#actually i made it some time ago just never had time to post

[imerian]

Vr46 academy keychains

Set of five charms that all match in different ways

˚　　　　✦　　　.　　. 　 ˚　.　　　　 . ✦　　˚　

Open for detailed pictures of each one

✩₊˚.⋆☾⋆⁺₊✧ *ੈ✩‧₊˚

ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ

:･ﾟ✧:･.☽˚｡･ﾟ✧:･.:

˖⁺‧₊˚⭒✮⭒˚₊‧⁺˖

. ݁₊ ✶. ݁ ˖ˎˊ˗

I ran out of tags so I'll say it here but i would greatly appreciate a reblog, especially if you share your thoughts on these pieces in tags (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

(Also i forgot that bez have matching part with luca so I didn’t add that to tags sorry

[alllgator-blood]

Okay I promise my next post will be the angst comic part 4 but FIRST. THE ONE AND ONLY THING I SHIP

LITERALLY THE SECOND PERSON WHO GUESSED THE PAIRING GOT IT CORRECT??? THAT WAS FAST. This is a situation where I have to go "okay hear me out" because it makes 0 sense to anyone but me. This is really long and very dependent on my au comic nobody but me has read, but the TL;DR is:

I feel like they'd be a good pairing because shamura loves to learn but doesn't care about material goods, and mystic seller is used to all gods talking to them only BECAUSE they offer material goods. So when somebody actually wanted to know about *them* personally and what it's like to be a weird angel thing, the two established a bond. Also they're both agender and most likely asexual AND don't seem to be socially aware despite being ancient wise beings that know seemingly everything, so they understood each other like instantly.

I have a lot of sketches of them hanging out but here's a shitpost sketch thing I made AAAAAGES ago

Okay so from an in-game standpoint, mystic seller pops up to tell you how the post-game works with purgatory and all that, and introduces the purged bosses. Really ratau could've done that as the established Tutorial Guy, or even narinder but there IS the chance that you killed both of them (lol) so mystic seller is the unkillable, all-knowing angel that shows up to say "you suck at killing people. The bishops are trapped in purgatory, you know. You should probably do something about that".

But from like a CHARACTER standpoint what do they stand to gain? They're not even from your dimension so why should they care, they're just here for your god tears? From the dialogue about the bishops we can see that they don't really give a shit about any of them, EXCEPT! SHAMURA? Mystic seller doesn't feel emotions like "our kind" does but one of the only times they do, it's to say it's a shame what happened to shamura. They also say they didn't barter with them much, because they "needed little".

SO THAT HAD ME THINKING. My au comic (which is hundreds of sketched panels and the full thing will never see the light of day unless I post it unfinished. Eugh) is about shamura going around chronicling everything they witnessed during the time they were alive, and they notice everyone is like...selfish. Trying to be the last god standing. Really obsessed with trinkets and charms, so some of the gods just go around harvesting relics from the other gods and using their powers to survive a little longer. Shamura has visions of the future of siblings they don't know they have yet, so they try to be friendly with the rest of the pantheon to form a family and it always bites them in the ass, so they have to kill them.

Eventually they end up with all these fuckin god tears and they're thinking "what do I even do with these? Nobody wants them and everyone has them", and BOOM. MYSTIC SELLER JUMPSCARE. They do the whole introduction where they say they have loot in exchange for god tears, shamura just drops off the tears and is like "I don't care about trinkets, bye" and the seller is like. What Thy Fuck. Because every other god is pretty adamant on getting something good in exchange for the tears. So they call them back and ask if there's ANYTHING at all they want. And shamura, being the self-proclaimed wisdom god, just asks the seller to talk about themself for a while, who's just like okkaaayyy?? Nobody else ever asked what it's like to be a bizarre circle headed angelic creature that collects magical bits and pieces, but shamura LOVES to learn, and the two bonded that way. Shamura would bring the mystic seller god tears, the seller would tell them a story, they'd write it down to put in their archives and the conversations eventually got more personal when the stories started to run out. They both realized they don't understand how other people work, but they knew how *each other* worked so they could kinda learn how to function as normal people with each other's observations.

When I say I ship them I mostly mean like a QPP situation because I think they'd be good partners in the most autistic asexual way possible, where they don't make out sloppy style or outright say "I love you", but they have an understanding of one another that doesn't apply to anyone else really. They don't have to rely on conventional relationship stuff to know the other one cares deeply for them in the most nonverbal, oddly specific way possible. I know shamura's the smart one but I really feel like that extends to everything except understanding how people work, hence all the stuff that happened with narinder and the rest of the family. So finding someone else outside the pantheon who is quite literally inhuman, otherworldly, genderless and uninterested in Carnal Desire would definitely make them feel the closest thing to romantic love that they can. Also, since mystic seller lets the gods name them, shamura named them "sunshine" after hearing one of their followers singing that "you are my sunshine" song to the person they loved the most. I always liked how shamura has their little moon crown and the mystic seller is depicted as the sun in some of the art? They go together well is what I'm saying and I'm kinda surprised nobody has done anything of them yet.

I WILL SAY I have angst planned for them once I do the introductory comics, it has to do with how narinder's imprisonment happened literally right in front of where mystic seller sets up shop, so canonically it's safe to assume they watched shamura get lobotomized in real time :')

But for now...I must go back to kallamar angst cause I've been putting off posting this part. It gets very mentally ill very quickly so I needed to balance it out with fluff......

[angelpuns]

Mikey stretched his arms up, then out, then stretched each of the fingers. They always ached in the early morning like this, but it was slowly getting better, bit by bit. He pulled on the special gloves Donnie had made him and headed for the kitchen, only yawning a little bit as he went. 

Maybe they'd have something easy today, yesterday’s fight was surprisingly long….

He usually slept like a baby after missions, but something was nagging at him. He hadn't been able to figure it out before bed last night, and the worry seemed to dissipate as he got up for the day. He chalked it up to the whole witch-incident, even if the spell had been a complete dud. 

Some witches just weren't cut out for it, he guessed. 

Mikey was shocked to see the kitchen light was already on, and when he peeked around the corner he got an even more surprising sight. Leo was already up, hand on his hip as he rifled through the cabinet for breakfast. 

“Morning, Leo! I was gonna whip up some eggs and toast if ya wanna wait a little, “ Mikey started, voice soft in case Leo hasn't actually slept, as he seemed to have trouble doing these days. Well, more trouble than usual, anyway. 

Leo didn't answer for a moment, but he did go still. Like he'd heard Mikey, but was afraid to answer. 

“uh…you okay, Lee?” Mikey asked again, slowly walking towards his brother.

After the invasion - which was nearly a year and a half ago now - they'd all had trouble adjusting. They'd been beaten down both mentally and physically, and the recovery was long and slow. They were all still recovering, Leo included. 

So it wasn’t too strange for him to not answer them sometimes, or for him to act strangely for no apparent reason. His panic attacks and nightmares had become less frequent as time went on, but they'd all learned how to help. 

So maybe it was just something like that! Even though Mikey had never had Leo just ignore him like this before. Usually he at least acknowledged him or tried to communicate in other ways. 

Maybe this was just a new development, and they'd help Leo through it like always! 

