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dearhargrove · 10 months ago

Text

Sink or swim

summary When the tsunami hits you're at the pier, watching in confusion and shock as the huge wave nears. You're swept away with a dozen others but gain back consciousness with a weirdly attractive guy and his.. son?

tags medical inaccuracy (I made everything medical up pls ignore it), blood and injuries, one POV change, cursing

word count 2831

a/n just watched the episodes with the tsunami and oh my god? I’m so in love with Buck, Chris and Eddie. These three are adorable. Also these episodes were just good as hell, wtf? Andddd I hope I didn’t make any of them OOC (out of character) but if I did forgive me yall 🫶🏻 also English isn’t my first language, so… 🥹

masterlist

Maybe you should've guessed what it meant when the sea started retreating and a huge wave built up more by the second. But somehow it seemed so surreal that you didn't. You clung to the thought that it was an optical illusion, after all there was no way a tsunami would hit that one time you're at the pier.

Now moments later you regret not running faster, earlier or simply finding a spot to hide. You're pulled under the surface every few seconds, swallowing mouthfuls of salty seawater that makes your nose burn and eyes blur.

You're choking when you're swept against a hard object, it's sharp edge digging into your waist. “Fuck!” you curse, though it ends in a gurgle when more water sweeps over you.

When you resurface you're facing an object that turns out to be a sunken fire truck. The red is striking against the blue and Grey around you and you could cry at relief when you manage to hoist yourself onto it.

You're exhausted, your side hurts and you're dizzy. Your phone is useless, the water having destroyed the technology. Cursing, you pocket it again and lean back. You're about to relax, aware that it could take hours for emergency services to reach you when you hear high pitched screaming. You look up, just in time to see someone with a yellow sweater being pulled towards you with the current, screaming at the top of their lungs.

“Jesus,” you swear and crawl to the edge of the truck, yelling to get their attention with your arm reached out as far as possible.

You almost faint when the person turns around and a small child looks at you, red glasses full of water and messy brown hair. He's crying, reaching out as he's struggling to stay afloat.

“Hey! I'm here, grab my hand!” You yell and lean over the ledge as far as you could. As soon as you saw that little boy you knew you'd jump after him if he couldn't grab your hand now.

“I got you, sweetheart, come on!”

Your assurance seems to help and he kicks his legs, managing to move closer to where you are. In a split second you grab his hand and pull him over the railing and onto the truck, holding the little boy close to your chest in relief.

“Thank you,” he mumbles, coughing a little as he adjusts his glasses. You try to look as calm and collected as possible, gently smiling at him and beckoning him further away from the railing and rushing water.

“Are you okay? Does anything hurt?” He shakes his head, biting his lip as he looks out at the water again. He must've been with someone else, you guess when he sits up at every piece floating by.

“Are you looking for someone?” You ask gently and he nods. He slowly speaks, hands fidgeting in his lap, “B-Buck. He's a firefighter.”

You stop yourself from cooing at this adorable child and nod, “We're gonna find him, okay? Just stay here and it'll be okay.”

He looks worried but slowly nods. You go back to sitting between him and the railing, looking out for anyone else.

Just as you spot someone, the small boy moves rapidly and pulls your shirt, “Buck! It's Buck!” He stutters loudly.

You whip your head back around to the rushing water and try thinking of a way to save him too. You couldn't just grab his hand, he would probably just pull you off the truck and you wouldn't risk leaving the kid by himself.

“Shit,” You mumble as you look for a way to help the man, the boy desperately crying out for ‘Buck’ behind you.

It seems you don't need to do much when something slams into the truck and seconds later the man pulls himself up and next to you.

And, damn. He was attractive. His dark blonde curls stick to his forehead as his blue eyes fixate on you and then the boy, strong arms holding him up as a smile builds on his lips, “Christopher!”

You move a bit as the two reunite, the boy- Christopher throwing his arms around the man's neck and giggling wildly.

You watch with a smile, the adorable sight momentarily distracting you from the tsunami keeping not just you but these two strangers trapped on top of a fire truck.

He turns around after a minute, keeping Christopher in his lap as he looks at you. He clears his throat and nods, “Thank you for saving him.” You shake your head and wave your hand in dismissal, unsure how to deal with compliments.

“No, really. I was going crazy when I couldn't find him,” his eyes are fixed on your face and you blame the heat creeping up your neck onto the temperature changes from the water and sun, smiling nervously. “It's all good. Your son is a sweetheart.”

He chuckles, “He definitely is. Though he's not my son,” he mentions, poking the boy's side when he mumbles something. You quickly nod, embarrassed. “Sorry, I shouldn't have assumed-” he shakes his head and a relaxed smile sets on his face.

“It's fine, don't worry. Did you have any luck reaching 911?” You shake your head and hold up your broken phone, screen flickering sadly as you do. He sighs and brushes a hand through his hair (you try not to stare at the hot sight because wow, what are the odds of meeting such an attractive man in the middle of a tsunami?).

“We're probably just gonna have to wait. It'll take time to get boats and units here. It probably looks like this everywhere,” he explains and you tilt your head in surprise before remembering that the kid had mentioned he's a firefighter. Meaning he knew the protocols.

“Right. Christopher mentioned you're a firefighter.” You smile when the boy perks up, a seemingly never faltering smile on his face. “Guess I'm lucky to be stuck with you. Safest I could be.” You shrug, a bashful smile on your face.

“Buck will s-save us all,” Christopher proclaims proudly and you coo at the cute boy. The man now seems a bit uneasy and sighs before his eyes widen, “Shit, right, I'm Evan. Everyone just calls me Buck, though.” You shake his outstretched hand and introduce yourself in turn, biting your lip as a nervous habit.

“So you're a firefighter?” You prompt curiously.

“It's a bit complicated right now…” He sighs, a frown setting on his forehead. You're about to apologize for overstepping when Christopher speaks up again, “He threw up blood.”

Your eyes widen and Evan- Buck pinches the boys’ side in reprimand. “Blood clots,” he elaborates as he looks at your slightly shocked expression. You hum sympathetically before realizing something. “Wait. You were the one trapped under that fire truck? On the news?”

He chuckles (which makes him even more attractive, what the actual fuck?) and nods, “Yep, that's me.”

You grimace in sympathy at the memory and automatically glance at his leg, “Is it all healed? You don't have to talk about it, it's fine if you don't-” he waves you off assuringly, looking relaxed.

“It's fine, don't worry. Yeah it healed fine, had some physical therapy and stuff but now I have blood clots kicking my a- butt.” He stops himself from cursing with Christopher on his lap and you almost smile at the adorable expression of confusion on the kid's face, when Buck presses his hands over both of his ears and whispers what he was originally going to say.

You laugh at the two and a relaxed and almost light atmosphere surrounds the three of you, momentarily disregarding your situation.

“It's kind of ironic isn't it?” He starts and you tilt your head in question. “You saved me, a firefighter, by pulling me onto a fire truck,” he elaborates and you can't help but chuckle, “Right. It should've been the other way around,” you sarcastically add and he holds up his hands in mock surrender.

You relax back against the railing, your eyes drawn to Buck again just to notice him already looking at you. You cock your head questioningly and he bites his lip before grinning, “Sorry, you're just- like, really beautiful.”

Your jaw drops momentarily before you compose yourself and hide behind your hands, “Stop! Geez,” you laugh and he does as well. You exaggerate a shake of your head as you look at Christopher who giggles happily and exclaims, “He likes you!”

Now both you and Buck fluster as he continues, “He's always angry but n-now he's happy.” You notice the small struggle of getting his words out but you couldn't care less, you'd wait hours for this sweetheart to finish a sentence if you had to.

“Oh, really?” You ask in mock surprise and he eagerly nods before Buck intervenes, “Woah, Woah. I'm not always angry. Just.. grumpy.” Christopher makes it a point to look at him and then at you, rolling his eyes and shaking his head which makes it hard to refrain from laughing.

When Christopher busies himself with leaves floating around them Buck lowers his voice a bit as he speaks to you again, “Don't get the wrong impression it’s just, it’s hard. Not being able to work, saving people and all that.”

You nod quickly, “No worries. I’d go insane if I was in your place. I’m guessing they’re keeping you from really doing anything ‘dangerous’?” You ask, careful in case of him wanting to change the subject.

He nods and drops his head back against a siren light, “It is. They’re trying to put me behind a desk! I mean, I’m supposed to be out here, saving lives, fighting fires. That’s my purpose.” He frowns and you hum to show that you’re listening.

“I know they just want me to recover, but…”

“It feels like they’re holding you back?” You finish for him. He chuckles in surprise at the accuracy of what you said and nods.

“I’m probably in no place to tell you this, but trust me, it’s worth it. Get better, do the light work and sooner than you think you’ll be back doing what you love. But if you start now and ignore your health.. it’s going to catch up with you. And it’ll be way worse than a few weeks behind a desk.”

He looks thoughtful for a moment before slowly nodding, “You're right. Thank you.” You smile and put a hand on his leg, making sure he doesn’t mind before adding, “I mean look at you, crushed by an entire ladder truck and you’re up and running already.”

“I’m just that great,” he sarcastically pats his own shoulder and you both break into laughter.

You don't know if it's been minutes, seconds or hours when you wake up, laying on top of destroyed concession stands and other things. Something is digging into your back, your leg is awkwardly bent and your ears are ringing.

Groaning you sit up, wincing in pain when a sharp pain strikes through your back at the movement.

Around you is just more trash and destroyed cars, you see an arm laying on one of the cars and decide to avert your eyes as quick as possible for your own sake.

Every step hurts but you keep going; walking through the flooded streets with your eyes looking for either of the two boys you’d spent earlier with or other survivors.

The sun is starting to set and you’re starting to get hopeless. You have no clue where you were, completely disoriented as you pass houses that look entirely the same. Your phone is useless and you’re alone. Shouldn’t you have met at least one person by now?

Your back has gone practically numb, same as your leg, when you see faraway lights in the distance. Your steps get quicker as you see people and to your utter relief firefighters. You don’t know if the tears in your eyes are of joy or utter despair from what happened but you couldn’t care less when a man with short, brown hair spots you and approaches.

You’re trying to walk closer when a small voice somewhere close stops you. You’re not sure if it’s your imagination but you turn around, squinting your eyes in the darkness. And then you see it. A small boy, waddling your way with his arms stretched out like he couldn’t see.

Could it be..?

“Christopher?” You see his head perk up and he tries going faster, stumbling over his own feet. Your heart drops in relief and you gather your last strength to run to him, “Hey, you remember me right?” He nods and you note the missing glasses.

“There’s help, come on,” you point out but he doesn’t look happy. He looks almost angry, “Buck.” You had almost forgotten about the charming firefighter. But your priority right now was Christopher.

