a lot of time on your hands to be telling people to off themselves over Cookie ships 😭 put that hate into people who actually deserve it.

BILLFORD COMPARISON

Regarding ShadowVanilla specifically, people have compared the ship a lot from both sides, but what really got me is what I've seen here:

"Shadow Milk Cookie is way worse than Bill! He drove Pure Vanilla to insanity! He tortured him!"- This is in regards to how people bring up the fact Anti's are fine with one thing but not the other when it's basically the same thing they're against. Psychological, physical, mental, and emotional torture. I'll be honest I haven't watched Gravity Falls whatsoever, but my friend has, and from what she says, yeah Bill is the definition of a cruel and unusual punishment. He's done some crazy things, absolutely heinous, might even be a little worse than Shadow Milk or on the same level, either way though-

You can't like one thing and then not the other, it's different flavors of the same thing, it's hypocritical. Either you hate them both or you hate neither.

"Those are 2 different fandoms!"- Doesn't matter, it's the same thing, just different media, it's not different whatsoever aside from the universe, there's much torture involved on both ends.

ABUSER X VICTIM

This one I've seen A LOT and I'm just ??

"If you ship Beast x Ancient's you support Abuser x victim btw"- That's a STRETCH. You are reaching FAR. Nobody is romanticizing the abuse, nobody is normalizing it, it's stuff that happened in canon and we acknowledge it but nobody is doing any of that other stuff. I'm not condoning anyone in real life to do that shit lol. It's called exploring, they have an interesting dynamic, romantic or platonic, two sides of the same coin. You can say the same thing about horror movies, they put a lot of disturbing stuff in there. Do the movie producers CONDONE any of that stuff? Obviously not. Goes for Devsisters too, they don't condone body mutilation yet they still made Burning Spice rip off Cheese's wings.

But even so, for the people who DO like it for the angst, I won't say fiction doesn't affect reality because it does in many cases, but this isn't one of them. Not every relationship is going to be peachy and perfect, just like in real life. I can give an example on this one too actually.

GoldenLily, they aren't condoning what Lily (technically) did to Golden Cheese's kingdom, but they like it for all the potential, complicated feelings and emotions that come along with it.

Also, that's basically the same thing with Beasts x Ancients, just turn it around to enemies to lovers.

"This isn't Villain x hero, this is abuser x victim"- Are you saying MOST of media is abuser x victim then? This is in fact a typical hero x Villain trope, it's nothing new. Respectfully, you guys freak out when a Villain does villain stuff, I'd be surprised if there was a villain who DIDN'T cause any trauma for the opposing party. But according to this logic, media is just dead, no more fanfiction, no more what ifs, no more content since it's all apparently problematic and not canon. Even if somebody switches stuff up in an AU, and makes things completely fluffy, that's apparently still not enough.

"oh you had to make an AU to ship them because you know it's toxic"- No, it's just playing around with scenarios. Learn to separate fanon from canon. This specifically goes for the redeemed AU's I see of the Beasts, people still complain, they act as if people can't change. One of the biggest examples I have of that is FlutterCord, Discord did plenty of messed up things, but in the end, he still managed to change. You'll still get burned at the stake for it though.

"You must be an abuser yourself to condone this!!"- Extremely disrespectful and a WILDDD take. Need I say more??

"I ship Beast x Beast rather than Beast x Ancient's"- According to your logic, the Beasts are abusers right? And if we followed the same story, they are not mentally well whatsoever. You'd rather ship 2 dangerously mentally unstable characters together who'd just make each other worse? Destroy each other? Fuck each other up beyond belief? It doesn't make sense does it, nor is it fair for y'all to praise these ships but hate on the others. You like watching the cookies crumble huh 😭

CANON

"The ship isn't canon!"- We know that, everyone should know that. With what I said earlier, please learn to separate fanon from canon. That's what a fandom is, we do non-canon stuff, it's very fun, you should try it.

"It's a Proship/Dark ship!"- Going the canon route, Beasts are Eons old, Ancients are thousands of years old. Big gap yes, but nonetheless all of them are old as fuck. Older than bloodlines. Treating the Ancients as if they aren't grown adults. You're intentionally trying to make it weird. Stop calling ships you don't like proships please.