Leo slowly turned around, with a faintly anxious expression. His breathing was even, though, and his eyes were plenty focused. So not a panic attack, but his demeanor was still…weird. 

Leo stated at him with wide eyes for a moment, before letting out a nervous chuckle.

“Um…sorry, this is a really weird question, but…who are you, exactly?” 

Mikey blinked. 

Well, that was new. 

He ran through a list of Leo's previous symptoms, and sometimes, yeah, he didn't exactly recognize them. But this was a clearly very cognizant and not panicking Leo, so it couldn’t be- 

And then Mikey remembered the thing in the back of his mind. The worry that had been lingering since their fight yesterday. 

What if the spell hadn't been a dud? 

“ well this isn't good….”

--------

Another part to that one au idea. I still don't know what to call it, but I'm kinda hopping around the ideas for it. I don't usually write in such little parts like this, so maybe it will become something idk :)

Technically this is exactly how wirm was born so maybe it'll be like that LMAO

But yeah enjoy Mikey being like ' ah yes the trauma' and then realizing that ' oh that's not the trauma '.

This part happens BEFORE the last blurb I posted btw, so I'm labelling it part one :) Chronologically it happens the morning before part two ;)

Part Two

[velvet-vox]

Why King Candy has been so underrated and misunderstood for a long time (Still is, but to a lesser extent)

(All the images in this post come from the video linked below)

Hi everyone; so, usually, I'm not a trend chaser, in fact, I completely missed out on the hype of the Murder Drones finale by not releasing something for the occasion, as I have been very busy this past couple of months, and still am, but I've decided to make a special, out of program post just for my new current hyper fixation, that being King Candy from Wreck-It Ralph, who, for the past couple of weeks, has slowly risen up to become my third favourite Disney movie villain of all time.

And all of that, as some of you might have guessed, happened because I watched @king-crawler 's two hour long video essay on the character and the movie that he comes from.

Needless to say, just like many others before, it inspired me to add my own two cents to the conversation, and talk about some points that I haven't seen mentioned anywhere else.

This is probably the only Wreck-It Ralph related analysis that I'm ever going to make.

I even thought about scrapping this whole analysis, because midway through development I thought that I was just spewing out nonsense, but I kept going because some of my points may give food for thought to someone who understood this character way better than me.

I may reblog some analysis/art posts of this character, but I'm not going to turn WIR into a staple of my blog; however, if I see a lot of people in the comments or the reblogs adding stuff or points to my arguments, I could always make a sequel post to this one.

But first, I need to get something out of the way immediately.

Spoilers below the cut if you never saw this movie, kind of important, as it is the movie's major plot twist:

King Candy is Turbo.

Who's Turbo? Watch the movie.

With all that said, enjoy the read, I'll now elaborate on the meaning of my title, also, here's the video in question; I highly encourage everyone to check it out, as it is a way better sequel to Wreck-It Ralph than the one who was lost in the depths of Lake Laogai:

Clarifications:

Wreck-It Ralph is an amazing movie, but one for which I've never had much to think about.

Don't get me wrong, I always considered it to be the smartest Disney movie ever made since my first watch, but I saw it for the first time relatively late, after I had consumed other Disney movies as childhood classics and other crossover movies featuring video game characters, so it never had neither a nostalgia nor hyper fixation factor as reasons as to why I should have put the story under a microscope after that.

Also, as Rando says at the beginning of their video, it is not a movie that blew me away after my first watch. Or the second. Or the third.

Why is this section important? It is important because these are my subjective opinions of the movie, which are unfortunately going to subtly influence what I'm about to say in one way or another, regardless of me trying to speak from a place of supposed "objectivity".

I'm really passionate about this world now thanks to Randomalistic, but you won't get the same vibe from this post as you would get from one made by long time fans of this movie.

Ok?

Good.

Next:

King Candy/Turbo has always been... in a weird spot for me.

Just like the movie where he comes from, I never really cared about Turbo until a month ago, despite always feeling like I should have loved him a lot more, especially since Deltarune chapter 2 released a while ago, and the character of Spamton G Spamton is someone for whom I have very strong feelings about; and Turbo, in a technical sense, is literally the spiritual predecessor of that guy (actually, Turbo is the spiritual predecessor of a lot of similar characters, he kinda was ahead of his time).

If I had made a Disney tier list for their movie villains, a completely subjective one for that matter, I would have put him in A tier, but thinking that he should have gone in B tier... while also feeling like neither were appropriate placements for him.

Randomalistic's video finally helped me fall in love with the character; so much in fact, that it got me thinking:

"Damn, if Turbo is actually this amazing of a villain, why was(is) he so underrated and overlooked by general audiences, when he admittedly is, in my opinion, one of the best Disney villains of all time? Frollo is by and large considered the best villain out of any Disney movie, and the HOND was nowhere near as successful as Wreck-It Ralph when it first released, so it can't just be a matter of first impressions (?). Maybe there are other factors, that stop audiences from recognizing Turbo as the Magnum Opus of villainy that he truly is..."

... And that's exactly what I'm going to discuss!

Let's get right into it.

The minor stuff.

First things first:

He's ugly. I'm sorry to all of the people who ironically and unironically simp for him, but that's a design only a mother could love.

On a serious note, KC and Turbo's designs always felt... not very eye-catching to me? (The bug form is excluded from this conversation)

I'm not saying these are bad designs, far from it; but each form has on them a certain amount of design decisions that, by the authors own decisions, make them unappealing to a viewer like me (I'm using myself as reference point because the topic that I'm talking about is inherently subjective).

Starting off with King Candy, is design has to balance a lot of different aspects simultaneously: it has to be eyecatching, so that the viewer can pay attention to him as an antagonist, and believable enough so that the watchers buy the fact that he is the King of Sugar Rush and not someone else, but it also has to be generic and fake enough so that it can later on add up to the fact this is just a performance, a facade, a ruse, a costume, and not the real character, it also needs to be friendly enough so that the audience can be manipulated together with Ralph into believing that he actually is a good guy;

I could go on and on listing off all the amazing things, that the King Candy facade pulls off simultaneously, but exactly because the design has to feel real and fake at the same time, it also, by proxy, ends up feeling weird, and that inexplicable sentiment can end up alienating the viewers who are watching the movie and the ones who have finished consuming it without thinking too deeply about what the meaning of the KC's facade actually was.

In the case of Turbo's design, all the people working behind the movie did such an amazing job making him look as scary, ugly, alien, and deranged as possible, all the while keeping him relatively PG friendly; the result clearly paid off, but Turbo's ugliness is not as slick as the likes of Ratigan's, nor is it as nightmarishly horrifying as the Other Mother's.

The most nightmare fuel qualities of Turbo's design are hidden out of plain sight, which is basically a recurring theme with his character.

To put it in a funny way, his looks neither end up in the conventionally attractive territory that most other Disney villains fall into, nor do they grab the attention of the Monster Fu###rs crowd.

I have zero things to say about the Cy-bug form, but I do have a section later on where I talk about that entire scene in and of itself.

All in all, it might just be me, but the first impressions of this character's design don't really do him any favours when it comes to his popularity.

I now love both designs, but before, they just didn't click with me, and I think some other people might understand what I'm talking about.

