#talia is a good mom
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spicy-apple-pie · 1 year ago
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Jason brings up the fact that he's changed Damian's diapers as often as possible.
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ghostbsuter · 5 months ago
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"Hi darling." Talia stands strong, relaxed with her assasins at her back, on the path.
Danny smiles at the sight, ducking when people started looking their way before hurrying to his mom.
Talia ushers him into the car, windows tinted and the personnel protective as they enter.
It was alright, Danny could handle his classmates tomorrow, now he gets to enjoy his mother's rare visits.
An au where Danny had chosen civilian life, got sent over to past workers of the league who had retired under Talia's watchful eye.
Was talia living essentially a double life? Yes. Neither of her sons knew of each other, she isn't going to ruin the perfect harmony.
One son at his father's side, the other in safety. She would fulfil their wishes.
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psychologeek · 3 months ago
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Teaser on chapter 24!
Bc I loved it, and I think you would as well.
Edit: please, please let me know what do you think about this. Comments, #, rb - all goes.
If any of my followers is fluent in Arabic, I would highly appreciate it if you take a look and lmk what you think. Translating idioms is HARD.
Idioms I used/referenced to in chapter:
You play with cats, you find the talons - thousand words.
اللي بدو يلعب مع القط بدو يلقى خراميشه
Literal translation: Whoever plays with a cat will find his claws.
English equivalent: If you play with fire, you’re going to get burned.
Whoever has a head wound keeps feeling it
(I also considered "a book knows its reader" - which suits better to Jason, but is an Egyptian proverb, afaik.)
Darbk 'akhdar
دَرْبك أخضر Lit. Your path is green.
Guan Tang Bao Zi - a dish from Keifung.
Anyway -fic!
That was a good day, he remembers. Father had been away on some mission with the Kryptonian and the warrior. Mother had taken him to an old restaurant, where no one knew them. Where they were just a mother and her son, eating and talking about school or football or whatever American kids talk about. Mother had then proceeded to ensure he hadn't lost any of his fighting skills. He had gotten to keep the dagger he gained in the battle. Yes, he knows she’d let him take it. That's irrelevant. Mother is a mighty warrior, and there is no shame in losing to her. They ate dinner at a Chinese place. They even had proper Guan Tang Bao Zi, served with a spoon, like Mother used to eat as a child. He can almost taste the sugared pear he ordered as a dessert. But every good thing must come to an end. 
And as they exit the restaurant, Mother takes him to an alley. There's someone already waiting there, sitting on his motorbike with his helmet on, one hand typing so.ething on his phone.  “Kiif kaan?” how it's been?  Mother asks as they approach the cyclist. “Tamam,” the man replies, distracted. fine. “Kiif zakhtak?” Mother asks.  How do you feel?  “Tamam,” the man's still focused on his phone. “Wa sahiblk?” Mother doesn't let go. and your friends? “Tamam, yā mama,” he finally put away the phone. “Kulu tamam. lā taqlluqī.” His voice is both irritated and loving as he finally turns to look at them taking off his black helmet, he smiles at mother. Fine, mom, everything's ok. Don't worry. “What will I do with you, Asfuri?” She mumbles, letting out a long sigh. “You kids and your phones.” “Hi–!” The man's mouth opens in an offended scream, but mother easily disarms him. “You are late, Ayuni,” she kisses his forehead. “I almost thought you were caught.” “As if,” the man rolls his eyes at her. “They wish. You taught me well.” “You play with cats, you find the talons,” she warns him fiercely. “I wasn't –” “How many explosions, uh? How many more then you really needed?” The man sighs. “How did you know?” “Whoever has a head wound keeps feeling it,” she reminds him. “You keep looking at your phone to see if it made it to the news yet.” “I'm sorry,” the man says. “I almost failed you. It won't happen again.” “Make sure it doesn't,” Mother is certain. “I will not lose you to such low-life creatures.” But her face are soft as she looks at Damian's brother. “Rukhi“ she kisses his right cheek. My soul “Mi Alma,” she finally kisses his left cheek. Jinsu's face is an interesting color. Almost as red as his war helmet, Damian notices. Mother takes a deep breath, and faces back at Damian.  “Yalla, Habibi,” she holds him. “It’s time to go.” (And if his arms hold her tightly, and his fists are closed behind her back– if he breathsher for nearly a minute, there's no one around to say anything about it. Except for Jinsu, but he'll never tell.) “Darbk 'akhdar, Galbi,” Mother says as she picks him up and helps him up the motorcycle. Travel safely, my heart. (He can do it alone, but her arms are soft and warm and long missed. He lets her help him.) "aetni bi'akhik, ya ibni,” she says. Take care of your brother, my son. “Dayamin,” they both reply. Always. (Damian doesn't look back as his brother takes them away from their mother.)
