#techno marching band

[willenator]

So, I stumbled across this band recently scrolling through TikTok. They refer to themselves as a techno marching band. I was intrigued with the clip I saw and music sounded pretty good. Decided to hop onto their YouTube channel and check out some of their songs. Really like the vibe they put out. Guess I found me a new band to listen to! Who would have thought I would be into a techno marching band?!

[marejadilla]

“Ein Tag wie Gold”, Meret Becker / Meute Band, “Babylon Berlin” (Original Television Soundtrack, Vol. III) ℗ 2022 Released 2023

[thoughtportal]

MEUTE - Solar Detroit (Maceo Plex Rework)

Detroit, Michigan: Feeling the roots of techno with our version of Maceo Plex's track Solar Detroit ♥︎

[milesbutterball]

Watch "Elbphilharmonie Sessions | MEUTE live on the Rooftop" on YouTube

[cadmusfly]

please tell me about the bagpipe dubstep 🙏

Bagpipe Dubstep.

YUKI is my fav song (though I also really like Cliche, NiTRO and a few others!)

[burlveneer-music]

MEUTE - LoCKeDoWN2 - the "techno marching band" that appears in the Moka Efti dance contest in Babylon Berlin season 4

MEUTE is a Techno Marching Band - eleven drummers and horn players from Hamburg / Germany who fulfil the job of a dj with their acoustic instruments. The archaic conglomerate of brass and drums creates a new genre by combining hypnotic driving techno and expressive brass band music. MEUTE detaches electronic music from the dj desk and evolves the thrust of energy on stage or directly in the crowd. Be it on the streets or in the club, with or without electricity – MEUTE runs! Band: Marco Möller | bass drum Timon Fenner | snare drum Onkel | snare drum André Wittmann | marimba Philipp Westermann | sousaphone Philip Morton Andernach | bass saxophone Adrian Hanack | baritone saxophone Johnny Johnson | trombone Sebastian Borkowski | tenor saxophone Hans-Christian Stephan | trumpet Thomas Burhorn | trumpet

[fidjiefidjie]

Bonne matinée 🆕️🕺💙

The Chemical Brothers 🎶 No Reason

(Neon Marching Band Video)

[heavenknowsffs]

You know a gig sucked when the most interesting part is seeing the crew take everything away

[velvetwyrms]

You’ve heard of Akatsuki Band!AUs, now get ready for the Akatsuki Marching Band AU!

They specialise in recreating (or creating) Techno & House music, essentially fulfilling the role of a DJ with only traditional instruments that have been around for hundreds of years.

I desperately want to draw this AU but for now, here's the edit I spent a painstaking hour researching and editing without a tablet:

This AU is based on the German marching band MEUTE, who I’m so hyperfixated right now, please bless your ears with their work:

PHENOMENAL music! Changed my brain chemistry. Here’s something I feel suits them a bit better though:

Anyway, thanks for coming to my TED talk, this AU has been non-stop playing in my brain for days now. Enjoy the music, and if you’re interested, I’ll draw them traditionally, before I can buy a new tablet (could be like a month). Might even make a couple of extremely short animatic studies but no promises, I’ll be busy academically soon.

[the-moth-from-elsewhere]

The Epic Amazing Absolutely Insane TAOCC Song Post

Aka: Elsie assigns random songs to random characters for random reasons, vaguely organized by mod. These are almost entirely vibes and randomness so get ready to be utterly confused. Don’t expect any of these to fit too well, I went more based on the sound and random stuff than the actual accuracy. Also i’m kinda brain-broken from overthinking all this music lol. No, I didn’t add links, just because this took so many hours. Maybe tomorrow, I just wanna get this done.

Feiar’s characters.

Nymn

“Dento takes the Stairs” by Gooseworx

I told you these would make no sense. Idk the amount of nymn just being vibes/silly/lighthearted makes me think of how this song is a break from the chaos of the Elain series.

Jessy

“Metamodernity” by Vansire

Okay, I have a really specific animatic in my head for this song in which we flash between the TAOCC characters as they are in the circus, and then a cool transition, and then it’s them pre-circus. My best example is Dusk and Jessy sitting on a bench. A train passes by, and now it’s human Jessy sitting alone on a bench. Because Dusk is AI. And that very specific part of the animatic in my head tends to stick with me, especially seeing as Jessy is very “just go with stuff” and so I can kinda hear him singing this in my head.