Admittedly, I could have explained this section better, but these were mostly my personal opinions and they are not really important in the grand scheme of things, unless somebody else agrees with me, in that case I'd have to take a closer look at the situation.

Second of all:

The marketing.

To be honest, I feel like what really elevated all of the most iconic Disney villains into pop culture status was a joint push from the company and the artists to include these characters into more stories and products.

Like, sorry to all of the Oogie Boogie fans, but that character is barely in his movie and doesn't do a lot, and he wouldn't be nearly as iconic as he is if Disney didn't use him again multiple times after his first debut.

And the same can honestly be said for all of Disney's most popular villains; they got used multiple times in multiple different projects, that either kept them mostly the same, changed them with some unique twists (that change in quality, but that's up to you), expanded on their preestablished characters, or put them into unique situations that showcased just how versatile they are.

Kingdom Hearts, The House Of Mouse and Descendants are very obvious examples of what I'm talking about, but even appearances in lesser known stories like Lady Tremaine in Cinderella 3, Captain Hook in Jake and the Neverland pirates, or the entirety of Disney Twisted Wonderland help solidify these characters as pop culture icons;

All except Frollo.

Frollo is the only one whose hype and cultural recognizability wasn't built up by the company or the media in which he was featured, but by the fans of the original movie.

And despite Disney almost never used that character ever again after his debut, he, his movie, and Hellfire still get a lot of prise and are talked about classics to this very day.

Because Frollo is just that freaking awesome.

Turbo, on the other hand... is barely in anything.

Let's get the most obvious stuff out of the way first: King Candy is a relatively new character, released in an era where Disney was slowly starting to integrate the new, corporate ideals that we see today.

All of the villains that I've mentioned previously already became tried and true successes by that point, so even if the company doesn't care about having good villains anymore they still use their likeability because it has already shown in the past to bring in audiences.

It's also the main reason as to why Mother Gothel is used so rarely: King Candy, as the last truly great Disney movie villain (excluding Tamatoa, who's barely used anyway, and movies not produced by their main animation studio), arrived at a point in time when the company wasn't pushing for their villains anymore, and instead actively sanitized some of them in their new stories (you know what I'm talking about); therefore, Turbo, being actually incredibly dark on second look, and with no actual intention of tuning him down like Jafar because he hadn't already reached the iconic status by that point, had no reason to make any big appearance ever again or be paraded around as much.

There are some more reasons as to why Turbo likely doesn't have more stuff dedicated to him, like the fact that he is technically 3 characters at the same time, but I don't want to prolong this section too much.

So instead, how about we take a look at some of his other appearances outside of Wreck-It Ralph?

Let's see...

He has various cards in Lorcana, which is his most recent appearance, mind you;

He became a playable character in the 7th season of Disney Speedstorm, a game where I was hoping he would be the main villain, due to a variety of reasons, but hey, that's perfectly fine;

And he was mentioned multiple times in Disney Heroes Battle Mode, a game where he hopefully is the secret main villain, as it would pay off a large amount of story and design decisions chosen for that game, but it's probably just wishful thinking and unless the game's plug is pulled, I doubt we'll see him anytime soon.

Ok, it's more than nothing, but it's also not that special if you ask me.

But hey! At least he got a boss fight in a Kingdom Hearts game! That's more than Randall can say! He was a major boss in Union Cross... the mobile game... that you can't play anymore... and since KH adheres strictly to its own canon most of the time, it also probably means that we'll never get to play through the storyline of the first WIR in any future mainline game, and we're more likely to see a world based around the second movie instead.......

Yeah.

That seems to be it, unless I'm missing something huge (feel free to let me know).

This section is important because Cruella De Vil became one of my favourite Disney villains of all time not after seeing her in the original movie, but after I saw her in 101 Dalmatian Street, a niche show that almost nobody knows; so other medium appearances are important to these characters popularity, especially when not all of these villains are Frollo.

ALSO, PLUS 1+, I was originally going to cut this point, but I decided to add it anyway: the Italian voice actor.

After recently rewatching this movie in English, (I'm Italian, we in Italy translate the movies to our language because it's easier than learning an entirely different language for them), I have to really admit that Alan Tudik's voice performance really does a lot of heavy lifting for the character's memorability.

This is not to say that the Italian voice dub sucks or that King Candy's Italian voice actor does a bad job, in fact, the voices are actually quite similar to each other, it's just that Alan's performance has that small edge of hidden bitterness that really brings the character together; though I do prefer Turbo's Italian voice for its twist reveal: the more raspy, heavy tone of the actor really highlights the vicious, alien nature of his character, as well as the sense of dread that Vanellope is feeling in this moment; I encourage you to give it a watch.

Again, this is extremely minor, and it really only affects me specifically, but don't worry, it's not going to have influence over the rest of this post.

These were just additional points and not the actual meat of my argument, so now I'll start discussing what I actually wanted to talk about from the very beginning:

Who is he?

I think that one of the main reasons as to why Turbo is so underrated is because we spend way less time than with most other Disney villains (before him) to know him as a person.

Think about it:

Most other Disney villains, or at least the most popular ones, all have moments where they are doing nothing to progress the plot, that are dedicated solely to get us to know them better.

Hades has several moments with his minions to show off his personality and anger, Jafar has silly little moments with Iago that show off his depravity, Maleficent has talks with her crow that make her more dynamic, Ursula has her introduction scene where she spies on Ariel and does nothing but talking, and Captain Hook... has 30% of his screen time dedicated to just that.

Heck, Hellfire, one of the most iconic sequences in all of Disney, is just a character set piece for Frollo, and it's arguably completely disposable, as it doesn't really do anything to progress the story, it just explores Frollo's character in deeper depth and that happens to make the big difference when it comes to him.

King Candy doesn't really have an obvious character centric moment, something easy for the audience to quickly latch onto: every time we see him, he is always doing something to push the plot forward.

Yeah, there's that small character interaction with the Donut cops when he gets glasses, and other small moments here and there, like the would you hit a guy with glasses joke, but nothing truly character-defying.

I also don't count King Candy's first scene as a character centric moment, as that's more of an introduction rather than an elaboration, but it is technically valid, even if it ultimately is just a facade that he puts up to serve his needs.

Speaking of which: the fact that most of what we see of Turbo throughout the story could be entirely fake is definitely something that I could use to make the argument in this section stronger, but I'd rather save it up for later.

Also, side note:

I think that the moment most dedicated to him only, to show off a different, "true" aspect of his personality, is when he is walking back and forth in the castle waiting for his cops to show up again.

This moment is so interesting on rewatch, as it is one of the few moments in the entire movie where I can safely say that Turbo is being 100% genuine and isn't putting up any facade whatsoever, as there really is no benefit to him appearing distressed in this situation.

In general, it's funny to think that Turbo's most genuine reactions are of fear.

Back to point one, do you wanna know why Maleficent was given a crow in Sleeping Beauty? The reason as to why was for her to have someone to bounce off, a way for the writers to showcase more facets of her character, and while Candy has Sour Bill, the movie never uses the relationship between the two to show off a different aspect of his character.

