#thank you oml

[tripthelightfandomtastic]

Okay but both you and Josh watching each other bounce on vibrating dildos 🫣🫣🫣

BOTH OF YOU RIDING DILDOS WHILE MAKING OUT, YOUR HAND JERKING HIM OFF AND HIS FINGERS CIRCLING YOUR CLIT OMGGGGGG

[dudeshusband]

oh my god

@dreamlanddoll

[moamidzyism]

gasp!! thank you so much for 500 followers 😣💓💓💓💓

[collaredkittyboy]

[rainwater71]

DUDE THIS IS SO COOL‼️‼️

@rainwater71

ur little oc,,, I got interested uhrmmm

[hailsatanacab]

Happy Ghouls and Gangs DPxDC Bang event posting week!! Here's what I've been working on for the @dpxdcbigbang 🥰

Summary:

It’s a normal day for Alfred Pennyworth. He spends it taking care of the manor and watching over its inhabitants, just as he does every other day. It’s an exhausting, never-ending task, that he wouldn’t change for the world. But that night, he is confronted by a stranger in his rooms with a copy of every single soul-binding contract he’s signed for the protection of his family. The new Ghost King wants to update his terms and conditions.

Alfred POV, Ghost King Danny, with some Post-Vivisection goodness and only a little (a lot) of blood and gore and medical fun, but that's for later. Not for the squeamish, please check the tags!!

Snippet under the cut!

It’s a normal day for Alfred Pennyworth.

He wakes up early enough to be ready to greet Master Duke with breakfast when he shambles into the kitchen, he cleans, he greets the rest of the manor’s residents when they finally make it downstairs, he cleans, he goes down to the cave to rouse Master Tim from another sleepless night, he cleans.

It’s a quiet day, or as much as one can be when the place he calls home is filled with vigilantes.

He drops off Masters Damian, Tim, and Duke at school and uses the rest of the trip to pick up some groceries for dinner. Coq au vin tonight, he thinks, it’ll be perfect for the changing of the seasons. A mushroom and lentil substitute for Master Damian will do lovely.

The rest of the day is spent preparing the meal and doing a spot of gardening before it’s time for the school run again. He can’t help but smile fondly as he listens to them needle and tease each other, only stepping in when it starts to become too pointed.

Yes, it’s a normal day for Alfred Pennyworth. It’s at night when it all changes.

There’s a ghost waiting for him in his room. 

A soft glow emanates from the creature’s vaguely transparent body and a crisp frost creeps slowly across the floor, sparkling in the darkness like diamonds.

“Mr. Pennyworth?” it says, the voice bouncing off the walls so that it sounds like hundreds of beings instead of one.

Fear squeezes at his heart and the air in the room turns dark and heavy, so that Alfred struggles to breathe. His mouth is dry, his head is swimming, and he’s not entirely sure if he’s going to survive the night.

[juicyyyboxxx]

whatever could he be giving you~? uwu

I have a few ideas

[atrophiedemotion]

i’m actually going to lose it i can’t even imagine how till is doing after round 6. and not in a ‘he had feelings for ivan’ way but in a ‘till has a self belief that he is universally unloved when all he has ever wanted was to be loved and he had to watch the person who loved him most in the world die for him and has to grapple with the fact that he was so deeply cared for and loved despite what he thought’ way. he had his reality shattered.

if he lives past round 7 (please vivinos) he will have to come to terms with truths he never believed in and (hopefully) use those realizations and acceptance to try to actually love himself

[muggycuphead]

:'0000

Morally demanded to do this

ahem

@vsilvra @mariferrsstuff @pinkplayer15 @pricklythepearcat @megaeriso6t and to all my other net buddies that I loved to heart but got no clue if they have Tumblr to tag 'em in :''^)

I feel like spreading positivity so.

If you get tagged here, here's a few messages from the person who tagged you:

You are one of the coolest people I know, if not THE coolest ever. I may not have known you for long, but it feels like my whole life, and I don't know what I would do without you. If I haven't met you my life would be fundamentally different. You may have changed, but I've changed with you, and I think we've both grown a lot, and for the better.

I love seeing you create stuff! Be it art, writing, headcannons, or something you DIY-ed, I know that any time you make something it's bound to be good. Every project you start is always very exciting, even if you don't finish it! Watching you create is always very fun.

I know you have bad days, we all do. Don't hesitate to talk to me if you need to. I'm always here, I'll always listen, and I'll always do my best to try to understand and help. Know that you'll always be loved and appreciated!

Here's to our friendship growing even more in 2023!