“We’re gonna find him. Let’s get you help first,” you say with fake enthusiasm in your voice. He doesn’t look okay with that but stays silent and you awkwardly wrap your arms around him after making sure he’s okay and lift him into your arms.

It’s hard to avoid any obstacles while walking but you manage, seeing the brown haired man from a few minutes ago still there.

“Hey! I need help! It’s a kid!” You yell.

He waves you over while walking towards you and as soon as you can actually see him you’re once again surprised. What was it with these firefighters and their good looks? Jesus.

When he’s close enough you nudge Christopher, “There’s help, he’s gonna make sure you’re okay,” you nod at the man and he stands still before running the last feet over to you, basically ripping the child from you.

“Chris!” He cries, clutching the kid with all his might. Oh, this must be his father.

You smile, relieved that they found each other. He looks up at you with gratitude, “Thank you so much. Thank you.” You just smile.

“He’s found us himself. I couldn’t find him after..” you don’t even know what happened- you just know you passed out and woke up alone. Sighing you rub your temples and shake your head.

“You should get checked out, too. You’re barely walking,” the medic (you guess) advises. You take in the people behind him, the full cots and stressed professionals. “I’m okay. There’s people that need more help,” you nod.

He frowns and shakes his head, “I could tell you at least two injuries of yours that need treatment. Come on.” He nods his head in the direction of one of the tents and you chuckle but follow him. At least you try to. Four more steps and your legs give out, you clutch a random person's arm to prevent your fall, mumbling a sorry when they just barely catch you.

The ringing in your ears is back and you groan when you’re laid on one of the cots, your back protesting painfully.

Your vision is blurry and you can’t understand what’s being said - what the hell was happening to you?

“Wait, she’s- she was with me and Chris.” Eddie looks up in confusion as he hooks you up to an IV, checking your pupils with a small torch. “What?”

Buck nods, “Yeah, she saved Chris and then me. When the last wave happened she was swept away- we were all swept away.”

Eddies brows furrow and she looks down at you, your hair a damp mess, clothes dirty and bloody. “She saved Chris?” His best friend nods and crouches down next to you - Eddie notes the pained groan he tries to conceal as he does so - extending a hand and awkwardly patting your shoulder.

“Will she be okay?”

Eddie's answer is interrupted when you open your eyes and wince at the lights surrounding the tent.

“Hey, you feeling okay?” Buck asks before Eddie can get a word out, and you almost faint again seeing these two fine men looking down at you with concern. Great first impression, you think.

“Feel like I was in a tsunami,” you grunt and both of them laugh a bit. A third voice pops up next to you, “We were in one, silly.” Leaning over your head and looking upside down at you was Christopher, a smile on his face.

You huff a laugh and hum, “You’re right. Smart boy.”

Eddie looks at Buck at the exchange and he just shrugs with a grin. Chris walks to Eddie and leans into his side, eyes still on you.

“Is there something on my face, or..?” You ask half joking as three pairs of eyes stay trained on you.

“Just beauty,” Buck grins and there’s a second of silence before Eddie gags and rolls his eyes, “That’s so creepy, díos.” You laugh as Buck tries defending himself, simply looking just as cute to you as earlier.

#evan buckley #evan buckley x reader #911 spoilers #911 show #911 fanfic #oliver stark #eddie diaz x reader #eddie diaz

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genericpuff · 8 months ago

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

youtube

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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maxwell-grant · 3 months ago

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The Penguin: Episode 1 Breakdown

(Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

#dc comics #dc #the penguin #penguin #oswald cobblepot #oswald cobb #hbo #max #the penguin hbo #matt reeves #lauren lefranc #mike marino #colin farrell

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lurkingshan · 4 months ago

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Japanese QL Corner

Another show just wrapped up, but a new one takes its place next week. Takara and Mitsuya have really become the bright spots for me in this current run of shows; they make excellent bookends for the week in jql. Of the five shows airing now, four are streaming weekly on Gaga and the other is available via fansub.

Takara's Treasure

What a fantastic episode of a show that continues to get better and better. The way this story has slowly built our understanding of these characters, and their understanding of each other, is masterful and so rewarding. I really loved the direct conversation they had about Takara's post-graduation plans and what it means for them, as well as Taishin getting to the heart of things and reassuring Takara that his desire is welcome. I'm excited to get a peek at Taishin's family next week and see how they navigate whatever challenges they bring.

Cosmetic Playlover

Farewell to this very pretty show whose story did not make much of an impression on me in the end. It never found a coherent relationship arc or gave us any foundation for this romance to hang onto, and it didn't live up to the dark and sexy tone of its original promotion. But it gave us a lot of beautiful visuals!

I Hear the Sunspot

We've now spent an entire month on repetitive side plots designed to separate and cause insecurity for Kohei and Taichi, and I am over it. I understand that the show is faithfully adapting the manga, but this is the thing about adaptations: when you switch to a new medium you have to adapt the work to fit the new format. When you read a manga you can speed through side plots designed to stretch out the story, but you can't do that in a weekly airing drama. And yes, I have seen the arguments that this is primarily a coming of age story about finding yourself, but it's not doing that well, either. This job falling out of the sky for Taichi and his boss—who we are meant to read as someone with good intentions—encouraging him to drop out of school immediately to work full-time is a strange development. That it once again set off a spiral of Kohei and Taichi feeling insecure about their friendship and misunderstanding each other only makes it worse. I understand the intention: we are supposed to be getting that Taichi is embarrassed about this job because it's tied to his still ill-defined feelings for Kohei. But they haven’t unpacked his hang ups with admitting (or understanding?) that he likes Kohei back enough for that to land. We've spent so much time sitting with Taichi's broody confusion without gaining any deeper insight into its source or seeing him grow, which makes all of this just feel like stalling instead of important character work.

Mr. Mitsuya's Planned Feeding

gif by @my-rose-tinted-glasses

*sobs* Welp, the penultimate angst has definitely arrived. They distracted me with the possibility of dog death (Frito lives! THANK GOD) before sucker punching me with Mitsuya pre-emptively rejecting Ishida before their relationship could go further. And while I often roll my eyes at this kind of noble idiocy in the penultimate chapter of a romance, I think it's well-grounded in this story. Mitsuya has been worried about whether a relationship between them is right since he learned about Ishida's feelings, and on the heels of this blow about Frito's health and his sense that he burdened Ishida with this problem, he is feeling his age and his melancholy more than ever. He sees Ishida as a bright and beautiful young person that he would only drag down, and he does not yet understand that it was meeting him that brought this out in Ishida in the first place. The way he apologized and berated himself for asking Ishida to stay then hugged himself for that whole horrible conversation said it all. This also sets us up nicely for Ishida to finally make himself clear and do a classic jbl run next week (this show is ending too soon, I'm going to miss it so much). Thanks as always to @isaksbestpillow for providing her wonderful subs so we can all enjoy this beautiful drama. You can find the ep here.

Tagging @bengiyo to add this week's anime update.

#japanese ql corner #takara no vidro #takara's treasure #i hear the sunspot #hidamari ga kikoeru #mr mitsuya's planned feeding #cosmetic playlover #mitsuya sensei no keikakutekina ezuke #twilight out of focus #japanese bl #shan shouts into the void

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not-your-bro · 2 months ago

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what i did and didn't (but mostly didn't) like about until dawn remake's character trait changes

hello friends and fans. i am super excited to welcome all my pals back to the latest episode of Laura Yaps About Until Dawn Remake. i've talked about the prologue here and here, and i plan on talking about other elements of the game (visuals, gameplay, narrative changes) whenever life and time allows.

before i go off about the character traits, thanks to @claarria for posting this handy side-by-side of old vs new. super helpful! i'll be using those images here.

and generally speaking, let it be known that i think the font change is so fucking ugly 💖 like god bless but it is so bad 💖💖 and they've made the layout so much less dynamic by just listing all the traits straight down, bullet point style?? it is all very microsoft powerpoint core and it sucks. anyway. onto the characters, in order of appearance.

sam

off topic but very importantly, how did they fuck up sam's face THAT bad?? ballistic moon sapped the life out of her and now there is literally nothing behind those eyes. HOMEGIRL WAKE UP 👏👏

one trait change here: adventurous -> brave. not wrong, but super redundant, because brave is one of the character stats in the menu, so like. at any point when i'm playing her, i can pop in the menu and see exactly how brave she is. it's pointless to put it here.

chris

one change: methodical -> loyal. and honestly. this one slays i can't lie. like yeahhhh 🔥🔥🔥🔥🔥

i know everyone loves to hate on chris now, but he pushes to help sam even when it puts himself at risk and he goes to the shed to get josh even though josh just traumatized the hell out of him lmao. boy is loyal asf and i'm more than happy to see it replace methodical.

jess

big changes here. i'm not jazzed to see confident go. i always thought smg included it purposefully, because this is how jess is trying to come across, even though she's actually insecure.

and imo trusting fits her far better than, say, driven. based on em's comment about her grades (and the fact that jess doesn't deny it lmao), i don't think she has much drive or ambition at this point in her life. she's always struck me as the kind of person who doesn't have a big dream or passion, and as high school graduation approaches she would feel sort of aimless? like she doesn't know where to go next.

i don't mean these as negatives, btw. jess is a top 3 ud character for me. i just don't think she's driven. and i think she is irreverent. and that's fine. 💖

emily

one change: persuasive -> forthright. like sam's change, this isn't wrong. emily is definitely forthright. but i don't like that we're shifting her further from mike (more on that later), and this change makes her use of words seem less purposeful. like she says what she wants just for the sake of it, instead of: she knows what to say to get people to do what she wants.

matt

matt's trait changes make for a much different impression. motivated and ambitious have been swapped with obliging and dependable, which shifts the focus from himself to others. we're drawing attention to an agreeable, go-with-the-flow personality, rather than the fact that he's got big dreams for himself (get that scholarship, bud).

i'm not sure i'm the biggest fan, because it kind of makes him seem like a doormat? it's possible that he never talks to emily about how she treats him, and he does film the prank on hannah even though he doesn't seem like he would. still...i guess i wish there was more of a mix here. he can be obliging and dependable, but he doesn't have to be, depending on your choices, and this really makes him feel like everything he does is for the sake of others.

mike

i appreciate ballistic moon pulling these shots back a little - some of them were really, like, up the character's nose lmfao. but bro those traits are unreadable against mike's skin 😭😭

anyway, mikey gets a complete overhaul. i've been over brave with sam. it's a waste of a slot. and it's not that mike isn't driven or charismatic. i mean, he is definitely charismatic, given his popularity in fandom. even i have this feeling of 'man, i should not be charmed by him' <- is definitely charmed by him. but i think we're losing a lot by separating him from emily, with whom he used to share 2 out of 3 traits (intelligent and persuasive). i always thought that said a lot about why they would be drawn to each other and start a relationship - but also why that relationship wouldn't last.