To be clear, I'm not saying that Turbo is a worse character than these other Disney villains, or that without these moments of calmness he doesn't work, one great example

Do you know that Calhoun in early development had a camouflage ability, meant to highlight how she hides her feelings but was scrapped because it made her harder to relate to? Well, let's just say that Turbo's entire character is a What If scenario where that idea actually went through.

It's a double edged sword: King Candy is so interesting because he is so mysterious and surprising all throughout the movie, but exactly because he has to be so mysterious, he is not a character as easy to understand as some of the other villains from the company; it's incredibly easy to miss out on just how cruel he is and the full scale of all the damage that he has done.

I, AM, .......the twist villain.

There's also something to be said about how popular to the conversation the twist that King Candy is Turbo became.

Everyone loves this reveal, am I right?

It may not be the best moment in the movie, but my god if it isn't hype, all thanks to the music, the lighting, the setup, yada yada yada....

But the identity reveal scene is to Candy what the Genocide Boss Fight is to Sans: it's the most impactful moment about his character, to the point where it becomes the entire baseline where most discussions are built around, which, more often than not, lead a lot of people to overlook other things about Turbo.

Let me explain: how many analysis videos have you seen where the person making it talks more about the setup and subtle hints present in King Candy's earlier scenes that slowly build up to the twist and less about the events happening in it?

The reveal is amazing, don't get me wrong, but if Rando's video didn't come along to dive deep into King Candy's earlier scenes with the twist already in mind, the true impact of what Candy had been doing throughout the entire movie up to this point would have been lost on me, and I can imagine someone else feeling the same, as me, casual enjoyer of WIR, have been conditioned to think of Candy more for his well planned out surprise, rather than for how that surprise makes the character more engaging (I hope this makes sense).

I also want to mention this video ranking all the different twist villains from Disney and Pixar where CellSpex says that the Turbo twist is useless, since the movie doesn't do much with it afterwards.

Now, aside from the fact that CellSpex is clearly in the wrong and she's missing the point, I think this lack of reconsideration highlights that casual viewers care more about the Turbo plot twist than they care about Turbo himself.

But honestly, I don't believe people focusing too much on the twist is that big of a problem, more so, the problem stems when you want to use the twist... to discuss something else.

Now, I think it's perfectly fine if you want to use Turbo to explain why other Disney twist villains don't work, but when the villains that King Candy is compared to the most are Hans, Yokai, and Bellwether, you kind of start to think that he is only the best of the worst, and not an actual amazing antagonist in his own right.

It may not be a message that was intended to be sent, but it is something that may subconsciously cling to someone's brain, especially when you consider that there might be a huge audience of people who watch these videos because they saw Hans in the title (wishing for the video to bash him), and have seen Frozen, Zootopia and Big Hero 6, but have never seen Wreck-It Ralph in their lives, and they get all their knowledge of Turbo from them.

It's exasperating, especially when King Candy has way more in common with renaissance Disney villains than contemporary ones.

Yes, through technicality, he is a twist villain, but he's more so a hybrid antagonist to be honest.

And even worse than people just grouping up Candy with a bunch of morons, as I've just discovered by reading a comment from this Turbo Tribute, is that some people apparently despise him for starting the Disney Twist villain trend: even if he's leagues better than his competition, the simple fact that you can attribute some of the blame for the fall of villainy onto him, is enough for someone to despise him.

King of the Cy-bugs (feat Rockotar):

Very recently, I've rewatched Rockotar's video analysis of the first Wreck-It Ralph, and when he arrived at the "Welcome, to the Boss Level!" scene, I decided to analyse all the possible reasons as to why he (and possibly many others, such as, admittedly, myself) wasn't as entranced by it as basically any other scene from the movie, who he had been praising non-stop up until this point.

And I think I understood why: aside from the fact that this scene is only a setup for Ralph's sacrifice (and I wished the actual boss fight to be longer and more creative), the Boss Fight is less of a climax for Ralph's journey and more so a character study for who Turbo/King Candy is.

In my opinion, this is the closest we ever get to a "villain at rest" moment with Turbo because in every other scene of the movie, King Candy is always doing something, he's always active and we never see him doing anything that doesn't coincide with his role.

And, paradoxically to what I've just said about this being a "villain at rest" moment, in this scene, he is still doing something and being active in the plot, only that this time, instead of advancing the story, he's holding it back from its conclusion.

This scene simplifies Turbo's character to his most bare bone essentials: he's a short-tempered jerk, a power hungry murderer, a virus; it's all pretty interesting stuff once you take a sweet moment to break it down.

However, there's a point that I briefly mentioned before that I want to bring up; this creature that we are laying your eyes upon, is now three different people all at once, King Candy (anxious, quiet and manipulative), Turbo (short-tempered, competitive and spiteful), and now this Cy-bug hybrid.

To reiterate what I've said before, if you don't think about it for long enough, you aren't going to understand who either character is exactly.

Because that's the big thing: all of his facades, implied development off screen and reactions are so well constructed that at certain points, it feels like we're following two different characters simultaneously, which fits perfectly with the narrative that so called "real" Turbo died and now he's no longer himself, but...

I'm scratching the bottom of the barrel to bring up other possible points as to why this character is so underrated, and the lack of a clear identity seems like a pretty obvious thing to me.

But that's only two out of the three characters I mentioned; we need to take a second look at the Cy-bug form, who, in many ways, is simultaneously the thesis and antithesis of his character.

In particular, there's one thing I want to consider:

There's this theory made by somebody else that says Turbo, upon getting eaten by the Cy-bug, didn't take over the animal's conscience and control his body, instead, upon eating King Candy, the Cy-bug took upon himself his mannerisms, meaning that, according to this theory, neither King Candy nor Turbo technically survived the encounter.

If we accept this theory as true, then that means that even during what is supposed to be a character study, the character that the movie is highlighting may also be just as fake as the act that was put up until this point, meaning that, in a sense, we never saw the real Turbo in the movie.

He was three people at once.

(Yes, I've been spamming this image everywhere, and I'll keep doing so because I can)

In Conclusion:

Turbo is, ironically and unironically, an incredibly subtle character, and that makes it extremely easy for a lot of people to overlook and miss out on the most subtle details and characteristics that make him truly exceptional;

Him being so deceptive and mysterious helps and hinders his popularity, as some either love the mystery surrounding him, others fail to get a good grasp on who he truly is and become disinterested.

He is, by design, a building block, a puzzle to be solved, a character to piece together, that makes him so much fun!

But also, if you aren't interested in putting the pieces together, then he may not be up everyone's alley.

I definitely feel like the best thing that Randomalistic did in her/their video on Wreck-It Ralph was create an easy jumping point for new fans/casual watchers of the movie to get insanely invested over the story and characters;

I'm sure it was incredibly easy for many other people like me to focus only on the most talked about aspect of Turbo, aka the plot twist, and overlook all the other things that were not as much in your face as that; I was blinded by the spotlight, and it made it hard to see the genius that was put everything else;

Now, thanks to Random highlighting King Candy's cruelty and repulsive behaviour, my favourite thing about Turbo is how he weaponized the "disability" of a child to marginalise and persecute her, discriminating her for it all of her life WHEN HE'S THE ONE WHO MADE HER "DISABLED" IN THE FIRST PLACE.

This man, is so HORRIBLE, and he deserves to be publicly exposed for all the heinous s##t that he did, not just for being the best of a bunch of villains who frankly he shouldn't even be attempted to be compared to.