(ps. don't feel pressured to tag anyone back! This is just to let you know that you're loved and appreciated. And if you were planning on tagging someone, but see that they've already been tagged, don't worry! This will be a message from you to them. Tag them!)

[tofixtheshadows]

okay, if you're open to discussion, here's my view on why i think your mithrun take is somewhat reductive - prefacing this with yes, i understand you're talking about thematic positioning and not individual character motivations or goodness/badness, and no im not a particular stan of him or a kbms shipper or anything, if that helps you take this as discussion in good faith. (anon because i'll admit all the "ugh everyone who disagrees with me DOESNT KNOW HOW TO READ" does discourage from directly engaging!) yes, the elves are imperialist and yes the canaries are the primary arm we see of that in the story. yes, To A Point the violent manner that they, including mithrun, approach the problem of the dungeon is a reflection of this - it's not a coincidence that kui put this character ON this team. but when the discussion of it comes down to mithrun as the "representative" of this is where you lose me. in certain moments you could say he Acts as that, but it's not really the whole story of what his character is about or how he fits into the overall picture. multiple key moments are when mithrun notably acts AGAINST what the rest of the canaries would do, choosing to put (some amount of) trust in a tallman - we can have different reads on how much trust it is, but the effect definitely is that their approach is given a chance when normally the canaries do not allow that. the moment of asking kabru what he wants to do and following after laios, and Especially the moment of giving laios the go-ahead to try and defeat the demon, very much coming into conflict with flamela over it - in both of these scenes the other canaries represent the normal elven imperialist approach, and mithrun deviates from it. sure he thinks he regrets it a few minutes after the second one (because it did look like it failed, and because he's not exactly completely anti-imperialist either) - but in terms of what his character represents in the story, those moments are crucial to the ultimate "happy ending", and they're important TO the anti-imperialist theme that mithrun, the one with more personal reasons for being in the dungeon rather than simply being a canary & carrying out the empire's will because it's their job like the others, ISN'T acting on its side the whole time.

See this mentality is a little puzzling to me, because it treats my + others' speculation on the threat of imperialism in the story and Mithrun's role in it as if we created some sort of strict binary? As if he represents only this one singular thing, and doesn't share that role with anyone else, or that he needs to be condemned for it, etc. I don't think they're all passing around a "who represents imperialism and who subverts it" stick.

I mean, the story isn't very interested in that, is it? I believe in meeting a piece of media where it's at, which is why I'm not trying to hashtag cancel anyone over liking the elves or whatever. Dungeon Meshi is a story about ecosystems and food and hunger. It is very aware of the forces that create the situations around hunger, but ultimately it is mostly interested in food as the great leveler. We all need to eat and we all deserve to do so, even the people we might have considered enemies an hour ago.

The Canaries all get a seat at the literal and metaphorical table, even though, textually, they represent a world power whose monarch says, on page, that they are going to continue to monitor Melini and the people involved (this is a threat). Another story might not be forgiving of this. But Dungeon Meshi is not trying to be a political thriller, though as I've said, it is very aware of these things.

I, personally, am interested in the way Mithrun's story arc functions. If I talk about Mithrun, it's because he is a main character. Fleki, for example, is not a main character. Neither is Flamela. The Canaries are an antagonistic force (and not in a traditional "evil that needs to be defeated way", but antagonistic nonetheless!), but Mithrun is literally the representative of this force as the only one among them given a focus. And also because he is the captain of their squad. Even Flamela is only vice captain. Mithrun's motivations drive the Canaries as an entity in the story the same way his orders as their superior officer drive them as people.

So I am mostly interested in talking about violence, and to do that, I would be remiss to not touch on the circumstances that empower that violence. I cannot pretend like Mithrun does not arrive in the dungeon as the military officer of a first world power whose squad has the ability to arrest (and potentially execute) anyone they want, or that their success won't spell a de facto takeover of the region.

Does Mithrun care about that? No. I mean, I don't even think the other elves really care about that. It's kind of a moot point. They have a genuinely good reason for being in the dungeon and doing what they do, but they are still dangerous.

So when I touch on imperialism, which, again, is textually a part of the background of Dungeon Meshi, what I mean is: Mithrun's actions serve imperial interests regardless of his personal feelings, and they align with the threat of imperialism because oppression is inherently violent. That is where the comparison comes in.