if i were to give mike any new trait, it'd probably be impulsive, which i think is a great fit for him. mike may be intelligent, but when it comes to decisions, he's a man of action - a doer, not a thinker. which is just as likely to lead to a bad outcome as it is a good one.

ashley

one change here (forthright -> sensitive), but god does it fucking suck. SENSITIVE?????? be fr. is ashley sensitive or is she traumatized nonstop for eight hours? she was upset when she was chained to a wall and thought she was going to die! when she thought her friend died! when she thought her other dead friend's ghost was trying to communicate with them! when she was put in a life-or-death trap a second time! that sure was sensitive of her!

if i could revert only one trait change, it would be this one. 0/10.

josh

must be said that josh's shot is much better in the remake. it could not have been worse, like i will never understand how anyone looked at that half-closed eye and open mouth and was like yeah that's a good first impression LMAO. so, cool with that.

tbh i also like josh's trait changes? this is another total overhaul, but honestly, at the risk of getting booed offstage, i'm happy with this. if i'm being real, complex was always a waste of a slot. like...yeah? i hope so? all of your characters should be complex to some degree. it feels like a weird shade to the other characters to point out one guy, specifically, as complex. so the rest of them are simple, then? 🤨 it's not that i would argue against josh being the most complex - i do think he is (though i realize my stance on that means little because i'm up this man's ass). it's just weird to draw attention to it.

as for the other traits, yeah, josh is thoughtful and loving. for sure. but i feel like these are sort of...level 2 traits. ykwim? and the new traits are level 1. if you hung out with josh in a casual way, in a group setting, remake traits would be more likely to spring to mind, to match that initial impression. i think you'd have to look more closely or spend more time to clock that he's thoughtful and loving, because outside of his sisters, i don't think he's particularly straightforward or overt in the way he conveys those things, and he wouldn't draw attention to them. maybe i'm leaning too hard on the version of him i've fleshed out in my mind, but josh is the kind of guy who would, like, remember one offhand comment matt made about liking a specific brand of beer. months later, at the next lodge trip, it's there in the fridge, and josh says nothing about it. but he remembered, and he got it. that's josh's brand of thoughtfulness. in my opinion.

none of these six traits are wrong, i just think the new ones are better 'first impression' traits for him.

#wow look at that i wrote the most about josh. who could've guessed #anyway many tags ahoy because the gang's all here!!!#until dawn #until dawn remake spoilers #sam giddings #chris hartley #jess riley #emily davis #matt taylor #mike munroe #ashley brown #josh washington

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sgiandubh · 19 days ago

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What sort of marketing is this? Why do they air this TV Insider interview with David Berry on YouTube b e f o r e the episode airs when they ask detailed questions about what happens in the episode and tell us practically everything? Was it an accidentc or the way to entice the audience to increase the ratings or ⭐ marketing strategy sucks?

On a happier note, allow me to interpret David's answers:

"I was ready to explore the love scene further but there were negotiations because Sam interfered. I feel very uncomfortable talking about just as I was extremely nervous to pretend that I was having sexual relations with his wife both on and off screen. We practically improvised the whole scene. Cait was aggressive because she felt uncomfortable doing it knowing that Sam will watch it. She didn't want to be in it as much as I didn't. We didn't rehearse much because Sam was very much against the scene being filmed. I'm seriously avoiding Sam now. He is very strong and protective of Cait. It feels weird being in his presence. Thank God for the scripts that don't give us many interactions afterwards."

I genuinely sorry for David. What a peculiar position he was and quite possibly still is in!

Dear Peculiar Position Anon,

I will give my take on it when I get to the third (Jesus, what a scandal!) batch of #jottings. Spoiler, though: it wasn't as terrible as I thought it would be.

As for your interpretation, yours is as good as anybody's, of course. I would be much more reserved: this is, after all, acting (I am serious, this time) and I don't think these three people would be as naive as to give it such a childish connotation. I think SC and David are very good friends and, while I do agree S is very protective of C, I wouldn't go as far as you did.

Anyways, for those who missed it, here is the interview you are referring to:

youtube

May I also add that I like David Berry a LOT? Rewatching the interview, I think he gave us one of the most credible feedbacks ever on what it means to shoot a difficult scene, while you just knew all eyes would be upon it and expectations over the roof.

It also goes to show - and David has been endearingly honest about it - just how hard it is to shoot such a scene (all the 'really difficult' preparation process, the things that 'ended on the cutting room floor', the 'negotiation') when you don't have the organic famous 'shorthand' and 'ease' S&C always mention, when they talk about their intimate scenes.

That 'shorthand' and that' ease' have a name, Anon. We know exactly what that is about.

I also loved what David shared about his own research on gay people's approach to love, feelings' management (if I may say so) and intimacy. All I will say right now (I might get back to it later, who knows?) is that he did it respectfully and empathetically. A very, very difficult thing to achieve, I believe, that speaks volumes about how special David Berry is, both as an actor and a person (note to self: buy Landcon extras!).

Finally, you might want to compare the above interview with the somewhat sanitized, in-house narrative of ***:

youtube

Quite different things, I believe. And I so wish Maril would shut the dang up about what obviously is way above her range!

#anon #fandom #shitshow #Season 7B #ahundredweightofstones

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buddiebeginz · 2 months ago

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I'm really happy that Buck and Tommy are finally over (thank god) but there was so much I didn't like about this episode. Not only does Tommy have a history of racism, homophobia, misogyny, etc but he was simply not a good boyfriend. And like not just not a good boyfriend to Buck (which he was that) but like not a good boyfriend in general. Like look at how he talked about Abby (and I'm no fan of hers).

I know some of the stuff with Tommy was probably due to Lou's terrible acting but some of it was definitely writing choices. I don't get the point of writing a character to be a lackluster love interest at best and dismissive patronizing jerk of a boyfriend at worst if it's not leading somewhere in the story. It just feels like bad writing. A lot of the stuff with Tommy does. It's why I'm still amazed at how much that fandom acts like they're the greatest romance of all time.

There's also all that stuff that happened in 7x04 that I fear is never going to get brought back up again. I mean it might when Buddie goes canon (which I still believe will happen) but it might not just because if Tommy's gone they might not feel the need to address it again. But it was clearly Eddie's attention that Buck wanted in that ep (I wrote a whole thing about it here). You also have the fact that Tommy was showering Eddie was all this attention and gifts and the only time we saw him do anything remotely like that for Buck was in tonight's ep on their anniversary and it was tickets for a game Buck didn't even like so clearly Tommy wasn't that invested.

It's just this show has a habit of Buck staying in these relationships where he's not happy. Not knowing his worth and not speaking up to people who hurt him all so he can feel like he's loved. And I know a lot of that goes back to the stuff he dealt with as a kid but I'm just really sad they did this to him again. I get that Tim probably wanted Buck's first relationship with a guy to end on a positive note but then like I said why write Tommy the way they did since s7? If you take Buck and Tommy's relationship just as it played out on screen then Buck definitely should have been the one to break up with Tommy.

They wouldn't have even needed it to turn into a fight or this bitter angry thing it could have been a matter of Buck realizing that him and Tommy were just too different. That Tommy didn't really get him as a person and that could have been further made clear by having a moment where Buck calls Tommy out on always calling him Evan. I also don't get why they decided to have Tommy call him Buck in the breakup scene but then never address it any other time. Like they never really explained why he only ever called Evan and then didn't explain why he switched it up.

Like I said I'm happy they broke up but I just feel like in some ways I can't enjoy it. In both this ep and 805 there was scenes like at the graveyard where Buck acts like Tommy is this amazing important person in his life and I get that some of that is Buck trying to make his relationship with Tommy into something more than that is. And really connecting his excitement and newness of coming out with Tommy. But it still hurt to see him asking Tommy about moving in when I know Buck deserves so much better. He deserves a partner who will love him and see him for exactly who he is.

Connected to all of this I didn't like the scene with Josh, Maddie, and Buck either. I know some of that was probably the shows way of trying to make us think about Eddie and his coming out in the future but they were also talking about Tommy. Tommy doesn't get a pass for being a misogynist or racist or a homophobe just because he was in the closet. Also whatever happened with him and Abby in the past he was still talking shitty about her when he was on the date with Buck (in present day) so clearly his attitudes towards women haven't changed.

I like a lot about Josh as a character and he doesn't even know Tommy or about his past so I feel like he was just trying to educate Buck on some queer history. I don't entirely blame him for that speech he gave. I do blame Tim and the writers though. If they wanted Tommy to be seen as a guy who made mistakes in the past and had grown they should have put the work in to show him as such. The couldn't be bothered to do that even in his relationship with Buck. Truly hoping this is the last we'll see of him and also that not much time is spent having Buck mourn that awful relationship.

#buddie #911 buddie #911 spoilers #911 8x06 #911!

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abstractfrog · 3 months ago

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HI I JUST SAW YOUR INCREDIBLE SHERLOCK AND CO COMIC YOU MADE AND I WOULD LOVE FOR YOU TO TALK ABOUT THE PROCESS AND THE SYMBOLISM AND INTRICACIES AND EVERYTHING PLEASE ‼️‼️‼️‼️‼️‼️‼️

GOD THANK U ok if i actually talked about EVERYTHING i would be here forever and ever, there were things about the process where it kept surprising me and i kept adding stuff.

I talk about my general comic process here , it started out mostly the same for this one. Analysis of the script, sketches, panel and colour blocking

The scene from Mr Sherlock Holmes presented me with a unique challenge (for me) because...usually I pick scenes from the podcast that are instantly visually stimulating. This scene is NOT that. It's sort of unclear and confusing and even the emotive narrative is sort of hard to pick out. Those things I had to sort of decide for myself. It's hard to draw a whole scene like this without first deciding what the scene is about, what its purpose is. If you go back and listen to the episode along with the comic you'll notice all sorts of changes and tonal shifts - that's because of me and my decision making.

I decided that the direction I wanted to go in was to show John having his realization about himself, his podcast, and Sherlock, showing him getting pulled into, yes, Sherlock's world, but also the world of the podcast as an adaptation. I knew i could do this just with colour, but if you've seen my other comics, you know i almost always use colour to show shifts. I guess I had some insecurity about doing the same thing over and over again so I pushed myself to think of other ways I could accomplish it visual. Enter: rendering technique

I will say I didn't expect this effect to make John seem so SAD and MISERABLE, i only wanted to show him getting pulled in, but its effective for his emotions in this scene as well. Scanning drawings into the computer sort of flattens the paper texture, so I started adding photos of the pages of A Study in Scarlet to make him feel more paper-y. And then, of course, realised i could use that to further elaborate on John's inner thoughts, backgrounds, and motivations. People are welcome to interpreted that how they like and i've seen a number of variations, but to me it operates on sort of a meta level, showing the inevitability of what John is going through. He's a Watson, he's always going to follow Holmes, he's going to try and figure him out, and that's why you sort of see a back and forth between acd and pod Watson, highlighting the ways in which they are similar, and then, John breaks off and becomes his own character, still with those foundations but also entirely different.

there's one piece of text that i haven't seen anyone pick up on or mention and I'm starting to think it's gone unnoticed because it's in an unexpected spot. I won't mention what or where because it is, for now, a very indulgent little secret.