Also a little off topic but please don't listen to everyone you interact with on TikTok?? I remember one time I was scrolling through a comment section and saw somebody say "Doesn't Mystic Flour Cookie hate Burning Spice Cookie?" On a MysticSpice vid, looked in the replies, somebody asked for proof/where it was implied, and they didn't answer 💀 just blatantly spreading misinformation. Sources around you are way more reliable than people who don't back up their claims.

CONCLUSION

Even despite all this, you still have the right to feel how you wanna feel. Just please stop harassing people for simple stuff like this, in all honesty, I feel like it's more about seeing one of your favorite characters shipped with somebody who hurt them in canon that makes peeps upset. Which I can totally understand because I used to be exactly like that, I LIVEEEE for Dark Cacao Cookie, when Mystic Flour's update came out, I wanted her dead. Quite literally blocked someone because I couldn't stand seeing their MysticCao art. Hated what she did to my baby boy fr.

But then It started growing on me, over time, I just realized it was never that serious.

Even so, notice how I still didn't go out of my way to harass said person about it because I specifically didn't like it? It really is that easy. Block and go about your day.

I also suspect this because of stuff like this 💀

Love that person who replied, but it's not that hard y'all. We all can in fact, get along.

ANYWAYSSSS thanks to those who took the time read, I love you my pookies hope you have a good day or night💕💕

[sabrinahawthorne]

Let’s Grow the RPG Hobby

Inspired by this post and the conversation surrounding it.

So the RPG world is facing a multitude of interconnected problems. Let’s talk about them, shall we?

---

1: The Problem(s)

Writing this, I find it hard to pinpoint a way to frame the subject of this post as a single thing. But it’s also impossible to treat it as it it’s a collection of separate problems. In reality, the issues facing the indie RPG world are A Hydra; a many-headed conglomeration of related issues, which each require organized, dedicated work to solve. A few examples:

The Normie-Indie Divide

A problem close to my heart, The Normie-Indie Divide describes the gradient between the mainstream of an artistic hobby and the really independent stuff. I compare this to movies a lot, but the more apt analogy is video games. The N-I-D in the videogame industry is so small as to be virtually nonexistent.

We can see this via a number of factors – one example being that the same outlets which cover massive blockbusters & sequels like Assassin’s Creed and God of War, also cover popular indie titles like Celeste and Hollow Knight. Then, freelance journalists who write for those publications (Jacob Geller is an example) go on to cover much smaller games on their own time, and so on. There’s a smooth gradient between the media coverage of the huge stuff, all the way down to a thriving (if still underserved) super-independant industry.

The N-I-D in RPGs feels uncrossable. The most well known RPG is so big it’s currenly riding the high of its second major hollywood adaptation in 20 years, and the second most popular – Vampire the Masquerade – is an unknown even to some indie RPG fans.* This hobby is shockingly impenetrable, even to those of us who spend our days swimming in the deepest end of the pool.

The Supply & Demand Problem

This one’s simple: People are pumping out RPGs by the truckload, and there are just too many! Not only does this make it hard to sift through everything to find the thing you want to read, play, or review, it also makes it nearly impossible to get anyone’s eyeballs on the cool thing you just released!

As others have pointed out, this problem is exacerbated by the fact that relative to some other art media, it’s pretty quick and painless to whip up your own zine or one-pager and publish it on itch. This disincentivises even the most invested of us from looking at a ton of new games, and means that sharing your work can feel like you’re being ignored by a huge crowd.

A Road To Solutions

If all of that is making you feel pretty bad for the future of this medium, you’re not alone. It can feel pretty hopeless facing all of these problems as an indie designer when all the tools you have at your disposal are a tumblr account and a few indie friends to complain to.

But the truth is, I think that this Hydra is eminently slayable. I just don’t think we can do it alone. That in mind, I’ve spent a large portion of my day putting together…

The Call to Action

I think there needs to be organized, persistent effort put into the future of this hobby and this industry, and I think it needs to start the way all good movements do: with a lot of petty, semantic argumentation over definitions and implementation. And to kick things off, here’s my step zero: If you’re reading this post because I’ve tagged you in it (or because I’ve sent you a link to it), my Dms are open. I want to put together a discord group chat† of my peers within RPG tumblr who are invested in tackling The Hydra, such that we can start brainstorming plans of attack to disseminate into the wider community.