”Apocalypse Now” by PinnoccioP

The first appearance of many of my favorite music artist lol. The song is about enjoying existence even if everything is a violent wreck, and it just kinda fits to me lol.

“World’s Smallest Violin” - AJR

yeah just gonna drop this one here and run

“Sweet Tooth” - Scott Helman

Blame Fei.

Clara

”Drosselmeyer’s theme - Kurumi Wari Ningyo (Nutcracker No. 2 March) - The Princess Tutu Soundtrack

Okay, for starters, you should watch Princess Tutu. Like right now. It’s amazing, and the title does NOT do it Justice. Back on track, it…it’s the nutcracker! Come on, this one was basically handed to me.

Tutu vs Kraehe (Swan Lake Act 1 Op. 20 No. 2)

Fight theme.

Lance

”I Don’t Have a Name For It” - Steam Powered Giraffe

I…I’m sorry I don’t have an explanation for this it just works. Lancia sweep.

Raina

”Nightcall” - Kavinsky

…Once again, very flimsy. But like…switch the gender. I’m sorry but it’s giving “they’re talking about my death but I’m still here.” The miku version works better here in my opinion :3

The pirates

“He’s a pirate” - F-777

“The 7 Seas” - F-777

idk man techno piracy go vrrrrrrrr I unironically blasted these during like the entirety of the pirates plotline frick you this is my rant I do what I want /silly

Star’s Characters

Icia

”Long Live” - Taylor Swift

I swear I have reasons for this just hear me out okay- First off, I can see the voice fitting, second off, I imagine her singing this either for Lance or Starro or both after we finally finally finally throw Hexe off a cliff.

“Santa Salvacion” - Magia Record OST

epic fight theme for fighting the terrifying ice lady. I blasted this while writing the fight scene with The Dark Queen Icia.

Dunite

”Postmeridae” - Madoka Magica OST

Cutesy upbeat theme for making merengues to. No notes.

“Witches Dance” - Magia Record OST

Idk, feels like her fight theme

”Roki” - Mikito P

…Vibes. Entirely vibes. Dunite should start a band /hj.

Starro

“Please Never Fall In Love Again” - Ollie MN

I just…him. Singing this. About Conny. I swear to cheese.

Vaga and Nova

“Class Dance - Rensho Kyoku I” - Princess Tutu OST

…Vibes.

Odette

”Vocalise Op. 34 No. 14” - Madoka Magica OST

Vibes. Piano. Sad string accompaniment. Must I say more?

Achilles

“Doubt #2” - Madoka Magica: Rebellion OST

Starting to notice a pattern with the kingdom characters lol?

Joofie’s Characters

Cardlan

“Main Character” - Will Wood

Ego. So, so much Ego.

“Sayo-Nara” - DDLC OST

I have my reasons.

Minimi

“Not Yet (Epilogue)” - Madoka Magica: Rebellion OST

Accordion and a little bit of ominousness. Vibes.

Xeyshattersiltav1a’s Characters

Sun

“Cowboy Dan” - Modest Mouse

Yee-haw sun. Do not give that woman a truck. Wow, these descriptions are getting terrible lol.

”Popular” - Wicked Soundtrack

Wicked but it’s sun and Dusk lives in my head rent free okay

“Alright” - Mother Mother

please help me I keep making up sun animatics with this song in class

Mix

“Something, Everything is Wrong” - Madoka Magica: Rebellion OST

This song is the reason I associate Mix with the accordion. Also, I imagine Dusk meeting him/his first real introduction in TAOCC’s background music as this song.

“Intertwined” - CMYK, CircusP.

Rip this man’s love life

“Love is War” - Ryo/Supercell feat. Hatsune Miku

Love is still Vehicular Manslaughter /ref

Dialtone

“Cats!” - waterflame

Does the song fit him? Not at all! It is way too techy and upbeat, and would probably better suit someone like Switch. But like….cats. He’d listen to a song called “cats!”. You can’t convince me otherwise.

“Want You Gone” - The Portal OST

Dialtone is GLaDOS coded to me.

“Killer Spider” - PinnoccioP

vibes and vibes alone.

Soup’s Characters

Silhouette

“Scared of you” - Brandon Hesslau

“Whoops, sorry for kinda almost killing you.”

”What Gave It Away” - Riproducer

evil.

”Burial Ground” - Low Roar

sad backstory.mp3.