I notice a lot of people are getting a kick out of Sherlock playing with the speech bubbles, which I am so pleased by because I almost didn't do it! I thought i was maybe breaking something in the comic but it was so fun that i didn't care and I'm so glad it came across well. It operates on a lot of levels, it shows his thought process, it plays into that fourth-wall medium play i've got going on, and it feeds into the web metaphor as well as visually showing him roping John in.

on the topic of Sherlock, I feel a lot of people are rather focused on John, which is understandable (he's the main event) but Sherlock has a lot of details I love too.

For instance, him pushing his hair back and putting on a coat when the officer arrives, almost like he's shifted modes, and then his hair falling back down when he gets excited and John starts to understand.

I really love this moment of Sherlock seeing John's potential for interest in mysteries when he's trying to solve the matter of what Sherlock Does, and being surprised and flattered for a moment (until John messes it up again)

John copying Sherlock's pose <3

There's deliberate things in the character design as well, things like the fact that once John comes into colour, it reveals that he's actually wearing more colour than anyone else in the scene, and the fact that the grey in John's hair only appears post-greyscale. Things you are welcome to read into. And there are, of course, the socks, which I've seen people pick up on.

Those are the main things for now so i might leave it there, but thank you so much for your ask and i'd be pleased to elaborate further on absolutely anything!

#sherlock & co #sherlock and co #thankuuuu i lvoe yapppingggg #seeing people pick it apart has been so satisfying and validating im so pleased with how it turned out and how people are reacting to it

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dezmolad · 4 months ago

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ES Starscream: What they took from him (last minute!)

I can't stop thinking about season 2 of Earthspark so I'm at it again. Overall I was mostly unbothered to the very last 10 minutes of the last episode, this last minutes made me so mad it's unbelievable. So what I'm gonna do now is list all the things that got screwed up in this short time, particulary how Starscream character got absolutely butchered.

Without further ado, that's the list: > Starscream lost any agenda. His agenda in this season wasn't good anyway ofc, but it was ANYTHING at the end of final episode he's just. gone. and that's it woohoo. > Starscream lost his respect among the Decepticons. It was interesting for me how we could see how obedient towards him they were, a bit in season 1 but mostly in season 2. Even Shockwave didn't dare to question him most of the time. I was waiting to discover why is that so. Maybe they knew he was capable of pulling a stunt like the one he did at the end of season 2 so far? But yea we will never know bc noone from Decepticons is going to stick around him now, and now Shockwave is the leader so gap has been filled. so fun. > He also lost his mission, his care for anything! cyberforming Earth was ment to serve the Decepticons, his fellow cybertronians. But first in the dialogue with Hashtag Starscream says he's doing it just for himself and then he just. Lost his mind i guess. > Speaking of Hashtag. Starscream in this dialogue with her twists his own words from "What Dwells Within" from season one. His words coming from genuine care we saw developing in that episode here are shown as somehow mischievious, as some stupid foreshadowing. Its completely insane how the show retrospectively is erasing everything that could make Starscream redeemable later on. Awful, absolutely awful. > Hashtag also says that his actions will make him worse than Megatron, and he accepts that. The intention of this specific line is super clear. It makes his relationship in simplistic reality of the cartoon somewhat less of a problem. Starscream is bad right, even worse than Megatron, so why bother. I fear that's the way this series closes the problem of Megatron's and Starscream's relationship, expecially with how earlier on in season 2 Megatron is framed as reasonable and the one trying to speak to him before the fight. I'm afraid we will never hear anything about them that makes sense in this show. And it's just so disappointing. > Starscream murdering two children (that's what Chaos Terrans are ok) which is. Oh my god. It's such a cheap move to make the character unredeemable. Not to mention how deaths of Aftermath and Spitfire were kiiiiiinda convenient for our protagonists. "uh oh how sad they are dead how could you Starscream :(((((( ok now lets get the Emberstone that is now complete thanks to them being dead :))))))" > About that scene. I hate it from different reason, too. Because the way Starscream treated Chaos Terrans, expecially Spitfire was a beacon of hope for me in this season. The way he was never violent towards them (even Breakdown kicked Aftermath! And Starscream never did anything like that, even when Twitch in Spitfire's body made a mess and ruined the equipment!). The way we could kinda see him getting closer with Spitfire, in the way that reminded me how kind he could be for Hashtag in season 1. And all of this absolutely ruined, none of this was relevant.

So that's all I've gathered, if you have something more feel free to add your observations! Starscream's character in season 1 is very dear to me, even if "What Dwells Within" isn't perfect I still loved it so I feel personally robbed by season 2.

#this is my roman empire #im sorry i cant stop thinking about it #its a tragedy really #maccadam #transformers #transformers earthspark #earthspark #earthspark season 2 #earthspark spoilers #starscream #earthspark starscream #tf earthspark #look how they massacred my boy

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sabh0 · 8 months ago

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What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.

For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T

God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.

I will be complaining more under the cut,,

First the overall writing choices:

-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.

-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.

-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.

-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.

-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.

-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.

-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)

I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.

Now onto the artstyle of the anime.

Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.

No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).

Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)

On some other things, i really like the music! Bsd openings and endings never miss,,,

#sab q&a #tumblr crashed when i was half into writing that and i had to start from the beginning again but it's no longer as detailed bc >:(#my relationship with bones looks like that: i would like to see stormbringer animated but im actually scared of seeing it animated #not because its sad but because there r very high chances that Bones will completely ruin it too #if u want me to talk solely about the manga vs anime skk then yeah just tell me i can do that too muah #sab yapping

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sempsimps · 6 months ago

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Gregory Violet x reader

okay so after episode 5 i made this draft and I've only just finished it now leave me be anyway i have no idea why i thought that making reader a bluwer sibling but the narrative fits to good? i don't know. I've written so much that i cease to see who asked anymore, but oh well

sweet fluffy kisses turned

admirers to lovers?

fast burn boi (its a one shot what do you want?)

slight mention of you being an unwanted sibling because you haven't done anything yet. lol imagine

Context

It's the cricket opening ceremony, you are the twin of Lawrence Bluewer, along with your 7 sisters who needed to go to the cricket matches to see Lawrence play it, was his last year after all. but you didn't really like parties that much, too many people, but someone caught your eye the first year you came here. unknowingly, Gregory had found his gaze drifting over to the sister Bluewer never mentioned. It's always the 3 older and 4 younger, never the twin, always a stain on the family. but Gregory always noticed the empty space on his sketch "something's missing," never pointing it out. although curiosity almost getting the better of him, and you seen that over the years he became a prefect and he was just so pretty from afar. Just the right type of quiet but skilled and fitting into the role of prefect, and he wasn't even there?

Standing next to the blue athlete door, resisting the urge to yawn. Listening to the lower headmaster of the school although it was unusual for him to do the speaking it was still the same boring lines and then the thudding came 'green house I suspect oh look at that I'm right' they received the most applause and respect becuse they always won 'mh with that knowledge it will be red next' the second i thought it the rose petals fell all around and some of my sisters audibly swooned at it 'ugh gross, their practically throwing themselves at Redmond' I rolled my eyes at this, but I seen the lights dim, and focused on the purple door the candles let off a purple flame it was beautiful but short lived the doors opened and... 'Nothing?' No one came out. A scream from further in the room rang out. 'ah somewhere in the crowd then at least that was new' a soft smile on my features as I scanned the crowd, to look for him, only catching a glimpse of a golden tassel, before my shoulders are grabbed and I'm forced to look at my brothers team, walking though the reception for blue was always so awkward barely a few people even clapped. 'wow what a crowed anyway' i looked around for the purple, noticing the cloaks were all the same so i kept scanning each one looking for the slight difference amongst them, i looked to my chaotic relatives the older two playing match maker with Adela (only cannon name i can find) the taller little girl with glasses and an equally awkward blue house boy rolling my eyes away i started to walk towards the purple house eating area attempting to walk away i was stopped by a hand on my shoulder i freeze completely slowly turning my head to see it was Redmond 'oh my god no no no please don't' forcing a smile

"hello?"

"Good evening, my lady. Would you care for a dance tonight? i know it's only the announcement, but -"

"No! i mean uhh no thank you"

i blurted out, giving a small cough and turning to let the hand fall from my shoulder. 'oh my fucking god no, no, no, not now, not ever' thankfully a younger sister called out to the prefect to ask for a dance. sighing and looking up, seeing another flash of gold and purple with white hair moving at the purple door as i try to move away again, but my older sister stood in my way.

"Why would you ever turn down Redmond? he has plenty of status for you to be of -"

"No, I'm good"

she looked shocked, and another broke in. i felt anxious now, feeling some eyes on me.

"You have to like someone here. There's plenty of handsome boys around"

I'm sweating bullets now, awkwardly shimming to the side, trying to escape. standing on my tip toes, getting a flash of his deep purple eyes, and looking at me between the crowd before turning away. my eyes widen and i try to walk over yet again, not even getting a foot forward before i felt another person invading my space, this time i glared daggers at the poor soul who was also know as Lawrence, his face was a thin line and half serious eyes.

"Could everyone just leave her alone"

"awww Lawrie"

they faded out as i was overwhelmed already, this place sucked and i only wanted to build up the courage to talk to-

"It's violet, right?"

"...huh?!"

i was more shocked in horror now looking at my brother, the calm tone setting in, and my face flushed he just sighed, fixing his glasses with one finger looking away before speaking.

"i hoped it wasn't but, alright come on"

"Huh? w-wait, how did you?"

my words fell flat he started to walk back through the door the athletes used, and i quickly glanced around before following him through. i was confused. No way, it had been obvious, right? All the girls would have picked up on something they're like sniffer dogs with this stuff. once i caught up with Lawrence, i looked at the spacious corridor that was perfect to make the entrances that they always did. I'm surprised curiosity never came through me to explore behind here. All the way the walls looked was beautiful, like most of this gothic school. once i was done admiring the architecture, i saw my brother moving along. we had passed the red door, then we reached the purple one. 'Wait. is he seriously taking me to Violet? oh god, he is, isn't he? i thought he didn't care about me, and why now is it because it's his last year?' My mind was spinning, and my face felt warm. Lawrence simply moved towards a door it looked like a store room, and he knocked before speaking.

"Hello Violet, I've brought company"

nothing was heard from the other side, but the blue haired boy opened the door. i tried looking in it was basically pitch black except for a small purple flame, which illuminated the space, not to mention the little light coming in from the hall me and my brother blocking the majority of it.