The issues I wish to address are these:

The Normie-Indie Divide: How do we go about cultivating a casual audience of indie RPG fans who can bring sustainability and longevity to the industry?

The Supply & Demand Problem: How do we minimize the cognitive load of sorting through the huge volume of work extant in this medium, and more generally encourage peer-to-peer interaction within the community, like news coverage, reviews, and marketing?

The Cognitive Frontload Problem: How do we make it easier to actually engage with a given RPG, considering the amount of cognitive & temporal investment needed? Further, how do we make RPGs, both general and specific, more accessible to readers with a wide variety of abilities, preferences, and available time?

The Insular Community Problem: How do we better connect this hobby with itself, such that it feels a little less like several dozen cliques across 4-6 platforms, and more like the growing, evolving single hobbyist community that it is? Further, how do we make this hobby more accessible to newbies outside the influence of The Hegemons of the Coast?

And more. I’m positive I haven’t thought of everything, and that’s exactly why this needs to be a group effort.

As a last note: Please tag other people! The folks I’ve mentioned here are just those who I personally feel I know well enough to tag; let’s get the rest of the community involved! If you know someone who would be interested who isn’t on tumblr, they can email me: sabrinahawthornegames@proton.me.

*I’m not kidding. Multiple times within the last four months, I’ve introduced VtM to people who I would consider pretty in the sauce of RPGs. I’m talking folks who’ve played Heart: The City Beneath or Wanderhome. It’s bizarre.

†I need to stress that this is only a start. I’m not looking to start a big public discord unless that’s what a group of folks decide is the right call. By “group chat,” I mean “a chat which exists for long enough to hold 1-3 group voice calls to discuss and hash things out, before it’s dissolved in favor of the execution of whatever plans we devise.”

@theresattrpgforthat; @omophagic-beast; @ladytabletop; @rowansender; @monsterfactoryfanfic; @arsene-inc; @toyourstations

[lizbethborden]

When Elon seig heil'd at the inauguration, I saw bewildered posts #onhere sputtering about "why aren't Jews talking about THIS," in a sort of self-defensive way from those charming antisemites who think it's praxis to reblog blood libel.

Having spoken to a Jewish mutual about this, what I'm wondering is if, well--first, let me get it out of the way: antisemites are not seeing "Jews" talking about things because they have long since been blocked by Jewish people and/or have never or rarely sought out places to find Jewish output, such as the jumblr tag. (Moreover, posts specifically about Jewish issues usually hit a ceiling; from my own experience, I have had several feminist posts go my version of viral here (a couple hundred notes) within the past week-2, while generally speaking people do not interact with my posts about Judaism and antisemitism.)

The other part, the actual insight, is this: this kind mutual (who I will @ if they are comfortable with it, but I don't want to assume) and I chatted about how we could understand our grandparents and great-grandparents having to go on with their lives essentially in the shadow of their own doom, because it's what we've had to do. And frankly, Jewish people have been doing that for significantly longer than the rest of the US population at large. Everybody else is simply calibrating to where Jewish people have been for a long time as we watched pro-Palestinian activists dox hundreds of Jews in Australia, an organized "Jew Hunt" in Amsterdam become rewritten as noble Dutch activists heroically defending Palestine against evil Israeli soccer fans, an American university become plastered with "wanted" posters of Jewish faculty, and people just walk up to random Jews and stab them yelling "Free Palestine."

(And much of this before everyone and their wannabe leftist cynicism, disinformation campaigns, latent and in some case blatant racism, etc and so on voted back in the guy that said of the Charlottesville Neo-Nazi rally, where white men chanted "Jews will not replace us," that there were "fine people on both sides".)

I will repeat my main point. If you are only now feeling bewildered, out of your depth, terrified, confused as to how you can get up each day, put your shoes on and go outside, go to your job, your class, shop for groceries, cook your meals, all the while a massive shadow falls ever more heavily onto you--you are just catching up to where Jewish people have been for a long-ass time. And simply put, you haven't been paying attention. That's your own fault lol sorry bout it

[annab-nana]

Hii for the february sleepover can I request a fluffy Wanda x fem!reader? It's Valentine's day and they usually spend it home, but this time one of them wants do to something more. (I hope that's not too many prompts, but I feel like they fit together)

valentine’s prompts; tropes:

4. “c’mon, like i need an excuse to spend time with you.”

