#tagging him that because I have no idea what the fandom tags him as

[beevean]

If I’m being honest, you are all getting way too hung up on fake diseases and attacking a writer as if he personally attacked your family. It’s a strange obsession you have and you guys always come at any small nitpick as if it’s the end of the world. It’s a weird obsession and you have all been doing it for years. Maybe you liked Sunset Heights getting a remix but you also play victim when people don’t like the 2010s games. You can see Sonic is more successful now and doing things much better but you just like to sit in your anger towards the series for years. I’ll add that you’re much more sane in your reactions than RandomtheFox, but this whole side of the fandom here is so pathetic. The endless loop of anything new coming out for Sonic, and your little posse hating on it because it isn’t the meta era or because Ian Flynn has his name on it makes me glad you guys are a small minority in the fandom.

Do you want to know why we're discussing this?

If you go back and read our discussions, see how much we brought up with this little detail!

I looked up the effects of low gravity on the human body: I learned something new about science. I tried to put into words why this detail is harder to accept than Sonic breathing in space: this is about stories and world building. I immediately found a replacement idea. We discussed about SA2, its gameplay mechanics, its cutscenes. Someone even brought up the idea of drawing parallels with AIDS and how it would affect Maria. Negativity can stem from a place of reasoning, "how would I do that?", and it makes me use my brain in a fun way. I'm aware it's a inconsequential detail, but I'm having fun!

As for the rest of the message, yeah, we are a minority. Which makes me wonder why you care so much about a group of, what, four people?

Why don't I get any engagement when I'm positive, but suddenly people are up my ass when I talk about something negative? I didn't even tag most of my posts. Bro half of the Sonic fandom blocked me already because I'm a dirty sinning IDW non-enjoyer. I am not bothering anyone.

By the way, my negativity about IDW once even resulted in me writing a fic about it. Again, creativity and genuine discussions about writing a story and its downfalls. It nourishes the brain.

I don't like this new direction for Sonic. There, happy? I don't feel catered to, as a 2000s fan, by all this "REMEMBER WHEN WE WERE COOL????" stuff, not to mention I'm just not a Shadow fan so seeing him with wings and shit does nothing for me. I am annoyed because this used to be a franchise dear to me, but the current environment, both games and fandom, alienates me. I am also aware that, precisely because I'm in the minority, I'll just have to wait until ST changes trend again.

If my writer side activates when I talk about a writing decision I don't like and I'm having fun dissecting it, let me, alright? You can find me cringe, if you want to, but I'm not doing anything different than other fans, just directed towards a less acceptable target and in the privacy of my blocked blog.

Also: to be perfectly honest, if it only takes me one day of mild bitching to get anons yelling at me that I'm a joyless bastard doomed to be sad because I refuse to be happy, it kind of makes me want to be saltier out of spite. I'm already a bad person, might as well, right?

[throwawayasoiafaccount]

Why do you think the tides have slightly turned from "Elia deserves better than Rhaegar" to shipping her and Rhaegar together? Like what is the psychology behind these people because I've seen some of them like/reblog anti Rhaegar posts while also shipping Rhaegar x Elia at the same time.

hey anon! my thoughts are a bit messy, but i’ve done my best to explain them coherently :)

so, rhaegar was the best man anyone could have when elia was alive, and most people want the best for their favs. he was considered the most handsome, didn’t have a bad personality, and he was crown prince—meaning elia was almost queen, which is often seen as the greatest role a woman can have. the narrative also treats rhaegar as a beautiful, tragic, haunting figure, and elia actually had this very aesthetically pleasing man all to herself at one point! she was married to him, had children with him, and her life was so close to perfect! but rhaegar just had to go and ruin it. 😠

for many elia stans, if rhaegar hadn’t fallen in love with another woman (they want him to have been a completely different character), then everything would’ve been perfect, and elia would’ve had the best, most desirable life. however, that’s not what happened—elia met a very tragic end, and as a result, these stans feel double the bitterness. because of this bitterness, they blame rhaegar for everything (even though it’s not logical to do so), but he’s just too ‘perfect’ to let go of. so, for years these stans have made rhaegar revolve around elia, filling his tag with posts about her out of bitterness. so, i do believe that this obsession with rhaegar x elia has always been there, but i think it’s become a more favorable stance on the elia stan side of the fandom because of a mix of reasons.