"Oh, it's you, thanks you Bluewer"

i was confused, but i didn't have much time to think, as i was lightly pushed forward, and my brother made a slight go-ahead gesture. i made a "really" face to him, to which he nodded, pursing my lips but proceeded into the void.

"I'll get you after the celebration dies down"

"wait Lawrence what's going on?"

he just smiled, giving a small good luck and left, closing the door so that the only purple flame from the prop lit up the room. my gaze was dawn to it, and maybe to avoid the intense stare i was getting, my eyes looked over the intricate design of the wand? it was amazingly crafted and the wolf skull was awesome every year purple house was the most interesting to see but its not like they won the game but i still found myself cheering for them i first seen violet in the stands and he talked to Lawrence they were the drudges at the time speaking of that boy i looked to the side of me he looked awkwardly sat his knees up to his chest arms crossed in the crook of it his eyes boring into mine and at this i immediately looked away the dark lighting did nothing to hide how pretty he looked those eyes which were illuminating and that lipstick made him seem so kissable 'oh god I'm in the same room as him alone. wait, alone, this is just like that game. Sis mentioned it. Ugh, what was it called again?' lost in thought i failed to notice that Gregory had moved, and his hand had come in contact with my cheek, his palm was soft, like he hadn't done much physical work, but the calloses on his fingertips proved his did a lot of art. 'Wait, he's...' My face exploded with heat, as my brain and his eyes came into contact with mine. The purple was intense and extremely captivating.

"uuhh h-hi so, is this where you disappear to after the entrances... It's quite nice not many people go here either, so it's a lot quieter. So, how come Lawrence knows where this is? Did you tell him, or do all the prefects do this? Sorry, i realise I'm talking too much. I'll just shut up now okay great"

i covered my mouth with both my hands backing up slightly, his hand falling from my face.

"How come Bluwer never mentions you?"

"Oh well, I'm uhhh kind of not that welcomed by everyone since i haven't shown much potential or ..... benifit"

i was embarrassed by this. i didn't really want to talk about it, obviously, but what he said next was unexpected.

"You're beautiful, peculiar. like salamander eyes"

i looked at him, blushing and confused. 'Is that going to be a compliment, too?' Either way, i had no other thoughts other than to kiss him

"Can i uhh...."

my words fell flat, and i just leaned forward. my lips kissing his i felt lightheaded, butterflies in my stomach. i felt some of his lipstick smear onto my lips. i pulled away the softness of them still lingered on mine. he faintly tasted like a mix of the fruit juice they had set out, defiantly apple and a hint of orange, maybe cranberry as well. Gregory had a light red blush dancing across his face.

"I'm sorry i didn't ask if i c-could uhh do that"

"It's alright, i didn't ask you to stop"

Gregory looked away it was now my turn to place my palm on his cheek, and i pulled him towards me, and his body wilfully followed.'Oh god, is this really happening?' we awkwardly kept our hands on each others faces, our teeth accidently clashed, and he pulled away. a bigger and deeper blush spreading from his cheeks down his neck, which was only barely visible in this outfit and the dimly lit room he broke my silent adoration, my mouth unknowingly was open.

"You're... uhh, you're really pretty"

"i uh t-thank you. i think you're pretty too"

we both blushed, and i looked away. but his gentle touch slowly turned my head back, letting us have another kiss. This one was slower more organized than the others. It let us fully enjoy the moment of peace and half confession. his tongue lightly passed through my lips, and i returned the gesture, he let out a small noise of surprise, this didn't feel real. I was so lost in the moment that we both failed to notice the door opened. and a clearing of a throat made both me and the lover boy break apart and look towards the sound. There stood my brother and Redmond, who giggled a little. I'm guessing Greenhill was somewhere off to the side

"Come on, sister, the others are leaving now"

Lawrence was obviously annoyed but held a smile. while Redmond thought to tease the poor emo boy some more.

"My , i wouldn't have guessed this from a Bluwer sibling. How romantic. How are you feeling Violet? rather flushed, it would seem"

"Be quite Redmond"

Gregory was blushing his mouth noticeable, had some sliver on them, and he wiped his chin.'When did that happen?' but we both equally looked a mess. i could feel the remnants of his lips on mine, not to mention the likely stained black lipstick. soon i stood up, and everyone moved out of the doorway. Violet followed after me, and i felt him link pinkies with me 'god that's adorable'.

"Lawrence, could i -"

"Yes, here"

it was a bit of paper that had our address specifically for letters. I passed it to Gregory, which he placed into an inside pocket. afterwards, we said our goodbyes and Lawrence led me to the other girls. When i left, i heard Redmond tease by saying violet should have had a parting kiss with such a beautiful maiden.

okay so this took me sooo long to write like i started it after episode 5 and here i am weeks later but i feel like did really good on this so whatever i will make a smut scene that i was going to add but i thought to keep it separate but on ao3 it will be one fic

#black butler #fanfic #kuroshitsuji #my writing #gregory violet #gregory violet x reader #lawrence bluewer #siblings

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bronx-bomber87 · 4 months ago

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Happy Wednesday my lovely readers :) We’ve reached the episode that rocked me to my very core. Honestly haven’t been this attached to a ship in a very very long time. Years passed without this level of attachment. Bringing out sides of me I didn't think existed. Like doing reviews. But our ship is something special even when they rip our hearts out. I blame Eric and Melissa LOL They are INCREDIBLE in this episode. The both of them. Brought their A game and then some.

This ep legit affected my mood for 3 weeks no joke and utterly destroyed me. I needed extra days to decompress before did my mini. The fandom was so lovely about that too. Love this fandom so much. I still don't know how I got that out tbh lol Also God Bless my bestie D for going through that with me. I got to watch it early that day which normally didn’t get to. Was usually after work. I remember D wanted to stop me but didn’t cause she couldn’t tell me why..

I had to go to a company meeting after and pretend I wasn’t devastated. Be a positive fun leader when inside I was dying. I did a good job my team had no idea lol But damn that was tough. Never been happier for a 3 week break than after this one. We all needed it. Let us begin. And thank you all again for going through this heartbreak with me. Gif count was rough for me so I fit in everything I could and made a ton.

6x06 Secrets and Lies

We start out with Lucy looking as stressed and anxious as we’ve ever seen her. Laying in bed but most definitely is not resting. The brutal toll this situation has taken becoming visible. When Tamara asks how stressed she is from 1-10? Lucy answering 19….Ooof....Could not be more relatable if she tried. When I get this laser focused I too am a nineteen. Her person has been radio silent for days. Her last contact with him was a massive knock out drag out fight.

This is the most time they’ve spent apart since they got together. Like I stated last review other than 6x01 they've scarcely been away from one another. Her UC mission in 5x21 yes but doesn’t really count. They talked every single day. So it’s truly the longest they’ve been apart. No wonder she is at a 19. Poor Lucy. Kills me. Such a wreck without him. Tamara asks if Tim is still ghosting her? Lucy tries to defend their situation. Not well but she sure tries lol

Lucy is barely keeping it together and it shows. I love that we get a shot of her pin-up board from that BTS video. The cupcake poster hehe Hopefully that makes a triumphant return in s7. Tamara doesn’t want to add to her stress... But let's her know she wants to move out. With friends from school. Worst timing ever. It makes sense but the timing is horrendous. Lucy takes so many hits this season. It’s almost worse the second time around somehow.

This time Lucy goes to an actual adult about Tim. Not useless Nolan who was painfully inept for her. Couldn’t fit it in but we see her touch her tattoo when she approaches Angela. *heart clutch* I love Melissa for doing it every time though. So subtle yet impactful. Nice little mini gut punch to start the scene. This was the right call though. If anyone knows Tim like her it’s Angela. Lucy asking if she should alert Grey? Honestly she should've but here we are. That would've been a whole other set of problems though...

Lucy feels like she’s going insane so Angela validating her helps. (at first) You know she finds this behavior of his incredibly alarming. We can see the immediate worry painted across her face. That’s her brother. She loves that man like he’s one. What sucks is that, even though Angela is empathetic, she doesn’t fulfill the needs that Lucy is going for. Which is reassurance and 'Hey let’s do this together.' A united front. Hoping since he is acting off Angela's reply would be 'Let's find out why as a team.' She is protecting her but Lucy is in a heightened emotional state and doesn't see that. Only see's being shut out further from Tim.

Angela plays her cards very close to her chest. Like a good detective would. Sadly Lucy wanted more solace than just ‘Trust him.’ That’s all she’s been doing for days. Poor woman is going out of her damn mind with worry. Even tells Angela as such. The reply she gets back not what she wanted… She wanted her detective gut and friendship. Unfortunately she just gets the former. That short lived validation she got earlier dying off quickly. Lucy is so damn upset when she takes off from the convo. Knowing if she sticks around she’s going to cry on shift. My damn heart. Melissa be killing me. Holy hell.

Angela scaring the crap out of Tim is hilarious. Serves him right tbh. This episode had me so upset and twisted, I couldn’t even enjoy scruffy Tim in a leather jacket. You know something is wrong when I can’t gawk over this man. Angela has zero trouble finding him. Because well it’s her. This is why Lucy enlisted her. She needed the best to help her. Such best friend behavior from the minute she enters his car.

Drinking his soda, calling him out, and asking WTF is going on? I adore her brazen bravery. This is why we love Angela Lopez. Willing to get herself fired for him. That she can take the hit not Lucy. I mean she’s not wrong….Angela could easily live off Wes. She would hate it but she could. It's a more viable option. Says it can be ‘Wine o’clock for her.’ LOL I always enjoy them. More of them in s7 please writers.

Tim doesn’t argue with her reasoning. Starts to explain the whole Ray debacle. Why he can’t just let him go. What he has on him. That he needs to catch him in a new crime. So he has reason to actually arrest him. Once Tim fully explains Angela just replies. ‘I’m in.’ Tim is shocked because of course he is ha Even though she is his best friend he can't believe has his back like this. Oh my broken boy. He double checks and asks if she’s sure? Her reply being the absolute best. ‘Yeah. I got your back boo.’ Hehe Lucky she’s your best friend my love.

We rejoin our bestie duo at the docks. Scoping out Ray on whatever back door deals he’s doing. She is studying Tim hard in this scene. It’s the best. Angela tries to impart some logic to Tim. Saying he’s followed Ray for two days and nothing. Asking how long he’s going to do this? Tim replying the most Tim Bradford reply. ‘As long as it takes.’ Angela is on her game today and doesn’t let him get away with it. Saying he’s just going to walk away from his job? From his relationship with Lucy? All to arrest a guy he hasn’t thought about in over a decade?