2. “i understand if you don’t want to, but i wanted to tell you that i planned a few things for us today.”

& quiet acts of love that make me cry:

"i brought you flowers." "for what?" "there has to be a reason?"

when they follow the sidewalk rule (I see Wanda doing this since she's an Avenger and all)

THANK YOU ❣️❣️

i don't think it's too many! let's put them all together :)

warnings: not proofread, tooth-rotting fluff

❀ masterlist ❀

"coming!" you called out as you rushed to the door, fixing your shirt to look more presentable for the unexpected visitor.

you swung the door open, meeting the gaze of your favorite redhead before your eyes fell down to the small bouquet of flowers she was holding. she stretched out her arm to push the bundled flowers closer to you.

"i brought you flowers," wanda said softly, a warm grin on her face.

you accepted them with a furrowed brow. "for what?" you whispered, bringing the flowers up to your nose to smell them.

"there has to be a reason?" the avenger asked when your eyes met hers again. you couldn't fight the warmth that swirled around in your chest, heating up your heart and making you smile.

you stepped aside to let wanda into your apartment before you followed her in. she sat on your couch while you searched for a vase for the flowers. "no avengering today?" you asked when you found the perfect red stained glass vase for the flower. because of her, red was becoming your favorite color.

"no, not today," she stated with a chuckle before her voice changed with the change in subject. "so i understand if you don’t want to, but i wanted to tell you that i planned a few things for us today."

"you planned stuff for us?" you questioned in gentle awe of her as you filled the vase with water. no one had loved you like she did and it still surprised you every day.

"of course, i did," she said like it was nothing but a thing. "and c’mon, like i need an excuse to spend time with you."

you fought a smile while you placed the flowers in the vase and arranged them how you liked. you brought the vase over to the coffee table in front of the couch and stepped back to admire its beauty. then you glanced up to admire the beauty of the woman you love.

"let's go," wanda told you, grabbing your hand and leading you out the door.

once you two started to walk to your first destination, she pulled you to her other side, the side farther from the road and closer to the buildings you passed. your heart fluttered at her action and how subconsciously she did it while she continued to tell you about the plans she had for you both today.

if you were honest with yourself, you weren't entirely paying attention to the words leaving her lips. you were in your own little world, captivated by the love you felt for the woman beside you and wondering how you got so lucky to have her in your life.

remember to support writers & reblog :)

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tag list: @marjorieswrld @jellyfishbeansontoast @idfk-x2 @x-lulu

[retiredteabag]

sorry for informality but i was stalking reading your pinned post and you’re in grad school at twenty!??!!!

unless i’m tripping or misunderstanding something, academic weapon tips please because holy shit that’s insane! what’s ur field of study if you want to talk about it/don’t mind me asking? any application tips/things you wished you knew before getting there/habits you wished you’d formed sooner? independent research has always been difficult for me because of how much i depend on structure (adhd imposter syndrome anxiety lets go) so if you’re working on a thesis/something similar, how has the process been in your experience?

i’m in undergrad atm and heavily debating going further, so i’d love to hear from someone my age who’s actually doing it! also unrelated, but i’m a certified notion/goodnotes girlie if you vibe with those as study resources!

🎸 tagging with an emoji in case i pop back around, yk?

I'm sorry to say, but my tips might come off as sort of typical... but I hope they're at least a little helpful!

I am currently in a masters program within the analytics field. Research/independent studies vary widely depending on the area of specialization, however, my program has an intensive practicum that is similar in nature. I have not started it yet, but what I can say for sure when it comes to research: make sure you are picking a topic that you could speak about for hours/answer argumentative questions about.

For applications, I would say to narrow your options down as much as possible and look into each program before applying. Know the curriculum and standard outline and what stands out to you as you decide.

^ on this same note, you will likely need at least one interview in the application process. Speak slowly and enunciate. Taking a moment to think of the proper words will always be better than speaking quickly without much thought. Most people say to use "down-speak" in these interviews, but in my experience, matching the examiners tone and energy makes the whole thing much more comfortable.