Anyway, I hope someone had fun reading this. I definitely felt like I started to write this with some really good ideas that I wanted to share, but in the end, I feel like they weren't all that interesting to begin with.

Feel free to share your own opinions, and have a great day!

[cosyvelvetorchid]

I finally finished it!

15k+ word, Buck 2.0, Tommy 1.5, smutty with a bit of fluff fic.

To be completely honest, I’m not entirely happy with it—I’ve certainly written better fics. But if I didn’t get it finished and up it would never be posted.

Anyway, I hope you enjoy it and soothes your little bucktommy broken hearts 🩶

**********

Word count: 15,537

Rated: E

Excerpt:

Buck wasn’t exactly sure of his sexuality. For most of his life he was straight—women were what he wanted. And he wanted them. A lot of them. There was a time where he actually considered that he might be a sex addict.

Really, he was just searching for something. He didn’t know what, or where he would find it, just knew that there was a hole somewhere inside of him that something was supposed to fit within.

And then he met up with some old buddies he’d met in Peru, went to a bar, had way too many drinks, and before he knew it he was in a dark corner with a guys tongue down his throat. It was sloppy and wet and didn’t lead to anything more but suddenly, that thing that Buck had been searching for his whole life; the illusive unknown and unidentifiable something that was missing, was clear as day.

That was three months ago. He hadn’t said a word about it to anybody—not his sister, defiantly not his parents and not the 118 either. He wasn’t ashamed of what had happened, but he needed time to for some introspection—to figure out what it really meant for him; what he wanted. Plus, at the time it happened he was a month shy of finishing his probationary year at the 118 and though he’d come along way from stealing engines to hook up, he still wanted to prove that he was worthy of becoming a fully fledged member of the LAFD and that was his primary focus and what he wanted everyone else to see and not his sexuality.

Thankfully he passed his probation and welcomed into the 118 permanently.

*****

Buck couldn't deny that he found Tommy gorgeous. That is, he couldn't deny it now. Tommy had piqued an interest within him when he'd first joined the 118 fourteen months ago, only he was oblivious as to what it was. For a while he'd thought it was jealousy—Tommy was built a little bigger than himself, and just seemed so effortlessly cool.

It was after his drunken kiss with the guy from the bar that he noticed Tommy. His beautiful big blue eyes, those huge biceps, and yeah that ass that you could sink your teeth into. He wasn't exactly crushing on the guy, but he could admire the beauty.

But his personality was an entirely different matter. Everyone gravitated towards Tommy; wanting his approval, inviting him to games or hang outs. Which buck for the life of him couldn’t figure out why. For as excellent as he was at his job, he was also an asshole. At least to Buck. No matter what Buck did it was never right—Tommy always found some way to criticise him. Hen had told him to give Tommy time to warm up to him; that deep down he was a good guy. Must have be really fucking deep because at Buck could not seem to find that good side no matter how hard he tried to find it.

Buck had assumed once he'd passed his probation the attitude would let up. It did not. He was professional when it came to work matters, but beyond that he either sniped at Buck or ignored him entirely. Buck wasn't sure which he'd prefer.

*

Tommy walked into work in a particularly bad mood. He was short with Buck as usual, but he was also equally hot-tempered with everyone. Sal, his partner, had left a few days prior to take up the Captains spot at the 122, and Tommy was clearly not handling it very well.

He'd snapped at Hen for offering to help him clean the engine, he'd sworn at Chimney for dropping a knife near his foot—which didn't even touch him—in the kitchen. And then Buck made the egregious mistake of turning a corner without looking and bumping into Tommy which send his mug of coffee all down Tommy's shirt.

"What the fuck is wrong with you Buckley?! Are those eyes on your face there for just fucking decoration?!" He shoulder barged Buck as he walked past, aggressively stomping towards the bathroom. Buck followed him into the room, despite that voice in the back of his mind telling him it was a bad idea. Tommy was leaning over the sink, running a wet paper towel over the wet stain on his shirt.

"I-I'm really sorry, Tommy. I wasn’t-"

"You weren't what?!" Tommy interrupted curtly. "You weren't paying attention? Surprise surprise the 118 puppy can't pay attention." He snarled.

Buck had been called a few names during his probie year, but none bothered him like "puppy" did. It was just so fucking infantilising.

"Im not a puppy." Buck told him through gritted teeth. He had been slowly growing tired of Tommy's behaviour towards him. He'd put up with it while he was on probation because he understood that you have to earn the trust of firefighters; prove you're not just capable of the job, but that they can safely put their lives in your hands. That trust takes time, and Buck put in a tremendous amount of effort to prove himself.

Everyone else had accepted him. Everyone else had welcomed him into the family. But not Tommy. Tommy had continued to keep him at arms length and it had began pissing Buck off.

Tommy rolled his eyes and scoffed, something he'd done a thousand times, but this time Buck bit back.

"What the hell is your problem with me, Kinard?" He stepped forward; his pulse beginning to rise.

"Do you want a list?" He replied, continuing to rub at his shirt pointlessly as the stain was not going anywhere. He didn't bother looking at Buck.

Actually, a list would be helpful.

"Seriously, what the hell have I done to you?! A little hazing while I was a probie I get but I passed my probation period two fucking months ago! So why are you still acting like a colossal douchebag?!"

Tommy turned his head quickly and his eyes finally met Bucks. His jaw was tense and lips tightly curled. For a moment Buck thought Tommy was about to hit him.

Without warning he stepped forward, grabbed Buck by the scruff of his shirt and pushed forward, slamming Buck into the wall behind. Between the shock of being pushed and the minor winding of being slammed into the wall, Buck lost his ability to speak.

Tommys face was inches from his. His big blue eyes staring hard into Bucks and his hot and rapid breaths fanning his face. Buck immediately felt his pants tightening. It was so fucking ridiculous that this was what turned him on and yet there was his dick pushing against his zipper.

He knew needed to push him off and get out of the bathroom before Tommy noticed how hard he was and used it as more ammunition to treat him like shit. But before the thought had even finished in his mind, Tommy's hand was on Buck belt unbuckling it. His other hand still had hold of Bucks shirt while he pulled down the zipper.

His eyes didn't leave Bucks as his hand reached into his boxers and oh god!

**********

[always-a-slut-4-ghouls]

On tumblr when you post you’re just playing Russian roulette with your post getting attention, but it’ll probably get ignored.

On Reddit any comment you make outside of some very niche community will immediately have someone downvoting you and calling you like, three different insults. Then they will wonder why you only log in every couple months. Like, it’s a very helpful website when you have a question for another community you’re in, but you’ll also get someone being immediately hostile when you make an innocuous post on a garden subreddit 😑

At least on tumblr people have to actually seek out your random ass text posts and go out of their way to start shit, and you don’t have the up and down vote system that feels like playing with my self confidence and worth issues.

Both websites are toxic part of the time (what social media isn’t?) and both are actually more useful for weird people, but holy shit does Reddit feel more aggressive about shit. Maybe it’s just the devil you know, but at least on this mess of a website half your hate will be for the most random shit and misunderstandings that people have to seek out finding if your blog is a normal size. Reddit is either posting on a dead sub or getting immediately thrown to the, well, sharks and wolves aren’t actually super aggressive towards humans under normal circumstances, so something else that could tear you apart instantly for just existing in the same space as them.