Clown

“I’m Number One” - Muppets Most Wanted Soundtrack

Look man he’s silly and egotistical and it’s funny. He’s definitely singing this with carbine.

Autumn’s Characters

Pyxel

”Magical Doctor” - MARETU

once again, more vibes than lyrics and the gender’s wrong but, like, the vibes, man

Neb

“Lonely UFO” - PinnoccioP

…it doesn’t fit. The lyrics, as far as I can tell, do NOT fit. BUT LOOK AT THE OUTFIT, THE BLUE HAIR AND VOID SKIN AND MURDER TEETH AND TELL ME THAT DOESN’T LOOK LIKE NEB, OKAY?!

“Finding Sanctuary” - Stellaris OST

Silly space song for silly space person.

Lily’s Characters

The bookend siblings, and I mean all of them as a group, Katrina included for brevity’s sake

“Magical Girl and Chocolate” - PinnoccioP

Okay, I have actual reasoning for this one. Each of the siblings is someone’s “magical girl”, whether metaphorically or literally. They’re each fighting to protect and support someone. And they each strain and struggle to cope with a role too demanding for them. This song works for each of them in a different form and context.

Octavia and Steven/Sign

“Isn’t it “A”” - PinnoccioP

The arguments of all time

Honse- I mean Sophro

“Puzzle” - CMYK, CircusP

He’s just here to help. No notes.

Miscellaneous Others/Not big enough for their own section

Lantern

“Lantern” - Undertale OST

…self explanatory. The song’s vibes fit, too, I imagine this plays in his scenes.

“The Other One Left” - VaneLily

Half due to the “I just want a loving father” line. Gender’s wrong, again, but otherwise the lyrics fit.

Seer

“Seer’s Theme” - Cindy

I literally cannot outdo her own theme. It’s just too good. I listen to it randomly just because I like it so much /gen.

Sigil

“I’m Just Ken” - Barbie Movie Soundtrack

this is mostly a joke but come ON you think that guy doesn’t feel a little overshadowed by his GODDESS FIANCÉE?!

“Business Man” - Tom Cardy

Okay so this one takes some explaining because I imagine sigil walking into Dialtone’s place to spy and Insanity ruining everything and shooting everyone. It makes absolutely no sense but it’s funny in my head so here we are.

My Characters, yes this is gonna be last

Dusk

“Ultimate Senpai” - PinocchioP

A song about being overly pressured and stuff? Yeaaaaah.

“Sis Puella Magia!” - Madoka Magica Soundtrack

….Pretty. That’s it.

Aoki

“Decretum” - Madoka Magica Soundtrack

The reason I gave him a violin.

Alpenglow

“Yume Yume” - DECO*27

I have an ENTIRE ANIMATIC for chip and alpen with this song in my head

Lemonade

“Viva La Vida” - Coldplay

lore. Hehe.

Yume

“What are Children Made Of?” - PinnoccioP

This kid’s childhood has been ruined and boy is processing that hard.

”Everything about Animals” - PinocchioP

an absolute fever dream of a song that she would absolutely sing about animals. And how cool they are. And ohhhh look commentary on the state of humanity

Switchboard

“Kom Susser Tod” - Astrophysics

Idk it doesn’t fit all too well but the mix of utter hopelessness and eurobeat techno is just hercore

TAOCC as a whole

“Something Rotten!/Make an Omelette” - Something Rotten Soundtrack

WHEN I TELL YOU I HAVE AN ENTIRE. FREAKING. ANIMATIC-

”Your Silver Garden” - Madoka Magica OST

I do not know the lyrics literally at all but I could see an OP for TAOCC with this song

[cherrylng]

Foals interview - Yannis Philippakis [INROCK (April 2008)]

FOALS will be coming to Japan in May with their debut album “Antidotes”!!

"Looking back, I'm glad I caused the problems I caused, and I'm glad I didn't go to the classes I didn't go to."

Yannis Philippakis/Foals INTERVIEW: AI ANAZAWA

Foals are an Oxford band whose name means "Kouma (子馬)". Led by Yannis, who dropped out of Oxford University to concentrate on his band career, the five-piece sound like… If you try to categorise their sound, Yannis himself would probably say that he doesn't agree, but in reality, it's a sound that can't be categorised so easily. Dance, techno, Afrobeat, punk, and other elements are mixed together, and what's most noteworthy is Yannis's squeezed vocals between the deep bass and the fluttering high-pitched guitar sounds, creating an unbalanced and strange arrangement of sounds, but it's cool music that you can dance to, so it's understandable in a way that they're being called "the one to watch this year!" even if the band members don't like it. "Antidotes," produced by David Sitek of TV on the Radio, will be released on March 26th.