Something isn’t adding up for her and she is letting him know it. Angela gives her patented look. Knowing it’s something more. There’s a reason she’s such a good detective. Woman knows how to get to the root of things. Tim has only given her surface info at this point. Definitely not enough to justify this crusade he’s currently on. Let’s him know Lucy would understand why he lied on the report. She would even commend him for it really. We know she would. She love his soft heart so much. Tim agrees and says she would still get in trouble for knowing and not reporting him to IA.

A risk she would gladly take if you’d let her Timothy… It’s here Angela digs a little deeper. He gets a second stare. Tim finding it aggravating and telling her as such. Angela let's her next truth bomb drop. Saying he’s doing it to protect himself as much as her. That there’s something he’s not admitting. Mic drop. Nailed it and Tim knows it but won’t entertain it further. Has him dead to rights and he knows it. We then get the glorious BFF line. Like it or not she is. lmao Has your number just like your girl.

We return to Angela’s for Tim to break our hearts some more. Theme of this episode. One punch after another. Literally no time to breathe unless you check out during the other SL's. Which I did tbh.... They’re alone so she probes Tim further. Knowing that it has to be so much more than a report. He wouldn't let Ray get under his skin like this if it was that shallow. That he's bearing the weight of something on his soul. Tim gives in and begrudgingly explains what happened. That he had been squad leader most of his tour. That he was looking to move up to Sergeant First Class. Only caveat was he couldn’t have any rampant criminality in his unit.

Ray was in the way of this. Tim decided to keep it within the squad if they caught him themselves. He did an unsanctioned mission… Oh Timothy….He explains how Ray called in an air strike on them. Did this the minute he knew he was trapped. Schmuck would rather take them with him. Such a cowards move. The way Tim describes the air strike. Ugh my heart. His eyes filling up as he depicts how the world imploded around them. Eric is a master of emotion here. So expressive. Looks like he is right back there, with the most haunted look on his face. He thought he was going to die. Being so vulnerable I wanna hug him.

He and Mark were lucky though. The Humvee took the hit for them. But Henderson and Coyle were ripped apart….Ugh and now we see what he’s been bearing. That he led his men to their deaths. Their loyalty and faith in him had cost them their lives. All because Tim was in pursuit of a promotion. For personal glory. Explains why he wouldn't praise himself or take awards pre-Lucy. Or advance his career before her either. He didn’t feel he deserved anything good. Because the last time that was important to him, he got two of his men killed. Imma go cry now.... My poor broken boy. The PTSD is so real.

Eric continues to rip my heart out. Telling Angela there was so much blood. I can't imagine seeing that. They for sure thought Ray was KIA. No way he survived. It’s the way he catches his breath, tears in his eyes in this next part. I'm so upset for him. The way he points at himself when he says leadership. The failure and shame he feels for what he did. When we found out it would be his military background I was excited. I knew it would be dark though. Whatever this was. But my god. I wasn’t expecting it to be this. But makes perfect sense why he’s kept it from Lucy. He can’t bring himself to forgive what he did. How could he expect Lucy to? To still look at him like he’s the same man she fell in love with?

The deep rooted shame is evident in this scene. This is quite the weight to keep on your soul. One I’m sure he’s never told anyone. Not even Isabel about I bet. My guess is he buried it once he was state side. Like most do with trauma. Hoping it would never resurface. Sadly not how trauma goes... The way he tells the story it’s for the first time. You can tell. He’s right back there re-living it all. This scene gives us so much insight to Tim as a person. Why he is the way he is as a cop. As a person. It explains why he lost his damn mind in 2x01 over Lucy falsifying the report. Probably brought him right back there.

This is a very revealing scene. It makes sense why he shoulders things alone. It’s punishment for what he did. Doesn’t think anyone could love him enough to shoulder it with him. That breaks my damn heart. This ep makes me so emotional. *sad sigh* Nothing scarier than the person you love seeing you at your worst. With his background of abuse, it makes sense why he’s hidden this from Lucy. He doesn’t feel worthy of the comfort she would bring him. Only shame that he made a mistake. Tim is very self loathing and this is why. Coupled with his childhood it makes so much sense why he is the way he is…This one is emotionally heavy af. All his unchecked trauma barreling through like a bullet train in this ep.

Lucy arrives home and Tamara is there to take care of her. Saying she ordered pizza. I love this. She needed this. Lucy leaves the room to drop off her stuff. We hear a knock at the door and it’s Ray.... Earlier he scanned Tim’s vehicle and got Lucy’s address. Which made me sick to my stomach. I knew him grabbing it was going to end this way. Best way to get to Tim is through his heart. When Tamara opened the door and it was him..The hairs at the back of my neck stood up. Tamara calls out for Lucy. She emerges and goes into protect mode right away. Eyes on Tamara first but also hating her gun is locked up.

Heart was in my damn throat the entire time. Lucy handles herself like the bad ass we’ve all come to know and love. Commend her for keeping herself composed when she was terrified. I also adore her not putting up with any of his scare tactic BS. Her line about the only call she’s gonna make is for the ambulance. Like hot damn Lucy. Way to protect Tamara and yourself. It's true she could take his scrawny ass easily. I long to be the confident BAMF she is.

Doesn't hurt she’s still got the rage burning from being in the dark. So not only is her life being threatened now Tamara's is. This is Lucy's FINAL straw. It’s now bled over in the worst way. Not only that but she still has no idea what’s going on. We can see that mama bear come out loud and proud. It’s one thing for her to be involved it’s a whole other thing with Tamara dragged in. This is what pushes her to reach out To Tim. To cut his crap. Whatever this is has now endangered an innocent life. One she loves fiercely and will die to protect.

Lucy RAGE calls Tim and unleashes hell. As she should… Demanding to know where his ass is. Tim knowing he can’t hold her back any longer. So he lets her know. I mean Lucy is million percent done with this crap now. With his behavior, him cutting her out, all of it. So very very done. Rightfully so. I do love him answering ‘Hey, what’s wrong?’ Knowing she wouldn’t be calling unless something was. He for sure would’ve dropped it all to go to her.

But she was way too pissed to see that fact. She shows up like a bat out of hell. Biting his head off immediately saying 'Does she look ok?' No….she does not. Forever love Angela escorting Tamara out of the room. Mom and dad about to have it out so let's go. The concern all over his face kills me though. This was the last thing he wanted to happen. The very thing he was striving for by shutting her out backfired horribly. Not only did he endanger her but Tamara too.

It was Lucy’s final straw and she is showing it. These were the types of fights that are needed though. As much as this hurts she is fighting him to save them. Because he is worth the bother and effort. Just like he stated in 5x08. Asking why her and Chris never fight?They’re fighting against each other to protect one another it kills me. Also you know your ship has chemistry when even their fights are lightning in a bottle goodness. Just as amazing as their happy stuff. I can't speak enough to their fantastic on-screen chemistry. Even though this fight is fiery and hurts to watch it's hurts so good to watch them hash it out.

Tim explains who Ray is and Lucy don’t give a single fuck. It’s not who he is that has her raging. It’s him cutting her out that is. I love the movements Melissa does in this scene. I know she had an interview about her being mad. Thinking she was awkward. It wasn't at all. Was so real. I think she nailed it. Her body language is on point. How she stamps her foot. Shouting how who Ray is doesn’t explain why he iced her out. At all. She is VIBRATING with anger. Yelling at Tim to stop protecting her. Which he won't. That is like asking him to stop breathing tbh. He would rather die than not protect her. Ugh his reply of ‘ I can’t. I won’t.’ They’re at odds with the deepest part of their souls. Of who they are.

Tim will never stop protecting her. Just as she will never stop trying to help him. Been in her DNA from the jump. For him to not let her is just as painful as Tim not protecting her. *sigh* This is where their intense need to protect each other backfires so badly. Sounds romantic and sometimes it is. But in these type of moments, it shows the cracks in their already fractured communication. It real though. Communicating is HARD. Especially when you both come from abusive homes where that wasn't taught. If you aren't taught healthy communication you're just not going to do it. Simple as that. It's like a muscle that never gets used. Then when it does it feels so unnatural and painful.

These two are going to be the death of me. Hell they already have been. They have so much to work on in s7. It’s insane. I'm excited for it though. Lucy then brings up how Lopez was read in but not her. She is HIS PERSON. If anyone should be read in it’s her. Consequences be damned. Yeah Angela does have less to lose but that is NOT the point. Tim is clearly not getting that fact. I adore Lucy grabbing his hands during the end of the scene. Mirroring back she 'Can’t and won’t' not help him. Telling him she is over being to good girlfriend. He’s going to let her in NOW. Oooh lord. You Tell 'em Luce.

Their OP to foil Ray goes off without a hitch. Tim tells him it’s over. That there isn’t an air stroke to save him this time. Ray tells Tim ‘I am the air strike. I’m about to blow up your whole life.’ *grumble* It’s so true on many many levels. Watching Tim be so stoic in his IA investigation kills me. Wish could've fit this in. Eric be out here again making me emotional af two eps in a row. You can see the tears in his eyes but the rest of him is controlled. That military background of his coming in clutch.

it pains me to watch him lie and have it destroy him. I remember I saw people saying how could he lie? That’s not like him. Um no. This is very like Tim. Not to lie but to protect those he loves. If lying protects Lucy and Lopez that’s what he’s going to do. He has a history of being a little gray for those he loves. Isabel is a good example of that. All that went down with Detective Murphy was similar to this. ‘Some things matter more.’ Once again rings true with him. Tim is believed over Ray. Because even if Tim doesn’t want to believe this he is the better man.

Better reputation and Percy closes the investigation. Have missed him. But whoever he’s around it’s not good. Love the actor though. What happens after is rough to say the least. Never seen Grey as disappointed in Tim as he is here. Reprimanding him and having to report him to Pine SUCKS. R.I.P. Metro Tim. I loved you so…It’s killing Tim to have Grey look at him this way. Deeply respects him and to be scolded by him cuts him. Just dismisses Tim without further comment or fight….

God almighty the song playing in the background. I don’t even remember it. I only watched this scene once. I think I blacked out a lot in this moment. The immense shock rocked my system. Suffice to say it’s beautiful. The piano, the haunting oohs and lyrics are the perfect backdrop to this devastating scene. I felt this building anxiety watching this scene. Waiting for the hammer to drop. When she pulled him into her arms *phew* It was first breath I had taken in nearly two episodes. These eps had me on the razor's edge of sanity. I love her waiting outside for him and instantly pulling him into her arms. Just like Tim did for her in 5x22. I'm fine.....Imma cry as I write this. Horse heaven playing in my ears right now. Adding to my emotional state. These two getting me all weepy.

I’ll be honest I thought if a break up was coming, it was coming from Lucy the first time. Which is why this devastated me like it did. Having the full season in hand now. Makes total sense it’s Tim. At the time I thought would be her. But that wouldn’t be like Lucy at all. After everything he put her through. The secrets, the lies and shutting her out. She had every damn right. But she loves this man unconditionally. So unconditionally. Everything Lucy does in this scene is a reflection of that unconditional love. There to pick up his broken pieces despite all of that went down. Look at her in those gifs above.