plus, rhaegar is one of the few canon relationships we know elia had, since she’s not much of a character. because of this, and the fact that most people don’t like to stray too far from canon, most elia stans are forced to focus on rhaegar, which has created an echo chamber. basically, if a sentiment about elia and rhaegar’s relationship becomes popular, then the whole elia stan side of the fandom will likely regurgitate the sentiment. (also, this desire to stick close to canon is likely why the elia x arthur ship was so popular. while it’s a total crack ship, it had good aesthetics, and since elia and arthur at least knew each other, it allowed the stans to create their perfect fanfiction whilst sticking it to rhaegar. but remember, elia was actually married to rhaegar and had children with him, so while arthur is cool, rhaegar was always ‘top dog,’ meaning arthur would never be able to match up to rhaegar to most elia stans. also, the arthur x elia crack ship is likely her second most popular ship, which just shows how little elia stans have to work with, so they’re always forced to eventually return back to rhaegar for a lot of things.)

however, even if the elia x rhaegar ship gains more popularity, these stans will never stop hating rhaegar because he wasn’t ‘perfect’—and he wasn’t perfect because he didn’t love elia. plus, rhaegar loving another woman and supposedly kidnapping her is what began the war that led to elia’s tragic death. that’s bitterness times 1000. and while i don’t actually blame rhaegar for the war, i do think that this is how an elia stan sees it. i also don’t view rhaegar’s complex relationship with elia as a bad thing—it’s actually a very realistic take on an arranged marriage between two decent people. but most elia stans will never be able to get over the fact that they almost had everything, which is why many have it out for lyanna, as they consider her a thief who ruined their ‘perfection.’

tbh, that might be why so many elia stans are so obsessed with the idea that rhaegar only got with lyanna because of the prophecy—they don’t want to believe that rhaegar actually loved a different woman and not their perfect self insert elia. that’s a bit mean of me… but i don’t know what else one would call the ‘elia’ elia stans have created.

now that i’ve laid all those thoughts out, i’ll try to explain why the tides seem to be turning… i think it may have something to do with the ‘targaryens are all evil and bad’ sentiment losing popularity. i think this shift has occurred due to a mix of factors, such as years of fandom fights and fandom cycles leading to the targs being more liked now than before. it helps that canon doesn’t actually condemn the targs/favors them quite a bit, and the influx of new targ fans from HOTD has also contributed. this combination of reasons seems to have shifted the way the mainstream fandom discusses all the targaryen characters, including rhaegar. so, with this shift, it’s only natural that some elia stans/elia x rhaegar shippers—who’ve always been there—are using this opportunity to push their agenda. while these stans still hate rhaegar and see him as the bad guy, they just can’t let go of him. and as the mainstream fandom moves away from the anti targaryen sentiment, these smaller corners of the fandom, which tend to be echo chambers, are also affected, which has therefore led to a rise in rhaegar x elia shippers and the ‘shifting tide’ that you’ve also noticed.

[unma]

Here's That Heathcliff Ramble You All Wanted

Okay so forgive me for whatever inaccuracies are in here (and correct me if you notice any!) I'm simply sharing the mess of thoughts sitting in my head and while I'm sure this will be more organized by the time I take this out of Notepad and post it I don't promise it won't be obvious how much of a ramble this is. But okay let's go.

Heathcliff and Other!Heathcliff: One and the Same

No, this isn't a theory that Other!Heath is a future Heath or something. It's been made pretty obvious that isn't the case, given ids only pull from other worlds as far as I know. I will also not comment on how this happened; I am aware this (or something similar) happened in Leviathan, but I haven't read Leviathan so I am not aware of the specifics of how this works. Neither does that matter.