I understand you are in the USA at the moment. Yannis Philippakis (vo./g.): Yes, I'm in Seattle today, and I just got driven to this lake by the guys from Sub Pop (label), and it's beautiful here. There's a beach a little bit further out, and it's really nice and quiet.

Before Seattle, you played two concerts in New York, right? Yannis: Yeah, the Bowery Ballroom gig was a lot of fun. It was great to headline in that vein, and it was nice, or surprising, that it was almost sold out. The next day we played a show at a place in deep Brooklyn called the Silent Barn, which is like a house party. It's a place where normal kids live, and they put on their own shows, but it was pretty crazy and fun.

I heard Jimmy (Smith, guitar.) threw up on stage. Yannis: Yeah, at the Bowery Ballroom (laughs). It happens all the time. I go into a trance and I move around and I feel sick and I throw it up. Especially after a show. I don't know why… I don't have that kind of thing.

I see (laughs). Yannis: I bleed more often than I vomit.

It's a bit of a quandary as to whether it's better to throw up or to bleed. Yannis: I don't know. But bleeding is pretty annoying too. For me, I get injured all the time. I've broken my toe and recently I cut my eye during a show and it bled. Jimmy just had a tooth knocked out and he's just had it fixed.

It's rock ‘n’ roll. Yannis: I don't know about that. I'm sure it hurts.

"It's not like we're digging our brains out of our skulls and putting them on a table and putting glasses on them and making them write songs."

Your debut album, "Antidotes", is something different from any other band. Are you satisfied with the album yourself? Yannis: Yeah, we're happy with the album we wanted to make. Looking back, there are things we could have done a bit better, but we're happy with it.

I've been reading a lot of material and it's not clear whether you had David Sitek (TV on the Radio) produce it, or whether you didn't like what he did and had to redo it, but in fact David is ultimately credited as the producer of this album, right? Yannis: No, no, Dave (David) produced the album and he is definitely the producer. We did the whole album with him in New York. There's nothing we added, we just re-mixed it a bit, that's all. We just re-mixed it to sound more like what we did in New York. Dave did a lot of work on it at the mixing stage, so we reworked it so it was closer to the studio version that we were working on with him in New York.

So everyone was happy with the result? David was happy, the band was happy. Yannis: Yeah, well…… (whispering “tsk”).

Oh, why? Yannis: No, because people ask me about it all the time and I have to defend myself every time. He's a great producer, the mix he did was different from what we expected, it was like it wasn't our album anymore. The problem is psychological. We're a pretty sensitive bunch of people, and we made an album in New York with a lot of openness about ourselves, and we wanted to take the album back as our own… I mean, the album was so far from what we had in mind that we had to re-mix it.

I think it was good that you were able to re-mix it yourselves in the end. Yannis: Yeah, it was.

How was the recording in New York itself? Yannis: It was fun. We hardly left the studio. And Dave is a pretty intense guy… That's why I wanted to work with him in the first place. There were a lot of knives in the studio, and we all smoked weed, and yeah, it was good.

Haha… Did you have all the songs in place by the time of recording? Yannis: Yeah. We were going to record 14 songs, but we whittled it down to 11. So the extra ones were already written. The songs were already there, so Dave worked from that and he didn't mess with the structure of our songs. After we recorded it, we all added a little bit of this and a little bit of that.

In the process, you were able to adhere to the so-called Foals rules? Yannis: Which rules?

No chords, only notes above the twelfth fret on the guitar… That's what it says in the bio. Yannis: That's a bit of a joke. I mean, it's nothing serious at all.

But you don't actually use chords, do you? Yannis: Yes, we don't play chords, but it's not like it's an absolute rule against chords. It's not like we only play notes above the 12th fret, there are no rules. We just do what we want to do and if we think it sounds good, we use it. Then we didn't use chords. But that doesn't mean that if someone played a chord, we'd say, "No, no, that's not allowed!" (laughs).