Especially that second one. First time she took a breath too. So grateful to be here for him in this moment. I truly thought ‘Oh. Maybe we’re ok... She’s hugging him.’ Encasing him in her arms. Trying to absorb all of his hurt. Supporting him the way he sought out days previous. Gently cradling him against her. It's the tender way she nestled her fingers at the back of his head that gets me. Tapping into some ship crack for me there. *phew* Honestly thought with her being there for him they would make it out unscathed. I truly did. The chemistry from this hug is unreal btw. Tim doesn’t feel worthy in the least. The way he slumps against her. Doesn’t really hug her back like normal. Can't see Lucy is so willing to absorb his hurt and pain. To love him through this. This hug is beautifully tragic.

Lucy releases him and he looks as broken as I’ve ever seen him. 4x09 x 1000 tbh. He shirks away from her. Hands in his pocket. So disgusted and ashamed with himself. Something l've learned in Pilates is posture and the importance of it. When you stand tall and at full height. You are confident and sure of yourself. When you are slumped it presents a lack of confidence, shame, and feeling unworthy. His posture is screaming that. Like he feels he shouldn’t even be in her presence right now. He crushes me with how he says he lied about everything.

Then sarcastically almost sardonically follows it up with ‘But hey it saved my job….’ The amount of disdain in his voice is gut wrenching. The whole reason he was in this Ray mess was to further himself. To keep his career intact. He saw a promotion and went for it at all costs. What he just did lying to IA was to be that same man again. (In his mind) To put his career first over what’s right. Risked people's lives again as well. People he loves. Sickens him ten years later he’s doing the same thing all over again. Even though it's so different this time. There is still nobility in it with saving Lucy and Lopez. But this man can't see that right now. Doesn't see any good in this situation or himself.

Lucy does her best to sympathize. Telling him it was an impossible situation. If it had been her she would’ve done the same thing. Thing is if it had been for Tim yes she would’ve without question. But he can’t see the forest for the trees atm. He is drowning absolutely drowning in his self-loathing. Tim continues on with the painful self flogging. Telling her she would’ve never been in his position. Putting her on a pedestal while he makes himself very very small. That OTP line from 6x03 from him 'You could never disappoint me.' That is true. The problem is he doesn't realize he could never disappoint her either. Tragically Tim doesn't view it that way. Only sees he's not worthy.

Lucy once again tries to pick up his pieces. Telling him he thought he could handle it. He was wrong but made it right. It’s like she can sense him pulling away in this moment. Doing her best to calm his fears about himself. Trying to do what she’s always done in years past best. Build him up. Soothe him. Sadly she isn’t gaining an inch of ground with him. He is stuck in how he feels and there is no budging him. Tim is morose saying he wishes it was that easy….We can see the incredible amount hurt on his face. Telling her he just lied to two men he deeply respects. He is coming undone rapidly and Lucy can see it. I adore her putting her hands on him. Trying to right his ship.

Ground him to her in this moment. Because once again it's something she’s done so well in the past. Tim is spiraling so hard he can’t see her gesture for what it is. Tells her he just betrayed everything he thought was right about himself. *heart clutch* Lucy can’t stand him talking down about himself. Tries to interrupt but Tim won’t allow it. Lucy graciously nods and lets him get it out. Especially when he tells her how hard this is for him. She is so wonderfully understanding it makes my heart ache. Tim feels like he is a bad guy. Thought he had gotten past this and was sucked back in so easily. Truly believed he had become a better person since then. (He has) Ray was right he was gonna blow up his entire life.

He just exposed Tim for the fraud he already felt he was. Bringing his greatest sin to light. Bringing up feelings of not being deserving. Of inadequacy. His abuse background pulling into the station and not leaving. Tim is back to a place of massive self loathing. Saying he has been lying to himself for years. Thinking he’s gotten better when he hasn’t. To him he reverted back to the man he thought he left behind. Not only that he put his person. The woman he loves at risk to cover up his past. To cover up his shame. It’s hitting him like a freight train of terrible realization. Continuing on to say he can’t go back to the way it was. I was hopeful when he said ‘Right now.’ Then followed it up with maybe never….

Lucy had been nodding along. Being so wonderfully empathetic and understanding. She was with him till he said that. Then she is hit with her own terrible realization. He’s leaving her. She is losing him. In the same parking lot where he told her to take a risk. Where she expressed her concern over losing him if they did. Worried about losing the most important relationship in her life due that risk. The same spot where he told her 'Unless it is.' A giant stab to our collective shipper hearts.

It's why Lucy is in a state of utter shock. As we all were tbh. She shakily asks him if he’s breaking up with her? When he said I’m sorry. I remember having to pause. Freak out and cry. I recall chanting ‘No no no….’ To myself repeatedly. My dog was very alarmed. Because I was distraught af. I couldn't believe this was really happening. My happy place was being decimated before my eyes.

Look at the range of emotions on Tim's face before he delivers that line though. Eric you why you doing this to me? They blow this scene out the damn water. it's so visceral. and raw. He looks like he's about to have a breakdown before he delivers that line. Battling with himself about it. There's a desperate need to want to stay with her. But his self doubt and hatred wins out knowing he isn't deserving. Do I think he came out thinking he was going to do this? A little. I think the more he spoke about it and himself the decision was made. He wasn't going to be be talked off this ledge.

The way Lucy replies after this rips my heart out. This break up feels like death by a thousand paper cuts. Months later and this hurts just as much as the first time. Lucy doesn't hold back in the least. Telling Tim he doesn't get to do that. Her line about using it as an excuse is so spot on. This Ray situation has hit VERY close to home for Tim. An insanely sensitive subject for him. It's rubbed against a wound that never really healed properly. Just was buried in the back of his mind.

He doesn’t have the capacity or emotional maturity to handle it. So he ejects out as a coping mechanism. Lucy calls his ass right away for it. It’s so painful to her that he is doing this excuse. Because it feels like a crappy cheat to them. To her. It's truly a cop out and our girl deserves better than this. Especially after all they’ve been through together. All that rapport and trust they’ve built over the years. It’s an insult to who they are as a couple and the relationship they’ve developed. Sadly that all vanishes in this moment. It’s stunning Lucy and straight murdering my feels.

Her ‘That's not okay.’ is a dagger to my shipper heart. The way she continues to repeat herself cause she's in shock. Ugh.This goes down as one of the most painful breakups I've had to go through. Lucy is so upset he is going this route. Melissa had a great interview (quite a few actually.) About the lie line and using it as an excuse for Tim. She noted Lucy is upset cause how he’s acting isn’t them. That they get to have these conversations. Not only have them but recover and grow from them. It’s what she expecting from him in this moment. It's what she expected from his 5x08 Mantra going into this relationship.

She is telling him I’ve got your back. I’ve got you. What are you doing? What happened to ‘Unless it is?’ Lucy continues to vehemently disagree with him. As she should. The worst part is Tim says ‘I know.’ Like he knows what he’s doing is wrong. Knows to eject after everything isn’t ok. Yet he can’t stop himself. He is not emotionally mature enough to handle this conversation properly. Also too blinded by his own self-hatred to see the unconditional love she is showing for him in this moment. God this is painful.

Tim then comes in with the breakup line of ‘You’re an incredible person.' Lucy can’t believe this shit . She really can’t. That Tim is is doing this to her. To them. Even though Tim is being genuine with his statement. You can hear it in his voice. Doesn't do anything to soothe the wounds he's causing. Once again Melissa crushing it with the upset body language. The mannerisms are so on point. Maybe it's because I'm Italian and I use my hands when I'm upset. I do exactly what she's doing. Why I appreciate it so much. It's so real.

It's a cop out what he is doing. 'It’s not you it’s me' schtick. We see the anger building in Lucy. She can't even look at him in the second gif. For him to toss away what they have is painful enough. To do it based off a cliched excuse is destroying Lucy. Thinking what they had was worth so much more than this. Thought they worth the nasty fights. No way she knows fully what happened or she would figure out why he's really doing this. That’s what makes the rest of Lucy's replies so god damn tragic. She is trying to hold onto him for dear life. But is only being pushed away in return...

Tim continues to push forward with this breakup. Letting her know she deserves better than him. It's SO much deeper than that but it's the only way he can convey it right now. Her ‘Oh my god…’ This is her worst nightmare. Her biggest fear come to life. This is why she hesitated starting this relationship. Why she was so afraid of risking her most important relationship. It's unfolding before her eyes and she can’t stop it.

Like a bad dream she can't seem to wake up from. We all wish we could...Tim has never felt worthy of Lucy’s love, light or praise. This reaction just proves that. It's been building for a long time and this is the final result of it. It’s not logical but a trauma brain rarely is. The amount of emotional and physical abuses he endured growing up left it's mark. Has him truly convinced Lucy could never love him knowing what he did. Tim feels he does not deserve her comfort, support or love.

Punishing himself and denying what he need most because he feels unworthy. Thinks he has made a mistake so grave there is no coming back for him. No way she could love him if she knew. So he like Angela stated earlier Tim is protecting himself. Pains me to watch. Now as I've said before it's not to excuse but to explain his side of it. I understand why he's doing it even if it's fucked up.

He doesn't give Lucy much more than she deserves better. Tells her it's why he's walking away. This man feels so undeserving of the love she has to give. In his mind he thinks he’s doing her a kindness. To separate herself from such a shameful and broken man. That she could do better than him. To Tim he made the biggest sin and can’t live with himself about it. He can't envision a world where Lucy would love him through it. The tragedy is she already was in this scene.

Lucy isn’t hearing any of it. Full on panic spiral that I shared in this moment. Her ‘Don’t do this. Why are you doing this?’ Is the most soul crushing part. She can feel him slipping through her hands. Like sand rushing through her fingertips. She can’t hold onto a grain of him. Can only stand there as he gives up on them. His face in the third gif...Knife to my soul. *screams into a pillow* It's killing him to walk away from her. Eric and his expressive eyes has me bawling. The quiver in his bottom lip as well. Gah it hurts to watch them both in so much pain. It’s the way she pulls away with one hand, but is clutching his other hand for dear life, that really gets me in that last gif.

Asking him once again why are you doing this? I shared that sentiment in this moment.. Tim stands firm in his decision to end them and rip all of our hearts out. Eric had a great quote about how Tim handed this whole thing. ‘He is impulsive and he reacts instead of thinking things through. And it can come out as a bit too strong.’ He feels he is a burden Lucy therefore he is removing himself. Not thinking about the damage it’s going to do to her. The immense regret he’s going to feel when he regulates a bit more.