Now, to get into my point, I first need to compare this Canto's progression to the previous Canto's, Canto V. Some comparisons in terms of character development could also be made to Canto IV, but my understanding of that is limited and I need to replay it more, and Canto V is a much better comparison due to their similarities. You see, in Canto VI and V, Heathcliff and Ishmael are mirrors of their respective antagonists. While in Ishmael's case, it is because her obsession with defeating Ahab was leading her down the path of becoming Ahab herself ("That bastard… has to be alive still."), for Heathcliff that is because Other!Heathcliff is literally him. In ever single way except for the world he originates from. Given that Ishmael's arc is about seeing that and changing for the better, you would expect Heathcliff to have a similar arc. You would expect their battles to progress the same, with Heathcliff overcoming his issues over the course of the battle acting as a show of their growth so far …right?

The Other!Heathcliff boss fight was great. Music was banging, fight was pretty damn fun and somewhat challenging, and my Shi Heathcliff was doing utterly nothing because I didn't want to stagger him (I have only two none base ids, and the other is a level 1 N. Corp Heath. I was not spending the next half hour in Luxcavation). But, back on track, during the fight I had the distinct feeling that unlike Ahab and Ishmael, there was literally no difference between the two. There was no character growth or sudden realization. You could switch the characters around and it'd be the exact same—hell, give Heath a couple more days and he'd be the exact same. This is even shown in how both of them can get the Deep Bereavement buff.

Where am I going with this? Well, I want to point out the end of their fights. Specifically their base EGO's changes. Ishmael's Snagharpoon was a representation of her undying hatred for Ahab and her obsessive focus on the goal of hunting Ahab down. Her striking Ahab down with the harpoon would be the realization of those efforts, but it would also cement her existence as an Ahab. It would show that she was truly willing to let herself be blinded by her obsession for revenge at the expense of those around her, and thus her striking down the whale after would be Ahab striking down the whale. However, in choosing to strike the whale instead of Ahab, she shows her ability to not let such an obsession completely overtake her; to follow her compass not with blind devotion but with a sharp understanding, like a great sailor. She has learnt to use her compass as a guide for a journey of her own making, not as a rule for where she must go. "This is how I will chart my own path…"

Heathcliff, on the other hand, does not have the meaning of his EGO change or evolve at the end of the battle. Instead, the meaning is further reinforced and revealed plainly for all to see, with the extra context of what Other!Heathcliff told him. "You… and everything that crushed me under their feet, built this wall between me and Cathy…" may include Hindley and Edgar, but ultimately they're only extras. The true meaning of the Bodysack is made literal as he proceeds to beat Other!Heathcliff to death with it, who, as we've established, is literally him. He is beating up himself with the sack. He is going to shove himself into the sack. And as the beating continues and extends past its usual duration, we see the envy outline fade and be replaced with wrath, and the damage counter changes to that of corrosion. He is not wielding the EGO. It is wielding him. This acts as a representation of how this battle has affected him; but unlike Ishmael who grew positively in her cutscene, Heathcliff is faller deeper and deeper into his already existing issues. Bodysack's envy assignment showed just how much he envied everyone else: he seems himself as an absolute wretch, the worst of the worst, and because he sees everyone as better than him, he journeys to better himself such that Cathy will acknowledge him. And yet, as the Envy fades to wrath, its meaning is not completely altered, only further revealed. He doesn't just envy others for not being as pathetic as he sees himself to be, he hates himself for being such a wretch. The bodysack isn't just meant for others. It's meant for the object of his hatred. Himself.

In killing Other!Heathcliff in such a manner, he cements himself as the same person, much like it would have been if Ishmael killed Ahab.

Here, I will shift a little to talk about Other!Heath, who I view as simply a more complete version of Heath. In the sense that he's already been through the entire book, his entire journey. He is Heath with the benefit (or demerit, I guess) of experience. And yet it's interesting how he's not even the slightest angry about losing. He doesn't just want to kill Heathcliff, not to just watch him fall into despair. He wants Heathcliff to come to the realization that he has: he is the wretch that murdered Cathy. He is the reason she was destined to be miserable. And for that sin, he deserves nothing worse than hell. Other!Heathcliff doesn't just want Heathcliff dead, he wants himself dead. He's not just journeying to other worlds to fulfil some hate boner. It's either he kills other Heathcliffs, or they kill him. There is no in-between. All Heathcliffs must die, and as long as they continue to die, he is fine with his own death.