If I were writing some sort of thesis on colonialism in Dunmeshi, I would say that the way Mithrun literally objectifies people- grabbing Kabru, ignoring his consent, using him as a projectile, brutalizing Thistle and Marcille- are physical manifestations of that inherent violence. The complacency of the other elves- their very punch clock villain natures- also serve the interests of imperialism. They're all in it together, they just disagree sometimes on the method. If Mithrun had gotten his way, the elves would have taken over the dungeon.

You are right that Mithrun comes into conflict with the other Canaries, and this is because Mithrun barely cares about sealing the dungeon. His one desire is his quest against the demon. This superficially aligns with the Canary's overall mission, but he will jeopardize that mission, the way he jeopardizes lives, for his personal goal. I don't really consider this an anti-imperialist metaphor even if it does eventually lead him to go against the Canaries' interests in trusting Laios. It's good he does that. It fits with the overall theme of disparate peoples uniting for the great leveler of hunger. Because, crucially, Mithrun agrees to it when Laios insists that he can defeat the demon. He isn't swayed by anything else. I do also think it's important that the one time he doesn't escalate to violence represents a moment of cooperation among these groups of people. We can say that Mithrun's self interest is better served by community than by state-sanctioned violence (and I do) but it doesn't cancel the rest of it out.

I'm also going to have to disagree with how much he trusts or respects Kabru. I would love if Mithrun did either, but the more I re-read the manga the less I'm sure of that. I think he sees Kabru as a useful tool. Again, I do not say this as a condemnation. I think Mithrun is nearly incapable of caring about anything else before the end of the story: I think his desire for the demon, his helpless hatred and self-immolating revenge, is so big that it blots out everything else for him. It's a tragedy. Mithrun is not entirely a rational actor, the way that someone in the grips of a debilitating addiction isn't.

You are free to disagree with me on this. I think I have an accurate reading on it, but I realize there is a lot of wiggle room.

My personal conclusion is that this

is a very long joke.

It sets you up to think that Kabru got through to him, that they are united against Laios, that they might have even achieved some level of camaraderie after their bottle episode.

Then Kabru and the Canaries show back up, and Kabru is ... handcuffed.

I didn't notice this the first time I read the manga! Kui does not draw any attention to the tiny magical cuffs, and the deliberately awkward way he holds his wrists for the next ten chapters didn't really hit for me until I had gone back over it. At this point I think it's supposed to tease how much Kabru is cooperating with the Canaries and how much of a threat he'll still poses to Laios.

It did not hit me until a second read that the punchline to this little arc is that Mithrun agreed to Kabru's idea because he had decided to use Kabru as bait. This is the equivalent of staking Kabru out to lure Laios and the others so that they'd let their guards down. Kabru looks very put out by it, he's still handcuffed, and he's got the surveillance state bird keeping him in line. This is not the situation of a guy who is trusted and respected by the person who put him in this situation. In hindsight, it almost makes Mithrun's agreement a joke in itself. "Oh, you wanna talk to Laios? Sure. Let's go do that. Hold still."

It recontextualized their time together for me. Made me notice how interested Mithrun was specifically in what Kabru had to say about this Laios guy.

You can kind of see the gears turning in his head. He correctly deduces that Laios is closest to the dungeon's heart. Therefore, reaching Laios will take him right to the demon. I don't think he actually cares about what Kabru wants. After all, Kabru says he wants to talk to Laios, and Mithrun doesn't let Kabru do that. He doesn't want to try Kabru's methods. He barely seems to think about Kabru at all.

We are treated to a three-chapter sequence of Mithrun and the other Canaries cornering a group of people they intend to arrest, interrogating them, intimidating them, and then Mithrun, especially, escalating the situation to near-lethal violence. Marcille releases the Winged Lion because she is menaced, talked down to, terrified, and injured. Even the other elves are appalled by how brutal and erratic Mithrun acts.

And that's what Mithrun's story is to me, actually. It's the very dark spiral that pain can send you down. It's about how his obsession is killing him. How it's keeping him from forming meaningful relationships. How it hurts the people around him and causes him to act cruelly. He cannot be reasoned with before he crashes and burns. If he had grown or changed as a person at all before the climax, his character arc would be less impactful. He has to tear through everything to get to the demon, look the demon in the face and be told point blank that he doesn't matter to it. He has to put all his energy into this path of violence to show how utterly impotent and self-destructive it is.

Dungeon Meshi understands the violence we all must do as living creatures. The inherent selfishness of killing and eating in order to survive, or fighting to protect yourself. It doesn't condemn that. It doesn't condemn the violence you do when you feel backed up against a wall either. But it does not reward this. Mithrun's all-consuming desire for revenge- and it is revenge, this is functionally a flailing quest for revenge even if he also wants to be finished off as a result- is as poisonous to him as the demon's bottomless appetite was to it.