For study tips, I have a large notebook that I keep on my desk where I write down every assignment and the date that it is due. This is just for organization purposes, I find a physical copy helpful for a few reasons but also because crossing them off feels rewarding :]

Time managment is incredibly important. Everyone says this because it is true. Prep everything, organizing your day into chunks. Since you also like structure, this probably wont be an issue. I would also get comfortable with being self-aware of your priorities. There will come a time when you will need to choose between academics/work and other areas of your life.

Keep your spaces clean. Dedicate a day or so to just organizing/doing a deep clean. It will help you stay focused and minimize external anxiety. It’s also much easier to keep a place clean if you have put in such an effort.

Participate in class. I cannot make this clear enough. I promise it is not embarrassing to ask questions or "try". You will learn far easier if you put effort into the classroom/lecture setting.

It is a pretty typical "tip" is to just ask questions. Even if you feel like you might understand, just ask to make sure. And in this same vein, go to office hours if you need to.

Prioritize sleep lol, that and mental rest. You can't always be studying. For me, it is a real challenge to work and be full time in school so it's important to carve out those sections of "you time".

Try not to be on your phone tooooooooo much, I know it’s hard but I make an effort to not be on my phone while eating. Don’t use entertainment as a distraction, I find that it just delays anxiety :(

Lastly, apply for scholarships and know that you absolutely can appeal for more money.

I hope this was useful. Do know that it REALLY depends on your area of study and 5-year-plan. I would recommend not going to grad school unless you're absolutely sure it is worth it.

Good luck!

[lemon-zest-art]

Faster Than You - Sonadow

A/N - i know i posted hours ago but i really want here and AO3 to be at the same place lmao

Feel free to comment or make any fanart and tag me! I hope you guys are enjoying so far :3

Ch.3

Silver couldn't help the eye roll, feeling a small elbow hit his side as he did so. Turning to look at blaze that was giving him a certain look, causing him to gulp lightly and put back on a soft smile.

They both looked at Sonic, and couldn't help but feel a bit out of place as everyone kept stopping the blue blur for pictures and signatures.

Sonic on the other hand tried his best to use these interactions as a way to distract himself from his earlier fantasies, which wasn't entirely unsuccessful one could say, at least he wasn't in Greek land anymore.

He would talk a bit, sign whatever object or body part that was asked and then pose for the camera. A routined action he only got used to doing after such a long time of being in the business. He suddenly felt a daring glaze coming from his two friends, and as a result excused himself from the crowd and went to join his friends.

Silver had gotten the three of them a nice table, further away from the crowd where they could actually enjoy some time without being flustered by others every two seconds. This bar was known to be frequented by popular people, they were lucky enough to have a reserved area for the racers. Greeting a couple of other racers they knew on their way to their seats. The barmaid offered them drinks on the house.

Sonic couldn't be any more glad, what better than a couple of drinks to help his uncommon problem?

As he put his hand out to grab the free drink, Silver placed his hand on top of sonic’s.

"Dude, we're not here to watch yourself get wasted"

Sonic scoffed slightly

"Calm down man, it's just a drink!" He said with his classic smile, sliding over the other two drinks to his friends.

"I just wanted to get out with my two best friends! My buddies! My amigos!"

Blaze rubbed her temples a bit as she sighed

"This can't end well..."

[...]

A couple hours went by, and luckily the trio was actually having a lot of fun. Reminiscing of the past, laughing and genuinely spending quality time together.

"I'm gonna go grab more drinks, be right back" sonic mentioned as Silver was going on and on about some childhood story. Blaze nodded towards the blue blur, as if to confirm she heard him. But as sonic got off his seat, not only did he realise how much he actually had to drink, but instantaneously noticed a very recognizable jacket sitting by the bar. Immediately his face turned pink, images of grapes and white robes filling his mind as his audible 'gulp' could be heard. He did his best to control his breathing as he walked towards the bar.

And there he was, in flesh and so close he could smell the fresh odor of his perfume.

‘So not only does he get to be hot, but he smells good? This shouldn't be legal’

He couldn't help but notice the sweet hints of cinnamon emanating from him. Making it much more difficult than it is to order such a simple drink, stealing a few glances every few seconds. In his mind he was being oh so subtle about it, but the drinks and nervousness was showing otherwise. Any more and we’d start seeing actual beads of sweat gliding down his face and neck. He wiped his sweaty palms on his jacket, succeeding to order his drink as the barmaid left to make it.