There is another thing I would like to comment on, but only lightly, as I would like to wait for the reveal this Wednesday to complete my thoughts on it, but Heath's conversation with Carmen is interesting, specifically the point where he distorts. There, he affirms just how he sees himself: not as a human, but as a beast, something much lesser than a person. Such is the shape his distortion shall take, as said by Carmen and laid out by Heathcliff: "I shall become an infernal hound; snarling, tearing at the fabric of the City… And I will shove its remnants into this sack… and grate it across the broken earth." One cannot help but think this is a result of all the dehumanization he had gone through at the hands of Hindley. All the verbal abuse he suffered at the hands of everyone but Nelly and Catherine has been internalized, and this is the result.

Lastly, I would like to point out two things that came to me upon remembering the start of the book: Cathy died in childbirth from what I heard, and Ms. Heathcliff (I am unaware if her name is revealed in the book, I have either not reached that point or it never is) has yet to show up in this Canto to my knowledge. However, that is not what I want to talk about here. The thing is, Heathcliff owns dogs in the books. The hounds that threatened to bite Mr. Lockwood. And I can't help but think that his distortion would reference them, in some part. I know Heathcliff already has Telepole (which is sure to take on meaning given this Canto, especially its corrosion), but I doubt they would go the route of making his distortion straight up Telepole. That would be disappointed and honestly doesn't seem like what PM would do. Allow me this little bit of speculation, alright?

I think that's all I have to say for now. I can't wait to see what happens next honestly, so I'm kinda glad I have GBF Guild Wars to distract me until the next part is here. Feel free to share your thoughts in the notes! I may take a while to respond, but I promise I'll do so eventually! (Be patient with me, I have social anxiety and ADHD, admittedly self-diagnosed though.)

[highseas-swede]

...I seriously cannot stress how much I hate tags like "Give us BAMF Aziraphale" because it seems to imply that he's not badass.

He IS. Tell me how well most people could endure 6000 years of consistent, persistent demoralization, harassment and shitty treatment without snapping?

Do you know how HARD it is to be kind when you've been put through a system that actively discourages kindness and softness, a system that tries to beat it out of you - not physically, but still. The fact that Aziraphale got through all of that and is not just still kind, but still has the capacity to be kind to the very people who hurt him, is fucking remarkable.

Aziraphale is badass. Period. Full Stop.

It's well past time that we stopped equating physical and fighting prowess as a measure of badassery. Just about anyone can exercise and get strong enough to fight someone. Just about anyone could possibly get weapons training. Neither of these things is half as brave as putting yourself in front of a crowd of people and holding off 70 demons with just conviction and a candleholder because it's the RIGHT THING TO DO.

EDIT: I had to add this while I was thinking of it.

I feel like people are buying into Heaven's version of badassery. Angels were made to FIGHT. To fight the last big battle against demons and Hell.

Aziraphale is a deviation because he DOES NOT WANT THAT. He doesn't want to fight a war that will hurt billions and destroy the world. His defining moment in Season 1 is when he stands in the face of the quartermaster and refuses to fight the way they want him to. Instead of a weapon, he chooses to find another way.

If anything, I would think it's leading to the idea that Aziraphale feels he must fight, that he has no choice, and then, when it comes right down to it, finding another way. A kinder way. A BETTER way.

By the standards of Heaven, Aziraphale picking up his sword and fighting would be Normal. Him refusing and finding another way is what makes him Unique. THAT'S what makes him badass.

[letsmcfreackingloseit]

Hey-ho! I'm back again with some Apex Polarity art, but this time it's some designs for the humans' snow gear!

It started out with me just trying to figure out a design for y/n in my little comic, but then I thought it would be fun to also try and visualize the other humans, so here's my take of y/n, Vanessa and Michael! I really like how they turned out, although I don't think I got Vanessa's "patchwork" look quite right, but I still like where I landed. I added a blue scarf and I was really tempted to give her those red goggles, since it would've made her resemble Vanny even more, but in the end I desided against it.

So yeah- nothing too big this time, just something fun and easy!