So it's a myth that the rule was made in order to ease the members of the band from criticising each other too much in the beginning when they were making music? Yannis: We were never too critical of each other. It's just been the way of the band from the beginning, and we're comfortable with that way of doing things. And we're a lot more mature now. Also, the relationship between me and Jack (Bevan, drums.) has always been all about arguing. And when I say ‘argument’, I mean it in a positive way. That's why we're still friends. No one is complaining about the constant arguments or the criticism. It's just the way we function. We're just very self-critical.

David mentioned earlier that you never changed the structure of the songs, but that your song structures have a lot to do with your aesthetic, with your preference for methodical music. Yannis: It has something to do with that. I like to think about the structure and how the guitar should fit into it. It's like a craftsman's skill. But it doesn't mean that's the only way I like to do it or that's the only way I write songs. There seems to be a misconception out there that we only think about structure when we make music, but it's all about impulse. It's all intuitive. It's not like we're digging our brains out of our skulls and putting them on a desk and putting glasses on them and making them write songs. It's all instinctive intuition.

It's not like we're thinking about it. Yannis: Yeah, it seems like other people are trying to do that. But that's bullshit. Half the stuff they write about us is stuff we didn't even say. Even if we do say something, it's going to be misinterpreted… Anyway, what I'm saying is that musically, everything we do is instinctive.

"All my high school teachers said I'd never get into Oxford, so I got in just to piss them off."

So people misinterpret it and call you ‘math rock’ (experimental rock that incorporates odd time signatures, etc.) (laughs)? Yannis: There is no such thing. It's not real. We're a band that doesn't even know the scales, we don't know anything technical. We don't know the terminology, none of us have studied music properly. So it's kind of ironic, isn't it? We come from the same musical background as everyone else in Oxford. In Oxford, it's not normal to be in a pop band, and what's normal is to be in a band that's heavily influenced by post-hardcore bands. We grew up like that, as most of us did, because that's just the way it was. So no one really made an effort to learn to play a little bit differently on the guitar. It just came naturally.

What was your boyhood in Oxford like? What kind of kid were you? Yannis: I wonder what kind of kid I was… I was just a kid, I didn't have many friends, I was just a typical stoner kid who liked rock music. I didn't get on well with my parents, I was a problem child at school and didn't make many friends. Instead, the friends I made were like, "Let's go listen to Godspeed You Black Emperor instead of hanging out with the others," and we got high together. So I'm glad it turned out the way it did. Looking back, I'm glad I caused the problems I caused and I'm glad I didn't go to the classes I didn't go to.

I was just wondering, it's fine for you to talk about getting high with impunity, but in Japan, if you were caught in possession of such a thing, you'd be in big trouble. Yannis: No, I'm not taking it to Japan, so if that's what you're worried about, don't worry about it (laughs).

Hahaha. So, why did you bother to go to Oxford if you were going to drop out? Yannis: I went to Oxford to study and I dropped out for the band. I love reading books and there's no better university to do it at than there. I loved literature. It was my hometown and I like Oxford. And all my high school teachers said I'd never get in, so I got in just to piss them off.

When did you decide to put your life on the line for the band? Yannis: I mean, I still don't know that. We're doing this now, but I don't know when it's going to end. Next year we might be grilling hamburgers.

Maybe it won't happen next year, but I know what you mean. Yannis: Maybe not next year, but in years to come. It's not a sure thing to make a living from music unless you're George Michael or U2 or something like that. It's always been a precarious thing.

So it was a big decision to quit university to concentrate on your band, wasn't it? Yannis: Not really. I just wanted to play music all day, every day. There's nothing else I can do.

Now you're doing that, so that's good. Yannis: Yeah, it's going great so far and I'm happy with it. I like the album, and the whole reason I made the album was to communicate with all these people like you.

In the NME or something, you said that artists you admire put their backs into every single thing they create. I thought that was a romantic notion, do you yourself want that kind of life? Yannis: I never thought it was a particularly romantic way of thinking. I mean, it's a fact. I don't want to live that way, I just think it's a fact. Of course it depends on the process of creation. Because it's a process of devotion, isn't it? I'm in this band because I'm trying to get something out…

Who are the people you look up to, for example? Yannis: There are many. Charles Bukowski, Hemingway… Maybe that's why I feel so strongly about what I said earlier.

That's a typical example, surely. Yannis: Yeah. I don't know, but when I read books about these people, I sympathise with them and I get attached to them. I haven't read their proper biographies, but when you talk about who you admire from an artistic point of view, that's what happens.