[dorkicon]

bitching abt my job again

tags contain frank mentions of transphobia and homophobia

[frozenambiguity]

Very long Initial thoughts and first impressions on the Caribert Archon Quest in the tags. Spoiler alert!!

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[arolesbianism]

Thinking abt my nuggets again. Explodes them.

[youremyonlyhope]

I really should know better than to watch dumb romcoms while I'm 90% sure I'm ovulating.

This time it was Netflix's Love in the Villa trying to make me cry.

[thedrotter]

i will place instagram on a boiling water pot what hurt it from leaving the sort by recents options for tags alone... i am bewildered by how awful instagram has grown for artists god forbid I can actually see things within the tag that im searching fo and not whatever the algorithm wants god forbid I can actually find small art account's posts easily

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[fingertipsmp3]

Thinking about her again (my ex friend who I had an unspoken tension with but we never dated because it was Unspoken and now she’s married to someone who seems insufferable and we haven’t spoken in almost 4 years)

[kitten4sannie]

trendsetter

reach for my goals, hit it dead center

pairing: idol ex! mingi x fem! reader

genre: an actual idol au omg, smut

summary: mingi reminds you why he was so hard to leave in the first place, well, the first few times, anyway.

w.c: 3.3k

bc i’m bigger, better

warnings: brief weed use/shotgunning (mingi’s a plug in another life btw <3), mingi’s kinda a dickhead and a master manipulator (damn double homicide), dom! mingi, subby! reader, mingi’s got a big cawk, glove ? kink? idk bro, exhibitionism, teasing, praise/degradation, pet names galore/name calling, tit play, spit, fingering, finger sucking (leads to some gagging), oral (giving), deep-throating, cum eating, grinding, kissing, size kink, breeding kink, mingi fucks reader raw on the hood of her own car hallelujahhhh

a/n: don’t blame me for this btw,, blame mingi mango and the things he’s been posting on ig 😮‍💨 this man makes me delirious istg. also i wrote this while incredibly sleep deprived just so yk !! there might be some grammar and spelling errors (as well as a general sense of lunacy ✨) regardless i hope you enjoy and please do let me know if you liked it bc feedback is like a treat for me and im a treat hungry lil goblin uwu <3

song recs: so damn into you by vlad holiday - come 2 me by johnny goth - liquid by boston manor

Mingi barely made it two steps past one of the various emergency exit doors of the booming, hectic arena, dropping his lighter on the ground when his favorite ex suddenly came waltzing back into his life again after just swiftly exiting it for the nth time.

“Where are my car keys? I know you have them,” you abruptly confronted him, snatching the lighter from the ground before he could grab it and sliding it inside your tank top, right in between your tits.

“Why would I have your car keys, sugar?” Mingi sighed exasperatedly, walking in your direction until he towered over you, gently clasping his calloused hands around your upper arms so he could rub them up and down in an effort to calm you, gently turning you around until your back pressed into the cool metal of the emergency door. “Can you use that pretty little head of yours for me, Y/N? I just performed right now. I was busy rehearsing before that. Do you really think I would take your keys from you just to keep you from leaving?”

“Yes, I do. You always do some fuck shit like this when I try to leave. Every time, Mingi.” Despite the furrow of your brow and the contempt present within your words, you couldn’t help but watch as Mingi’s thumbs began to press into the sides of your tits. When you didn’t say anything, he began to press the rest of his gloved fingers into the softness of your chest.

“Some fuck shit like this?” Mingi asked under his breath, studying your flushed face to gauge your reaction as he squeezed your tits against the palms of his rough hands, rubbing his thumbs teasingly against the thin material of your sports bra until he felt your nipples harden. “You aren’t tell me to stop, baby. Cat got your tongue?”

“I hate you…” you whispered softly, not understanding why you never had the strength to deny him, even in a public, though empty alleyway, even after you just broke up with him only a little while ago.

“You don’t seem to hate this…Your body’s responding to me…” Mingi suddenly pinched your nipples through your sports bra, chuckling at the gasp you let out. He leaned down, bringing his lips to your ear to whisper, “I bet you don’t hate how wet I’m making you right now, either. Is your cunt throbbing for me already, Y/N?”

“N-no…” You bit into your bottom lip when your ex let out a disapproving ‘uh-uh’ as you turned your head to look away from him, squeezing your thighs together, hoping your arousal wouldn’t drip past your short skirt.

With one hand still clasped around your tit to play with it, Mingi brought the other up to grasp your chin, making you face him again, so close that you were breathing in each other’s air, your parted lips almost touching. “You’ll let me check to see if you’re lying, won’t you, sugar? Can I see how many fingers I can fit inside your tight little cunt?”

You hated how much your body and soul still burned for your lecherous ex, hated how desperate you suddenly were for him to have his way with you, but what you hated most of all was the way you whimpered out, “Please, Minnie.”

Mingi groaned softly at the use of his pet name, feeling most of his blood began to head below the belt, letting go of your chin, the both of you watching as his hand disappeared underneath your skirt. He instantly slipped two thick fingers inside you up to the knuckles, despite wearing a pair of thick leather gloves, the both of you moaning at the squelching sound your bare, wet cunt made. “That’s my girl. You wore this slutty little skirt and no panties just for me, didn’t you? You don’t even care about getting out of here with your keys. You just wanted me to put my hands all over you one last time, yeah?”

Just as you were about to respond, Mingi suddenly stuffed his leather-bound fingers into your mouth, making you taste your own warm wetness. “A-aaahn,” you moaned around his moving digits, feeling them slip along your hot tongue, looking up at your ex’s intensely dark gaze.

“Suck,” he simply requested, smiling fondly at the sight of your plush lips closing around his fingers, pushing them further and further back until he made you gag around them, his cock throbbing at the sight of your teary doe eyes. “Oh, baby, if you’re going to be looking at me like that and making those pretty noises, I’m gonna lose it…but, you can take it, right? My fingers in your throat?”

You whined softly, trying your best not to gag more around his moving fingers, relaxing your throat enough so that the only sound that could be heard was your moans and the abundance of saliva in your mouth.

“Good girl.” Mingi slipped his fingers out of your mouth and pressed his lips onto your cheek, whispering, “Can you take my cock down your throat next, pretty girl? I worked so hard to perform tonight, you know. Don’t you think I deserve head from my favorite ex?”

“Uh-huh,” you found yourself agreeing, your head still fuzzy from having his fingers inside your mouth, desperate to have something else warm and thick on your tongue, thankful for the heavy hand that began to push your head down until your bare knees were resting against the cold concrete below.

“Say ‘aaah’,” Mingi cooed darkly from above, expertly undoing his thick belt buckle and lowering his pants until his stiff, reddened cock smacked up into his abdomen. It was then that his hands were drawn to either side of your head, barely giving you enough time to open your mouth before he thrusted forward, the tip of his cock instantly hitting the back of your throat. “Fuckkkk, that’s a good slut. You don’t have to be my girlfriend to be my fuck toy, huh, baby?”