But to round this off, I will of course credit the wonderful author @naffeclipse who is writing Apex Polarity, which you can go read if you click right here (can 100% recommend, especially if you like stories with a bunch of fluff, mystery and drama~!) and today I give credit to myself for the designs of the humans! ;P

[dykedvonte]

why do you hate Joshua Graham or Honest Hearts so much?

This DLC and character represents a bigger issue with fandom spaces I have but particularly fallout fandom in general.

Fallout tends to tackle a lot of topics controversial and not. The first two games it’s heavy cause they are the most satirical and direct with how anti-war, nationalism and etc… they are. 3 loses this as it’s very clear once you play or learn about all the games that Todd and a bunch of guys at Bethesda just liked the 50s post apocalyptic aesthetic and refuse to actually critique the ideals of the time period like the earlier titles.

New Vegas is the game that really gets back into it a degree it almost seems like it’s taking too much on. There are things done exceedingly well while other things are done horribly wrong . I’ve made posts about it before and plan to make a big series of posts (it’s a lot of writing) but my biggest gripe is with Honest Hearts and all the gross and white savior esque depictions it has of indigenous peoples. The entirety if FNV does not do the injustices faced by indigenous people correctly on any count. My two biggest complaints are with the Khans and the tribes in Zion but I’ll talk about the former on a different post.

Both characters of Daniel and Joshua are the most accurate depiction of white saviors I’ve seen and I hate how the DLC tries to justify and defend them. The DLC treats Joshua like this man who has repented for his past actions when he is just retracing his steps after his cruelty bit him in the ass. He was one of the worst parts of the Legion and it is all but explicitly stated that if you don’t force him to be non-violent he will turn the tribes of Zion into the legion 2.0. The Dead Horses and the Sorrows are horribly infantilized by both Daniel and Joshua who both use them for self serving purposes guised by religious duty. The White Legs are the horrible stereotype of violent and savage indigenous and I personally think a lot of their interlinking with Ulysses, his hair and Ulysses character in general are distasteful and very telling of how BIPOC or POC where involved.

But outside of the game it’s the weird obsession people have with these characters ideologies and trying to make them seem more interesting/philosophical than they are. Tumblr is an echo chamber and many fans of Fallout are not the people on this site. Many people are not educated in the issues these characters convey and how poorly they do or used these characters as a poor introduction for their takes. Contrary to what a lot of people believe in, fallout has a prediomeny white cis male fanbase. More importantly a large portion of the fanbase is white.

You can joke how FNV made you trans or see the numbers on post/fics or diverse headcanons but these are kiddy numbers compared to the millions that consume the franchise and aren’t in those more aware spaces or don’t engage in the spaces the same way someone like me does/has to. Their views shape a lot more than people realize and it’s exhausting to be in a space where people don’t correct the more subtle yet toxic aspects of it but also adopt them into some weird quirky view point on the characters or issues. Some people don’t realize and some people don’t care.

My main issue is just the idolizing of these sort of thing in this fandom space and people try to acts like a game like fallout whose tagline is “War never changes” and has never had a game not revolve around political or militaristic factions issues isn’t that deep or doesn’t relate to real issues. I think it’s mainly caused by how over powered you can become and how you can strong arm your way past these learning moments as majority of people who play this game do play it as a power fantasy where they can do so as they please (which of course, go ahead it’s fun) but never take in parallels or lessons in the story as if it was just another first person shooter.

Also like another personal gripe is Cazadores spawn like hell whenever I’m there and I have not found a mod that works to mod them out so I have to play Indigenous Racism the DLC while getting jumped by giant wasps WHILE helping Mormons. Like I cannot catch a break.

[foggyfanfic]

Themes vs Realism

Saw an old debate about how isolated the Encanto is and it got me thinking about my own headcanons.