Do you have any ambitions to write a book yourself? Yannis: I don't. When I read the writings of people like that, I think it's a talent given by God. I don't want to litter the world where such things exist with my dirty words.

As a book lover, can you recommend some books? Yannis: "Infinite Jest" by David Foster Wallace. It's a bit long, but it's a story about alcoholics and ex-alcoholics set in a tennis academy, and there's a child prodigy. It deals with film, media culture, and tennis, and it's just an exciting book. The other one is, of course, "The Great Gatsby" by Scott Fitzgerald.

Recorded in Seattle on February 17th

Translator's Note: Every once in a while, I scan and translate other bands and artists that I never listened to before, but I do it because I have mutuals who love these bands/artists. It's also a way for me to sort of refresh myself before getting back into translating my favourite bands/artists.

That said, I love how Deepl keeps constantly mistaking Yannis' name as 'Janice' lmao

Please do support me with my ko-fi! ☕

[deepdreamnights]

Music Monday A Clash of Eras

Too many songs about love, not enough about the march of industry rolling into transhumanism.

Bang Hiss Roll was my attempt at creating a sort of "Industrial (Film) Techno" inspired by the kinds of "industry on the move" shorts. Later, an 80s remix happened, because no matter what tool I use, I'm still me.

[thoughtportal]

MEUTE - LoCKeDoWN2

Techno Marching Band

[chiraliums]

get to know me !!

tagged by @cursedwithexistence thank you <3

1. are you named after anyone?

nope !

2. when was the last time you cried?

last night but i shed a couple frustration tears at work earlier :p

3. do you have kids?

no!!!!

4. what sports do you play/have you played?

i played softball once upon a time! also. and not to sound like a band geek. the marching bands i were in were A LOT of work

5. do you use sarcasm?

i literally never have (sometimes)

6. what’s the first thing you notice about someone?

hair? general face? vibes? idk

7. eye color?

green/brown hazel!

8. scary movies or happy endings?

scary movies

9. any talents?

yeah so i’m really talented at having zero talents

10. where were you born?

northeast usa

11. hobbies?

reading, playing video games, doing shitty crafts i give up on halfway through, watching emotionally devastating movies…laying in bed

12. any pets?

tater tot! have a funny little picture of her <3

13. height?

5’5. AND. a half

14. favorite school subject?

english/band/spanish

15. dream job?

suddenly i’ve forgotten how to read so i’ll just skip #15. what a bummer

tagging @andrewblur @techno-trashcan @bichimney @transbuck @remembertheskittles

[rastronomicals]

1:42 PM EST March 6, 2024:

Megadeth - "Last Rites - Loved To Deth" From the album   Killing Is My Business. . . And Business Is Good (June 12, 1985)

Last song scrobbled from iTunes at Last.fm

File under: Techno Erotic Vector bands

--

[big-low-t]

6 Albums

@bobbiflekman tagged me to list 6 albums I am into lately... Thank you so much for the tag!!! I can't resist the music tags! OK, here it goes...

VR SEX - "Hard Copy" - This album is full of delicious punk and post-punk with some psychedelic tendencies. It just came out on March 22nd. I've listened to all or part of it every day since its release.

Venera - "Venera" - Some dark electronic stuff going on here from one of the guys from Korn. Yeah, that Korn. Best song on it is called "Hologram." It sounds like it would fit right on a Massive Attack album.

Lustmord - "Much Unseen Is Also Here" - Dark Ambient from the master of the genre. Sounds a bit like the sound track to being followed by a demon in a dark alley at midnight.

SPECTRES - "Presence" - The recipe for this album is one cup of post-punk, two cups of new wave, a tablespoon of New Order and one can of 80's influence.

Kontravoid - "Detachment" - A mix of Industrial, EBM, new wave and even some techno. There is a bit of the sound of Skinny Puppy's Ogre in the singer's voice.

HUM - "You'd Prefer An Astronaut" - One of the best albums of the 90s. Yes, even better than that band with Dave Grohl. (and NO, it doesn't matter which band I am referring to)

BONUS - all the songs released so far from the upcoming WHORES album "WAR." I'm really excited for this slab of noise rock that comes out on April 16th.

Thanks again for the tag @bobbiflekman, I'll tag anyone that reads this and wants to do it! Tag me in your post so I can see what albums you are spinning these days! Have a good one everybody!