He had to say something, anything to him. This was the right moment to do so. He let a small cough out of nervousness, finally opening his mouth to speak when suddenly-

"So, you're finally gonna say something?"

Interrupted Shadow, a small smirk posing on his lips as he took a small sip of his drink. Sonic blinked his eyes, furrowing his eyebrows as he tried to say something

"Ah..e..euh- i’m sorry what?" Was the best he could get out. Mentally slapping himself at such a pitiful answer.

He waited for shadow to follow up with something, anything- but his drink got there and shadow still hasn't followed up. Sonic huffed lightly, grabbing his drink and turning around to go back to his friends.

"Yknow, it's bad for your reputation to stalk others." Shadow yapped, turning around to finally face the blue racer who had his back towards him.

Sonic slightly growled out of anger, sluggishly replying

"You're really annoying yknow-.... that..."

Unfortunately once again losing all credibility as he turned around, about to let Shadow have it but being immediately flustered by the scene before him. Not only did he not expect to be as close as they were, but the other surely was putting on a show for him. In his left hand he held his drink, the right arm holding his weight as he leaned onto the bar. His legs slightly ajared on each side of his chair as he looked directly into Sonic's eyes, the kind of action Shadow would put fault on the alcohol. Taking another sip as he looked directly into the other's emerald eyes, waiting for the blue hedgehog to continue with his thoughts. Instead all that could be heard was Sonic's thoughts accidentally leaving his mouth as he scratched the back of his neck

"oh.. crap"

[skydigiblogs]

Digimon and Nostalgia

i have a habit of just kind of passing by in the tags sometimes even when i'm quiet, and i'm realizing i don't know how much i've talked about the thought behind why we decided to revisit digimon last february from start to finish.

okay so fair warning, this is gonna be rambly and a little bit semi-incoherent because i feel like absolute dogshit today but the brain worms on the subject aren't leaving me alone to rest.

i am putting it under a read more for all our sanity

so there's this category of post i always see in the tags that seems to come from a place of either not engaging with enough digimon media or not engaging with the media.

that first one is a bit easier to explain. sometimes people will talk about things they want to see in the digimon franchise, and it's kind of clear that they have a very narrow scope of what they've actually seen from it.

i'm trying to think of an example that doesn't put recent posts i've seen on blast lmao (because that's not the point of this post), but also i think some of the points brought up by this post by @starwardking (pardon the tag) highlight the complexity of the first kind of issue, because it both is and isn't the kind of problem that can be fixed by just finding the right digimon media.

when i saw this post, my first instinct was to point to series like savers and appmon, where a majority of the plot takes place in the human world and allows for a lot of mundane shenanigans. i also think a bit about the earlier episodes of tamers.

(i think to some extent ghost game has a bit of domestic life shit going on, but seeing as it is also a horror anime, part of it is about the dissonance between "Normal for Digimon" and "Normal for Humans." but you also get episodes about little hideaways digimon live in in the human world so they can drink tea and share snacks. you also have digimon that just hang out in libraries and shit like that.)

at the same time, this is also an issue i think that isn't fixed by finding the right digimon media. the comparison to pokemon is what makes me consider this, specifically because of something like pokemon amie. it may have just been a minigame, but it's also something that, especially in the video games, i don't think we have a clear parallel to. i do agree that it would be nice to enjoy a bit of domestic fluff with your digimon!

but then i also recognize that i myself have also skipped over games where i could tell there would be some of that. i couldn't finish survive because it has elements i just can't handle either playing or watching. what i do remember in survive is that you have quite a few scenes early on in the school that are about resource management (figuring out how to digimon survive, as it were). this is done while you're also chatting with your human and digimon friends.

which i think segues better into the second kind of issue, being that sometimes i see these posts and they come from an angle where it seems someone hasn't exactly made an effort to engage with digimon as it is. there's a phenomenal video essay by deep dive on youtube, actually, that talks about this with regards to ghost game.

on the most abstract level, are you trying to be cognizant of your biases going into a piece of art when you take it in? what experiences make it difficult to engage with the text in a way that it wants you to engage? can you even see what the text is trying to say, even if it's ineffectual?

this is also why i wanted to tie this in with the reason i decided to make a blog to track my revisiting of all the different series.

nostalgia is killer, and not in a good way.