I watched the movie, saw the windows and wine glasses and thought “Oh! They must have trade, glass requires a specific sort of sand and while glass blowers would be relatively common, the odds they had somebody who knows how to make glass frit are pretty low”. And I can back up that argument with research and facts, buying glass is getting more expensive because we’re running low on sand with the right chemical composition, glass frit production would be more likely to happen in towns near silica rich beaches, where as Alma’s hometown looked like it was in the middle of the forest. Nowadays, not every country in the world has the right sand, when I worked with glass blowers they imported their frit from I think a family in Sweden(?) that are like one of the last few people making frit. So glass is actually a very big deal! I digress. Basically, realistically, the fact that they have glass means that they must have some trade.

But that’s completely irrelevant to the movie, isn’t it?

The movie is all about healing from generational trauma, Encanto being completely isolated is better for the movie’s themes. It’s like how we all love the deleted scene where Bruno argues with Alma and says “I wish I was dead” but the writers cut that scene because it gives Bruno confronting Alma on Mirabel’s behalf an extra bit of punch if he was never willing to do so before. Realistically, a deeply unhappy, almost forty adult who is as blunt as Bruno would have had that argument with Alma; thematically, Mirabel’s mysterious Tío couldn’t muster up the courage/passion to confront the movie’s antagonist until he was doing it for love. Realistically, it is actually necessary for Pepa to control her emotions because she can create hurricanes and that sorta disaster could wipe out the village; thematically, Pepa needs to be allowed to let her feelings flow through her without anyone snapping at her about it. Realistically they must have trade; thematically, they must be completely isolated.

There isn’t really a good way for canon to bridge this gap as far as I can tell, in story telling themes usually take precedence over realism, especially in a fantasy setting. But for a lot of people (like me) the funnest thing to do when writing fanfic is throw in a dash of realism and see what comes out of it. Obviously, the way you want to reconcile this is absolutely up to you. I personally care more about the movie sticking to themes than I do it being realistic or conforming to my background knowledge, I’m fully expecting to have most of my head canons disproven when they release more material. That said, for the sake of fic, I think asking questions like “Where are they getting the raw materials to build that” is a great launching pad.

I don’t know how to word my conclusion. That year I spent working with glass blowers is going to butt heads with my suspension of disbelief for the rest of my life? Realism is great for fanfic but not so much in short stories like movies? My head canons will never be canon and it’s better that way?

[flareboi]

what if purple never calls him dad

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[fate-defiant]

POV you're the jarchivist and you cannot for the life of you tell if this German kid that claims he has reality-warping superpowers is pulling your leg or not(also he literally named his pet duck "Duck" who fucking does that)

[licorishh]

Genshin characters age headcanons masterlist (updated)

Yeah. I could give you many reasons why I believe some of the more debatable/"controversial" ones are very sensible and Good based on just freaking paying attention to context given in the game but for now I'll just compile a basic list. If you'd like to hear my reasoning for some of these you're welcome to ask as long as you're polite about it.

List under the cut.

Aether/Lumine: 19

Amber: 18

Kaeya: 22

Lisa: 33

Barbara: 17

Razor: 16

Xiangling: 16

Beidou: 29

Xingqiu: 15

Fischl: 19

Ningguang: 31

Bennett: 18

Noelle: 18

Chongyun: 16

Sucrose: 20

Jean: 21

Diluc: 22

Qiqi: 6-8 (Hard to tell given she's a zombie and talks and acts differently from normal)

Mona: 20

Keqing: 21

Venti: 20 (biologically)

Klee: 7-ish?

Diona: She's so hard because she literally runs a business and acts like an adult but she's super short. I have no idea.

Tartaglia: 21

Xinyan: 19

Zhongli: 37

Albedo: 21

Ganyu: 23

Xiao: 20

Hu Tao: 18

Rosaria: 23

Yanfei: 21

Eula: 24

Kazuha: 20

Ayaka: 18

Sayu: 9- or 10-ish maybe?

Yoimiya: 18

Kujou Sara: 24

Raiden: 28 (biologically)

Kokomi: 18

Thoma: 20

Gorou: 18

Itto: 26

Yun Jin: 19

Shenhe: 23

Yae Miko: 30

Ayato: 26

Yelan: 24

Shinobu: 20

Heizou: 21

Collei: 16

Tighnari: 22

Dori: Super hard to tell, because again, she lives alone and runs a business by herself despite using the short girl model.