Something therapy has taught me is we are ruled by our nervous system. Anxiety, stress, fear etc Tim’s was haywire in this moment. All of them going off at once. Not thinking clearly. Acting out of fight or flight. He took the flight option unfortunately. The tragic way he grabs her head and gives her the saddest head kiss. Shattering all of our hearts in the process. It’s the devastated look on his face when he strokes her hair and takes off. One final gut punch from him. It's like he’s leaving behind his greatest treasure and can’t bear to be around it any longer. Lucy is clutching to him until he departs. *snifffle*

The man actually thinks she is better off without him. Truly believes that. Even if Lucy had succeeded it keeping Tim, this would've reared it’s ugly head again down the road. This breakup ruined my friggin life. I kid you not. They were my happy place. My consistent happy place. And now that was gone. It affected my mental health a little too not gonna lie. I think I was in mourning for three weeks. Honestly I still am. Low key will be till they're fixed. Those three weeks were unbearable. But also needed. Thank you again to my bestie D for being my mourning partner through out that. Kept me sane.

That being said I think this will push them in the best direction. A healthier and stronger one. I truly believe that. I recently broke up with a friend who I had been friends with for ten years. It was very hard on me but time. Boundaries were being pushed and it wasn't healthy anymore. My therapist pointed me to a wonderful book called ‘Goodbyes and good boundaries. ’ While It helped heal my heart it also has really good pieces in it. Stuff made me think of this very ep tbh. Sure that wasn't her goal LOL But my brain is always in a Chenford state of mind in some way or another.

First one that made me think of them. ‘Health cannot bond to unhealth.’ As much as it wasn’t fair for Lucy. And god it wasn’t after everything else this season. Tim was in such a radioactive state staying with her wouldn’t have worked anyway. He was radiating turmoil. Lucy can do a lot for him but not this. He NEEDED therapy so much. There are things you learn in there that only your therapist can help you with. He was unhealth and Lucy was trying to keep her empathetic healthy self to him. It was never going to work. Not unless Tim put in some work. Which he couldn't at this point in time.

“Relationship often die not because of conversations never had but rather conversations needed but never had.” Another good one made me think of them. Tim was not ready in the least for the adult conversation required of him in this moment. Or their entire relationship really. They both danced around the issues a lot. 6x02 closest we got. Even then it was one sided. Thus them dying in this moment. Despite Lucy’s damndest to keep them afloat. Remind him of what they’re fighting for. Of why they started this. This breakup was painful af. Despite how this wrecked my world it’s going to be good for them in the long run.

I will say Lucy in that last gif was all of us in that moment. It was a soul crushing moment that decimated this fandom. Still blows my mind Melissa and Eric were surprised just how insanely devastated we were. Why they did those lovely posts during the three weeks. To thank us and to hold on. Growth is coming. They’re going to be even better after this. Doesn’t mean this didn’t hurt like a SOB and won’t long after they reunite. Curse you Eric and Melissa. You are incredible to evoke such emotions out of us all.

Thank you for going through this with me again. It wasn’t easy but they always worth it. Appreciate any and all comments, likes or reblogs I get. I shall see you all in 6x07 :)

Side notes non chenford

Balian doing the creepy bed thing again. Just have to note that.

Also can’t believe they didn’t end the ep with their breakup. There is a whole minute or so of I don’t give a shit after that scene. I was so distraught they could’ve had Nolan walk into a wall and I wouldn't have noticed.

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lunarspiral1127 · 8 months ago

Text

X-Men 97 episode 8 *SPOILERS*

Bastion

Not gonna lie, I busted out laughing when I watched his origin story. This is the second time an antagonist had to wait for a couple to make a child and use said child for their plans. Nimrod was lucky that the guy he infected was in a relationship. Plus, I thought it was gonna make Bastion sympathetic due to his childhood flashbacks, but nope.

So, he made a Utopia for humans, but the mutants are enslaved. Saw old Polaris and the Phoenix. But, what bugs me is that he claims that many of the humans consented to be turned into Prime Sentinels without knowing all the details and won't have any memory of being turned. I find it hard to believe that every single one of them would've consented, especially his elderly mother. Dude omitted many details and I'm pretty sure he turned some of them without them knowing. Plus, I'm still mad at him for killing Gambit.

Cameos of Dr. Doom and Zemo (hydra n@zi Zemo, not the MCU version). Wasn't expecting to see them being members of OZT.

Mr. Sinister's just in it for the mutant experimentation.....y'know what? I shouldn't be surprised with that reason why he "teamed up" with Bastion. More test subjects.

Summers Family

Not gonna lie, I was really annoyed with the drama between Cable and Scott. If this was comics Scott, I can understand why Cable's giving him the cold shoulder. But, this Scott didn't wanna abandon Nathan like his dad did to him! It was Madelyn that gave him to Bishop. So, if Scott was there with her, things would've been cool?! God, I'm so sick of this drama. Thank goodness that it didn't last long and that Jean stopped them from escalating it further.

Summers family vs. Prime Sentinels was pretty cool. I like that father/son fistbump, which means things will get better between the two.

It's funny that Jean's being the mom at Cable who's like this big man in his 50s.

Also, Jean and Scott's relationship is getting better which is a relief.

Nightcrawler

Once again, precious boy and MVP. What he said to Jean was really nice. He's always been there as someone's shoulder to lean and cry on. When he talked about Mystique, I felt so bad for him. Honestly, I hated what she did to him just because he was born that way. In the 90s show, she did feel guilt for what she did when Nightcrawler talked to her. But, I still didn't like her for what she did to him. However, with all the words and hugs he's given to others, I hope he has someone who'd give him words and hugs too. He also needs a shoulder to lean and cry on too.

SWASHBUCKLING NIGHTCRAWLER HELL YEAH!!! I've been waiting to see him use swords and it was worth the wait. Him teaming up with Wolverine was really cool. Plus, seeing how his teleporting works was cool too. Love that he was protecting his sister, and I'm glad that we got something with him and Logan cause we haven't had anything like that since he first appeared.

Beast

Why the hell would he let the reporter stay in?! Even if she's not doing her job, she's shouldn't be involved! It has nothing to do with her, plus, I'm pretty sure he revealed a lot of classified information that only the X-Men should be allowed to hear and see. Dammit, Beast. And, dammit Morph for letting her in too.

*sigh* Anyone else think, he's been done dirty in this episode? Cause having her stay in there got his butt kicked. Sure, he didn't know that she was a Prime Sentinel, but they do know the possibility that any human could be one, right? Now, Beast is knocked out along with Rogue, who hasn't woken up still.

Jubilee and Roberto

Okay, so they are gonna be part of the main plot, good. I was worried that they were gonna be sidelined, especially Jubilee.

His mom is a beech. She sold her son out to the Prime Sentinels and didn't believe him and for what? Her reputation?! Man, f**k this beech, she sucks. Poor Roberto though.

Finally using his powers more than once! I counted four times in this whole series so far of when he used them. It's also something that annoys me about the character. He said that he was training in the Danger Room to surprise Jubilee, but why couldn't we have seen that?! Why couldn't we have Roberto training with one of the X-Men's help and see him develop his abilities?! Hell, have Jubilee be there to train him! That way we could've seen more of his abilities and see him grow more and have him interact with other characters, bonding with them. Not just Jubilee. Maybe have him open up to when he first awakened his powers and why he wants to hide them, instead of just telling us.

On the plus side, they should be okay thanks to Magneto's magnetic EMP ability. Speaking of which....

Magneto

I'm glad he didn't get turned into a Prime Sentinel, but I still don't understand how Bastion and Mr. Sinister got his hands on him from Genosha. That blast should've killed him along with the Morlocks. I don't even think it's gonna be explained how they captured him.

His prisoner numbers....yeesh. 😬

The one good thing that Cooper did. Letting him go and realizing that he was right. Aside from that, f**k her. Seriously, was the only good human (regular human, not enhanced) shown in this was Moira?! Cause that's what it feels like.

Now, I was confused at first with what Magneto did, but I think he went to the North or South Poles and used the Earth's magnetic field which is strongest there to cause a worldwide blackout, disabling all the Prime Sentinels. Not killing them, mind you. All while in his underwear, too.

Honestly, I wouldn't blame him if he wages war. He tried to be good. He tried to respect Xavier's dream. But, look what happened. So, I wouldn't blame him if he did this.

HOWEVER! I like that Magneto was good. Part of me doesn't want him to go back to his old ways cause that's gonna be more conflict between him and Xavier. Plus, only Logan claimed that Magneto waged war. If he did, he would've killed the Prime Sentinels, but he didn't. If anything, he'd be waging war on Bastion since he's the one responsible. But, yeah, I'm sorry Xavier. You're cool and all, but Magneto was right.

Cameos

I mentioned Zemo, Doctor Doom, Future Polaris and Future Phoenix. But there were much more.

Omega Red and the Silver Samurai, but one that made me so excited to see......SPIDER-MAN!!! I was so happy to see 90s Spider-Man. I know many would want a sequel to the animated series, but we'll have to wait and see.

The rest I wanna talk/rant about

Professor X shows up finally, but I got miffed when he said "I hope I'm not too late". CHARLES! YOU ARE VERY VERY LATE!!! I know space travel takes time, but COME ON! He better do something real quick to help stop all this crap that's been happening. Dunno how, but it better be something good.

By the way, I'm still annoyed with that black hole excuse. Why couldn't he just contact Scott and the others and stay in touch with them right when he was fully recovered or was well enough?

WHERE THE HELL IS STORM?!?!?! I know she's with Forge, but you'd think the moment she heard about Genosha, she'd head back home flying. She'll probably show up next week, but it's been like two episodes since she got her powers back. Is her not being there sooner a choice the writers made cause if she was there, the fight with the Prime Sentinels would've been over quicker? *sigh* I just wanna see one of my favorites come back and kick some butt like she used too.

I dunno if Forge is gonna come back with Storm, but I hope he does. I want him to help with this Bastion mess. Plus, he did take a photo with him, which has me worried that he was connected somehow but I hope not. It also would be cool, if he contacted the rest of X-Factor and meet up with the X-Men and team up. But, I don't think that's gonna happen.

So, Bishop is definitely out of the picture for the rest of this season, which is bullcrap. It would've been cool to have him and Cable work together again like before along with the X-Men. But, instead, the excuse was they got separated from the time stream. So, we don't even know if he's okay or if he's lost again, or if he actually made it back home. God, I feel like his character's purpose of the show was to help create another characters origin.

Okay, I think that's pretty much it. It was a good episode, even though I did rant on a lot of stuff. We'll see how parts 2 and 3 play out in the next two weeks and hope that the finale will stick the landing.

#x men 97 #xmen 97 #x-men 97 #xmen 97 spoilers #x men 97 spoilers #x-men 97 spoilers #episode 8 #episode eight #marvel

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