one of the things we regularly do with media we enjoy enough to praise is revisit it. if it's been over a year since i've watched something and i am trying to hype it up to someone, i want to not rely on my own memory, but also the text of that individual piece of art.

the second form of this issue comes about when an individual has an Idea about digimon, and they post with a very firm stance on what digimon is or is not. it's a retreading i think of the same reason anyone is willing to not consider appmon part of the digimon franchise (despite the "digimon universe" title).

again: what are your biases coming into a piece of art? do you have certain ideas about what digimon is supposed to look like? do you refuse to give other digimon media a fair chance because of it?

this form is more likely to get me to just block someone so i don't have to keep scrolling past them in the tags tbh. there's a mixture of "it was better in the old days" combined with a blatant lack of media literacy when "attempting" to engage with newer digimon media. you see this in a lot of franchises, to be fair, but it is always frustrating.

like i could also be biased because of my own background, being that i have an english degree, but there's something so... disappointing, i suppose, to the latter form of this criticism. if you're going to have a take, i want to see you articulate it. it's not a school assignment, sure, but what in god's name is making you come to that take?

i think the most painful series to see this with for me are savers and appmon, if only because i did rewatch them to better understand why i love them (and also what i really hate about them!).

savers especially is a show i watched because i was interested in seeing if the "MIB but if the aliens were Digimon" series could handle making any statement about the nature of law enforcement! and surprise surprise, it fucking did!

people probably feel the same way any time i post about frontier, which is a series i've been vocal about my dislike about (though i respect anyone willing to try to make frontiers better through their own art and writing). it's been a struggle to rewatch that series, but i also don't want to make strong judgments with firm backing because i know i have not seen it in years, nor have i seen the original sub.

i don't think i have a nice clean conclusion for this. it's an observation i keep having, and i don't think there's any particular solution for someone like me who just wants people to try a little harder to pick apart the things they like. i want people to understand how stories tick, and the things they both explicitly and implicitly say. it's the english teacher in me, i guess.

[evercelle]

2024 art summary! it sure has been a year

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who���s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[imerian]

Vr46 academy keychains

Set of five charms that all match in different ways

˚　　　　✦　　　.　　. 　 ˚　.　　　　 . ✦　　˚　

Open for detailed pictures of each one

✩₊˚.⋆☾⋆⁺₊✧ *ੈ✩‧₊˚

ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ

:･ﾟ✧:･.☽˚｡･ﾟ✧:･.:

˖⁺‧₊˚⭒✮⭒˚₊‧⁺˖

. ݁₊ ✶. ݁ ˖ˎˊ˗

I ran out of tags so I'll say it here but i would greatly appreciate a reblog, especially if you share your thoughts on these pieces in tags (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

(Also i forgot that bez have matching part with luca so I didn’t add that to tags sorry

[lezstat]

surprised i haven’t seen anyone talking abt this parallel. jacob & delainey’s lil comforting shoulder touches🥺(no wonder everyone always gushes about those two in interviews, how could u not adore them? sweethearts. gaaah this whole cast is so solid <3)

[hotvintagepoll]

Oh no I missed coffee night!!!!

I wanted to ask you about Hitchcock 😔 If you're willing to answer, which movies of his do you think are overrated and which do you think are actually good? He's my most watched director (because film school) but I only genuinely like a few of his films and always disagreed with my classmates about which ones were the best

I feel like I'm holding up a Daffy Duck style sign that says "shoot me" because Hitchcock is so well thought of by cinephiles versus me, the basic horny mod who watches movies with hot people in them. With that said, I remember Rope, Dial M for Murder, North by Northwest, and To Catch a Thief all left me a bit flat, because I felt like he was prioritizing pushing technical limits or creating extravagant images over deeper characters and relationships. I love a good technical limit-pushing, but it needs to serve the story! And sometimes I feel like he has an idea he wants to try or an image he wants to show and puts so much focus on developing it that characters' reality and interest kind of falls by the wayside—they become pawns navigating his situations, instead of interesting characters in their own right.

To be fair, this is more a characteristic of his later work than his early work—The Lady Vanishes is one of my favorite movies, and I remember Notorious and Spellbound both being enjoyable when I watched them a few years ago. Again, basic film watcher here. Don't show this post to the Criterion collection.