Candace: 24

Cyno: 23

Nilou: 21

Nahida: 7-9

Layla: 18-19 (she seems to maybe be in her first year of college - definitely in college, I'm just guessing the year here)

Faruzan: 24 (I know she's like a hundred years older but she was stuck and didn't age and I'm talking biologically still)

Scaramouche: 21 (biologically)

Yaoyao: 7-ish?

Alhaitham: 26

Dehya: 25

Mika: 17

Kaveh: 27

Baizhu: 34

Kirara: 20

Lynette: 20

Lyney: 20

Freminet: 17 (Don't know how much younger he is than his siblings, just guessing based on context and the way he talks and acts)

Furina: 21 (biologically)

Neuvillette: 36 (biologically)

Wriothesley: 32

Navia: 26

Clorinde: 27

Sigewinne: Basically impossible to know as she's a Melusine and not a human

Charlotte: 21

Signora: 29

Dottore: 33

Arlecchino: 31

Dainsleif: 22 (biologically)

[toothlespoggers]

So I was feeling kinda depressed since my blog kinda dies when I’m focusing on my health and irl life, and character development, writing and art takes a lot of time to create something impressive and coherent.

so since I need notes for my blog to stay alive while I work on stuff i thought I’d make a cool sans au to show everyone on tumblr so I get thousands of notes and really cool fanart and get featured in tiktoks and stuff with my character.

Since this is all it takes to become famous in the undertale fandom I thought I’d just throw away all the research I’m doing and just go with what works yanno?

😳 maybe I’ll draw horny art of him next, that’ll reel in the notes.

[honestlyvan]

now im thinking of the agnians being weirded out that kevesi dont have core crystals. taion is simply the most fun to imagine quietly freaking out about this. what are some other bodily differences? the agnians wanting to touch eunie's feathers is fun, but maybe lanz has a different body temperature. noah's got nothing tho. he's just lame and boring lmao

I think Noah might actually be the most disturbing out of the Kevesi for that very reason, especially to Taion as their healer, like, he looks so close to being "normal" (Agnian) except he doesn't feel like an Agnian on an etheric level so he sits right at the bottom of the uncanny valley. Eunie and Lanz, at least, have significant physiological differences that put them firmly in the "other" camp.

The same goes in reverse, Eunie actually hits a jackpot being paired with Taion, the most "normal" Agnian, it raises the incredulity ceiling for her to be dealing with the differences in Agnian physiology by experiencing it first as this Normal Guy being extremely weirdly and abnormally put together, it's like an on-ramp to dealing with the weirder blended physiology of Mio and the straight-up magical of Sena.

Agnians might just also be easier to understand, since they all exist on various points on a continuity, none of them are "fully" anything, all of them have a little bit of Blade in them, whereas Kevesi are, like... you pretty much have to learn to know homs, High Entia and machina physiology, and there doesn't seem to be a lot of overlap, even if High Entia and homs heritages have fully blended (which I don't think is possible, I think High Entia genes are dominant).

I think the plot is much stronger if Kevesi and Agnians inherently have that "are you even human????" response to each other, something just feeling.... off because they're essentially dealing with...not-quite-mirrorverse versions of what they're used to dealing with, I think that makes the text about recognising the personhood of the other, and learning to appreciate them, to seeing the common enemy as someone who wants you to hate the other just for being the other. But I do, also, like it when Taion suffers and is uncomfortable :D

[angorwhosebabyisthis]

underrated genre of character playlist entry: songs a character would relate to because they do not understand their situation, themself, or the song itself well enough to realize it is not accurate (and might well straight up be a callout for people like them). which song is your blorbo's fight club

[bitchesgate3]

mizora fans are the only safe side of the fandom for me

[burinazar]

Posting this since I forgot to say it anywhere public-facing besides one random twitter reply. I already prefaced my other visual parallel observations (1, 2) with “other people have to have known about this before me” , but this time that really must be the case…..this one’s not even a visual parallel it’s literally just a symbol sitting front and center with a meaning we were told about in another context. it was only coincidence that I hadn't yet happened to see the image in the right. It's from manga extras. as soon as I did I went “oh omg THAT’S what that thing is……”