Your moans of approval were instantly muffled by the massive cock that was being stuffed inside your throat by your eager ex, as you reached up to grasp at his hips, the shiny lighter that was still sitting in between your tits starting to jostle around due to Mingi’s rough movements.

Suddenly reminded of his post-concert ritual, Mingi reached into his back pocket and placed a joint between his lips, then fished the lighter out from between your tits, but not before he squished one of them for the hell of it. He rolled the dial on the lighter a few times before a flame sparked, bringing it up and lighting the tip of his joint.

The strong aroma of Mingi’s flower reached you in an instant, having to blink your many tears away to watch him take a deep puff of it and blow it out into your face. Your lips tingling from the immense stretch, you sputtered around his pulsing cock, suddenly pulling away, letting your spit laced lips rest against his leaking tip, weakly licking at the pre-cum that spilled from it. “M-minnie…”

“Why’d you stop?” Mingi grunted, biting on the tip of the joint to keep it from falling from his lips, looking down at you with his sharp, slightly red eyes. Using his free hand to jerk himself off with his cockhead pressed to your lips and smearing his pre-cum over them just for his own enjoyment, he slowly realized what was up. “Oh, you want a hit? Aren’t you precious? Come here.”

Mingi slowly lowered himself down into a crouching position, letting go of his cock to grab your chin with his arousal coated fingers, taking in a deeper inhale, the majority of the joint turning to ash, just as he flicked it away into the gutter. He pressed his lips onto yours in an open-mouthed kiss, neither of you bothering to close your eyes as he slowly filled your lungs with smoke.

Just as you began to choke while trying to exhale all the smoke, Mingi dragged his tongue across your own and over your top set of teeth just because he felt like it, before standing back up. “I bet you’re feeling real good now, baby. That was top shelf.” He spat into the palm of his hand and lubed up his cock, before patting your cheek and sliding himself back into the hot haven that was your throat, not wasting a single second to begin pumping himself inside it again, almost like he had never stopped.

Now that both your body and brain were delightfully clouded with a heavy, lustful high, you felt like you could cum just from getting ruthlessly throat-fucked alone, your nails digging into Mingi’s bare hips, more and more tears and saliva dripping along your flushed skin the longer he abused your tiny throat with his oversized length.

“Fuck, I can’t handle it when you cry and drool like that just from sucking my cock, baby. I’m gonna fucking cum,” Mingi groaned deeply from above you, rested his forearms against the emergency door, thrusting sloppily into your mouth. He let out a few short, whiny moans once he began to shudder, plunging his throbbing cock deep inside your throat and staying still. “Oh, shit, I’m cumming. Take my load, princess, ohh my god, that’s it.”

You swallowed the warm, salty liquid as it shot down your throat, only to open your mouth and present your tongue when Mingi pulled out and began to slowly milk his cock, taking the rest of his load on your tongue, not swallowing and simply letting it drip down, a few drops spilling down your chin and getting onto your tits.

“Mm, that’s my messy girl. You’re waiting for me to feed it to you, huh?” Mingi licked at his plush lips from witnessing your obedient nod, pushing his soft cock back into his pants and waiting for you to stand up so that he could collect some of the cum that had escaped your mouth and pushed it back into your mouth. “That’s right, babygirl, clean it all up for me. Mm-hmm, just like that.”

Once you slurped the rest of his load off of his fingers, you wrapped your arms around Mingi’s neck, pressing your heated body into his. “Mingiiii, please fuck me, I can’t take it,” you begged him underneath your breath, pressing your lips onto his neck up to his tense jawline.

“Oh, yeah? You can’t live without this dick, can you?” he questioned you huskily, bringing his wrists up to his mouth one by one to pull his gloves off with his teeth, before reaching past your waist to roughly squeeze his warm hands into your ass. When you grimaced up at him, he tugged your skirt up and spread your ass open to run his fingers down your wet slit from behind, making you whimper. “Admit it, and i’ll fuck you stupid, princess.”

Swallowing down any remaining dignity you had along with the remnants of your ex’s load, you lifted one leg up to hook it around his slim waist, allowing him easier access to you wet cunt, shuddering at the sensation of him shallowly slipping his fingers into and out of you just to tease you. “I can’t live without your cock, Mingi, okay? No one fucks me like you do, so please, make me yours.”

Mingi rubbed the abundant wetness around your cunt, licking his lips hungrily, staring down at you past his dark shades. “Right here? Right now?”

“Yes.”

“What if someone sees, princess?”

“I don’t give a fuck if someone sees, just fuck me, please!”

Mingi grinned crookedly, finding deep amusement in your desperation, considering how you were acting just a little while ago. “Where’s your car, baby?”

You pointed down the dark alleyway. “It’s just around the corner over there.”

Mingi looked over his shoulder, then picked you up from the ground, hooking both of your thighs around his waist and carrying you over to your car, massaging his hands into your thighs on the way. “I don’t have any condoms, you know.”

When Mingi laid you down on the hood of your car, the cool metal sending goosebumps up and down your exposed, heated skin, you shook your head and smiled softly. “When has that ever stopped you?”

“Don’t act like you don’t love when I fuck you raw, and leave you stuffed full of my cum…” Still in between your legs, Mingi bent down to leave kisses, licks, and bites along your neck and collarbone, lowering his pants down just enough to free his length, his slick cock growing hard and heavy against your bare cunt. “Fuck, and when I use my fingers to shove my nut back inside your cunt after…mm, I’m honestly surprised you’re not knocked up for me already…”

“Mingi,” you whined disapprovingly, despite the fresh wave of slick coating your ex’s cock as it repeatedly rubbed back and forth along your cunt.

“What, I thought you liked being my cumslut…my little breeding bitch…my pump n’ dump princess…” Mingi recited playfully, teasing your fluttering hole with the tip of his cockhead, just about driving you to the brink of insanity withi his teasing.

“Shut up, Min, oh my god…”

“Why don’t you shut me up then?” he suggested, hovering close enough to your face for you to pull him in for a desperate kiss that consisted mainly of tongue and teeth, your mouths occasionally making contact in between tongue swipes and lip bites, the both of you panting all the while.

Growing impatient, you slipped your fingers into his choppy hair, tugging his head back until your lips parted, a few strands of saliva still connecting them. “If you don’t put your cock inside me in the next two seconds, I’m going to bite it off. You hear me, Song Mingi?”

Groaning breathily when you tugged at his hair again, Mingi let out a few soft chuckles, taking his shades off and setting them down on the corner of the hood. “Using my government name like that….I must’ve teased you too much. My poor angel, so desperate for cock. I’ll fuck you good, baby. I’ll make it up to you,” he sighed, as he wrapped his fingers around his length, guiding the tip to your entrance and sliding all the way in with ease, the both of you letting out obscene moans. Without any hesitation, Mingi began to buck his hips wildly, his metal belt banging against the hood of your car with each thrust. “Oh, fuck. You feel that? Is it good for you?”

“Yes…!” you cried out, barely about to speak, let alone function, now that your beloved ex was rearranging your guts with his colossal cock.

Huffing, Mingi threw your legs up over his shoulders and laid his body weight on you, essentially folding you in half. He ran his tongue along your jaw, before nipping at it, whispering, “God, you’re always so fucking tight, princess. Gonna milk me for all I’ve got, huh? Cuz’ you’re my good little slut, aren’t you?”