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fuzzyelfsbf · 2 years ago
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Yelling at the idea that Talia will randomly grab Damian to visit for custody reasons and then also grabbing Jason because after all they went through That's Her Son Too
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heylosers06 · 18 days ago
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Based off that one trend because this is literally her baby!!!
Ok I’ll stop drawing baby Damian because I always end up doing it???
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radioactivespiderblood · 4 months ago
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Damian Wayne ∣ Robin: *exists*
Jason Todd ∣ Red Hood: He's so cute, I used to change his diapers ya know? *ruffles Robin's hair*
Henchpeople: *laughing*
Damian, annoyed: I liked you better when you were an invalid.
Jason: *is sad*
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gothamite-rambler · 20 days ago
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"How am I the positive influence on this child?" Jason asked, shocked.
Talia walked over to Jason who was playing with toddler Damian.
Talia (worried): You told him?
Jason (holding a toddler Damian): For the... Hundredth time, I have not told him!
Talia: Okay, okay... Not any of his "sons" either?
Jason (annoyed): No.
Talia: Okay, I'm working on how to tell him. Damian is still a baby, I have time, currently convincing father to not kill Br-
Jason (disbelief): Talia... He's 3.
Talia: No, he's at least 1.
Jason looks at Damian as the toddler plays with a squishy ball.
Jason: He is 3. We met up 3 years ago when I saw him as a baby.
Damian: 3!
Jason: He also can talk.
Talia: Oh... I thought he was just an advanced baby. Nutty world.
Talia walked away laughing. Jason pinched the bridge of his nose.
Jason: The revenge will be worth it.
Damian yawned, resting his head on Jason's chest.
Jason (smiling): And you are a cute kid.
First part ---> Jason Todd knew about Damian Wayne's existence way before Bruce
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bluerosefox · 4 months ago
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Her Astrophel and Sterling
hmmm
Hmmmmmmmm
You know what.
You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.
Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.
DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!
YES.
Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.
"Ellie! I thought I said do not answer the door my Sterling."
"But Daddy, yous was busy fighting the hotdoggys!"
Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.
and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."
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crybabycinna · 1 year ago
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Pt 20 this is correct and no I will not take criticism
Talia: *talking to a random teacher at a PTA meeting (Parent teacher association meeting)* these are my children I birthed all of them it was hard but so worth it in the end *showing off pictures of Damian, Jason and Cassandra* aren’t they beautiful?
Teacher: indeed they are
Some mom: *butting into the conversation* they don’t look much like you except that one *points at Damian’s picture*
Talia: well my son Jason and daughter Cassandra take after their father
Some mom: they all have the same father? That’s shocking
Talia: excuse me?
Some mom: I’m just saying
Talia: I have only loved one man my entire life and he is the father of my children *grabs Bruce who is by the cupcake table* this is the man that impregnated me three times to give me three beautiful children! Do you not see the resemblance?
Bruce: *confused asf with a cupcake in his mouth*
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spicy-apple-pie · 1 year ago
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What if Talia saved Jason before Joker could kill him?
(Should I do a part 2?)
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hello-eden · 2 months ago
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Taila goes back in time 
She goes back in time to when Damian is about 4. He has just started lessons. Talia is back for about a week. She knows she should tell her father but something is holding her back. it's when she goes to see Damian and overhears him trying to muffle his cries in his bedroom that she thinks about doing something else. 
She remembers seeing her son thriving with his father. Comfortable seeking out comfort with his siblings and being a child. She thought of it as a weakness at that point but when she hears his cries she realizes that she does not want him to go back to the cold and angry child he was.