Mithrun does not once stop to help anyone else during the climax. All the other characters converge to work together, even to put aside their enmity (like the elves and the orcs) to try and stop the threat. He doesn't turn away from his single-minded pursuit to help anyone, protect anyone, or heal anyone, though it's obvious that he could have done more good fighting by the others' sides rather than throwing himself at the demon over and over. Even the idea that he might help someone- the moment where he slaps Kabru out of a panic attack, but only because he genuinely wants to punish him- is treated as a joke.

It's only after all of this has occurred, and left him utterly empty, that Mithrun can stand up again as a new person. After he's looked into that yawning void straight on and realized what it meant to pursue it, where it was leading him. He gets up again because he agrees to share a meal. And because he agrees to help feed others.

Rage doesn't serve you. Community does. That's where his happy ending comes from. And maybe this is not the most thorough exploration of even this single topic, but I don't think I'm being reductive.

If I seem frustrated, it's because people have turned me into a ridiculous strawman because of these ideas, and then spent months shadowboxing that strawman while calling me a dumb pretentious cunt over it. This is often very funny, but even I have a tipping point. Good night.

[meltedmush]

i made your binghorse in ponytown <3

OMFG AYO WHAT I LOVE HIM,,, THANK YOU SO MUCH,,,, HE’S SO PRECIOUS AND ADORABLE,, THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU SO MUCH 😭💖💖💖💖

(I’ve just learned what Ponytown is, AND I NEED TO SEE MORE OF THIS PRECIOUS BEAN)

[7wuliy]

봐 내가 널 사랑하는데 누구라도 흠뻑 빠져버릴 You're a bad boy and you're bad for me. ୧ ‧₊˚ �🪦⋅

🀥 He's a really bad boy 잘생긴 그 얼굴 하나 믿고 산대요

[stobinesque]

"light" for wip guessing game!

something sweet for you, read <33

The way Eddie smiles at that… Steve’s always hated that saying, his smile lights up a room, but with Eddie… his smile really is like a sunbeam. Or a flash of lightning.

send me a word, i'll search my wip (in the morning - its bedtime for this old man)

[i-never-forgot]

Ah shoot, I know you've talked about the gang's love languages before, but I can't remember Dusknoir and Eliana's specifically— but could I request a little doodle where they're making efforts to show each other they care?

Oh Sofie you know me so well🥺thank you for the serotonin boost!

And now for the needlessly long lore-dump bc I can't help myself:

I did indeed write a post on it, but I only talked about Dusknoir’s love language (which would still stand in this case) and a generic hypothetical hero. He outwardly expresses acts of service, but I feel he would appreciate receiving quality time the most (since he might have some negative memories regarding perceived deceptions messing with words of affirmations plus his low self-esteem or receiving touch bc...you know that man has never experienced an ounce of physical affection, but he learns to appreciate it for reasons below). He feels unwanted and unloveable at his lower moments, so to have Eliana (or Lu or Grovyle/Celebi, too, admittedly) stay close to him even in simple companionable silence helps a lot; to be reassured that they're no longer afraid of him and see him as someone valuable beyond what he can offer with his hands. Play games with him (bc there's no way they wouldn't have board games or smth) or start in-depth conversations/debates/lectures with him, where he can exercise his mind, and he'll be eating out of your hand.

Eliana specifically tends to give gifts the most. She leaves things around for people she cares about, whether it's items they mentioned they needed/general explorer necessities, their favorite berries/gummis/etc, or random objects (flowers/pretty rocks/shells/leaves/etc)/keepsakes/treasures found in dungeons. You know that you've won her favor and affection if you find these sort of things laying only where you would find it, whether it be on your bed or otherwise. She loves spoiling the people she loves; it makes her feel like she's finally offering something of value for them having to "tolerate" her (but she's getting better about her self-worth issues through unending patience from her family).

(She always made sure Treecko ate first while they traveled and gave him the best items, even after they met Old Master Lucario and were in relative safety and security. She inadvertently gave Grovyle her old scarf when they were separated, but when he tried to give it back once she returned to the future, she only kept it long enough to have its wear stitched back up to regift it back to him since she knew how much it had comforted him while she was gone.)

