#story breakdown

[k00299141]

Parts of a story/ Drama

Every story needs to endue itself with these basic elements:

Plot - what the story is actually about.

Theme - what it is trying to say.

Characters - the vehicles that push the story forward with their own story arch, dynamics and wants.

Dialogue: Where characters express themselves and are able to bond, give exposition or threats all through speech.

Song- how a character expresses themselves.

Spectacle- how the story all comes together - visuals and presentation.

Source: https://www.masterclass.com/articles/how-to-write-a-dramatic-screenplay

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[childofthestone]

i am the cause of all your peoples pain and suffering because our kind were enemies a lifetime ago and now i care for you and everything else too despite how i tried not to. or something

bonus:

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[zambomarti]

I love the contrast between Jayce and Viktor's storylines in Act 2.

Viktor, who has always been behind the scenes, ascends into a messianic, almost "celestial" figure of an utopian place.

Jayce, the man of progress, descended into Hell and returned infested by demons and apocalyptic visions.

A poetry, a tragic dance

[rebouks]

Previous // Next

[Robin panted, frantically trying to make sense of where he was] Wren: What is it?! … Wren: Geez-.. did you have a fit or something? [Robin blinked as Wren’s voice finally reached his ears, realising he was properly awake this time; he didn’t usually have such horrific dreams, but it’d felt so real…] Robin: Erm-.. a nightmare. Wren: Are you okay? … Wren: Robin? [Robin coughed a soggy sob into his palms, his chest too tight to think straight] Wren: What was it about? Robin: I don’t know! Wren: You don’t rememb-… Robin: Fuck’s sake, shut up! Why do you have to know everything all the time? Wren: I-… Robin: It’s overrated-.. and it wouldn’t even help! Wren: Okay..? Wren: Do I need to get mom, or..? Robin: [sniffs] No. Wren: I’m gonna get mom.

[cutietrait]

Bea is working on putting her nervous energy about her Foxbury grad school application into something productive - so ballet class it is. Plus, she thinks the outfits are cute 🤭

[ayenah-ayenah]

U ever just sit down and think— oh what a great love story Good Omens is.

Adam, the antichrist himself, loved his parents, his *real* parents, the ones that loved and raised him. He denied his destiny bc he knew what love is, and it isn't whatever the fck Satan is to him. He loved his friends, his family, and the world— love altered reality.

Beelzebub and Gabriel found each other. An angel and a demon who has known nothing but to obey what they thought they were made for. Choosing sides was their thing, but now, they found something worth more than that. They fell in love and suddenly, nothing else but them made sense.

Then, there's Nina and Maggie, defining a love that is new, and exciting, and difficult— makes you wonder if it would be worth it. In the end, Nina needs to heal and Maggie swears to wait. And I just wonder if it would work. I wonder if they'll be able to fall in love with each other, without outside forces pushing them together. Will they find their way to each other? But I think of Good Omens and I remember, it's a love story, so, maybe, they will.

Finally, there's Aziraphale and Crowley— the old love. Azi & Crow stopped Armageddon bc they love the world, and each other.

I keep thinking about their love, the way they reciprocate it so well.

S1, "Even if this all ends up in a pile of burning goo, we can go off together," that line made proof of Crowley's love, and it was directed to Aziraphale. He didn't need Heaven nor Hell, and he loves Earth, but when he said that line, that was him declaring that if they can't save Earth, then it doesn't matter— as long as Aziraphale is with him. That's his love, his truth, and it's them, Aziraphale and Crowley together.

Then, s2 (one of many reasons I love s2), Aziraphale proved to reciprocate Crowley's sentiment. "Nothing lasts forever," he said. He loved Earth, the bookshop was proof of this, he made a life for himself on Earth out of love. But, all that, meant little compared to Crowley. Aziraphale has been disobeying Heaven for as long as we have all witnessed, and he wouldn't have stopped Armageddon if he didn't know any better. And yet, here he is, willing to leave the life he's built on Earth with humanity, to be in Heaven with Crowley.

Aziraphale has been loyal, to the best of his ability, towards Heaven. He believed in the ineffable plan, but look at him now, going back to Heaven fully determined to change it because he knows that it will never be safe for them to be together unless they fix this. Heaven and Hell will always want their war, and unless they do something about it, it's not going to be a happily ever after for Aziraphale and Crowley.

And Crowley was hurt, has felt abandoned, and rejected. Because he just wants to grab Aziraphale and escape, but Aziraphale walked away.

And Aziraphale, too, was hurt, has felt abandoned, and rejected. He wanted to work on their happily ever after together, but Crowley walked away.

And after watching to the end, I wondered if they would work, if they would find each other again. But this is Good Omens, it's a love story, and in this love story, Aziraphale and Crowley have always been able to find each other.

And it's amazing. I have been thinking of love everytime I watch Good Omens. It just radiates so much love.

[jaysdoodlehell]

I'm supper busy with my commissions rn, so I thought I may share old doodles of my side project I'm working on with my friend @kingborb

Most of the designs you see here are a bit outdated, but generally this is our techno-organic AU, based around a concept of what would happen if Primus and Unicron would never split from the one entity they once were :3

The main story we work on is post war, but because there is a lot of changes all around we have everything planned from the beginning, so from the time Pimes roamed the planet's surface.

Still can't believe it all started just because I wanted to try making this one humanformer design of Starscream XD

[k00299141]

Zine Book I made with Marieann on Monday.

We used the backgrounds I had drawn for some of the pages.

We also used Marieann's scientist designs and also made up colour pallets that we used in the storyboards and backgrounds.

We had gone to the Zine workshop that morning and were shown many ways these types of books were made. We looked at an example of how to fold up a piece of paper into a zine book, and that's what we did, using an A3 page size, and sticking our pieces into it before getting the page photocopied and with 5 new sheets of the page copied, we folded them up and shared them around our group of 4.

We also handed a copy to the Zine teacher for display later on.

[guerrillla]

my heart. it was mine, and they took it.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[reunitedinterlude]

phil & corgis

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[atlas-of-galaxies]

thaw

[fivelila]

Ritu Arya - BTS S4 (Found on X)