She's not being watched as there is nothing that could preemptive her to leave that her father knows of so she has an easy time being able to contact Bruce. She gets Damien ready and says it's very important training and not to tell anyone. She does not tell Bruce Why she contacted him, so he is expecting some sort of plot or her giving him information on one of her enemies, not a son. 
She shows up to the meeting rattled.  She tries to get a gauge of his feelings towards her at the moment and is very pleasantly surprised when he is defensive but not hostile. Bruce notices that she's rattled and gets very concerned. 
She then brings out Damien. He shocked and is expecting her to make an ultimatum when she blurts out she wants them to leave.  it catches him completely off guard because every time he mentioned her leaving she made it sound like it was a foolish idea.
He agrees to take her back with him and to protect her from her father. she does not tell him about the time travel but she does tell him about what made her want to leave. Using it to appeal to his empathetic side as to let her stay with him. She does not realize that he had no plans of separating her from her son.
Dick is about 14. He is very on edge and scared of his place at the Manor. his father figure just came back with a blood son and the mom. Dick is inspecting to be regaled to the background or kicked out. Talia is the one to reassure him accidentally when he comes to see Damien and she calls them siblings. She knew him as her son's favorite brother obviously she's going to refer to them as siblings.
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vodrae · 9 months ago
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Jason: Fuck you Bruce, you're such a Dick.
Bruce: If you think i'm offended, you're wrong my boy.
Jason: Sorry, *clear his voice*, fuck you Bruce, you're such a dick !
Bruce: Language !
Alfred: I know someone who lost his cookie privilege.
Jason: What ?! I'm going to mom's ! In Metropolis ! And I will give Superman merch to every kids in Gotham !
Bruce: Now you're taking it too far !
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thisiswhereikeepdcthings · 2 years ago
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starry-bi-sky · 8 months ago
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?��) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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heylosers06 · 29 days ago
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I know I said I’d get to the ask submission but I lied sorry…SOOOO here are some more Damian and parents plus others as drawn from big cat photos 💕💕💕 I had to give Jon those slippers idk why but yes he totally went on patrol with them.
I think I’ll do some redraws of panels again sometime soon or a second wing au what do y’all think I should do?
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varpusvaras · 2 months ago
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Talia shouldn't have felt anything for the boy.
She shouldn't have. Perhaps, at the most, she should've felt curiosity and anticipation, nothing more. Curiosity for what the secrets behind the boy's resurrection were, and anticipation for what use he could possibly be to her.
She shouldn't have felt anything more.
But she did. She did when she watched him move, the ways his father had taught him still shining through. She did when she watched him just stand there, black hair and blue eyes so reminiscent of someone else, even if the rest of the features were not there.
She did when he would seek her out, the only kind touch he could find, one that she had not planned on even giving out in the first place.
Perhaps she had become soft, or perhaps it was the familiarity behind it all, that ended up filling out the gaps, making her see things that were not there to begin with. The boy was not her Beloved's blood, not like her Damian was, but-
But he was still her Beloved's son.
She couldn't deny feeling something when her Damian reached out for the boy, not wary or suspicious, like he was towards everyone else from the sheer necessity of it. She watched as Damian closed his hand around the boy's fingers, and she was not able to push the feeling away.
She knew the feeling she felt, when she watched Jason hold onto Damian's hand.
Perhaps this was just what being a mother felt like.
She watched them, and she thought of Jason, alone and in pain, and it was all too easy to think of Damian in his place, at the mercy of the monster that had been allowed to keep its humanity.
The rest came easy, afterwards. She was a mother, after all. It was easy to just push Jason into the same position as Damian when it came to her care, much easier than keeping them separate.
Slicing the monster's throat came even easier.
"Are you content now?" Her Father asked her. "Now that you have taken your...revenge? Preventative measures?"
She would've much rather called it simply mother's love.
She didn't tell her Father that.
"Yes", was the only answer she gave.
And when Jason came to the surface of the Pit, with his eyes green and his hands reaching desperately for her, Talia took them into hers with the same ease.
The words came easy as well.
"Do not fear, my child", she told him. "You have been avenged."
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