“Uh-huh, just for you, Minnie…”

“Mm-hmm, that’s why you’re still here even after you broke up with me earlier, baby…why you’re taking my cock on the hood of your car where anyone can see you…” Mingi continued, squeezing his hands into the plumpness of your thighs, getting a good grip on them, so that he could drive himself into you as hard as he possibly could, punching short, breathy moans out of you. “You sound so pretty for me, baby, and fuck, you’re so wet right now….You’re gonna cream all over my cock, aren’t you?”

As soon as it felt like Mingi’s oversized cock had slammed directly into your cervix, you let out an abrupt yell, an overwhelming amount of pleasure suddenly shooting through your body like lightning. “Fuck…! I’m cumming, Minnie, it’s so– oh my god.” You were gonna start whimpering and crying when Mingi gently placed his warm hand over your mouth, watching him nod his head knowingly at you, his suddenly softened gaze never leaving yours.

“That’s a good girl, such a good girl for me, Y/N,” Mingi sighed against your ear, the hot, wet sounds of your bodies colliding together and the ringing inside your ears almost too loud for you to hear him properly. Feeling your wetness pour out onto his cock, Mingi let go of your mouth and cradled your face instead, pressing slow, meaningful kisses onto your lips, a few drops of sweat dripping along the shaved sections of his hair just as your trembling fingers drifted along it. “Want it inside, yeah?”

“Yeah…” you whispered against his moving lips, not even realizing when you were clutching him impossibly close to you.

“That’s my baby…” Mingi pulled all the way out, your mixed arousal forming a milky foam around the base of his cock, before he slowly pushed all the way back in, just in time for him to paint your insides white with his seemingly endless load. He hugged you close to him all the while, pressing kiss and kiss onto your lips, face, and neck, knowing that your turbulent time together was about to come to an end, and wishing he could turn the clock back to spend another second with you.

Once your highs began to fade, you cleared your throat and slowly sat up, the both of you silently fixing your disheveled clothes and hair in a poor attempt to look presentable in the case of a random passerby.

“So…since you don’t have my keys, I’m not sure how I’m gonna get out of here,” you sighed, about to push yourself off of the hood of your car when Mingi helped you off instead, annoyed that he was suddenly acting gentlemanly when he had shown you nothing of the sort beforehand.

Smiling apologetically, Mingi fished around in one of his pockets and held your keys up to you. “I took them out of your purse before the show started.” Seeing the anger blossom on your pretty, flushed face, he continued, “Listen, I just wanted you to hear me out before you left and never came back to me, baby. I love you.”

You snatched the keys out of his hand and crossed your arms over your chest, leaning back to sit on the hood of your car, keeping your thighs pressed together to keep everything from leaking out of you. “You don’t get to say that after you just made me your ‘pump n’ dump princess’, you idiot.”

“But I didn’t dump you, Y/N. You’re the one who dumped me!” Mingi whined, his lower lip jutting out in a pout, his brown eyes growing wide and puppy-like.

You couldn’t help but begin to laugh, not only at the ludicrous situation you were both in, but at the truth of his statement. Wiping a tear from your eye, you clicked your keys to unlock your car and walked around to the driver’s side.

“Where are you going? Are you leaving me?”

“No, we’re going to the store to get Plan B, dummy. I’m not about to let Mingi Jr. run around and terrorize the city,” you replied, gazing at your ex, the sight of his childlike amusement making you feel a bit soft towards him.

“I call shotgun!” Mingi called, eagerly heading to the passenger door, practically bouncing on his heels.

“There’s only two of us,” you giggled, sitting down in the car with him.

“For now.” Mingi wiggled his eyebrows at you.

You turned the ignition on, shaking your head, the corners of your lips hurting from how long you had been smiling. “Never say that shit again.”

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[hedgehog-moss]

The first episode of our shearing saga ended with Poldine being freed and happily running towards her family (who, let me remind you, had abandoned her and refused to provide any emotional support during her first ever shearing.)

I followed her, hoping to snap pictures of a heartwarming family reunion. Which didn't happen. Poldine's mum and grandma mostly looked perplexed.

Then horrified.

Poldine was, understandably, driven to existential despair by her mother's reaction to her new haircut.

Needless to say, when I tried to catch Pampérigouste to shear her, it was next to impossible. She knew what awaited her and wouldn't go anywhere near me, even when I made the Muesli Whistle (which usually draws a Pavlovian response out of her), even when I threw a handful of actual muesli in her direction to attract her. If anything she looked vexed that I could think she was no smarter than a pigeon.

But I have a PhD in catching Pampe. I decided to try something I'd never tried before: lie in wait by the watering hole like a hyena. You see, there's a gate near the water trough that can open all the way in either direction, and I figured I could simply trap my llama between the gate and a tree.

I waited, I waited, and eventually, finally, Pampe got thirsty.

Once she was trapped behind the gate it was very easy to halter her, and then she grumpily followed me to the corral, where I tied her to a post to shear her.

As soon as I switched on the electric shears, she freaked out. She reared up like a wild stallion, started foaming at the mouth, desperately pulling on the rope, it was awful! I tried to turn on the shears some distance away then get progressively closer when she got used to the noise, but she didn't get used to the noise. I tried to sing her favourite protest song over the noise, I tried everything; she kept acting like I was an exorcist and she was possessed by a swarm of demons. Eventually I thought I should just start shearing and get it over with as quickly as possible.

Pampe was so good with the llama shearer two years ago! She was perfectly calm and relaxed! She didn't care at all about the noise of the shears even when they were right behind her ears!! What is the explanation for this?

(when I expressed surprise at her good behaviour with the shearer back then, someone said she reminded them of the type of brat who's well-behaved with their teacher at school but insufferable with their parents)

Pampoldine stayed right next to her mum the whole time her ordeal lasted. Poldine, you are too good for this world.

These are my only two photos of Pampe being shorn, because my photographer was busy trying to soothe her by petting her, or distract her by offering her a hazel branch to eat. At some point Pampe tried to lie down and play dead, which made shearing her neck complicated, so my photographer was promoted (or demoted?) to Llama Scaffolding—she had to lean against Pampe with all her weight to prevent her from lying down. The last time I'd seen a llama play dead was when Pyrgus was sent away, which was pretty heartbreaking...

(Pampe possibly expected to receive the same amount of sympathy, but we had to remind her that Pyrgus was a child being separated from his mother forever while she was an adult getting a haircut.)

Since I sheared her as fast as I could, Pampe looks worse than her daughter—much less smooth, with some remaining woolly spots here and there that I wasn't able to go back to because she kept shaking her head, kicking her feet, squirming and generally acting like she was being tortured. It's now clear to me that she was only well-behaved last time out of spite, because I'd warned the shearer that I had one Difficult Llama. I sort of already suspected it at the time:

Please note that as soon as I released her, all the fuss and drama ended. In an instant. I thought she was going to jump away from me when I took off her halter, and run like hell, or stand there shaking from stress, but no—she ate a few hazel leaves from the branch (no longer panting, no longer drooling) then scratched her neck with her back hoof looking very composed, then trotted away lightly and happily.