(Once they reconcile, she gifts Dusknoir his Unlucky Sash. She secretly goes to Toxicroak and trades out enough items after she pays to have him requisition it. She doesn't say anything or give it to him directly, but when he finds it in his Treasure Bag he knows - especially since he had been trying to emulate her habit as a show of good will the last several months. It's good that he was alone in the Bluff when he discovered it because he would never be willing to explain to Grovyle or Celebi why he had started blubbering. Just a little. He would sooner die (again) than admit to it, but he was so relieved that he couldn't control himself. He hardly ever takes it off after that, wearing it like a badge of honor - only if it gets dirty or torn, and even then he gets almost unconsolably upset until Eliana reassures him that it can be cleaned/fixed. One time he takes a slashing hit for her and it rips pretty badly. He's almost sick to his stomach about it, but she has the same seamstress mentioned above embroider some Unown runes into it, followed by a symbol unfamiliar to Pokemon from their world; Dusknoir understands the runes where most uneducated in such ancient writing wouldn't, something they had bonded over previously, and it contextualizes the symbol for him without Eliana ever having to say a word. He runs his fingertips over the threads over and over when he's feeling anxious or upset, and especially if he's separated from Eliana for too long.)

Upon receiving love, believe it or not, Eliana's most inclined to crave physical affection. It's an impulse and hunger she's buried deep for many years, as she lacked in it from her childhood (boo her parents for being austere, stuffy jerks only concerned with reputation and status), and it only got worse when she lost her first partner. She closed herself off for the most part for years afterward, and her past romantic endeavors thought her too cold bc she always tended to keep them at arm's length emotionally and physically bc she was afraid of getting hurt again. But Treecko wears down her barriers and she holds him a lot, even when it's unnecessary. Having her memories wiped helped her to work through some of that with Lu, thankfully, and by the time she met Dusknoir and gave him the benefit of a doubt she was far more comfortable bumping into others and giving them head-rubs while she tried to choke down her purrs. Dusknoir indulged in her casual affection far more than he should have, but he was starving for it, too (although he was noticeably stiff and uncertain about receiving it and reciprocating; he only got more back-and-forth once Eliana revealed her identity since he was trying to pull away but couldn't help himself). When they make up Eliana is slow to warm back up to him again, but once she does she's almost always making contact with him somehow, whether it be pressing her flank against him in public, riding on his shoulders, curling around his head, or letting him carry her (although this is usually in a context where she needs it bc she gets flustered easily). She'll also nip at him or slap him with her tail if she's feeling feisty or playful. She loves it most when he pets or scratches her back since she can't always reach the places that itch or stay sore. (She loves it more when they press their foreheads together, in private, usually on the verge of sleep when both of their inhibitions are lowered...but you didn't hear that from me. She feels closest to him that way.)

(The bottom right pic is an old sketch I had so I decided to add it for posterity🥹)

[gingermintpepper]

How’s Fields of Mistria? You mentioning it was the second time I heard of it, the first time being in passing, so I’m not too knowledgeable about the game.

AWWW THANK YOU SO MUCH FOR ASKING!!

Fields of Mistria is SUPER fun, since there's not much to do in it after you've completed the first year right now, I've dedicated myself to breeding and collecting all the seasonal variants of horses so I can name them after the four Horsemen of the Apocalypse!

I also named all my barns after metamorphised lovers in greek myth because I have exactly one thought running through my head at any given point in time (Currently there's Crocus Coop where I keep my (gorgeous wonderful lovely adorable ouugh I LOVE THEMMM!!) blue chickens

Cypress Barn where I keep my wonderful cows (who have been with me the longest and whom I cherish immensely! I'm not sure if Autumn cows are possible but I'm definitely aiming for a barn of all red and autumnal cows for obvious reasons)

Minthe Barn where I keep all of my other large animals like sheep, alpacas and my very first beloved Chiron (black and white) and Iris (brown with spots) (the foal is Rigel) 🥺

And Hyacinthus Barn where I have a collection of small animals like rabbits, capybaras and my PRIZED DUCKS LEDA (the pretty blue and green duckie) AND CYCNUS (the pure white duck meant to mimic a swan!!) Even though it's technically a coop, I mistakenly labelled it a barn when I was inputting the name and I never changed it LOL

My farm is also named after THE metamorphosized lover, Daphne herself, so it's called Laurel Farm

And I'm planning for my Seasonal Horse barn to be named after the poplar since I quite like Leuke's story and I think she's fitting of housing the horses that will be the steeds of War, Pestilence, Conquest and Famine :)

Bonus: My house is still small and eclectically decorated, but keeping in theme with my farm, I do hope to go for a flower/garden theme

<33

[sunnys-side-upside-down]

For the prompts, how about a manestyle swap between Helix and Tweetie?

MANE SWAP!!